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These are the user uploaded subtitles that are being translated: 1 00:00:01,400 --> 00:00:42,580 - (THEME SONG) - 2 00:00:43,140 --> 00:00:43,630 ROSEMARY: [SINGING] 3 00:00:43,630 --> 00:00:50,240 FRERE JACQUE, FRERE JACQUE, DORMEZ VOUS, DORMEZ VOUS, 4 00:00:50,240 --> 00:00:51,250 SONNEZ LES MATINES-- 5 00:00:51,250 --> 00:00:53,170 WHY DIDN'T YOU COME IN? 6 00:00:53,170 --> 00:00:54,420 -I WAS WAITING FOR YOU TO STOP. 7 00:00:54,420 --> 00:00:55,220 -NO. 8 00:00:55,220 --> 00:00:57,370 I DON'T STOP, LAURA, YOU COME IN. 9 00:00:57,370 --> 00:00:59,490 THAT'S THE POINT-- IT'S A ROW. 10 00:00:59,490 --> 00:01:00,400 -OH, LIKE 11 00:01:00,400 --> 00:01:02,060 "LONDON'S BURNING." -YES. 12 00:01:02,060 --> 00:01:03,560 -OH, WE USED TO DO THOSE AT SCHOOL. 13 00:01:03,560 --> 00:01:05,070 -AH, A SORT OF FUGUE. 14 00:01:05,070 --> 00:01:06,600 -WELL WHY DON'T WE DO "LONDON'S BURNING?" 15 00:01:06,600 --> 00:01:08,870 -BECAUSE "FRERE JACQUE" IS MORE APPROPRIATE. 16 00:01:08,870 --> 00:01:09,790 -OOH, CAREFUL. 17 00:01:09,790 --> 00:01:11,180 -OH, BLASTED CAR. 18 00:01:11,180 --> 00:01:12,810 -WHAT'S WRONG WITH THE CAR? 19 00:01:12,810 --> 00:01:13,120 -I DON'T KNOW. 20 00:01:13,120 --> 00:01:14,630 YOU PUT YOUR FOOT ON THE BREAK, IT STOPS. 21 00:01:14,630 --> 00:01:15,500 YOU PUT YOUR FOOT ON THE 22 00:01:15,500 --> 00:01:16,950 ACCELERATOR AND IT GOES FASTER. 23 00:01:16,950 --> 00:01:18,450 IT'S A HOPELESS THING. 24 00:01:18,450 --> 00:01:18,940 -IT'S UNFORGIVABLE. 25 00:01:18,940 --> 00:01:20,790 NOT AT ALL LIKE THE OLD LAND ROVER. 26 00:01:20,790 --> 00:01:24,080 -OH, SHE'S GOT CHARACTER. 27 00:01:24,080 --> 00:01:28,000 -OH, LOOK AT THAT VIEW. 28 00:01:28,000 --> 00:01:30,420 CAN WE STOP AND STRETCH OUR LEGS? 29 00:01:30,420 --> 00:01:30,920 -UH HUH. 30 00:01:30,920 --> 00:01:32,400 THERE WE GO. 31 00:01:32,400 --> 00:01:33,890 LOOK AT THAT. 32 00:01:33,890 --> 00:01:35,880 -OH, WOW. 33 00:01:42,820 --> 00:01:46,420 WHAT'S THAT WONDERFUL SMELL? 34 00:01:46,420 --> 00:01:52,610 -VIOLETS, LAVENDER, MIMOSA, THE SEA, THE RIVIERA. 35 00:01:52,610 --> 00:01:55,500 -OH, IT'S SO BEAUTIFUL HERE. 36 00:01:55,500 --> 00:01:58,160 -ARE WE GOING TO TRY AND MAKE IT MORE SO? 37 00:01:58,160 --> 00:01:58,750 THAT'S [SPEAKING FRENCH] 38 00:01:58,750 --> 00:02:00,610 THERE. 39 00:02:00,610 --> 00:02:02,700 -WELL WE'LL BE THERE IN 10 MINUTES. 40 00:02:02,700 --> 00:02:04,400 -YOU DIDN'T MIND GIVING THE ISLAND A MISS, DO YOU? 41 00:02:04,400 --> 00:02:07,520 -UM, WELL, I WAS RATHER LOOKING FORWARD TO THE ROMAN 42 00:02:07,520 --> 00:02:08,340 BURIAL GROUND. 43 00:02:08,340 --> 00:02:09,250 -AH. 44 00:02:09,250 --> 00:02:13,170 NEITHER WAS I. ONLY I HAVEN'T SEEN DOROTHY FOR YEARS. 45 00:02:13,170 --> 00:02:15,400 -DO YOU THINK SHE'LL MIND US PITCHING UP A DAY EARLY? 46 00:02:15,400 --> 00:02:15,950 DOROTHY? 47 00:02:15,950 --> 00:02:16,580 NO. 48 00:02:16,580 --> 00:02:18,320 SHE'S A FREE SPIRIT, LIKE ME. 49 00:02:18,320 --> 00:02:19,210 -OH. 50 00:02:19,210 --> 00:02:20,460 HELP. 51 00:02:23,280 --> 00:02:25,520 -THIS IS A PRIVATE ROAD. 52 00:02:25,520 --> 00:02:26,780 -IT IS NOT A PRIVATE ROAD. 53 00:02:26,780 --> 00:02:27,670 -YES IT IS. 54 00:02:27,670 --> 00:02:28,700 I CAN PROVE IT. 55 00:02:28,700 --> 00:02:30,220 -IT BELONGS TO THE RESIDENTS. 56 00:02:30,220 --> 00:02:31,730 -EXACTLY. 57 00:02:31,730 --> 00:02:33,340 -ARE YOU SAYING THE RESIDENTS AREN'T ALLOWED TO HAVE 58 00:02:33,340 --> 00:02:35,380 VISITORS, IF THEY CAN PROVE WHO THEY ARE? 59 00:02:35,380 --> 00:02:36,350 -YOU KNOW WHO I AM. 60 00:02:36,350 --> 00:02:36,520 LAURA (OFFSCREEN): EXCUSE ME. 61 00:02:36,520 --> 00:02:38,120 -NO I DON'T. 62 00:02:38,120 --> 00:02:39,340 -JAMES, FOR HEAVEN'S SAKE. 63 00:02:39,340 --> 00:02:42,170 -I AM NOT GOING TO HAVE BLASTED BUSES BLOCKING MY 64 00:02:42,170 --> 00:02:42,930 DRIVE ALL DAY. 65 00:02:42,930 --> 00:02:43,820 -CAN WE JUST-- 66 00:02:43,820 --> 00:02:47,420 -AND YOU HAVE NO TO ENCOURAGE THESE BLASTED TRIPPERS. 67 00:02:47,420 --> 00:02:51,630 -I AM NOT A TRIPPER AND THIS IS NOT A BUS. 68 00:02:51,630 --> 00:02:52,620 -STOP. 69 00:02:52,620 --> 00:02:54,620 NO, YOU CAN'T GO-- 70 00:02:54,620 --> 00:02:55,870 STOP! 71 00:03:22,570 --> 00:03:25,010 -GOD! 72 00:03:25,010 --> 00:03:26,280 -DON'T BE SUCH A TOURIST. 73 00:03:30,220 --> 00:03:33,520 -YOU'VE GOT TO ADMIT IT'S PRETTY IMPRESSIVE. 74 00:03:33,520 --> 00:03:35,550 WHAT, DID SHE WIN MILLIONAIRE OR SOMETHING? 75 00:03:35,550 --> 00:03:36,860 -NO, SHE MARRIED ONE. 76 00:03:36,860 --> 00:03:37,780 -OH. 77 00:03:37,780 --> 00:03:38,380 OH, MOTHER. 78 00:03:38,380 --> 00:03:39,630 WHERE DID I GO WRONG? 79 00:03:43,530 --> 00:03:44,410 -NOT HERE. 80 00:03:44,410 --> 00:03:46,430 -WELL THEY MUST BE HERE. 81 00:03:46,430 --> 00:03:48,900 -WE ARE A DAY EARLY, REMEMBER. 82 00:03:48,900 --> 00:03:49,830 DOROTHY (OFFSCREEN): NOT TONIGHT, NO. 83 00:03:49,830 --> 00:03:50,760 NICK (OFFSCREEN): TONIGHT. 84 00:03:50,760 --> 00:03:51,740 -AT THE END OF THE WEEK. 85 00:03:51,740 --> 00:03:53,390 DON'T COME END OF THE WEEK STUFF WITH ME. 86 00:03:53,390 --> 00:03:54,460 YOU'RE ALWAYS WEASELING OUT OF IT. 87 00:03:54,460 --> 00:03:55,780 -BUT IT'S DIFFICULT, NICK. 88 00:03:55,780 --> 00:03:56,560 -BECAUSE THE WAY HE IS, ISN'T HE? 89 00:03:56,560 --> 00:03:57,550 -BUT YOU KNOW HE IS. 90 00:03:57,550 --> 00:03:59,570 -UH, HELLO! 91 00:03:59,570 --> 00:03:59,870 DOROTHY! 92 00:03:59,870 --> 00:04:02,160 I 93 00:04:02,160 --> 00:04:04,480 -WHO ARE YOU? 94 00:04:04,480 --> 00:04:06,970 -IT'S ME, ROSEMARY. 95 00:04:06,970 --> 00:04:07,870 -OH! 96 00:04:07,870 --> 00:04:09,830 ROSEMARY. 97 00:04:09,830 --> 00:04:11,590 OH, I'M SO SORRY. 98 00:04:11,590 --> 00:04:12,320 I WAS, UM-- 99 00:04:12,320 --> 00:04:13,470 -WE'RE A DAY EARLY. 100 00:04:13,470 --> 00:04:14,170 IS THAT ALL RIGHT? 101 00:04:14,170 --> 00:04:15,450 -NO, NO, NO NO. 102 00:04:15,450 --> 00:04:17,110 IT'S LOVELY. 103 00:04:17,110 --> 00:04:19,140 THIS IS-- 104 00:04:19,140 --> 00:04:20,700 OH. 105 00:04:20,700 --> 00:04:23,280 THAT WAS NICK BECKET, MY NEPHEW. 106 00:04:33,740 --> 00:04:34,780 -IS DOROTHY IN? 107 00:04:34,780 --> 00:04:36,380 -HOW SHOULD I KNOW? 108 00:04:36,380 --> 00:04:38,920 -NO WAY AT ALL, NICHOLAS, NO WAY AT ALL. 109 00:04:42,270 --> 00:04:43,660 -IT'S A QUESTION OF TRYING TO GET BACK TO 110 00:04:43,660 --> 00:04:45,550 THE ORIGINAL PLANTING. 111 00:04:45,550 --> 00:04:49,710 NOW THIS PLAN HERE SHOULD GIVE YOU A PRETTY GOOD IDEA. 112 00:04:49,710 --> 00:04:51,440 -HOW LONG HAS IT BEEN SINCE THE GARDENS HAVE 113 00:04:51,440 --> 00:04:53,170 HAD ANY MAJOR WORK? 114 00:04:53,170 --> 00:04:57,090 -OH, 40 YEARS, PROBABLY. 115 00:04:57,090 --> 00:04:59,150 IT'S DREADFULLY NEGLECTED. 116 00:04:59,150 --> 00:05:02,500 SOME OF THE STONEWORK IS POSITIVELY UNSAFE. 117 00:05:02,500 --> 00:05:06,290 BUT WE'VE GOT A LOCAL FIRM DEALING WITH THAT. 118 00:05:06,290 --> 00:05:10,290 IF WE WANT TO OPEN THE GARDENS TO THE PUBLIC THOUGH, IT'S 119 00:05:10,290 --> 00:05:14,330 IMPORTANT TO IDENTIFY THE PLANTS THAT ARE STILL HERE AND 120 00:05:14,330 --> 00:05:16,770 TRY AND REPLACE ANY THAT HAVE BEEN LOST. 121 00:05:16,770 --> 00:05:18,760 -HOW BIG ARE THE GARDENS ALL TOGETHER? 122 00:05:18,760 --> 00:05:20,660 -JUST OVER 40 HECTORS-- 123 00:05:20,660 --> 00:05:22,070 ABOUT 100 ACRES. 124 00:05:22,070 --> 00:05:22,310 -WOW. 125 00:05:22,310 --> 00:05:23,560 -WOW. 126 00:05:26,600 --> 00:05:28,530 -NOW, THIS OTHER PLAN IS FROM THE 127 00:05:28,530 --> 00:05:30,570 SURVEY WE HAD DONE RECENTLY. 128 00:05:30,570 --> 00:05:32,250 AND CASPER WILL EXPLAIN ALL THAT WHEN 129 00:05:32,250 --> 00:05:33,240 HE GETS BACK TOMORROW. 130 00:05:33,240 --> 00:05:34,870 HE'S BEEN IN SWITZERLAND FOR A FEW DAYS. 131 00:05:34,870 --> 00:05:36,170 -IS YOUR NEPHEW STAYING WITH YOU? 132 00:05:36,170 --> 00:05:38,310 -OH, NICK'S A TERRIBLY CLEVER PAINTER. 133 00:05:38,310 --> 00:05:39,740 HE LOVES IT DOWN HERE. 134 00:05:39,740 --> 00:05:41,200 -JAMES HAS DONE MAD. 135 00:05:41,200 --> 00:05:42,820 -OH, DON'T. 136 00:05:42,820 --> 00:05:43,820 HELLO, QUENTIN. 137 00:05:43,820 --> 00:05:45,270 [PHONE RINGS] 138 00:05:45,270 --> 00:05:46,870 -[SPEAKING FRENCH] 139 00:05:46,870 --> 00:05:48,270 -EXCUSE ME. 140 00:05:48,270 --> 00:05:49,780 [SPEAKING FRENCH], AGATHE. 