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1
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PREVIOUSLY ON THE L WORD...
2
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ISN'T SHE AMAZING?
3
00:00:08,609 --> 00:00:10,119
THIS DOESN'T MEAN...
4
00:00:10,143 --> 00:00:11,854
WE'RE BACK TOGETHER, I KNOW.
5
00:00:11,878 --> 00:00:13,345
FOR YOU...
6
00:00:15,482 --> 00:00:17,360
AND FOR HER.
7
00:00:17,384 --> 00:00:19,062
I JUST...
8
00:00:19,086 --> 00:00:21,331
DID IT BECAUSE I WANTED TO.
9
00:00:21,355 --> 00:00:22,598
WHEN IS BENJAMIN COMING IN?
10
00:00:22,622 --> 00:00:23,767
TOMORROW AT 6:00.
11
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HE'S GOING TO CHECK
IN AT THE HOTEL,
12
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THEN HEAD OVER HERE.
13
00:00:27,227 --> 00:00:28,504
IT'S YOUR FAMILY...
14
00:00:28,528 --> 00:00:31,729
AND YOU HAVE TO
BE THERE FOR THEM.
15
00:00:33,300 --> 00:00:34,633
DON'T LAUGH, OKAY?
16
00:00:38,004 --> 00:00:41,284
WHO'S LAUGHING?
17
00:00:41,308 --> 00:00:42,419
YOU'RE IN DIRECT VIOLATION
18
00:00:42,443 --> 00:00:43,386
OF YOUR CONTRACT, OKAY?
19
00:00:43,410 --> 00:00:44,421
AND I EXPECT YOU
20
00:00:44,445 --> 00:00:45,922
TO RETURN EVERY PENNY
21
00:00:45,946 --> 00:00:48,386
OF THE MONEY I ADVANCED YOU.
22
00:00:51,185 --> 00:00:52,295
YOU DON'T...
23
00:00:52,319 --> 00:00:55,499
THINK YOU AND JENNY
ARE THE REAL DEAL?
24
00:00:55,523 --> 00:00:57,167
JENNY WOULDN'T KNOW
WHAT THE REAL DEAL WAS
25
00:00:57,191 --> 00:00:59,671
IF IT BIT HER IN THE ASS.
26
00:01:41,702 --> 00:01:43,501
GO ON, ASK HER.
27
00:01:45,172 --> 00:01:46,816
NO, YOU.
28
00:01:46,840 --> 00:01:49,280
I JUST WANT TO GET
MY BOOK SIGNED.
29
00:01:52,412 --> 00:01:54,791
MISS SPARKLE...
30
00:01:54,815 --> 00:01:58,428
I THINK I'VE ONLY HAD
THREE CLASSES OF ORGASMS.
31
00:01:58,452 --> 00:02:01,230
HOW DO I GET TO THE
SIXTH OR SEVENTH?
32
00:02:01,254 --> 00:02:02,332
YOU NEED TO EXPERIMENT.
33
00:02:02,356 --> 00:02:05,335
TRY A NEW LOVER. TRY SEVERAL.
34
00:02:05,359 --> 00:02:06,436
BUT IN YOUR BOOK...
35
00:02:06,460 --> 00:02:07,626
SHH...
36
00:02:43,797 --> 00:02:45,208
THAT WAS DIVINE.
37
00:02:45,232 --> 00:02:46,676
DO YOU TAKE REQUESTS?
38
00:02:46,700 --> 00:02:48,344
WELL, WHAT'S YOUR DESIRE?
39
00:02:48,368 --> 00:02:50,435
YOUR PLEASURE.
40
00:03:11,225 --> 00:03:13,558
YOU READY FOR NUMBER FOUR?
41
00:03:45,158 --> 00:03:46,336
OH, MY GOD.
42
00:03:46,360 --> 00:03:47,970
YEAH. YES.
43
00:03:47,994 --> 00:03:50,106
YEAH. YEAH. YEAH!
44
00:03:50,130 --> 00:03:51,507
OH, OH...
45
00:03:51,531 --> 00:03:52,608
YEAH!
46
00:03:52,632 --> 00:03:55,912
OH... OH...
47
00:03:55,936 --> 00:03:57,614
YEAH, DON'T STOP. DON'T STOP.
48
00:03:57,638 --> 00:03:59,382
DON'T STOP! DON'T STOP!
