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These are the user uploaded subtitles that are being translated: 1 00:00:00,700 --> 00:00:39,240 [MUSIC PLAYING] 2 00:00:47,910 --> 00:00:49,010 -OW. 3 00:00:49,010 --> 00:00:50,670 -TOLD YOU. 4 00:00:50,670 --> 00:00:53,440 [GROAN] 5 00:00:53,440 --> 00:00:55,780 -GLOVES, YOU NANA. 6 00:00:55,780 --> 00:00:58,380 NOW YOU'RE GOING TO DIE OF SEPTICEMIA AND YOU'VE NEVER 7 00:00:58,380 --> 00:01:01,490 LEARNT TO CHANGE THE WHEEL ON THE LAND ROVER. 8 00:01:01,490 --> 00:01:03,120 -(MUFFLED) ISN'T THERE A TEST YOU CAN DO? 9 00:01:03,120 --> 00:01:05,180 -HUH? 10 00:01:05,180 --> 00:01:08,360 -ISN'T THERE A TEST YOU CAN DO? 11 00:01:08,360 --> 00:01:10,190 -YES THERE IS A TEST FOR SICK ROSES. 12 00:01:10,190 --> 00:01:11,540 IT TAKES FOREVER TO GET RESULTS. 13 00:01:11,540 --> 00:01:13,180 AND ALL THEY EVER TELL YOU IS THAT THE ROSE 14 00:01:13,180 --> 00:01:14,210 IN QUESTION IS SICK. 15 00:01:14,210 --> 00:01:15,660 WELL, WE KNOW THAT ALREADY. 16 00:01:15,660 --> 00:01:17,580 THIS IS MUCH MORE FUN, SORTING IT OUT OURSELVES. 17 00:01:17,580 --> 00:01:19,500 -YOU'RE A VERY ODD WOMAN. 18 00:01:19,500 --> 00:01:20,550 -YES, I LIKE TO THINK SO. 19 00:01:20,550 --> 00:01:20,780 RIGHT. 20 00:01:20,780 --> 00:01:21,860 NOW THIS IS THE PLAN. 21 00:01:21,860 --> 00:01:24,700 WE CUT BACK. 22 00:01:24,700 --> 00:01:28,690 AND WHEN WE'VE RUTHLESSLY CUT BACK AS FAR AS WE CAN WITHOUT 23 00:01:28,690 --> 00:01:32,260 ACTUALLY KILLING IT, WE CUT BACK SOME MORE UNTIL IT TELLS 24 00:01:32,260 --> 00:01:33,570 US WHAT'S WRONG WITH IT. 25 00:01:36,730 --> 00:01:39,210 LAURA, YOU'RE NOT LISTENING. 26 00:01:39,210 --> 00:01:40,030 -OH, THIS PLACE GIVES ME THE WILLIES. 27 00:01:40,030 --> 00:01:40,890 -IT'S A SCHOOL. 28 00:01:40,890 --> 00:01:43,150 -IT'S PECULIAR. 29 00:01:43,150 --> 00:01:45,070 -I RATHER LIKE IT. 30 00:01:45,070 --> 00:01:48,990 -NOT DURING LESSONS, BOY. 31 00:01:48,990 --> 00:01:50,240 CONFISCATED. 32 00:01:52,490 --> 00:01:55,950 TO WHOM DID HE GIVE THANKS, AGRICOLUS. 33 00:01:58,820 --> 00:02:00,070 GROWSE, TRANSLATE. 34 00:02:14,100 --> 00:02:15,900 -GIVE IT YOUR BEST SHOT, GROWSE. 35 00:02:19,260 --> 00:02:20,510 AG-RI-CO-LUS. 36 00:02:22,430 --> 00:02:23,710 -(WHISPERED) ASTRONAUT. 37 00:02:23,710 --> 00:02:25,590 -ASTRONAUT, SIR. 38 00:02:25,590 --> 00:02:26,560 [CLASSROOM'S LAUGHTER] 39 00:02:26,560 --> 00:02:31,860 [GROAN] 40 00:02:31,860 --> 00:02:34,000 -OH, HEADMASTER. 41 00:02:34,000 --> 00:02:35,250 -MORNING. 42 00:02:47,640 --> 00:02:53,570 [HUMMING] 43 00:02:53,570 --> 00:02:54,820 -OOH. 44 00:03:11,830 --> 00:03:13,080 -HONEY FUNGUS. 45 00:03:14,940 --> 00:03:16,250 BUT ELEANOR MARSHALL-- 46 00:03:16,250 --> 00:03:17,290 -MRS. HEADMASTER? 47 00:03:17,290 --> 00:03:20,030 -HER-- SAID THE SOIL WAS NEW. 48 00:03:20,030 --> 00:03:22,030 -HOW CAN SOIL BE NEW. 49 00:03:22,030 --> 00:03:23,090 -IT'S PROVENANCE QUOTE WAS IMPECCABLE. 50 00:03:23,090 --> 00:03:25,660 THE PARENTS PAID A GREAT DEAL FOR IT. 51 00:03:25,660 --> 00:03:26,910 -I WAS WONDERING. 52 00:03:26,910 --> 00:03:27,120 -OH. 53 00:03:27,120 --> 00:03:28,810 -OH, I MADE YOU JUMP. 54 00:03:28,810 --> 00:03:30,660 I'M SO SORRY. 55 00:03:30,660 --> 00:03:33,000 30 YEARS OF SNEAKING UP ON MAGGOTS. 56 00:03:33,000 --> 00:03:35,220 -YOU CALL THE BOYS MAGGOTS? 57 00:03:35,220 --> 00:03:36,950 -OH, IT'S WHAT THEY CALL THEMSELVES. 58 00:03:36,950 --> 00:03:39,210 YOU SHOULD HEAR WHAT THEY CALL US. 59 00:03:39,210 --> 00:03:41,110 OAKLEY, CLASSICS. 60 00:03:41,110 --> 00:03:41,950 -BOXER. 61 00:03:41,950 --> 00:03:42,810 -THYME. 62 00:03:42,810 --> 00:03:44,400 -PLANTS. 63 00:03:44,400 --> 00:03:47,040 -(LAUGHING) I WAS WONDERING IF YOU MIGHT LIKE TO 64 00:03:47,040 --> 00:03:48,370 DINE IN HALL TONIGHT. 65 00:03:52,280 --> 00:03:54,680 -ARE YOU SPEAKING TO BOTH OF US, MR. OAKLEY? 66 00:03:54,680 --> 00:03:57,790 -WELL, OF COURSE, IF BOTH YOU LADIES WOULD CONSENT TO BE MY 67 00:03:57,790 --> 00:04:00,170 GUESTS, I MIGHT DIE OF HAPPINESS WITH 68 00:04:00,170 --> 00:04:01,470 MY FACE IN THE SOUP. 69 00:04:01,470 --> 00:04:04,270 -IS THE SOUP GOOD? 70 00:04:04,270 --> 00:04:04,680 -BLOODY AWFUL. 71 00:04:04,680 --> 00:04:08,900 BUT IT IS THE LAST SATURDAY OF TERM, AND EVENTS CAN BECOME, 72 00:04:08,900 --> 00:04:11,920 UM, WELL, AMUSING. 73 00:04:11,920 --> 00:04:13,840 THE MAGGOTS GET TO HAVE THEIR REVENGE. 74 00:04:16,850 --> 00:04:20,780 -FIRST THEY DECIDE WHICH MASTER NEEDS TO BE PUNISHED. 75 00:04:20,780 --> 00:04:21,700 -OR MISTRESS. 76 00:04:21,700 --> 00:04:22,860 -OR MISTRESS. 77 00:04:22,860 --> 00:04:24,500 THEY DEVISE THE PUNISHMENT. 78 00:04:24,500 --> 00:04:27,750 THE INSTRUCTIONS FOR IT ARE PLACED INSIDE AN ENVELOPE. 79 00:04:27,750 --> 00:04:31,020 THEN DURING DINNER, WE TOTTER OUT HERE TO SEE WHICH ONE OF 80 00:04:31,020 --> 00:04:34,040 US HAS SAID ENVELOPE IN OUR PIGEONHOLE. 81 00:04:34,040 --> 00:04:37,430 -IF IT'S YOU, IT'S YOUR DUTY TO PUNISH THE CHOSEN COLLEAGUE 82 00:04:37,430 --> 00:04:37,740 AS DIRECTED. 83 00:04:37,740 --> 00:04:42,090 -THIS VISION OF SIZZLING PULCHRITUDE IS, IN FACT, MISS 84 00:04:42,090 --> 00:04:42,360 WELLS. 85 00:04:42,360 --> 00:04:44,550 -WHICH NOBODY CALLS ME EVER. 86 00:04:44,550 --> 00:04:45,570 THEY CALL ME WELLIE. 87 00:04:45,570 --> 00:04:46,170 -I DON'T. 88 00:04:46,170 --> 00:04:49,910 BUT THEN I'M A MILLION YEARS OLD. 89 00:04:49,910 --> 00:04:52,200 -THIS IS SIMON TODD. 90 00:04:52,200 --> 00:04:53,450 SHIFT, TODD. 91 00:04:55,370 --> 00:04:58,370 -SO WHAT HAPPENS IF YOU GET THE ENVELOPE? 92 00:04:58,370 --> 00:05:00,640 -YOU BECOME THE STAG. 93 00:05:00,640 --> 00:05:02,210 -WHO IS HE WHEN HE'S AT HOME? 94 00:05:02,210 --> 00:05:04,260 -HE'S THE WILL OF THE MAGGOTS. 95 00:05:04,260 --> 00:05:09,440 -LAST YEAR THE METAL WORK BLOKE WAS MADE TO PILFER MRS. 96 00:05:09,440 --> 00:05:12,260 MARSHALL'S SUBSTANTIAL KNICKERS FROM HER SECRET 97 00:05:12,260 --> 00:05:16,460 DRAWER AND FESTOON THEM AROUND THE PLUM TREE IN THE QUAD. 98 00:05:16,460 --> 00:05:17,710 [INTERPOSING VOICES] 99 00:05:26,160 --> 00:05:28,740 -I MEAN, A CONFERENCE IS THE THING FOR THE 100 00:05:28,740 --> 00:05:29,670 SCHOOL IN THE HOLIDAYS. 101 00:05:29,670 --> 00:05:31,170 I MEAN, IT'S A DEAD TIME, REALLY, FOR THE 102 00:05:31,170 --> 00:05:32,560 SCHOOL, FOR THE HALLS. 103 00:05:32,560 --> 00:05:34,640 -MY HUSBAND'S DISCIPLINE IS NOT ACADEMIC. 104 00:05:34,640 --> 00:05:37,240 ROSEMARY (OFFSCREEN): IS THAT RIGHT, MRS. MARSHALL? 105 00:05:37,240 --> 00:05:40,360 -HE MOVED HERE FROM THE TREASURY TO BECOME HEADMASTER. 106 00:05:40,360 --> 00:05:42,500 HE FINDS THE BOYS AN INCONVENIENCE. 107 00:05:42,500 --> 00:05:44,580 -I MEAN, HONESTLY, WHY THE BOYS CAN'T GET THEMSELVES 108 00:05:44,580 --> 00:05:45,930 EXCITED BY SOMETHING A LITTLE MORE CREATIVE 109 00:05:45,930 --> 00:05:47,710 I JUST DON'T KNOW. 110 00:05:47,710 --> 00:05:49,230 -HE MEANS SCUBA DIVING. 