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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:40,090 (THEME SONG) 2 00:00:42,090 --> 00:00:44,590 -NOW, MY MATERIAL OF CHOICE FOR ANY ROCK GARDEN 3 00:00:44,590 --> 00:00:46,690 HAS ALWAYS BEEN TUFA. 4 00:00:46,690 --> 00:00:50,410 BUT NOW, THE EXPERTS AT THE STUDIO TELL ME THAT TUFA IS 5 00:00:50,410 --> 00:00:52,780 ECOLOGICALLY UNSOUND AND I HAVE TO USE 6 00:00:52,780 --> 00:00:55,980 SOMETHING CALLED HARLEQUIN. 7 00:00:55,980 --> 00:00:58,740 HOW IT CAN BE ECOLOGICALLY SOUND TO IMPORTANT ROCK 8 00:00:58,740 --> 00:01:01,780 HALFWAY AROUND THE WORLD FROM AUSTRALIA IS QUITE BEYOND MY 9 00:01:01,780 --> 00:01:05,260 POOR BRAIN, BUT ANSWERS ON A POSTCARD TO CHANNEL 7. 10 00:01:05,260 --> 00:01:06,760 ANYWAY. 11 00:01:06,760 --> 00:01:08,750 WORK OUT HOW MUCH YOU'RE GOING TO NEED. 12 00:01:08,750 --> 00:01:11,730 AND IF YOU GOT ANY HALF USEFUL MALE UNDER YOUR FEET, PACK HIM 13 00:01:11,730 --> 00:01:14,890 OFF TO BUY THE STUFF WHILE YOU PREPARE THE SITE. 14 00:01:14,890 --> 00:01:18,140 NOW THE SITE I'VE GOT HERE IS OVER HUNG BY THIS RATHER UGLY 15 00:01:18,140 --> 00:01:21,960 PRIVET HEDGE, SO, I'M GOING TO TRIM IT BACK A BIT. 16 00:01:21,960 --> 00:01:25,470 PERSONALLY, I'D NEVER BE SEEN DEAD USING ONE OF THESE. 17 00:01:25,470 --> 00:01:28,570 ALL RIGHT, IF YOU'RE ANCIENT OR DISABLED, BUT OLD FASHIONED 18 00:01:28,570 --> 00:01:30,250 SHEARS ARE GOOD ENOUGH FOR ME. 19 00:01:30,250 --> 00:01:33,560 ECOLOGICALLY SOUNDER TOO, AND YOU GET A BIT OF EXERCISE, SO. 20 00:01:33,560 --> 00:01:34,610 -ALL RIGHT, CUT! 21 00:01:34,610 --> 00:01:35,390 QUIN, PLEASE. 22 00:01:35,390 --> 00:01:36,820 YOU CAN'T SAY THAT. 23 00:01:36,820 --> 00:01:38,250 -WHY NOT, GAVIN? 24 00:01:38,250 --> 00:01:39,400 -YOU KNOW PERFECTLY WELL WHY NOT. 25 00:01:39,400 --> 00:01:41,510 GOOD AND GREEN ARE THE SPONSORS OF THIS PROGRAM. 26 00:01:41,510 --> 00:01:43,190 -OH, DOES THAT MEAN GOOD AND GREEN DICTATE 27 00:01:43,190 --> 00:01:44,630 THE PROGRAM'S CONTENT? 28 00:01:44,630 --> 00:01:45,480 -OF COURSE NOT. 29 00:01:45,480 --> 00:01:46,240 ABSOLUTELY NOT. 30 00:01:46,240 --> 00:01:48,430 BUT IT DOES MEAN WE DON'T GO OUT OF OUR WAY TO SLAG OFF 31 00:01:48,430 --> 00:01:49,580 THEIR PRODUCTS. 32 00:01:49,580 --> 00:01:50,640 NICK, LET'S TAKE A BREAK. 33 00:01:50,640 --> 00:01:52,180 -HUH. 34 00:01:52,180 --> 00:01:55,350 -SHE REALLY BRINGS IT TO LIFE, DOESN'T SHE? 35 00:01:55,350 --> 00:01:56,850 I LOVED THAT BOOK OF HERS. 36 00:01:56,850 --> 00:01:59,380 ALMOST MADE ME WANT TO TAKE UP SAILING. 37 00:01:59,380 --> 00:02:00,780 EXCEPT FOR THE SCARY BITS. 38 00:02:00,780 --> 00:02:03,150 -HOW YOU DOING WITH THAT COMPOST, GIRLS? 39 00:02:03,150 --> 00:02:06,230 -WON'T BE LONG, GAVIN. 40 00:02:06,230 --> 00:02:08,450 GIRLS? 41 00:02:08,450 --> 00:02:08,740 AWE. 42 00:02:08,740 --> 00:02:10,400 -AWE. 43 00:02:10,400 --> 00:02:12,220 -OH, WELL. 44 00:02:12,220 --> 00:02:12,450 RIGHT. 45 00:02:12,450 --> 00:02:14,900 NOW, THREE PARTS GRAVEL TO ONE PART LOAM. 46 00:02:14,900 --> 00:02:16,420 -WHY DID WE TAKE THIS JOB? 47 00:02:16,420 --> 00:02:17,190 -HUNGER. 48 00:02:17,190 --> 00:02:17,800 -OH, YES. 49 00:02:17,800 --> 00:02:18,990 -I'LL TAKE THE LOAM. 50 00:02:18,990 --> 00:02:21,560 YOU TAKE THE GRAVEL. 51 00:02:21,560 --> 00:02:22,600 -JUST A MINUTE, JUST A MINUTE. 52 00:02:22,600 --> 00:02:25,060 THAT MEANS I'LL BE DOING THREE TIMES THE WORK YOU'RE DOING. 53 00:02:25,060 --> 00:02:27,650 -GOOD HEAVENS, I NEVER THOUGHT OF THAT. 54 00:02:27,650 --> 00:02:29,340 -ROSEMARY, I NEED YOU. 55 00:02:29,340 --> 00:02:30,330 -OH, IT'S NICE TO BE NEEDED. 56 00:02:30,330 --> 00:02:32,630 -YOU'RE A BRAVE GIRL, AREN'T YOU? 57 00:02:32,630 --> 00:02:33,680 -NO, I DON'T THINK SO. 58 00:02:33,680 --> 00:02:34,560 -OH, I'M SURE YOU ARE. 59 00:02:34,560 --> 00:02:35,860 LISTEN, I NEED A FAVOR. 60 00:02:35,860 --> 00:02:37,750 YOU KNOW THAT COMMENTARY I DO ON THE ROOF? 61 00:02:37,750 --> 00:02:38,510 -NO. 62 00:02:38,510 --> 00:02:39,990 -I DID IT LAST WEEK. 63 00:02:39,990 --> 00:02:41,700 OF COURSE YOU WEREN'T HERE LAST WEEK, WERE YOU? 64 00:02:41,700 --> 00:02:43,810 ANYWAY, NOW THEY WANT ME TO DO IT EVERY WEEK. 65 00:02:43,810 --> 00:02:46,370 I GOT UP TO THE TOP OF THAT SCAFFOLDING BY THE HOUSE WITH 66 00:02:46,370 --> 00:02:49,270 A CAMERA AND DO A RESUME OF ALL THE WORK WE'VE DONE. 67 00:02:49,270 --> 00:02:50,510 -RIGHT? 68 00:02:50,510 --> 00:02:54,730 -WELL, I ONLY FOUND OUT WHEN I DID IT, I'VE GOT ACROPHOBIA. 69 00:02:54,730 --> 00:02:56,050 -YOU'RE AFRAID OF HEIGHTS? 70 00:02:56,050 --> 00:02:57,190 -I NEARLY DIED. 71 00:02:57,190 --> 00:02:59,960 I HAD TO GRAB HOLD OF THAT POOR CAMERAMAN AND DO IT 72 00:02:59,960 --> 00:03:01,720 THROUGH CHATTERING TEETH. 73 00:03:01,720 --> 00:03:03,300 -BUT I SAW YOU, ON ONE OF YOUR TRIPS, CLIMB 74 00:03:03,300 --> 00:03:04,910 UP A 40 FOOT MAST. 75 00:03:04,910 --> 00:03:07,120 -YES, BUT IT'S DIFFERENT AT SEA, SOMEHOW. 76 00:03:07,120 --> 00:03:08,940 OR, MAYBE I'VE JUST DEVELOPED IT. 77 00:03:08,940 --> 00:03:11,400 ANYWAY, WILL YOU DO IT FOR ME? 78 00:03:11,400 --> 00:03:12,790 -ME? 79 00:03:12,790 --> 00:03:13,890 NO. 80 00:03:13,890 --> 00:03:14,460 NO, NO, NO. 81 00:03:14,460 --> 00:03:16,670 WER-- WE'RE JUST HERE IN THE BACKGROUND, NOT WORKING. 82 00:03:16,670 --> 00:03:17,150 I MEAN, NO. 83 00:03:17,150 --> 00:03:17,810 -NO, IT'S ALL RIGHT. 84 00:03:17,810 --> 00:03:19,170 I'VE CLEARED IT WITH GAVIN. 85 00:03:19,170 --> 00:03:20,170 -WELL, UM. 86 00:03:20,170 --> 00:03:21,230 -QUINNIE? 87 00:03:21,230 --> 00:03:22,630 -YES 88 00:03:22,630 --> 00:03:24,610 -ROSIE FITZCARRON FROM THE HAROLD. 89 00:03:24,610 --> 00:03:26,440 GAVIN SAID WE COULD DO AN INTERVIEW. 90 00:03:26,440 --> 00:03:27,400 -OH. 91 00:03:27,400 --> 00:03:28,260 UH, YES. 92 00:03:28,260 --> 00:03:30,330 -WE CAN MAKE IT START NOW, IF YOU'D LIKE. 93 00:03:30,330 --> 00:03:32,450 IS THERE SOMEWHERE A BIT QUIETER? 94 00:03:32,450 --> 00:03:34,870 -OH, YES OK. 95 00:03:34,870 --> 00:03:36,580 GAVIN WILL EXPLAIN IT ALL TO YOU. 96 00:03:36,580 --> 00:03:38,160 -AH, YES BUT NO. 97 00:03:38,160 --> 00:03:39,410 BUT I-- 98 00:03:41,180 --> 00:03:42,430 WHAT? 99 00:03:45,490 --> 00:03:46,820 -YOU CAN'T JUST PULL OUT NOW. 100 00:03:46,820 --> 00:03:49,180 -WELL, I'M SORRY. 101 00:03:49,180 --> 00:03:51,130 -BUT YOU'VE SIGNED A CONTRACT. 102 00:03:51,130 --> 00:03:52,380 -SO SUE ME. 103 00:03:54,900 --> 00:03:58,140 -LOOK, MR.FITZSEMORE, YOU AND YOUR WIFE BOTH AGREED TO MAKE 104 00:03:58,140 --> 00:03:59,490 OCCASIONAL COMMENTS ON FILM ABOUT 105 00:03:59,490 --> 00:04:00,390 WHAT WE WERE DOING. 106 00:04:00,390 --> 00:04:01,910 -YOU'LL HAVE TO DO WITH THAT, THAT'S ALL. 107 00:04:01,910 --> 00:04:03,930 YOU'VE GOT OUR GARDEN, MAKE DO WITH THAT. 108 00:04:03,930 --> 00:04:04,690 I'M A BUSY MAN. 109 00:04:04,690 --> 00:04:06,450 -W-WHAT ABOUT CRYSTAL? 110 00:04:06,450 --> 00:04:08,640 MY WIFE IS EVEN BUSIER THAN I AM. 111 00:04:08,640 --> 00:04:11,550 -CAN'T DO THIS. 112 00:04:11,550 --> 00:04:14,860 WHAT'S GOING ON HERE? 113 00:04:14,860 --> 00:04:15,740 -YOU'RE GOING TO BE A STAR. 114 00:04:15,740 --> 00:04:17,640 -I DON'T WANT TO BE A STAR. 115 00:04:17,640 --> 00:04:18,180 -YES YOU DO. 116 00:04:18,180 --> 00:04:20,690 THINK OF ALL THE CHAMPAGNE AND SHOPPING. 117 00:04:20,690 --> 00:04:21,680 -YOU'RE ONLY JEALOUS. 118 00:04:21,680 --> 00:04:22,670 -NO, WHAT? 119 00:04:22,670 --> 00:04:23,480 -WELL THEN, YOU DO IT. 120 00:04:23,480 --> 00:04:23,890 -NO. 121 00:04:23,890 --> 00:04:24,710 THEY WANT YOU. 122 00:04:24,710 --> 00:04:26,480 ANYWAY, I DON'T LIKE CHAMPAGNE. 123 00:04:26,480 --> 00:04:27,090 -OH, IT'S NOT COMPULSORY. 124 00:04:27,090 --> 00:04:28,340 -OH, YES IT IS. 125 00:04:28,340 --> 00:04:30,640 NOW YOU HAVE TO SIGN A THING. 126 00:04:30,640 --> 00:04:31,100 (SNIFFING) 127 00:04:31,100 --> 00:04:32,020 -MMM. 128 00:04:32,020 --> 00:04:34,380 LOOK AT THAT EUCALYPTUS. 129 00:04:34,380 --> 00:04:36,050 -ROSEMARY, YOU'RE TRYING TO CHANGE THE SUBJECT. 130 00:04:36,050 --> 00:04:37,830 -NO I'M NOT. 131 00:04:37,830 --> 00:04:40,860 THEY HAVE THEM ALL OVER SOUTHERN AUSTRALIA. 132 00:04:40,860 --> 00:04:41,610 MMM. 133 00:04:41,610 --> 00:04:43,800 I USED TO LOVE THE SMELL OF THEM. 134 00:04:43,800 --> 00:04:45,180 HELLO CRYSTAL. 135 00:04:45,180 --> 00:04:46,100 -HOW ARE YOU? 136 00:04:46,100 --> 00:04:47,100 -HELLO. 