49
00:05:09,643 --> 00:05:14,690
I'M 14 YEARS OLD,
50
00:05:14,714 --> 00:05:17,093
AND I'M A VIRGIN.
51
00:05:17,117 --> 00:05:18,594
MY PUSSY'S NEVER BEEN TOUCHED
52
00:05:18,618 --> 00:05:20,763
BY A BIG COCK BEFORE,
53
00:05:20,787 --> 00:05:23,333
AND I WANT YOU TO FUCK ME.
54
00:05:23,357 --> 00:05:25,635
HERE'S MY PUSSY.
55
00:05:25,659 --> 00:05:28,571
I WANT YOU...
56
00:05:28,595 --> 00:05:31,574
TO TAKE YOUR BIG COCK,
57
00:05:31,598 --> 00:05:34,910
AND I WANT YOU TO
SHOVE IT UP MY ASS.
58
00:05:34,934 --> 00:05:37,413
A BOY HAS NEVER
SEEN MY TITS BEFORE.
59
00:05:39,272 --> 00:05:41,017
JENNY?
60
00:05:41,041 --> 00:05:43,708
COME IN.
61
00:05:46,046 --> 00:05:48,012
JENNY, YOU HAVE
NO IDEA WHAT'S...
62
00:05:51,218 --> 00:05:53,430
NO, THIS IS NOT WHAT I WANT.
63
00:05:53,454 --> 00:05:55,765
JENNY, YOU HAVE THE
WRONG IDEA ABOUT THIS.
64
00:05:55,789 --> 00:05:57,688
PLEASE...
65
00:05:59,492 --> 00:06:01,470
IS THAT MY CAMERA?
66
00:06:01,494 --> 00:06:02,771
YEAH, AND I'M
GOING TO USE IT NOW.
67
00:06:02,795 --> 00:06:03,940
THAT'S MY TAPE
68
00:06:03,964 --> 00:06:05,775
OF SHANE AND CARMEN.
69
00:06:05,799 --> 00:06:07,799
I DON'T REALLY THINK
THAT'S YOUR TAPE.
70
00:06:09,002 --> 00:06:10,212
LOOK...
71
00:06:10,236 --> 00:06:11,681
I KNOW WHAT YOU
THINK OF ME RIGHT NOW.
72
00:06:11,705 --> 00:06:14,617
I KNOW THAT I DON'T HAVE A
VERY GOOD TRACK RECORD WITH...
73
00:06:14,641 --> 00:06:16,385
YOU HAVE VIOLATED US.
74
00:06:16,409 --> 00:06:17,420
I WANT TO MAKE A DOCUMENTARY.
75
00:06:17,444 --> 00:06:18,621
YOU ARE VIOLATING US. I KNOW.
76
00:06:18,645 --> 00:06:22,291
YOU HAVE CROSSED
EVERY LINE OF TRUST,
77
00:06:22,315 --> 00:06:24,294
AND DON'T YOU DARE TELL ME
78
00:06:24,318 --> 00:06:25,795
THIS WAS FOR THE SAKE OF ART.
79
00:06:25,819 --> 00:06:26,796
PLEASE...
80
00:06:26,820 --> 00:06:28,264
WATCH MY DOCUMENTARY.
81
00:06:28,288 --> 00:06:29,298
YOU KNOW ME.
82
00:06:29,322 --> 00:06:30,367
YOU'LL UNDERSTAND.
83
00:06:30,391 --> 00:06:32,001
IT'S NOT WHAT YOU THINK IT IS.
84
00:06:32,025 --> 00:06:33,803
I KNOW THAT I CROSSED THE LINE.
85
00:06:33,827 --> 00:06:35,471
I KNOW THAT I WENT
TOO FAR WITH THIS.
86
00:06:35,495 --> 00:06:37,073
LOOK, WHEN I MOVED HERE,
87
00:06:37,097 --> 00:06:38,674
THIS WAS JUST SOMETHING
I DID, YOU KNOW?
88
00:06:38,698 --> 00:06:39,676
BUT YOU HAVE TO KNOW...
89
00:06:39,700 --> 00:06:42,433
DO YOU HAVE ANY SISTERS?
90
00:06:44,103 --> 00:06:45,915
YES, I HAVE TWO YOUNGER SISTERS.
91
00:06:45,939 --> 00:06:47,549
OKAY.
92
00:06:47,573 --> 00:06:48,885
I WANT YOU TO ASK THEM
93
00:06:48,909 --> 00:06:50,709
A QUESTION...