111 00:05:49,230 --> 00:05:52,080 -OH, IS THE SCUBA DIVING GOOD IN BERKSHIRE? 112 00:05:52,080 --> 00:05:53,800 -I DIVE MOST WEEKENDS-- 113 00:05:53,800 --> 00:05:55,050 PORTHOLES MOSTLY. 114 00:06:03,460 --> 00:06:05,670 -WOULD YOU EXCUSE ME? 115 00:06:05,670 --> 00:06:06,810 -RIGHT-O. 116 00:06:06,810 --> 00:06:09,740 -IF THE STAG SHOULD APPEAR SUDDENLY IN MY 117 00:06:09,740 --> 00:06:11,760 ABSENCE, SIT TIGHT. 118 00:06:11,760 --> 00:06:14,140 YOU'RE THE SCHOOL'S GUEST, AND YOU'LL BE QUITE SAFE. 119 00:06:14,140 --> 00:06:15,390 -THAT'S A RELIEF. 120 00:06:19,040 --> 00:06:20,980 -UH, YES. 121 00:06:20,980 --> 00:06:22,900 I WAS WONDERING WHO'S THAT WAS. 122 00:06:22,900 --> 00:06:25,640 -ANOTHER MYSTERY SOLVED WITHOUT RECOURSE TO VIOLENCE. 123 00:06:40,360 --> 00:06:43,180 -SILLY BOY, SIMON. 124 00:06:43,180 --> 00:06:44,340 DOESN'T REALLY KNOW WHAT HE WANTS. 125 00:06:44,340 --> 00:06:46,280 -PROFESSIONALLY? 126 00:06:46,280 --> 00:06:48,720 -OUT OF LIFE. 127 00:06:48,720 --> 00:06:49,360 SORRY. 128 00:06:49,360 --> 00:06:51,700 THINKING ALOUD. 129 00:06:51,700 --> 00:06:53,600 I HAVE THE HABIT OF MATERNAL INTERFERENCE WITH THE YOUNG 130 00:06:53,600 --> 00:06:54,850 STAFF OF EITHER GENDER. 131 00:07:12,810 --> 00:07:14,800 [GROUP OOHS] 132 00:07:14,800 --> 00:07:17,290 [POUNDING ON TABLES] 133 00:07:17,290 --> 00:07:19,520 -THIS SORT OF NONSENSE DOES THE SCHOOL'S PROFILE 134 00:07:19,520 --> 00:07:21,260 ABSOLUTELY NO GOOD AT ALL. 135 00:07:30,710 --> 00:07:32,200 -OH MY GOD. 136 00:07:40,650 --> 00:07:41,640 [CHEERS] 137 00:07:41,640 --> 00:07:44,120 -AND THAT'S DOWNRIGHT IRRESPONSIBLE. 138 00:07:44,120 --> 00:07:46,610 I MEAN, THERE ARE FIRE REGULATIONS. 139 00:07:46,610 --> 00:07:48,100 THIS IS RIDICULOUS. 140 00:07:48,100 --> 00:07:52,080 [CHEERING] 141 00:07:52,080 --> 00:07:55,060 -HOW DO WE KNOW WHEN THE STAG HAS DONE HIS THING? 142 00:07:55,060 --> 00:08:01,520 I SAID, HOW DO WE KNOW WHEN THE STAG HAS DONE HIS THING? 143 00:08:08,480 --> 00:08:09,970 [SCREAM] 144 00:08:09,970 --> 00:08:10,960 -(SHOUTING) LIGHTS. 145 00:08:10,960 --> 00:08:12,450 SOMEBODY GET THE LIGHTS. 146 00:08:12,450 --> 00:08:15,930 STOP THIS, STOP, STOP, LIGHTS. 147 00:08:15,930 --> 00:08:18,780 WELL, THAT CAME FROM THE CHANGING ROOM. 148 00:08:18,780 --> 00:08:20,370 WHERE'S MISS WELLS? 149 00:08:23,810 --> 00:08:25,750 NO LIGHTS. 150 00:08:25,750 --> 00:08:27,680 GOT YOUR TORCH, HEADMASTER? 151 00:08:27,680 --> 00:08:28,170 -HM? 152 00:08:28,170 --> 00:08:29,160 YES. 153 00:08:29,160 --> 00:08:30,150 [GIGGLES] 154 00:08:30,150 --> 00:08:31,140 -SH. SH. 155 00:08:31,140 --> 00:08:32,620 -SH. 156 00:08:32,620 --> 00:08:34,590 -SHE'S OVER THERE. 157 00:08:38,550 --> 00:08:42,030 [WEEPING OFFSCREEN] 158 00:08:42,030 --> 00:08:42,600 -LET ME SEE. 159 00:08:42,600 --> 00:08:44,170 ARE YOU ALL RIGHT? 160 00:08:44,170 --> 00:08:44,770 SHOW ME. 161 00:08:44,770 --> 00:08:45,320 -GOD ALMIGHTY. 162 00:08:45,320 --> 00:08:46,280 I'M GOING TO CALL THE POLICE. 163 00:08:46,280 --> 00:08:48,100 -NO. 164 00:08:48,100 --> 00:08:49,320 IT'S QUITE ALL RIGHT. 165 00:08:49,320 --> 00:08:49,960 -QUITE ALL RIGHT? 166 00:08:49,960 --> 00:08:51,090 YOU'VE JUST BEEN ASSAULTED. 167 00:08:51,090 --> 00:08:51,470 -NO. 168 00:08:51,470 --> 00:08:53,100 HE-- HE WAS TRYING TO FRIGHTEN ME. 169 00:08:53,100 --> 00:08:54,150 THAT'S ALL. 170 00:08:54,150 --> 00:08:56,650 MADE ME SCREAM. 171 00:08:56,650 --> 00:08:58,450 [SOBBING SOUNDS] 172 00:08:58,450 --> 00:08:59,700 -WHO'S THERE? 173 00:09:10,110 --> 00:09:12,120 GET OUT, RUDDOCK. 174 00:09:12,120 --> 00:09:13,370 (SHOUTING) OUT. 175 00:09:17,620 --> 00:09:18,690 MR. TODD. 176 00:09:18,690 --> 00:09:19,570 GOOD LORD. 177 00:09:19,570 --> 00:09:21,450 -I'M ALL RIGHT. 178 00:09:21,450 --> 00:09:22,080 I'M ALL RIGHT. 179 00:09:22,080 --> 00:09:24,510 -WHY DO MY STAFF MAKE A FETISH OF TELLING ME THAT IT'S ALL 180 00:09:24,510 --> 00:09:26,110 RIGHT WHEN [INAUDIBLE] IT ISN'T. 181 00:09:26,110 --> 00:09:28,970 -I JUST GOT IN HIS WAY, THE STAG, AND FELL AND CLOBBERED 182 00:09:28,970 --> 00:09:31,470 MYSELF ON ONE OF THE LOCKERS. 183 00:09:31,470 --> 00:09:34,730 (LAUGHING) 184 00:09:34,730 --> 00:09:36,690 -I DON'T THINK THIS IS APPROPRIATE, MR. TODD. 185 00:09:36,690 --> 00:09:38,240 COME WITH ME. 186 00:09:45,470 --> 00:09:45,960 [CHILDREN'S VOICES] 187 00:09:45,960 --> 00:09:52,010 -LORD KEEP US SAFE THIS NIGHT AND SECURE FROM-- 188 00:09:52,010 --> 00:09:56,290 NOT SO FAST, YOU FILTHY MAGGOTS. 189 00:09:56,290 --> 00:09:59,160 I SMELL SMOKE. 190 00:09:59,160 --> 00:10:01,400 WHO HAS GOT CIGARETTES IN HERE? 191 00:10:04,410 --> 00:10:07,190 -WHAT DO I GET, MR. O? 192 00:10:07,190 --> 00:10:08,720 DETENTION? 193 00:10:08,720 --> 00:10:10,510 RECITATION? 194 00:10:10,510 --> 00:10:11,760 SMACKED BOTTOM? 195 00:10:14,330 --> 00:10:17,970 -I THINK, CRISPIN, THE DORMITORY IS NOT 196 00:10:17,970 --> 00:10:19,640 THE PLACE FOR YOU. 197 00:10:24,500 --> 00:10:30,330 -[COUGHS] 198 00:10:30,330 --> 00:10:32,410 -GOD KNOWS. 199 00:10:32,410 --> 00:10:34,870 ORIENT EXPRESS JOB-- THEY ALL DID IT. 200 00:10:34,870 --> 00:10:36,740 -OK. 201 00:10:36,740 --> 00:10:40,760 BUT WHAT'S-HIS-FACE IN THE ORIENT EXPRESS WAS HORRIBLE. 202 00:10:40,760 --> 00:10:43,740 AND WELLIE'S A NICE GIRL, ISN'T SHE? 203 00:10:43,740 --> 00:10:45,630 YOU SAT NEXT TO HER. 204 00:10:45,630 --> 00:10:48,620 -BAD MEN GET IN A FROTH ABOUT NICE GIRLS. 205 00:10:48,620 --> 00:10:49,870 -COME ON. 206 00:10:51,790 --> 00:10:53,240 QUENTIN WHAT'S-HIS-NAME IS-- 207 00:10:53,240 --> 00:10:54,370 IS A BORE. 208 00:10:54,370 --> 00:10:56,420 AND RICHARD OAKLEY'S GOT THE HOTS FOR YOU. 209 00:10:56,420 --> 00:10:58,420 AND THAT'S NOT A MOTIVE. 210 00:10:58,420 --> 00:11:00,660 I THINK IT WAS A MISTAKE. 211 00:11:00,660 --> 00:11:03,180 I THINK THE STAG WAS SUPPOSED TO DO SOMETHING TO POOR WELLIE 212 00:11:03,180 --> 00:11:05,830 AND IT ALL WENT WRONG. 213 00:11:05,830 --> 00:11:07,620 BLECH. 214 00:11:07,620 --> 00:11:12,410 THOSE GHASTLY BOYS AND THEIR PRACTICAL JOKES. 215 00:11:12,410 --> 00:11:13,130 OH. 216 00:11:13,130 --> 00:11:14,990 ISN'T THAT THE MOST FRIGHTFUL THING YOU'VE EVER SEEN. 217 00:11:14,990 --> 00:11:17,010 IT'S A HAND. 218 00:11:17,010 --> 00:11:20,010 -THAT IS A HAND. 219 00:11:20,010 --> 00:11:22,460 -IT'S SO DISGUSTINGLY REALISTIC. 220 00:11:22,460 --> 00:11:26,300 -THAT'S BECAUSE IT'S A HAND. 221 00:11:29,370 --> 00:11:30,790 -OK. 222 00:11:30,790 --> 00:11:32,140 NOW I'M GOING TO BE SICK. 223 00:11:32,140 --> 00:11:33,020 -NO YOU'RE NOT. 224 00:11:33,020 --> 00:11:33,440 MOVE. 225 00:11:33,440 --> 00:11:34,290 -OH. 226 00:11:34,290 --> 00:11:35,660 OH. 227 00:11:35,660 --> 00:11:38,090 -IF ANYONE'S GOING TO BE SICK AROUND HERE IT'S ME. 228 00:11:41,860 --> 00:11:42,550 OH, LORD. 229 00:11:42,550 --> 00:11:45,050 -DON'T TELL ME. 230 00:11:45,050 --> 00:11:46,420 LAURA (OFFSCREEN): WHAT? 231 00:11:46,420 --> 00:11:47,670 ROSEMARY (OFFSCREEN): TELL ME QUICKLY. 