All language subtitles for 37-TransformTool.mp4

Now I'm going to reset this for just a
moment to show you what that crop,

what the image looks like with no color
grading done to it.

So this is what it looks like,

flat raw,

no nothing.

You can see that we're on a relatively
warm white balance for shooting on

tongues and lights.

I may be warm for a regular stroke.

Regular shrobe is going to be about
5500.

I'm at 6000, so it's a little bit
warmer than that.

And that makes all of my tongues and
lights appear very gold and warm.

And

I talked about this briefly

yesterday.

But when you start to color balance
this to what is correct, like, this is

actually relatively close to

what this space looked like,

just doesn't look

as pretty.

So going back to that regular, warm,
white balance, that just makes the

whole thing look golden and reminds me
of like beauty in the beast.

That's what I thought the colors looked
like.

So

like a princess.

Now,

this is looking pretty good straight at
a camera.

But just in case you want to adjust
perspective,

here's one other way to do it.

So obviously you can change

crop angle here.

And that's not

an uncommon thing to have to adjust
when you're doing

a panorama.

Sometimes it stitches and it messes up
the horizon, and you have to tweak it a

little bit.

Super common,

but

this is a little bit of a perspective.

So the horizon is kind of slanted, and
I think it looks pretty good.

But let's say you want these vertical
lines, for whatever reason,

to be a little bit more

straight, up and down,

if you want, if you want to go that
route that's where transform

comes into play.

And you can do a little bit of lens
correction here.

So I'm just going to take a look at a
few of these different settings,

just the auto settings, to show you how
this can change the perspective.

So this is off.

This is auto

stretches around, I think a little bit
too much.

I think it overcompensates

the vertical pitch

level, just obviously levels it, which
changes it ever so slightly.

Here's your vertical

again.

I think it messes up the over it
overcompensates,

and then full tries.

Sometimes it works better than others.

What I think is pretty neat is the
guided.

And for guided, you actually actually
draw what you want, light room to align

the perspective to.

So in this particular case, you usually
need at least two, at least two lines.

I'm going to grab, let's say this line
here, and I'm going to trace,

because basically saying, this should
be vertical.

So I'm drawing the edge, right?

And so something like that.

And then this one should also be
vertical,

and it's not so there.

And that will fix that pitch for you.

And so it works a little bit better
than the regular guided one.

And if you want to kind of tweak it
even more,

you can come back into that guided,

and you can

readjust what these look like from, you
know, one way or the other.

So like, if you move it out a little
bit, it's going to

slightly change the perspective.

And so that's kind of how you can
microadjust it.

You can also come down here to the
transform selection

and microadjust it a bit here as well.

Ok?

And so this becomes a way

that you can take it from

here

to

here

just helps you with the perspective a
little bit.

You don't have to have it,

but for those of you that are looking
to tweak what

the perspective is doing here, this
becomes a really useful way to do it's

relatively, relatively quick and easy.

Ok?

So this is kind of where we're at right
now, I don't necessarily mind it.

With the original, the original pitch,
I think she looks a little bit taller

in it.

The other one looks a little bit more
straight on, almost like I went

a little bit higher with my camera to
begin with.

But the benefit of doing it this way is
I needed that ceiling detail, and if I

went higher, I would lose it because of
the perspective.

So by me shooting it a little bit low,
I'd get it.

But then I correct the perspective
after the fact.

So I get the best of both worlds.

Just two different ways you can achieve
it