94
00:06:52,613 --> 00:06:54,023
AND THE MOST IMPORTANT THING
95
00:06:54,047 --> 00:06:57,059
IS THAT YOU REALLY
LISTEN TO THEIR ANSWER.
96
00:06:57,083 --> 00:06:59,996
I WANT YOU TO ASK YOUR SISTERS
97
00:07:00,020 --> 00:07:01,998
ABOUT THE VERY FIRST TIME
98
00:07:02,022 --> 00:07:03,666
THAT THEY WERE INTRUDED UPON
99
00:07:03,690 --> 00:07:06,130
BY SOME MAN, OR A BOY.
100
00:07:07,394 --> 00:07:08,671
WHAT MAKES YOU THINK
101
00:07:08,695 --> 00:07:09,972
THAT MY SISTERS HAVE
BEEN INTRUDED UPON?
102
00:07:09,996 --> 00:07:11,474
BECAUSE THERE ISN'T A
SINGLE GIRL OR WOMAN
103
00:07:11,498 --> 00:07:12,575
IN THIS WORLD
104
00:07:12,599 --> 00:07:14,477
THAT HASN'T BEEN INTRUDED UPON,
105
00:07:14,501 --> 00:07:16,713
AND SOMETIMES, IT'S
RELATIVELY BENIGN,
106
00:07:16,737 --> 00:07:18,114
AND SOMETIMES,
107
00:07:18,138 --> 00:07:20,550
IT'S SO FUCKING PAINFUL
108
00:07:20,574 --> 00:07:22,485
THAT YOU...
109
00:07:22,509 --> 00:07:24,853
HAVE NO IDEA...
110
00:07:24,877 --> 00:07:27,946
WHAT THIS FEELS LIKE.
111
00:07:32,986 --> 00:07:34,196
FOR WHAT IT'S WORTH,
112
00:07:34,220 --> 00:07:35,598
I ALREADY BEGAN TAKING
DOWN THE CAMERAS,
113
00:07:35,622 --> 00:07:38,134
AND I WILL FINISH TAKING
DOWN THE REST OF THEM
114
00:07:38,158 --> 00:07:40,369
I'M GOING TO GO TELL
SHANE NOW WHAT I'VE DONE.
115
00:07:40,393 --> 00:07:41,537
YOU GUYS CAN TALK... NO.
116
00:07:41,561 --> 00:07:42,672
YOU DON'T EVER HAVE
TO SPEAK TO ME AGAIN.
117
00:07:42,696 --> 00:07:43,739
I'M GOING TO PACK MY SHIT AND...
118
00:07:43,763 --> 00:07:45,207
I SAID NO.
119
00:07:45,231 --> 00:07:48,077
YOU'RE NOT GOING
TO TALK TO CARMEN,
120
00:07:48,101 --> 00:07:49,912
AND YOU'RE NOT GOING
TO TALK TO SHANE.
121
00:07:49,936 --> 00:07:52,581
YOU'RE NOT GOING TO
WRECK THEIR VACATION
122
00:07:52,605 --> 00:07:53,683
AND FUCK WITH THEIR LIVES
123
00:07:53,707 --> 00:07:55,284
ANYMORE.
124
00:07:55,308 --> 00:07:57,554
I'M GOING TO DECIDE...
125
00:07:57,578 --> 00:08:00,578
WHEN YOU CAN TAKE THOSE
RAPEY CAMERAS DOWN.
126
00:08:03,283 --> 00:08:06,517
NOW, GET THE FUCK
OUT OF MY ROOM.
127
00:08:18,664 --> 00:08:20,009
THERE YOU GO.
128
00:08:20,033 --> 00:08:21,033
THANK YOU.
129
00:08:24,303 --> 00:08:25,881
YEAH, THANKS.
130
00:08:25,905 --> 00:08:28,818
AND WHAT WOULD YOU LIKE TODAY?
131
00:08:28,842 --> 00:08:30,352
I'LL HAVE AN ORGANIC SALAD
132
00:08:30,376 --> 00:08:32,288
AND A CAFE AMERICANO.
133
00:08:32,312 --> 00:08:33,756
OKAY.
134
00:08:33,780 --> 00:08:36,359
OKAY, HERE YOU ARE.
135
00:08:36,383 --> 00:08:38,060
THANKS.