137 00:04:47,100 --> 00:04:50,170 UM, YOU HAVEN'T SEEN MY HUSBAND ANYWHERE, HAVE YOU? 138 00:04:50,170 --> 00:04:52,990 -OH, UM, I THINK HE'S WITH GAVIN. 139 00:04:57,430 --> 00:04:59,260 -LOOK, GAVIN HASN'T TOLD ME ANYTHING ABOUT THIS. 140 00:04:59,260 --> 00:05:00,040 -THIS IS NOT MY PROBLEM. 141 00:05:00,040 --> 00:05:01,180 I'M NOT DOING INTERVIEWS. 142 00:05:01,180 --> 00:05:01,830 ASK. 143 00:05:01,830 --> 00:05:03,830 I'VE GOT YOU AND CRYSTAL SCHEDULED FOR THIS AFTERNOON. 144 00:05:03,830 --> 00:05:04,360 -VERNON? 145 00:05:04,360 --> 00:05:05,610 I NEED TO TALK. 146 00:05:05,610 --> 00:05:06,920 -LOOK, 'CAUSE CRYSTAL'S HERE-- 147 00:05:06,920 --> 00:05:07,830 -I NEED TO TALK RIGHT NOW. 148 00:05:07,830 --> 00:05:08,790 -CAN WE JUST-- 149 00:05:08,790 --> 00:05:09,060 -FORGET IT. 150 00:05:09,060 --> 00:05:10,310 ALRIGHT? 151 00:05:16,900 --> 00:05:17,390 -CRISSY? 152 00:05:17,390 --> 00:05:19,840 -YES? 153 00:05:19,840 --> 00:05:22,030 -I'VE GOT A NICE JACKET IN THE BAG SOMEWHERE. 154 00:05:22,030 --> 00:05:23,000 I HAVEN'T UNPACKED. 155 00:05:23,000 --> 00:05:25,910 -OH, IT'S OPEN. 156 00:05:25,910 --> 00:05:26,510 -NO, I LOCKED IT. 157 00:05:26,510 --> 00:05:27,760 I KNOW I LOCKED IT. 158 00:05:30,650 --> 00:05:31,410 -IT'S BEEN FORCED. 159 00:05:31,410 --> 00:05:32,660 LOOK. 160 00:05:34,880 --> 00:05:36,710 THEY DON'T SEEM TO HAVE TOUCHED ANYTHING. 161 00:05:36,710 --> 00:05:39,830 -YES THEY HAVE. 162 00:05:39,830 --> 00:05:41,080 MY LAPTOP'S GONE. 163 00:05:41,080 --> 00:05:43,010 -OH. 164 00:05:43,010 --> 00:05:44,530 -IT'S A BIT DIFFERENT FROM SINGLE HANDED YACHT 165 00:05:44,530 --> 00:05:46,590 RACING, ISN'T IT? 166 00:05:46,590 --> 00:05:48,300 -WELL OF COURSE IT IS. 167 00:05:48,300 --> 00:05:50,550 -I MEAN, WORKING WITH A TEAM MUST BE A NEW 168 00:05:50,550 --> 00:05:52,300 EXPERIENCE FOR YOU. 169 00:05:52,300 --> 00:05:55,310 ARE YOU A TEAM PLAYER, DO YOU THINK? 170 00:05:55,310 --> 00:05:56,630 -THERE'S A JOB TO BE DONE. 171 00:05:56,630 --> 00:06:00,160 I JUST GET ON AND DO IT. 172 00:06:00,160 --> 00:06:03,810 -WHEN DOUGLAS HARRINGTON LEFT TO GO WITH THE BBC, THERE WAS 173 00:06:03,810 --> 00:06:06,980 A TREMENDOUS REACTION FROM HIS ALL HIS FANS. 174 00:06:06,980 --> 00:06:10,730 DO YOU THINK AND REPLACE DOUG IN THEIR AFFECTIONS? 175 00:06:10,730 --> 00:06:13,510 -IT'S NOT A QUESTION OF REPLACING DOUGLAS. 176 00:06:13,510 --> 00:06:14,500 I'M A DIFFERENT PERSON. 177 00:06:14,500 --> 00:06:17,020 THE VIEWERS WILL JUST HAVE TO GET USED TO ME. 178 00:06:17,020 --> 00:06:20,340 -SO THEY CAN LIKE IT OR LUMP IT? 179 00:06:20,340 --> 00:06:22,130 -THAT'S NOT WHAT I SAID. 180 00:06:22,130 --> 00:06:24,940 -AND NOW, HE'S SAYING HE WON'T DO THE INTERVIEWS. 181 00:06:24,940 --> 00:06:27,280 NOT ONLY THAT, BUT THE DORELL WOMAN IS MAKING ME LOOK A FOOL 182 00:06:27,280 --> 00:06:28,580 AND I WON'T HAVE IT. 183 00:06:28,580 --> 00:06:29,160 SHE'S-- 184 00:06:29,160 --> 00:06:31,900 SHE'S ONLY ON THE SHOW BECAUSE SHE'S AN ALLEGED CELEBRITY. 185 00:06:31,900 --> 00:06:34,370 SHE'S TOTALLY UNSYMPATHETIC, COLD, SHE 186 00:06:34,370 --> 00:06:35,750 TALKS DOWN TO THE AUDIENCE. 187 00:06:35,750 --> 00:06:36,900 NO, YOU LISTEN. 188 00:06:36,900 --> 00:06:38,230 YOU KNOW WHAT SHE'S DOING NOW? 189 00:06:38,230 --> 00:06:42,080 SHE'S KNOCKING OUR SPONSOR ON CAMERA! 190 00:06:42,080 --> 00:06:42,570 LOOK. 191 00:06:42,570 --> 00:06:43,050 LOOK. 192 00:06:43,050 --> 00:06:45,370 I'VE BEEN MAKING THIS PROGRAM FOR EIGHT YEARS. 193 00:06:45,370 --> 00:06:47,780 I COULD HAVE GONE WITH DOUGLAS WHEN HE LEFT BUT YOU PERSUADED 194 00:06:47,780 --> 00:06:48,470 ME TO STAY. 195 00:06:48,470 --> 00:06:50,440 YOU SAID I COULD HAVE ANYTHING I ASK FOR. 196 00:06:50,440 --> 00:06:51,980 WELL I DIDN'T ASK THIS WOMAN. 197 00:06:51,980 --> 00:06:53,740 I DON'T NEED THIS WOMAN. 198 00:06:53,740 --> 00:06:55,370 AND I WANT HER OFF MY PROGRAM. 199 00:06:55,370 --> 00:06:59,370 FRANKLY, EITHER SHE GOES OR I DO! 200 00:06:59,370 --> 00:07:01,850 -IF I WERE YOU, I WOULDN'T TEMPT FATE LIKE THAT. 201 00:07:01,850 --> 00:07:03,350 -WHAT DO YOU WANT? 202 00:07:03,350 --> 00:07:06,720 -WHAT'S THAT WOMAN DOING ON THE SET? 203 00:07:06,720 --> 00:07:07,610 -I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 204 00:07:07,610 --> 00:07:10,390 -OH, DON'T PRETEND THAT YOU DIDN'T KNOW. 205 00:07:10,390 --> 00:07:11,500 -KNOW WHAT? 206 00:07:11,500 --> 00:07:12,890 -THAT ROSIE FITZ-ANYONE. 207 00:07:12,890 --> 00:07:15,490 SHE'S INTERVIEWING QUINNIE DORELL. 208 00:07:15,490 --> 00:07:17,300 -THAT HAS NOTHING TO DO WITH ME. 209 00:07:17,300 --> 00:07:20,160 -HEY, SO IT'S JUST A COINCIDENCE, IS IT? 210 00:07:20,160 --> 00:07:21,410 -ASK THE PRESS OFFICE. 211 00:07:23,560 --> 00:07:25,260 -I INTEND TO! 212 00:07:25,260 --> 00:07:27,260 -FIRST OF ALL, MENTION DEMOLISHING THE GAZEBO AND, 213 00:07:27,260 --> 00:07:29,090 UH, CLEARING THAT WHOLE AREA. 214 00:07:29,090 --> 00:07:29,980 -IS THAT COMFORTABLE? 215 00:07:29,980 --> 00:07:32,010 -UM, AH YES, THAT'S I DON'T KNOW. 216 00:07:32,010 --> 00:07:33,210 I THINK IT'S FINE. 217 00:07:33,210 --> 00:07:33,330 NOW LOOK. 218 00:07:33,330 --> 00:07:34,420 WHAT ABOUT MY LAPTOP? 219 00:07:34,420 --> 00:07:35,730 -I'LL GET ON TO THE POLICE. 220 00:07:35,730 --> 00:07:37,370 -NOW, QUINNIE WILL HAVE ALREADY INTRODUCED YOU. 221 00:07:37,370 --> 00:07:39,000 WE'LL FILM THAT A BIT LATER. 222 00:07:39,000 --> 00:07:39,340 -YEAH RIGHT. 223 00:07:39,340 --> 00:07:39,840 OK. 224 00:07:39,840 --> 00:07:42,320 NOW THE THING IS, I MEAN ALL MY WORK IS ON THAT LAPTOP. 225 00:07:42,320 --> 00:07:43,730 AND IT SHOULD HAVE BEEN SAFE. 226 00:07:43,730 --> 00:07:44,490 WE PARKED IT IN THE DRIVE. 227 00:07:44,490 --> 00:07:44,970 -SURE. 228 00:07:44,970 --> 00:07:45,400 DON'T WORRY. 229 00:07:45,400 --> 00:07:46,540 WE'LL GET IT BACK FOR YOU. 230 00:07:46,540 --> 00:07:48,600 NOW, UH, IF YOU'D LIKE, YOU CAN HAVE A BOARD UP THERE WITH 231 00:07:48,600 --> 00:07:49,770 ALL THE MAIN POINTS WRITTEN ON IT. 232 00:07:49,770 --> 00:07:50,030 -NO. 233 00:07:50,030 --> 00:07:50,280 NO, NO, NO. 234 00:07:50,280 --> 00:07:51,010 I'LL REMEMBER. 235 00:07:51,010 --> 00:07:51,970 I'LL REMEMBER. 236 00:07:51,970 --> 00:07:55,570 IT'S THE, UM, THE GAZEBO CLEARED AND, NO. 237 00:07:55,570 --> 00:07:57,720 THE GAZEBO DEMOLISHED AND THE AREA CLEARED. 238 00:07:57,720 --> 00:07:57,990 -YEAH. 239 00:07:57,990 --> 00:07:58,690 -I CAN DO THAT. 240 00:07:58,690 --> 00:08:00,870 -SAY SOMETHING ABOUT THE WHOLE SHAPE OF THE GARDEN BECOMING 241 00:08:00,870 --> 00:08:03,220 CLEARER, THEN MOVE ONTO WHAT YOU'VE PLANTED THIS WEEK. 242 00:08:08,390 --> 00:08:09,540 -WE ARE NOT RUNNING AWAY. 243 00:08:09,540 --> 00:08:10,830 -I'M NOT SAYING YOU SHOULD RUN AWAY. 244 00:08:10,830 --> 00:08:14,890 -I WILL NOT VISIT SOME VICIOUS LITTLE TART. 245 00:08:14,890 --> 00:08:16,250 -HELLO. 246 00:08:16,250 --> 00:08:18,180 -OH, HELLO THERE. 247 00:08:18,180 --> 00:08:20,860 YOU HAVEN'T MET MY SON ZACH, HAVE YOU? 248 00:08:20,860 --> 00:08:21,480 -OH, HOW DO YOU DO? 249 00:08:21,480 --> 00:08:22,260 -HELLO. 250 00:08:22,260 --> 00:08:25,230 -ZACH'S GOING TO MED SCHOOL IN SEPTEMBER. 251 00:08:25,230 --> 00:08:26,920 -MEANWHILE, I'M [INAUDIBLE] 252 00:08:26,920 --> 00:08:28,190 I'M A PORTER AT THE LOCAL HOSPITAL. 253 00:08:28,190 --> 00:08:29,440 -OH. 254 00:08:34,040 --> 00:08:35,150 -DO YOU GET DANGER MONEY FOR THIS? 255 00:08:35,150 --> 00:08:36,750 -ON THE CHANNEL 7 SHOW? 256 00:08:36,750 --> 00:08:38,000 HA. 257 00:08:41,220 --> 00:08:42,440 -WOW. 258 00:08:42,440 --> 00:08:44,190 YOU GET A LOVELY VIEW UP HERE. 259 00:08:44,190 --> 00:08:46,280 -PROBABLY HAVE TO REDO LAST WEEK'S TOO. 260 00:08:46,280 --> 00:08:49,600 QUINNIE WAS SWEATING SO MUCH, THEY WON'T BE ABLE TO USE IT. 261 00:08:49,600 --> 00:08:51,010 SHE COULD'VE SAID SHE WAS SCARED OF HEIGHTS. 262 00:08:51,010 --> 00:08:53,200 -WELL I DON'T THINK SHE KNEW, ACTUALLY. 263 00:08:53,200 --> 00:08:54,700 -HOPEFULLY YOU DON'T GO THE SAME WAY. 264 00:08:54,700 --> 00:08:55,460 -OH, NO, NO. 265 00:08:55,460 --> 00:08:58,000 I USED TO DO ROCK CLIMBING. 266 00:08:58,000 --> 00:08:59,250 NOW. 267 00:09:02,820 --> 00:09:04,670 -I THOUGHT YOU WERE DOING AN INTERVIEW. 268 00:09:04,670 --> 00:09:07,190 -I HAD TO STOP BEFORE I KILLED HER. 269 00:09:07,190 --> 00:09:08,470 -WHY, WHAT DID SHE SAY? 270 00:09:08,470 --> 00:09:10,390 -OH, JUST THE USUAL. 271 00:09:10,390 --> 00:09:11,610 WHAT DOES A POOR IGNORANT SAILOR 272 00:09:11,610 --> 00:09:13,720 GIRL KNOW ABOUT GARDENING? 