Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:40,090
(THEME SONG)
2
00:00:42,090 --> 00:00:44,590
-NOW, MY MATERIAL OF CHOICE
FOR ANY ROCK GARDEN
3
00:00:44,590 --> 00:00:46,690
HAS ALWAYS BEEN TUFA.
4
00:00:46,690 --> 00:00:50,410
BUT NOW, THE EXPERTS AT THE
STUDIO TELL ME THAT TUFA IS
5
00:00:50,410 --> 00:00:52,780
ECOLOGICALLY UNSOUND
AND I HAVE TO USE
6
00:00:52,780 --> 00:00:55,980
SOMETHING CALLED HARLEQUIN.
7
00:00:55,980 --> 00:00:58,740
HOW IT CAN BE ECOLOGICALLY
SOUND TO IMPORTANT ROCK
8
00:00:58,740 --> 00:01:01,780
HALFWAY AROUND THE WORLD FROM
AUSTRALIA IS QUITE BEYOND MY
9
00:01:01,780 --> 00:01:05,260
POOR BRAIN, BUT ANSWERS ON
A POSTCARD TO CHANNEL 7.
10
00:01:05,260 --> 00:01:06,760
ANYWAY.
11
00:01:06,760 --> 00:01:08,750
WORK OUT HOW MUCH YOU'RE
GOING TO NEED.
12
00:01:08,750 --> 00:01:11,730
AND IF YOU GOT ANY HALF USEFUL
MALE UNDER YOUR FEET, PACK HIM
13
00:01:11,730 --> 00:01:14,890
OFF TO BUY THE STUFF WHILE
YOU PREPARE THE SITE.
14
00:01:14,890 --> 00:01:18,140
NOW THE SITE I'VE GOT HERE IS
OVER HUNG BY THIS RATHER UGLY
15
00:01:18,140 --> 00:01:21,960
PRIVET HEDGE, SO, I'M GOING
TO TRIM IT BACK A BIT.
16
00:01:21,960 --> 00:01:25,470
PERSONALLY, I'D NEVER BE SEEN
DEAD USING ONE OF THESE.
17
00:01:25,470 --> 00:01:28,570
ALL RIGHT, IF YOU'RE ANCIENT OR
DISABLED, BUT OLD FASHIONED
18
00:01:28,570 --> 00:01:30,250
SHEARS ARE GOOD ENOUGH FOR ME.
19
00:01:30,250 --> 00:01:33,560
ECOLOGICALLY SOUNDER TOO, AND
YOU GET A BIT OF EXERCISE, SO.
20
00:01:33,560 --> 00:01:34,610
-ALL RIGHT, CUT!
21
00:01:34,610 --> 00:01:35,390
QUIN, PLEASE.
22
00:01:35,390 --> 00:01:36,820
YOU CAN'T SAY THAT.
23
00:01:36,820 --> 00:01:38,250
-WHY NOT, GAVIN?
24
00:01:38,250 --> 00:01:39,400
-YOU KNOW PERFECTLY
WELL WHY NOT.
25
00:01:39,400 --> 00:01:41,510
GOOD AND GREEN ARE THE SPONSORS
OF THIS PROGRAM.
26
00:01:41,510 --> 00:01:43,190
-OH, DOES THAT MEAN GOOD
AND GREEN DICTATE
27
00:01:43,190 --> 00:01:44,630
THE PROGRAM'S CONTENT?
28
00:01:44,630 --> 00:01:45,480
-OF COURSE NOT.
29
00:01:45,480 --> 00:01:46,240
ABSOLUTELY NOT.
30
00:01:46,240 --> 00:01:48,430
BUT IT DOES MEAN WE DON'T GO
OUT OF OUR WAY TO SLAG OFF
31
00:01:48,430 --> 00:01:49,580
THEIR PRODUCTS.
32
00:01:49,580 --> 00:01:50,640
NICK, LET'S TAKE A BREAK.
33
00:01:50,640 --> 00:01:52,180
-HUH.
34
00:01:52,180 --> 00:01:55,350
-SHE REALLY BRINGS IT TO
LIFE, DOESN'T SHE?
35
00:01:55,350 --> 00:01:56,850
I LOVED THAT BOOK OF HERS.
36
00:01:56,850 --> 00:01:59,380
ALMOST MADE ME WANT TO
TAKE UP SAILING.
37
00:01:59,380 --> 00:02:00,780
EXCEPT FOR THE SCARY BITS.
38
00:02:00,780 --> 00:02:03,150
-HOW YOU DOING WITH THAT
COMPOST, GIRLS?
39
00:02:03,150 --> 00:02:06,230
-WON'T BE LONG, GAVIN.
40
00:02:06,230 --> 00:02:08,450
GIRLS?
41
00:02:08,450 --> 00:02:08,740
AWE.
42
00:02:08,740 --> 00:02:10,400
-AWE.
43
00:02:10,400 --> 00:02:12,220
-OH, WELL.
44
00:02:12,220 --> 00:02:12,450
RIGHT.
45
00:02:12,450 --> 00:02:14,900
NOW, THREE PARTS GRAVEL
TO ONE PART LOAM.
46
00:02:14,900 --> 00:02:16,420
-WHY DID WE TAKE THIS JOB?
47
00:02:16,420 --> 00:02:17,190
-HUNGER.
48
00:02:17,190 --> 00:02:17,800
-OH, YES.
49
00:02:17,800 --> 00:02:18,990
-I'LL TAKE THE LOAM.
50
00:02:18,990 --> 00:02:21,560
YOU TAKE THE GRAVEL.
51
00:02:21,560 --> 00:02:22,600
-JUST A MINUTE, JUST A MINUTE.
52
00:02:22,600 --> 00:02:25,060
THAT MEANS I'LL BE DOING THREE
TIMES THE WORK YOU'RE DOING.
53
00:02:25,060 --> 00:02:27,650
-GOOD HEAVENS, I NEVER
THOUGHT OF THAT.
54
00:02:27,650 --> 00:02:29,340
-ROSEMARY, I NEED YOU.
55
00:02:29,340 --> 00:02:30,330
-OH, IT'S NICE TO BE NEEDED.
56
00:02:30,330 --> 00:02:32,630
-YOU'RE A BRAVE GIRL,
AREN'T YOU?
57
00:02:32,630 --> 00:02:33,680
-NO, I DON'T THINK SO.
58
00:02:33,680 --> 00:02:34,560
-OH, I'M SURE YOU ARE.
59
00:02:34,560 --> 00:02:35,860
LISTEN, I NEED A FAVOR.
60
00:02:35,860 --> 00:02:37,750
YOU KNOW THAT COMMENTARY
I DO ON THE ROOF?
61
00:02:37,750 --> 00:02:38,510
-NO.
62
00:02:38,510 --> 00:02:39,990
-I DID IT LAST WEEK.
63
00:02:39,990 --> 00:02:41,700
OF COURSE YOU WEREN'T HERE
LAST WEEK, WERE YOU?
64
00:02:41,700 --> 00:02:43,810
ANYWAY, NOW THEY WANT ME
TO DO IT EVERY WEEK.
65
00:02:43,810 --> 00:02:46,370
I GOT UP TO THE TOP OF THAT
SCAFFOLDING BY THE HOUSE WITH
66
00:02:46,370 --> 00:02:49,270
A CAMERA AND DO A RESUME OF
ALL THE WORK WE'VE DONE.
67
00:02:49,270 --> 00:02:50,510
-RIGHT?
68
00:02:50,510 --> 00:02:54,730
-WELL, I ONLY FOUND OUT WHEN I
DID IT, I'VE GOT ACROPHOBIA.
69
00:02:54,730 --> 00:02:56,050
-YOU'RE AFRAID OF HEIGHTS?
70
00:02:56,050 --> 00:02:57,190
-I NEARLY DIED.
71
00:02:57,190 --> 00:02:59,960
I HAD TO GRAB HOLD OF THAT
POOR CAMERAMAN AND DO IT
72
00:02:59,960 --> 00:03:01,720
THROUGH CHATTERING TEETH.
73
00:03:01,720 --> 00:03:03,300
-BUT I SAW YOU, ON ONE
OF YOUR TRIPS, CLIMB
74
00:03:03,300 --> 00:03:04,910
UP A 40 FOOT MAST.
75
00:03:04,910 --> 00:03:07,120
-YES, BUT IT'S DIFFERENT
AT SEA, SOMEHOW.
76
00:03:07,120 --> 00:03:08,940
OR, MAYBE I'VE JUST
DEVELOPED IT.
77
00:03:08,940 --> 00:03:11,400
ANYWAY, WILL YOU DO IT FOR ME?
78
00:03:11,400 --> 00:03:12,790
-ME?
79
00:03:12,790 --> 00:03:13,890
NO.
80
00:03:13,890 --> 00:03:14,460
NO, NO, NO.
81
00:03:14,460 --> 00:03:16,670
WER-- WE'RE JUST HERE IN THE
BACKGROUND, NOT WORKING.
82
00:03:16,670 --> 00:03:17,150
I MEAN, NO.
83
00:03:17,150 --> 00:03:17,810
-NO, IT'S ALL RIGHT.
84
00:03:17,810 --> 00:03:19,170
I'VE CLEARED IT WITH GAVIN.
85
00:03:19,170 --> 00:03:20,170
-WELL, UM.
86
00:03:20,170 --> 00:03:21,230
-QUINNIE?
87
00:03:21,230 --> 00:03:22,630
-YES
88
00:03:22,630 --> 00:03:24,610
-ROSIE FITZCARRON
FROM THE HAROLD.
89
00:03:24,610 --> 00:03:26,440
GAVIN SAID WE COULD
DO AN INTERVIEW.
90
00:03:26,440 --> 00:03:27,400
-OH.
91
00:03:27,400 --> 00:03:28,260
UH, YES.
92
00:03:28,260 --> 00:03:30,330
-WE CAN MAKE IT START
NOW, IF YOU'D LIKE.
93
00:03:30,330 --> 00:03:32,450
IS THERE SOMEWHERE
A BIT QUIETER?
94
00:03:32,450 --> 00:03:34,870
-OH, YES OK.
95
00:03:34,870 --> 00:03:36,580
GAVIN WILL EXPLAIN
IT ALL TO YOU.
96
00:03:36,580 --> 00:03:38,160
-AH, YES BUT NO.
97
00:03:38,160 --> 00:03:39,410
BUT I--
98
00:03:41,180 --> 00:03:42,430
WHAT?
99
00:03:45,490 --> 00:03:46,820
-YOU CAN'T JUST PULL OUT NOW.
100
00:03:46,820 --> 00:03:49,180
-WELL, I'M SORRY.
101
00:03:49,180 --> 00:03:51,130
-BUT YOU'VE SIGNED A CONTRACT.
102
00:03:51,130 --> 00:03:52,380
-SO SUE ME.
103
00:03:54,900 --> 00:03:58,140
-LOOK, MR.FITZSEMORE, YOU AND
YOUR WIFE BOTH AGREED TO MAKE
104
00:03:58,140 --> 00:03:59,490
OCCASIONAL COMMENTS
ON FILM ABOUT
105
00:03:59,490 --> 00:04:00,390
WHAT WE WERE DOING.
106
00:04:00,390 --> 00:04:01,910
-YOU'LL HAVE TO DO WITH
THAT, THAT'S ALL.
107
00:04:01,910 --> 00:04:03,930
YOU'VE GOT OUR GARDEN,
MAKE DO WITH THAT.
108
00:04:03,930 --> 00:04:04,690
I'M A BUSY MAN.
109
00:04:04,690 --> 00:04:06,450
-W-WHAT ABOUT CRYSTAL?
110
00:04:06,450 --> 00:04:08,640
MY WIFE IS EVEN BUSIER
THAN I AM.
111
00:04:08,640 --> 00:04:11,550
-CAN'T DO THIS.
112
00:04:11,550 --> 00:04:14,860
WHAT'S GOING ON HERE?
113
00:04:14,860 --> 00:04:15,740
-YOU'RE GOING TO BE A STAR.
114
00:04:15,740 --> 00:04:17,640
-I DON'T WANT TO BE A STAR.
115
00:04:17,640 --> 00:04:18,180
-YES YOU DO.
116
00:04:18,180 --> 00:04:20,690
THINK OF ALL THE CHAMPAGNE
AND SHOPPING.
117
00:04:20,690 --> 00:04:21,680
-YOU'RE ONLY JEALOUS.
118
00:04:21,680 --> 00:04:22,670
-NO, WHAT?
119
00:04:22,670 --> 00:04:23,480
-WELL THEN, YOU DO IT.
120
00:04:23,480 --> 00:04:23,890
-NO.
121
00:04:23,890 --> 00:04:24,710
THEY WANT YOU.
122
00:04:24,710 --> 00:04:26,480
ANYWAY, I DON'T LIKE
CHAMPAGNE.
123
00:04:26,480 --> 00:04:27,090
-OH, IT'S NOT COMPULSORY.
124
00:04:27,090 --> 00:04:28,340
-OH, YES IT IS.
125
00:04:28,340 --> 00:04:30,640
NOW YOU HAVE TO SIGN A THING.
126
00:04:30,640 --> 00:04:31,100
(SNIFFING)
127
00:04:31,100 --> 00:04:32,020
-MMM.
128
00:04:32,020 --> 00:04:34,380
LOOK AT THAT EUCALYPTUS.
129
00:04:34,380 --> 00:04:36,050
-ROSEMARY, YOU'RE TRYING
TO CHANGE THE SUBJECT.
130
00:04:36,050 --> 00:04:37,830
-NO I'M NOT.
131
00:04:37,830 --> 00:04:40,860
THEY HAVE THEM ALL OVER
SOUTHERN AUSTRALIA.
132
00:04:40,860 --> 00:04:41,610
MMM.
133
00:04:41,610 --> 00:04:43,800
I USED TO LOVE THE
SMELL OF THEM.
134
00:04:43,800 --> 00:04:45,180
HELLO CRYSTAL.
135
00:04:45,180 --> 00:04:46,100
-HOW ARE YOU?
136
00:04:46,100 --> 00:04:47,100
-HELLO.