141 00:05:49,780 --> 00:05:50,820 -[SPEAKING FRENCH] 142 00:05:50,820 --> 00:05:53,140 -YOU MUST BE THE WONDERFUL HORTICULTURIST DOROTHY'S BEEN 143 00:05:53,140 --> 00:05:54,130 BRAGGING ABOUT. 144 00:05:54,130 --> 00:05:56,070 -OH, THAT-- THAT WAS AN ALTERCATION YOU WERE 145 00:05:56,070 --> 00:05:57,360 HAVING UP THE ROAD? 146 00:05:57,360 --> 00:05:58,270 -[CHUCKLES] 147 00:05:58,270 --> 00:06:01,020 I'M CHAIRMAN OF THE TRUSTED ADMINISTRY'S GARDEN. 148 00:06:01,020 --> 00:06:02,090 IT'S A SCANDAL THEY HAVEN'T BEEN OPEN TO 149 00:06:02,090 --> 00:06:03,690 THE PUBLIC LONG SINCE. 150 00:06:03,690 --> 00:06:06,860 BUT UM, POOR JAMES DOESN'T WANT THAT. 151 00:06:06,860 --> 00:06:08,230 HE LIVES NEXT DOOR. 152 00:06:08,230 --> 00:06:10,140 MIND YOU, EVEN CASPER HIMSELF'S NOT ALL THAT KEEN, 153 00:06:10,140 --> 00:06:12,330 IN SPITE OF THE TAX ADVANTAGES. 154 00:06:12,330 --> 00:06:14,770 HE'S A VERY BITTER, OLD MAN. 155 00:06:14,770 --> 00:06:15,740 -DOROTHY'S HUSBAND? 156 00:06:15,740 --> 00:06:17,930 WELL, THAT MUST PUT THE KIBOSH ON IT. 157 00:06:17,930 --> 00:06:19,300 -FORTUNATELY, NO. 158 00:06:19,300 --> 00:06:20,830 HE MADE THE VILLA ON THE GROUND, SOLD IT OVER TO 159 00:06:20,830 --> 00:06:25,410 DOROTHY SOME YEARS BACK FOR HIS OWN DEVIOUS TAX REASONS. 160 00:06:25,410 --> 00:06:25,960 -I'M SO SORRY. 161 00:06:25,960 --> 00:06:26,210 I-- 162 00:06:26,210 --> 00:06:26,460 I-- 163 00:06:26,460 --> 00:06:28,170 I'VE GOT TO GO OUT. 164 00:06:28,170 --> 00:06:29,460 OH, WHAT A BLOODY NUISANCE. 165 00:06:29,460 --> 00:06:29,940 I'M-- 166 00:06:29,940 --> 00:06:31,160 I'M SORRY, QUENTIN. 167 00:06:31,160 --> 00:06:32,400 WAS THERE SOMETHING IN PARTICULAR YOU 168 00:06:32,400 --> 00:06:33,950 WANTED TO SEE ME ABOUT? 169 00:06:33,950 --> 00:06:36,130 -NOTHING THAT WON'T WAIT UNTIL TOMORROW. 170 00:06:36,130 --> 00:06:37,380 -RIGHTO. 171 00:06:45,110 --> 00:06:46,610 -[SPEAKING FRENCH] 172 00:06:46,610 --> 00:06:49,000 -I RATHER FANCY THE [SPEAKING FRENCH]. 173 00:06:49,000 --> 00:06:49,930 -I NEED A BIT OF HELP HERE. 174 00:06:49,930 --> 00:06:52,220 WHAT'S [SPEAKING FRENCH]? 175 00:06:52,220 --> 00:06:54,210 -CHICKEN ROASTED ON A SPIT. 176 00:06:54,210 --> 00:06:55,210 -DO ME. 177 00:06:55,210 --> 00:06:57,710 -YOU KNOW WHO HE IS, DON'T YOU? 178 00:06:57,710 --> 00:06:58,930 -QUENTIN GLAZER. 179 00:06:58,930 --> 00:07:01,780 HE WRITES THOSE PAPERBACKS WITH EMBOSSED COVERS YOU FIND 180 00:07:01,780 --> 00:07:02,680 AT AIRPORTS. 181 00:07:02,680 --> 00:07:03,490 -OH, HIM. 182 00:07:03,490 --> 00:07:07,940 ALL ABOUT HIDDEN NAZI TREASURE AND GHOSTLY U-BOATS. 183 00:07:07,940 --> 00:07:09,270 YEAH, MATTHEW LIKES THOSE. 184 00:07:09,270 --> 00:07:09,550 -BONSOIR. 185 00:07:09,550 --> 00:07:10,060 -BONSOIR. 186 00:07:10,060 --> 00:07:10,810 -AH, BONSOIR. 187 00:07:10,810 --> 00:07:25,210 -[SPEAKING FRENCH] 188 00:07:25,210 --> 00:07:26,320 -WHERE'D YOU SUPPOSE DOROTHY WENT? 189 00:07:26,320 --> 00:07:27,930 SHE JUST DASHED OFF. 190 00:07:27,930 --> 00:07:29,530 -I HAVE NO IDEA. 191 00:07:29,530 --> 00:07:31,430 I'M A LITTLE PUZZLED ABOUT DOROTHY. 192 00:07:31,430 --> 00:07:32,350 -WHY? 193 00:07:32,350 --> 00:07:34,870 -YOU KNOW THE CHAP SHE WAS TALKING TO WHEN WE 194 00:07:34,870 --> 00:07:35,610 ARRIVE AT THE HOUSE? 195 00:07:35,610 --> 00:07:37,850 SHE SAID HE WAS HER NEPHEW, DIDN'T SHE? 196 00:07:37,850 --> 00:07:38,640 -YES, THAT'S RIGHT-- 197 00:07:38,640 --> 00:07:39,730 NICHOLAS SOMETHING. 198 00:07:39,730 --> 00:07:41,370 -SHE HASN'T ANY BROTHERS OR SISTERS. 199 00:07:41,370 --> 00:07:42,790 -HOW DO YOU KNOW THAT? 200 00:07:42,790 --> 00:07:44,850 -I'VE KNOWN HER SINCE WE WERE EIGHT. 201 00:07:44,850 --> 00:07:48,210 -WELL, MAYBE WHEN SHE SAID "NEPHEW," SHE MEANT, UH-- 202 00:07:48,210 --> 00:07:50,100 YOU KNOW, "NEPHEW." 203 00:07:50,100 --> 00:07:51,510 -OH, NO, NO. 204 00:07:51,510 --> 00:07:54,440 DOROTHY IS NOT THAT KIND OF WOMAN. 205 00:07:54,440 --> 00:07:56,380 -EXCUSE ME. 206 00:07:56,380 --> 00:07:58,220 MAY I INTRODUCE MYSELF? 207 00:07:58,220 --> 00:07:59,230 MY NAME IS JAMES PRETTY. 208 00:07:59,230 --> 00:08:00,590 -HOW DO YOU DO? 209 00:08:00,590 --> 00:08:02,190 -I KNOW WHO YOU ARE, OF COURSE. 210 00:08:02,190 --> 00:08:03,610 DOROTHY'S TOLD ME. 211 00:08:03,610 --> 00:08:05,870 LOOK, I'LL COME STRAIGHT TO THE POINT. 212 00:08:05,870 --> 00:08:09,780 I HAVE A LITTLE PROPOSITION THAT I WOULD LIKE TO PUT TO 213 00:08:09,780 --> 00:08:09,950 YOU. 214 00:08:09,950 --> 00:08:11,930 -WELL, WHAT SORT OF PROPOSITION? 215 00:08:11,930 --> 00:08:15,400 WELL, WHY DON'T YOU COME SEE ME TOMORROW AT MY HOUSE, AND 216 00:08:15,400 --> 00:08:18,170 I'LL FILL YOU IN ON THE DETAILS THERE. 217 00:08:18,170 --> 00:08:20,000 DO YOU KNOW WHERE MY HOUSE IS? 218 00:08:20,000 --> 00:08:20,990 -NEXT TO DOROTHY'S. 219 00:08:20,990 --> 00:08:22,460 -EXACTLY. 220 00:08:22,460 --> 00:08:24,920 I'LL SEE YOU. 221 00:08:24,920 --> 00:08:26,170 GOODBYE. 222 00:08:29,350 --> 00:08:30,600 PROPOSITION, EH? 223 00:08:49,070 --> 00:08:49,340 -OH! 224 00:08:49,340 --> 00:08:50,080 -WAKE UP. 225 00:08:50,080 --> 00:08:51,050 SHH, SHH. 226 00:08:51,050 --> 00:08:52,020 -WHAT? 227 00:08:52,020 --> 00:08:56,870 -(WHISPERING) THERE'S SOMEBODY MOVING ABOUT DOWNSTAIRS. 228 00:08:56,870 --> 00:08:58,170 -WHY SHOULDN'T THERE BE? 229 00:08:58,170 --> 00:09:01,030 -IT'S 4 O'CLOCK IN THE MORNING. 230 00:09:01,030 --> 00:09:02,950 -OH, MAYBE DOROTHY'S JUST GOTTEN BACK. 231 00:09:18,370 --> 00:09:19,860 [GLASS SHATTERS] 232 00:09:19,860 --> 00:09:21,180 -[GASPS] 233 00:09:30,680 --> 00:09:31,930 -(WHISPERING) DOROTHY? 234 00:09:35,680 --> 00:09:36,930 DOROTHY? 235 00:09:40,680 --> 00:09:41,930 SHE'S NOT THERE. 236 00:09:47,680 --> 00:09:48,930 DOROTHY? 237 00:09:56,180 --> 00:10:00,180 THERE MIGHT STILL BE SOMEBODY IN THE HOUSE. 238 00:10:00,180 --> 00:10:01,910 -WE'LL SOON FIND OUT. 239 00:10:13,500 --> 00:10:14,490 -OH GOOD. 240 00:10:14,490 --> 00:10:15,480 THEY'VE GONE. 241 00:10:15,480 --> 00:10:16,970 -MM. 242 00:10:16,970 --> 00:10:17,960 NO, THEY HAVEN'T. 243 00:10:17,960 --> 00:10:19,770 LOOK. 244 00:10:19,770 --> 00:10:21,250 -WHAT? 245 00:10:21,250 --> 00:10:23,730 -IS THAT SOMEONE DOWN THERE? 246 00:10:23,730 --> 00:10:27,190 -I CAN'T SEE ANYTHING. 247 00:10:27,190 --> 00:10:28,680 -LOOK! 248 00:10:28,680 --> 00:10:32,070 WOW, SOMEONE'S FORCED THIS DOOR. 249 00:10:32,070 --> 00:10:33,320 -COME ON. 250 00:10:39,290 --> 00:10:41,210 -HELLO? 251 00:10:41,210 --> 00:10:42,170 [GASPS] 252 00:10:42,170 --> 00:10:43,140 DON'T COME IN. 253 00:10:43,140 --> 00:10:44,000 -WHAT DO YOU MEAN, DON'T COME IN? 254 00:10:44,000 --> 00:10:44,210 [GASPS] 255 00:10:44,210 --> 00:10:45,120 OH MY GOD! 256 00:10:45,120 --> 00:10:47,720 -I TOLD YOU NOT TO COME IN. 257 00:10:47,720 --> 00:10:49,630 IS IT DOROTHY'S HUSBAND, CASPER? 258 00:10:49,630 --> 00:10:52,010 -I DON'T KNOW, I NEVER MET HIM. 259 00:10:52,010 --> 00:10:53,040 -[SPEAKING FRENCH]! 260 00:10:53,040 --> 00:10:53,550 -AH! 261 00:10:53,550 --> 00:10:54,840 OH, NO, NO, NO. 262 00:10:54,840 --> 00:10:56,940 YOU DON'T UNDERSTAND, AGATHE. 263 00:10:56,940 --> 00:10:57,770 -[SPEAKING FRENCH]! 264 00:10:57,770 --> 00:10:59,510 -[SPEAKING FRENCH]. 265 00:10:59,510 --> 00:11:01,850 -TELL HER WE JUST CAME IN AND FOUND THE-- 266 00:11:01,850 --> 00:11:02,630 -YES, RIGHT. 267 00:11:02,630 --> 00:11:03,880 UH, [SPEAKING BROKEN FRENCH]. 268 00:11:11,510 --> 00:11:12,770 -[SPEAKING FRENCH]! 269 00:11:12,770 --> 00:11:14,580 -YOU DON'T SEEM TO BE GETTING THROUGH. 270 00:11:14,580 --> 00:11:16,510 -WELL, I-- THEY UNDERSTOOD ME ALL RIGHT IN PARIS. 271 00:11:16,510 --> 00:11:18,690 SHE'S PROBABLY GOT SOME KIND OF A DIALECT. 272 00:11:18,690 --> 00:11:20,830 -IF SHE'D JUST LET ME GO AND GET MY-- 273 00:11:20,830 --> 00:11:21,870 MY PHRASE BOOK. 274 00:11:21,870 --> 00:11:23,170 -[SPEAKING FRENCH]! 275 00:11:23,170 --> 00:11:24,660 -I DON'T THINK A PHRASE BOOK IS GOING 276 00:11:24,660 --> 00:11:25,660 TO COVER THIS SITUATION. 277 00:11:25,660 --> 00:11:31,110 [POLICE SIRENS IN BACKGROUND] 278 00:11:35,560 --> 00:11:47,440 -[SPEAKING FRENCH] 279 00:11:47,440 --> 00:11:50,960 -MADAM SOURET SAYS THAT MONSIEUR HUBER ARRIVED BACK 280 00:11:50,960 --> 00:11:55,390 UNEXPECTEDLY AT 11:30, AND WHEN SHE WENT TO BED AT 12:00 281 00:11:55,390 --> 00:11:58,800 HE WAS WORKING IN HIS STUDY. 