273 00:09:13,720 --> 00:09:16,880 HAVEN'T YOU GOT A NASTY, COLD PERSONALITY COMPARED WITH DEAR 274 00:09:16,880 --> 00:09:18,400 OLD DOUGLAS HARRINGTON? 275 00:09:18,400 --> 00:09:19,900 -OH, THAT'S AWFUL. 276 00:09:19,900 --> 00:09:22,860 -UGH. 277 00:09:22,860 --> 00:09:25,100 HOW'S SHE GETTING ON UP THERE? 278 00:09:25,100 --> 00:09:28,030 -I DON'T THINK THEY'VE DONE ANYTHING YET. 279 00:09:28,030 --> 00:09:30,840 -SO THE, OH, THE GAZEBO DEMOLISHED, 280 00:09:30,840 --> 00:09:32,950 AND THIS AREA CLEARED. 281 00:09:32,950 --> 00:09:34,120 -ARE YOU GOING TO POINT LIKE THAT? 282 00:09:34,120 --> 00:09:35,280 -YES, WELL I THOUGHT SO. 283 00:09:35,280 --> 00:09:35,660 IS THAT ALL RIGHT? 284 00:09:35,660 --> 00:09:36,110 -SURE. 285 00:09:36,110 --> 00:09:36,550 [INAUDIBLE]. 286 00:09:36,550 --> 00:09:37,790 -UM-HM, YEAH. 287 00:09:37,790 --> 00:09:39,510 AND THEN I THOUGHT, UM, I WOULD-- 288 00:09:39,510 --> 00:09:45,440 I WOULD UM, LEAN CASUALLY ON THE RAIL, LIKE THIS. 289 00:09:45,440 --> 00:09:47,780 -YOU WANT TO JUST RUN-- RUN IT THROUGH FOR US, ROSEMARY? 290 00:09:47,780 --> 00:09:49,690 -UH, YES, OK. 291 00:09:49,690 --> 00:09:50,110 OK. 292 00:09:50,110 --> 00:09:50,500 RIGHT. 293 00:09:50,500 --> 00:09:54,260 -QUIET PLEASE FOR A REHEARSAL! 294 00:09:54,260 --> 00:09:55,870 GO AHEAD, ROSEMARY. 295 00:09:55,870 --> 00:10:00,610 -AS YOU CAN SEE, AH, THE OLD GAZEBO IS GONE. 296 00:10:00,610 --> 00:10:06,120 AND, UH, WE HAVE USED SOME OF THE OLD STONE UH, TO EXTEND 297 00:10:06,120 --> 00:10:07,980 THE TERRACE HERE. 298 00:10:07,980 --> 00:10:17,620 UM, NOW YOU CAN, UH, YOU CAN, YOU CAN, UM, YOU CAN SEE HOW 299 00:10:17,620 --> 00:10:21,190 THE ORIGINAL GARDEN USED TO BE. 300 00:10:21,190 --> 00:10:22,440 AAAAAHHHHH! 301 00:10:26,820 --> 00:10:27,410 -OH! 302 00:10:27,410 --> 00:10:30,360 -OH! 303 00:10:30,360 --> 00:10:31,340 -AMBULANCE! 304 00:10:31,340 --> 00:10:33,300 GET AN AMBULANCE NOW! 305 00:10:33,300 --> 00:10:35,270 FETCH THE NURSE! 306 00:10:35,270 --> 00:10:36,520 GO ON! 307 00:10:41,650 --> 00:10:48,030 -(BABY CRYING) 308 00:10:48,030 --> 00:10:50,000 -EXCUSE ME. 309 00:10:50,000 --> 00:10:50,980 EXCUSE ME. 310 00:10:50,980 --> 00:10:52,490 MY FRIEND CAME IN ABOUT AN HOUR AGO. 311 00:10:52,490 --> 00:10:54,010 COULD YOU TELL ME WHAT'S HAPPENING TO MS.BOXER? 312 00:10:54,010 --> 00:10:55,240 -ARE YOU A RELATIVE? 313 00:10:55,240 --> 00:10:58,550 -UH, UH, BUSINESS PARTNER. 314 00:10:58,550 --> 00:11:00,350 -WELL, SHE'S GONE UP TO THEATER. 315 00:11:00,350 --> 00:11:01,730 -WHAT FOR? 316 00:11:01,730 --> 00:11:05,560 -SHE'S GOT CONCUSSION BUT SHE'S ALSO GOT A BROKEN TIBIA. 317 00:11:05,560 --> 00:11:06,660 -IS SHE GOING TO BE ALRIGHT? 318 00:11:06,660 --> 00:11:09,650 -SHE'LL BE IN HERE FOR A WEEK OR SO. 319 00:11:09,650 --> 00:11:11,700 -DON'T YOU JUST PUT PLASTER ON IT? 320 00:11:11,700 --> 00:11:13,350 -IT'S NOT A STRAIGHTFORWARD BREAK. 321 00:11:16,290 --> 00:11:16,780 -GO ON THEN. 322 00:11:16,780 --> 00:11:17,980 YOU FIND THEM. 323 00:11:17,980 --> 00:11:20,750 -HOW CAN I FIND THEM? 324 00:11:20,750 --> 00:11:24,090 -IF THEY DROPPED OUT, THEY DROPPED DOWN HERE SOMEWHERE. 325 00:11:24,090 --> 00:11:26,040 -IF THEY WERE THERE IN THE FIRST PLACE. 326 00:11:26,040 --> 00:11:28,020 -ARE YOU SAYING I DIDN'T BOLT THAT CLAMP PROPERLY? 327 00:11:28,020 --> 00:11:29,180 -OH COME ON, PETE. 328 00:11:29,180 --> 00:11:31,280 ALL I'M SAYING IS THAT EVEN IF THE CLAMP WAS BOLTED ON, IT 329 00:11:31,280 --> 00:11:32,660 CAN'T HAVE BEEN BOLTED ON PROPERLY. 330 00:11:32,660 --> 00:11:35,950 -AND ALL I'M SAYING IS, SHOW ME WHERE THE BOLTS FELL OUT. 331 00:11:35,950 --> 00:11:38,220 IT'S BEEN BLOODY SABOTAGED, THAT'S WHAT. 332 00:11:38,220 --> 00:11:39,060 -RUBBISH. 333 00:11:39,060 --> 00:11:40,630 LOOK, THE HEALTH AND SAFETY MAN'S GOING TO BE 334 00:11:40,630 --> 00:11:41,270 HERE IN HALF AN HOUR. 335 00:11:41,270 --> 00:11:42,670 WE'VE GOT TO FIND SOME ANSWERS BY THEN. 336 00:12:16,260 --> 00:12:18,650 -I'VE JUST COME TO COLLECT SOME THINGS FOR MISS BOXER. 337 00:12:18,650 --> 00:12:19,460 SHE'S IN HOSPITAL. 338 00:12:19,460 --> 00:12:20,270 -OH, YES? 339 00:12:20,270 --> 00:12:21,820 -COULD I HAVE A KEY, PLEASE? 340 00:12:21,820 --> 00:12:24,240 -OH. 341 00:12:24,240 --> 00:12:26,360 -THANK YOU. 342 00:12:26,360 --> 00:12:29,000 -OH, YOU'RE WITH THAT FILM LOT, AREN'T YOU? 343 00:12:29,000 --> 00:12:30,250 -YES. 344 00:12:31,800 --> 00:12:33,760 -COULD YOU GIVE THIS TO MISS FITZCARRON FOR ME? 345 00:12:33,760 --> 00:12:35,650 SHE LEFT IT ON THE COUNTER HERE THIS MORNING. 346 00:12:35,650 --> 00:12:36,240 -FITZCARRON? 347 00:12:36,240 --> 00:12:37,800 -LADY FROM THE HAROLD. 348 00:12:37,800 --> 00:12:39,090 ONLY IT'S HER ADDRESS BOOK. 349 00:12:39,090 --> 00:12:41,690 I'LL BET SHE NEEDS IT. 350 00:12:41,690 --> 00:12:42,940 -RIGHT-O. 351 00:13:00,360 --> 00:13:01,620 -OH, LAURA. 352 00:13:01,620 --> 00:13:02,590 HOW'S YOUR FRIEND? 353 00:13:02,590 --> 00:13:04,530 -BROKEN LEG AND CONCUSSION. 354 00:13:04,530 --> 00:13:06,090 -BUT SHE WILL BE ALL RIGHT THEN? 355 00:13:06,090 --> 00:13:06,830 -YES, YES. 356 00:13:06,830 --> 00:13:07,200 SHE'LL BE FINE. 357 00:13:07,200 --> 00:13:09,870 -WE HAVE BEEN SO WORRIED ABOUT HER. 358 00:13:09,870 --> 00:13:10,720 HAVEN'T WE, VERNON? 359 00:13:10,720 --> 00:13:11,090 -OH, GEEZ, YEAH. 360 00:13:11,090 --> 00:13:13,380 REALLY WORRIED. 361 00:13:13,380 --> 00:13:14,300 -RIGHT, WELL. 362 00:13:14,300 --> 00:13:14,770 SEE YOU LATER. 363 00:13:14,770 --> 00:13:16,020 -BYE. 364 00:13:37,930 --> 00:13:39,100 -I DON'T KNOW HOW BADLY HURT SHE IS YET. 365 00:13:39,100 --> 00:13:40,540 SHE MAY BE ABLE TO DO IT TOMORROW. 366 00:13:40,540 --> 00:13:42,580 -THAT LEG DIDN'T LOOK TOO GOOD. 367 00:13:42,580 --> 00:13:43,950 -IS ANYBODY SITTING THERE? 368 00:13:43,950 --> 00:13:44,970 -SIT DOWN, ROSIE. 369 00:13:44,970 --> 00:13:45,670 WELL, LET-- 370 00:13:45,670 --> 00:13:47,330 LET-- LET'S SEE IF WE CAN AT LEAST GET THE [INAUDIBLE]. 371 00:13:52,580 --> 00:13:54,190 -SHE'S NOT AS TOUGH AS SHE MAKES OUT. 372 00:13:54,190 --> 00:13:55,070 -WHO? 373 00:13:55,070 --> 00:13:58,470 -WELL THE WONDERFUL QUINNIE DORELL. 374 00:13:58,470 --> 00:14:00,880 FOR TEN MINUTES, SHE WAS IN FULL RETREAT. 375 00:14:00,880 --> 00:14:02,320 -WELL DONE, YOU. 376 00:14:02,320 --> 00:14:04,230 -SHE CALLED THE WHOLE THING OFF. 377 00:14:04,230 --> 00:14:05,860 -THAT'S NOT MUCH GOOD. 378 00:14:05,860 --> 00:14:06,850 -I'VE GOT MORE THAN ENOUGH. 379 00:14:06,850 --> 00:14:08,100 DON'T YOU WORRY. 380 00:14:11,230 --> 00:14:13,190 -NO, NO, NO. 381 00:14:13,190 --> 00:14:17,210 NO, GAVIN SAID THAT I SHOULD PHONE JUST TO CHECK. 382 00:14:17,210 --> 00:14:20,170 I SEE. 383 00:14:20,170 --> 00:14:21,420 YOU DIDN'T? 384 00:14:23,440 --> 00:14:23,770 NO, NO, NO. 385 00:14:23,770 --> 00:14:25,900 OF COURSE I WON'T, NO. 386 00:14:25,900 --> 00:14:27,720 BUT THE HAROLD, THEY HADN'T, THEY HADN'T ARRANGED 387 00:14:27,720 --> 00:14:29,740 ANYTHING WITH YOU? 388 00:14:29,740 --> 00:14:32,230 HMM. 389 00:14:32,230 --> 00:14:34,750 YES, OF COURSE I KNOW HOW INFLUENTIAL SHE IS, YES. 390 00:14:34,750 --> 00:14:36,190 THANKS, VERITY. 391 00:14:36,190 --> 00:14:37,440 SEE YOU SOON. 392 00:14:44,670 --> 00:14:46,440 -COULD YOU PUT ALL THESE SACKS OF REGIS OVER THERE? 393 00:14:46,440 --> 00:14:47,460 THEY'RE FOR THE LOWEST STRATA. 394 00:14:47,460 --> 00:14:47,730 -RIGHT. 395 00:14:47,730 --> 00:14:49,700 AND, AND WHAT ABOUT THESE EUPHOBIA? 396 00:14:49,700 --> 00:14:51,620 -UH, THOSE GO WITH THE HEBES. 397 00:14:51,620 --> 00:14:53,750 THE STUFF THAT'S GOING TO BE MORE EXPOSED ON THE TOP. 398 00:15:00,360 --> 00:15:03,190 I FEEL TERRIBLE ABOUT ROSEMARY. 399 00:15:03,190 --> 00:15:04,220 -NOT YOUR FAULT. 400 00:15:04,220 --> 00:15:07,690 -I WAS THE ONE WHO PERSUADED TO GO UP THERE. 401 00:15:07,690 --> 00:15:10,040 -YOU COULDN'T HAVE KNOWN. 402 00:15:10,040 --> 00:15:10,880 SOMEONE SAID THERE'S GOING TO BE A 403 00:15:10,880 --> 00:15:14,080 HEALTH AND SAFETY INQUIRY. 404 00:15:14,080 --> 00:15:16,000 -I'M NOT BEING PARANOID AM I? 405 00:15:16,000 --> 00:15:18,290 BUT IF SOMEBODY TAMPERED WITH THAT SCAFFOLDING, THEY WERE 406 00:15:18,290 --> 00:15:20,850 TRYING TO KILL ME, WEREN'T THEY? 407 00:15:20,850 --> 00:15:22,650 -NO, NO,NO. 408 00:15:22,650 --> 00:15:26,130 -IT WAS SHEAR CHANCE I WASN'T UP THERE WHEN IT HAPPENED. 409 00:15:26,130 --> 00:15:28,420 -BUT WHO WOULD WANT TO KILL YOU? 410 00:15:28,420 --> 00:15:29,520 -GAVIN PATTERSON. 