All language subtitles for 15. Project 3 Creating a cinematic view

Hello everyone.

And welcome to this adabe premiere pro
video, where, in this lesson we're

going to teach you about project three,
cinematic view.

Ok?

So let's not waste any time and get
right into it.

All right.

Ok, so what is cinematic?

Ok?

Cinematic is basically a style that is
employed in the art of filmmaking and

visual storytelling

in general.

It refers to the composition, color,
type of film, camera lenses, costume,

etc.

For me, cinematic view means whatever
looks like a blockbuster movie, usually

consists of, like, white shots and
amorphic, but not always great.

And mostly the camera lens matter a
lot.

All right.

So if you're trying to create a
cinematic view with, like, a plain

video, just as I am going to know, it
will not look that

good, but we can still try to make some
ways in order to make our video

cinematic using our beautiful Adobe
premiere pro software.

Ok?

So

actually the real meaning of cinematic
is of relating, to suggestive of, or

suitable for motion pictures, or the
filming of motion pictures.

Now, this is what cinematic really is,
ok?

Now let's not waste, need time to other
thing about what cinematic is.

I hope you understood what we are going
to create today

in relation to this video.

So first here you can see that I have a
couple of videos here.

And, but you can see that the media
entangs are not similar.

In order to create a cinematic view,
you have to make sure you know which video,

which video has to have, like good
time, or a long time, or small time.

Ok.

So let's go ahead and choose the time
from

each video.

All right.

Let's choose cinematic one over here.

Now we can see that this is a view off

the

Japan

mountains over here let's pick out,
like six seconds

video.

Mark it out, mark it, end it and take
done.

Now let's choose the second warm.

I take the second one.

We'll not go well with this one.

So let's shoot the third one.

Ok, not that one.

It's just

616

months, nice.

Ok?

This shoes up six seconds.

Mark out,

mark in.

Grab the video, put it in place.

He

let's just make it a bit bigger.

So is your it's easier for us to see?

And afterwards, let's choose

number seven.

Over here,

we do something and move this clip
inside

number seven.

Scenes like a bed

here.

Six seconds,

dunk

eight.

Now let's go ahead and choose

this Swann put a sign.

Ok, I think marking it out of the cure
would be a better idea.

Save from 21 seconds.

Make this 110 seconds.

Mark out

the video,

chop it in

gait.

All right.

So from the clips I have notice over
here.

And all of them go with our videos.

So I'm going to take these four clips
over here and start at.

Ok.

Now what I'm going to do is use the

slip tool.

I mean, slide tour

and use it.

Time.

Previous video.

All right.

So now that

we are done setting up our clips.

So let's go ahead and use the pencil
over here

to create some affect orange, such as a
fading, and fight out of it.

on here,

spoil as a whisir.

It's a good curve.

Rich, and

right click

of the

very well.

Now we are done with the fading it and
fading out part.

So let's go and add an audio over here.

After that, we'll add in the fx.

Ok,

after my audio, let me put it in there.

Ok, just click and drag it.

Go right over here.

And now what I would like to do is use
the music tool.

to use the music tool to the ripple at
the tool.

Select remix tool.

Not music too.

Ok.

And

let's go to the end of this,

you know, make it bigger.

So

it's easier for us to do this.

Select this,

put it down right there.

And since it'll analyze,

it'll take a bit of time.

And afterwards

let's play the audio and see what we
get.

One minute,

ok, let's try the skin.

Ok, we can go over here, ok,

is, just cut out essential sound.

Let's go over here and use the
selection tool,

so you basically trim this out

so that the extra seconds

add up to the rest of the music.

Very good.

That should

it's a good curve.

See what it looks like.

Net,

yes, get sound ups.

Let's go over here in the beginning and

say, illustration.

But to add this.

So let me go ahead and add it.

Just press consul said over here's

goal for here,

let's add this clip over here.

So, since we know that time over here
is like,

small of time.