232 00:11:50,970 --> 00:11:53,630 LAURA (OFFSCREEN): SIMON TODD. 233 00:11:53,630 --> 00:11:57,470 -OH, I CAN'T LOOK. 234 00:11:57,470 --> 00:12:00,430 IS HE DEAD? 235 00:12:00,430 --> 00:12:01,750 -YOU VERY OFTEN ARE WHEN YOU'VE GOT A BLOODY GREAT 236 00:12:01,750 --> 00:12:03,000 HARPOON STICKING THROUGH YOUR CHEST. 237 00:12:08,180 --> 00:12:10,170 HARRAP (OFFSCREEN): WE'RE TRYING TO LOCATE THE MURDER 238 00:12:10,170 --> 00:12:11,040 WEAPON, SIR. 239 00:12:11,040 --> 00:12:12,470 OJORA (OFFSCREEN): YOU SAY THERE'S ONLY ONE SUCH ITEM IN 240 00:12:12,470 --> 00:12:16,730 THE SCHOOL, AND IT'S ALWAYS UNDER YOUR LOCK AND KEY. 241 00:12:16,730 --> 00:12:19,310 -ONE [INAUDIBLE] OF POSEIDON STAINLESS STEEL, ANTI-RECOIL, 242 00:12:19,310 --> 00:12:21,560 HARPOON RIFLE AND TWO TITANIUM-TIPPED STEEL BOLTS 243 00:12:21,560 --> 00:12:22,810 FOR YOUR INSPECTION. 244 00:12:25,790 --> 00:12:28,180 -[INAUDIBLE] 245 00:12:28,180 --> 00:12:32,080 SERGEANT HONEY, YOU SAID IT. 246 00:12:32,080 --> 00:12:34,070 -OH, GOOD GOD. 247 00:12:34,070 --> 00:12:35,070 NO, NO, NO, NO, NO, NO. 248 00:12:35,070 --> 00:12:36,060 THEFT. 249 00:12:36,060 --> 00:12:38,420 I MEAN-- MY WIFE WAS WITH ME, DO YOU KNOW? 250 00:12:38,420 --> 00:12:38,560 ALL NIGHT. 251 00:12:38,560 --> 00:12:40,010 -WE'LL HAVE THIS CONVERSATION IN A MINUTE, SIR. 252 00:12:40,010 --> 00:12:40,510 IN YOU HOP. 253 00:12:40,510 --> 00:12:41,890 -YES, I MEAN, HAVE YOU ACTUALLY SPOKEN WITH HER? 254 00:12:41,890 --> 00:12:44,130 -I HAVE, ACTUALLY, YES. 255 00:12:44,130 --> 00:12:44,880 -WELL, WHAT DID SHE SAY? 256 00:12:44,880 --> 00:12:46,130 -IN THE VEHICLE, PLEASE, MR. MARSHALL. 257 00:12:52,580 --> 00:12:56,580 [CAR STARTING] 258 00:12:56,580 --> 00:12:58,580 TEACHER (OFFSCREEN): ALL RIGHT, COME ON, BOYS. 259 00:12:58,580 --> 00:13:00,080 EVERYBODY INSIDE NOW. 260 00:13:02,580 --> 00:13:05,910 -LADIES, WHAT A BUSINESS. 261 00:13:05,910 --> 00:13:08,890 I WONDER WHAT THE POLICE WILL ASK. 262 00:13:08,890 --> 00:13:13,500 -THEY'LL ASK HIM IF HE KNOWS WHO WAS THE STAG. 263 00:13:13,500 --> 00:13:16,210 -THAT'S IMPORTANT, IS IT? 264 00:13:16,210 --> 00:13:16,670 -ASSAULTS? 265 00:13:16,670 --> 00:13:17,230 MURDER? 266 00:13:17,230 --> 00:13:18,730 ON THE SAME NIGHT? 267 00:13:18,730 --> 00:13:20,910 ARE THEY CONNECTED? 268 00:13:20,910 --> 00:13:22,140 THAT'S WHAT I WOULD WANT TO KNOW. 269 00:13:22,140 --> 00:13:25,080 IT IS WHAT I WANT TO KNOW. 270 00:13:25,080 --> 00:13:26,750 -COMMON ROOM? 271 00:13:26,750 --> 00:13:28,010 FIVE MINUTES? 272 00:13:28,010 --> 00:13:29,260 DO YOU MIND? 273 00:13:34,740 --> 00:13:35,990 -IT WAS ME. 274 00:13:38,110 --> 00:13:40,470 -IT WAS YOU? 275 00:13:40,470 --> 00:13:42,650 -THE STAG. 276 00:13:42,650 --> 00:13:47,350 YES, IT'S A BIT OF A SURPRISE TO ME TOO. 277 00:13:47,350 --> 00:13:51,780 -JUST A MINUTE, ARE YOU SAYING YOU ASSAULTED WELLIE? 278 00:13:51,780 --> 00:13:52,300 -YES. 279 00:13:52,300 --> 00:13:53,620 I DID. 280 00:13:53,620 --> 00:13:55,090 I'M-- 281 00:13:55,090 --> 00:13:56,550 FORGIVE ME. 282 00:13:56,550 --> 00:13:58,020 [CRYING] 283 00:13:58,020 --> 00:14:01,750 -THE INSTRUCTION WAS IN MY ENVELOPE. 284 00:14:01,750 --> 00:14:07,120 REMOVE MRS. WELLS' BRA, OR PERISH IN THE ATTEMPT. 285 00:14:07,120 --> 00:14:09,530 [CRYING] 286 00:14:09,530 --> 00:14:13,380 -DO YOU HAVE THAT NOTE? 287 00:14:13,380 --> 00:14:14,800 -UH, I BURNED IT. 288 00:14:14,800 --> 00:14:16,430 -WHAT ABOUT THE STAG STUFF? 289 00:14:16,430 --> 00:14:17,210 THE MASK? 290 00:14:17,210 --> 00:14:17,780 THE CLOAK? 291 00:14:17,780 --> 00:14:18,160 -BURNED IT. 292 00:14:18,160 --> 00:14:20,380 BURNED IT ALL. 293 00:14:20,380 --> 00:14:24,920 -I JUST DON'T BELIEVE YOU'RE A BATTERER OF WOMEN, RICHARD. 294 00:14:24,920 --> 00:14:28,020 -WELL, IT'S NOT AN ACTIVITY IN WHICH I ROUTINELY INDULGE. 295 00:14:28,020 --> 00:14:30,260 -SO THEN WHY DIDN'T YOU STOP? 296 00:14:30,260 --> 00:14:33,200 YOU COULD SEE THAT SHE WAS UPSET. 297 00:14:33,200 --> 00:14:35,140 -I WAS DRUNK. 298 00:14:35,140 --> 00:14:37,570 THAT'S AN EXPLANATION, NOT AN EXCUSE. 299 00:14:37,570 --> 00:14:41,030 -AND THEN YOU SMACKED SIMON TODD'S HEAD ON THE LOCKER. 300 00:14:41,030 --> 00:14:42,620 -WELL, HE TRIED TO STOP ME FROM LEAVING. 301 00:14:42,620 --> 00:14:45,900 I DID NOT WISH TO BE STOPPED. 302 00:14:45,900 --> 00:14:48,410 THE SCHOOL IS IN FOR A SUBSTANTIAL DAY OF SOME BAD 303 00:14:48,410 --> 00:14:49,530 PRESS, ELEANOR. 304 00:14:49,530 --> 00:14:53,660 IF IT'S ACCEPTABLE TO YOU, I SHALL TEACH MY FINAL CLASSES 305 00:14:53,660 --> 00:14:58,250 AND, WELL, RESIGN. 306 00:14:58,250 --> 00:15:01,770 -DID YOU KILL TODD? 307 00:15:01,770 --> 00:15:05,040 -I DID NOT. 308 00:15:05,040 --> 00:15:06,980 I THINK I'D HAVE NOTICED IF I HAD. 309 00:15:06,980 --> 00:15:10,120 I DON'T SUPPOSE QUENTIN DID EITHER, THOUGH IT WON'T DO HIM 310 00:15:10,120 --> 00:15:12,230 ANY HARM TO BE UNCEREMONIOUSLY BROWBEATEN 311 00:15:12,230 --> 00:15:15,660 HIMSELF FOR A CHANGE. 312 00:15:15,660 --> 00:15:26,500 [WEEPING] 313 00:15:26,500 --> 00:15:38,330 [WEEPING] 314 00:15:38,330 --> 00:15:43,260 [CLEARS THROAT] 315 00:15:43,260 --> 00:15:46,470 -BUT SURELY YOUR HUSBAND IS INNOCENT. 316 00:15:46,470 --> 00:15:51,280 -(SHOUTING) HE BLOODY WELL IS NOT. 317 00:15:51,280 --> 00:15:53,450 I'M CRYING BECAUSE SIMON IS DEAD. 318 00:16:00,000 --> 00:16:04,780 LAST NIGHT WHEN HE WAS HURT, I TOOK SIMON TO THE PAVILION TO 319 00:16:04,780 --> 00:16:06,710 TRY AND TALK SOME SENSE INTO HIM. 320 00:16:06,710 --> 00:16:07,600 BUT I WAS AWARE-- 321 00:16:07,600 --> 00:16:08,870 I DON'T KNOW HOW-- 322 00:16:08,870 --> 00:16:12,900 BUT SOMEONE WAS WATCHING US. 323 00:16:12,900 --> 00:16:14,810 I THINK IT WAS QUENTIN. 324 00:16:14,810 --> 00:16:18,980 I THINK HE SAW WHAT HE SAW AND HE MISINTERPRETED IT. 325 00:16:18,980 --> 00:16:20,550 HE GOT IN A RAGE-- 326 00:16:20,550 --> 00:16:23,330 GOD, HE CAN GET IN A RAGE-- 327 00:16:23,330 --> 00:16:25,300 WENT AND GOT HIS HORRID LITTLE HARPOON GUN, 328 00:16:25,300 --> 00:16:27,370 AND HE KILLED SIMON. 329 00:16:27,370 --> 00:16:33,390 -PAVILION, LIKE CRICKET PAVILION? 330 00:16:33,390 --> 00:16:34,640 -WHAT? 331 00:16:46,170 --> 00:16:48,150 -HELLO. 332 00:16:48,150 --> 00:16:50,340 -I'M ROSEMARY BOXER, GARDENER. 333 00:16:54,980 --> 00:16:59,500 OH, YOU MUST BE ELEANOR'S SON? 334 00:16:59,500 --> 00:17:00,900 -PUT THAT OUT, WILL YOU, CRISPIN? 335 00:17:00,900 --> 00:17:02,150 IT'S MAKING MY EYES WATER. 336 00:17:04,730 --> 00:17:06,990 -IT'S A SHAME. 337 00:17:06,990 --> 00:17:09,280 -EXCUSE ME? 338 00:17:09,280 --> 00:17:11,460 YOUR MOTHER'S JUST HAD A BIT OF A SHOCK. 339 00:17:14,000 --> 00:17:15,610 SHE'S NOT MY MOTHER. 340 00:17:15,610 --> 00:17:17,290 BUT YOU'RE EXCUSED, ROSEMARY BOXER. 