137
00:04:47,100 --> 00:04:50,170
UM, YOU HAVEN'T SEEN MY HUSBAND
ANYWHERE, HAVE YOU?
138
00:04:50,170 --> 00:04:52,990
-OH, UM, I THINK HE'S
WITH GAVIN.
139
00:04:57,430 --> 00:04:59,260
-LOOK, GAVIN HASN'T TOLD
ME ANYTHING ABOUT THIS.
140
00:04:59,260 --> 00:05:00,040
-THIS IS NOT MY PROBLEM.
141
00:05:00,040 --> 00:05:01,180
I'M NOT DOING INTERVIEWS.
142
00:05:01,180 --> 00:05:01,830
ASK.
143
00:05:01,830 --> 00:05:03,830
I'VE GOT YOU AND CRYSTAL
SCHEDULED FOR THIS AFTERNOON.
144
00:05:03,830 --> 00:05:04,360
-VERNON?
145
00:05:04,360 --> 00:05:05,610
I NEED TO TALK.
146
00:05:05,610 --> 00:05:06,920
-LOOK, 'CAUSE CRYSTAL'S HERE--
147
00:05:06,920 --> 00:05:07,830
-I NEED TO TALK RIGHT NOW.
148
00:05:07,830 --> 00:05:08,790
-CAN WE JUST--
149
00:05:08,790 --> 00:05:09,060
-FORGET IT.
150
00:05:09,060 --> 00:05:10,310
ALRIGHT?
151
00:05:16,900 --> 00:05:17,390
-CRISSY?
152
00:05:17,390 --> 00:05:19,840
-YES?
153
00:05:19,840 --> 00:05:22,030
-I'VE GOT A NICE JACKET
IN THE BAG SOMEWHERE.
154
00:05:22,030 --> 00:05:23,000
I HAVEN'T UNPACKED.
155
00:05:23,000 --> 00:05:25,910
-OH, IT'S OPEN.
156
00:05:25,910 --> 00:05:26,510
-NO, I LOCKED IT.
157
00:05:26,510 --> 00:05:27,760
I KNOW I LOCKED IT.
158
00:05:30,650 --> 00:05:31,410
-IT'S BEEN FORCED.
159
00:05:31,410 --> 00:05:32,660
LOOK.
160
00:05:34,880 --> 00:05:36,710
THEY DON'T SEEM TO HAVE
TOUCHED ANYTHING.
161
00:05:36,710 --> 00:05:39,830
-YES THEY HAVE.
162
00:05:39,830 --> 00:05:41,080
MY LAPTOP'S GONE.
163
00:05:41,080 --> 00:05:43,010
-OH.
164
00:05:43,010 --> 00:05:44,530
-IT'S A BIT DIFFERENT FROM
SINGLE HANDED YACHT
165
00:05:44,530 --> 00:05:46,590
RACING, ISN'T IT?
166
00:05:46,590 --> 00:05:48,300
-WELL OF COURSE IT IS.
167
00:05:48,300 --> 00:05:50,550
-I MEAN, WORKING WITH
A TEAM MUST BE A NEW
168
00:05:50,550 --> 00:05:52,300
EXPERIENCE FOR YOU.
169
00:05:52,300 --> 00:05:55,310
ARE YOU A TEAM PLAYER,
DO YOU THINK?
170
00:05:55,310 --> 00:05:56,630
-THERE'S A JOB TO BE DONE.
171
00:05:56,630 --> 00:06:00,160
I JUST GET ON AND DO IT.
172
00:06:00,160 --> 00:06:03,810
-WHEN DOUGLAS HARRINGTON LEFT TO
GO WITH THE BBC, THERE WAS
173
00:06:03,810 --> 00:06:06,980
A TREMENDOUS REACTION FROM
HIS ALL HIS FANS.
174
00:06:06,980 --> 00:06:10,730
DO YOU THINK AND REPLACE DOUG
IN THEIR AFFECTIONS?
175
00:06:10,730 --> 00:06:13,510
-IT'S NOT A QUESTION OF
REPLACING DOUGLAS.
176
00:06:13,510 --> 00:06:14,500
I'M A DIFFERENT PERSON.
177
00:06:14,500 --> 00:06:17,020
THE VIEWERS WILL JUST HAVE
TO GET USED TO ME.
178
00:06:17,020 --> 00:06:20,340
-SO THEY CAN LIKE
IT OR LUMP IT?
179
00:06:20,340 --> 00:06:22,130
-THAT'S NOT WHAT I SAID.
180
00:06:22,130 --> 00:06:24,940
-AND NOW, HE'S SAYING HE WON'T
DO THE INTERVIEWS.
181
00:06:24,940 --> 00:06:27,280
NOT ONLY THAT, BUT THE DORELL
WOMAN IS MAKING ME LOOK A FOOL
182
00:06:27,280 --> 00:06:28,580
AND I WON'T HAVE IT.
183
00:06:28,580 --> 00:06:29,160
SHE'S--
184
00:06:29,160 --> 00:06:31,900
SHE'S ONLY ON THE SHOW BECAUSE
SHE'S AN ALLEGED CELEBRITY.
185
00:06:31,900 --> 00:06:34,370
SHE'S TOTALLY UNSYMPATHETIC,
COLD, SHE
186
00:06:34,370 --> 00:06:35,750
TALKS DOWN TO THE AUDIENCE.
187
00:06:35,750 --> 00:06:36,900
NO, YOU LISTEN.
188
00:06:36,900 --> 00:06:38,230
YOU KNOW WHAT SHE'S DOING NOW?
189
00:06:38,230 --> 00:06:42,080
SHE'S KNOCKING OUR SPONSOR
ON CAMERA!
190
00:06:42,080 --> 00:06:42,570
LOOK.
191
00:06:42,570 --> 00:06:43,050
LOOK.
192
00:06:43,050 --> 00:06:45,370
I'VE BEEN MAKING THIS PROGRAM
FOR EIGHT YEARS.
193
00:06:45,370 --> 00:06:47,780
I COULD HAVE GONE WITH DOUGLAS
WHEN HE LEFT BUT YOU PERSUADED
194
00:06:47,780 --> 00:06:48,470
ME TO STAY.
195
00:06:48,470 --> 00:06:50,440
YOU SAID I COULD HAVE
ANYTHING I ASK FOR.
196
00:06:50,440 --> 00:06:51,980
WELL I DIDN'T ASK THIS WOMAN.
197
00:06:51,980 --> 00:06:53,740
I DON'T NEED THIS WOMAN.
198
00:06:53,740 --> 00:06:55,370
AND I WANT HER OFF MY PROGRAM.
199
00:06:55,370 --> 00:06:59,370
FRANKLY, EITHER SHE
GOES OR I DO!
200
00:06:59,370 --> 00:07:01,850
-IF I WERE YOU, I WOULDN'T
TEMPT FATE LIKE THAT.
201
00:07:01,850 --> 00:07:03,350
-WHAT DO YOU WANT?
202
00:07:03,350 --> 00:07:06,720
-WHAT'S THAT WOMAN
DOING ON THE SET?
203
00:07:06,720 --> 00:07:07,610
-I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
204
00:07:07,610 --> 00:07:10,390
-OH, DON'T PRETEND THAT
YOU DIDN'T KNOW.
205
00:07:10,390 --> 00:07:11,500
-KNOW WHAT?
206
00:07:11,500 --> 00:07:12,890
-THAT ROSIE FITZ-ANYONE.
207
00:07:12,890 --> 00:07:15,490
SHE'S INTERVIEWING
QUINNIE DORELL.
208
00:07:15,490 --> 00:07:17,300
-THAT HAS NOTHING
TO DO WITH ME.
209
00:07:17,300 --> 00:07:20,160
-HEY, SO IT'S JUST A
COINCIDENCE, IS IT?
210
00:07:20,160 --> 00:07:21,410
-ASK THE PRESS OFFICE.
211
00:07:23,560 --> 00:07:25,260
-I INTEND TO!
212
00:07:25,260 --> 00:07:27,260
-FIRST OF ALL, MENTION
DEMOLISHING THE GAZEBO AND,
213
00:07:27,260 --> 00:07:29,090
UH, CLEARING THAT WHOLE AREA.
214
00:07:29,090 --> 00:07:29,980
-IS THAT COMFORTABLE?
215
00:07:29,980 --> 00:07:32,010
-UM, AH YES, THAT'S
I DON'T KNOW.
216
00:07:32,010 --> 00:07:33,210
I THINK IT'S FINE.
217
00:07:33,210 --> 00:07:33,330
NOW LOOK.
218
00:07:33,330 --> 00:07:34,420
WHAT ABOUT MY LAPTOP?
219
00:07:34,420 --> 00:07:35,730
-I'LL GET ON TO THE POLICE.
220
00:07:35,730 --> 00:07:37,370
-NOW, QUINNIE WILL HAVE ALREADY
INTRODUCED YOU.
221
00:07:37,370 --> 00:07:39,000
WE'LL FILM THAT A BIT LATER.
222
00:07:39,000 --> 00:07:39,340
-YEAH RIGHT.
223
00:07:39,340 --> 00:07:39,840
OK.
224
00:07:39,840 --> 00:07:42,320
NOW THE THING IS, I MEAN ALL
MY WORK IS ON THAT LAPTOP.
225
00:07:42,320 --> 00:07:43,730
AND IT SHOULD HAVE BEEN SAFE.
226
00:07:43,730 --> 00:07:44,490
WE PARKED IT IN THE DRIVE.
227
00:07:44,490 --> 00:07:44,970
-SURE.
228
00:07:44,970 --> 00:07:45,400
DON'T WORRY.
229
00:07:45,400 --> 00:07:46,540
WE'LL GET IT BACK FOR YOU.
230
00:07:46,540 --> 00:07:48,600
NOW, UH, IF YOU'D LIKE, YOU CAN
HAVE A BOARD UP THERE WITH
231
00:07:48,600 --> 00:07:49,770
ALL THE MAIN POINTS
WRITTEN ON IT.
232
00:07:49,770 --> 00:07:50,030
-NO.
233
00:07:50,030 --> 00:07:50,280
NO, NO, NO.
234
00:07:50,280 --> 00:07:51,010
I'LL REMEMBER.
235
00:07:51,010 --> 00:07:51,970
I'LL REMEMBER.
236
00:07:51,970 --> 00:07:55,570
IT'S THE, UM, THE GAZEBO
CLEARED AND, NO.
237
00:07:55,570 --> 00:07:57,720
THE GAZEBO DEMOLISHED AND
THE AREA CLEARED.
238
00:07:57,720 --> 00:07:57,990
-YEAH.
239
00:07:57,990 --> 00:07:58,690
-I CAN DO THAT.
240
00:07:58,690 --> 00:08:00,870
-SAY SOMETHING ABOUT THE WHOLE
SHAPE OF THE GARDEN BECOMING
241
00:08:00,870 --> 00:08:03,220
CLEARER, THEN MOVE ONTO WHAT
YOU'VE PLANTED THIS WEEK.
242
00:08:08,390 --> 00:08:09,540
-WE ARE NOT RUNNING AWAY.
243
00:08:09,540 --> 00:08:10,830
-I'M NOT SAYING YOU
SHOULD RUN AWAY.
244
00:08:10,830 --> 00:08:14,890
-I WILL NOT VISIT SOME
VICIOUS LITTLE TART.
245
00:08:14,890 --> 00:08:16,250
-HELLO.
246
00:08:16,250 --> 00:08:18,180
-OH, HELLO THERE.
247
00:08:18,180 --> 00:08:20,860
YOU HAVEN'T MET MY SON
ZACH, HAVE YOU?
248
00:08:20,860 --> 00:08:21,480
-OH, HOW DO YOU DO?
249
00:08:21,480 --> 00:08:22,260
-HELLO.
250
00:08:22,260 --> 00:08:25,230
-ZACH'S GOING TO MED SCHOOL
IN SEPTEMBER.
251
00:08:25,230 --> 00:08:26,920
-MEANWHILE, I'M [INAUDIBLE]
252
00:08:26,920 --> 00:08:28,190
I'M A PORTER AT THE
LOCAL HOSPITAL.
253
00:08:28,190 --> 00:08:29,440
-OH.
254
00:08:34,040 --> 00:08:35,150
-DO YOU GET DANGER
MONEY FOR THIS?
255
00:08:35,150 --> 00:08:36,750
-ON THE CHANNEL 7 SHOW?
256
00:08:36,750 --> 00:08:38,000
HA.
257
00:08:41,220 --> 00:08:42,440
-WOW.
258
00:08:42,440 --> 00:08:44,190
YOU GET A LOVELY VIEW UP HERE.
259
00:08:44,190 --> 00:08:46,280
-PROBABLY HAVE TO REDO
LAST WEEK'S TOO.
260
00:08:46,280 --> 00:08:49,600
QUINNIE WAS SWEATING SO MUCH,
THEY WON'T BE ABLE TO USE IT.
261
00:08:49,600 --> 00:08:51,010
SHE COULD'VE SAID SHE WAS
SCARED OF HEIGHTS.
262
00:08:51,010 --> 00:08:53,200
-WELL I DON'T THINK SHE
KNEW, ACTUALLY.
263
00:08:53,200 --> 00:08:54,700
-HOPEFULLY YOU DON'T
GO THE SAME WAY.
264
00:08:54,700 --> 00:08:55,460
-OH, NO, NO.
265
00:08:55,460 --> 00:08:58,000
I USED TO DO ROCK CLIMBING.
266
00:08:58,000 --> 00:08:59,250
NOW.
267
00:09:02,820 --> 00:09:04,670
-I THOUGHT YOU WERE DOING
AN INTERVIEW.
268
00:09:04,670 --> 00:09:07,190
-I HAD TO STOP BEFORE
I KILLED HER.
269
00:09:07,190 --> 00:09:08,470
-WHY, WHAT DID SHE SAY?
270
00:09:08,470 --> 00:09:10,390
-OH, JUST THE USUAL.
271
00:09:10,390 --> 00:09:11,610
WHAT DOES A POOR
IGNORANT SAILOR
272
00:09:11,610 --> 00:09:13,720
GIRL KNOW ABOUT GARDENING?