282 00:11:58,800 --> 00:12:00,320 -WE NEVER MET HIM. 283 00:12:00,320 --> 00:12:04,040 WE WERE IN BED BY HALF PAST 10:00. 284 00:12:04,040 --> 00:12:06,780 IT LOOKS AS THOUGH HE TRIPPED, FELL ACROSS THE GLASS COFFEE 285 00:12:06,780 --> 00:12:10,230 TABLE AND HIT HIS HEAD. 286 00:12:10,230 --> 00:12:12,840 -CAN YOU TELL ME THE WHEREABOUTS OF MADAME HUBER? 287 00:12:12,840 --> 00:12:14,480 -NO. 288 00:12:14,480 --> 00:12:18,090 -SHE HAD A PHONE CALL BEFORE DINNER AND HAD TO GO OUT. 289 00:12:18,090 --> 00:12:23,850 -[SPEAKING FRENCH] 290 00:12:23,850 --> 00:12:25,410 -[SPEAKING FRENCH]. 291 00:12:25,410 --> 00:12:30,090 -[SPEAKING FRENCH] 292 00:12:30,090 --> 00:12:31,830 -PERHAPS THIS MATTER IT IS NOT SO STRAIGHTFORWARD. 293 00:12:35,420 --> 00:12:38,950 THERE IS A PIECE MISSING FROM THE CABINET. 294 00:12:38,950 --> 00:12:40,430 -[GASPS] 295 00:12:40,430 --> 00:12:44,530 UM, WHEN WE CAME DOWNSTAIRS, WE HEARD A CAR LEAVING. 296 00:12:44,530 --> 00:12:45,570 -A CAR? 297 00:12:45,570 --> 00:12:47,060 YOU HAVE NOT MENTIONED THIS BEFORE. 298 00:12:47,060 --> 00:12:49,520 -AND I'M SURE I SAW SOMEONE IN THE GARDEN. 299 00:12:49,520 --> 00:12:49,980 -OH. 300 00:12:49,980 --> 00:12:51,570 A CAR AND SOMEONE IN THE GARDEN. 301 00:12:51,570 --> 00:12:52,460 -EH, UH-- 302 00:12:52,460 --> 00:12:56,340 WE ARE ONLY HERE ON THE INVITATION OF MY OLD FRIEND-- 303 00:12:56,340 --> 00:12:57,360 MADAM HUBER-- 304 00:12:57,360 --> 00:13:00,230 JUST TO FIND OUT HOW MUCH IT WOULD COST TO PREPARE THE 305 00:13:00,230 --> 00:13:02,290 GARDENS FOR A PUBLIC OPENING. 306 00:13:02,290 --> 00:13:04,250 -DO YOU HAVE AN INTEREST IN ANTIQUES, [FRENCH]? 307 00:13:04,250 --> 00:13:05,760 -NONE AT ALL. 308 00:13:05,760 --> 00:13:06,980 -WE WILL HAVE TO SEARCH YOUR BAGGAGE. 309 00:13:06,980 --> 00:13:07,990 -YOU CERTAINLY WILL NOT. 310 00:13:07,990 --> 00:13:08,560 -[SPEAKING FRENCH] 311 00:13:08,560 --> 00:13:13,970 DOROTHY (OFFSCREEN): [SPEAKING FRENCH] 312 00:13:13,970 --> 00:13:17,820 -I AM SORRY TO HAVE TO TELL YOU, MADAM HUBER. 313 00:13:17,820 --> 00:13:19,360 YOUR HUSBAND IS DEAD. 314 00:13:31,120 --> 00:13:32,590 -WHAT ARE YOU DOING? 315 00:13:32,590 --> 00:13:36,070 -I'M LOOKING FOR RASPBERRY "MARTYRS." WHEN I WAS IN 316 00:13:36,070 --> 00:13:39,710 SCHOOL, WE TOOK THIS DAY TRIP TO BOULOGNE ONCE. 317 00:13:39,710 --> 00:13:42,550 THEY WERE THE MOST FANTASTIC LITTLE CAKES IN A SHOP, BUT I 318 00:13:42,550 --> 00:13:43,640 COULD ONLY AFFORD THREE. 319 00:13:43,640 --> 00:13:45,090 -WILL YOU COME ON? 320 00:13:45,090 --> 00:13:47,030 PLEASE. 321 00:13:47,030 --> 00:13:50,040 -I THINK THEY'RE CALLED "MARTYRS" BECAUSE THE 322 00:13:50,040 --> 00:13:52,210 RASPBERRY JUICE MAKES THEM LOOK ALL BLOODY. 323 00:13:52,210 --> 00:13:55,110 -WELL HE'S SUPPOSED TO BE HERE ON AN ERRAND OF MERCY. 324 00:13:55,110 --> 00:13:58,070 -WHY DOES SHE WANT A LAWYER THERE FOR, ANYWAY? 325 00:13:58,070 --> 00:14:00,310 -WELL, IT'S VERY FRIGHTENING BEING TAKEN IN BY THE POLICE. 326 00:14:00,310 --> 00:14:01,570 -WELL, IT LOOKS SUSPICIOUS TO ME. 327 00:14:01,570 --> 00:14:03,540 THEY ONLY WANT TO TAKE A STATEMENT. 328 00:14:03,540 --> 00:14:05,040 -SUSPICIOUS? 329 00:14:05,040 --> 00:14:07,420 THIS HAS GOT NOTHING DO WITH DOROTHY. 330 00:14:07,420 --> 00:14:07,970 RIGHT. 331 00:14:07,970 --> 00:14:10,290 ALEXANDER CHRYSTAL. 332 00:14:10,290 --> 00:14:13,710 I HOPE HE SPEAKS ENGLISH. 333 00:14:13,710 --> 00:14:16,530 -OR MAYBE IT'S BECAUSE ONCE YOU'VE EATEN ONE, YOU BECOME A 334 00:14:16,530 --> 00:14:18,070 MARTYR TO THEM. 335 00:14:18,070 --> 00:14:19,320 -TRY AGAIN. 336 00:14:21,520 --> 00:14:24,470 -YOU'D THINK SOMEBODY'D BE THERE, WOULDN'T YOU? 337 00:14:24,470 --> 00:14:27,260 -WELL, MAYBE WE SHOULD TRY AGAIN IN A MINUTE. 338 00:14:27,260 --> 00:14:28,710 OR MAYBE LOOK FOR ANOTHER LAWYER. 339 00:14:28,710 --> 00:14:28,990 -EXCUSE ME. 340 00:14:28,990 --> 00:14:31,080 I'M SORRY. 341 00:14:31,080 --> 00:14:31,510 OH. 342 00:14:31,510 --> 00:14:33,430 YOU'RE NOT WAITING FOR ME, ARE YOU? 343 00:14:33,430 --> 00:14:35,280 -MR. CHRYSTAL? 344 00:14:35,280 --> 00:14:36,470 -YOU'VE GOT A NICE FACE. 345 00:14:36,470 --> 00:14:37,540 YOU CAN CALL ME SANDY. 346 00:14:37,540 --> 00:14:39,590 -DOROTHY HUBER SENT US. 347 00:14:39,590 --> 00:14:39,990 -I HEARD. 348 00:14:39,990 --> 00:14:40,690 ISN'T IT AWFUL? 349 00:14:40,690 --> 00:14:41,940 COME ON. 350 00:14:46,260 --> 00:14:47,990 -IT'S ALL OVER THE TOWN ABOUT CASPER. 351 00:14:47,990 --> 00:14:49,240 DO SIT DOWN. 352 00:14:49,240 --> 00:14:50,130 -NO, WE HAVEN'T THE TIME. 353 00:14:50,130 --> 00:14:51,760 DOROTHY'S AT THE POLICE STATION. 354 00:14:51,760 --> 00:14:53,630 SHE WANTS YOU THERE WHILE SHE MAKES A STATEMENT. 355 00:14:53,630 --> 00:14:54,740 -ME? 356 00:14:54,740 --> 00:14:56,510 -WELL YOU ARE HER LAWYER, AREN'T YOU? 357 00:14:56,510 --> 00:14:57,010 -WELL YES. 358 00:14:57,010 --> 00:14:59,240 BUT I'M NOT A CRIMINAL LAWYER. 359 00:14:59,240 --> 00:15:01,570 I JUST ADVISE FOREIGNERS ABOUT FRENCH PROPERTY LAWS, 360 00:15:01,570 --> 00:15:04,120 INHERITANCE, THAT SORT OF STUFF. 361 00:15:04,120 --> 00:15:06,780 -DO THEY SELL RASPBERRY "MARTYRS" ANYWHERE IN 362 00:15:06,780 --> 00:15:07,620 TOWN, DO YOU KNOW? 363 00:15:07,620 --> 00:15:08,480 UM-- 364 00:15:08,480 --> 00:15:10,720 "MARTYRS," "FRAMBOISE," I SUPPOSE-- 365 00:15:10,720 --> 00:15:11,940 LITTLE PASTRIES? 366 00:15:11,940 --> 00:15:13,740 -SORRY, NEVER HEARD OF THEM. 367 00:15:13,740 --> 00:15:16,030 -I THINK DOROTHY NEEDS A BIT OF MORAL SUPPORT, HERE. 368 00:15:16,030 --> 00:15:17,060 -OH, GOD. 369 00:15:17,060 --> 00:15:17,810 FIONA (OFFSCREEN): HONEY! 370 00:15:17,810 --> 00:15:18,680 -OH! 371 00:15:18,680 --> 00:15:19,930 EXCUSE ME. 372 00:15:25,450 --> 00:15:25,950 -I'M BACK. 373 00:15:25,950 --> 00:15:28,750 -AND NOT BEFORE TIME. 374 00:15:28,750 --> 00:15:29,780 WHERE WERE YOU LAST NIGHT? 375 00:15:29,780 --> 00:15:30,920 I PHONED THE HOTEL. 376 00:15:30,920 --> 00:15:31,280 -OH. 377 00:15:31,280 --> 00:15:32,410 I WAS THERE ALL EVENING. 378 00:15:32,410 --> 00:15:33,470 -OH, THAT PLACE. 379 00:15:33,470 --> 00:15:35,390 ANYWAY, LET ME INTRODUCE YOU. 380 00:15:35,390 --> 00:15:37,920 THIS IS ROSEMARY BOXER AND LAURA THYME. 381 00:15:37,920 --> 00:15:39,980 AND THIS IS MY LOVELY WIFE, FIONA. 382 00:15:39,980 --> 00:15:40,930 FIONA TAYLOR? 383 00:15:40,930 --> 00:15:41,840 FAMOUS ACTRESS? 384 00:15:41,840 --> 00:15:42,550 -OH. 385 00:15:42,550 --> 00:15:44,030 NOT FAMOUS, DARLING. 386 00:15:44,030 --> 00:15:46,210 NOT EVEN WELL KNOWN. 387 00:15:46,210 --> 00:15:48,780 NO, MORE, GOD, I'M SURE I'VE SEEN HER SOMEWHERE BEFORE. 388 00:15:53,930 --> 00:15:54,300 -WELL I-- 389 00:15:54,300 --> 00:15:56,500 I DON'T KNOW WHAT HELP MR. CHRYSTAL'S 390 00:15:56,500 --> 00:15:57,510 GOING TO BE TO DOROTHY? 391 00:15:57,510 --> 00:15:58,720 -I DON'T KNOW. 392 00:15:58,720 --> 00:15:59,750 BOOST HER MORALE, MAYBE? 393 00:15:59,750 --> 00:16:01,030 -I DON'T KNOW, MAYBE. 394 00:16:01,030 --> 00:16:02,350 -ATTRACTIVE WIFE. 395 00:16:02,350 --> 00:16:03,570 -YEAH, VERY. 396 00:16:03,570 --> 00:16:07,420 I HAD HIM DOWN AS A CONFIRMED BACHELOR, TOO. 397 00:16:07,420 --> 00:16:10,090 WELL, ARE WE GOING TO GO AND SEE MR. PRETTY ABOUT HIS-- 398 00:16:10,090 --> 00:16:10,450 PROPOSITION? 399 00:16:10,450 --> 00:16:11,320 -OH, I DON'T KNOW. 400 00:16:11,320 --> 00:16:12,610 WHAT DO YOU THINK? 401 00:16:12,610 --> 00:16:13,800 -WE MIGHT AS WELL. 402 00:16:13,800 --> 00:16:17,480 DON'T FEEL MUCH LIKE WORK WITH ALL THIS GOING ON. 403 00:16:17,480 --> 00:16:19,120 -TERRIBLE ACCIDENT. 404 00:16:19,120 --> 00:16:20,220 TERRIBLE. 405 00:16:20,220 --> 00:16:22,420 -UH-- WELL I'M AFRAID THE POLICE THINK THERE'S RATHER 406 00:16:22,420 --> 00:16:23,440 MORE TO IT THAN THAT. 407 00:16:23,440 --> 00:16:23,880 -WHAT? 408 00:16:23,880 --> 00:16:24,210 -YES. 409 00:16:24,210 --> 00:16:24,550 AS 410 00:16:24,550 --> 00:16:25,910 -THEY THINK SOMEBODY-- 411 00:16:25,910 --> 00:16:26,820 YOU SEE? 412 00:16:26,820 --> 00:16:27,590 YOU SEE? 413 00:16:27,590 --> 00:16:29,700 THIS PLACE NEVER USED TO BE LIKE THAT-- 414 00:16:29,700 --> 00:16:34,470 MURDER, ROBBERY, CAR CRASHES. 