341 00:17:20,870 --> 00:17:24,450 -SO, WHAT'S THE STORY WITH THE MARSHALLS? 342 00:17:24,450 --> 00:17:25,290 HM? 343 00:17:25,290 --> 00:17:29,830 -WELL, I DON'T SUPPOSE THEY'VE HAD WHAT MY DEAR, OLD NANNY 344 00:17:29,830 --> 00:17:32,820 USED TO CALL CARDINAL RELATIONS FOR YEARS. 345 00:17:32,820 --> 00:17:36,160 [LAUGHING] 346 00:17:36,160 --> 00:17:39,520 -QUENTIN'S GOT A SON BY HIS FIRST MARRIAGE, CRISPIN. 347 00:17:39,520 --> 00:17:42,020 HE'S UP AT CAMBRIDGE, THOUGH HE SPENDS FAR TOO MUCH TIME 348 00:17:42,020 --> 00:17:43,540 WANDERING ABOUT HERE FOR MY LIKING. 349 00:17:43,540 --> 00:17:45,030 POISONOUS BOY, FRANKLY. 350 00:17:45,030 --> 00:17:48,640 LISTEN, THIS IS ALL VERY STIMULATING. 351 00:17:48,640 --> 00:17:52,840 BUT WHY DON'T YOU TELL ME WHAT YOU REALLY WANT TO KNOW? 352 00:17:52,840 --> 00:17:56,610 ASK AND YE MIGHT BE TOLD. 353 00:17:56,610 --> 00:17:59,560 -WHAT'S THE STORY WITH YOU AND WELLIE? 354 00:17:59,560 --> 00:18:03,010 ARE YOU AN ITEM? 355 00:18:03,010 --> 00:18:05,940 [LAUGHTER] 356 00:18:05,940 --> 00:18:08,200 -YOU'VE MADE AN OLD MAN VERY HAPPY. 357 00:18:10,890 --> 00:18:12,710 -SHE BLEW HER NOSE ON YOUR HANDKERCHIEF. 358 00:18:12,710 --> 00:18:13,530 -OH, CRIKEY-- 359 00:18:13,530 --> 00:18:15,510 DEFINITELY CARDINAL RELATIONS. 360 00:18:15,510 --> 00:18:22,440 (LAUGHING) LOOK, FOR REASONS THAT I DON'T FEEL PRESENTLY 361 00:18:22,440 --> 00:18:27,990 OBLIGED TO EXPLAIN, I HAVE FALLEN ON MY RUSTY SWORD. 362 00:18:27,990 --> 00:18:32,590 BUT I STILL CAN APOLOGIZE LIKE A GENTLEMAN. 363 00:18:32,590 --> 00:18:35,140 NOW, IF YOU'LL EXCUSE ME, I HAVE, UM, PACKING. 364 00:18:40,890 --> 00:18:45,420 -WHY IS RICHARD LYING TO US? 365 00:18:45,420 --> 00:18:46,800 DO YOU THINK HE'S HAVING A DING-DONG WITH WELLIE? 366 00:18:46,800 --> 00:18:48,580 -HE SAYS NOT. 367 00:18:48,580 --> 00:18:50,930 I MEAN, I DON'T BELIEVE HE WAS THE STAG. 368 00:18:50,930 --> 00:18:54,760 -WELL, WHAT'S THE POINT IN TELLING US THAT HE WAS? 369 00:18:54,760 --> 00:18:57,260 I MEAN, CAREER DOWN THE TUBES, REPUTATION SHOT TO PIECES-- 370 00:18:57,260 --> 00:19:00,260 I MEAN, THAT'S DAFT. 371 00:19:00,260 --> 00:19:01,970 -THESE LOOK BETTER. 372 00:19:01,970 --> 00:19:03,360 -NO, THEY DON'T. 373 00:19:03,360 --> 00:19:04,640 -NO, THEY DON'T ACTUALLY. 374 00:19:04,640 --> 00:19:06,640 WHAT'S WRONG WITH THEM? 375 00:19:06,640 --> 00:19:07,360 -VIGOROUSLY PRUNED-- 376 00:19:07,360 --> 00:19:09,940 THE DAMNED THINGS ARE SICKER THAN EVER. 377 00:19:09,940 --> 00:19:11,880 THERE'S NO POINT IN EXPANDING THE BED IF THEY'RE GOING TO 378 00:19:11,880 --> 00:19:14,660 CONK OUT NEXT WEEK. 379 00:19:14,660 --> 00:19:18,660 HAVE YOU SEEN A CRICKET PAVILION? 380 00:19:18,660 --> 00:19:20,490 -IN MY LIFE OR HERE? 381 00:19:20,490 --> 00:19:21,840 -IN THE GROUNDS. 382 00:19:21,840 --> 00:19:25,890 -OH YES, IT'S SORT OF THAT WAY-- 383 00:19:25,890 --> 00:19:27,720 -I WANTED TO APOLOGIZE FOR THAT 384 00:19:27,720 --> 00:19:29,630 UNPLEASANTNESS WITH MY STEPSON. 385 00:19:29,630 --> 00:19:33,270 HE WAS UPSET ABOUT HIS FATHER. 386 00:19:33,270 --> 00:19:36,070 HE WANTED REASSURANCE. 387 00:19:36,070 --> 00:19:38,850 I, UM, DIDN'T, OF COURSE, SAY TO HIM WHAT I'D INADVERTENTLY 388 00:19:38,850 --> 00:19:43,600 SAID TO YOU, THE BUSINESS ABOUT SIMON. 389 00:19:43,600 --> 00:19:45,400 GOOD. 390 00:19:45,400 --> 00:19:47,520 I'VE JUST HEARD THAT MY HUSBAND WILL BE RETURNED TO US 391 00:19:47,520 --> 00:19:48,870 LATER TODAY. 392 00:19:48,870 --> 00:19:50,890 THE POLICE HAVE INDICATED THEY WILL NOT BE PRESSING CHARGES. 393 00:19:50,890 --> 00:19:53,490 -THAT'S GOOD NEWS. 394 00:19:53,490 --> 00:19:56,850 LOOK, THE SOONER WE SORT OUT THESE ROSES, THE SOONER WE CAN 395 00:19:56,850 --> 00:19:58,560 GET OUT OF YOUR HAIR. 396 00:19:58,560 --> 00:20:02,690 UM, CAN YOU TELL US EXACTLY WHERE THIS SOIL CAME FROM? 397 00:20:02,690 --> 00:20:03,590 -EXACTLY? 398 00:20:03,590 --> 00:20:04,690 I DON'T KNOW. 399 00:20:04,690 --> 00:20:06,530 SIMON DEALT WITH IT. 400 00:20:06,530 --> 00:20:08,710 HE LIKED TO BE SENT LITTLE TASKS. 401 00:20:08,710 --> 00:20:12,480 HE LIKED TO PLEASE PEOPLE. 402 00:20:12,480 --> 00:20:13,690 MAYBE THERE'S A RECEIPT. 403 00:20:13,690 --> 00:20:15,180 -MAYBE WE SHOULD HAVE A SHIFTING AROUND HIS ROOM? 404 00:20:15,180 --> 00:20:16,640 -NO. 405 00:20:16,640 --> 00:20:19,880 ABSOLUTELY NOT. 406 00:20:19,880 --> 00:20:21,610 IS THAT CLEAR? 407 00:20:21,610 --> 00:20:25,890 ROSEMARY (OFFSCREEN): SIMON TODD HAD A LOT OF STUFF, 408 00:20:25,890 --> 00:20:26,840 DIDN'T HE? 409 00:20:26,840 --> 00:20:29,210 -(WHISPERED) SH. (SIGHING) OH, THIS IS PANTS. 410 00:20:29,210 --> 00:20:32,190 WHEN WAS THE LAST TIME YOU BOUGHT SOIL AND GOT A RECEIPT? 411 00:20:32,190 --> 00:20:34,740 -(WHISPERED) ARE YOU LOOKING FOR INFORMATION ABOUT SOIL? 412 00:20:34,740 --> 00:20:36,650 -(WHISPERED) NO. 413 00:20:36,650 --> 00:20:40,310 -NEITHER AM I. (WHISPERED) AH, WHAT'S THIS? 414 00:20:40,310 --> 00:20:43,110 OH, IT'S A DIARY. 415 00:20:43,110 --> 00:20:44,150 AH, "[INAUDIBLE] 416 00:20:44,150 --> 00:20:45,710 WAS CHEATING IN CLASS TODAY. 417 00:20:45,710 --> 00:20:47,990 HE KNEW, I KNEW, EARNED HIS RESPECT BY 418 00:20:47,990 --> 00:20:49,730 TURNING A BLIND EYE. 419 00:20:49,730 --> 00:20:53,340 OH LORD, SAD LIFE." WHAT ARE YOU DOING THAT FOR? 420 00:20:53,340 --> 00:20:55,070 THE POOR BLOKE'S DEAD. 421 00:20:55,070 --> 00:20:56,930 -(WHISPERED) WELL, YOU WOULDN'T WANT SOMEONE READING 422 00:20:56,930 --> 00:20:57,860 YOUR DIARY WHEN YOU WERE DEAD, WOULD YOU? 423 00:20:57,860 --> 00:20:58,450 -(WHISPERED) I WOULD. 424 00:20:58,450 --> 00:21:00,290 THAT'S THE WHOLE POINT. 425 00:21:00,290 --> 00:21:01,230 BLIMEY. 426 00:21:01,230 --> 00:21:02,640 -(WHISPERED) WHAT? 427 00:21:02,640 --> 00:21:04,050 -(WHISPERED) IT'S A RECEIPT. 428 00:21:04,050 --> 00:21:05,000 [GASP] 429 00:21:05,000 --> 00:21:06,250 -FOR SOIL. 430 00:21:08,350 --> 00:21:09,220 -WOULD IT BE POSSIBLE FOR YOU LADIES TO MAKE 431 00:21:09,220 --> 00:21:10,470 A LITTLE MORE NOISE? 432 00:21:16,750 --> 00:21:19,420 LISTEN GIRLS, THIS PATHETIC LITTLE SCHOOL IS MY 433 00:21:19,420 --> 00:21:19,810 INHERITANCE. 434 00:21:19,810 --> 00:21:23,680 AND I WANT IT DELIVERED TO ME IN GOOD CONDITION. 435 00:21:23,680 --> 00:21:26,980 -WELL, I DON'T RECKON YOU AS A HEADMASTER, MATEY. 436 00:21:26,980 --> 00:21:33,160 -NEITHER DO I. I SEE MYSELF AS SOMEONE WHO DOES NOT VERY MUCH 437 00:21:33,160 --> 00:21:36,160 AT ALL, BECAUSE HE'S MADE A HILARIOUS AMOUNT OF MONEY 438 00:21:36,160 --> 00:21:39,750 SELLING A SUBSTANTIAL PROPERTY [INAUDIBLE] COUNTIES. 439 00:21:39,750 --> 00:21:42,180 -YOU'D FLOG THE SCHOOL? 440 00:21:42,180 --> 00:21:43,190 -I WOULD. 441 00:21:43,190 --> 00:21:44,890 I LIKE MONEY. 442 00:21:44,890 --> 00:21:49,250 -ENOUGH TO FRAME YOUR FATHER? 443 00:21:49,250 --> 00:21:53,070 -MY DEAR, IF I WAS MOVED TO FRAME SOMEONE, THEY'D BE 444 00:21:53,070 --> 00:21:55,680 THOROUGHLY FRAMED. 