136
00:08:38,084 --> 00:08:39,528
AND WHAT WOULD YOU LIKE?
137
00:08:39,552 --> 00:08:40,697
I'D LIKE TO KNOW
138
00:08:40,721 --> 00:08:45,401
IF THE LADY WILL
JOIN ME FOR LUNCH.
139
00:08:45,425 --> 00:08:47,706
BENJAMIN, I'M REALLY BUSY.
140
00:08:49,396 --> 00:08:50,773
AND WHAT WOULD YOU LIKE?
141
00:08:50,797 --> 00:08:52,208
THEN DINNER...
142
00:08:52,232 --> 00:08:55,367
FOLLOWED BY BREAKFAST IN BED.
143
00:09:04,077 --> 00:09:06,789
YOU'RE LISTENING TO KCRW.
144
00:09:06,813 --> 00:09:09,358
THIS IS ALICE
PIESZECKI OF THE CHART.
145
00:09:11,184 --> 00:09:13,897
UH, TODAY, MY SPECIAL
GUEST ON THE CHART
146
00:09:13,921 --> 00:09:15,364
IS MY GIRLFRIEND,
DANA FAIRBANKS.
147
00:09:15,388 --> 00:09:16,799
NOW, DANA... HI.
148
00:09:16,823 --> 00:09:18,033
OKAY.
149
00:09:18,057 --> 00:09:19,802
UH, WHO IS RESPONSIBLE
150
00:09:19,826 --> 00:09:21,537
FOR TODAY'S PIECE OF
INTERCONNECTEDNESS.
151
00:09:21,561 --> 00:09:23,505
DANA GOT INVITED TO SPEAK
152
00:09:23,529 --> 00:09:25,407
ON THE LIFESTYLE
LEADERSHIP PANEL
153
00:09:25,431 --> 00:09:26,709
ON AN OLIVIA CRUISE FOR WOMEN...
154
00:09:26,733 --> 00:09:28,010
FOR GAY WOMEN, ACTUALLY.
155
00:09:28,034 --> 00:09:29,012
OKAY.
156
00:09:29,036 --> 00:09:30,513
IT'S CALLED
157
00:09:30,537 --> 00:09:32,582
LOVE AND FRIENDSHIP,
158
00:09:32,606 --> 00:09:36,886
AND IT'S GOING TO BE ME,
AND PHOEBE SPARKLE, AND...
159
00:09:36,910 --> 00:09:38,854
DANA, I'M NOT REALLY
READY TO GO THERE YET.
160
00:09:39,947 --> 00:09:41,190
SO SHE'S TAKING ME,
161
00:09:41,214 --> 00:09:44,760
AND ALSO OUR FRIENDS
JENNY, SHANE, AND CARMEN.
162
00:09:44,784 --> 00:09:46,495
NOW, JUST TO
DIGRESS FOR A MINUTE
163
00:09:46,519 --> 00:09:49,132
INTO LESBIAN LINKAGE 101,
164
00:09:49,156 --> 00:09:51,400
ORIGINALLY, SHANE
AND CARMEN HOOKED UP,
165
00:09:51,424 --> 00:09:54,237
BUT NOW CARMEN IS SEEING JENNY,
166
00:09:54,261 --> 00:09:56,472
WHO'S TOTALLY COMING
OUT OF THE CLOSET.
167
00:09:56,496 --> 00:09:58,007
YOU CAN'T TELL THEM THAT, ALICE.
168
00:09:58,031 --> 00:10:01,465
UM, ANYWAY, BACK TO THE
BIG WEB OF CONNECTIVITY.
169
00:10:03,136 --> 00:10:05,581
ONE OF MY MAJOR
IDOLS, PHOEBE SPARKLE,
170
00:10:05,605 --> 00:10:08,350
A BRILLIANT WRITER AND
ACCLAIMED SEXPERT...
171
00:10:08,374 --> 00:10:09,985
AND SHE'S A VERY NICE...
172
00:10:10,009 --> 00:10:11,721
WHAT SHE, UH, IS
GOING TO BE DOING
173
00:10:11,745 --> 00:10:13,745
IS SPEAKING ON THE
PANEL WITH DANA.
174
00:10:16,082 --> 00:10:17,960
HI, MOM.