K, so let's just shoot slide

ten seconds, mark out,

mark in,

select video,

put it right in there.

Able to put it up

and

basically

trim it down to the time over here

in the town.

Now,

all right.

Ok.

Now that we are done with the music and
the audio set up for each clip over,

here let's go ahead and go with the
next part of the cinematic view,

ok?

Now what we'll do is basically select
all of the clips over here by pressing

shift and then clicking them, right
click, and then nest them together.

Since there are multiple clips, I want
them nested together and say this

nested sequence name is cinematic.

Ok.

Then let's press on.

Ok?

Afterwards you can see that it has
become one whole clip over here,

is ready for use.

Ok?

Now, the first step

in

cinematic view is always using
stabilize.

As you can see, my video over here is a
bit shaky, which I don't want.

So let's stabilize this.

Now, how do you stabilize?

You just have to go to our effects over
here, search and stabilized.

And you can see that the warp
stabilizers over here.

Go ahead, click and add it over here.

Hey,

after you add it, it will take some
time in order to analyze the background.

Give it some time.

After some time, it will show that it
is stabilizing.

And then it will be finally done.

All right?

Now that my video is done, stabilizing
lots, see the results, right?

Ok?

Before you can see that it was very
shaky, but now

it has stabilized.

Each of

my videos frame by frame.

Ok, there is no movement of the lens or
the view, as you can see.

It just stays in place perfectly.

All right,

ok,

let's go ahead and go to the next
effect of our cinematic view, which is

crease our speed by eighty per cent.

Now, in order to do that, first, I have
to write, click over here and click on

nest.

Because

the speed and duration and

our

warp stabilizer will not work together.

One has to leave the other in all the
work.

So after nesting, ok, let's go ahead
and right click on our

video over here, and then we'll go to
speed and duration

over here.

In speed let's

put on eighty.

Afterwards.

You can go over here into time
interpolation,

and then click on that,

and then select optical flow.

Ok,

make sure you select that and then
press.

Ok.

Afterwards let's go ahead and see what
happens.

Ok,

now our video is in like, eighty speed,
so it has slowed down a bit, as you can

clearly see,

ok,

and it's an optical slope.

Ok.

Now let's go ahead

and

use the next step over here,

which is the zoom out and zoom an
animation.

Ok.

Now what we'll do is basically go over
here and

f controls

and make sure you select this.

I would like to zoom in a bit, ok, so
let's go over here.

Let's say we zoom in our scale a bit.

So

let's zoom into

hundred and five.

Ok, we want it to be very subtle, so
that

someone notices it, but not as much.

Ok, so what I'm going to do right now
is go over here,

create a marker point.

All right,

afterwards i'll go to the end of the
video, right over here, and

then create another mark point.

Then in this market point, i'll select
it,

and then

basically go from here and make sure
it's a continuous busier.

Ok,

and then in the scale over here, I want
to put it as one old five

r, one, o, 67

approach two.

Press enter.

And now what we should notice is that
slowly the video is being zoomed in.

now here you can see that slowly the
scale is increasing and it is being

seen over here.

Now we can go over here

again, select this marker,

ok,

select it.

Let's put in one o,

sene,

are 110.

That should be better.

And afterwards, let's go again in the
beginning.

And let's see, now,

ok, it is indeed scaling inside our
video so that we can get a good feel of

it.

All right,

simply to see from here, the edges are
slowly going inside.

Ok,

all right.

So this is the effect that I actually
wanted, and it worked out

all right.

Now let's go ahead and add in limitary
color this time.

So in order to get lumentary color, go
to window.

And then afterwards, we will have to go

and select a little color.

Hey,

then over here, we have to make sure
that

we selected our file

or the video.

And then first we will go to basic
correction over here.

And in basic erection, I want you to
follow whatever I'm doing over here.

Ok,

so you put it at

that.

And I want this to be like this.