415 00:16:34,470 --> 00:16:35,230 -UM-- 416 00:16:35,230 --> 00:16:37,330 WHAT WAS IT YOU WANTED TO SEE US ABOUT? 417 00:16:37,330 --> 00:16:38,060 -WHAT? 418 00:16:38,060 --> 00:16:39,770 OH, YES, YES, RIGHT. 419 00:16:39,770 --> 00:16:41,060 NOW, I WON'T BEAT ABOUT THE BUSH. 420 00:16:41,060 --> 00:16:42,700 THAT'S NOT MY STYLE. 421 00:16:42,700 --> 00:16:45,860 THIS GARDEN NEEDS WORK. 422 00:16:45,860 --> 00:16:46,910 -BUT IT LOOKS AMAZING. 423 00:16:46,910 --> 00:16:47,780 -NO, NO, NO, NO, NO NO. 424 00:16:47,780 --> 00:16:48,210 NO, NO. 425 00:16:48,210 --> 00:16:49,740 NEEDED A LOT OF WORK. 426 00:16:49,740 --> 00:16:50,840 I MEAN, THESE STRELITZIAS-- 427 00:16:50,840 --> 00:16:52,920 THEY'RE TAKING ALL THE WATER LOOK, LOOK, 428 00:16:52,920 --> 00:16:54,580 RUINING THE BOX HEDGE. 429 00:16:54,580 --> 00:16:58,650 THIS CORDYLINE NEEDS REPLACING. 430 00:16:58,650 --> 00:17:00,250 THE POND-- 431 00:17:00,250 --> 00:17:02,640 THAT NEEDS REPLANTING. 432 00:17:02,640 --> 00:17:07,130 I THINK I MIGHT QUITE LIKE ANOTHER WATER FEATURE-- 433 00:17:07,130 --> 00:17:11,220 POSSIBLY A PERGOLA LEADING FROM THE HOUSE-- 434 00:17:11,220 --> 00:17:13,270 STATUARY, EVEN. 435 00:17:13,270 --> 00:17:16,070 YES, LOTS OF WORK. 436 00:17:16,070 --> 00:17:18,200 -AND UH, YOU'D WANT US TO DESIGN IT, TOO? 437 00:17:18,200 --> 00:17:19,900 -OF COURSE, OF COURSE-- 438 00:17:19,900 --> 00:17:24,470 DESIGN, EXECUTE, THE WHOLE THING. 439 00:17:24,470 --> 00:17:25,050 MONEY-- 440 00:17:25,050 --> 00:17:26,090 NO OBJECT. 441 00:17:26,090 --> 00:17:29,020 I'M NOT ONE TO SKIMP THINGS. 442 00:17:29,020 --> 00:17:29,810 -RIGHT, GREAT. 443 00:17:29,810 --> 00:17:31,640 UM, JUST AS SOON AS WE FINISH NEXT DOOR-- 444 00:17:31,640 --> 00:17:34,840 -AH, WELL, THAT'S THE THING, YOU SEE. 445 00:17:34,840 --> 00:17:37,500 I NEED IT DOING RIGHT AWAY. 446 00:17:37,500 --> 00:17:38,300 -OH, NO. 447 00:17:38,300 --> 00:17:39,100 THAT'S NOT POSSIBLE, I'M AFRAID. 448 00:17:39,100 --> 00:17:39,950 -NO, WE'RE COMMITTED TO DOROTHY. 449 00:17:39,950 --> 00:17:41,130 -OH, COME ON. 450 00:17:41,130 --> 00:17:42,680 DO YOU HAVE A CONTRACT? 451 00:17:42,680 --> 00:17:43,290 -NO. 452 00:17:43,290 --> 00:17:44,080 -WELL. 453 00:17:44,080 --> 00:17:45,470 THERE YOU ARE, THEN. 454 00:17:45,470 --> 00:17:46,300 -BUT-- 455 00:17:46,300 --> 00:17:48,280 THAT'S NOT THE POINT. 456 00:17:48,280 --> 00:17:49,170 -LOOK. 457 00:17:49,170 --> 00:17:52,960 WHEN I SAID THAT MONEY WAS NO OBJECT, THAT WASN'T JUST IDLE 458 00:17:52,960 --> 00:17:53,420 TALK. 459 00:17:53,420 --> 00:17:54,180 -I'M SORRY, MR. PRETTY. 460 00:17:54,180 --> 00:17:56,630 I JUST CANNOT LET DOWN AN OLD FRIEND. 461 00:17:56,630 --> 00:17:57,180 SORRY. 462 00:17:57,180 --> 00:17:58,010 SORRY. 463 00:17:58,010 --> 00:17:59,570 -LET HER DOWN? 464 00:17:59,570 --> 00:18:01,360 LET HER DOWN? 465 00:18:01,360 --> 00:18:04,690 SHE'S LETTING US ALL DOWN, ENCOURAGING YOBS AND LAYABOUTS 466 00:18:04,690 --> 00:18:07,280 TO CHARGE AROUND THE NEIGHBORHOOD! 467 00:18:07,280 --> 00:18:10,160 GAH! 468 00:18:10,160 --> 00:18:13,270 -ACCORDING TO THE ORIGINAL PLAN, THESE BEDS WERE FULL OF 469 00:18:13,270 --> 00:18:14,480 [INAUDIBLE] 470 00:18:14,480 --> 00:18:17,530 I CAN'T GET OVER THE NERVE OF THE MAN, TRYING TO USE US TO 471 00:18:17,530 --> 00:18:19,660 STOP DOROTHY GETTING THE GARDENS OPENED. 472 00:18:19,660 --> 00:18:20,350 -NOW LOOK, LAURA. 473 00:18:20,350 --> 00:18:23,160 THERE'S ONE OR TWO LEFT, AND THEY'RE PRETTY SCRUBBY. 474 00:18:23,160 --> 00:18:26,380 NEEDS A LOT MORE SAND, AT LEAST 50-50. 475 00:18:26,380 --> 00:18:28,860 ROSEMARY (OFFSCREEN): OH, IT'S GOING TO BE SO BEAUTIFUL. 476 00:18:28,860 --> 00:18:32,690 IT'S A POSITIVE RIOT BENEATH ALL THE SCRUB AND WEEDS. 477 00:18:32,690 --> 00:18:33,250 RIGHT. 478 00:18:33,250 --> 00:18:36,750 NOW, LET'S WORK OUT HOW MANY WE NEED. 479 00:18:36,750 --> 00:18:39,190 OH. 480 00:18:39,190 --> 00:18:40,890 -THIS IS AWFUL. 481 00:18:40,890 --> 00:18:42,050 WHERE'S DOROTHY? 482 00:18:42,050 --> 00:18:45,400 -SHE'S STILL IN TOWN WITH THE POLICE. 483 00:18:45,400 --> 00:18:48,040 LAURA (OFFSCREEN): SHE HAD TO GO IN TO MAKE A STATEMENT. 484 00:18:48,040 --> 00:18:49,740 -IT WAS JUST AN ACCIDENT, WASN'T IT? 485 00:18:49,740 --> 00:18:52,360 -WELL, THEY'RE NOT ENTIRELY SURE. 486 00:18:52,360 --> 00:18:53,610 -BUT THAT'S PREPOSTEROUS. 487 00:18:56,000 --> 00:18:58,540 NO THAT I CAN PRETEND TO BE SORRY. 488 00:18:58,540 --> 00:19:01,310 "DE MORTUIS," ET CETERA, BUT UH-- 489 00:19:01,310 --> 00:19:02,780 WASN'T A GOOD MARRIAGE. 490 00:19:02,780 --> 00:19:06,120 TWO ONLY CHILDREN NEVER COHABIT EASILY. 491 00:19:06,120 --> 00:19:08,420 -WE'VE JUST GOT BACK. 492 00:19:08,420 --> 00:19:09,670 DOROTHY'S VERY UPSET. 493 00:19:14,290 --> 00:19:17,560 -I HAD A PHONE CALL LAST NIGHT. 494 00:19:17,560 --> 00:19:19,530 WELL, YOU WERE THERE. 495 00:19:19,530 --> 00:19:22,270 ANONYMOUS. 496 00:19:22,270 --> 00:19:25,930 ANYWAY, HE SAID UH-- 497 00:19:25,930 --> 00:19:29,850 HE S-- SAID THAT CASPER WASN'T IN SWITZERLAND WERE HE WAS 498 00:19:29,850 --> 00:19:32,250 SUPPOSED TO BE. 499 00:19:32,250 --> 00:19:36,550 HE WAS IN ITALY WITH HIS MISTRESS. 500 00:19:36,550 --> 00:19:39,310 -IT WASN'T THE FIRST CALL DOROTHY HAD HAD FROM THE MAN. 501 00:19:39,310 --> 00:19:41,390 -NO, BUT IT WAS THE FIRST TIME HE'D GIVEN ME SPECIFIC 502 00:19:41,390 --> 00:19:43,340 INFORMATION. 503 00:19:43,340 --> 00:19:45,340 -DID HE TELL YOU THE NAME OF THE WOMAN? 504 00:19:45,340 --> 00:19:45,760 -WELL TH-- 505 00:19:45,760 --> 00:19:46,810 WELL THAT DOESN'T MATTER. 506 00:19:46,810 --> 00:19:47,650 NO, THE-- 507 00:19:47,650 --> 00:19:51,840 THE POINT IS, I COMPLETELY LOST IT. 508 00:19:51,840 --> 00:19:54,530 I MEAN, RELATIONS BETWEEN ME AND CASPER HAVEN'T BEEN ALL 509 00:19:54,530 --> 00:19:56,980 THAT WONDERFUL FOR YEARS. 510 00:19:56,980 --> 00:19:58,370 BUT-- 511 00:19:58,370 --> 00:19:59,870 ANYWAY, I-- 512 00:19:59,870 --> 00:20:02,110 I THOUGHT I'D CONFRONT HIM. 513 00:20:02,110 --> 00:20:04,420 OH, NO, I-- 514 00:20:04,420 --> 00:20:05,810 I DON'T KNOW WHAT I THOUGHT. 515 00:20:08,910 --> 00:20:11,050 -SO WHAT DID YOU DO? 516 00:20:11,050 --> 00:20:13,720 -WELL THE MAN EVER SO THOUGHTFULLY GAVE ME THE NAME 517 00:20:13,720 --> 00:20:16,610 OF A SMALL HOTEL IN GENOA. 518 00:20:16,610 --> 00:20:19,910 SO THAT'S WHERE I WENT. 519 00:20:19,910 --> 00:20:23,550 EXCEPT THAT THE HOTEL DIDN'T EXIST. 520 00:20:23,550 --> 00:20:24,770 -SO YOU DIDN'T, UM-- 521 00:20:24,770 --> 00:20:27,200 -WELL, I THOUGHT HE MIGHT HAVE GIVEN ME THE WRONG ADDRESS. 522 00:20:27,200 --> 00:20:27,920 SO I-- 523 00:20:27,920 --> 00:20:31,520 I DROVE AROUND LIKE A MANIAC FOR HOURS. 524 00:20:31,520 --> 00:20:34,750 I THOUGHT I MIGHT SEE CASPER'S CAR PARKED SOMEWHERE. 525 00:20:34,750 --> 00:20:36,480 ANYWAY, EVENTUALLY I GAVE UP. 526 00:20:40,580 --> 00:20:42,840 -THIS PHONE CALL COULD HAVE BEEN JUST TO GET 527 00:20:42,840 --> 00:20:44,890 YOU OUT OF THE HOUSE. 528 00:20:44,890 --> 00:20:46,100 -EH-- 529 00:20:46,100 --> 00:20:48,830 WE'LL NEVER KNOW NOW, WILL WE-- 530 00:20:48,830 --> 00:20:52,180 WITH CASPER GONE? 531 00:20:52,180 --> 00:20:52,830 I'M SORRY. 532 00:20:52,830 --> 00:20:54,030 I'M SO SORRY. 533 00:20:54,030 --> 00:20:54,440 I-- 534 00:20:54,440 --> 00:20:54,510 I-- 535 00:20:54,510 --> 00:20:56,400 I JUST CAN'T GET USED TO THE IDEA. 536 00:21:13,590 --> 00:21:15,060 -BYE, QUENTIN. 537 00:21:15,060 --> 00:21:16,310 -BYE, QUENTIN. 538 00:21:18,990 --> 00:21:21,520 -SO, WHERE DID YOU SPEND THE NIGHT? 539 00:21:21,520 --> 00:21:26,440 -I STARTED TO DRIVE BACK, BUT I WAS IN SUCH A STATE. 540 00:21:26,440 --> 00:21:28,890 I WAS EXHAUSTED, SOMEHOW. 541 00:21:28,890 --> 00:21:32,310 I HAD BEEN FURIOUSLY ANGRY, BUT-- 542 00:21:32,310 --> 00:21:34,760 ANYWAY, I BOOKED INTO A HOTEL. 543 00:21:34,760 --> 00:21:36,060 I'VE GOT THE RECEIPT AND EVERYTHING. 544 00:21:36,060 --> 00:21:38,410 -WELL THAT PUTS YOU IN THE CLEAR THEN, DOESN'T IT? 545 00:21:38,410 --> 00:21:39,740 -NO. 546 00:21:39,740 --> 00:21:42,360 NO, THEY'VE WORKED OUT THAT I COULD'VE DRIVEN THERE AND BACK 547 00:21:42,360 --> 00:21:44,700 IN TIME FOR THE-- 548 00:21:44,700 --> 00:21:45,950 YES. 549 00:21:48,460 --> 00:21:51,150 WHAT DO YOU WANT? 550 00:21:51,150 --> 00:21:54,020 -I WANT TO TALK TO YOU. 551 00:21:54,020 --> 00:21:55,930 -I DON'T THINK THERE'S ANYTHING TO SAY, DO YOU? 552 00:21:55,930 --> 00:21:57,860 -OH, I THINK THERE IS. 553 00:21:57,860 --> 00:22:01,500 I THINK WE MIGHT COME TO SOME UNDERSTANDING. 