445 00:21:55,680 --> 00:21:57,540 MY FATHER'S BEEN GIVEN THE ALL-CLEAR. 446 00:21:57,540 --> 00:22:00,270 -THEN WHO DO YOU THINK KILLED SIMON? 447 00:22:00,270 --> 00:22:03,090 -UH, WHO CARES? 448 00:22:03,090 --> 00:22:05,150 GETTING HIMSELF MURDERED WAS QUITE THE MOST INTERESTING 449 00:22:05,150 --> 00:22:08,270 THING THAT DREARY BOY EVER DID. 450 00:22:08,270 --> 00:22:13,160 IT'S BEEN FASCINATING, BUT I MUSTN'T LET YOU KEEP ME. 451 00:22:13,160 --> 00:22:14,410 NIGHTY NIGHT. 452 00:22:16,330 --> 00:22:17,760 -(WHISPERED) WE'RE NOT GOING TO LET THAT LITTLE SOT STAY IN 453 00:22:17,760 --> 00:22:19,800 THERE AND FIDDLE WITH [INAUDIBLE]. 454 00:22:19,800 --> 00:22:20,790 -(WHISPERED) NO, WE ARE NOT. 455 00:22:20,790 --> 00:22:23,270 WE'RE GOING TO SET OFF THE FIRE ALARM. 456 00:22:23,270 --> 00:22:24,760 -(WHISPERED) HE'LL IGNORE IT. 457 00:22:24,760 --> 00:22:26,750 -(WHISPERED) YOU TRY. 458 00:22:26,750 --> 00:22:27,740 -(WHISPERED) WAIT, WAIT. 459 00:22:27,740 --> 00:22:29,230 SH. 460 00:22:29,230 --> 00:22:43,140 [SNIFFLES] 461 00:22:43,140 --> 00:22:49,580 -MY GUESS IS, YOU'RE BREAKING, UH, FIVE DIFFERENT RULES? 462 00:22:49,580 --> 00:22:50,050 MM. 463 00:22:50,050 --> 00:22:51,730 WELL, GOOD FOR YOU. 464 00:22:51,730 --> 00:22:52,980 EXPECT YOU'LL GET A MEDAL. 465 00:22:55,220 --> 00:22:57,290 -WHAT'S YOUR CHRISTIAN NAME, RUDDOCK? 466 00:22:59,850 --> 00:23:02,100 WHAT DOES YOUR MOTHER CALL YOU? 467 00:23:02,100 --> 00:23:04,320 -SWEETIE PIE. 468 00:23:04,320 --> 00:23:05,160 -RIGHT. 469 00:23:05,160 --> 00:23:06,410 WELL, THAT'S NICE. 470 00:23:09,080 --> 00:23:10,700 WELL, SHALL WE CALL YOU RUDDOCK? 471 00:23:10,700 --> 00:23:11,950 -MM. 472 00:23:13,880 --> 00:23:15,700 -WE THINK YOU'VE GOT SOMETHING TO SAY. 473 00:23:15,700 --> 00:23:17,880 -BUT YOU DON'T QUITE KNOW WHO TO SAY IT TO, PET, DO YOU? 474 00:23:20,460 --> 00:23:22,230 SAY TO US, IF YOU CAN. 475 00:23:22,230 --> 00:23:23,480 WE WON'T BITE. 476 00:23:26,000 --> 00:23:26,830 OOPS. 477 00:23:26,830 --> 00:23:28,270 CAN'T HELP IT. 478 00:23:31,140 --> 00:23:33,180 WHY DID YOU WANT US TO COME DOWN HERE? 479 00:23:33,180 --> 00:23:34,480 WAS IT SOMETHING YOU SAW? 480 00:23:38,600 --> 00:23:42,450 SHALL I JUST ASK YOU QUESTIONS, AND THEN YOU CAN 481 00:23:42,450 --> 00:23:46,170 NOD OR SHAKE YOUR HEAD? 482 00:23:46,170 --> 00:23:50,440 WERE YOU HIDING DOWN HERE THE NIGHT THE STAG CAME OUT? 483 00:23:50,440 --> 00:23:52,450 DID YOU SEE MR. TODD? 484 00:23:55,480 --> 00:23:58,660 DID YOU SEE THE STAG HIT MR. TODD? 485 00:24:03,470 --> 00:24:07,110 WAS IT SOMEONE ELSE? 486 00:24:07,110 --> 00:24:09,340 -IT WAS MR. TODD. 487 00:24:09,340 --> 00:24:11,340 HE DID IT TO HIMSELF. 488 00:24:11,340 --> 00:24:12,750 HE CAME OUT OF THERE. 489 00:24:12,750 --> 00:24:15,980 AND HE DID THIS HORRIBLE SCREAM, LIKE OUR DOG WHEN IT 490 00:24:15,980 --> 00:24:17,130 GOT HIT BY A CAR. 491 00:24:17,130 --> 00:24:19,400 AND HE WENT TO THE LOCKERS AND WENT BANG, BANG, 492 00:24:19,400 --> 00:24:20,310 BANG WITH HIS HEAD. 493 00:24:20,310 --> 00:24:24,700 AND THERE WAS BLOOD AND EVERYTHING ALL OVER HIS FACE. 494 00:24:24,700 --> 00:24:27,180 -OH, THERE, THERE. 495 00:24:27,180 --> 00:24:28,430 SH. 496 00:24:51,580 --> 00:24:51,930 -HM. 497 00:24:51,930 --> 00:24:53,220 MANAGER. 498 00:24:53,220 --> 00:24:54,640 -YOU SAY THAT BECAUSE OF THE BLAZER. 499 00:24:54,640 --> 00:24:56,080 -THE BLAZER AND THE HAIR. 500 00:24:56,080 --> 00:24:57,480 THEY ALWAYS HAVE THAT HAIR. 501 00:24:57,480 --> 00:24:59,520 AND THEY ALWAYS DO THAT WITH IT. 502 00:24:59,520 --> 00:25:00,770 COME ON. 503 00:25:05,660 --> 00:25:07,900 I SAY, HELLO. 504 00:25:07,900 --> 00:25:09,500 ARE YOU THE DUTY MANAGER? 505 00:25:09,500 --> 00:25:10,020 -LADIES. 506 00:25:10,020 --> 00:25:12,860 -UH, I WONDER IF YOU COULD HELP US PLEASE-- UH, SOIL. 507 00:25:12,860 --> 00:25:13,930 -YOU WANT SOME SOIL? 508 00:25:13,930 --> 00:25:14,270 -NO. 509 00:25:14,270 --> 00:25:15,490 WE'VE GOT THE SOIL. 510 00:25:15,490 --> 00:25:18,310 I WANT YOU TO TELL US A BIT ABOUT IT. 511 00:25:18,310 --> 00:25:19,560 -JUST A MINUTE. 512 00:25:39,490 --> 00:25:40,430 -[INAUDIBLE] YA, CRISPY. 513 00:25:40,430 --> 00:25:42,380 WHAT A FUNNY PLACE TO FIND YOU. 514 00:25:42,380 --> 00:25:44,790 -YOU'RE VERY EASILY AMUSED, MISS BOXER. 515 00:25:44,790 --> 00:25:45,840 -NO, I'M NOT BOXER. 516 00:25:45,840 --> 00:25:48,280 I'M THE OTHER ONE. 517 00:25:48,280 --> 00:25:53,890 WHAT ARE YOU READING AT CAMBRIDGE, WASTE MANAGEMENT? 518 00:25:56,810 --> 00:25:58,280 -WELL, LOOK AT THAT. 519 00:25:58,280 --> 00:25:59,950 THAT'S LOVELY, THAT IS. 520 00:25:59,950 --> 00:26:03,000 MINERALS, A BIT OF FLINT IN THERE, SEE. 521 00:26:03,000 --> 00:26:03,750 ROSES LIKE FLINT. 522 00:26:03,750 --> 00:26:03,950 I-- 523 00:26:03,950 --> 00:26:06,160 I REMEMBER THAT BLOKE COMING FROM THE SCHOOL. 524 00:26:06,160 --> 00:26:09,070 HE SPECIFICALLY ASKED FOR SOIL THAT HAD BEEN GOOD FOR ROSES. 525 00:26:09,070 --> 00:26:09,410 -STOP. 526 00:26:09,410 --> 00:26:10,440 [INAUDIBLE] 527 00:26:10,440 --> 00:26:12,100 HAD BEEN? 528 00:26:12,100 --> 00:26:15,640 -I SAID ALL THIS SOIL, YOUNG MAN, COMES FROM THE ROSE 529 00:26:15,640 --> 00:26:17,520 TERRACES OF HARDWICK COLE. 530 00:26:17,520 --> 00:26:20,470 PEOPLE USED TO PAY GOOD MONEY TO VIEW THOSE GARDENS, BEFORE 531 00:26:20,470 --> 00:26:21,850 THE FAMILY WENT BUST. 532 00:26:21,850 --> 00:26:24,770 -BUT IF SOIL HAS ALREADY HAD ROSES LIVING IN IT, YOU CAN'T 533 00:26:24,770 --> 00:26:25,510 USE IT AGAIN. 534 00:26:25,510 --> 00:26:27,390 IT'LL POISON THE NEW GROWTH. 535 00:26:27,390 --> 00:26:29,670 AND IF YOU'RE STARTING FROM SCRATCH, YOU'VE GOT TO USE 536 00:26:29,670 --> 00:26:33,400 SOIL THAT HASN'T EVEN HAD A SNIFF OF A ROSE. 537 00:26:33,400 --> 00:26:36,180 DON'T YOU KNOW THAT? 538 00:26:36,180 --> 00:26:39,690 -YOU SAYING I DONE A BLUNDER? 539 00:26:39,690 --> 00:26:43,460 -ON THE CONTRARY, YOU LOVELY MAN. 540 00:26:46,780 --> 00:26:48,030 -BIT MORE. 541 00:26:50,960 --> 00:26:53,600 BIT MORE. 542 00:26:53,600 --> 00:26:54,850 THERE. 543 00:26:57,730 --> 00:26:59,150 -BIG BED. 544 00:26:59,150 --> 00:27:01,510 OH, YES, WELL IT CAN WEAR IT. 545 00:27:01,510 --> 00:27:02,510 TRUST ME. 546 00:27:02,510 --> 00:27:03,940 -I RARELY DO ANYTHING ELSE. 547 00:27:07,040 --> 00:27:10,490 ALL THOSE THINGS IN CRISPIN'S TROLLEY, ALL 548 00:27:10,490 --> 00:27:12,980 THAT PLUMBING STUFF-- 549 00:27:12,980 --> 00:27:19,010 TWO PLUNGERS, FIVE BRANDS OF SINK TRAP UNBLOCKER, FIVE 550 00:27:19,010 --> 00:27:22,130 DIFFERENT PRODUCTS THAT ALL DO EXACTLY THE SAME THING. 551 00:27:22,130 --> 00:27:26,020 -WELL, PERHAPS CRISPIN'S TRAP IS PARTICULARLY BLOCKED. 552 00:27:26,020 --> 00:27:30,050 -THAT, OR HE WAS TRYING TO DISTRACT ATTENTION FROM WHAT 553 00:27:30,050 --> 00:27:34,690 HE'D ACTUALLY GONE THERE TO BUY. 554 00:27:34,690 --> 00:27:36,550 -WHAT ARE YOU PLANNING? 