411 00:15:29,520 --> 00:15:32,410 HE'S WANTED ME OFF THE SHOW EVER SINCE I GOT HERE. 412 00:15:32,410 --> 00:15:34,650 -HE'S NOT GOING TO KILL YOU THOUGH. 413 00:15:34,650 --> 00:15:36,130 -WELL WHAT THEN? 414 00:15:36,130 --> 00:15:38,550 IF SOMEONE WASN'T TRYING TO KILL ME WHAT? 415 00:15:38,550 --> 00:15:40,600 SOMEONE KNEW I WASN'T GOING TO BE UP THERE AND WAS TRYING TO 416 00:15:40,600 --> 00:15:42,480 KILL ROSEMARY? 417 00:15:42,480 --> 00:15:44,170 -NO, THAT DOESN'T MAKE SENSE EITHER. 418 00:15:47,140 --> 00:15:47,380 (MAN'S VOICE 419 00:15:47,380 --> 00:15:51,730 IN BACKGROUND) -GAVIN! 420 00:15:51,730 --> 00:15:52,980 HAVE A WORD, PLEASE? 421 00:15:55,500 --> 00:15:55,950 -RIGHT. 422 00:15:55,950 --> 00:15:57,300 UH, SEE IF SHE'S READY TO FINISH OFF 423 00:15:57,300 --> 00:15:58,120 THAT SHOT, WILL YOU? 424 00:15:58,120 --> 00:15:59,320 WE-- WE'LL DO THE HEDGE TRIMMING ON THE TERRACE. 425 00:15:59,320 --> 00:16:00,940 WE'LL GET A BETTER VIEW OF THE HOUSE FROM THERE. 426 00:16:00,940 --> 00:16:01,260 -SURE. 427 00:16:01,260 --> 00:16:02,940 -YES, PENNY? 428 00:16:02,940 --> 00:16:05,780 -I'VE SPOKEN TO VERITY IN THE PRESS OFFICE AT CHANNEL 7. 429 00:16:05,780 --> 00:16:08,300 IT SEEMS THAT FITZCARRON HAS ABSOLUTELY NO AUTHORIZATION 430 00:16:08,300 --> 00:16:10,340 FOR BEING HERE. 431 00:16:10,340 --> 00:16:10,770 -UGH. 432 00:16:10,770 --> 00:16:11,940 WHAT ARE YOU TALKING ABOUT? 433 00:16:11,940 --> 00:16:13,180 -I'M NOT HAVING THIS, GAVIN. 434 00:16:13,180 --> 00:16:14,640 I'M NOT HAVING YOUR BITS ON THE SIDE 435 00:16:14,640 --> 00:16:15,600 FLAUNTED IN FRONT OF EVERYBODY. 436 00:16:15,600 --> 00:16:16,830 I'M THE ASSOCIATE PRODUCER ON THIS PRODUCTION-- 437 00:16:16,830 --> 00:16:17,980 -DON'T GIVE YOURSELF AIRS. 438 00:16:17,980 --> 00:16:19,770 YOU'RE CALLED ASSOCIATE PRODUCER BECAUSE YOU'RE MY 439 00:16:19,770 --> 00:16:21,670 WIFE AND IT KEEPS THE TAX INSPECTOR HAPPY. 440 00:16:28,700 --> 00:16:30,000 -ALL RIGHT, CHAPS. 441 00:16:30,000 --> 00:16:31,800 LET'S GET HIS SHOT IN THE CAM. 442 00:16:31,800 --> 00:16:33,750 STAND BY EVERYBODY! 443 00:16:33,750 --> 00:16:34,980 -NEED A REHEARSAL, QUINNIE! 444 00:16:34,980 --> 00:16:38,590 -UM, I DON'T KNOW WHERE THE HEDGE TRIMMER'S GONE. 445 00:16:38,590 --> 00:16:39,820 WHERE'S THE BLOODY HEDGE TRIMMER, NICK? 446 00:16:39,820 --> 00:16:41,150 -IT WAS THERE A MINUTE AGO. 447 00:16:41,150 --> 00:16:42,150 SOMEONE MUST HAVE MOVED IT. 448 00:16:42,150 --> 00:16:45,480 IT WAS THERE A MINUTE AGO. 449 00:16:45,480 --> 00:16:47,470 THE CABLE'S HERE. 450 00:16:47,470 --> 00:16:50,540 -WELL WHAT WE NEED IS THE APPLIANCE ATTACHED TO THE END 451 00:16:50,540 --> 00:16:51,440 OF THE CABLE. 452 00:16:51,440 --> 00:16:53,320 -I DO WISH PEOPLE WOULD LEAVE PROPS ALONE. 453 00:17:06,460 --> 00:17:07,710 OH MY GOD! 454 00:17:23,440 --> 00:17:26,060 -SHE WAS HERE TO DO SOME INTERVIEWS, WASN'T SHE 455 00:17:26,060 --> 00:17:27,280 MR.PATTERSON? 456 00:17:27,280 --> 00:17:28,140 -YES, YES. 457 00:17:28,140 --> 00:17:29,980 JUST THE ONE WITH MS. DORELL AS FAR AS I KNOW. 458 00:17:29,980 --> 00:17:32,440 YOU'D HAVE TO ASK HER PAPER. 459 00:17:32,440 --> 00:17:35,580 WHAT WAS SHE DOING WITH A HEDGE TRIMMER? 460 00:17:35,580 --> 00:17:38,450 -IT'S POSSIBLE THAT THERE WAS A THIRD PARTY INVOLVED. 461 00:17:38,450 --> 00:17:40,550 THAT'S THE HYPOTHESIS WE'RE RUNNING WITH 462 00:17:40,550 --> 00:17:42,180 AT THE MOMENT ANYWAY. 463 00:17:42,180 --> 00:17:45,360 THAT SHE WAS PUSHED INTO THE SWIMMING POOL AND SOMEBODY 464 00:17:45,360 --> 00:17:48,680 THREW IT INTO THE WATER AFTER HER. 465 00:17:48,680 --> 00:17:49,930 -GOOD GOD. 466 00:17:54,120 --> 00:17:57,660 I MEAN, HOW LONG IS THIS GOING TO TAKE, INSPECTOR? 467 00:17:57,660 --> 00:17:58,900 -WELL SIR THAT'S-- 468 00:17:58,900 --> 00:18:01,620 -I DON'T MEAN TO BE CALLOUS, BUT I'VE GOT A 469 00:18:01,620 --> 00:18:02,820 PRODUCTION TO RUN HERE. 470 00:18:02,820 --> 00:18:05,580 EH, UGH, GOD KNOWS WHAT THE INSURANCE POSITION WILL BE IN 471 00:18:05,580 --> 00:18:06,470 A CASE LIKE THIS. 472 00:18:06,470 --> 00:18:08,570 -THIS MISS DORELL, SIR. 473 00:18:08,570 --> 00:18:09,820 QUINNIE DORELL, ISN'T IT? 474 00:18:09,820 --> 00:18:10,530 -YES, YES. 475 00:18:10,530 --> 00:18:12,680 IT IS THAT WOMAN WHO SAILED AROUND THE WORLD AND ALL THAT. 476 00:18:12,680 --> 00:18:13,550 -AH YES, YES. 477 00:18:13,550 --> 00:18:15,450 DIDN'T SHE WRITE A BOOK ABOUT IT? 478 00:18:15,450 --> 00:18:16,600 -2. 479 00:18:16,600 --> 00:18:17,370 YEAH. 480 00:18:17,370 --> 00:18:18,360 SHE'S A WONDERFUL PERSON. 481 00:18:18,360 --> 00:18:20,760 A REAL PROFESSIONAL. 482 00:18:20,760 --> 00:18:22,790 I MEAN, SHE DOES HAVE HER PROBLEMS. 483 00:18:28,820 --> 00:18:29,420 THEY'RE SEEING GAVIN NOW. 484 00:18:29,420 --> 00:18:31,140 THEY WANT TO QUESTION EVERYONE. 485 00:18:31,140 --> 00:18:32,630 -THEY DON'T THINK IT WAS AN ACCIDENT? 486 00:18:32,630 --> 00:18:34,620 NO, THEY THINK SOMEONE PUSHED HER INTO THE POOL AND THEN 487 00:18:34,620 --> 00:18:36,590 SWITCHED ON THE HEDGE TRIMMER AND THREW IT IN AFTER HER. 488 00:18:36,590 --> 00:18:37,860 IT WOULD ELECTROCUTE HER. 489 00:18:37,860 --> 00:18:39,110 THEY WANT TO SEE YOU NEXT. 490 00:18:47,580 --> 00:18:48,900 -AH, QUINNIE DORELL? 491 00:18:48,900 --> 00:18:49,610 -YES. 492 00:18:49,610 --> 00:18:53,910 -SIT DOWN, PLEASE, MISS DORELL QUINNIE, IS THAT 493 00:18:53,910 --> 00:18:55,750 UM, SHORT FOR SOMETHING? 494 00:18:55,750 --> 00:18:58,950 -QUINTILLA I WAS MY PARENTS FIFTH DAUGHTER. 495 00:18:58,950 --> 00:19:01,100 MY FATHER WAS FEELING BELEAGUERED. 496 00:19:01,100 --> 00:19:02,320 WHAT CAN I DO FOR YOU? 497 00:19:02,320 --> 00:19:04,610 -WE BELIEVE THAT YOU ARE ONE OF THE LAST PEOPLE TO SEE 498 00:19:04,610 --> 00:19:07,380 ROSIE FITZCARRON ALIVE. 499 00:19:07,380 --> 00:19:07,770 I DON'T KNOW. 500 00:19:07,770 --> 00:19:09,940 I DON'T KNOW WHEN SHE DIED. 501 00:19:09,940 --> 00:19:14,130 -SHE CAME DOWN HERE TO INTERVIEW YOU, YES? 502 00:19:14,130 --> 00:19:14,940 -YES, THAT'S RIGHT. 503 00:19:14,940 --> 00:19:17,020 DID YOU ARRANGE THAT? 504 00:19:17,020 --> 00:19:19,580 -NO, IT WAS ARRANGED THROUGH THE PRODUCTION COMPANY. 505 00:19:19,580 --> 00:19:21,650 -ONLY WE'VE BEEN PLAYING OVER THE TAPE THAT SHE 506 00:19:21,650 --> 00:19:23,990 MADE OF YOUR INTERVIEW. 507 00:19:23,990 --> 00:19:24,670 -YES? 508 00:19:24,670 --> 00:19:28,270 -WELL, YOU BROKE THE INTERVIEW OFF AFTER 10 MINUTES OR SO. 509 00:19:28,270 --> 00:19:29,360 -WELL, YES I DID. 510 00:19:29,360 --> 00:19:30,610 SHE WAS BEING IMPERTINENT. 511 00:19:40,760 --> 00:19:44,660 -YOU KNOW, I THINK I'M THE PRIME SUSPECT WITH THE POLICE. 512 00:19:44,660 --> 00:19:45,910 -NO, SURELY NOT. 513 00:19:48,200 --> 00:19:51,090 I UM, GONNA GO BACK TO THE HOTEL. 514 00:19:51,090 --> 00:19:53,190 DO YOU WANT A LIFT? 515 00:19:53,190 --> 00:19:55,370 NOTHING MORE TO DO HERE. 516 00:19:55,370 --> 00:19:57,380 -NO. 517 00:19:57,380 --> 00:19:58,630 OK. 518 00:20:04,040 --> 00:20:05,690 WHAT WAS THAT YOU WERE READING SO AVIDLY? 519 00:20:08,810 --> 00:20:11,380 -ROSIE FITZCARRON'S ADDRESS BOOK. 520 00:20:11,380 --> 00:20:12,990 -IS IT CONSIDERED POLITE TO READ SOMEBODY 521 00:20:12,990 --> 00:20:15,000 ELSE'S ADDRESS BOOK? 522 00:20:15,000 --> 00:20:16,060 -IT IS IF THEY'RE DEAD. 523 00:20:16,060 --> 00:20:17,780 -HOW DID YOU GET HOLD OF IT? 524 00:20:17,780 --> 00:20:19,400 -SHE LEFT IT AT THE HOTEL. 525 00:20:19,400 --> 00:20:20,650 WHOOPS. 526 00:20:23,280 --> 00:20:25,680 HMM, THAT'S FUNNY. 527 00:20:25,680 --> 00:20:29,820 THERE'S A NUMBER HERE WITH THE LETTERS B Q B, AND A QUESTION 528 00:20:29,820 --> 00:20:31,630 MARK AFTER IT. 529 00:20:31,630 --> 00:20:33,600 -SHE WASN'T SURE SHE'D GOT THE NUMBER RIGHT. 530 00:20:33,600 --> 00:20:35,650 -NO, IF YOU'RE NOT SURE OF THE NUMBER YOU PUT THE QUESTION 531 00:20:35,650 --> 00:20:37,490 MARK AFTER THE NUMBER, NOT AFTER THE NAME. 532 00:20:37,490 --> 00:20:42,320 THIS IS VERY DEFINITELY AFTER THE NAME, LOOK. 533 00:20:42,320 --> 00:20:45,390 WHAT'S BQB, ANYWAY? 534 00:20:45,390 --> 00:20:46,870 BANK OF QUICK BUCKS? 535 00:20:46,870 --> 00:20:49,450 BRITISH QUILTING BOARD? 536 00:20:49,450 --> 00:20:51,700 -SEARCH ME. 537 00:20:51,700 --> 00:20:53,310 LOOK, I'LL GO AND TELL THEM I'M GOING BACK TO 538 00:20:53,310 --> 00:20:54,560 THE HOTEL WITH YOU. 539 00:20:54,560 --> 00:20:57,410 I'M IN NEED OF SOME SUSTENANCE. 540 00:20:57,410 --> 00:20:58,660 I'LL SEE YOU AT THE CAR. 541 00:21:03,180 --> 00:21:03,660 -PENNY! 