175
00:10:17,984 --> 00:10:19,762
AS YOU CAN SEE,
176
00:10:19,786 --> 00:10:21,998
I HAVE ALL OUR
FAMILY PICTURES HERE,
177
00:10:22,022 --> 00:10:24,834
AND I'M VIDEOTAPING THIS,
178
00:10:24,858 --> 00:10:27,236
BECAUSE I HAVE A COUPLE
OF QUESTIONS FOR YOU
179
00:10:27,260 --> 00:10:30,173
ABOUT ZAYDA.
180
00:10:30,197 --> 00:10:35,044
I WOULD LIKE TO KNOW
IF ZAYDA LOST HIS MIND
181
00:10:35,068 --> 00:10:38,113
WHEN HE BEGAN TO
TRANSCRIBE THE TORAH BY HAND,
182
00:10:38,137 --> 00:10:43,119
OR DID THAT CAUSE
HIM TO LOSE HIS MIND?
183
00:10:43,143 --> 00:10:47,123
DO YOU REMEMBER THE
DAY THEY TOOK HIM AWAY?
184
00:10:47,147 --> 00:10:50,226
AND THEN I WANTED
TO ASK YOU QUESTIONS
185
00:10:50,250 --> 00:10:52,462
ABOUT GRANDMA,
186
00:10:52,486 --> 00:10:54,464
OR GRANDMA, IF
YOU'RE WATCHING THIS,
187
00:10:54,488 --> 00:10:56,331
I WANTED TO ASK YOU QUESTIONS
188
00:10:56,355 --> 00:10:58,801
ABOUT YOUR
EXPERIENCE IN AUSCHWITZ.
189
00:10:58,825 --> 00:11:00,502
I WANTED TO KNOW
190
00:11:00,526 --> 00:11:02,772
IF WHEN YOU
ARRIVED IN AUSCHWITZ,
191
00:11:02,796 --> 00:11:05,475
DID THEY SEPARATE YOU
FROM YOUR DAUGHTER?
192
00:11:05,499 --> 00:11:09,378
AND I WANTED TO KNOW
193
00:11:09,402 --> 00:11:10,947
IF YOU REMEMBER THE NAME
OF THE UNTERSCHARFUHRER
194
00:11:10,971 --> 00:11:12,949
WHO TOOK YOUR ARM
195
00:11:12,973 --> 00:11:16,285
AND BRANDED YOU
WITH THAT TATTOO.
196
00:11:16,309 --> 00:11:19,121
DO YOU REMEMBER HIS EYES?
197
00:11:19,145 --> 00:11:23,759
DO YOU REMEMBER IF
HE USED A STEEL PLATE...
198
00:11:25,018 --> 00:11:28,664
OR DID HE USE A NEEDLE?
199
00:11:28,688 --> 00:11:30,699
I'M REALLY SORRY TO INTERRUPT.
200
00:11:30,723 --> 00:11:31,768
I JUST...
201
00:11:31,792 --> 00:11:32,935
WANTED TO SAY HELLO TO YOU,
202
00:11:32,959 --> 00:11:33,936
BUT YOU KNOW WHAT?
203
00:11:33,960 --> 00:11:35,004
I CAN COME BACK AT ANOTHER TIME
204
00:11:35,028 --> 00:11:36,004
IF, UM...
205
00:11:36,028 --> 00:11:37,106
NO, IT'S OKAY.
206
00:11:37,130 --> 00:11:38,107
ARE YOU SURE? YEAH.
207
00:11:38,131 --> 00:11:39,942
I'M JUST WORKING ON A...
208
00:11:39,966 --> 00:11:41,710
PROJECT ABOUT MY FAMILY.
209
00:11:41,734 --> 00:11:43,212
WOW.
210
00:11:43,236 --> 00:11:44,747
THIS IS MY FAMILY.
211
00:11:44,771 --> 00:11:46,048
OH, MY GOODNESS.
212
00:11:46,072 --> 00:11:47,817
AND I'M MAKING A
TAPE FOR MY MOM.
213
00:11:47,841 --> 00:11:51,253
SAY HI TO MY FRIEND CARMEN.
214
00:11:51,277 --> 00:11:54,656
UM, HELLO, MRS. SCHECTER.
215
00:11:54,680 --> 00:11:57,193
AND THAT IS MY MOM.
216
00:11:57,217 --> 00:12:01,430
SHE'S BEAUTIFUL.
217
00:12:01,454 --> 00:12:03,266
OH...
218
00:12:03,290 --> 00:12:04,600
UM...
219
00:12:04,624 --> 00:12:05,701
HAVE YOU PACKED?