555 00:27:36,550 --> 00:27:40,300 -A SEXY REXY, PEEKABOO, JACQUELINE DU PRE, AND 556 00:27:40,300 --> 00:27:41,610 RAMBLING RECTOR. 557 00:27:41,610 --> 00:27:43,070 -I MEANT COLORS. 558 00:27:43,070 --> 00:27:44,490 -WHITE AND GOLD, THE SCHOOL COLORS-- 559 00:27:44,490 --> 00:27:44,560 -OH. 560 00:27:44,560 --> 00:27:49,590 --WITH A DASH OF PINK TO CHEER IT UP A BIT. 561 00:27:49,590 --> 00:27:49,950 -HELLO. 562 00:27:49,950 --> 00:27:50,700 -HELLO, WELLIE. 563 00:27:50,700 --> 00:27:51,800 -UH, SORRY. 564 00:27:51,800 --> 00:27:55,940 BUT I JUST HAVE TO SAY THIS-- 565 00:27:55,940 --> 00:27:58,710 YOU MUSTN'T LET THEM GET RID OF RICHARD OAKLEY. 566 00:27:58,710 --> 00:27:59,260 IT'S RIDICULOUS. 567 00:27:59,260 --> 00:28:01,210 HE'S EVERYTHING THAT'S GOOD ABOUT THIS PLACE. 568 00:28:01,210 --> 00:28:03,440 -BUT RICHARD WANTS TO GO. 569 00:28:03,440 --> 00:28:05,500 -NO, HE DOESN'T. 570 00:28:05,500 --> 00:28:07,970 IF HE LEAVES STAGFORD, IT'D BE LIKE UNPLUGGING 571 00:28:07,970 --> 00:28:09,050 HIM FROM THE MAINS. 572 00:28:09,050 --> 00:28:10,770 HE'D GO DEAD. 573 00:28:10,770 --> 00:28:12,510 YOU HAVE TO EXPLAIN TO THE MARSHALLS. 574 00:28:12,510 --> 00:28:14,730 -YEAH, BUT WE'RE NOT GOVERNORS HERE, WELLIE. 575 00:28:14,730 --> 00:28:17,170 WE'RE GARDENERS. 576 00:28:17,170 --> 00:28:18,350 -BUT YOU CAN TALK TO THE MARSHALLS. 577 00:28:18,350 --> 00:28:20,010 I CAN'T. 578 00:28:20,010 --> 00:28:22,360 -I KNOW THEY'RE DIFFICULT PEOPLE, BUT I MEAN-- 579 00:28:22,360 --> 00:28:22,700 -NO. 580 00:28:22,700 --> 00:28:24,820 I CAN'T TALK TO THEM. 581 00:28:24,820 --> 00:28:26,810 THEY WON'T LET ME. 582 00:28:34,810 --> 00:28:36,800 -YOU DO KNOW, DON'T YOU, THAT I'M NOT LEAVING THIS PLACE 583 00:28:36,800 --> 00:28:39,810 UNTIL I'VE HAD A SQUINT AT THIS RUDDY PAVILION? 584 00:28:39,810 --> 00:28:42,180 -IT'S LOCKED. 585 00:28:42,180 --> 00:28:44,680 -LUCKILY, I BROUGHT A KEY. 586 00:28:44,680 --> 00:28:45,980 -NO, ROSEMARY, YOU CAN'T DO THAT. 587 00:28:45,980 --> 00:28:46,700 -YES I CAN. 588 00:28:46,700 --> 00:28:47,290 -NO, NO YOU CAN'T. 589 00:28:47,290 --> 00:28:48,860 LOOK, YOU'RE DOING IT ALL WRONG. 590 00:28:48,860 --> 00:28:50,480 GIVE IT TO ME. 591 00:28:50,480 --> 00:28:51,900 [SCOFF] 592 00:28:51,900 --> 00:28:54,870 -THE FIRST THING YOU LEARN AT HENDON IS TO GET THE RIGHT 593 00:28:54,870 --> 00:28:56,310 TOOL FOR THE JOB. 594 00:28:56,310 --> 00:29:00,530 AND IF YOU HAVEN'T GOT THE RIGHT TOOL, THEN YOU APPROACH 595 00:29:00,530 --> 00:29:06,100 THE SITUATION WITH PATIENCE, CALM, AND CAUTION. 596 00:29:06,100 --> 00:29:08,560 -OH, BLOODY HELL. 597 00:29:08,560 --> 00:29:14,480 [SIGH] 598 00:29:14,480 --> 00:29:19,770 -HARD TO IMAGINE ELEANOR CONSOLING SIMON IN HERE. 599 00:29:19,770 --> 00:29:20,500 [SNIFFING] 600 00:29:20,500 --> 00:29:22,120 -WHAT'S THAT AWFUL SMELL? 601 00:29:22,120 --> 00:29:23,630 -OH, THAT'S THAT STUFF THAT YOU UM-- 602 00:29:23,630 --> 00:29:26,870 OH, YOU PUT IT ON BATS. 603 00:29:26,870 --> 00:29:31,720 NOT, NOT, NOT FLAPPY BATS, CRICKET BATS. 604 00:29:31,720 --> 00:29:32,120 LINSEED. 605 00:29:32,120 --> 00:29:36,040 -THAT'S NOT LINSEED. 606 00:29:36,040 --> 00:29:36,880 LAURA? 607 00:29:36,880 --> 00:29:39,250 -MM-HMM 608 00:29:39,250 --> 00:29:40,900 -MY FEET ARE STICKING TO THE FLOOR. 609 00:29:48,150 --> 00:29:50,630 AH. 610 00:29:50,630 --> 00:29:52,120 -WE'RE GOING TO NEED THAT SPADE. 611 00:29:52,120 --> 00:29:55,600 -WE'VE GOT A BIT OF DIGGING TO DO. 612 00:29:55,600 --> 00:29:57,090 LET'S GET WORKING. 613 00:30:01,570 --> 00:30:17,470 [DEEP BREATHING] 614 00:30:17,470 --> 00:30:19,950 -WHO'S THERE? 615 00:30:19,950 --> 00:30:24,080 LISTEN, GUYS, STAGS IS OVER. 616 00:30:24,080 --> 00:30:24,540 MR. TODD HAS BEEN KILLED. 617 00:30:24,540 --> 00:30:25,790 THIS ISN'T FUNNY, OK? 618 00:30:32,010 --> 00:30:33,260 I'M OPENING THE DOOR NOW, GUYS. 619 00:30:46,650 --> 00:30:49,090 [SCREAM] 620 00:30:49,090 --> 00:30:51,070 -I'M SORRY. 621 00:30:51,070 --> 00:30:52,870 I JUST NEEDED TO HEAR YOU SCREAM. 622 00:30:55,580 --> 00:31:05,080 [DEEP BREATHING] 623 00:31:05,080 --> 00:31:08,970 -SIMON TOLD ME THAT HE LOVED ME. 624 00:31:08,970 --> 00:31:12,470 HE'D ALWAYS LOVED ME. 625 00:31:12,470 --> 00:31:15,620 -WAS THIS BEFORE OR AFTER HE ROUGHED YOU UP IN 626 00:31:15,620 --> 00:31:18,210 THE CHANGING ROOM? 627 00:31:18,210 --> 00:31:20,750 -DURING. 628 00:31:20,750 --> 00:31:23,950 IT SEEMS THAT I HAD BEEN FAILING TO READ THE SIGNALS 629 00:31:23,950 --> 00:31:30,090 SINCE, OH, EVER SINCE I CAME HERE, REALLY, THREE YEARS AGO. 630 00:31:30,090 --> 00:31:33,240 EVERY TIME HE HELD A DOOR OPEN FOR ME OR PASSED ME A BISCUIT 631 00:31:33,240 --> 00:31:40,060 IT WAS AN OVERTURE, NO, A DECLARATION OF DEVOTION FROM 632 00:31:40,060 --> 00:31:42,530 SOMEONE QUITE UNABLE TO SPEAK THE LANGUAGE OF LOVE. 633 00:31:46,040 --> 00:31:48,480 I, OF COURSE, WAS COMPLETELY IGNORANT AND THEREFORE FAILED 634 00:31:48,480 --> 00:31:50,710 TO RESPOND. 635 00:31:50,710 --> 00:31:52,700 EVERY TIME I DECLINED THE BISCUIT, IT WAS 636 00:31:52,700 --> 00:31:55,010 A SLAP IN THE FACE. 637 00:31:55,010 --> 00:31:57,210 THE SHAME OF REJECTION BUILT UP AND UP. 638 00:31:57,210 --> 00:32:01,700 HE COULDN'T COMMUNICATE WITH ME EXCEPT BY HURTING ME. 639 00:32:01,700 --> 00:32:08,870 AND WHEN HE REALIZED WHAT HE'D DONE, WELL, YOU HEARD HIM-- 640 00:32:08,870 --> 00:32:11,970 THAT AWFUL SCREAM. 641 00:32:11,970 --> 00:32:14,260 IT'S JUST SO SAD. 642 00:32:20,200 --> 00:32:22,180 [KNOCK] 643 00:32:22,180 --> 00:32:24,660 -COME. 644 00:32:24,660 --> 00:32:27,990 -YOU'VE GOT A SECRET, RICHARD, AND I THINK I KNOW WHAT IT IS. 645 00:32:35,140 --> 00:32:38,540 IF I TOOK A KNIFE AND CARVED A BIT OFF YOU, IT WOULD BE LIKE 646 00:32:38,540 --> 00:32:41,810 A STICK OF ROCK, PRINTED ALL THE WAY THROUGH-- 647 00:32:41,810 --> 00:32:46,510 HONOR, DUTY, SERVICE. 648 00:32:46,510 --> 00:32:51,790 WHAT POSSESSED YOU TO BETRAY EVERYTHING THAT YOU ARE? 649 00:32:51,790 --> 00:32:54,110 WHY THROW IT ALL AWAY BY SAYING YOU 650 00:32:54,110 --> 00:32:55,360 ATTACKED A YOUNG WOMAN? 651 00:33:01,840 --> 00:33:05,320 -I DID IT FOR THE SCHOOL. 652 00:33:05,320 --> 00:33:07,920 THERE'S AN ENCHANTMENT THAT LIES ALL OVER STAGFORD LODGE. 653 00:33:11,650 --> 00:33:14,290 AND QUENTIN HAS SET HIMSELF AGAINST IT. 654 00:33:18,010 --> 00:33:23,420 HE'S DETERMINED TO EXTINGUISH EVERY CURIOSITY-- 655 00:33:23,420 --> 00:33:23,920 [DEEP BREATHING] 656 00:33:23,920 --> 00:33:25,720 RICHARD (OFFSCREEN): EVERY FABULOUS PIECE OF NONSENSE 657 00:33:25,720 --> 00:33:29,920 THAT CONTRIBUTES TO THE [INAUDIBLE]. 658 00:33:29,920 --> 00:33:33,460 THE POOR BOYS ARE UNDER SO MUCH PRESSURE TO BE SERIOUS 659 00:33:33,460 --> 00:33:37,850 THAT NO ONE DARED SET THE STAG A TASK. 660 00:33:37,850 --> 00:33:42,480 WITHOUT THE TASK, THERE IS NO STAG. 661 00:33:42,480 --> 00:33:49,430 SO I WROTE ONE MYSELF, TO KEEP HIM ALIVE, PUT IT IN MY OWN 662 00:33:49,430 --> 00:33:51,990 PIGEONHOLE-- 663 00:33:51,990 --> 00:33:56,520 A LAST STAND FOR ODDITY AND SILLINESS. 