542 00:21:03,660 --> 00:21:04,150 PENNY! 543 00:21:04,150 --> 00:21:05,670 WHAT THE HELL HAVE YOU GOT US IN TO? 544 00:21:05,670 --> 00:21:07,300 -OH, SHUT UP, GAVIN! 545 00:21:07,300 --> 00:21:08,780 -DON'T YOU TALK TO ME LIKE THAT! 546 00:21:08,780 --> 00:21:11,950 -LET GO! 547 00:21:11,950 --> 00:21:13,880 IS THIS THE TRUTH ALL COMING OUT AT LAST? 548 00:21:13,880 --> 00:21:16,030 -I TOLD YOU, THERE WAS NOTHING BETWEEN ME AND ROSIE! 549 00:21:16,030 --> 00:21:17,640 -IT HARDY MATTERS NOW, DOES IT? 550 00:21:17,640 --> 00:21:19,680 -IF YOU THOUGHT THIS WAS SOME SORT OF MAD WAY OF GETTING ME 551 00:21:19,680 --> 00:21:19,860 BACK-- 552 00:21:19,860 --> 00:21:20,730 -WHAT? 553 00:21:20,730 --> 00:21:22,470 WHAT ARE YOU TALKING ABOUT? 554 00:21:22,470 --> 00:21:23,880 -YOU MURDERING BITCH! 555 00:21:23,880 --> 00:21:25,060 -YOU GET! 556 00:21:25,060 --> 00:21:26,310 YOU ARE INSANE! 557 00:21:50,980 --> 00:21:52,470 -OH. 558 00:21:52,470 --> 00:21:55,950 THERE'S SOMETHING HERE. 559 00:21:55,950 --> 00:21:56,940 I NEED IT DOWN A BIT. 560 00:21:56,940 --> 00:21:58,930 -THAT THERE? 561 00:21:58,930 --> 00:22:00,920 IS THAT THE ONE? 562 00:22:00,920 --> 00:22:01,970 -OW! 563 00:22:01,970 --> 00:22:03,350 OH. 564 00:22:03,350 --> 00:22:04,640 -IS THIS YOUR FIRST DAY UP? 565 00:22:04,640 --> 00:22:05,430 -AH, YES. 566 00:22:05,430 --> 00:22:08,140 IT'S AMAZING HOW QUICKLY THEY GET YOU UP THESE DAYS. 567 00:22:08,140 --> 00:22:09,700 -YOU HEAR WHAT HAPPENED AT THE HOUSE? 568 00:22:09,700 --> 00:22:11,890 -THE HOUSE? 569 00:22:11,890 --> 00:22:13,320 -I'M ZACH. 570 00:22:13,320 --> 00:22:13,900 I LIVE UP THERE. 571 00:22:13,900 --> 00:22:15,520 CRYSTAL PITT-SEYMOUR'S MY MOM. 572 00:22:15,520 --> 00:22:16,540 -OH, I SEE. 573 00:22:16,540 --> 00:22:17,110 OH, I DI-- 574 00:22:17,110 --> 00:22:18,530 I DIDN'T KNOW. 575 00:22:18,530 --> 00:22:20,610 -SOME JOURNALIST GOT KILLED. 576 00:22:20,610 --> 00:22:20,980 -YES, I-- 577 00:22:20,980 --> 00:22:21,850 I HEARD. 578 00:22:21,850 --> 00:22:23,600 ISN'T IT TERRIBLE? 579 00:22:23,600 --> 00:22:25,690 FELL IN THE POOL WITH AN ELECTRIC HEDGE TRIMMER. 580 00:22:25,690 --> 00:22:26,620 -HMM. 581 00:22:26,620 --> 00:22:29,400 YES, I KNOW. 582 00:22:29,400 --> 00:22:30,650 -SEE YOU LATER. 583 00:22:33,890 --> 00:22:34,860 -I NEED TO MAKE A PHONE CALL. 584 00:22:34,860 --> 00:22:37,290 -OF COURSE. 585 00:22:37,290 --> 00:22:39,680 -SO, HOW LONG DO THEY THINK YOU'RE GOING TO BE IN THERE? 586 00:22:39,680 --> 00:22:41,580 -WELL, ANOTHER WEEK AT LEAST ABOUT. 587 00:22:41,580 --> 00:22:42,450 -OH, I SEE. 588 00:22:42,450 --> 00:22:43,390 -SOUNDS AWFUL. 589 00:22:43,390 --> 00:22:45,090 A JOURNALIST IN THE POOL. 590 00:22:45,090 --> 00:22:46,010 -YES, TERRIBLE. 591 00:22:46,010 --> 00:22:46,950 -FREAK ACCIDENT? 592 00:22:46,950 --> 00:22:47,520 -NO. 593 00:22:47,520 --> 00:22:49,650 NO, THEY THINK IT WAS MURDER. 594 00:22:49,650 --> 00:22:51,280 -WELL, WHO WOULD WANT TO MURDER HER? 595 00:22:51,280 --> 00:22:52,510 (OFFSCREEN) HA, ALMOST EVERYBODY, 596 00:22:52,510 --> 00:22:53,930 FROM ALL I'VE HEARD. 597 00:22:53,930 --> 00:22:56,130 -YEAH, WELL THAT'S TRUE. 598 00:22:56,130 --> 00:22:59,530 OH, I CAME ACROSS AN ARTICLE BY HER IN A MAGAZINE TODAY. 599 00:22:59,530 --> 00:23:00,590 (OFFSCREEN) BY WHO? 600 00:23:00,590 --> 00:23:02,060 -ROSIE FITZCARRON. 601 00:23:02,060 --> 00:23:02,390 (OFFSCREEN) NO! 602 00:23:02,390 --> 00:23:04,310 -TALKING ABOUT HER TRAVELS IN AUSTRALIA. 603 00:23:04,310 --> 00:23:06,220 -(OFFSCREEN) WHAT, RECENTLY? 604 00:23:06,220 --> 00:23:09,150 -WELL, I JUST THOUGHT THAT MAYBE, THAT'S WHERE SHE MET 605 00:23:09,150 --> 00:23:10,450 THE PITT-SEYMOURS. 606 00:23:10,450 --> 00:23:11,480 -(OFFSCREEN) I'D BE SURPRISED. 607 00:23:11,480 --> 00:23:13,960 -YES, I KNOW IT'S UNLIKELY, BUT-- OW! 608 00:23:13,960 --> 00:23:14,950 -AWE. 609 00:23:14,950 --> 00:23:16,910 ARE YOU ALRIGHT? 610 00:23:16,910 --> 00:23:18,740 -ANY NEWS OF MY LAPTOP YET? 611 00:23:18,740 --> 00:23:19,990 -NO SORRY. 612 00:23:19,990 --> 00:23:20,830 -WELL, KEEP ON AT THEM, PLEASE. 613 00:23:20,830 --> 00:23:21,570 -YES, OF COURSE I WILL. 614 00:23:21,570 --> 00:23:23,180 -I'M LOST WITHOUT IT. 615 00:23:23,180 --> 00:23:25,170 -QUINNIE THINKS THE POLICE SUSPECT HER. 616 00:23:25,170 --> 00:23:27,090 -I DON'T THINK THAT'S LIKELY. 617 00:23:27,090 --> 00:23:27,740 -NO, I DON'T EITHER. 618 00:23:27,740 --> 00:23:29,790 -WELL, SHE DOES SPEAK HER MIND. 619 00:23:29,790 --> 00:23:32,360 -WELL, SHE DID SAY SHE WANTED TO KILL FITZCARRON. 620 00:23:32,360 --> 00:23:35,290 -WE ALL SAY THINGS LIKE THAT. 621 00:23:35,290 --> 00:23:36,280 -CAN NEVER TELL. 622 00:23:36,280 --> 00:23:37,000 -I'VE GOT TO GO. 623 00:23:37,000 --> 00:23:37,620 TRANQUILIZER TIME. 624 00:23:37,620 --> 00:23:38,440 -OH, ALL RIGHT. 625 00:23:38,440 --> 00:23:39,700 -CALL ME TOMORROW. 626 00:23:39,700 --> 00:23:39,990 -YEP. 627 00:23:39,990 --> 00:23:41,020 I'LL RING YOU TOMORROW. 628 00:23:41,020 --> 00:23:41,810 -BYE. 629 00:23:41,810 --> 00:23:42,800 -SLEEP WELL. 630 00:23:42,800 --> 00:23:44,050 -BYE. 631 00:23:58,690 --> 00:23:59,100 -OH, NICK. 632 00:23:59,100 --> 00:23:59,590 GOOD MORNING. 633 00:23:59,590 --> 00:24:00,890 WHAT'S GOING ON? 634 00:24:00,890 --> 00:24:02,140 -NOTHING, AS FAR AS I KNOW. 635 00:24:02,140 --> 00:24:03,080 WE'RE NOT SHOOTING TODAY. 636 00:24:03,080 --> 00:24:05,140 I MEAN, LOOK AT IT. 637 00:24:05,140 --> 00:24:07,240 PENNY AND GAVIN ARE STILL AT THE HOTEL. 638 00:24:07,240 --> 00:24:09,840 -I MEANT TO ASK YOU, HOW WELL DID GAVIN KNOW ROSIE 639 00:24:09,840 --> 00:24:10,160 FITZCARRON? 640 00:24:10,160 --> 00:24:11,440 -DON'T YOU START. 641 00:24:11,440 --> 00:24:14,440 INSPECTOR THING BADGERED ME ABOUT THAT. 642 00:24:14,440 --> 00:24:16,870 HI, VERNON. 643 00:24:16,870 --> 00:24:18,130 BE LIKE THAT THEN. 644 00:24:18,130 --> 00:24:19,630 NAH, THE TRUTH IS, I HAVE NO IDEA. 645 00:24:19,630 --> 00:24:21,560 PENNY IS CONVINCED THEY WERE HOPPING INTO BED WITH EACH 646 00:24:21,560 --> 00:24:23,100 OTHER EVERYONE AT EVERY OPPORTUNITY. 647 00:24:23,100 --> 00:24:25,170 THAT'S WHY SHE WORMED HER WAY IN AS ASSOCIATE PRODUCER. 648 00:24:25,170 --> 00:24:28,110 TO KEEP AND EYE ON HIM. 649 00:24:28,110 --> 00:24:30,260 -HE DID SEEM RATHER CHUMMY, ROSIE AND HE. 650 00:24:30,260 --> 00:24:31,550 -THEY WOULD. 651 00:24:31,550 --> 00:24:33,850 SHE WAS MAD KEEN TO GET INTO TELEVISION. 652 00:24:33,850 --> 00:24:35,930 SHE WANTED HIM TO PRODUCE A SHOW WITH HER AS STAR. 653 00:24:35,930 --> 00:24:38,020 ONE OF THOSE INVESTIGATIVE THINGS, WITH 654 00:24:38,020 --> 00:24:39,230 HER BEING UNDER COVER. 655 00:24:39,230 --> 00:24:41,930 "ROUGH HOUSE WITH ROSIE" OR SOME SUCH. 656 00:24:41,930 --> 00:24:42,770 -WAS HE GOING TO DO IT? 657 00:24:42,770 --> 00:24:44,350 -HE STRUNG HER ALONG. 658 00:24:44,350 --> 00:24:45,440 WHY NOT? 659 00:24:45,440 --> 00:24:47,500 ONLY GAVIN HASN'T GOT AS MUCH CLOUT AS 660 00:24:47,500 --> 00:24:48,890 SHE SEEMED TO IMAGINE. 661 00:24:48,890 --> 00:24:50,140 -HUH. 662 00:24:56,500 --> 00:24:59,720 -WHO WOULD WANT ROSIE FITZCARRON DEAD? 663 00:24:59,720 --> 00:25:01,470 -GOD KNOWS. 664 00:25:01,470 --> 00:25:03,360 -WELL, YOU FOR A START. 665 00:25:03,360 --> 00:25:06,170 -DARLING, I LEARNT LONG AGO TO IGNORE THE PRESS. 666 00:25:06,170 --> 00:25:07,620 -PENNY PATTERSON? 667 00:25:07,620 --> 00:25:09,610 BECAUSE SHE THOUGHT ROSIE WAS HAVING IT OFF 668 00:25:09,610 --> 00:25:11,150 WITH HER OLD MAN? 669 00:25:11,150 --> 00:25:13,080 -WHAT A REVOLTING THOUGHT. 670 00:25:13,080 --> 00:25:16,100 ANYWAY, WHY WOULD PENNY THINK THAT ROSIE FITZCARRON WAS 671 00:25:16,100 --> 00:25:19,190 GOING TO BE ON THE SCAFFOLDING? 672 00:25:19,190 --> 00:25:19,930 -FORGET THE SCAFFOLDING FOR A MINUTE. 673 00:25:19,930 --> 00:25:23,190 WHAT WAS THAT THE ASSISTANT DIRECTOR SAID ABOUT HER BEING 674 00:25:23,190 --> 00:25:24,410 UNDER COVER? 675 00:25:24,410 --> 00:25:26,920 -OH, SHE WANTED GAVIN TO PRODUCE SOME 676 00:25:26,920 --> 00:25:29,610 CRAPPY TV SHOW FOR HER. 677 00:25:29,610 --> 00:25:30,260 -OH, IS THAT WHAT SHE DID? 678 00:25:30,260 --> 00:25:31,580 INVESTIGATIVE JOURNALISM? 679 00:25:31,580 --> 00:25:33,370 WORKING UNDERCOVER, PRETENDING TO BE SOMEONE ELSE? 680 00:25:33,370 --> 00:25:34,090 -I DON'T KNOW. 681 00:25:34,090 --> 00:25:35,320 YOU COULD ASK HER NEWSPAPER. 682 00:25:35,320 --> 00:25:37,960 PERHAPS SOMEONE HERE HAD SOMETHING TO HIDE. 683 00:25:37,960 --> 00:25:38,330 -HEH. 684 00:25:38,330 --> 00:25:41,230 WAS YOU SHE CAME TO SEE. 685 00:25:41,230 --> 00:25:43,860 -WHAT'S THAT SMELL? 