220
00:12:05,725 --> 00:12:06,802
NO.
221
00:12:06,826 --> 00:12:08,137
DO YOU WANT ME TO HELP YOU START
222
00:12:08,161 --> 00:12:09,105
OR SOMETHING?
223
00:12:09,129 --> 00:12:10,440
I TOTALLY FORGOT.
224
00:12:10,464 --> 00:12:14,043
I'VE JUST BEEN SO
ENGROSSED IN THIS PROJECT,
225
00:12:14,067 --> 00:12:15,411
AND I'M REALLY INTO IT, SO...
226
00:12:16,802 --> 00:12:18,214
I'VE DECIDED I'M NOT
COMING ON THE TRIP.
227
00:12:18,238 --> 00:12:20,148
I WANT YOU TO GO
AWAY WITH SHANE.
228
00:12:20,172 --> 00:12:21,818
WHAT?
229
00:12:21,842 --> 00:12:23,052
YEP.
230
00:12:23,076 --> 00:12:24,286
WITH SHANE? WHY...
231
00:12:24,310 --> 00:12:25,921
YEAH, BECAUSE I THINK
232
00:12:25,945 --> 00:12:27,923
YOU GUYS WILL HAVE
A BLAST TOGETHER.
233
00:12:27,947 --> 00:12:29,425
JENNY, ABSOLUTELY NOT.
234
00:12:29,449 --> 00:12:32,027
YOU ARE NOT GOING
TO PULL OUT OF THIS.
235
00:12:32,051 --> 00:12:33,028
YOU KNOW...
236
00:12:33,052 --> 00:12:34,096
NO EXCUSES. NO. YOU'RE COMING.
237
00:12:34,120 --> 00:12:35,831
THIS IS NOT AN EXCUSE.
238
00:12:35,855 --> 00:12:37,132
WHEN BURR CONNOR
FIRED ME, HE JUST...
239
00:12:37,156 --> 00:12:38,434
THE BEST THING THAT CAME
OUT OF THAT EXPERIENCE
240
00:12:38,458 --> 00:12:39,802
WAS HE WAS, LIKE,
241
00:12:39,826 --> 00:12:41,470
"YOU'VE GOT TO TELL THE
TRUTH ABOUT YOUR LIFE,
242
00:12:41,494 --> 00:12:43,506
AND YOU HAVE TO BE
TRUTHFUL ABOUT YOUR WORK,"
243
00:12:43,530 --> 00:12:44,740
AND THAT'S ALL I WANT TO DO,
244
00:12:44,764 --> 00:12:46,174
IS JUST TELL THE
FUCKING TRUTH, AND...
245
00:12:46,198 --> 00:12:47,777
ALL RIGHT, OKAY,
FINE, FINE, FINE.
246
00:12:47,801 --> 00:12:49,378
WELL, HERE'S A TRUTH.
247
00:12:49,402 --> 00:12:50,679
I WOULD LIKE TO GO
WITH MY GIRLFRIEND,
248
00:12:50,703 --> 00:12:52,781
SO, YOU KNOW...
249
00:12:52,805 --> 00:12:54,305
WHO'S THAT?
250
00:12:55,875 --> 00:12:58,220
IT'S YOU.
251
00:12:58,244 --> 00:13:00,645
PLEASE JUST TELL ME THE TRUTH.
252
00:13:02,248 --> 00:13:03,826
YES, DO YOU THINK
253
00:13:03,850 --> 00:13:05,828
WE COULD PULL THESE STRAPS UP
254
00:13:05,852 --> 00:13:06,929
A LITTLE?
255
00:13:06,953 --> 00:13:09,365
BECAUSE THIS...
256
00:13:09,389 --> 00:13:11,601
IS WHAT I WANT TO SEE.
257
00:13:11,625 --> 00:13:13,336
NO PROBLEM AT ALL.
258
00:13:13,360 --> 00:13:15,037
GOOD.
259
00:13:15,061 --> 00:13:16,405
WE'LL TAKE IT.
260
00:13:16,429 --> 00:13:19,041
CAN YOU EXCUSE US
FOR A MINUTE, PLEASE?
261
00:13:19,065 --> 00:13:20,175
OF COURSE.
262
00:13:20,199 --> 00:13:21,199
THANKS.
263
00:13:22,602 --> 00:13:24,380
THIS IS A $5,000 DRESS.