554 00:22:01,500 --> 00:22:03,300 COME OVER TO THE HOUSE FOR FIVE MINUTES. 555 00:22:06,420 --> 00:22:07,670 -ALL RIGHT. 556 00:22:15,330 --> 00:22:18,090 -NOW, THIS IS CALLED THE CAMELLIA GARDEN. 557 00:22:18,090 --> 00:22:20,800 -I'D NEVER HAVE GUESSED. 558 00:22:20,800 --> 00:22:21,260 -OH, LOOK. 559 00:22:21,260 --> 00:22:23,120 THERE'S A LITTLE HOUSE UP THERE. 560 00:22:23,120 --> 00:22:24,970 -OH. 561 00:22:24,970 --> 00:22:26,490 PROBABLY THEIR IDEA OF A GARDEN SHED. 562 00:22:36,160 --> 00:22:37,150 -OH. 563 00:22:37,150 --> 00:22:39,310 THERE'S SOME THINGS INSIDE. 564 00:22:39,310 --> 00:22:40,050 -THINGS? 565 00:22:40,050 --> 00:22:40,810 -MM. 566 00:22:40,810 --> 00:22:42,010 WINDOW'S A BIT DIRTY. 567 00:22:42,010 --> 00:22:45,460 LOOKS LIKE FURNITURE. 568 00:22:45,460 --> 00:22:46,710 -OH. 569 00:22:54,350 --> 00:22:56,260 -IT LOOKS LIKE SOMEONE'S LIVING THERE. 570 00:22:56,260 --> 00:22:56,980 -WHAT DO YOU THINK YOU'RE DOING? 571 00:22:56,980 --> 00:22:57,710 -OH. 572 00:22:57,710 --> 00:22:58,610 ROSEMARY (OFFSCREEN): HELLO, NICK. 573 00:22:58,610 --> 00:22:59,490 IT'S NICK, ISN'T IT? 574 00:22:59,490 --> 00:23:00,680 -WHAT ARE YOU DOING? 575 00:23:00,680 --> 00:23:02,300 -WELL, WE-- WE-- WE-- WE'RE, UH-- 576 00:23:02,300 --> 00:23:02,560 -LISTEN. 577 00:23:02,560 --> 00:23:03,200 THIS IS WHERE I LIVE. 578 00:23:03,200 --> 00:23:04,430 -OH, IT'S LOVELY. 579 00:23:04,430 --> 00:23:05,270 -I PAY RENT FOR IT. 580 00:23:05,270 --> 00:23:06,240 -YES, THAT'S FINE. 581 00:23:06,240 --> 00:23:07,810 -AND I DON'T WANT ANY OLD TARTS POKING ABOUT IN IT, 582 00:23:07,810 --> 00:23:09,090 THANK YOU VERY MUCH. 583 00:23:09,090 --> 00:23:10,450 -WELL, WE'RE NOT ACTUALLY-- 584 00:23:10,450 --> 00:23:10,870 I MEAN-- 585 00:23:10,870 --> 00:23:11,340 -NO, NO, NO-- 586 00:23:11,340 --> 00:23:12,860 -SO JUST CLEAR OFF OUT OF IT. 587 00:23:12,860 --> 00:23:13,810 -FINE. 588 00:23:13,810 --> 00:23:14,760 WE'RE GOING. 589 00:23:14,760 --> 00:23:15,120 COME ALONG. 590 00:23:15,120 --> 00:23:16,370 -GO ON. 591 00:23:20,880 --> 00:23:22,320 -OK. 592 00:23:22,320 --> 00:23:22,800 -BYE. 593 00:23:22,800 --> 00:23:24,050 [INAUDIBLE] 594 00:23:26,180 --> 00:23:27,990 -HE'S NO RELATION OF DOROTHY'S. 595 00:23:27,990 --> 00:23:29,690 -SHE SAYS HE IS. 596 00:23:29,690 --> 00:23:34,300 THAT'S 9.65. 597 00:23:34,300 --> 00:23:36,080 -TO THE MAGNOLIA DELAVAYI? 598 00:23:36,080 --> 00:23:38,520 -THAT'S RIGHT, YOU OLD TART. 599 00:23:38,520 --> 00:23:40,500 -NOT SO MUCH OF THE OLD. 600 00:23:40,500 --> 00:23:43,850 MIND YOU, AT HIS AGE, ANYONE OVER 30 LOOKS OLD. 601 00:23:43,850 --> 00:23:49,090 I REMEMBER WHEN I WAS ONLY 33, MATTHEW ACCUSED ME OF HOLDING 602 00:23:49,090 --> 00:23:52,180 BACK THE MARCH OF A NEW, PROGRESSIVE SOCIETY BECAUSE I 603 00:23:52,180 --> 00:23:54,540 ASKED HIM TO CLEAR UP HIS ROOM. 604 00:23:54,540 --> 00:23:56,390 -CAN WE GET THE DISTANCE FROM THAT LAUREL 605 00:23:56,390 --> 00:23:58,080 JUST TO CROSS CHECK. 606 00:23:58,080 --> 00:24:01,520 AND THERE SHOULD BE SOME SALVIA HERE, SOMEWHERE. 607 00:24:01,520 --> 00:24:02,880 -WHAT DO THEY LOOK LIKE? 608 00:24:02,880 --> 00:24:04,140 -UH, SAGE. 609 00:24:04,140 --> 00:24:06,000 PURPLE FLOWERS. 610 00:24:06,000 --> 00:24:06,690 NO WAIT A MINUTE. 611 00:24:06,690 --> 00:24:09,340 NO, IT'S ONE I DON'T KNOW-- CINNABARINA. 612 00:24:09,340 --> 00:24:12,230 WELL THEY'RE EITHER PURPLE OR RED. 613 00:24:12,230 --> 00:24:14,500 -ALL RIGHT, I DON'T SEE ANY. 614 00:24:14,500 --> 00:24:17,060 UH, OH NO. 615 00:24:17,060 --> 00:24:18,350 WHAT'S THAT? 616 00:24:18,350 --> 00:24:22,450 -NO, IT'S UNLIKELY TO BE SALVIA UNDERNEATH THE LAUREL. 617 00:24:22,450 --> 00:24:23,190 -OH, NO, NO. 618 00:24:23,190 --> 00:24:23,910 IT'S LITTER. 619 00:24:23,910 --> 00:24:26,230 OOH, JUST A MINUTE. 620 00:24:26,230 --> 00:24:28,560 THERE'S SOMETHING IN IT. 621 00:24:28,560 --> 00:24:30,420 [GASPS] 622 00:24:30,420 --> 00:24:31,270 -WHAT? 623 00:24:31,270 --> 00:24:31,750 -IT IS. 624 00:24:31,750 --> 00:24:32,720 IT IS-- 625 00:24:32,720 --> 00:24:35,630 IT'S-- IT'S THE SILVER WHATSIT THING. 626 00:24:35,630 --> 00:24:36,110 LOOK. 627 00:24:36,110 --> 00:24:36,590 -OH. 628 00:24:36,590 --> 00:24:38,530 IT'S A BEAUTY. 629 00:24:38,530 --> 00:24:40,390 WHOEVER STOLE IT MUST HAVE DROPPED IT AS THEY MADE THEIR 630 00:24:40,390 --> 00:24:40,840 GETAWAY. 631 00:24:40,840 --> 00:24:42,650 -DROPPED IT THERE? 632 00:24:42,650 --> 00:24:43,050 NO. 633 00:24:43,050 --> 00:24:46,080 STASHED IT, MORE LIKELY, SO THEY COULD PICK IT UP LATER. 634 00:24:46,080 --> 00:24:48,380 -WE SHOULD PUT IT BACK. 635 00:24:48,380 --> 00:24:51,140 THE POLICE WILL WANT TO SEE IT "IN SITU," WON'T THEY? 636 00:24:51,140 --> 00:24:53,520 -MM. 637 00:24:53,520 --> 00:24:54,770 ALL RIGHT. 638 00:25:00,670 --> 00:25:01,870 -COME IN. 639 00:25:01,870 --> 00:25:02,270 -DOROTHY. 640 00:25:02,270 --> 00:25:03,520 GREAT NEWS. 641 00:25:08,560 --> 00:25:12,370 -WE THINK WHOEVER STOLE IT MUST'VE HIDDEN IT THERE TO 642 00:25:12,370 --> 00:25:13,620 COLLECT LATER. 643 00:25:25,980 --> 00:25:28,130 -IT'S NOT THERE. 644 00:25:28,130 --> 00:25:28,980 -IT MUST BE THERE. 645 00:25:28,980 --> 00:25:30,800 -ARE YOU SURE THIS IS RIGHT PLACE? 646 00:25:30,800 --> 00:25:31,090 -YES. 647 00:25:31,090 --> 00:25:32,910 -THIS ALL LOOKS VERY SIMILAR. 648 00:25:32,910 --> 00:25:33,350 -NO, NO. 649 00:25:33,350 --> 00:25:35,000 THIS IS THE RIGHT PLACE, ISN'T IT? 650 00:25:35,000 --> 00:25:37,000 RIGHT THERE, UNDERNEATH THE LAUREL. 651 00:25:37,000 --> 00:25:37,850 -VERY ODD. 652 00:25:37,850 --> 00:25:41,410 -THEY MUST'VE COME TO RETRIEVE IT IN THE-- WHAT, FIVE MINUTES 653 00:25:41,410 --> 00:25:42,840 THAT WE WERE UP AT THE HOUSE? 654 00:25:42,840 --> 00:25:49,010 [RUSTLING IN BACKGROUND] 655 00:25:49,010 --> 00:25:51,780 -HE DOESN'T HAVE AN INTEREST ANTIQUE SILVER, I SUPPOSE? 656 00:25:51,780 --> 00:25:54,640 -JAMES PRETTY DOESN'T HAVE AN INTEREST IN ANYTHING EXCEPT 657 00:25:54,640 --> 00:25:55,890 JAMES PRETTY. 658 00:25:58,530 --> 00:26:00,520 HE'S A HORRIBLE LITTLE MAN. 659 00:26:10,560 --> 00:26:13,460 -OH, MERCI. 660 00:26:13,460 --> 00:26:16,380 THEY DON'T REALLY SUSPECT YOU, DO THEY? 661 00:26:16,380 --> 00:26:20,450 I MEAN, THEY DIDN'T ARREST YOU, DID THEY? 662 00:26:20,450 --> 00:26:21,930 -I DON'T KNOW ANYTHING ANYMORE. 663 00:26:25,850 --> 00:26:28,940 -I WONDER IF, UM, AGATHE KNOWS ABOUT THE, UM, "MARTYRS 664 00:26:28,940 --> 00:26:31,830 FRAMBOISES." 665 00:26:31,830 --> 00:26:33,760 -WHAT? 666 00:26:33,760 --> 00:26:35,210 -THE RASPBERRY "MARTYRS," THE LITTLE CAKES. 667 00:26:35,210 --> 00:26:37,640 I MEAN, SHE'D KNOW THE SHOPS AROUND HERE. 668 00:26:37,640 --> 00:26:40,930 -WELL WHY DON'T YOU ASK HER? 669 00:26:40,930 --> 00:26:42,870 -YOUR FRENCH IS BETTER THAN MINE. 670 00:26:42,870 --> 00:26:43,360 -LAURA. 671 00:26:43,360 --> 00:26:45,320 THERE ARE MORE IMPORTANT THINGS AT 672 00:26:45,320 --> 00:26:46,520 STAKE HERE THAN CAKES. 673 00:26:46,520 --> 00:26:49,020 -I WAS TRYING TO RAISE THE MOOD A LITTLE. 674 00:26:49,020 --> 00:26:50,400 [KNOCK ON DOOR] 675 00:26:50,400 --> 00:26:54,810 [DOORBELL RINGS] 676 00:26:54,810 --> 00:26:57,750 [DOORBELL RINGS] 677 00:26:57,750 --> 00:27:00,460 -WE SHOULD'VE TOLD THE POLICEMEN WE FOUND THE SILVER 678 00:27:00,460 --> 00:27:00,940 THING. 679 00:27:00,940 --> 00:27:03,330 -BUT WE'D LOOK SUCH IDIOTS. 680 00:27:03,330 --> 00:27:05,230 I MEAN, WE FOUND IT, THEN WE LOST IT AGAIN? 681 00:27:05,230 --> 00:27:06,660 [DOOR OPENS] 682 00:27:06,660 --> 00:27:08,570 -I DON'T KNOW. 683 00:27:08,570 --> 00:27:11,150 I DON'T KNOW WHAT GOOD IT WOULD DO TO TELL THEM. 684 00:27:11,150 --> 00:27:13,090 [ARGUING IN BACKGROUND] 685 00:27:13,090 --> 00:27:16,170 -EXCUSE ME JUST A MOMENT. 686 00:27:16,170 --> 00:27:21,080 [ARGUING IN BACKGROUND] 687 00:27:21,080 --> 00:27:22,360 -LOOKS LIKE MORE TROUBLE. 688 00:27:27,760 --> 00:27:30,710 -[SPEAKING FRENCH] 689 00:27:30,710 --> 00:27:33,160 -SANDY'S WIFE, FIONA! 