664 00:33:59,220 --> 00:34:00,470 PATHETIC REALLY. 665 00:34:02,600 --> 00:34:06,270 AND THEN WHEN I-- WHEN I WENT LOOKING FOR THE STAG'S ROBES, 666 00:34:06,270 --> 00:34:07,940 THEY WERE GONE. 667 00:34:07,940 --> 00:34:10,140 AND WHEN I REALIZED THAT SIMON HAD PUT THEM 668 00:34:10,140 --> 00:34:10,980 ON, I THOUGHT, GOOD. 669 00:34:10,980 --> 00:34:11,860 GOOD GOD. 670 00:34:11,860 --> 00:34:14,440 GOOD FOR YOU. 671 00:34:14,440 --> 00:34:17,150 BUT OF COURSE, SIMON WAS ON A MISSION. 672 00:34:17,150 --> 00:34:20,280 HE WANTED TO DECLARE HIS LOVE TO WELLIE. 673 00:34:20,280 --> 00:34:24,010 AND WHEN THAT DECLARATION WENT ALL WRONG AND WELLIE BEHAVED 674 00:34:24,010 --> 00:34:27,780 SO BRAVELY ABOUT IT, I THOUGHT, OH, DAMN IT ALL-- 675 00:34:27,780 --> 00:34:30,030 YOU TWO HAVE GOT THE RIGHT STUFF AFTER ALL. 676 00:34:32,990 --> 00:34:35,200 THEY ARE THE FUTURE. 677 00:34:35,200 --> 00:34:36,450 I AM THE PAST. 678 00:34:39,370 --> 00:34:43,290 BUT THE ENCHANTMENT WILL CONTINUE. 679 00:34:43,290 --> 00:34:45,960 -YOU SACRIFICED YOURSELF FOR THEM. 680 00:34:45,960 --> 00:34:58,930 [DEEP BREATHING] 681 00:34:58,930 --> 00:35:00,950 -WHAT HAPPENED TO THE STAG STUFF? 682 00:35:00,950 --> 00:35:03,140 WOULD SIMON HAVE DESTROYED IT? 683 00:35:03,140 --> 00:35:05,390 -NO, I'M PERFECTLY CERTAIN HE DIDN'T, THOUGH 684 00:35:05,390 --> 00:35:07,210 I CAN'T FIND IT. 685 00:35:07,210 --> 00:35:09,970 BUT I'M SURE IT'S FLOATING ABOUT HERE SOMEWHERE. 686 00:35:09,970 --> 00:35:16,900 [SCREAMS] 687 00:35:16,900 --> 00:35:17,400 -AH. 688 00:35:17,400 --> 00:35:17,770 -OH. 689 00:35:17,770 --> 00:35:18,520 -IT WASN'T ME. 690 00:35:18,520 --> 00:35:22,320 -IT WASN'T ME EITHER. 691 00:35:22,320 --> 00:35:32,280 [HYPERVENTILATING] 692 00:35:32,280 --> 00:35:34,720 -WHAT THE DEVIL IS GOING ON HERE? 693 00:35:52,170 --> 00:35:54,150 -FIX THE ROSES. 694 00:35:54,150 --> 00:35:55,150 GET THE HELL OUT. 695 00:35:55,150 --> 00:35:57,540 -EXACTLY. 696 00:35:57,540 --> 00:36:00,690 -NOT A COMFORTABLE WORKING ENVIRONMENT. 697 00:36:00,690 --> 00:36:02,840 -TOO MANY HARPOONS. 698 00:36:02,840 --> 00:36:04,090 -MM. 699 00:36:16,450 --> 00:36:20,020 -GENTLEMEN, THIS IS THE LAST CLASS THAT I SHALL TEACH AT 700 00:36:20,020 --> 00:36:21,170 STAGFORD LODGE. 701 00:36:21,170 --> 00:36:22,480 [CLASSROOM MURMURS] 702 00:36:22,480 --> 00:36:25,980 -HOWEVER, IT WOULD BE A MISTAKE TO SUPPOSE THAT I 703 00:36:25,980 --> 00:36:31,610 MIGHT SLACKEN OUT OF ANY SENSE OF MISPLACED SENTIMENTALITY. 704 00:36:31,610 --> 00:36:37,860 NOW THIS, SO I AM TOLD, IS CALLED A DVD PLAYER. 705 00:36:40,560 --> 00:36:43,030 I TRUST YOU MAGGOTS KNOW HOW TO OPERATE IT, BECAUSE I 706 00:36:43,030 --> 00:36:44,840 CERTAINLY DON'T. 707 00:36:44,840 --> 00:36:46,950 GROWSE. 708 00:36:46,950 --> 00:36:47,430 -(WHISPERED) WHAT IS IT? 709 00:36:47,430 --> 00:36:48,380 -OH, [INAUDIBLE] 710 00:36:48,380 --> 00:36:50,290 GLADIATOR. 711 00:36:50,290 --> 00:36:52,490 [CHEERS] 712 00:36:52,490 --> 00:36:56,390 -NOT FOR ME, GENTLEMEN, NOT FOR ME. 713 00:36:56,390 --> 00:36:58,200 RUDDOCK, YOU ARE IN CHARGE. 714 00:36:58,200 --> 00:36:58,660 -ME, SIR? 715 00:36:58,660 --> 00:37:00,340 -YES, YOU SIR. 716 00:37:05,110 --> 00:37:07,080 -RIGHT. 717 00:37:07,080 --> 00:37:09,040 THERE. 718 00:37:09,040 --> 00:37:12,720 NOW, YOU'RE GOING IN HERE WHETHER YOU LIKE IT OR NOT. 719 00:37:28,530 --> 00:37:31,000 -TOLD YOU IT WOULD LOOK GOOD. 720 00:37:34,460 --> 00:37:38,270 IF YOU WANT TO CHANGE THE ORDER AGAIN, I'M AFRAID I'M 721 00:37:38,270 --> 00:37:39,890 GOING TO HAVE TO KILL YOU. 722 00:37:46,150 --> 00:37:47,400 -OH, HERE HE COMES. 723 00:37:50,680 --> 00:37:51,470 -ANYTHING NEW? 724 00:37:51,470 --> 00:37:53,690 -NOPE. 725 00:37:53,690 --> 00:37:56,600 -THE MOMENT YOU SEE ANYBODY SET FOOT IN THAT PAVILION-- 726 00:37:56,600 --> 00:37:57,790 -UH, WE WILL. 727 00:37:57,790 --> 00:37:58,780 -EVEN A CHILD? 728 00:37:58,780 --> 00:38:00,620 -WE'LL COME AND TELL YOU. 729 00:38:00,620 --> 00:38:02,540 -PROMISE? 730 00:38:02,540 --> 00:38:03,400 -PROMISE. 731 00:38:03,400 --> 00:38:04,650 -PROMISE. 732 00:38:07,150 --> 00:38:08,440 -I HAD MY FINGERS CROSSED BEHIND MY 733 00:38:08,440 --> 00:38:09,690 BACK WHEN I SAID THAT. 734 00:38:09,690 --> 00:38:18,110 -SO DID I. 735 00:38:18,110 --> 00:38:32,990 [ROWDY CLASSROOM NOISES] 736 00:38:32,990 --> 00:38:34,820 -GROWSE, OUT NOW. 737 00:38:37,680 --> 00:38:43,790 AS FOR THE REST OF YOU WRETCHED MAGGOTS, MY GOD. 738 00:38:43,790 --> 00:38:45,770 I SHALL MISS YOU. 739 00:38:49,370 --> 00:38:51,290 -OH, I DON'T KNOW. 740 00:38:51,290 --> 00:38:52,730 -YOU DON'T KNOW WHAT? 741 00:38:52,730 --> 00:38:56,010 -I DON'T KNOW IF I CAN KEEP RE-DIGGING THIS BED JUST ON 742 00:38:56,010 --> 00:38:56,600 THE OFF CHANCE-- 743 00:38:56,600 --> 00:38:58,540 -NO OFF CHANCE. 744 00:38:58,540 --> 00:39:00,000 (WHISPERED) LOOK. 745 00:39:07,790 --> 00:39:08,280 COME ON. 746 00:39:08,280 --> 00:39:09,260 -MAYBE MY FINGERS WEREN'T SO CROSSED. 747 00:39:09,260 --> 00:39:11,200 I'M GOING TO GO AND GET RICHARD. 748 00:39:11,200 --> 00:39:12,680 -NO YOU'RE NOT. 749 00:39:12,680 --> 00:39:14,510 I'M NOT GOING IN THERE ON MY OWN. 750 00:39:14,510 --> 00:39:16,080 AND WE'VE GOT TO DO THIS NOW OR IT'S POINTLESS. 751 00:39:32,660 --> 00:39:34,260 SNAP. 752 00:39:34,260 --> 00:39:38,640 -ONLY, OF COURSE, THIS ONE HAS A HARPOON GUN IN IT. 753 00:39:38,640 --> 00:39:40,120 -WHAT THE HELL ARE YOU TALKING ABOUT? 754 00:39:40,120 --> 00:39:41,730 -ISN'T THAT WHAT YOU'RE LOOKING FOR? 755 00:39:41,730 --> 00:39:43,170 -IT'S NONE OF YOUR BLOODY BUSINESS WHAT 756 00:39:43,170 --> 00:39:44,520 I WAS LOOKING FOR. 757 00:39:44,520 --> 00:39:47,350 I WAS LOOKING FOR THIS. 758 00:39:47,350 --> 00:39:49,250 -FIRST PLUMBING, THEN PRUNING. 759 00:39:49,250 --> 00:39:51,460 THERE'S NOTHING HE CAN'T TURN HIS HAND TO, YOU KNOW? 760 00:39:51,460 --> 00:39:54,170 -ONLY OF COURSE, HE'S GOING TO BE CAREFUL WHERE HE TREADS, 761 00:39:54,170 --> 00:39:57,590 BECAUSE SOME IDIOT HAS BEEN REPAINTING THE FLOORS-- 762 00:39:57,590 --> 00:40:00,440 -TO COVER UP WHERE THEY PUT THE MURDER WEAPON. 763 00:40:00,440 --> 00:40:01,430 NOT VERY BRIGHT. 764 00:40:01,430 --> 00:40:04,210 THE POLICE WOULD RUMBLE THAT IN ABOUT SIX SECONDS. 765 00:40:04,210 --> 00:40:04,700 -NO, NO. 766 00:40:04,700 --> 00:40:07,350 HE'S OBVIOUSLY REALIZED HE'S GOT TO DISPOSE OF IT MORE 767 00:40:07,350 --> 00:40:07,590 THOROUGHLY. 768 00:40:07,590 --> 00:40:08,830 -NO, HE'S TOO STUPID. 769 00:40:08,830 --> 00:40:09,210 -MM? 770 00:40:09,210 --> 00:40:12,980 -HIS STEPMOTHER HAD TO TELL HIM TO DO IT. 771 00:40:12,980 --> 00:40:14,230 DIDN'T YOU, ELEANOR? 