264
00:13:24,404 --> 00:13:26,181
THEY'RE GIVING ME AN AWARD
265
00:13:26,205 --> 00:13:27,783
FOR COMMUNITY SERVICE.
266
00:13:27,807 --> 00:13:29,251
I DON'T WANT TO SHOW
UP IN SOME SORT OF...
267
00:13:29,275 --> 00:13:32,154
EXTRAVAGANT, OVER-THE-TOP GOWN.
268
00:13:32,178 --> 00:13:35,246
THAT MONEY CAN BE USED
IN SO MANY OTHER WAYS.
269
00:13:38,618 --> 00:13:42,030
TINA, PLEASE, DON'T TELL ME
270
00:13:42,054 --> 00:13:45,067
WHAT I CAN AND CANNOT
SPEND MY OWN MONEY ON.
271
00:13:45,091 --> 00:13:47,669
DO YOU KNOW HOW MUCH MONEY
272
00:13:47,693 --> 00:13:50,439
I PERSONALLY GIVE
AWAY EVERY YEAR?
273
00:13:50,463 --> 00:13:52,341
HOW MANY CHARITIES
274
00:13:52,365 --> 00:13:55,043
THE PEABODY FOUNDATION SPONSORS?
275
00:13:55,067 --> 00:13:56,745
I MEAN...
276
00:13:56,769 --> 00:13:59,648
IT WOULD GIVE ME
THE UTMOST PLEASURE
277
00:13:59,672 --> 00:14:01,884
TO BUY YOU THIS DRESS,
278
00:14:01,908 --> 00:14:04,486
SO, PLEASE...
279
00:14:04,510 --> 00:14:07,579
BE GRACIOUS ENOUGH TO LET ME.
280
00:14:13,886 --> 00:14:15,586
WE'LL TAKE IT.
281
00:14:17,790 --> 00:14:20,191
DID I MENTION I INVITED BETTE?
282
00:14:21,627 --> 00:14:23,272
WHAT?
283
00:14:23,296 --> 00:14:25,830
HEY, SHANE, COME HERE.
284
00:14:27,467 --> 00:14:29,111
HEY.
285
00:14:29,135 --> 00:14:30,245
OKAY, I HAVE
SOMETHING TO TELL YOU.
286
00:14:30,269 --> 00:14:31,514
THIS ONE RIGHT HERE,
287
00:14:31,538 --> 00:14:32,514
SHE DOESN'T WANT TO GO.
288
00:14:32,538 --> 00:14:33,916
WHAT?
289
00:14:33,940 --> 00:14:35,418
NOT GOING.
290
00:14:35,442 --> 00:14:36,652
YOU'RE GOING ON THAT CRUISE.
291
00:14:36,676 --> 00:14:37,652
I'M NOT GOING.
292
00:14:37,676 --> 00:14:38,654
YES, YOU ARE.
293
00:14:38,678 --> 00:14:39,855
NO, I'M NOT.
294
00:14:39,879 --> 00:14:41,190
I DON'T WANT TO.
295
00:14:41,214 --> 00:14:42,424
YOU KNOW WHY?
296
00:14:42,448 --> 00:14:43,625
I'M ACTUALLY WORKING
ON SOMETHING
297
00:14:43,649 --> 00:14:44,961
THAT'S IMPORTANT TO ME,
298
00:14:44,985 --> 00:14:46,295
AND I JUST DON'T WANT
TO FUCK AROUND ANYMORE,
299
00:14:46,319 --> 00:14:47,629
AND I WANT TO BE SERIOUS
300
00:14:47,653 --> 00:14:48,997
ABOUT MY WORK.
301
00:14:49,021 --> 00:14:50,665
FUCK IT.
302
00:14:50,689 --> 00:14:52,501
IF YOU'RE NOT
GOING, I'M NOT GOING.
303
00:14:52,525 --> 00:14:53,602
WHAT?
304
00:14:53,626 --> 00:14:54,736
WAIT A MINUTE!
305
00:14:54,760 --> 00:14:55,838
NO, COME BACK HERE.
306
00:14:55,862 --> 00:14:57,473
IF YOU DON'T GO
AND IF YOU DON'T GO,
307
00:14:57,497 --> 00:14:58,640
THEN I'M NOT GOING TO GO,
308
00:14:58,664 --> 00:15:00,075
AND I WANTED TO GO,
309
00:15:00,099 --> 00:15:01,377
AND I GUESS DANA AND ALICE
310
00:15:01,401 --> 00:15:02,711
ARE JUST GOING TO
HAVE TO BE PISSED,
311
00:15:02,735 --> 00:15:03,778
BECAUSE NO ONE'S GOING TO GO.