273
00:09:13,720 --> 00:09:16,880
HAVEN'T YOU GOT A NASTY, COLD
PERSONALITY COMPARED WITH DEAR
274
00:09:16,880 --> 00:09:18,400
OLD DOUGLAS HARRINGTON?
275
00:09:18,400 --> 00:09:19,900
-OH, THAT'S AWFUL.
276
00:09:19,900 --> 00:09:22,860
-UGH.
277
00:09:22,860 --> 00:09:25,100
HOW'S SHE GETTING ON UP THERE?
278
00:09:25,100 --> 00:09:28,030
-I DON'T THINK THEY'VE
DONE ANYTHING YET.
279
00:09:28,030 --> 00:09:30,840
-SO THE, OH, THE GAZEBO
DEMOLISHED,
280
00:09:30,840 --> 00:09:32,950
AND THIS AREA CLEARED.
281
00:09:32,950 --> 00:09:34,120
-ARE YOU GOING TO
POINT LIKE THAT?
282
00:09:34,120 --> 00:09:35,280
-YES, WELL I THOUGHT SO.
283
00:09:35,280 --> 00:09:35,660
IS THAT ALL RIGHT?
284
00:09:35,660 --> 00:09:36,110
-SURE.
285
00:09:36,110 --> 00:09:36,550
[INAUDIBLE].
286
00:09:36,550 --> 00:09:37,790
-UM-HM, YEAH.
287
00:09:37,790 --> 00:09:39,510
AND THEN I THOUGHT,
UM, I WOULD--
288
00:09:39,510 --> 00:09:45,440
I WOULD UM, LEAN CASUALLY
ON THE RAIL, LIKE THIS.
289
00:09:45,440 --> 00:09:47,780
-YOU WANT TO JUST RUN-- RUN IT
THROUGH FOR US, ROSEMARY?
290
00:09:47,780 --> 00:09:49,690
-UH, YES, OK.
291
00:09:49,690 --> 00:09:50,110
OK.
292
00:09:50,110 --> 00:09:50,500
RIGHT.
293
00:09:50,500 --> 00:09:54,260
-QUIET PLEASE FOR A REHEARSAL!
294
00:09:54,260 --> 00:09:55,870
GO AHEAD, ROSEMARY.
295
00:09:55,870 --> 00:10:00,610
-AS YOU CAN SEE, AH, THE
OLD GAZEBO IS GONE.
296
00:10:00,610 --> 00:10:06,120
AND, UH, WE HAVE USED SOME OF
THE OLD STONE UH, TO EXTEND
297
00:10:06,120 --> 00:10:07,980
THE TERRACE HERE.
298
00:10:07,980 --> 00:10:17,620
UM, NOW YOU CAN, UH, YOU CAN,
YOU CAN, UM, YOU CAN SEE HOW
299
00:10:17,620 --> 00:10:21,190
THE ORIGINAL GARDEN
USED TO BE.
300
00:10:21,190 --> 00:10:22,440
AAAAAHHHHH!
301
00:10:26,820 --> 00:10:27,410
-OH!
302
00:10:27,410 --> 00:10:30,360
-OH!
303
00:10:30,360 --> 00:10:31,340
-AMBULANCE!
304
00:10:31,340 --> 00:10:33,300
GET AN AMBULANCE NOW!
305
00:10:33,300 --> 00:10:35,270
FETCH THE NURSE!
306
00:10:35,270 --> 00:10:36,520
GO ON!
307
00:10:41,650 --> 00:10:48,030
-(BABY CRYING)
308
00:10:48,030 --> 00:10:50,000
-EXCUSE ME.
309
00:10:50,000 --> 00:10:50,980
EXCUSE ME.
310
00:10:50,980 --> 00:10:52,490
MY FRIEND CAME IN ABOUT
AN HOUR AGO.
311
00:10:52,490 --> 00:10:54,010
COULD YOU TELL ME WHAT'S
HAPPENING TO MS.BOXER?
312
00:10:54,010 --> 00:10:55,240
-ARE YOU A RELATIVE?
313
00:10:55,240 --> 00:10:58,550
-UH, UH, BUSINESS PARTNER.
314
00:10:58,550 --> 00:11:00,350
-WELL, SHE'S GONE
UP TO THEATER.
315
00:11:00,350 --> 00:11:01,730
-WHAT FOR?
316
00:11:01,730 --> 00:11:05,560
-SHE'S GOT CONCUSSION BUT SHE'S
ALSO GOT A BROKEN TIBIA.
317
00:11:05,560 --> 00:11:06,660
-IS SHE GOING TO BE ALRIGHT?
318
00:11:06,660 --> 00:11:09,650
-SHE'LL BE IN HERE
FOR A WEEK OR SO.
319
00:11:09,650 --> 00:11:11,700
-DON'T YOU JUST PUT
PLASTER ON IT?
320
00:11:11,700 --> 00:11:13,350
-IT'S NOT A STRAIGHTFORWARD
BREAK.
321
00:11:16,290 --> 00:11:16,780
-GO ON THEN.
322
00:11:16,780 --> 00:11:17,980
YOU FIND THEM.
323
00:11:17,980 --> 00:11:20,750
-HOW CAN I FIND THEM?
324
00:11:20,750 --> 00:11:24,090
-IF THEY DROPPED OUT, THEY
DROPPED DOWN HERE SOMEWHERE.
325
00:11:24,090 --> 00:11:26,040
-IF THEY WERE THERE IN
THE FIRST PLACE.
326
00:11:26,040 --> 00:11:28,020
-ARE YOU SAYING I DIDN'T BOLT
THAT CLAMP PROPERLY?
327
00:11:28,020 --> 00:11:29,180
-OH COME ON, PETE.
328
00:11:29,180 --> 00:11:31,280
ALL I'M SAYING IS THAT EVEN IF
THE CLAMP WAS BOLTED ON, IT
329
00:11:31,280 --> 00:11:32,660
CAN'T HAVE BEEN BOLTED
ON PROPERLY.
330
00:11:32,660 --> 00:11:35,950
-AND ALL I'M SAYING IS, SHOW ME
WHERE THE BOLTS FELL OUT.
331
00:11:35,950 --> 00:11:38,220
IT'S BEEN BLOODY SABOTAGED,
THAT'S WHAT.
332
00:11:38,220 --> 00:11:39,060
-RUBBISH.
333
00:11:39,060 --> 00:11:40,630
LOOK, THE HEALTH AND SAFETY
MAN'S GOING TO BE
334
00:11:40,630 --> 00:11:41,270
HERE IN HALF AN HOUR.
335
00:11:41,270 --> 00:11:42,670
WE'VE GOT TO FIND SOME
ANSWERS BY THEN.
336
00:12:16,260 --> 00:12:18,650
-I'VE JUST COME TO COLLECT SOME
THINGS FOR MISS BOXER.
337
00:12:18,650 --> 00:12:19,460
SHE'S IN HOSPITAL.
338
00:12:19,460 --> 00:12:20,270
-OH, YES?
339
00:12:20,270 --> 00:12:21,820
-COULD I HAVE A KEY, PLEASE?
340
00:12:21,820 --> 00:12:24,240
-OH.
341
00:12:24,240 --> 00:12:26,360
-THANK YOU.
342
00:12:26,360 --> 00:12:29,000
-OH, YOU'RE WITH THAT FILM
LOT, AREN'T YOU?
343
00:12:29,000 --> 00:12:30,250
-YES.
344
00:12:31,800 --> 00:12:33,760
-COULD YOU GIVE THIS TO MISS
FITZCARRON FOR ME?
345
00:12:33,760 --> 00:12:35,650
SHE LEFT IT ON THE COUNTER
HERE THIS MORNING.
346
00:12:35,650 --> 00:12:36,240
-FITZCARRON?
347
00:12:36,240 --> 00:12:37,800
-LADY FROM THE HAROLD.
348
00:12:37,800 --> 00:12:39,090
ONLY IT'S HER ADDRESS BOOK.
349
00:12:39,090 --> 00:12:41,690
I'LL BET SHE NEEDS IT.
350
00:12:41,690 --> 00:12:42,940
-RIGHT-O.
351
00:13:00,360 --> 00:13:01,620
-OH, LAURA.
352
00:13:01,620 --> 00:13:02,590
HOW'S YOUR FRIEND?
353
00:13:02,590 --> 00:13:04,530
-BROKEN LEG AND CONCUSSION.
354
00:13:04,530 --> 00:13:06,090
-BUT SHE WILL BE
ALL RIGHT THEN?
355
00:13:06,090 --> 00:13:06,830
-YES, YES.
356
00:13:06,830 --> 00:13:07,200
SHE'LL BE FINE.
357
00:13:07,200 --> 00:13:09,870
-WE HAVE BEEN SO WORRIED
ABOUT HER.
358
00:13:09,870 --> 00:13:10,720
HAVEN'T WE, VERNON?
359
00:13:10,720 --> 00:13:11,090
-OH, GEEZ, YEAH.
360
00:13:11,090 --> 00:13:13,380
REALLY WORRIED.
361
00:13:13,380 --> 00:13:14,300
-RIGHT, WELL.
362
00:13:14,300 --> 00:13:14,770
SEE YOU LATER.
363
00:13:14,770 --> 00:13:16,020
-BYE.
364
00:13:37,930 --> 00:13:39,100
-I DON'T KNOW HOW BADLY
HURT SHE IS YET.
365
00:13:39,100 --> 00:13:40,540
SHE MAY BE ABLE TO
DO IT TOMORROW.
366
00:13:40,540 --> 00:13:42,580
-THAT LEG DIDN'T
LOOK TOO GOOD.
367
00:13:42,580 --> 00:13:43,950
-IS ANYBODY SITTING THERE?
368
00:13:43,950 --> 00:13:44,970
-SIT DOWN, ROSIE.
369
00:13:44,970 --> 00:13:45,670
WELL, LET--
370
00:13:45,670 --> 00:13:47,330
LET-- LET'S SEE IF WE CAN AT
LEAST GET THE [INAUDIBLE].
371
00:13:52,580 --> 00:13:54,190
-SHE'S NOT AS TOUGH
AS SHE MAKES OUT.
372
00:13:54,190 --> 00:13:55,070
-WHO?
373
00:13:55,070 --> 00:13:58,470
-WELL THE WONDERFUL
QUINNIE DORELL.
374
00:13:58,470 --> 00:14:00,880
FOR TEN MINUTES, SHE WAS
IN FULL RETREAT.
375
00:14:00,880 --> 00:14:02,320
-WELL DONE, YOU.
376
00:14:02,320 --> 00:14:04,230
-SHE CALLED THE WHOLE
THING OFF.
377
00:14:04,230 --> 00:14:05,860
-THAT'S NOT MUCH GOOD.
378
00:14:05,860 --> 00:14:06,850
-I'VE GOT MORE THAN ENOUGH.
379
00:14:06,850 --> 00:14:08,100
DON'T YOU WORRY.
380
00:14:11,230 --> 00:14:13,190
-NO, NO, NO.
381
00:14:13,190 --> 00:14:17,210
NO, GAVIN SAID THAT I SHOULD
PHONE JUST TO CHECK.
382
00:14:17,210 --> 00:14:20,170
I SEE.
383
00:14:20,170 --> 00:14:21,420
YOU DIDN'T?
384
00:14:23,440 --> 00:14:23,770
NO, NO, NO.
385
00:14:23,770 --> 00:14:25,900
OF COURSE I WON'T, NO.
386
00:14:25,900 --> 00:14:27,720
BUT THE HAROLD, THEY HADN'T,
THEY HADN'T ARRANGED
387
00:14:27,720 --> 00:14:29,740
ANYTHING WITH YOU?
388
00:14:29,740 --> 00:14:32,230
HMM.
389
00:14:32,230 --> 00:14:34,750
YES, OF COURSE I KNOW HOW
INFLUENTIAL SHE IS, YES.
390
00:14:34,750 --> 00:14:36,190
THANKS, VERITY.
391
00:14:36,190 --> 00:14:37,440
SEE YOU SOON.
392
00:14:44,670 --> 00:14:46,440
-COULD YOU PUT ALL THESE SACKS
OF REGIS OVER THERE?
393
00:14:46,440 --> 00:14:47,460
THEY'RE FOR THE LOWEST STRATA.
394
00:14:47,460 --> 00:14:47,730
-RIGHT.
395
00:14:47,730 --> 00:14:49,700
AND, AND WHAT ABOUT
THESE EUPHOBIA?
396
00:14:49,700 --> 00:14:51,620
-UH, THOSE GO WITH THE HEBES.
397
00:14:51,620 --> 00:14:53,750
THE STUFF THAT'S GOING TO BE
MORE EXPOSED ON THE TOP.
398
00:15:00,360 --> 00:15:03,190
I FEEL TERRIBLE ABOUT
ROSEMARY.
399
00:15:03,190 --> 00:15:04,220
-NOT YOUR FAULT.
400
00:15:04,220 --> 00:15:07,690
-I WAS THE ONE WHO PERSUADED
TO GO UP THERE.
401
00:15:07,690 --> 00:15:10,040
-YOU COULDN'T HAVE KNOWN.
402
00:15:10,040 --> 00:15:10,880
SOMEONE SAID THERE'S
GOING TO BE A
403
00:15:10,880 --> 00:15:14,080
HEALTH AND SAFETY INQUIRY.
404
00:15:14,080 --> 00:15:16,000
-I'M NOT BEING PARANOID AM I?
405
00:15:16,000 --> 00:15:18,290
BUT IF SOMEBODY TAMPERED WITH
THAT SCAFFOLDING, THEY WERE
406
00:15:18,290 --> 00:15:20,850
TRYING TO KILL ME,
WEREN'T THEY?
407
00:15:20,850 --> 00:15:22,650
-NO, NO,NO.
408
00:15:22,650 --> 00:15:26,130
-IT WAS SHEAR CHANCE I WASN'T
UP THERE WHEN IT HAPPENED.
409
00:15:26,130 --> 00:15:28,420
-BUT WHO WOULD WANT
TO KILL YOU?