686 00:25:43,860 --> 00:25:45,560 -OH, A EUCALYPTUS TREE. 687 00:25:45,560 --> 00:25:46,800 -OH, YES. 688 00:25:46,800 --> 00:25:48,250 IT'S HORRIBLE. 689 00:25:48,250 --> 00:25:48,870 -I QUITE LIKE IT. 690 00:25:48,870 --> 00:25:53,060 IT, AH, IT-- IT-- IT REMINDS ME OF SOMETHING. 691 00:25:53,060 --> 00:25:54,310 NOW I CAN'T REMEMBER. 692 00:25:56,990 --> 00:25:57,650 I'M OFF. 693 00:25:57,650 --> 00:25:58,950 -WHERE ARE YOU GOING? 694 00:25:58,950 --> 00:26:01,720 -I'M GOING TO SEE CRYSTAL PITT-SEYMOUR. 695 00:26:01,720 --> 00:26:04,550 ROSEMARY SAID ROSIE HAD BEEN IN AUSTRALIA RECENTLY. 696 00:26:04,550 --> 00:26:05,530 -SO. 697 00:26:05,530 --> 00:26:07,920 -MAYBE THERE'S A CONNECTION. 698 00:26:07,920 --> 00:26:09,780 -CAN I COME? 699 00:26:09,780 --> 00:26:12,600 -AH, YEAH, SURE. 700 00:26:12,600 --> 00:26:13,950 -I'VE GOT TO CLEAR MY NAME, REMEMBER. 701 00:26:17,920 --> 00:26:19,410 -COME IN. 702 00:26:19,410 --> 00:26:20,910 COME IN. 703 00:26:20,910 --> 00:26:22,400 -AH. 704 00:26:22,400 --> 00:26:23,650 -DO SIT DOWN. 705 00:26:26,310 --> 00:26:29,710 SO, HOW'S YOUR FRIEND, LAURA? 706 00:26:29,710 --> 00:26:30,410 -OH, ROSEMARY. 707 00:26:30,410 --> 00:26:33,310 WELL SHE'S AS WELL AS COULD BE EXPECTED I SUPPOSE. 708 00:26:33,310 --> 00:26:36,360 -VERNON I WERE THINKING OF PHONING HER, AND THEN WE 709 00:26:36,360 --> 00:26:37,310 THOUGHT, NO. 710 00:26:37,310 --> 00:26:38,790 SHE PROBABLY NEEDS HER REST. 711 00:26:38,790 --> 00:26:40,090 -YES, QUITE. 712 00:26:40,090 --> 00:26:40,430 -UGH. 713 00:26:40,430 --> 00:26:44,110 AND THEN ALL THIS DREADFUL BUSINESS WITH THE JOURNALIST. 714 00:26:44,110 --> 00:26:46,240 ROSIE FITZCARRON HAD SPENT SOME TIME IN AUSTRALIA. 715 00:26:46,240 --> 00:26:48,770 DID YOU KNOW HER THERE? 716 00:26:48,770 --> 00:26:52,200 -AUSTRALIA IS A VERY BIG COUNTRY. 717 00:26:52,200 --> 00:26:55,700 -THAT'S A FAIRLY MEANINGLESS ANSWER, ISN'T IT? 718 00:26:55,700 --> 00:26:56,820 -I BEG YOUR PARDON? 719 00:26:56,820 --> 00:26:58,890 -MAYBE YOUR HUSBAND, MIGHT-- 720 00:26:58,890 --> 00:26:59,860 -VERNON? 721 00:26:59,860 --> 00:27:02,260 OH, I WOULDN'T IMAGINE SO. 722 00:27:02,260 --> 00:27:03,570 BUT, HE'S IN TOWN AT THE MINUTE. 723 00:27:03,570 --> 00:27:05,520 YOU CAN CERTAINLY ASK HIM YOURSELF WHEN HE GET'S BACK, 724 00:27:05,520 --> 00:27:09,230 BUT I THINK HE WOULD'VE MENTIONED IT. 725 00:27:09,230 --> 00:27:10,200 WHEN WAS SHE THERE? 726 00:27:10,200 --> 00:27:11,760 THIS JOURNALIST GIRL? 727 00:27:11,760 --> 00:27:12,870 -I DON'T KNOW. 728 00:27:12,870 --> 00:27:14,280 YEAR AGO. 729 00:27:14,280 --> 00:27:16,530 -OH, WELL, THERE YOU ARE YOU SEE. 730 00:27:16,530 --> 00:27:22,120 VERNON AND I HAVEN'T BEEN IN AUSTRALIA FOR, UM, 5, 6 YEARS. 731 00:27:22,120 --> 00:27:25,120 -HAVE YOU READ ANY OF ROSIE'S COLUMNS? 732 00:27:25,120 --> 00:27:26,950 -NO, I DON'T THINK SO. 733 00:27:26,950 --> 00:27:28,330 WHO DID SHE WRITE FOR? 734 00:27:28,330 --> 00:27:29,510 -THE HAROLD. 735 00:27:29,510 --> 00:27:30,830 -AH. 736 00:27:30,830 --> 00:27:32,120 WELL THEN NO, WE WOULDN'T HAVE. 737 00:27:32,120 --> 00:27:33,370 WE ONLY READ THE BROADSHEETS. 738 00:27:41,000 --> 00:27:43,110 -AREN'T YOU GOING TO WAIT AROUND FOR VERNON? 739 00:27:43,110 --> 00:27:43,490 -NO. 740 00:27:43,490 --> 00:27:44,580 I CAN SEE HIM TOMORROW. 741 00:27:44,580 --> 00:27:46,810 I'M GOING TO GO AND SEE GAVIN ABOUT ABOUT TOWN. 742 00:27:46,810 --> 00:27:48,060 -RIGHT. 743 00:27:52,270 --> 00:27:54,620 I JUST REMEMBERED WHAT THAT SMELL OF EUCALYPTUS 744 00:27:54,620 --> 00:27:56,340 MADE ME THINK OF. 745 00:27:56,340 --> 00:27:57,330 -VICKS VAPOR RUB. 746 00:27:57,330 --> 00:27:58,790 -NO. 747 00:27:58,790 --> 00:27:59,230 NO-- 748 00:27:59,230 --> 00:28:02,640 I WAS TALKING TO ROSEMARY, AND SHE WAS SAYING HOW IT REMINDED 749 00:28:02,640 --> 00:28:04,640 HER OF AUSTRALIA. 750 00:28:04,640 --> 00:28:06,440 -AND? 751 00:28:06,440 --> 00:28:07,890 NOW, IT BE-- LISTEN NOW-- 752 00:28:07,890 --> 00:28:11,070 JUST AT THAT MOMENT, WE BUMPED INTO CRYSTAL. 753 00:28:11,070 --> 00:28:12,530 CRYSTAL PITT-SEYMOUR. 754 00:28:12,530 --> 00:28:14,190 -WHERE DO THEY GET THESE NAMES FROM? 755 00:28:14,190 --> 00:28:17,770 -SHE WOULD HAVE HEARD WHAT ROSEMARY WAS SAYING. 756 00:28:17,770 --> 00:28:19,710 -AND? 757 00:28:19,710 --> 00:28:20,200 -UGH. 758 00:28:20,200 --> 00:28:21,450 I DON'T KNOW. 759 00:28:25,560 --> 00:28:27,080 CAN I SAY SOMETHING? 760 00:28:27,080 --> 00:28:29,450 -SUPPOSE I SAY NO. 761 00:28:29,450 --> 00:28:31,450 -ARE YOU COMING WITH ME TO SEE GAVIN? 762 00:28:31,450 --> 00:28:33,360 IF HE'S THE ONE WHO IS TRYING TO KILL ME, I THINK I'VE GOT A 763 00:28:33,360 --> 00:28:35,020 RIGHT, DON'T YOU? 764 00:28:35,020 --> 00:28:38,730 -MMM, WELL, WHEN WE TALK TO HIM, LET'S BE VERY 765 00:28:38,730 --> 00:28:40,630 LAID BACK, SHALL WE? 766 00:28:40,630 --> 00:28:41,910 WHAT DO YOU MEAN? 767 00:28:41,910 --> 00:28:44,790 -WELL YOU USUALLY GET MORE OUT OF PEOPLE IF YOU'RE QUITE 768 00:28:44,790 --> 00:28:46,420 CASUAL ABOUT THINGS. 769 00:28:46,420 --> 00:28:50,270 YOU DON'T HAVE TO NECESSARILY JUMP IN RIGHT AWAY AND ASK THE 770 00:28:50,270 --> 00:28:52,840 QUESTION YOU REALLY WANT TO ASK. 771 00:28:52,840 --> 00:28:54,610 -LIKE I DID WITH CRYSTAL. 772 00:28:54,610 --> 00:28:55,940 -YES. 773 00:28:55,940 --> 00:28:58,100 YES, YES THAT-- THAT'S QUITE A GOOD EXAMPLE 774 00:28:58,100 --> 00:29:00,870 AS A MATTER OF FACT. 775 00:29:00,870 --> 00:29:02,350 -I DON'T THINK I DO CASUAL. 776 00:29:17,110 --> 00:29:18,580 -DON'T FORGET NOW. 777 00:29:18,580 --> 00:29:20,060 LAID BACK. 778 00:29:20,060 --> 00:29:21,040 -RIGHT. 779 00:29:21,040 --> 00:29:22,030 LAID BACK. 780 00:29:22,030 --> 00:29:23,990 -INSOUCIANT. 781 00:29:23,990 --> 00:29:25,960 -I DEFINITELY DON'T DO INSOUCIANT. 782 00:29:29,940 --> 00:29:31,190 -COME IN. 783 00:29:33,430 --> 00:29:35,020 JUST PUT IT ON THE DRESSING TABLE, WILL YA? 784 00:29:45,880 --> 00:29:47,510 -OH, DO BUCK UP, GAVIN. 785 00:29:51,240 --> 00:29:52,350 -WHAT DO YOU WANT? 786 00:29:52,350 --> 00:29:55,550 -JUST A, SOCIAL CALL. 787 00:29:55,550 --> 00:29:57,660 -DID YOU KNOW THAT ROSIE FITZCARRON HAD SPENT SOME TIME 788 00:29:57,660 --> 00:30:00,130 IN AUSTRALIA? 789 00:30:00,130 --> 00:30:02,230 -WHAT'S THAT GOT TO DO WITH ANYTHING? 790 00:30:02,230 --> 00:30:07,120 -WE JUST WONDERED IF YOU KNEW WHY SHE WAS THERE? 791 00:30:07,120 --> 00:30:10,160 -WRITING HER GOD AWFUL COLUMN FOR HER GOD AWFUL 792 00:30:10,160 --> 00:30:11,650 NEWSPAPER, I PRESUME. 793 00:30:11,650 --> 00:30:14,090 OF COURSE, GAVIN'S THE EXPERT ON ROSIE FITZCARRON. 794 00:30:14,090 --> 00:30:16,630 -PENNY. 795 00:30:16,630 --> 00:30:18,260 SHE WAS VERY EXCITED ABOUT SOME BOOK SHE 796 00:30:18,260 --> 00:30:19,500 WAS GOING TO WRITE. 797 00:30:19,500 --> 00:30:21,170 -ABOUT AUSTRALIA? 798 00:30:21,170 --> 00:30:22,900 -SOME FINANCIAL SCANDAL. 799 00:30:22,900 --> 00:30:24,750 SHE WASN'T EXACTLY FORTHCOMING. 800 00:30:24,750 --> 00:30:25,160 -OH? 801 00:30:25,160 --> 00:30:27,930 NOT WHAT I HEARD. 802 00:30:27,930 --> 00:30:30,850 -SO, YOU DON'T KNOW ANY DETAILS? 803 00:30:30,850 --> 00:30:32,100 -NO. 804 00:30:38,230 --> 00:30:41,320 -THERE'S SOMETHING EXTREMELY CREEPY ABOUT THOSE 2, ISN'T 805 00:30:41,320 --> 00:30:41,640 THERE? 806 00:30:41,640 --> 00:30:41,950 -HMM. 807 00:30:41,950 --> 00:30:46,130 NOT EXACTLY CREEPY, MAYBE A BIT UNCOMFORTABLE THOUGH. 808 00:30:46,130 --> 00:30:48,880 -THE WAY HE JUST LAY THERE, ALL EXPOSED. 809 00:30:48,880 --> 00:30:50,860 -AT LEAST HE HADN'T KEPT HIS SOCKS ON. 810 00:30:50,860 --> 00:30:52,130 -HM, HM, HM. 811 00:30:52,130 --> 00:30:53,540 DO YOU THINK THEY WERE GOING TO, UM-- 812 00:30:53,540 --> 00:30:54,160 -OH, PLEASE. 813 00:30:54,160 --> 00:30:55,410 I'VE JUST HAD LUNCH. 814 00:30:57,950 --> 00:31:00,600 -YOU KNOW ABOUT THAT EUCALYPTUS, ABOUT ME SAYING 815 00:31:00,600 --> 00:31:04,410 CRYSTAL PITT-SEYMOUR COULD'VE OVERHEARD ROSEMARY AND ME? 816 00:31:04,410 --> 00:31:05,250 -YES. 817 00:31:05,250 --> 00:31:06,300 -KEEPS NAGGING AT ME. 818 00:31:06,300 --> 00:31:10,170 WHAT IF SHE WAS EXPECTING SOMEONE FROM AUSTRALIA, AND 819 00:31:10,170 --> 00:31:12,940 SHE HEARD ROSEMARY TALKING ABOUT HER TIME THERE-- 820 00:31:12,940 --> 00:31:13,390 -WHAT? 821 00:31:13,390 --> 00:31:17,300 SHE WAS EXPECTING JUST ANYBODY WHO'D BEEN TO AUSTRALIA? 