690 00:27:33,160 --> 00:27:34,640 DOROTHY (OFFSCREEN): [SPEAKING FRENCH] 691 00:27:34,640 --> 00:27:37,580 -YOU DIDN'T WANT CASPER, AND YOU COULDN'T BEAR ANYONE ELSE 692 00:27:37,580 --> 00:27:39,050 TO HAVE HIM, COULD YOU? 693 00:27:39,050 --> 00:27:41,690 -HOW DARE YOU SHOW YOUR FACE HERE? 694 00:27:41,690 --> 00:27:44,670 YOU LITTLE TART! 695 00:27:44,670 --> 00:27:48,650 [DOOR SLAMS SHUT] 696 00:27:48,650 --> 00:27:49,900 -BLOODY HELL. 697 00:28:14,380 --> 00:28:17,850 -I'M SORRY, QUENTIN, TO IMPOSE ON YOU LIKE THIS. 698 00:28:17,850 --> 00:28:19,900 BUT I CAN'T STAY IN THAT HOUSE, I CAN'T. 699 00:28:19,900 --> 00:28:21,710 -YOU'RE MORE THAN WELCOME HERE, MY LOVE. 700 00:28:21,710 --> 00:28:26,000 -NO, QUENTIN, THERE'S JUST TOO MANY MEMORIES THERE. 701 00:28:26,000 --> 00:28:27,970 AND MAD WOMEN COMING TO THE DOOR. 702 00:28:27,970 --> 00:28:29,570 -THE SPARE ROOM IS ALWAYS AT YOUR DISPOSAL. 703 00:28:46,600 --> 00:28:49,250 -THEY CERTAINLY LEAD INTERESTING LIVES OUT HERE, 704 00:28:49,250 --> 00:28:49,730 DON'T THEY? 705 00:28:49,730 --> 00:28:51,190 -THERE SHE IS NOW. 706 00:28:51,190 --> 00:28:52,160 -WHO? 707 00:28:52,160 --> 00:28:54,410 -FIONA, WITH SANDY. 708 00:28:54,410 --> 00:28:57,260 SEEMS TO BE GOING OFF SOMEWHERE. 709 00:28:57,260 --> 00:28:59,580 -AND IS TAKING A LOT OF LUGGAGE. 710 00:28:59,580 --> 00:29:00,880 -MM. 711 00:29:00,880 --> 00:29:02,380 AH, MONSIEUR. 712 00:29:02,380 --> 00:29:03,050 -[SPEAKING FRENCH] 713 00:29:03,050 --> 00:29:05,620 -[SPEAKING FRENCH] 714 00:29:05,620 --> 00:29:08,020 -[SPEAKING FRENCH] 715 00:29:08,020 --> 00:29:08,990 -PARDON? 716 00:29:08,990 --> 00:29:10,770 -[SPEAKING FRENCH] 717 00:29:10,770 --> 00:29:12,770 -UH, NO, NO. 718 00:29:12,770 --> 00:29:15,160 MERCI. 719 00:29:15,160 --> 00:29:16,360 AH, HE'S SEEN US. 720 00:29:16,360 --> 00:29:18,440 -DON'T MENTION ABOUT FIONA COMING TO THE 721 00:29:18,440 --> 00:29:19,770 HOUSE, FOR GOD'S SAKE. 722 00:29:19,770 --> 00:29:21,290 -I'M NOT AN IDIOT. 723 00:29:21,290 --> 00:29:22,180 HELLO, SANDY. 724 00:29:22,180 --> 00:29:23,230 DO YOU WANT TO JOIN US? 725 00:29:23,230 --> 00:29:26,070 -UH, [SPEAKING FRENCH]. 726 00:29:26,070 --> 00:29:26,520 HELLO. 727 00:29:26,520 --> 00:29:27,840 -HI. 728 00:29:27,840 --> 00:29:29,870 FIONA OFF FILMING AGAIN? 729 00:29:29,870 --> 00:29:31,280 -NO. 730 00:29:31,280 --> 00:29:32,900 NO, SHE'S GONE. 731 00:29:32,900 --> 00:29:33,790 -GONE? 732 00:29:33,790 --> 00:29:36,710 -WE SPLIT UP. 733 00:29:36,710 --> 00:29:37,150 -OH. 734 00:29:37,150 --> 00:29:37,460 I-- 735 00:29:37,460 --> 00:29:38,540 I AM SORRY. 736 00:29:38,540 --> 00:29:41,630 -IT'S BEEN COMING FOR A WHILE, I SUPPOSE. 737 00:29:41,630 --> 00:29:43,160 SHE'S GOING TO PARIS. 738 00:29:43,160 --> 00:29:44,410 -WELL, THAT'S LOVELY. 739 00:29:47,110 --> 00:29:48,480 WELL, I MEAN-- 740 00:29:48,480 --> 00:29:52,090 -DO YOU MIND IF WE TALK ABOUT SOMETHING ELSE? 741 00:29:52,090 --> 00:29:54,760 -UM, UH-- WE FOUND THE SILVER CENTERPIECE. 742 00:29:54,760 --> 00:29:55,030 -YES. 743 00:29:55,030 --> 00:29:55,670 -YOU FOUND IT? 744 00:29:55,670 --> 00:29:55,940 -MM HM. 745 00:29:55,940 --> 00:29:56,220 -HA. 746 00:29:56,220 --> 00:29:59,400 -AND THEN IT DISAPPEARED AGAIN. 747 00:29:59,400 --> 00:30:01,040 -I'M SURE IT WAS IT. 748 00:30:01,040 --> 00:30:03,610 IT HAD THESE TWO CLASSICAL LADIES ON EITHER SIDE. 749 00:30:03,610 --> 00:30:05,660 AND ABOUT THIS BIG. 750 00:30:05,660 --> 00:30:07,740 -AND IT HAD ALL THESE CURLY THINGS ALL AROUND THE EDGE. 751 00:30:07,740 --> 00:30:09,370 IT LOOKED LIKE IT WAS MEANT TO SUPPORT SOMETHING. 752 00:30:09,370 --> 00:30:11,410 -YOU SHOULD ASK QUENTIN GLAZER, NOT ME. 753 00:30:11,410 --> 00:30:11,970 HE'S THE EXPERT. 754 00:30:11,970 --> 00:30:12,890 -IS HE? 755 00:30:12,890 --> 00:30:13,380 -OH, YES. 756 00:30:13,380 --> 00:30:16,480 HE'S GOT QUITE A COLLECTION HIMSELF. 757 00:30:16,480 --> 00:30:20,170 -WELL THE THING IS WE DIDN'T TELL THE POLICE BECAUSE IT 758 00:30:20,170 --> 00:30:21,680 DISAPPEARED, AND I-- 759 00:30:21,680 --> 00:30:24,870 WELL, WHAT DO YOU THINK WE SHOULD DO? 760 00:30:24,870 --> 00:30:25,600 -OH, DUCKY. 761 00:30:25,600 --> 00:30:28,110 I DON'T KNOW. 762 00:30:28,110 --> 00:30:31,110 -IT'S NICE TO GET AN-- AN INFORMED, LEGAL OPINION. 763 00:30:31,110 --> 00:30:33,440 -YOU THINK HE KNOWS ABOUT FIONA AND CASPER? 764 00:30:33,440 --> 00:30:34,850 -I DON'T KNOW. 765 00:30:34,850 --> 00:30:38,020 -WELL, PERHAPS THAT'S WHY SHE'S LEAVING. 766 00:30:38,020 --> 00:30:39,620 -THERE HE IS. 767 00:30:39,620 --> 00:30:39,990 -WHO? 768 00:30:39,990 --> 00:30:40,600 -NICK. 769 00:30:40,600 --> 00:30:44,780 THERE, LOOK BY THE CASH MACHINE-- BY THE BANK. 770 00:30:44,780 --> 00:30:45,280 HANG ON. 771 00:30:45,280 --> 00:30:46,530 I'VE GOT AN IDEA. 772 00:31:01,240 --> 00:31:03,240 -OH, HELLO, NICK. 773 00:31:03,240 --> 00:31:05,230 HOW NICE TO SEE YOU AGAIN. 774 00:31:05,230 --> 00:31:09,230 I WAS ONLY SAYING TO DOROTHY EARLIER, UM, I HOPE WE HAVE A 775 00:31:09,230 --> 00:31:12,060 CHANCE TO MEET, A BIT OF A CHAT, AND PERHAPS HAVE A LOOK 776 00:31:12,060 --> 00:31:13,480 AT SOME OF YOUR PAINTINGS. 777 00:31:13,480 --> 00:31:14,420 AH, WELL. 778 00:31:14,420 --> 00:31:15,370 UH, UM-- 779 00:31:15,370 --> 00:31:16,100 I MUST BE OFF. 780 00:31:16,100 --> 00:31:18,500 UH, HOPE TO MEET AGAIN SOON. 781 00:31:18,500 --> 00:31:19,750 [SPEAKING FRENCH]. 782 00:31:23,690 --> 00:31:25,600 -[SPEAKING FRENCH] 783 00:31:25,600 --> 00:31:28,910 -I THOUGHT IF I COULD JUST GET A GLIMPSE OF HIS BANK CARD IT 784 00:31:28,910 --> 00:31:30,320 WOULD HAVE HIS SURNAME ON IT. 785 00:31:30,320 --> 00:31:31,190 -AND DIDN'T IT? 786 00:31:31,190 --> 00:31:33,520 -NO, IT SAID HUBER. 787 00:31:33,520 --> 00:31:34,760 -DOROTHY'S MARRIED NAME? 788 00:31:34,760 --> 00:31:35,040 -YES. 789 00:31:35,040 --> 00:31:35,840 -OF COURSE! 790 00:31:35,840 --> 00:31:37,010 I'M SO SILLY. 791 00:31:37,010 --> 00:31:39,420 HE MUST BE CASPER'S NEPHEW. 792 00:31:39,420 --> 00:31:40,670 LAURA. 793 00:31:43,190 --> 00:31:45,190 -NOW, THOSE ARE A BIT LIKE THEM, BUT THEY'RE 794 00:31:45,190 --> 00:31:45,870 STRAWBERRIES. 795 00:31:45,870 --> 00:31:46,960 -DID YOU HEAR WHAT I SAID? 796 00:31:46,960 --> 00:31:48,550 NICK MUST BE CASPER'S NEPHEW. 797 00:31:48,550 --> 00:31:49,530 -NO, HE CAN'T BE. 798 00:31:49,530 --> 00:31:50,510 DON'T YOU REMEMBER? 799 00:31:50,510 --> 00:31:52,810 QUENTIN SAID CASPER WAS AN ONLY CHILD, TOO. 800 00:31:52,810 --> 00:31:54,370 -OH WELL-- 801 00:31:54,370 --> 00:31:56,520 PERHAPS HE'S STOLEN THE CARD OR SOMETHING. 802 00:31:56,520 --> 00:31:58,070 -NO, HE HASN'T STOLEN IT. 803 00:31:58,070 --> 00:32:00,060 HE'S BLACKMAILING HER. 804 00:32:00,060 --> 00:32:01,370 -WHAT? 805 00:32:01,370 --> 00:32:04,670 -SUPPOSE YOU WANTED TO PAY SOMEONE REGULAR AMOUNTS OF 806 00:32:04,670 --> 00:32:05,930 MONEY, COVERTLY. 807 00:32:05,930 --> 00:32:07,500 WHAT DO YOU DO? 808 00:32:07,500 --> 00:32:08,210 -I DON'T KNOW. 809 00:32:08,210 --> 00:32:10,140 I HAVE ENOUGH PROBLEM PAYING ANYONE OVERTLY. 810 00:32:10,140 --> 00:32:11,880 -NO, THIS IS WHAT YOU DO. 811 00:32:11,880 --> 00:32:15,900 YOU GIVE THEM A BANK CARD IN YOUR NAME, SO THEY CAN TAKE 812 00:32:15,900 --> 00:32:18,330 CASH OUT OF MACHINES UP TO YOUR SET LIMIT. 813 00:32:18,330 --> 00:32:19,730 -OH, THAT'S VERY CLEVER. 814 00:32:23,020 --> 00:32:24,800 -WHAT'S HIS ANGLE? 815 00:32:24,800 --> 00:32:27,070 WHAT'S DOROTHY DONE TO BE BLACKMAILED? 816 00:32:27,070 --> 00:32:29,560 -I CAN'T IMAGINE. 817 00:32:29,560 --> 00:32:31,760 -WELL ANYWAY, THERE'S NOTHING WE CAN DO ABOUT IT. 818 00:32:31,760 --> 00:32:34,580 -LET'S GO GET ON WITH SOME WORK. 819 00:32:34,580 --> 00:32:35,970 -OH, HI. 820 00:32:35,970 --> 00:32:36,970 -HELLO, QUENTIN. 821 00:32:36,970 --> 00:32:37,590 WHAT ARE YOU DOING HERE? 822 00:32:37,590 --> 00:32:38,780 IS DOROTHY ALL RIGHT? 823 00:32:38,780 --> 00:32:40,030 -OH, SHE'S FINE, YES, YES, YES. 824 00:32:40,030 --> 00:32:40,750 I WAS UH-- 825 00:32:40,750 --> 00:32:42,220 I WAS JUST SEEING HOW YOU'RE GOING ON. 826 00:32:42,220 --> 00:32:43,590 -WE'RE DOING WELL. 827 00:32:43,590 --> 00:32:45,230 -WELL IT'S LOOKING VERY GOOD, I MUST SAY. 828 00:32:45,230 --> 00:32:48,440 -WELL, WE'RE ONLY TAKING LISTS OF PLANTS. 829 00:32:48,440 --> 00:32:49,610 -QUITE. 