772 00:40:20,090 --> 00:40:22,490 -WHAT A BORE YOU WOMEN ARE PROVING TO BE. 773 00:40:37,110 --> 00:40:41,460 -WE WERE INCLINED TO THINK YOU TWO HATED EACH OTHER. 774 00:40:41,460 --> 00:40:44,400 -IF YOU SHOWED ANY REAL INTEREST IN PEOPLE OTHER THAN 775 00:40:44,400 --> 00:40:48,950 YOURSELVES, YOU'D REALIZE THAT CRISPIN ADORES ME. 776 00:40:48,950 --> 00:40:51,180 DON'T YOU? 777 00:40:51,180 --> 00:40:54,360 HE'S A GOOD BOY. 778 00:40:54,360 --> 00:40:57,110 I TELL HIM WHAT TO DO AND I LOOK AFTER HIM. 779 00:40:57,110 --> 00:40:59,760 -WHAT ABOUT SIMON TODD? 780 00:40:59,760 --> 00:41:01,730 YOU SAID YOU WERE IN LOVE WITH HIM. 781 00:41:01,730 --> 00:41:04,380 BUT HE WASN'T IN LOVE WITH YOU, WAS HE? 782 00:41:04,380 --> 00:41:07,180 IT ALL CAME TO A HEAD THE NIGHT OF THE STAG. 783 00:41:07,180 --> 00:41:10,890 THAT'S WHEN EVERYTHING WENT HORRIBLY WRONG. 784 00:41:10,890 --> 00:41:13,320 -YOU ASKED HIM HERE, DIDN'T YOU ELEANOR, THINKING YOU 785 00:41:13,320 --> 00:41:14,930 WOULD CAPITALIZE ON THE SITUATION? 786 00:41:14,930 --> 00:41:16,990 BUT SIMON DIDN'T WANT YOU. 787 00:41:16,990 --> 00:41:18,460 THE CRISIS HAD RELEASED HIS TONGUE. 788 00:41:18,460 --> 00:41:22,290 AND SIMON TOLD YOU, IN NO UNCERTAIN TERMS, THAT WELLIE 789 00:41:22,290 --> 00:41:24,000 WAS THE WOMAN THAT HE LOVED. 790 00:41:24,000 --> 00:41:25,780 NOT YOU. 791 00:41:25,780 --> 00:41:27,440 -HOW DO YOU KNOW THIS? 792 00:41:27,440 --> 00:41:31,400 -SIMON WROTE IT ALL DOWN IN HIS DIARY. 793 00:41:31,400 --> 00:41:34,280 IT'S ALL IN HERE, AS YOU KNEW IT WOULD BE. 794 00:41:34,280 --> 00:41:37,640 THAT'S WHY YOU WARNED US OFF SEARCHING HIS ROOM AND SENT 795 00:41:37,640 --> 00:41:38,770 CRISPIN IN TO DO IT. 796 00:41:38,770 --> 00:41:42,260 FORTUNATELY, I'D REMOVED THIS FIRST. 797 00:41:42,260 --> 00:41:46,990 YOU WANTED TO ERASE ALL TRACE OF THE OUTRAGE, THE INSULT. 798 00:41:46,990 --> 00:41:48,190 DEFEAT WAS UNTHINKABLE. 799 00:41:48,190 --> 00:41:50,710 THAT SILLY LITTLE GIRL WASN'T GOING TO GET HIM. 800 00:41:50,710 --> 00:41:54,580 NO, YOU'D SOONER DESTROY SIMON THAN GIVE HIM UP TO HER. 801 00:41:54,580 --> 00:41:55,380 -HAVE I MISSED ANYTHING? 802 00:41:55,380 --> 00:41:58,520 -SO CRISPIN WAS WHEELED IN TO COVER UP THE TRACKS. 803 00:41:58,520 --> 00:41:59,600 SHE'S THE KILLER. 804 00:41:59,600 --> 00:42:03,320 HIS JOB WAS TO FIRE ANOTHER HARPOON AT HIS STEP-MOTHER TO 805 00:42:03,320 --> 00:42:06,220 MAKE HER LOOK LIKE A VICTIM AND THEN GET RID OF THE GUN. 806 00:42:06,220 --> 00:42:08,790 -YOUR BIG MISTAKE, CRISPIN, WAS BEING SO 807 00:42:08,790 --> 00:42:10,370 UNKIND TO YOUR FATHER. 808 00:42:10,370 --> 00:42:12,170 PUTTING A SAUSAGE ON A FORK, YOU SHOULD 809 00:42:12,170 --> 00:42:13,820 BE ASHAMED OF YOURSELF. 810 00:42:13,820 --> 00:42:16,240 HE WAS TRYING TO PROTECT YOU. 811 00:42:16,240 --> 00:42:19,220 -I DON'T WANT TO GO TO PRISON, ELEANOR. 812 00:42:19,220 --> 00:42:22,890 -NEITHER OF US WANT TO DO THAT. 813 00:42:22,890 --> 00:42:23,720 -AH. 814 00:42:23,720 --> 00:42:26,320 SHE'S GOT SOMETHING IN MY BACK, A CARVING KNIFE. 815 00:42:26,320 --> 00:42:26,490 -DON'T BE SILLY. 816 00:42:26,490 --> 00:42:27,750 WHERE WOULD I FIND A CARVING KNIFE HERE? 817 00:42:27,750 --> 00:42:28,900 IT'S A SCREWDRIVER. 818 00:42:28,900 --> 00:42:30,010 -SHE'S BLUFFING. 819 00:42:30,010 --> 00:42:31,910 -NO, SHE'S NOT. 820 00:42:31,910 --> 00:42:33,340 -A DOUBLE-ACT FROM START TO FINISH. 821 00:42:33,340 --> 00:42:35,070 -I DON'T THINK SO. 822 00:42:35,070 --> 00:42:37,070 -DIFFICULT ONE, ISN'T IT? 823 00:42:37,070 --> 00:42:40,640 IF YOU'D BE SO KIND AS TO OPEN THE DOOR, RICHARD, CRISPIN AND 824 00:42:40,640 --> 00:42:41,300 I WILL BE ON OUR WAY. 825 00:42:41,300 --> 00:42:44,190 [INAUDIBLE WHISPER] 826 00:42:44,190 --> 00:42:47,490 -ON THE WHOLE, I THINK WE SHOULD LEAVE THIS SORT OF 827 00:42:47,490 --> 00:42:49,950 THING TO THE PROFESSIONALS. 828 00:42:49,950 --> 00:43:00,280 [WHISTLE] 829 00:43:00,280 --> 00:43:03,730 -THAT WAS A GOOD [INAUDIBLE], ELEANOR. 830 00:43:09,630 --> 00:43:16,080 [SOUNDS OF CHILDREN PLAYING] 831 00:43:16,080 --> 00:43:17,510 -PLEASE DON'T GO, WELLIE. 832 00:43:17,510 --> 00:43:19,820 WE ALL WANT YOU TO STAY. 833 00:43:19,820 --> 00:43:20,820 -REALLY? 834 00:43:20,820 --> 00:43:22,650 THAT'S HANDY BECAUSE THAT'S WHAT I'M GOING TO DO. 835 00:43:22,650 --> 00:43:23,850 -WHAT? 836 00:43:23,850 --> 00:43:25,070 -WE THOUGHT YOU WERE LEAVING. 837 00:43:25,070 --> 00:43:25,920 -I WAS. 838 00:43:25,920 --> 00:43:27,020 CHANGED MY MIND. 839 00:43:27,020 --> 00:43:30,010 THAT'S HOW GIRLS ARE, AMBROSE. 840 00:43:30,010 --> 00:43:31,950 -SH. 841 00:43:31,950 --> 00:43:33,410 -RUDDOCK. 842 00:43:33,410 --> 00:43:35,350 BIT OF A RUMOR FLYING AROUND ABOUT YOU, THOUGH. 843 00:43:42,350 --> 00:43:48,500 -SO, CONVERSATIONAL GAMBIT, SO. 844 00:43:48,500 --> 00:43:50,360 -I LIKE IT. 845 00:43:50,360 --> 00:43:54,130 -I COULD DO BETTER. 846 00:43:54,130 --> 00:43:56,880 -GUESS WHO'S JUST BEEN BENDING MY EAR? 847 00:43:56,880 --> 00:43:57,820 MRS. RUDDOCK. 848 00:43:57,820 --> 00:44:00,270 OH, SHE LOVES THE ROSES, BY THE WAY. 849 00:44:00,270 --> 00:44:01,510 THEY ALL DO. 850 00:44:01,510 --> 00:44:05,720 ISN'T IT RIGHT, SHE SAID, THAT HER SON HAS BEEN MADE PREFECT? 851 00:44:05,720 --> 00:44:07,710 -IT IS. 852 00:44:07,710 --> 00:44:10,780 -AND IS IT ALSO RIGHT THAT QUENTIN MARSHALL HAS RESIGNED? 853 00:44:10,780 --> 00:44:12,010 -IT IS. 854 00:44:12,010 --> 00:44:15,500 -QUENTIN IS SELLING ME THE SCHOOL. 855 00:44:15,500 --> 00:44:18,250 WELL, 30 YEARS OF SALARY AND NOTHING TO SPEND IT ON. 856 00:44:18,250 --> 00:44:20,000 -YOU'RE GOING TO BE HEADMASTER? 857 00:44:20,000 --> 00:44:22,910 -WELL, I'LL CARETAKE UNTIL A SUITABLE APPOINTMENT 858 00:44:22,910 --> 00:44:24,070 CAN BE MADE, YES. 859 00:44:24,070 --> 00:44:26,090 -HOW LONG WILL THAT BE? 860 00:44:26,090 --> 00:44:27,360 -'TIL THEY BURY ME. 861 00:44:27,360 --> 00:44:30,650 ALTHOUGH, I DON'T SUPPOSE DEATH WILL STOP ME FROM 862 00:44:30,650 --> 00:44:33,390 INTERFERING WITH THE LIFE OF THE SCHOOL. (LAUGHING) 863 00:44:33,390 --> 00:44:36,120 -YOU'LL MAKE A VERY NICE GHOST. 864 00:44:36,120 --> 00:44:38,050 -WELL, THAT'S QUITE THE MOST CHARMING THING ANYONE'S EVER 865 00:44:38,050 --> 00:44:40,530 SAID TO ME. 866 00:44:40,530 --> 00:44:45,440 A BIT ODD, BUT QUITE CHARMING. 867 00:44:45,440 --> 00:44:47,320 IT'S NOT A BAD LIFE, YOU KNOW? 868 00:44:47,320 --> 00:44:48,320 -WHAT ISN'T? 869 00:44:48,320 --> 00:44:49,620 -HEADMASTER'S WIFE. 870 00:44:59,020 --> 00:45:00,470 BUT NOT FOR EVERYONE. 871 00:45:05,470 --> 00:45:07,300 SAFE JOURNEY. 872 00:45:07,300 --> 00:45:09,920 YOU DID GOOD WORK HERE. 873 00:45:09,920 --> 00:45:11,400 THANK YOU. 874 00:45:11,400 --> 00:45:13,890 COME BACK AND SEE US AGAIN NEXT YEAR FOR DINNER. 875 00:45:13,890 --> 00:45:15,410 WE'LL MAKE SOME MISCHIEF. 59933

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