And the saturation will be a bit higher

spot here,

so that we can see our clips.

Ok.

Then afterwards, in a light, what I'd
like to do is split a bit lower.

Now, the whites, I wanted to be there,

the blacks can go up, back.

Ok.

Afterwards, I would like to make

the creative

option.

Ok.

Now, look, you can go over here, browse
and see your custom files, and then

select any of them.

Because if I select that, you can see
that it gives me these effects.

Now I can just scroll down and see what
effects I need, because Adobe already

provided me with a lot of effects,

Now let's say I went with the

fuj reel, a 500.

No,

we code back.

Ok.

This is the before and after.

Ok.

Now, what I'd like to do over here is
basically go and

put in the faded flum to, like, zero,
ok.

And then afterwards, I would like to
add a shadow tent.

So let's go ahead and do that.

Then over here, we don't need anything.

And then

let's go forward

with the next part,

where we go to curves

it's at three points over here,

elevate them a bit.

All right.

After doing that, we have to go over
here in cue and saturation.

What I'd like to do is basic people
from here,

wait

three points,

make sure that I'm selecting the curved
colors over here, then put it up just

like that.

Now I'm done with this part.

We have to go to hsul's secondary.

here, what we'll do is,

right there,

like that.

And then over here.

Since I wanted the right side,

ok, let's do that.

And then I

want this to be a bit more back,

just like that.

Ok.

Then we'll go over here, and we'll visit

a bit like that,

make it

it's the left,

do it just like that.

In trees.

I'm in decrease

the s.

And then over here, we want to make it

this,

make sure this is right here.

And then in the end, I wanted to have a
strap edge,

just like that.

Ok,

ok, now that we are done with this,

and refine, I want to put my denoise
near to eighteen,

split in 18.2.

And for blur, I want

8.6

or 8.3

or six

afterwards in

direction.

What I'd like to do is fix up some parts

so I

can see that.

And then

we were done with this part.

Let's go ahead to the next

lumic color, which is the big net.

And I would like this to be this much.

This much is enough.

let's increase the feather, or
decreasive, according to your need.

If I decrease it you'll see that we
have this circle, which I don't want.

Ok, now that we are done with the
lumetric color, I hope you have, like,

taken in whatever you need to,

whatever you need to put in into these

parts.

Ok,

now let's see up before and after.

Ok, now let's put it off.

Hey, this is before,

and this is after.

Ok, now, if I played a video on my
program monitor,

display it,

see the effect?

Now you can really see that the
cinematic view is coming into life.

All right,

truly, looks like.

And the television it's pretty nice.

All right, let's stop it.

Ok?

The last step is to, like, create bars
over here.

Ok,

so give us the real cinematic view.

So let's go ahead and do it.

Now, first, in order to do it, we have
to go over here and type and crop.

Ok?

Now, opera done.

We'll just go back to our

project over here, make a new layer.

So

let's make a new layer by selecting the
item over here, and select the

adjustment layer

and make sure it matches with your
video settings,

that's, ok.

And afterward, i'll just put in my
adjustment layer right over here.

And then what i'll do is basically
extend it

to my video.

Then i'll click on this adjustment
layer, and then, remember, we found out

crop from the effects.

Ok,

take this crop, put it in the
adjustment layer.

Afterwards

here you will see that the problem is
over here.

Ok?

Now we will just put in the crop
Numbers from top and bottom.

Ok?

From top, we need to put

eleven per cent.

select that, and take 11,

and from bottom, also eleven.

All right.

Now that we are done, setting up the
adjustment layers and also everything

over here, what i'll do right now is
export this code file,

exports

media.

All right.

And then we will go ahead and save it
in an h, 1264 formats.

And then

make sure you select your location
perfectly,

make sure it's set to skills to fit.

All right.

And afterwards, we can export this.

And then after that i'll show you the
end results.

Ok?

Now it is done exporting the fileso
let's look at the