822 00:31:17,300 --> 00:31:19,610 -WELL NO, BUT SOMEONE SHE DIDN'T KNOW. 823 00:31:19,610 --> 00:31:20,920 -I DON'T SEE HOW SHE COULD BE EXPECTING 824 00:31:20,920 --> 00:31:22,700 SOMEONE SHE DIDN'T KNOW. 825 00:31:22,700 --> 00:31:23,950 -UHMM. 826 00:31:27,180 --> 00:31:29,670 -OH MY GOD, LOOK! 827 00:31:29,670 --> 00:31:31,160 -IT'S A CAR ON FIRE! 828 00:31:43,110 --> 00:31:46,100 -IT LOOKS LIKE VERNON'S CAR. 829 00:31:46,100 --> 00:31:47,600 -GOD, HOW DID IT HAPPEN? 830 00:31:47,600 --> 00:31:48,090 -I DON'T KNOW. 831 00:31:48,090 --> 00:31:49,090 I JUST SAW THE SMOKE. 832 00:31:49,090 --> 00:31:50,340 THE DRIVER'S STILL IN THERE. 833 00:32:07,020 --> 00:32:11,280 -NO, WE WERE JUST DRIVING ALONG AND, AND WE SAW IT. 834 00:32:11,280 --> 00:32:12,840 -YOU DIDN'T SEE IT HAPPEN? 835 00:32:12,840 --> 00:32:14,190 -NO. 836 00:32:14,190 --> 00:32:16,000 -IT WAS VERNON DRIVING, WAS IT? 837 00:32:16,000 --> 00:32:16,560 -LOOKS LIKE IT. 838 00:32:16,560 --> 00:32:18,200 WE STILL HAVEN'T MADE A POSITIVE IDENTIFICATION. 839 00:32:18,200 --> 00:32:19,480 BUT UM-- 840 00:32:19,480 --> 00:32:21,290 -YOU SURE SHE'S GOING TO BE ALL RIGHT? 841 00:32:21,290 --> 00:32:22,770 -I'LL GET HER HOME. 842 00:32:22,770 --> 00:32:25,230 -CRYSTAL, ZACH, I'M SO SORRY. 843 00:32:32,410 --> 00:32:35,370 -HAVE YOU STILL GOT THAT ADDRESS BOOK? 844 00:32:35,370 --> 00:32:37,090 -OH, ROSIE FITZCARRON'S, YES. 845 00:32:37,090 --> 00:32:37,580 IN MY BAG. 846 00:32:37,580 --> 00:32:39,550 -CAN I HAVE A LOOK AT IT? 847 00:32:39,550 --> 00:32:40,800 -SURE. 848 00:32:43,990 --> 00:32:45,470 -WHERE'S THAT LOOSE PIECE OF PAPER? 849 00:32:45,470 --> 00:32:47,930 -AH, UM, RIGHT IN FRONT THERE. 850 00:32:50,920 --> 00:32:51,600 -YES, I KNEW IT. 851 00:32:51,600 --> 00:32:54,070 THIS IS THE PITT-SEYMOUR'S HOME PHONE NUMBER. 852 00:32:54,070 --> 00:32:55,880 -THAT'S VERY CLEVER OF YOU. 853 00:32:55,880 --> 00:32:58,200 -NO, IT WAS ON THE CALL SHEET FOR THE FILM UNIT. 854 00:32:58,200 --> 00:33:00,070 -OF COURSE. 855 00:33:00,070 --> 00:33:04,570 -SO, WHY DOES IT SAY B Q B? 856 00:33:04,570 --> 00:33:06,170 -WHAT IS B Q B? 857 00:33:18,460 --> 00:33:19,710 -LOOK! 858 00:33:21,910 --> 00:33:23,400 -HUH? 859 00:33:23,400 --> 00:33:25,900 -BQB! 860 00:33:25,900 --> 00:33:28,580 -BRISBANE AND QUEENSLAND BANK, OF COURSE! 861 00:33:28,580 --> 00:33:31,670 THAT BIG FRAUD THING THAT HAPPENED ABOUT 10 YEARS AGO. 862 00:33:31,670 --> 00:33:32,690 -OH, YES! 863 00:33:32,690 --> 00:33:36,600 -SOMEONE WHO WORKED THERE, UH, SOME JUNIOR EXECUTIVE. 864 00:33:36,600 --> 00:33:38,950 HE WENT MISSING WITH ABOUT 10 MILLION QUID. 865 00:33:38,950 --> 00:33:39,870 -YES, THAT'S RIGHT. 866 00:33:39,870 --> 00:33:41,340 THEN HE DIED, DIDN'T HE? 867 00:33:41,340 --> 00:33:43,920 -I DON'T THINK THEY GOT ALL THE MONEY BACK. 868 00:33:43,920 --> 00:33:45,370 -THEY GOT SOME OF IT. 869 00:33:45,370 --> 00:33:47,730 HE TRANSFERRED IT TO BANKS ALL OVER THE WORLD. 870 00:33:47,730 --> 00:33:49,140 OH, WHAT WAS HIS NAME? 871 00:33:49,140 --> 00:33:50,730 -WELL, HE'S DEAD ANYWAY. 872 00:33:50,730 --> 00:33:53,750 -BUT THE MONEY MUST HAVE GONE SOMEWHERE. 873 00:33:53,750 --> 00:33:56,890 DO YOU THINK THE PITT-SEYMOURS COULD'VE BEEN INVOLVED? 874 00:33:56,890 --> 00:33:58,140 -COME ON. 875 00:34:12,520 --> 00:34:14,950 GAVIN SAID, ROSIE WAS WRITING A BOOK ABOUT 876 00:34:14,950 --> 00:34:16,840 SOME FINANCIAL SCANDAL. 877 00:34:16,840 --> 00:34:19,280 NOW WHAT IF IT WAS THIS BQB THING? 878 00:34:19,280 --> 00:34:21,570 -WHAT, AND SHE LINKED THE PITT-SEYMOURS TO IT SOMEHOW? 879 00:34:21,570 --> 00:34:21,850 -YES. 880 00:34:21,850 --> 00:34:25,990 THEY SOMEHOW GOT HOLD OF THE MONEY AFTER JOHN LUNDGREN-- 881 00:34:25,990 --> 00:34:26,690 JOHN LUNDGREN! 882 00:34:26,690 --> 00:34:27,530 THAT WAS HIS NAME. 883 00:34:27,530 --> 00:34:28,160 -OF COURSE IT WAS. 884 00:34:28,160 --> 00:34:30,060 -WELL, WHAT IF THEY, AFTER HE DIED, THEY 885 00:34:30,060 --> 00:34:31,310 INHERITED THE MONEY? 886 00:34:34,560 --> 00:34:35,570 -THERE'S NO ONE HOME. 887 00:34:35,570 --> 00:34:36,940 CRYSTAL AND THE BOY LEFT ABOUT HALF AN HOUR AGO. 888 00:34:36,940 --> 00:34:37,930 THE POLICE SAY THEY'RE GOING TO BE 889 00:34:37,930 --> 00:34:38,830 FINISHED HERE BY TONIGHT. 890 00:34:38,830 --> 00:34:40,500 WE'LL JUST HAVE TO WORK SUNDAY. 891 00:34:40,500 --> 00:34:42,570 MAY YOU LIVE IN INTERESTING TIMES. 892 00:34:42,570 --> 00:34:46,320 OLD CHINESE CURSE. 893 00:34:46,320 --> 00:34:46,800 -UH! 894 00:34:46,800 --> 00:34:50,230 -WE KNOW THEY'RE NOT THERE. 895 00:34:50,230 --> 00:34:51,480 OH, SUGAR! 896 00:35:03,940 --> 00:35:05,190 DOUBLE SUGAR! 897 00:35:13,530 --> 00:35:15,190 RATHER YOU THAN ME. 898 00:35:15,190 --> 00:35:16,440 -BUT YOU'RE SO LISSOM. 899 00:35:40,220 --> 00:35:40,930 -THANK YOU. 900 00:35:40,930 --> 00:35:42,660 -NO SIGN OF LIFE AS FAR AS I CAN TELL. 901 00:35:50,500 --> 00:35:52,460 WHAT EXACTLY ARE WE LOOKING FOR? 902 00:35:52,460 --> 00:35:53,930 -WE'LL KNOW IT WHEN WE FIND IT. 903 00:35:53,930 --> 00:35:55,180 -OH, GOOD. 904 00:35:58,830 --> 00:35:59,320 -AHH! 905 00:35:59,320 --> 00:36:00,300 -WHAT? 906 00:36:00,300 --> 00:36:01,800 -BINGO! 907 00:36:01,800 --> 00:36:03,610 ROSEMARY'S COMPUTER! 908 00:36:03,610 --> 00:36:04,420 -NO! 909 00:36:04,420 --> 00:36:06,280 WHY WOULD THEY STEAL THAT? 910 00:36:06,280 --> 00:36:12,180 -WELL, THEY THOUGHT THAT ROSEMARY WAS ROSIE FITZCARRON, 911 00:36:12,180 --> 00:36:13,760 AND THEY WANTED TO FIND OUT WHAT ROSIE 912 00:36:13,760 --> 00:36:15,520 FITZCARRON WAS WRITING. 913 00:36:15,520 --> 00:36:16,300 -AHH. 914 00:36:16,300 --> 00:36:18,220 SOMEONE'S BEEN BURNING STUFF. 915 00:36:18,220 --> 00:36:19,610 -OH, ANYTHING INTERESTING? 916 00:36:19,610 --> 00:36:21,300 -IT'S STILL WARM. 917 00:36:21,300 --> 00:36:23,880 AH, SOMETHING HERE. 918 00:36:23,880 --> 00:36:24,670 IT'S A LITTLE BOOK. 919 00:36:24,670 --> 00:36:25,800 IT COULD'VE BEEN A PASSPORT. 920 00:36:25,800 --> 00:36:27,750 -OH, YES, IT COULD. 921 00:36:27,750 --> 00:36:28,410 -HANG ON A MINUTE. 922 00:36:28,410 --> 00:36:30,070 THERE'S A WHOLE SHEATH OF STUFF HERE THAT 923 00:36:30,070 --> 00:36:33,020 HASN'T BURNED PROPERLY. 924 00:36:33,020 --> 00:36:36,530 ALRIGHT, THIS ONES A BILL. 925 00:36:36,530 --> 00:36:38,630 HERE'S A LETTER. 926 00:36:38,630 --> 00:36:42,860 DEAR OLD MAGGIE, WHO'S MAGGIE? 927 00:36:42,860 --> 00:36:44,930 BLAH, BLAH, BLAH-- 928 00:36:44,930 --> 00:36:47,580 THE GOOD NEWS IS THAT I'M NOW HEAD OF THE PACIFIC RIM 929 00:36:47,580 --> 00:36:48,970 INVESTMENT DEPARTMENT. 930 00:36:48,970 --> 00:36:49,960 HOW ABOUT THAT? 931 00:36:49,960 --> 00:36:52,520 AND DEN HARGREVES DIDN'T GET A SNIFF. 932 00:36:52,520 --> 00:36:53,350 LISTEN TO THIS! 933 00:36:53,350 --> 00:36:54,440 -I AM LISTENING! 934 00:36:54,440 --> 00:36:57,800 -OH, INCIDENTALLY, WE HAD AN ENGLISH JOURNALIST, ROSIE 935 00:36:57,800 --> 00:37:00,160 SOMETHING, SNIFFING AROUND ABOUT THE 936 00:37:00,160 --> 00:37:02,430 LUNDGREN AFFAIR RECENTLY. 937 00:37:02,430 --> 00:37:05,320 I TOLD HER TO LOOK YOU UP AS YOU KNEW THE LATE UNLAMENTED 938 00:37:05,320 --> 00:37:09,730 JOHNNY, WORKED IN HIS DEPARTMENT, ET CETERA. 939 00:37:09,730 --> 00:37:13,380 -WHAT DID JOHN LUNDGREN DIE OF, DO YOU REMEMBER? 940 00:37:13,380 --> 00:37:14,210 -NO. 941 00:37:14,210 --> 00:37:15,720 OH, WAIT A MINUTE. 942 00:37:15,720 --> 00:37:17,370 THEY NEVER FOUND A BODY, DID THEY? 943 00:37:17,370 --> 00:37:18,620 SOMETHING TO DO WITH A BOAT. 944 00:37:21,610 --> 00:37:22,860 -OH, THE AURORA. 945 00:37:28,080 --> 00:37:30,070 JOHN LUNDGREN DIDN'T DIE! 946 00:37:30,070 --> 00:37:32,350 -VERNON PITT-SEYMOUR IS JOHN LUNDGREN. 947 00:37:32,350 --> 00:37:33,470 -I'LL TELL THE POLICE. 948 00:37:33,470 --> 00:37:34,780 SEE YOU AT THE CAR IN 3 MINUTES. 949 00:37:34,780 --> 00:37:34,910 -WHAT? 950 00:37:34,910 --> 00:37:36,150 -GO! 951 00:37:36,150 --> 00:37:38,150 EXCUSE ME! 952 00:37:38,150 --> 00:37:39,520 -MAY I ASK A QUESTION? 953 00:37:39,520 --> 00:37:40,890 -GO ON. 954 00:37:40,890 --> 00:37:43,360 -I MEAN, I DON'T WISH TO APPEAR FORWARD. 955 00:37:43,360 --> 00:37:44,220 -ASK AWAY. 956 00:37:44,220 --> 00:37:46,600 WHERE EXACTLY ARE WE GOING? 957 00:37:46,600 --> 00:37:49,770 -OH, UM, WE'RE GOING TO FIND THE PITT-SEYMOUR'S BOAT. 958 00:37:49,770 --> 00:37:51,450 THE AURORA. 959 00:37:51,450 --> 00:37:51,940 -BUT WHERE? 960 00:37:51,940 --> 00:37:53,580 WE'RE MILES FROM THE SEA. 961 00:37:53,580 --> 00:37:55,730 -THEY MAY HAVE MOORED IT NEAR THE HOUSE. 