410
00:15:28,420 --> 00:15:29,520
-GAVIN PATTERSON.
411
00:15:29,520 --> 00:15:32,410
HE'S WANTED ME OFF THE SHOW
EVER SINCE I GOT HERE.
412
00:15:32,410 --> 00:15:34,650
-HE'S NOT GOING TO
KILL YOU THOUGH.
413
00:15:34,650 --> 00:15:36,130
-WELL WHAT THEN?
414
00:15:36,130 --> 00:15:38,550
IF SOMEONE WASN'T TRYING
TO KILL ME WHAT?
415
00:15:38,550 --> 00:15:40,600
SOMEONE KNEW I WASN'T GOING TO
BE UP THERE AND WAS TRYING TO
416
00:15:40,600 --> 00:15:42,480
KILL ROSEMARY?
417
00:15:42,480 --> 00:15:44,170
-NO, THAT DOESN'T MAKE
SENSE EITHER.
418
00:15:47,140 --> 00:15:47,380
(MAN'S VOICE
419
00:15:47,380 --> 00:15:51,730
IN BACKGROUND) -GAVIN!
420
00:15:51,730 --> 00:15:52,980
HAVE A WORD, PLEASE?
421
00:15:55,500 --> 00:15:55,950
-RIGHT.
422
00:15:55,950 --> 00:15:57,300
UH, SEE IF SHE'S READY
TO FINISH OFF
423
00:15:57,300 --> 00:15:58,120
THAT SHOT, WILL YOU?
424
00:15:58,120 --> 00:15:59,320
WE-- WE'LL DO THE HEDGE TRIMMING
ON THE TERRACE.
425
00:15:59,320 --> 00:16:00,940
WE'LL GET A BETTER VIEW OF
THE HOUSE FROM THERE.
426
00:16:00,940 --> 00:16:01,260
-SURE.
427
00:16:01,260 --> 00:16:02,940
-YES, PENNY?
428
00:16:02,940 --> 00:16:05,780
-I'VE SPOKEN TO VERITY IN THE
PRESS OFFICE AT CHANNEL 7.
429
00:16:05,780 --> 00:16:08,300
IT SEEMS THAT FITZCARRON HAS
ABSOLUTELY NO AUTHORIZATION
430
00:16:08,300 --> 00:16:10,340
FOR BEING HERE.
431
00:16:10,340 --> 00:16:10,770
-UGH.
432
00:16:10,770 --> 00:16:11,940
WHAT ARE YOU TALKING ABOUT?
433
00:16:11,940 --> 00:16:13,180
-I'M NOT HAVING THIS, GAVIN.
434
00:16:13,180 --> 00:16:14,640
I'M NOT HAVING YOUR
BITS ON THE SIDE
435
00:16:14,640 --> 00:16:15,600
FLAUNTED IN FRONT OF EVERYBODY.
436
00:16:15,600 --> 00:16:16,830
I'M THE ASSOCIATE PRODUCER
ON THIS PRODUCTION--
437
00:16:16,830 --> 00:16:17,980
-DON'T GIVE YOURSELF AIRS.
438
00:16:17,980 --> 00:16:19,770
YOU'RE CALLED ASSOCIATE PRODUCER
BECAUSE YOU'RE MY
439
00:16:19,770 --> 00:16:21,670
WIFE AND IT KEEPS THE
TAX INSPECTOR HAPPY.
440
00:16:28,700 --> 00:16:30,000
-ALL RIGHT, CHAPS.
441
00:16:30,000 --> 00:16:31,800
LET'S GET HIS SHOT IN THE CAM.
442
00:16:31,800 --> 00:16:33,750
STAND BY EVERYBODY!
443
00:16:33,750 --> 00:16:34,980
-NEED A REHEARSAL, QUINNIE!
444
00:16:34,980 --> 00:16:38,590
-UM, I DON'T KNOW WHERE THE
HEDGE TRIMMER'S GONE.
445
00:16:38,590 --> 00:16:39,820
WHERE'S THE BLOODY HEDGE
TRIMMER, NICK?
446
00:16:39,820 --> 00:16:41,150
-IT WAS THERE A MINUTE AGO.
447
00:16:41,150 --> 00:16:42,150
SOMEONE MUST HAVE MOVED IT.
448
00:16:42,150 --> 00:16:45,480
IT WAS THERE A MINUTE AGO.
449
00:16:45,480 --> 00:16:47,470
THE CABLE'S HERE.
450
00:16:47,470 --> 00:16:50,540
-WELL WHAT WE NEED IS THE
APPLIANCE ATTACHED TO THE END
451
00:16:50,540 --> 00:16:51,440
OF THE CABLE.
452
00:16:51,440 --> 00:16:53,320
-I DO WISH PEOPLE WOULD
LEAVE PROPS ALONE.
453
00:17:06,460 --> 00:17:07,710
OH MY GOD!
454
00:17:23,440 --> 00:17:26,060
-SHE WAS HERE TO DO SOME
INTERVIEWS, WASN'T SHE
455
00:17:26,060 --> 00:17:27,280
MR.PATTERSON?
456
00:17:27,280 --> 00:17:28,140
-YES, YES.
457
00:17:28,140 --> 00:17:29,980
JUST THE ONE WITH MS. DORELL
AS FAR AS I KNOW.
458
00:17:29,980 --> 00:17:32,440
YOU'D HAVE TO ASK HER PAPER.
459
00:17:32,440 --> 00:17:35,580
WHAT WAS SHE DOING WITH
A HEDGE TRIMMER?
460
00:17:35,580 --> 00:17:38,450
-IT'S POSSIBLE THAT THERE WAS
A THIRD PARTY INVOLVED.
461
00:17:38,450 --> 00:17:40,550
THAT'S THE HYPOTHESIS
WE'RE RUNNING WITH
462
00:17:40,550 --> 00:17:42,180
AT THE MOMENT ANYWAY.
463
00:17:42,180 --> 00:17:45,360
THAT SHE WAS PUSHED INTO THE
SWIMMING POOL AND SOMEBODY
464
00:17:45,360 --> 00:17:48,680
THREW IT INTO THE
WATER AFTER HER.
465
00:17:48,680 --> 00:17:49,930
-GOOD GOD.
466
00:17:54,120 --> 00:17:57,660
I MEAN, HOW LONG IS THIS GOING
TO TAKE, INSPECTOR?
467
00:17:57,660 --> 00:17:58,900
-WELL SIR THAT'S--
468
00:17:58,900 --> 00:18:01,620
-I DON'T MEAN TO BE CALLOUS,
BUT I'VE GOT A
469
00:18:01,620 --> 00:18:02,820
PRODUCTION TO RUN HERE.
470
00:18:02,820 --> 00:18:05,580
EH, UGH, GOD KNOWS WHAT THE
INSURANCE POSITION WILL BE IN
471
00:18:05,580 --> 00:18:06,470
A CASE LIKE THIS.
472
00:18:06,470 --> 00:18:08,570
-THIS MISS DORELL, SIR.
473
00:18:08,570 --> 00:18:09,820
QUINNIE DORELL, ISN'T IT?
474
00:18:09,820 --> 00:18:10,530
-YES, YES.
475
00:18:10,530 --> 00:18:12,680
IT IS THAT WOMAN WHO SAILED
AROUND THE WORLD AND ALL THAT.
476
00:18:12,680 --> 00:18:13,550
-AH YES, YES.
477
00:18:13,550 --> 00:18:15,450
DIDN'T SHE WRITE A
BOOK ABOUT IT?
478
00:18:15,450 --> 00:18:16,600
-2.
479
00:18:16,600 --> 00:18:17,370
YEAH.
480
00:18:17,370 --> 00:18:18,360
SHE'S A WONDERFUL PERSON.
481
00:18:18,360 --> 00:18:20,760
A REAL PROFESSIONAL.
482
00:18:20,760 --> 00:18:22,790
I MEAN, SHE DOES HAVE
HER PROBLEMS.
483
00:18:28,820 --> 00:18:29,420
THEY'RE SEEING GAVIN NOW.
484
00:18:29,420 --> 00:18:31,140
THEY WANT TO QUESTION
EVERYONE.
485
00:18:31,140 --> 00:18:32,630
-THEY DON'T THINK IT
WAS AN ACCIDENT?
486
00:18:32,630 --> 00:18:34,620
NO, THEY THINK SOMEONE PUSHED
HER INTO THE POOL AND THEN
487
00:18:34,620 --> 00:18:36,590
SWITCHED ON THE HEDGE TRIMMER
AND THREW IT IN AFTER HER.
488
00:18:36,590 --> 00:18:37,860
IT WOULD ELECTROCUTE HER.
489
00:18:37,860 --> 00:18:39,110
THEY WANT TO SEE YOU NEXT.
490
00:18:47,580 --> 00:18:48,900
-AH, QUINNIE DORELL?
491
00:18:48,900 --> 00:18:49,610
-YES.
492
00:18:49,610 --> 00:18:53,910
-SIT DOWN, PLEASE, MISS DORELL
QUINNIE, IS THAT
493
00:18:53,910 --> 00:18:55,750
UM, SHORT FOR SOMETHING?
494
00:18:55,750 --> 00:18:58,950
-QUINTILLA I WAS MY PARENTS
FIFTH DAUGHTER.
495
00:18:58,950 --> 00:19:01,100
MY FATHER WAS FEELING
BELEAGUERED.
496
00:19:01,100 --> 00:19:02,320
WHAT CAN I DO FOR YOU?
497
00:19:02,320 --> 00:19:04,610
-WE BELIEVE THAT YOU ARE ONE
OF THE LAST PEOPLE TO SEE
498
00:19:04,610 --> 00:19:07,380
ROSIE FITZCARRON ALIVE.
499
00:19:07,380 --> 00:19:07,770
I DON'T KNOW.
500
00:19:07,770 --> 00:19:09,940
I DON'T KNOW WHEN SHE DIED.
501
00:19:09,940 --> 00:19:14,130
-SHE CAME DOWN HERE TO
INTERVIEW YOU, YES?
502
00:19:14,130 --> 00:19:14,940
-YES, THAT'S RIGHT.
503
00:19:14,940 --> 00:19:17,020
DID YOU ARRANGE THAT?
504
00:19:17,020 --> 00:19:19,580
-NO, IT WAS ARRANGED THROUGH
THE PRODUCTION COMPANY.
505
00:19:19,580 --> 00:19:21,650
-ONLY WE'VE BEEN PLAYING
OVER THE TAPE THAT SHE
506
00:19:21,650 --> 00:19:23,990
MADE OF YOUR INTERVIEW.
507
00:19:23,990 --> 00:19:24,670
-YES?
508
00:19:24,670 --> 00:19:28,270
-WELL, YOU BROKE THE INTERVIEW
OFF AFTER 10 MINUTES OR SO.
509
00:19:28,270 --> 00:19:29,360
-WELL, YES I DID.
510
00:19:29,360 --> 00:19:30,610
SHE WAS BEING IMPERTINENT.
511
00:19:40,760 --> 00:19:44,660
-YOU KNOW, I THINK I'M THE PRIME
SUSPECT WITH THE POLICE.
512
00:19:44,660 --> 00:19:45,910
-NO, SURELY NOT.
513
00:19:48,200 --> 00:19:51,090
I UM, GONNA GO BACK
TO THE HOTEL.
514
00:19:51,090 --> 00:19:53,190
DO YOU WANT A LIFT?
515
00:19:53,190 --> 00:19:55,370
NOTHING MORE TO DO HERE.
516
00:19:55,370 --> 00:19:57,380
-NO.
517
00:19:57,380 --> 00:19:58,630
OK.
518
00:20:04,040 --> 00:20:05,690
WHAT WAS THAT YOU WERE
READING SO AVIDLY?
519
00:20:08,810 --> 00:20:11,380
-ROSIE FITZCARRON'S
ADDRESS BOOK.
520
00:20:11,380 --> 00:20:12,990
-IS IT CONSIDERED POLITE
TO READ SOMEBODY
521
00:20:12,990 --> 00:20:15,000
ELSE'S ADDRESS BOOK?
522
00:20:15,000 --> 00:20:16,060
-IT IS IF THEY'RE DEAD.
523
00:20:16,060 --> 00:20:17,780
-HOW DID YOU GET HOLD OF IT?
524
00:20:17,780 --> 00:20:19,400
-SHE LEFT IT AT THE HOTEL.
525
00:20:19,400 --> 00:20:20,650
WHOOPS.
526
00:20:23,280 --> 00:20:25,680
HMM, THAT'S FUNNY.
527
00:20:25,680 --> 00:20:29,820
THERE'S A NUMBER HERE WITH THE
LETTERS B Q B, AND A QUESTION
528
00:20:29,820 --> 00:20:31,630
MARK AFTER IT.
529
00:20:31,630 --> 00:20:33,600
-SHE WASN'T SURE SHE'D
GOT THE NUMBER RIGHT.
530
00:20:33,600 --> 00:20:35,650
-NO, IF YOU'RE NOT SURE OF THE
NUMBER YOU PUT THE QUESTION
531
00:20:35,650 --> 00:20:37,490
MARK AFTER THE NUMBER,
NOT AFTER THE NAME.
532
00:20:37,490 --> 00:20:42,320
THIS IS VERY DEFINITELY
AFTER THE NAME, LOOK.
533
00:20:42,320 --> 00:20:45,390
WHAT'S BQB, ANYWAY?
534
00:20:45,390 --> 00:20:46,870
BANK OF QUICK BUCKS?
535
00:20:46,870 --> 00:20:49,450
BRITISH QUILTING BOARD?
536
00:20:49,450 --> 00:20:51,700
-SEARCH ME.
537
00:20:51,700 --> 00:20:53,310
LOOK, I'LL GO AND TELL THEM
I'M GOING BACK TO
538
00:20:53,310 --> 00:20:54,560
THE HOTEL WITH YOU.
539
00:20:54,560 --> 00:20:57,410
I'M IN NEED OF SOME
SUSTENANCE.
540
00:20:57,410 --> 00:20:58,660
I'LL SEE YOU AT THE CAR.