830 00:32:49,610 --> 00:32:50,800 STILL, UM-- 831 00:32:50,800 --> 00:32:53,780 NOW IT'S ESSENTIAL WE KEEP THE OPENING DAY. 832 00:32:53,780 --> 00:32:56,040 WELL I'LL JUST, UM-- 833 00:32:56,040 --> 00:32:58,780 SEE YOU. 834 00:32:58,780 --> 00:33:00,030 -BYE. 835 00:33:03,570 --> 00:33:11,760 -ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT. 836 00:33:11,760 --> 00:33:12,210 RIGHT. 837 00:33:12,210 --> 00:33:13,720 EIGHT CYPRESSES. 838 00:33:13,720 --> 00:33:14,850 -EIGHT CYPRESSES. 839 00:33:14,850 --> 00:33:17,110 NO, THERE SHOULD BE 10 ACCORDING TO THIS PLAN. 840 00:33:17,110 --> 00:33:18,600 OH, WELL. 841 00:33:18,600 --> 00:33:20,090 THEY MUST HAVE LOST TWO SOMETIME. 842 00:33:20,090 --> 00:33:21,300 RIGHT. 843 00:33:21,300 --> 00:33:22,040 THAT'S THIS LOT. 844 00:33:22,040 --> 00:33:23,290 LET'S GET ON WITH THE NEXT. 845 00:33:26,210 --> 00:33:27,190 OOH, WHAT'S THAT? 846 00:33:27,190 --> 00:33:27,680 -WHAT? 847 00:33:27,680 --> 00:33:30,640 -LOOKS LIKE A BIT OF IRON. 848 00:33:30,640 --> 00:33:31,900 -NO, DON'T TOUCH IT! 849 00:33:31,900 --> 00:33:33,220 -WHY NOT? 850 00:33:33,220 --> 00:33:34,820 -ISN'T THAT BLOOD ON IT? 851 00:33:43,180 --> 00:33:44,090 -[SPEAKING FRENCH] 852 00:33:44,090 --> 00:33:45,340 -[SPEAKING FRENCH]. 853 00:33:47,970 --> 00:33:51,190 WELL IT LOOKS LIKE BLOOD, AND I THINK HAIR. 854 00:33:51,190 --> 00:33:52,670 -NOW YOU HAVE THE MURDER WEAPON. 855 00:33:52,670 --> 00:33:54,090 -NO, NO. 856 00:33:54,090 --> 00:33:56,260 THIS IS NOT THE WEAPON THAT KILLED MR. HUBER. 857 00:33:56,260 --> 00:33:56,930 -WHAT? 858 00:33:56,930 --> 00:33:58,400 -WELL, THE HAIR ON IT IS DARK. 859 00:33:58,400 --> 00:34:01,300 CASPER HUBER HAD GREY HAIR. 860 00:34:01,300 --> 00:34:05,060 ALSO, THIS BLOOD SEEMS QUITE FRESH. 861 00:34:05,060 --> 00:34:08,830 SO THE QUESTION IS, WHO'S BLOOD IS IT? 862 00:34:08,830 --> 00:34:12,240 POLICEMAN (OFFSCREEN): [SPEAKING FRENCH] 863 00:34:12,240 --> 00:34:13,660 -I KNOW WHAT THAT WORD MEANS. 864 00:34:21,140 --> 00:34:22,640 -[SPEAKING FRENCH] 865 00:34:22,640 --> 00:34:23,890 -JAMES PRETTY. 866 00:34:26,130 --> 00:34:28,130 -STONE COLD MORE. 867 00:34:34,780 --> 00:34:36,790 -QUENTIN (OFFSCREEN): I DON'T UNDERSTAND IT, I JUST DON'T 868 00:34:36,790 --> 00:34:37,460 UNDERSTAND IT. 869 00:34:37,460 --> 00:34:38,710 -POOR JAMES. 870 00:34:38,710 --> 00:34:40,930 -I'M SURPRISED THE INSPECTOR HASN'T BEEN IN TOUCH. 871 00:34:40,930 --> 00:34:42,980 MR. PRETTY WAS YOUR NEIGHBOR AFTER ALL. 872 00:34:42,980 --> 00:34:45,010 -WELL THEY WOULDN'T TELL ME ANYTHING, WOULD THEY? 873 00:34:45,010 --> 00:34:46,950 I MEAN, I'M STILL THEIR MAIN SUSPECT. 874 00:34:46,950 --> 00:34:48,840 -THE TWO MURDERS CAN'T BE CONNECTED. 875 00:34:48,840 --> 00:34:50,750 I MEAN, WH-- WHAT IS THE CONNECTION? 876 00:34:50,750 --> 00:34:52,280 -WELL, PERHAPS THERE ISN'T ONE. 877 00:34:52,280 --> 00:34:54,870 -WELL WITH JAMES, THE POLICE DON'T SEEM TO HAVE MUCH TO GO 878 00:34:54,870 --> 00:34:55,100 ON. 879 00:34:55,100 --> 00:34:57,860 -BUT WITH CASPER'S, ALL THEY'VE GOT TO DO IS WAIT. 880 00:34:57,860 --> 00:35:00,950 WHENEVER THE CULPRIT TRIES TO SELL THE SILVER, THEY POUNCE. 881 00:35:00,950 --> 00:35:02,210 -YOU STILL THINK THAT IS THE MOTIVE? 882 00:35:02,210 --> 00:35:03,450 -OH, YES, YES. 883 00:35:03,450 --> 00:35:04,350 HE KNEW WHAT HE WAS DOING. 884 00:35:04,350 --> 00:35:05,770 HE'S DONE A MOST HANDSOME PIECE-- 885 00:35:05,770 --> 00:35:09,040 LOUIS DE LACOURT, FROM THE 1823 EXHIBITION. 886 00:35:09,040 --> 00:35:09,810 -OH, OF COURSE. 887 00:35:09,810 --> 00:35:11,160 YOU'RE A COLLECTOR, TOO, AREN'T YOU? 888 00:35:11,160 --> 00:35:12,280 -OH, I'VE-- 889 00:35:12,280 --> 00:35:13,390 I'VE GOT ONE OR TWO LITTLE PIECES. 890 00:35:13,390 --> 00:35:15,910 NOTHING AS, UM, GRAND AS CASPER'S. 891 00:35:32,370 --> 00:35:34,620 -OH, IS MY COMPUTER STILL IN THE BACK? 892 00:35:34,620 --> 00:35:37,810 -UH, I IMAGINE SO. 893 00:35:37,810 --> 00:35:39,110 -I CAN'T WAIT TO GET BACK TO THE PLANTS. 894 00:35:43,150 --> 00:35:45,000 -NOT SO FAST. 895 00:35:45,000 --> 00:35:45,850 -WHAT? 896 00:35:45,850 --> 00:35:47,320 -LOOK. 897 00:35:47,320 --> 00:35:49,410 NICK'S CAR. 898 00:35:49,410 --> 00:35:51,830 UNDER THE SEAT. 899 00:35:51,830 --> 00:35:53,850 IT'S THE BAG WITH THE STOLEN SILVER. 900 00:36:04,200 --> 00:36:06,340 -IT'S ONLY A SUPERMARKET BAG. 901 00:36:06,340 --> 00:36:09,470 -BUT WHY WOULD NICK HIDE IT UNDER THE SEAT OF HIS CAR? 902 00:36:09,470 --> 00:36:11,190 -THERE MUST BE THOUSANDS OF THEM. 903 00:36:11,190 --> 00:36:13,540 ANYWAY, YOU SAID HE WAS BLACKMAILING DOROTHY, NOT 904 00:36:13,540 --> 00:36:14,310 STEALING SILV-- 905 00:36:14,310 --> 00:36:15,560 -SHH! 906 00:36:20,560 --> 00:36:22,290 -HE'S PACKED AND READY TO GO. 907 00:36:25,830 --> 00:36:27,740 -HURRY UP, FOR GOODNESS SAKE. 908 00:36:27,740 --> 00:36:29,790 -YOU CAN'T HURRY THESE THINGS. 909 00:36:54,080 --> 00:36:56,080 -HE'S COMING, HE'S COMING. 910 00:36:56,080 --> 00:36:57,070 -GO ON. 911 00:36:57,070 --> 00:36:58,320 RUN FOR IT! 912 00:37:08,030 --> 00:37:09,280 -YES. 913 00:38:03,810 --> 00:38:05,190 -WHERE WERE YOU? 914 00:38:05,190 --> 00:38:06,570 I THOUGHT HE'D GOT YOU. 915 00:38:06,570 --> 00:38:08,880 -NO. 916 00:38:08,880 --> 00:38:10,630 WE GOT HIM. 917 00:38:10,630 --> 00:38:11,580 -WHAT? 918 00:38:11,580 --> 00:38:12,850 WHAT'S THIS? 919 00:38:12,850 --> 00:38:14,100 OH, A BIRTH CERTIFICATE. 920 00:38:16,720 --> 00:38:18,280 -NICHOLAS JEFFRIES. 921 00:38:18,280 --> 00:38:20,130 NICK! 922 00:38:20,130 --> 00:38:21,020 "MOTHER-- 923 00:38:21,020 --> 00:38:21,760 DOROTHY." 924 00:38:21,760 --> 00:38:22,550 -DOROTHY. 925 00:38:22,550 --> 00:38:24,330 DOROTHY OLIVIA JEFFRIES. 926 00:38:24,330 --> 00:38:27,690 THAT'S DOROTHY'S MAIDEN NAME. 927 00:38:27,690 --> 00:38:28,050 HE'S 928 00:38:28,050 --> 00:38:30,180 HER SON -RIGHT. 929 00:38:30,180 --> 00:38:31,070 -"FATHER-- 930 00:38:31,070 --> 00:38:31,730 UNKNOWN." 931 00:38:31,730 --> 00:38:32,590 [DOOR SLAMS] 932 00:38:32,590 --> 00:38:33,090 -[GASPS] 933 00:38:33,090 --> 00:38:35,580 THERE HE IS. 934 00:38:35,580 --> 00:38:36,570 HE'S MAKING HIS GETAWAY. 935 00:38:36,570 --> 00:38:37,820 COME ON. 936 00:38:47,030 --> 00:38:48,380 -WHY? 937 00:38:48,380 --> 00:38:50,840 WHY WOULD HE BE BLACKMAILING DOROTHY? 938 00:38:50,840 --> 00:38:52,670 -MAYBE CASPER DIDN'T KNOW ABOUT HER YOUTHFUL 939 00:38:52,670 --> 00:38:56,260 INDISCRETION AND SHE WAS FRIGHTENED HE'D FIND OUT. 940 00:38:56,260 --> 00:38:59,200 -WELL THAT'S A BIT OLD-FASHIONED, ISN'T IT? 941 00:38:59,200 --> 00:39:00,230 -WELL YOU'D BE SURPRISED HOW OLD-FASHIONED 942 00:39:00,230 --> 00:39:02,160 SOME PEOPLE CAN BE. 943 00:39:02,160 --> 00:39:02,680 THE-- 944 00:39:02,680 --> 00:39:07,270 THE REGISTRATION NUMBER IS EIGHT, FIVE, TWO, 945 00:39:07,270 --> 00:39:12,400 ONE, X, H, ZERO, SIX. 946 00:39:15,030 --> 00:39:17,210 THANK YOU, INSPECTOR. 947 00:39:17,210 --> 00:39:18,690 YES, YES. 948 00:39:18,690 --> 00:39:20,020 [SPEAKING FRENCH]. 949 00:39:20,020 --> 00:39:20,950 -[SPEAKING FRENCH]? 950 00:39:20,950 --> 00:39:22,110 -WELL, I'M PICKING UP THE LINGO. 951 00:39:22,110 --> 00:39:24,980 GIVE ME SOME SKIN. 952 00:39:24,980 --> 00:39:26,210 -RIGHT. 953 00:39:26,210 --> 00:39:28,760 NOW GET ME THE DISTANCE FROM THE ACACIA TO THE 954 00:39:28,760 --> 00:39:30,430 CAROB BY THE FENCE-- 955 00:39:30,430 --> 00:39:32,160 THE ONE WITH THE CAMELLIA CLIMBING UP IT. 956 00:39:37,090 --> 00:39:44,640 -THAT'S 5.35. 957 00:39:44,640 --> 00:39:45,130 RIGHT? 958 00:39:45,130 --> 00:39:47,840 5.35. 959 00:39:47,840 --> 00:39:50,450 WHAT IS IT? 960 00:39:50,450 --> 00:39:53,460 -WE'VE GOT THE WRONG MAN. 961 00:39:53,460 --> 00:39:54,450 -WHA-- 962 00:39:54,450 --> 00:39:58,430 WHAT-- WHAT DO YOU MEAN? 963 00:39:58,430 --> 00:40:01,130 -CASPER AND JAMES PRETTY DID HAVE ONE THING IN COMMON. 964 00:40:01,130 --> 00:40:01,620 -WHAT? 965 00:40:01,620 --> 00:40:03,090 -NEITHER OF THEM WANTED TO OPEN THESE 966 00:40:03,090 --> 00:40:04,370 GARDENS TO THE PUBLIC. 967 00:40:04,370 --> 00:40:04,660 -WELL THAT'S TRUE. 968 00:40:04,660 --> 00:40:07,160 -AND WHO WANTED TO OPEN THE GARDENS TO THE PUBLIC? 969 00:40:07,160 --> 00:40:08,340 QUENTIN. 970 00:40:08,340 --> 00:40:10,670 I REALIZED WHEN I LOOKED AT THE FENCE. 