962 00:37:55,730 --> 00:37:58,780 THERE WAS A NOTICE BEHIND VERNON IN THAT PHOTOGRAPH THAT 963 00:37:58,780 --> 00:38:00,820 SAID BRIDMOUTH CANAL. 964 00:38:00,820 --> 00:38:03,600 AND THAT TAKES YOU STRAIGHT OUT TO SEA. 965 00:38:03,600 --> 00:38:05,090 -CLEVER. 966 00:38:05,090 --> 00:38:05,590 WAIT! 967 00:38:05,590 --> 00:38:06,580 THERE'S A LOCK! 968 00:38:06,580 --> 00:38:07,830 -AH! 969 00:38:36,400 --> 00:38:38,730 -THANK GOD THE LOCKS FULL. 970 00:38:38,730 --> 00:38:39,750 -OH GOODY. 971 00:38:39,750 --> 00:38:42,500 NOTHING WORSE THAN AND EMPTY LOCK. 972 00:38:42,500 --> 00:38:45,260 -CAN WE USE THAT CHAIN OFF THE BACK OF YOUR CAR? 973 00:38:45,260 --> 00:38:46,510 -UM YEAH, I'LL GET IT. 974 00:39:02,500 --> 00:39:03,490 HERE. 975 00:39:03,490 --> 00:39:04,490 -THANKS. 976 00:39:04,490 --> 00:39:06,300 KEEP A LOOK OUT FOR THE AURORA. 977 00:39:06,300 --> 00:39:09,260 -AYE, AYE, CAPTAIN. 978 00:39:09,260 --> 00:39:12,220 -UP STREAM, YOU FOOL! 979 00:39:12,220 --> 00:39:13,470 -OH. 980 00:39:19,610 --> 00:39:21,090 THERE'S A BOAT COMING! 981 00:39:21,090 --> 00:39:22,580 -IS IT THE AURORA? 982 00:39:22,580 --> 00:39:24,200 -IT COULD BE. 983 00:39:24,200 --> 00:39:25,840 -GO AND HIDE. 984 00:39:25,840 --> 00:39:26,780 -ARE YOU SURE? 985 00:39:26,780 --> 00:39:27,160 -YEAH. 986 00:39:27,160 --> 00:39:27,640 GO ON. 987 00:39:27,640 --> 00:39:28,890 I'M NEARLY DONE. 988 00:39:43,100 --> 00:39:45,580 -THERE'S ONLY ANOTHER 3 LOCKS BETWEEN HERE AND THE COAST. 989 00:39:48,560 --> 00:39:50,050 WHAT NOW? 990 00:39:50,050 --> 00:39:52,030 -NOW, WE BECOME GONGOOZLERS. 991 00:39:55,010 --> 00:39:56,260 -OH, RIGHT. 992 00:40:05,420 --> 00:40:06,560 -WHAT DID YOU TELL THE POLICE? 993 00:40:06,560 --> 00:40:06,890 -EVERYTHING. 994 00:40:06,890 --> 00:40:09,210 THEY'RE STARTING DOWNSTREAM AND WORKING THEIR WAY UP. 995 00:40:23,260 --> 00:40:24,510 -THANKS DARLING. 996 00:40:48,130 --> 00:40:49,630 -NOW WHAT HAPPENS? 997 00:40:49,630 --> 00:40:50,880 -THEY START TO SINK. 998 00:40:55,600 --> 00:40:56,850 -OPEN IT UP, ZACH. 999 00:40:59,630 --> 00:41:00,880 -NOW THE FUN STARTS. 1000 00:41:06,800 --> 00:41:08,210 -VERNON, THIS ONES CHAINED UP! 1001 00:41:08,210 --> 00:41:09,610 -WHAT DO YOU MEAN, IT'S CHAINED UP? 1002 00:41:09,610 --> 00:41:10,860 -IT'S LOCKED! 1003 00:41:14,050 --> 00:41:15,500 -WHO THE HELL HAS DONE THIS? 1004 00:41:22,250 --> 00:41:23,050 SHE'LL GET THROUGH THAT. 1005 00:41:23,050 --> 00:41:23,820 -I DON'T THINK SO. 1006 00:41:23,820 --> 00:41:24,780 -YEAH SHE WILL. 1007 00:41:24,780 --> 00:41:25,250 COME ON. 1008 00:41:25,250 --> 00:41:26,000 GET IN THE BOAT. 1009 00:41:26,000 --> 00:41:27,730 -CAN THEY MAKE IT THROUGH JUST ONE SIDE? 1010 00:41:27,730 --> 00:41:28,220 -I DON'T KNOW. 1011 00:41:28,220 --> 00:41:29,470 IT DEPENDS ON THE BEAM. 1012 00:41:39,160 --> 00:41:42,140 -COME ON, COME ON! 1013 00:41:42,140 --> 00:41:44,630 THANKS DOLL. 1014 00:41:44,630 --> 00:41:45,620 NOW, WE CAN DO IT. 1015 00:41:45,620 --> 00:41:47,110 WE CAN DO IT! 1016 00:41:47,110 --> 00:41:48,360 -WE CAN'T! 1017 00:41:50,630 --> 00:42:11,520 (SIRENS) 1018 00:42:11,520 --> 00:42:13,490 -VERNON, IT WON'T GO! 1019 00:42:13,490 --> 00:42:14,970 -WELL IT'S BLOODY GOT TO! 1020 00:42:23,870 --> 00:42:24,850 ALRIGHT! 1021 00:42:24,850 --> 00:42:27,330 ALRIGHT. 1022 00:42:27,330 --> 00:42:28,700 EVERYONE OFF THE BOAT. 1023 00:42:31,210 --> 00:42:33,690 -THAT'S AS FAR AS YOU GO, MR.LUNDGREN! 1024 00:42:33,690 --> 00:42:35,670 -WHAT THE HELL ARE YOU DOING? 1025 00:42:35,670 --> 00:42:37,660 -WHAT AM I MEANT TO DO? 1026 00:42:37,660 --> 00:42:38,250 -RAP HIM ON THE KNUCKLES. 1027 00:42:38,250 --> 00:42:39,730 -YEAH, YOU WOULDN'T DARE. 1028 00:42:39,730 --> 00:42:40,980 -TRY ME. 1029 00:42:44,100 --> 00:42:46,590 WARNED YOU. 1030 00:42:46,590 --> 00:42:57,050 (SIRENS) 1031 00:42:57,050 --> 00:42:58,300 -THAT'LL DO, NOW. 1032 00:43:04,520 --> 00:43:06,510 -WHEW! 1033 00:43:06,510 --> 00:43:10,280 SO, CRYSTAL, REAL NAME MAGGIE MALARD, GOT THE LETTER FROM 1034 00:43:10,280 --> 00:43:13,000 HER FRIEND AT BQB A FEW DAYS BEFORE. 1035 00:43:13,000 --> 00:43:15,010 THE REMAINS WERE STILL IN THEIR FIREPLACE. 1036 00:43:15,010 --> 00:43:17,610 -THAT MUST BE WHY SHE AND VERNON HAD STARTED TO GET 1037 00:43:17,610 --> 00:43:20,430 NERVOUS ABOUT HAVING SUCH A HIGH PROFILE, AND DECIDED TO 1038 00:43:20,430 --> 00:43:20,960 QUIT THE SHOW. 1039 00:43:20,960 --> 00:43:21,970 -THAT'S RIGHT. 1040 00:43:21,970 --> 00:43:25,450 AND THEN SHE HEARD YOU TALKING ABOUT BEING IN AUSTRALIA AND 1041 00:43:25,450 --> 00:43:26,860 SMELLING THE EUCALYPTUS. 1042 00:43:26,860 --> 00:43:30,410 -OH, SO SHE ASSUMED THAT I WAS THE REAL ROSIE FITZCARRON-- 1043 00:43:30,410 --> 00:43:30,700 -UM-HM. 1044 00:43:30,700 --> 00:43:32,780 -UNDERCOVER. 1045 00:43:32,780 --> 00:43:34,450 -I SUPPOSE THE SIMILARITY OF NAMES CLENCHED IT. 1046 00:43:34,450 --> 00:43:38,910 ROSIE, ROSEMARY, SO, SHE HAD TO GET RID OF YOU. 1047 00:43:38,910 --> 00:43:41,610 -BLOODY HELL. 1048 00:43:41,610 --> 00:43:44,490 -THEN, THE REAL ROSIE FITZCARRON TURNED UP, CRYSTAL 1049 00:43:44,490 --> 00:43:47,460 SAW HER MISTAKE, AND SO SHE HAD TO DO IT ALL OVER AGAIN. 1050 00:43:47,460 --> 00:43:50,960 -BUT WHO WAS THE BODY IN THE CAR? 1051 00:43:50,960 --> 00:43:53,100 -ZACH'S PUT HIS HAND UP TO THAT ONE. 1052 00:43:53,100 --> 00:43:57,600 STOLE A BODY OUT OF THE MORGUE HERE. 1053 00:43:57,600 --> 00:44:00,680 -AN EXAMPLE TO US ALL. 1054 00:44:00,680 --> 00:44:03,820 HERE'S TO FAMILY VALUES. 1055 00:44:03,820 --> 00:44:05,560 -STANDBY, EVERYBODY. 1056 00:44:05,560 --> 00:44:08,140 ROLL TAPE. 1057 00:44:08,140 --> 00:44:09,760 [INAUDIBLE]. 1058 00:44:09,760 --> 00:44:12,670 AND ACTION. 1059 00:44:12,670 --> 00:44:15,490 -OF COURSE THERE WILL BE THOSE TROUBLEMAKERS AMONG YOU WHO 1060 00:44:15,490 --> 00:44:18,770 WILL BE ASKING WHY I HAVEN'T TOP DRESSED THIS ROCK GARDEN 1061 00:44:18,770 --> 00:44:21,930 WITH GRAVEL OR STONE CHIPPINGS OR SOME SUCH. 1062 00:44:21,930 --> 00:44:25,090 TOP DRESSING HAS ITS ADVANTAGES IN THAT IT HELPS 1063 00:44:25,090 --> 00:44:26,600 DRAINAGE AND INHIBITS WEEDS. 1064 00:44:26,600 --> 00:44:29,860 BUT IT NEVER LOOKS RIGHT, DOES IT? 1065 00:44:29,860 --> 00:44:32,880 IF YOU'VE USED THE RIGHT SOIL MIX, IT'LL DRAIN ANYWAY. 1066 00:44:32,880 --> 00:44:35,740 AND IF YOU'RE TOO IDLE TO GET DOWN ON YOUR KNEES AND WEED, 1067 00:44:35,740 --> 00:44:36,980 WELL YOU'VE NO BUSINESS WATCHING THIS 1068 00:44:36,980 --> 00:44:39,060 PROGRAM, HAVE YOU? 1069 00:44:39,060 --> 00:44:40,310 SEE YOU NEXT TIME. 1070 00:44:42,720 --> 00:44:44,360 -AND CUT. 1071 00:44:44,360 --> 00:44:45,500 THANK YOU, QUINNIE. 1072 00:44:45,500 --> 00:44:47,910 THAT'S GREAT. 1073 00:44:47,910 --> 00:44:49,060 REALLY FANTASTIC. 1074 00:44:49,060 --> 00:44:49,920 THAT'S TELLING THEM AYE? 1075 00:44:49,920 --> 00:44:50,910 -WELL. 1076 00:44:50,910 --> 00:44:52,160 THANK YOU, GAVIN. 1077 00:44:56,860 --> 00:44:58,350 (CLAPPING) 1078 00:44:58,350 --> 00:45:00,830 -HATE IT WHEN HE TRIES TO BEHAVE LIKE A HUMAN BEING. 1079 00:45:00,830 --> 00:45:03,480 -I THINK HE'S REALIZED WHICH ONE OF YOU IS INDISPENSABLE. 1080 00:45:03,480 --> 00:45:04,440 -HOW'S ROSEMARY? 1081 00:45:04,440 --> 00:45:04,950 -SHE'S FINE. 1082 00:45:04,950 --> 00:45:06,960 SHE'S GLAD TO HAVE HER COMPUTER BACK. 1083 00:45:06,960 --> 00:45:09,720 I THINK WE DID RATHER A GOOD JOB OF THIS ROCK GARDEN, DON'T 1084 00:45:09,720 --> 00:45:10,180 YOU? 1085 00:45:10,180 --> 00:45:11,100 -MMM. 1086 00:45:11,100 --> 00:45:12,600 CAN I ASK YOU ONE THING? 1087 00:45:12,600 --> 00:45:13,990 -UM-HM, WHAT? 1088 00:45:13,990 --> 00:45:16,360 -WHAT IS A GONGOOZLER? 1089 00:45:16,360 --> 00:45:17,970 -OH, THAT'S NARROW BOAT TALK. 1090 00:45:17,970 --> 00:45:21,310 A GONGOOZLER IS SOMEONE WHO LOVES TO STAND AND WATCH 1091 00:45:21,310 --> 00:45:23,720 HOPELESS LAND LOVERS TRY TO COPE WITH A LOCK. 1092 00:45:23,720 --> 00:45:25,170 -RIGHT. 1093 00:45:25,170 --> 00:45:28,470 ONLY BIT OF NAUTICAL SLANG I KNOW ARE THREE SHEETS TO THE 1094 00:45:28,470 --> 00:45:31,720 WIND, AND COME IN, NUMBER THREE, YOUR TIME'S UP. 1095 00:45:31,720 --> 00:45:33,020 -ALL ONE NEEDS REALLY. 1096 00:45:33,020 --> 00:45:36,570 -OH, AND UM, SPLICE THE MAIN BRACE. 1097 00:45:36,570 --> 00:45:37,170 WHAT DO YA THINK? 1098 00:45:37,170 --> 00:45:38,970 -OH, YES. 1099 00:45:38,970 --> 00:45:40,220 LET'S. 1100 00:45:46,770 --> 00:45:48,170 (THEME SONG) 73852

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