541
00:21:03,180 --> 00:21:03,660
-PENNY!
542
00:21:03,660 --> 00:21:04,150
PENNY!
543
00:21:04,150 --> 00:21:05,670
WHAT THE HELL HAVE
YOU GOT US IN TO?
544
00:21:05,670 --> 00:21:07,300
-OH, SHUT UP, GAVIN!
545
00:21:07,300 --> 00:21:08,780
-DON'T YOU TALK TO
ME LIKE THAT!
546
00:21:08,780 --> 00:21:11,950
-LET GO!
547
00:21:11,950 --> 00:21:13,880
IS THIS THE TRUTH ALL
COMING OUT AT LAST?
548
00:21:13,880 --> 00:21:16,030
-I TOLD YOU, THERE WAS NOTHING
BETWEEN ME AND ROSIE!
549
00:21:16,030 --> 00:21:17,640
-IT HARDY MATTERS
NOW, DOES IT?
550
00:21:17,640 --> 00:21:19,680
-IF YOU THOUGHT THIS WAS SOME
SORT OF MAD WAY OF GETTING ME
551
00:21:19,680 --> 00:21:19,860
BACK--
552
00:21:19,860 --> 00:21:20,730
-WHAT?
553
00:21:20,730 --> 00:21:22,470
WHAT ARE YOU TALKING ABOUT?
554
00:21:22,470 --> 00:21:23,880
-YOU MURDERING BITCH!
555
00:21:23,880 --> 00:21:25,060
-YOU GET!
556
00:21:25,060 --> 00:21:26,310
YOU ARE INSANE!
557
00:21:50,980 --> 00:21:52,470
-OH.
558
00:21:52,470 --> 00:21:55,950
THERE'S SOMETHING HERE.
559
00:21:55,950 --> 00:21:56,940
I NEED IT DOWN A BIT.
560
00:21:56,940 --> 00:21:58,930
-THAT THERE?
561
00:21:58,930 --> 00:22:00,920
IS THAT THE ONE?
562
00:22:00,920 --> 00:22:01,970
-OW!
563
00:22:01,970 --> 00:22:03,350
OH.
564
00:22:03,350 --> 00:22:04,640
-IS THIS YOUR FIRST DAY UP?
565
00:22:04,640 --> 00:22:05,430
-AH, YES.
566
00:22:05,430 --> 00:22:08,140
IT'S AMAZING HOW QUICKLY THEY
GET YOU UP THESE DAYS.
567
00:22:08,140 --> 00:22:09,700
-YOU HEAR WHAT HAPPENED
AT THE HOUSE?
568
00:22:09,700 --> 00:22:11,890
-THE HOUSE?
569
00:22:11,890 --> 00:22:13,320
-I'M ZACH.
570
00:22:13,320 --> 00:22:13,900
I LIVE UP THERE.
571
00:22:13,900 --> 00:22:15,520
CRYSTAL PITT-SEYMOUR'S MY MOM.
572
00:22:15,520 --> 00:22:16,540
-OH, I SEE.
573
00:22:16,540 --> 00:22:17,110
OH, I DI--
574
00:22:17,110 --> 00:22:18,530
I DIDN'T KNOW.
575
00:22:18,530 --> 00:22:20,610
-SOME JOURNALIST GOT KILLED.
576
00:22:20,610 --> 00:22:20,980
-YES, I--
577
00:22:20,980 --> 00:22:21,850
I HEARD.
578
00:22:21,850 --> 00:22:23,600
ISN'T IT TERRIBLE?
579
00:22:23,600 --> 00:22:25,690
FELL IN THE POOL WITH AN
ELECTRIC HEDGE TRIMMER.
580
00:22:25,690 --> 00:22:26,620
-HMM.
581
00:22:26,620 --> 00:22:29,400
YES, I KNOW.
582
00:22:29,400 --> 00:22:30,650
-SEE YOU LATER.
583
00:22:33,890 --> 00:22:34,860
-I NEED TO MAKE A PHONE CALL.
584
00:22:34,860 --> 00:22:37,290
-OF COURSE.
585
00:22:37,290 --> 00:22:39,680
-SO, HOW LONG DO THEY THINK
YOU'RE GOING TO BE IN THERE?
586
00:22:39,680 --> 00:22:41,580
-WELL, ANOTHER WEEK
AT LEAST ABOUT.
587
00:22:41,580 --> 00:22:42,450
-OH, I SEE.
588
00:22:42,450 --> 00:22:43,390
-SOUNDS AWFUL.
589
00:22:43,390 --> 00:22:45,090
A JOURNALIST IN THE POOL.
590
00:22:45,090 --> 00:22:46,010
-YES, TERRIBLE.
591
00:22:46,010 --> 00:22:46,950
-FREAK ACCIDENT?
592
00:22:46,950 --> 00:22:47,520
-NO.
593
00:22:47,520 --> 00:22:49,650
NO, THEY THINK IT WAS MURDER.
594
00:22:49,650 --> 00:22:51,280
-WELL, WHO WOULD WANT
TO MURDER HER?
595
00:22:51,280 --> 00:22:52,510
(OFFSCREEN) HA, ALMOST
EVERYBODY,
596
00:22:52,510 --> 00:22:53,930
FROM ALL I'VE HEARD.
597
00:22:53,930 --> 00:22:56,130
-YEAH, WELL THAT'S TRUE.
598
00:22:56,130 --> 00:22:59,530
OH, I CAME ACROSS AN ARTICLE
BY HER IN A MAGAZINE TODAY.
599
00:22:59,530 --> 00:23:00,590
(OFFSCREEN) BY WHO?
600
00:23:00,590 --> 00:23:02,060
-ROSIE FITZCARRON.
601
00:23:02,060 --> 00:23:02,390
(OFFSCREEN) NO!
602
00:23:02,390 --> 00:23:04,310
-TALKING ABOUT HER TRAVELS
IN AUSTRALIA.
603
00:23:04,310 --> 00:23:06,220
-(OFFSCREEN) WHAT, RECENTLY?
604
00:23:06,220 --> 00:23:09,150
-WELL, I JUST THOUGHT THAT
MAYBE, THAT'S WHERE SHE MET
605
00:23:09,150 --> 00:23:10,450
THE PITT-SEYMOURS.
606
00:23:10,450 --> 00:23:11,480
-(OFFSCREEN) I'D BE SURPRISED.
607
00:23:11,480 --> 00:23:13,960
-YES, I KNOW IT'S UNLIKELY,
BUT-- OW!
608
00:23:13,960 --> 00:23:14,950
-AWE.
609
00:23:14,950 --> 00:23:16,910
ARE YOU ALRIGHT?
610
00:23:16,910 --> 00:23:18,740
-ANY NEWS OF MY LAPTOP YET?
611
00:23:18,740 --> 00:23:19,990
-NO SORRY.
612
00:23:19,990 --> 00:23:20,830
-WELL, KEEP ON AT
THEM, PLEASE.
613
00:23:20,830 --> 00:23:21,570
-YES, OF COURSE I WILL.
614
00:23:21,570 --> 00:23:23,180
-I'M LOST WITHOUT IT.
615
00:23:23,180 --> 00:23:25,170
-QUINNIE THINKS THE POLICE
SUSPECT HER.
616
00:23:25,170 --> 00:23:27,090
-I DON'T THINK THAT'S LIKELY.
617
00:23:27,090 --> 00:23:27,740
-NO, I DON'T EITHER.
618
00:23:27,740 --> 00:23:29,790
-WELL, SHE DOES SPEAK
HER MIND.
619
00:23:29,790 --> 00:23:32,360
-WELL, SHE DID SAY SHE WANTED
TO KILL FITZCARRON.
620
00:23:32,360 --> 00:23:35,290
-WE ALL SAY THINGS LIKE THAT.
621
00:23:35,290 --> 00:23:36,280
-CAN NEVER TELL.
622
00:23:36,280 --> 00:23:37,000
-I'VE GOT TO GO.
623
00:23:37,000 --> 00:23:37,620
TRANQUILIZER TIME.
624
00:23:37,620 --> 00:23:38,440
-OH, ALL RIGHT.
625
00:23:38,440 --> 00:23:39,700
-CALL ME TOMORROW.
626
00:23:39,700 --> 00:23:39,990
-YEP.
627
00:23:39,990 --> 00:23:41,020
I'LL RING YOU TOMORROW.
628
00:23:41,020 --> 00:23:41,810
-BYE.
629
00:23:41,810 --> 00:23:42,800
-SLEEP WELL.
630
00:23:42,800 --> 00:23:44,050
-BYE.
631
00:23:58,690 --> 00:23:59,100
-OH, NICK.
632
00:23:59,100 --> 00:23:59,590
GOOD MORNING.
633
00:23:59,590 --> 00:24:00,890
WHAT'S GOING ON?
634
00:24:00,890 --> 00:24:02,140
-NOTHING, AS FAR AS I KNOW.
635
00:24:02,140 --> 00:24:03,080
WE'RE NOT SHOOTING TODAY.
636
00:24:03,080 --> 00:24:05,140
I MEAN, LOOK AT IT.
637
00:24:05,140 --> 00:24:07,240
PENNY AND GAVIN ARE STILL
AT THE HOTEL.
638
00:24:07,240 --> 00:24:09,840
-I MEANT TO ASK YOU, HOW WELL
DID GAVIN KNOW ROSIE
639
00:24:09,840 --> 00:24:10,160
FITZCARRON?
640
00:24:10,160 --> 00:24:11,440
-DON'T YOU START.
641
00:24:11,440 --> 00:24:14,440
INSPECTOR THING BADGERED
ME ABOUT THAT.
642
00:24:14,440 --> 00:24:16,870
HI, VERNON.
643
00:24:16,870 --> 00:24:18,130
BE LIKE THAT THEN.
644
00:24:18,130 --> 00:24:19,630
NAH, THE TRUTH IS,
I HAVE NO IDEA.
645
00:24:19,630 --> 00:24:21,560
PENNY IS CONVINCED THEY WERE
HOPPING INTO BED WITH EACH
646
00:24:21,560 --> 00:24:23,100
OTHER EVERYONE AT EVERY
OPPORTUNITY.
647
00:24:23,100 --> 00:24:25,170
THAT'S WHY SHE WORMED HER WAY
IN AS ASSOCIATE PRODUCER.
648
00:24:25,170 --> 00:24:28,110
TO KEEP AND EYE ON HIM.
649
00:24:28,110 --> 00:24:30,260
-HE DID SEEM RATHER CHUMMY,
ROSIE AND HE.
650
00:24:30,260 --> 00:24:31,550
-THEY WOULD.
651
00:24:31,550 --> 00:24:33,850
SHE WAS MAD KEEN TO GET
INTO TELEVISION.
652
00:24:33,850 --> 00:24:35,930
SHE WANTED HIM TO PRODUCE
A SHOW WITH HER AS STAR.
653
00:24:35,930 --> 00:24:38,020
ONE OF THOSE INVESTIGATIVE
THINGS, WITH
654
00:24:38,020 --> 00:24:39,230
HER BEING UNDER COVER.
655
00:24:39,230 --> 00:24:41,930
"ROUGH HOUSE WITH ROSIE"
OR SOME SUCH.
656
00:24:41,930 --> 00:24:42,770
-WAS HE GOING TO DO IT?
657
00:24:42,770 --> 00:24:44,350
-HE STRUNG HER ALONG.
658
00:24:44,350 --> 00:24:45,440
WHY NOT?
659
00:24:45,440 --> 00:24:47,500
ONLY GAVIN HASN'T GOT
AS MUCH CLOUT AS
660
00:24:47,500 --> 00:24:48,890
SHE SEEMED TO IMAGINE.
661
00:24:48,890 --> 00:24:50,140
-HUH.
662
00:24:56,500 --> 00:24:59,720
-WHO WOULD WANT ROSIE
FITZCARRON DEAD?
663
00:24:59,720 --> 00:25:01,470
-GOD KNOWS.
664
00:25:01,470 --> 00:25:03,360
-WELL, YOU FOR A START.
665
00:25:03,360 --> 00:25:06,170
-DARLING, I LEARNT LONG AGO
TO IGNORE THE PRESS.
666
00:25:06,170 --> 00:25:07,620
-PENNY PATTERSON?
667
00:25:07,620 --> 00:25:09,610
BECAUSE SHE THOUGHT ROSIE
WAS HAVING IT OFF
668
00:25:09,610 --> 00:25:11,150
WITH HER OLD MAN?
669
00:25:11,150 --> 00:25:13,080
-WHAT A REVOLTING THOUGHT.
670
00:25:13,080 --> 00:25:16,100
ANYWAY, WHY WOULD PENNY THINK
THAT ROSIE FITZCARRON WAS
671
00:25:16,100 --> 00:25:19,190
GOING TO BE ON THE
SCAFFOLDING?
672
00:25:19,190 --> 00:25:19,930
-FORGET THE SCAFFOLDING
FOR A MINUTE.
673
00:25:19,930 --> 00:25:23,190
WHAT WAS THAT THE ASSISTANT
DIRECTOR SAID ABOUT HER BEING
674
00:25:23,190 --> 00:25:24,410
UNDER COVER?
675
00:25:24,410 --> 00:25:26,920
-OH, SHE WANTED GAVIN
TO PRODUCE SOME
676
00:25:26,920 --> 00:25:29,610
CRAPPY TV SHOW FOR HER.
677
00:25:29,610 --> 00:25:30,260
-OH, IS THAT WHAT SHE DID?
678
00:25:30,260 --> 00:25:31,580
INVESTIGATIVE JOURNALISM?
679
00:25:31,580 --> 00:25:33,370
WORKING UNDERCOVER, PRETENDING
TO BE SOMEONE ELSE?
680
00:25:33,370 --> 00:25:34,090
-I DON'T KNOW.
681
00:25:34,090 --> 00:25:35,320
YOU COULD ASK HER NEWSPAPER.
682
00:25:35,320 --> 00:25:37,960
PERHAPS SOMEONE HERE HAD
SOMETHING TO HIDE.
683
00:25:37,960 --> 00:25:38,330
-HEH.