971 00:40:10,670 --> 00:40:14,560 I THINK THE WEAPON THAT KILLED JAMES PRETTY WAS A BIT OF 972 00:40:14,560 --> 00:40:18,010 FENCE POST FROM QUENTIN'S GARDEN WHERE HE WAS HAVING IT 973 00:40:18,010 --> 00:40:18,100 MENDED. 974 00:40:18,100 --> 00:40:19,870 -AND-- AND QUENTIN WAS HERE. 975 00:40:19,870 --> 00:40:21,880 WE SAW HIM JUST BEFORE THEY FOUND THE BODY. 976 00:40:21,880 --> 00:40:24,360 -AND WE'VE LEFT DOROTHY WITH HIM. 977 00:40:24,360 --> 00:40:25,610 -GOODNESS. 978 00:40:49,510 --> 00:40:52,020 -DOROTHY? 979 00:40:52,020 --> 00:40:53,830 WHERE'S DOROTHY? 980 00:40:53,830 --> 00:40:55,790 -YOU WON'T GET AWAY, QUENTIN. 981 00:40:55,790 --> 00:40:57,960 -WE KNOW YOU KILLED CASPER. 982 00:40:57,960 --> 00:41:00,560 AND JAMES PRETTY. 983 00:41:00,560 --> 00:41:02,190 -I SEE. 984 00:41:02,190 --> 00:41:04,740 -IT WAS SO STUPID OF YOU TO USE YOUR OWN FENCE POST TO 985 00:41:04,740 --> 00:41:06,320 KILL JAMES. 986 00:41:06,320 --> 00:41:08,210 -YES. 987 00:41:08,210 --> 00:41:10,330 YES, THAT WAS STUPID. 988 00:41:10,330 --> 00:41:12,870 -YOU KILLED CASPER BECAUSE YOU WANTED DOROTHY. 989 00:41:12,870 --> 00:41:14,620 -YES. 990 00:41:14,620 --> 00:41:15,770 SHE'S EVERYTHING I'VE ALWAYS WANTED. 991 00:41:15,770 --> 00:41:17,930 I LOVE HER. 992 00:41:17,930 --> 00:41:20,640 I'M NOT ASHAMED OF WHAT I'VE DONE. 993 00:41:20,640 --> 00:41:22,390 I'LL TAKE MY PUNISHMENT. 994 00:41:22,390 --> 00:41:25,660 -YOU'VE BEEN READING TOO MANY OF YOUR OWN BOOKS, QUENTIN. 995 00:41:25,660 --> 00:41:28,270 -DOROTHY. 996 00:41:28,270 --> 00:41:30,630 -OH, COME ON. 997 00:41:30,630 --> 00:41:34,870 IT'D BE SILLY TO END YOUR LIFE WITH A MELODRAMATIC GESTURE-- 998 00:41:34,870 --> 00:41:38,060 SACRIFICING YOURSELF FOR THE WOMAN YOU LOVE. 999 00:41:38,060 --> 00:41:40,650 HOW VICTORIAN OF YOU. 1000 00:41:40,650 --> 00:41:42,830 NO, QUENTIN DIDN'T KILL CASPER. 1001 00:41:45,530 --> 00:41:46,780 I DID. 1002 00:41:49,750 --> 00:41:51,290 -NICK WILL KNOW. 1003 00:41:51,290 --> 00:41:52,720 THAT POLICE WILL HAVE PICKED HIM UP BY NOW. 1004 00:41:52,720 --> 00:41:54,220 HE'LL TELL THEM EVERYTHING. 1005 00:41:54,220 --> 00:41:55,880 -OH, YES. 1006 00:41:55,880 --> 00:41:57,050 NICK WILL NEVER KEEP QUIET. 1007 00:41:57,050 --> 00:41:59,190 WHY SHOULD HE? 1008 00:41:59,190 --> 00:42:03,120 NOW WHEN HE FOUND ME, TRACKED ME DOWN, HE UNDERSTOOD THE 1009 00:42:03,120 --> 00:42:04,210 SITUATION IMMEDIATELY. 1010 00:42:04,210 --> 00:42:08,520 BUT I HADN'T TOLD CASPER ABOUT HIM. 1011 00:42:08,520 --> 00:42:11,490 HE BLED ME WHITE. 1012 00:42:11,490 --> 00:42:13,940 I STOLE THE STUPID CENTERPIECE TO PAY HIM OFF, 1013 00:42:13,940 --> 00:42:16,360 ONCE AND FOR ALL. 1014 00:42:16,360 --> 00:42:19,000 CASPER CAME BACK EARLY AND CAUGHT ME. 1015 00:42:21,910 --> 00:42:23,850 HE FELL. 1016 00:42:23,850 --> 00:42:24,010 I-- 1017 00:42:24,010 --> 00:42:24,170 I-- 1018 00:42:24,170 --> 00:42:24,340 I-- 1019 00:42:24,340 --> 00:42:25,000 I-- 1020 00:42:25,000 --> 00:42:26,260 PUSHED HIM. 1021 00:42:26,260 --> 00:42:27,510 IT WAS JUST AN ACCIDENT. 1022 00:42:30,040 --> 00:42:31,680 -AND JAMES PRETTY? 1023 00:42:31,680 --> 00:42:33,840 YOU CAN'T CLAIM THAT WASN'T PREMEDITATED. 1024 00:42:33,840 --> 00:42:36,630 YOU HAD TO TAKE A PIECE OF FENCE POST WITH YOU. 1025 00:42:36,630 --> 00:42:38,760 -YES. 1026 00:42:38,760 --> 00:42:42,950 JAMES PRETTY SAW ME COME BACK THAT NIGHT. 1027 00:42:42,950 --> 00:42:45,590 BUT LATER WHEN HE ASKED TO TALK TO ME, I THOUGHT HE'D 1028 00:42:45,590 --> 00:42:47,380 SEEN SENSE ABOUT OPENING THE GARDENS, 1029 00:42:47,380 --> 00:42:51,090 BUT QUITE THE OPPOSITE. 1030 00:42:51,090 --> 00:42:55,400 WHAT HE SAID WAS HE'D KEEP QUIET ABOUT SEEING ME THAT 1031 00:42:55,400 --> 00:42:59,500 NIGHT IF I GAVE UP THE WHOLE IDEA. 1032 00:42:59,500 --> 00:43:03,170 I CAN'T SAY IT WAS AN ACCIDENT, KILLING HIM. 1033 00:43:03,170 --> 00:43:04,580 NASTY LITTLE MAN. 1034 00:43:04,580 --> 00:43:06,450 -OH, TO HELL WITH THAT. 1035 00:43:06,450 --> 00:43:08,330 YOU TWO, BACK OFF. 1036 00:43:08,330 --> 00:43:09,220 GET INTO THE CAR. 1037 00:43:09,220 --> 00:43:16,690 WE CAN GET TO MY BOAT IN 10 MINUTES. 1038 00:43:16,690 --> 00:43:17,940 STAY WHERE YOU ARE! 1039 00:43:36,360 --> 00:43:38,830 -SO NICK DID TELL THE POLICE EVERYTHING. 1040 00:43:43,320 --> 00:43:46,180 -OH, DOROTHY, I'M SO SORRY. 1041 00:43:46,180 --> 00:43:59,460 -[SPEAKING FRENCH] 1042 00:43:59,460 --> 00:44:00,850 -WHERE HAVE YOU BEEN? 1043 00:44:00,850 --> 00:44:01,970 -I FOUND THEM. 1044 00:44:01,970 --> 00:44:02,620 -FOUND WHAT? 1045 00:44:02,620 --> 00:44:07,040 -THE "FRAMBOISE MARTYRS." IN THE LITTLE SHOP DOWN THE ROAD. 1046 00:44:07,040 --> 00:44:09,500 ONLY IT'S NOTHING TO DO WITH MARTYRS. 1047 00:44:09,500 --> 00:44:14,780 IT'S "FRAMBOISE MARTHES," LIKE IN "MARTHA," ONLY IN FRENCH. 1048 00:44:14,780 --> 00:44:15,560 SUPPOSE SHE INVENTED THEM. 1049 00:44:15,560 --> 00:44:16,830 DO YOU WANT TO TRY ONE? 1050 00:44:16,830 --> 00:44:17,580 -NO, THANKS. 1051 00:44:17,580 --> 00:44:18,260 IT'S 1052 00:44:18,260 --> 00:44:19,050 -OH, GO ON. 1053 00:44:19,050 --> 00:44:19,920 THEY'RE WONDERFUL. 1054 00:44:19,920 --> 00:44:20,910 I BOUGHT SIX. 1055 00:44:20,910 --> 00:44:22,980 -MM, ALL RIGHT. 1056 00:44:22,980 --> 00:44:24,090 YOU NEED A SPOON FOR THIS. 1057 00:44:24,090 --> 00:44:26,070 -THAT'S HALF THE FUN. 1058 00:44:26,070 --> 00:44:27,130 OH. 1059 00:44:27,130 --> 00:44:28,300 I HAD TWO IN THE SHOP. 1060 00:44:28,300 --> 00:44:29,170 WHAT DO YOU THINK? 1061 00:44:29,170 --> 00:44:29,610 GOOD, EH? 1062 00:44:29,610 --> 00:44:30,870 -MM. 1063 00:44:30,870 --> 00:44:31,820 IT'S ALL RIGHT. 1064 00:44:31,820 --> 00:44:33,230 -WHA--? 1065 00:44:33,230 --> 00:44:34,530 -OH, THERE'S AGATHE. 1066 00:44:34,530 --> 00:44:35,780 HERE, HOLD THIS. 1067 00:44:38,240 --> 00:44:40,320 BONJOUR, AGATHE. 1068 00:44:40,320 --> 00:44:40,710 -BONJOUR. 1069 00:44:40,710 --> 00:44:45,840 -WE JUST WANTED TO SAY, GOODBYE AND THANK YOU. 1070 00:44:45,840 --> 00:44:47,590 [SPEAKING FRENCH]. 1071 00:44:47,590 --> 00:44:48,940 -MM HM. 1072 00:44:48,940 --> 00:44:51,640 -NOW, THIS IS ALL THE [FRENCH] 1073 00:44:51,640 --> 00:44:52,330 THAT [FRENCH] 1074 00:44:52,330 --> 00:44:53,430 HAVE DONE SO FAR. 1075 00:44:53,430 --> 00:44:54,460 WHAT'S "SO FAR" IN FRENCH? 1076 00:44:54,460 --> 00:44:55,430 -OOH, DON'T ASK ME. 1077 00:44:55,430 --> 00:44:55,810 -MM? 1078 00:44:55,810 --> 00:44:56,320 OH, WELL ANYWAY. 1079 00:44:56,320 --> 00:44:57,780 UH, [FRENCH]-- 1080 00:44:57,780 --> 00:44:58,820 PERHAPS-- 1081 00:44:58,820 --> 00:45:01,010 UM, SOMEONE-- 1082 00:45:01,010 --> 00:45:01,720 [FRENCH]-- 1083 00:45:01,720 --> 00:45:02,910 WILL [FRENCH] 1084 00:45:02,910 --> 00:45:04,320 ALL THE [FRENCH] 1085 00:45:04,320 --> 00:45:04,910 THAT [FRENCH] 1086 00:45:04,910 --> 00:45:06,500 HAVE [FRENCH] 1087 00:45:06,500 --> 00:45:07,120 SO FAR. 1088 00:45:07,120 --> 00:45:08,000 RIGHT? 1089 00:45:08,000 --> 00:45:08,980 THANK YOU. 1090 00:45:08,980 --> 00:45:22,040 -[SPEAKING FRENCH] 1091 00:45:22,040 --> 00:45:22,430 -AU REVOIR. 1092 00:45:22,430 --> 00:45:23,680 -AU REVOIR. 1093 00:45:26,530 --> 00:45:28,290 -THAT WENT DOWN QUITE WELL, DON'T YOU THINK? 1094 00:45:28,290 --> 00:45:30,070 -YEAH, IT'S AMAZING HOW QUICKLY YOU CAN LEARN A 1095 00:45:30,070 --> 00:45:31,950 LANGUAGE IF YOU HAVE TO SPEAK IT EVERY DAY. 1096 00:45:31,950 --> 00:45:34,450 -IT'S THE ONLY WAY TO LEARN, THAT'S WHAT I ALWAYS SAY. 1097 00:45:34,450 --> 00:45:35,610 HAVE YOU GOT MY MARTHA? 1098 00:45:35,610 --> 00:45:36,050 -I-- 1099 00:45:36,050 --> 00:45:36,710 I ATE IT. 1100 00:45:36,710 --> 00:45:38,010 -I ONLY HAD ONE BITE. 1101 00:45:38,010 --> 00:45:39,620 -YEAH, BUT I THOUGHT YOU DIDN'T LIKE THEM. 1102 00:45:39,620 --> 00:45:40,520 -OH, THEY GROW ON YOU. 1103 00:45:40,520 --> 00:45:41,230 -OH, WELL GO ON. 1104 00:45:41,230 --> 00:45:43,370 I SUPPOSE YOU CAN HAVE ANOTHER ONE. 1105 00:45:43,370 --> 00:45:43,850 -MM. 1106 00:45:43,850 --> 00:45:46,230 I THINK WE SHOULD GET SOME MORE FOR THE JOURNEY. 1107 00:45:46,230 --> 00:45:46,470 -MM. 1108 00:45:46,470 --> 00:45:46,700 BETTER HURRY. 1109 00:45:46,700 --> 00:45:47,950 THERE WEREN'T MANY IN THE SHOP. 1110 00:45:50,580 --> 00:45:52,080 -(THEME SONG) 72215

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