684
00:25:38,330 --> 00:25:41,230
WAS YOU SHE CAME TO SEE.
685
00:25:41,230 --> 00:25:43,860
-WHAT'S THAT SMELL?
686
00:25:43,860 --> 00:25:45,560
-OH, A EUCALYPTUS TREE.
687
00:25:45,560 --> 00:25:46,800
-OH, YES.
688
00:25:46,800 --> 00:25:48,250
IT'S HORRIBLE.
689
00:25:48,250 --> 00:25:48,870
-I QUITE LIKE IT.
690
00:25:48,870 --> 00:25:53,060
IT, AH, IT-- IT-- IT REMINDS
ME OF SOMETHING.
691
00:25:53,060 --> 00:25:54,310
NOW I CAN'T REMEMBER.
692
00:25:56,990 --> 00:25:57,650
I'M OFF.
693
00:25:57,650 --> 00:25:58,950
-WHERE ARE YOU GOING?
694
00:25:58,950 --> 00:26:01,720
-I'M GOING TO SEE CRYSTAL
PITT-SEYMOUR.
695
00:26:01,720 --> 00:26:04,550
ROSEMARY SAID ROSIE HAD BEEN
IN AUSTRALIA RECENTLY.
696
00:26:04,550 --> 00:26:05,530
-SO.
697
00:26:05,530 --> 00:26:07,920
-MAYBE THERE'S A CONNECTION.
698
00:26:07,920 --> 00:26:09,780
-CAN I COME?
699
00:26:09,780 --> 00:26:12,600
-AH, YEAH, SURE.
700
00:26:12,600 --> 00:26:13,950
-I'VE GOT TO CLEAR MY
NAME, REMEMBER.
701
00:26:17,920 --> 00:26:19,410
-COME IN.
702
00:26:19,410 --> 00:26:20,910
COME IN.
703
00:26:20,910 --> 00:26:22,400
-AH.
704
00:26:22,400 --> 00:26:23,650
-DO SIT DOWN.
705
00:26:26,310 --> 00:26:29,710
SO, HOW'S YOUR FRIEND, LAURA?
706
00:26:29,710 --> 00:26:30,410
-OH, ROSEMARY.
707
00:26:30,410 --> 00:26:33,310
WELL SHE'S AS WELL AS COULD
BE EXPECTED I SUPPOSE.
708
00:26:33,310 --> 00:26:36,360
-VERNON I WERE THINKING OF
PHONING HER, AND THEN WE
709
00:26:36,360 --> 00:26:37,310
THOUGHT, NO.
710
00:26:37,310 --> 00:26:38,790
SHE PROBABLY NEEDS HER REST.
711
00:26:38,790 --> 00:26:40,090
-YES, QUITE.
712
00:26:40,090 --> 00:26:40,430
-UGH.
713
00:26:40,430 --> 00:26:44,110
AND THEN ALL THIS DREADFUL
BUSINESS WITH THE JOURNALIST.
714
00:26:44,110 --> 00:26:46,240
ROSIE FITZCARRON HAD SPENT
SOME TIME IN AUSTRALIA.
715
00:26:46,240 --> 00:26:48,770
DID YOU KNOW HER THERE?
716
00:26:48,770 --> 00:26:52,200
-AUSTRALIA IS A VERY
BIG COUNTRY.
717
00:26:52,200 --> 00:26:55,700
-THAT'S A FAIRLY MEANINGLESS
ANSWER, ISN'T IT?
718
00:26:55,700 --> 00:26:56,820
-I BEG YOUR PARDON?
719
00:26:56,820 --> 00:26:58,890
-MAYBE YOUR HUSBAND, MIGHT--
720
00:26:58,890 --> 00:26:59,860
-VERNON?
721
00:26:59,860 --> 00:27:02,260
OH, I WOULDN'T IMAGINE SO.
722
00:27:02,260 --> 00:27:03,570
BUT, HE'S IN TOWN
AT THE MINUTE.
723
00:27:03,570 --> 00:27:05,520
YOU CAN CERTAINLY ASK HIM
YOURSELF WHEN HE GET'S BACK,
724
00:27:05,520 --> 00:27:09,230
BUT I THINK HE WOULD'VE
MENTIONED IT.
725
00:27:09,230 --> 00:27:10,200
WHEN WAS SHE THERE?
726
00:27:10,200 --> 00:27:11,760
THIS JOURNALIST GIRL?
727
00:27:11,760 --> 00:27:12,870
-I DON'T KNOW.
728
00:27:12,870 --> 00:27:14,280
YEAR AGO.
729
00:27:14,280 --> 00:27:16,530
-OH, WELL, THERE YOU
ARE YOU SEE.
730
00:27:16,530 --> 00:27:22,120
VERNON AND I HAVEN'T BEEN IN
AUSTRALIA FOR, UM, 5, 6 YEARS.
731
00:27:22,120 --> 00:27:25,120
-HAVE YOU READ ANY OF
ROSIE'S COLUMNS?
732
00:27:25,120 --> 00:27:26,950
-NO, I DON'T THINK SO.
733
00:27:26,950 --> 00:27:28,330
WHO DID SHE WRITE FOR?
734
00:27:28,330 --> 00:27:29,510
-THE HAROLD.
735
00:27:29,510 --> 00:27:30,830
-AH.
736
00:27:30,830 --> 00:27:32,120
WELL THEN NO, WE
WOULDN'T HAVE.
737
00:27:32,120 --> 00:27:33,370
WE ONLY READ THE BROADSHEETS.
738
00:27:41,000 --> 00:27:43,110
-AREN'T YOU GOING TO WAIT
AROUND FOR VERNON?
739
00:27:43,110 --> 00:27:43,490
-NO.
740
00:27:43,490 --> 00:27:44,580
I CAN SEE HIM TOMORROW.
741
00:27:44,580 --> 00:27:46,810
I'M GOING TO GO AND SEE GAVIN
ABOUT ABOUT TOWN.
742
00:27:46,810 --> 00:27:48,060
-RIGHT.
743
00:27:52,270 --> 00:27:54,620
I JUST REMEMBERED WHAT THAT
SMELL OF EUCALYPTUS
744
00:27:54,620 --> 00:27:56,340
MADE ME THINK OF.
745
00:27:56,340 --> 00:27:57,330
-VICKS VAPOR RUB.
746
00:27:57,330 --> 00:27:58,790
-NO.
747
00:27:58,790 --> 00:27:59,230
NO--
748
00:27:59,230 --> 00:28:02,640
I WAS TALKING TO ROSEMARY, AND
SHE WAS SAYING HOW IT REMINDED
749
00:28:02,640 --> 00:28:04,640
HER OF AUSTRALIA.
750
00:28:04,640 --> 00:28:06,440
-AND?
751
00:28:06,440 --> 00:28:07,890
NOW, IT BE-- LISTEN NOW--
752
00:28:07,890 --> 00:28:11,070
JUST AT THAT MOMENT, WE
BUMPED INTO CRYSTAL.
753
00:28:11,070 --> 00:28:12,530
CRYSTAL PITT-SEYMOUR.
754
00:28:12,530 --> 00:28:14,190
-WHERE DO THEY GET
THESE NAMES FROM?
755
00:28:14,190 --> 00:28:17,770
-SHE WOULD HAVE HEARD WHAT
ROSEMARY WAS SAYING.
756
00:28:17,770 --> 00:28:19,710
-AND?
757
00:28:19,710 --> 00:28:20,200
-UGH.
758
00:28:20,200 --> 00:28:21,450
I DON'T KNOW.
759
00:28:25,560 --> 00:28:27,080
CAN I SAY SOMETHING?
760
00:28:27,080 --> 00:28:29,450
-SUPPOSE I SAY NO.
761
00:28:29,450 --> 00:28:31,450
-ARE YOU COMING WITH
ME TO SEE GAVIN?
762
00:28:31,450 --> 00:28:33,360
IF HE'S THE ONE WHO IS TRYING TO
KILL ME, I THINK I'VE GOT A
763
00:28:33,360 --> 00:28:35,020
RIGHT, DON'T YOU?
764
00:28:35,020 --> 00:28:38,730
-MMM, WELL, WHEN WE TALK
TO HIM, LET'S BE VERY
765
00:28:38,730 --> 00:28:40,630
LAID BACK, SHALL WE?
766
00:28:40,630 --> 00:28:41,910
WHAT DO YOU MEAN?
767
00:28:41,910 --> 00:28:44,790
-WELL YOU USUALLY GET MORE OUT
OF PEOPLE IF YOU'RE QUITE
768
00:28:44,790 --> 00:28:46,420
CASUAL ABOUT THINGS.
769
00:28:46,420 --> 00:28:50,270
YOU DON'T HAVE TO NECESSARILY
JUMP IN RIGHT AWAY AND ASK THE
770
00:28:50,270 --> 00:28:52,840
QUESTION YOU REALLY
WANT TO ASK.
771
00:28:52,840 --> 00:28:54,610
-LIKE I DID WITH CRYSTAL.
772
00:28:54,610 --> 00:28:55,940
-YES.
773
00:28:55,940 --> 00:28:58,100
YES, YES THAT-- THAT'S
QUITE A GOOD EXAMPLE
774
00:28:58,100 --> 00:29:00,870
AS A MATTER OF FACT.
775
00:29:00,870 --> 00:29:02,350
-I DON'T THINK I DO CASUAL.
776
00:29:17,110 --> 00:29:18,580
-DON'T FORGET NOW.
777
00:29:18,580 --> 00:29:20,060
LAID BACK.
778
00:29:20,060 --> 00:29:21,040
-RIGHT.
779
00:29:21,040 --> 00:29:22,030
LAID BACK.
780
00:29:22,030 --> 00:29:23,990
-INSOUCIANT.
781
00:29:23,990 --> 00:29:25,960
-I DEFINITELY DON'T
DO INSOUCIANT.
782
00:29:29,940 --> 00:29:31,190
-COME IN.
783
00:29:33,430 --> 00:29:35,020
JUST PUT IT ON THE DRESSING
TABLE, WILL YA?
784
00:29:45,880 --> 00:29:47,510
-OH, DO BUCK UP, GAVIN.
785
00:29:51,240 --> 00:29:52,350
-WHAT DO YOU WANT?
786
00:29:52,350 --> 00:29:55,550
-JUST A, SOCIAL CALL.
787
00:29:55,550 --> 00:29:57,660
-DID YOU KNOW THAT ROSIE
FITZCARRON HAD SPENT SOME TIME
788
00:29:57,660 --> 00:30:00,130
IN AUSTRALIA?
789
00:30:00,130 --> 00:30:02,230
-WHAT'S THAT GOT TO
DO WITH ANYTHING?
790
00:30:02,230 --> 00:30:07,120
-WE JUST WONDERED IF YOU
KNEW WHY SHE WAS THERE?
791
00:30:07,120 --> 00:30:10,160
-WRITING HER GOD AWFUL COLUMN
FOR HER GOD AWFUL
792
00:30:10,160 --> 00:30:11,650
NEWSPAPER, I PRESUME.
793
00:30:11,650 --> 00:30:14,090
OF COURSE, GAVIN'S THE EXPERT
ON ROSIE FITZCARRON.
794
00:30:14,090 --> 00:30:16,630
-PENNY.
795
00:30:16,630 --> 00:30:18,260
SHE WAS VERY EXCITED
ABOUT SOME BOOK SHE
796
00:30:18,260 --> 00:30:19,500
WAS GOING TO WRITE.
797
00:30:19,500 --> 00:30:21,170
-ABOUT AUSTRALIA?
798
00:30:21,170 --> 00:30:22,900
-SOME FINANCIAL SCANDAL.
799
00:30:22,900 --> 00:30:24,750
SHE WASN'T EXACTLY
FORTHCOMING.
800
00:30:24,750 --> 00:30:25,160
-OH?
801
00:30:25,160 --> 00:30:27,930
NOT WHAT I HEARD.
802
00:30:27,930 --> 00:30:30,850
-SO, YOU DON'T KNOW
ANY DETAILS?
803
00:30:30,850 --> 00:30:32,100
-NO.
804
00:30:38,230 --> 00:30:41,320
-THERE'S SOMETHING EXTREMELY
CREEPY ABOUT THOSE 2, ISN'T
805
00:30:41,320 --> 00:30:41,640
THERE?
806
00:30:41,640 --> 00:30:41,950
-HMM.
807
00:30:41,950 --> 00:30:46,130
NOT EXACTLY CREEPY, MAYBE A
BIT UNCOMFORTABLE THOUGH.
808
00:30:46,130 --> 00:30:48,880
-THE WAY HE JUST LAY
THERE, ALL EXPOSED.
809
00:30:48,880 --> 00:30:50,860
-AT LEAST HE HADN'T
KEPT HIS SOCKS ON.
810
00:30:50,860 --> 00:30:52,130
-HM, HM, HM.
811
00:30:52,130 --> 00:30:53,540
DO YOU THINK THEY WERE
GOING TO, UM--
812
00:30:53,540 --> 00:30:54,160
-OH, PLEASE.
813
00:30:54,160 --> 00:30:55,410
I'VE JUST HAD LUNCH.
814
00:30:57,950 --> 00:31:00,600
-YOU KNOW ABOUT THAT EUCALYPTUS,
ABOUT ME SAYING
815
00:31:00,600 --> 00:31:04,410
CRYSTAL PITT-SEYMOUR COULD'VE
OVERHEARD ROSEMARY AND ME?
816
00:31:04,410 --> 00:31:05,250
-YES.
817
00:31:05,250 --> 00:31:06,300
-KEEPS NAGGING AT ME.
818
00:31:06,300 --> 00:31:10,170
WHAT IF SHE WAS EXPECTING
SOMEONE FROM AUSTRALIA, AND
819
00:31:10,170 --> 00:31:12,940
SHE HEARD ROSEMARY TALKING
ABOUT HER TIME THERE--
820
00:31:12,940 --> 00:31:13,390
-WHAT?
821
00:31:13,390 --> 00:31:17,300
SHE WAS EXPECTING JUST ANYBODY
WHO'D BEEN TO AUSTRALIA?
822
00:31:17,300 --> 00:31:19,610
-WELL NO, BUT SOMEONE
SHE DIDN'T KNOW.
823
00:31:19,610 --> 00:31:20,920
-I DON'T SEE HOW SHE
COULD BE EXPECTING
824
00:31:20,920 --> 00:31:22,700
SOMEONE SHE DIDN'T KNOW.
825
00:31:22,700 --> 00:31:23,950
-UHMM.
826
00:31:27,180 --> 00:31:29,670
-OH MY GOD, LOOK!
827
00:31:29,670 --> 00:31:31,160
-IT'S A CAR ON FIRE!
828
00:31:43,110 --> 00:31:46,100
-IT LOOKS LIKE VERNON'S CAR.
829
00:31:46,100 --> 00:31:47,600
-GOD, HOW DID IT HAPPEN?
830
00:31:47,600 --> 00:31:48,090
-I DON'T KNOW.
831
00:31:48,090 --> 00:31:49,090
I JUST SAW THE SMOKE.
832
00:31:49,090 --> 00:31:50,340
THE DRIVER'S STILL IN THERE.
833
00:32:07,020 --> 00:32:11,280
-NO, WE WERE JUST DRIVING ALONG
AND, AND WE SAW IT.
834
00:32:11,280 --> 00:32:12,840
-YOU DIDN'T SEE IT HAPPEN?
835
00:32:12,840 --> 00:32:14,190
-NO.
836
00:32:14,190 --> 00:32:16,000
-IT WAS VERNON DRIVING,
WAS IT?
837
00:32:16,000 --> 00:32:16,560
-LOOKS LIKE IT.
838
00:32:16,560 --> 00:32:18,200
WE STILL HAVEN'T MADE A POSITIVE
IDENTIFICATION.
839
00:32:18,200 --> 00:32:19,480
BUT UM--
840
00:32:19,480 --> 00:32:21,290
-YOU SURE SHE'S GOING
TO BE ALL RIGHT?
841
00:32:21,290 --> 00:32:22,770
-I'LL GET HER HOME.
842
00:32:22,770 --> 00:32:25,230
-CRYSTAL, ZACH, I'M SO SORRY.
843
00:32:32,410 --> 00:32:35,370
-HAVE YOU STILL GOT
THAT ADDRESS BOOK?
844
00:32:35,370 --> 00:32:37,090
-OH, ROSIE FITZCARRON'S, YES.
845
00:32:37,090 --> 00:32:37,580
IN MY BAG.
846
00:32:37,580 --> 00:32:39,550
-CAN I HAVE A LOOK AT IT?
847
00:32:39,550 --> 00:32:40,800
-SURE.
848
00:32:43,990 --> 00:32:45,470
-WHERE'S THAT LOOSE
PIECE OF PAPER?
849
00:32:45,470 --> 00:32:47,930
-AH, UM, RIGHT IN FRONT THERE.
850
00:32:50,920 --> 00:32:51,600
-YES, I KNEW IT.
851
00:32:51,600 --> 00:32:54,070
THIS IS THE PITT-SEYMOUR'S
HOME PHONE NUMBER.
852
00:32:54,070 --> 00:32:55,880
-THAT'S VERY CLEVER OF YOU.
853
00:32:55,880 --> 00:32:58,200
-NO, IT WAS ON THE CALL SHEET
FOR THE FILM UNIT.
854
00:32:58,200 --> 00:33:00,070
-OF COURSE.
855
00:33:00,070 --> 00:33:04,570
-SO, WHY DOES IT SAY B Q B?
856
00:33:04,570 --> 00:33:06,170
-WHAT IS B Q B?
857
00:33:18,460 --> 00:33:19,710
-LOOK!
858
00:33:21,910 --> 00:33:23,400
-HUH?
859
00:33:23,400 --> 00:33:25,900
-BQB!
860
00:33:25,900 --> 00:33:28,580
-BRISBANE AND QUEENSLAND
BANK, OF COURSE!
861
00:33:28,580 --> 00:33:31,670
THAT BIG FRAUD THING THAT
HAPPENED ABOUT 10 YEARS AGO.
862
00:33:31,670 --> 00:33:32,690
-OH, YES!
863
00:33:32,690 --> 00:33:36,600
-SOMEONE WHO WORKED THERE, UH,
SOME JUNIOR EXECUTIVE.
864
00:33:36,600 --> 00:33:38,950
HE WENT MISSING WITH ABOUT
10 MILLION QUID.
865
00:33:38,950 --> 00:33:39,870
-YES, THAT'S RIGHT.
866
00:33:39,870 --> 00:33:41,340
THEN HE DIED, DIDN'T HE?
867
00:33:41,340 --> 00:33:43,920
-I DON'T THINK THEY GOT
ALL THE MONEY BACK.
868
00:33:43,920 --> 00:33:45,370
-THEY GOT SOME OF IT.
869
00:33:45,370 --> 00:33:47,730
HE TRANSFERRED IT TO BANKS
ALL OVER THE WORLD.
870
00:33:47,730 --> 00:33:49,140
OH, WHAT WAS HIS NAME?
871
00:33:49,140 --> 00:33:50,730
-WELL, HE'S DEAD ANYWAY.
872
00:33:50,730 --> 00:33:53,750
-BUT THE MONEY MUST HAVE
GONE SOMEWHERE.
873
00:33:53,750 --> 00:33:56,890
DO YOU THINK THE PITT-SEYMOURS
COULD'VE BEEN INVOLVED?
874
00:33:56,890 --> 00:33:58,140
-COME ON.
875
00:34:12,520 --> 00:34:14,950
GAVIN SAID, ROSIE WAS
WRITING A BOOK ABOUT
876
00:34:14,950 --> 00:34:16,840
SOME FINANCIAL SCANDAL.
877
00:34:16,840 --> 00:34:19,280
NOW WHAT IF IT WAS
THIS BQB THING?
878
00:34:19,280 --> 00:34:21,570
-WHAT, AND SHE LINKED THE
PITT-SEYMOURS TO IT SOMEHOW?
879
00:34:21,570 --> 00:34:21,850
-YES.
880
00:34:21,850 --> 00:34:25,990
THEY SOMEHOW GOT HOLD OF THE
MONEY AFTER JOHN LUNDGREN--
881
00:34:25,990 --> 00:34:26,690
JOHN LUNDGREN!
882
00:34:26,690 --> 00:34:27,530
THAT WAS HIS NAME.
883
00:34:27,530 --> 00:34:28,160
-OF COURSE IT WAS.
884
00:34:28,160 --> 00:34:30,060
-WELL, WHAT IF THEY,
AFTER HE DIED, THEY
885
00:34:30,060 --> 00:34:31,310
INHERITED THE MONEY?
886
00:34:34,560 --> 00:34:35,570
-THERE'S NO ONE HOME.
887
00:34:35,570 --> 00:34:36,940
CRYSTAL AND THE BOY LEFT
ABOUT HALF AN HOUR AGO.
888
00:34:36,940 --> 00:34:37,930
THE POLICE SAY THEY'RE
GOING TO BE
889
00:34:37,930 --> 00:34:38,830
FINISHED HERE BY TONIGHT.
890
00:34:38,830 --> 00:34:40,500
WE'LL JUST HAVE TO
WORK SUNDAY.
891
00:34:40,500 --> 00:34:42,570
MAY YOU LIVE IN INTERESTING
TIMES.
892
00:34:42,570 --> 00:34:46,320
OLD CHINESE CURSE.
893
00:34:46,320 --> 00:34:46,800
-UH!
894
00:34:46,800 --> 00:34:50,230
-WE KNOW THEY'RE NOT THERE.
895
00:34:50,230 --> 00:34:51,480
OH, SUGAR!
896
00:35:03,940 --> 00:35:05,190
DOUBLE SUGAR!
897
00:35:13,530 --> 00:35:15,190
RATHER YOU THAN ME.
898
00:35:15,190 --> 00:35:16,440
-BUT YOU'RE SO LISSOM.
899
00:35:40,220 --> 00:35:40,930
-THANK YOU.
900
00:35:40,930 --> 00:35:42,660
-NO SIGN OF LIFE AS
FAR AS I CAN TELL.
901
00:35:50,500 --> 00:35:52,460
WHAT EXACTLY ARE
WE LOOKING FOR?
902
00:35:52,460 --> 00:35:53,930
-WE'LL KNOW IT WHEN WE FIND IT.
903
00:35:53,930 --> 00:35:55,180
-OH, GOOD.
904
00:35:58,830 --> 00:35:59,320
-AHH!
905
00:35:59,320 --> 00:36:00,300
-WHAT?
906
00:36:00,300 --> 00:36:01,800
-BINGO!
907
00:36:01,800 --> 00:36:03,610
ROSEMARY'S COMPUTER!
908
00:36:03,610 --> 00:36:04,420
-NO!
909
00:36:04,420 --> 00:36:06,280
WHY WOULD THEY STEAL THAT?
910
00:36:06,280 --> 00:36:12,180
-WELL, THEY THOUGHT THAT
ROSEMARY WAS ROSIE FITZCARRON,
911
00:36:12,180 --> 00:36:13,760
AND THEY WANTED TO FIND
OUT WHAT ROSIE
912
00:36:13,760 --> 00:36:15,520
FITZCARRON WAS WRITING.
913
00:36:15,520 --> 00:36:16,300
-AHH.
914
00:36:16,300 --> 00:36:18,220
SOMEONE'S BEEN BURNING STUFF.
915
00:36:18,220 --> 00:36:19,610
-OH, ANYTHING INTERESTING?
916
00:36:19,610 --> 00:36:21,300
-IT'S STILL WARM.
917
00:36:21,300 --> 00:36:23,880
AH, SOMETHING HERE.
918
00:36:23,880 --> 00:36:24,670
IT'S A LITTLE BOOK.
919
00:36:24,670 --> 00:36:25,800
IT COULD'VE BEEN A PASSPORT.
920
00:36:25,800 --> 00:36:27,750
-OH, YES, IT COULD.
921
00:36:27,750 --> 00:36:28,410
-HANG ON A MINUTE.
922
00:36:28,410 --> 00:36:30,070
THERE'S A WHOLE SHEATH
OF STUFF HERE THAT
923
00:36:30,070 --> 00:36:33,020
HASN'T BURNED PROPERLY.
924
00:36:33,020 --> 00:36:36,530
ALRIGHT, THIS ONES A BILL.
925
00:36:36,530 --> 00:36:38,630
HERE'S A LETTER.
926
00:36:38,630 --> 00:36:42,860
DEAR OLD MAGGIE, WHO'S MAGGIE?
927
00:36:42,860 --> 00:36:44,930
BLAH, BLAH, BLAH--
928
00:36:44,930 --> 00:36:47,580
THE GOOD NEWS IS THAT I'M NOW
HEAD OF THE PACIFIC RIM
929
00:36:47,580 --> 00:36:48,970
INVESTMENT DEPARTMENT.
930
00:36:48,970 --> 00:36:49,960
HOW ABOUT THAT?
931
00:36:49,960 --> 00:36:52,520
AND DEN HARGREVES DIDN'T
GET A SNIFF.
932
00:36:52,520 --> 00:36:53,350
LISTEN TO THIS!
933
00:36:53,350 --> 00:36:54,440
-I AM LISTENING!
934
00:36:54,440 --> 00:36:57,800
-OH, INCIDENTALLY, WE HAD AN
ENGLISH JOURNALIST, ROSIE
935
00:36:57,800 --> 00:37:00,160
SOMETHING, SNIFFING
AROUND ABOUT THE
936
00:37:00,160 --> 00:37:02,430
LUNDGREN AFFAIR RECENTLY.
937
00:37:02,430 --> 00:37:05,320
I TOLD HER TO LOOK YOU UP AS YOU
KNEW THE LATE UNLAMENTED
938
00:37:05,320 --> 00:37:09,730
JOHNNY, WORKED IN HIS
DEPARTMENT, ET CETERA.
939
00:37:09,730 --> 00:37:13,380
-WHAT DID JOHN LUNDGREN DIE
OF, DO YOU REMEMBER?
940
00:37:13,380 --> 00:37:14,210
-NO.
941
00:37:14,210 --> 00:37:15,720
OH, WAIT A MINUTE.
942
00:37:15,720 --> 00:37:17,370
THEY NEVER FOUND A
BODY, DID THEY?
943
00:37:17,370 --> 00:37:18,620
SOMETHING TO DO WITH A BOAT.
944
00:37:21,610 --> 00:37:22,860
-OH, THE AURORA.
945
00:37:28,080 --> 00:37:30,070
JOHN LUNDGREN DIDN'T DIE!
946
00:37:30,070 --> 00:37:32,350
-VERNON PITT-SEYMOUR
IS JOHN LUNDGREN.
947
00:37:32,350 --> 00:37:33,470
-I'LL TELL THE POLICE.
948
00:37:33,470 --> 00:37:34,780
SEE YOU AT THE CAR
IN 3 MINUTES.
949
00:37:34,780 --> 00:37:34,910
-WHAT?
950
00:37:34,910 --> 00:37:36,150
-GO!
951
00:37:36,150 --> 00:37:38,150
EXCUSE ME!
952
00:37:38,150 --> 00:37:39,520
-MAY I ASK A QUESTION?
953
00:37:39,520 --> 00:37:40,890
-GO ON.
954
00:37:40,890 --> 00:37:43,360
-I MEAN, I DON'T WISH
TO APPEAR FORWARD.
955
00:37:43,360 --> 00:37:44,220
-ASK AWAY.
956
00:37:44,220 --> 00:37:46,600
WHERE EXACTLY ARE WE GOING?
957
00:37:46,600 --> 00:37:49,770
-OH, UM, WE'RE GOING TO FIND
THE PITT-SEYMOUR'S BOAT.
958
00:37:49,770 --> 00:37:51,450
THE AURORA.
959
00:37:51,450 --> 00:37:51,940
-BUT WHERE?
960
00:37:51,940 --> 00:37:53,580
WE'RE MILES FROM THE SEA.
961
00:37:53,580 --> 00:37:55,730
-THEY MAY HAVE MOORED
IT NEAR THE HOUSE.
962
00:37:55,730 --> 00:37:58,780
THERE WAS A NOTICE BEHIND VERNON
IN THAT PHOTOGRAPH THAT
963
00:37:58,780 --> 00:38:00,820
SAID BRIDMOUTH CANAL.
964
00:38:00,820 --> 00:38:03,600
AND THAT TAKES YOU STRAIGHT
OUT TO SEA.
965
00:38:03,600 --> 00:38:05,090
-CLEVER.
966
00:38:05,090 --> 00:38:05,590
WAIT!
967
00:38:05,590 --> 00:38:06,580
THERE'S A LOCK!
968
00:38:06,580 --> 00:38:07,830
-AH!
969
00:38:36,400 --> 00:38:38,730
-THANK GOD THE LOCKS FULL.
970
00:38:38,730 --> 00:38:39,750
-OH GOODY.
971
00:38:39,750 --> 00:38:42,500
NOTHING WORSE THAN
AND EMPTY LOCK.
972
00:38:42,500 --> 00:38:45,260
-CAN WE USE THAT CHAIN OFF
THE BACK OF YOUR CAR?
973
00:38:45,260 --> 00:38:46,510
-UM YEAH, I'LL GET IT.
974
00:39:02,500 --> 00:39:03,490
HERE.
975
00:39:03,490 --> 00:39:04,490
-THANKS.
976
00:39:04,490 --> 00:39:06,300
KEEP A LOOK OUT FOR
THE AURORA.
977
00:39:06,300 --> 00:39:09,260
-AYE, AYE, CAPTAIN.
978
00:39:09,260 --> 00:39:12,220
-UP STREAM, YOU FOOL!
979
00:39:12,220 --> 00:39:13,470
-OH.
980
00:39:19,610 --> 00:39:21,090
THERE'S A BOAT COMING!
981
00:39:21,090 --> 00:39:22,580
-IS IT THE AURORA?
982
00:39:22,580 --> 00:39:24,200
-IT COULD BE.
983
00:39:24,200 --> 00:39:25,840
-GO AND HIDE.
984
00:39:25,840 --> 00:39:26,780
-ARE YOU SURE?
985
00:39:26,780 --> 00:39:27,160
-YEAH.
986
00:39:27,160 --> 00:39:27,640
GO ON.
987
00:39:27,640 --> 00:39:28,890
I'M NEARLY DONE.
988
00:39:43,100 --> 00:39:45,580
-THERE'S ONLY ANOTHER 3 LOCKS
BETWEEN HERE AND THE COAST.
989
00:39:48,560 --> 00:39:50,050
WHAT NOW?
990
00:39:50,050 --> 00:39:52,030
-NOW, WE BECOME GONGOOZLERS.
991
00:39:55,010 --> 00:39:56,260
-OH, RIGHT.
992
00:40:05,420 --> 00:40:06,560
-WHAT DID YOU TELL THE POLICE?
993
00:40:06,560 --> 00:40:06,890
-EVERYTHING.
994
00:40:06,890 --> 00:40:09,210
THEY'RE STARTING DOWNSTREAM
AND WORKING THEIR WAY UP.
995
00:40:23,260 --> 00:40:24,510
-THANKS DARLING.
996
00:40:48,130 --> 00:40:49,630
-NOW WHAT HAPPENS?
997
00:40:49,630 --> 00:40:50,880
-THEY START TO SINK.
998
00:40:55,600 --> 00:40:56,850
-OPEN IT UP, ZACH.
999
00:40:59,630 --> 00:41:00,880
-NOW THE FUN STARTS.
1000
00:41:06,800 --> 00:41:08,210
-VERNON, THIS ONES CHAINED UP!
1001
00:41:08,210 --> 00:41:09,610
-WHAT DO YOU MEAN,
IT'S CHAINED UP?
1002
00:41:09,610 --> 00:41:10,860
-IT'S LOCKED!
1003
00:41:14,050 --> 00:41:15,500
-WHO THE HELL HAS DONE THIS?
1004
00:41:22,250 --> 00:41:23,050
SHE'LL GET THROUGH THAT.
1005
00:41:23,050 --> 00:41:23,820
-I DON'T THINK SO.
1006
00:41:23,820 --> 00:41:24,780
-YEAH SHE WILL.
1007
00:41:24,780 --> 00:41:25,250
COME ON.
1008
00:41:25,250 --> 00:41:26,000
GET IN THE BOAT.
1009
00:41:26,000 --> 00:41:27,730
-CAN THEY MAKE IT THROUGH
JUST ONE SIDE?
1010
00:41:27,730 --> 00:41:28,220
-I DON'T KNOW.
1011
00:41:28,220 --> 00:41:29,470
IT DEPENDS ON THE BEAM.
1012
00:41:39,160 --> 00:41:42,140
-COME ON, COME ON!
1013
00:41:42,140 --> 00:41:44,630
THANKS DOLL.
1014
00:41:44,630 --> 00:41:45,620
NOW, WE CAN DO IT.
1015
00:41:45,620 --> 00:41:47,110
WE CAN DO IT!
1016
00:41:47,110 --> 00:41:48,360
-WE CAN'T!
1017
00:41:50,630 --> 00:42:11,520
(SIRENS)
1018
00:42:11,520 --> 00:42:13,490
-VERNON, IT WON'T GO!
1019
00:42:13,490 --> 00:42:14,970
-WELL IT'S BLOODY GOT TO!
1020
00:42:23,870 --> 00:42:24,850
ALRIGHT!
1021
00:42:24,850 --> 00:42:27,330
ALRIGHT.
1022
00:42:27,330 --> 00:42:28,700
EVERYONE OFF THE BOAT.
1023
00:42:31,210 --> 00:42:33,690
-THAT'S AS FAR AS YOU
GO, MR.LUNDGREN!
1024
00:42:33,690 --> 00:42:35,670
-WHAT THE HELL ARE YOU DOING?
1025
00:42:35,670 --> 00:42:37,660
-WHAT AM I MEANT TO DO?
1026
00:42:37,660 --> 00:42:38,250
-RAP HIM ON THE KNUCKLES.
1027
00:42:38,250 --> 00:42:39,730
-YEAH, YOU WOULDN'T DARE.
1028
00:42:39,730 --> 00:42:40,980
-TRY ME.
1029
00:42:44,100 --> 00:42:46,590
WARNED YOU.
1030
00:42:46,590 --> 00:42:57,050
(SIRENS)
1031
00:42:57,050 --> 00:42:58,300
-THAT'LL DO, NOW.
1032
00:43:04,520 --> 00:43:06,510
-WHEW!
1033
00:43:06,510 --> 00:43:10,280
SO, CRYSTAL, REAL NAME MAGGIE
MALARD, GOT THE LETTER FROM
1034
00:43:10,280 --> 00:43:13,000
HER FRIEND AT BQB A
FEW DAYS BEFORE.
1035
00:43:13,000 --> 00:43:15,010
THE REMAINS WERE STILL
IN THEIR FIREPLACE.
1036
00:43:15,010 --> 00:43:17,610
-THAT MUST BE WHY SHE AND VERNON
HAD STARTED TO GET
1037
00:43:17,610 --> 00:43:20,430
NERVOUS ABOUT HAVING SUCH A HIGH
PROFILE, AND DECIDED TO
1038
00:43:20,430 --> 00:43:20,960
QUIT THE SHOW.
1039
00:43:20,960 --> 00:43:21,970
-THAT'S RIGHT.
1040
00:43:21,970 --> 00:43:25,450
AND THEN SHE HEARD YOU TALKING
ABOUT BEING IN AUSTRALIA AND
1041
00:43:25,450 --> 00:43:26,860
SMELLING THE EUCALYPTUS.
1042
00:43:26,860 --> 00:43:30,410
-OH, SO SHE ASSUMED THAT I WAS
THE REAL ROSIE FITZCARRON--
1043
00:43:30,410 --> 00:43:30,700
-UM-HM.
1044
00:43:30,700 --> 00:43:32,780
-UNDERCOVER.
1045
00:43:32,780 --> 00:43:34,450
-I SUPPOSE THE SIMILARITY
OF NAMES CLENCHED IT.
1046
00:43:34,450 --> 00:43:38,910
ROSIE, ROSEMARY, SO, SHE
HAD TO GET RID OF YOU.
1047
00:43:38,910 --> 00:43:41,610
-BLOODY HELL.
1048
00:43:41,610 --> 00:43:44,490
-THEN, THE REAL ROSIE FITZCARRON
TURNED UP, CRYSTAL
1049
00:43:44,490 --> 00:43:47,460
SAW HER MISTAKE, AND SO SHE HAD
TO DO IT ALL OVER AGAIN.
1050
00:43:47,460 --> 00:43:50,960
-BUT WHO WAS THE BODY
IN THE CAR?
1051
00:43:50,960 --> 00:43:53,100
-ZACH'S PUT HIS HAND
UP TO THAT ONE.
1052
00:43:53,100 --> 00:43:57,600
STOLE A BODY OUT OF
THE MORGUE HERE.
1053
00:43:57,600 --> 00:44:00,680
-AN EXAMPLE TO US ALL.
1054
00:44:00,680 --> 00:44:03,820
HERE'S TO FAMILY VALUES.
1055
00:44:03,820 --> 00:44:05,560
-STANDBY, EVERYBODY.
1056
00:44:05,560 --> 00:44:08,140
ROLL TAPE.
1057
00:44:08,140 --> 00:44:09,760
[INAUDIBLE].
1058
00:44:09,760 --> 00:44:12,670
AND ACTION.
1059
00:44:12,670 --> 00:44:15,490
-OF COURSE THERE WILL BE THOSE
TROUBLEMAKERS AMONG YOU WHO
1060
00:44:15,490 --> 00:44:18,770
WILL BE ASKING WHY I HAVEN'T TOP
DRESSED THIS ROCK GARDEN
1061
00:44:18,770 --> 00:44:21,930
WITH GRAVEL OR STONE CHIPPINGS
OR SOME SUCH.
1062
00:44:21,930 --> 00:44:25,090
TOP DRESSING HAS ITS ADVANTAGES
IN THAT IT HELPS
1063
00:44:25,090 --> 00:44:26,600
DRAINAGE AND INHIBITS WEEDS.
1064
00:44:26,600 --> 00:44:29,860
BUT IT NEVER LOOKS
RIGHT, DOES IT?
1065
00:44:29,860 --> 00:44:32,880
IF YOU'VE USED THE RIGHT SOIL
MIX, IT'LL DRAIN ANYWAY.
1066
00:44:32,880 --> 00:44:35,740
AND IF YOU'RE TOO IDLE TO GET
DOWN ON YOUR KNEES AND WEED,
1067
00:44:35,740 --> 00:44:36,980
WELL YOU'VE NO BUSINESS
WATCHING THIS
1068
00:44:36,980 --> 00:44:39,060
PROGRAM, HAVE YOU?
1069
00:44:39,060 --> 00:44:40,310
SEE YOU NEXT TIME.
1070
00:44:42,720 --> 00:44:44,360
-AND CUT.
1071
00:44:44,360 --> 00:44:45,500
THANK YOU, QUINNIE.
1072
00:44:45,500 --> 00:44:47,910
THAT'S GREAT.
1073
00:44:47,910 --> 00:44:49,060
REALLY FANTASTIC.
1074
00:44:49,060 --> 00:44:49,920
THAT'S TELLING THEM AYE?
1075
00:44:49,920 --> 00:44:50,910
-WELL.
1076
00:44:50,910 --> 00:44:52,160
THANK YOU, GAVIN.
1077
00:44:56,860 --> 00:44:58,350
(CLAPPING)
1078
00:44:58,350 --> 00:45:00,830
-HATE IT WHEN HE TRIES TO BEHAVE
LIKE A HUMAN BEING.
1079
00:45:00,830 --> 00:45:03,480
-I THINK HE'S REALIZED WHICH ONE
OF YOU IS INDISPENSABLE.
1080
00:45:03,480 --> 00:45:04,440
-HOW'S ROSEMARY?
1081
00:45:04,440 --> 00:45:04,950
-SHE'S FINE.
1082
00:45:04,950 --> 00:45:06,960
SHE'S GLAD TO HAVE HER
COMPUTER BACK.
1083
00:45:06,960 --> 00:45:09,720
I THINK WE DID RATHER A GOOD JOB
OF THIS ROCK GARDEN, DON'T
1084
00:45:09,720 --> 00:45:10,180
YOU?
1085
00:45:10,180 --> 00:45:11,100
-MMM.
1086
00:45:11,100 --> 00:45:12,600
CAN I ASK YOU ONE THING?
1087
00:45:12,600 --> 00:45:13,990
-UM-HM, WHAT?
1088
00:45:13,990 --> 00:45:16,360
-WHAT IS A GONGOOZLER?
1089
00:45:16,360 --> 00:45:17,970
-OH, THAT'S NARROW BOAT TALK.
1090
00:45:17,970 --> 00:45:21,310
A GONGOOZLER IS SOMEONE WHO
LOVES TO STAND AND WATCH
1091
00:45:21,310 --> 00:45:23,720
HOPELESS LAND LOVERS TRY
TO COPE WITH A LOCK.
1092
00:45:23,720 --> 00:45:25,170
-RIGHT.
1093
00:45:25,170 --> 00:45:28,470
ONLY BIT OF NAUTICAL SLANG I
KNOW ARE THREE SHEETS TO THE
1094
00:45:28,470 --> 00:45:31,720
WIND, AND COME IN, NUMBER
THREE, YOUR TIME'S UP.
1095
00:45:31,720 --> 00:45:33,020
-ALL ONE NEEDS REALLY.
1096
00:45:33,020 --> 00:45:36,570
-OH, AND UM, SPLICE
THE MAIN BRACE.
1097
00:45:36,570 --> 00:45:37,170
WHAT DO YA THINK?
1098
00:45:37,170 --> 00:45:38,970
-OH, YES.
1099
00:45:38,970 --> 00:45:40,220
LET'S.
1100
00:45:46,770 --> 00:45:48,170
(THEME SONG)
73852
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.