312
00:15:03,802 --> 00:15:04,880
OH, MY GOD!
313
00:15:04,904 --> 00:15:05,881
I'M NOT GOING TO GO!
314
00:15:05,905 --> 00:15:08,684
I'M GOING TO GO.
I'M GOING TO GO.
315
00:15:08,708 --> 00:15:10,319
I'M GOING TO GO.
WE'RE GOING TO...
316
00:15:10,343 --> 00:15:14,111
WE'RE GOING TO BE A
FUCKING THREESOME, MAN.
317
00:15:17,917 --> 00:15:19,061
BUT WE'RE BOTH
STILL TAKING GINGER,
318
00:15:19,085 --> 00:15:20,829
NO MATTER WHAT, ALL RIGHT?
319
00:15:20,853 --> 00:15:22,264
OH, AND JUST IN CASE,
320
00:15:22,288 --> 00:15:24,267
I'VE GOT THESE TWO
THINGS FOR SEASICKNESS.
321
00:15:24,291 --> 00:15:25,801
YOU'RE NOT GOING TO GET SEASICK.
322
00:15:25,825 --> 00:15:27,002
THERE'S NO REASON FOR BOTH OF US
323
00:15:27,026 --> 00:15:29,838
TO TAKE THINGS LIKE
TOOTHPASTE, OR...
324
00:15:29,862 --> 00:15:31,873
RAZORS,
325
00:15:31,897 --> 00:15:34,610
OR Q-TIPS, OR HAND SANITIZER.
326
00:15:34,634 --> 00:15:35,978
AL?
327
00:15:36,002 --> 00:15:37,046
HMM?
328
00:15:37,070 --> 00:15:38,803
WHAT'S WRONG?
329
00:15:40,774 --> 00:15:42,039
NOTHING.
330
00:15:43,409 --> 00:15:44,953
YES, THERE IS.
331
00:15:44,977 --> 00:15:47,389
OKAY,
332
00:15:47,413 --> 00:15:49,893
BEFORE WE GET ON THE GIANT
BOAT THAT SINKS WITH YOU MAD AT ME.
333
00:15:50,583 --> 00:15:52,316
ALICE...
334
00:15:54,220 --> 00:15:56,532
LOOK, I AM A WRECK
ABOUT THIS CRUISE,
335
00:15:56,556 --> 00:15:58,267
AND YOU'RE NOT HELPING.
336
00:15:58,291 --> 00:16:00,836
HOW WOULD YOU FEEL,
DANA, IF I CAME DOWN
337
00:16:00,860 --> 00:16:03,761
AND I JUST INTERRUPTED
ONE OF YOUR MATCHES, OR...
338
00:16:05,565 --> 00:16:07,998
CORRECTED ONE OF YOUR SHOTS?
339
00:16:10,203 --> 00:16:11,213
OKAY.
340
00:16:11,237 --> 00:16:12,381
IS THIS ABOUT ME
TALKING ON YOUR SHOW?
341
00:16:12,405 --> 00:16:13,382
YOU WEREN'T TALKING.
342
00:16:13,406 --> 00:16:14,549
YOU WERE INTERRUPTING ME,
343
00:16:14,573 --> 00:16:16,451
AND YOU DIDN'T EVEN
RESPECT THE FACT
344
00:16:16,475 --> 00:16:18,054
THAT IT WAS MY GIG,
345
00:16:18,078 --> 00:16:20,411
AND I FEEL LIKE I'M
ALWAYS THERE FOR YOU.
346
00:16:30,156 --> 00:16:32,757
I'M REALLY SORRY.
347
00:16:46,572 --> 00:16:48,250
I'M SUCH AN ASS.
348
00:16:48,274 --> 00:16:49,518
IT'S ALL RIGHT.
349
00:16:49,542 --> 00:16:50,919
SORRY, I JUST HATE
THESE CRUISES.
350
00:16:50,943 --> 00:16:53,977
I JUST GET REALLY SEASICK
AND SCARED, YOU KNOW?
351
00:16:56,115 --> 00:16:57,225
YOU DON'T HAVE
TO BE THAT SCARED.
352
00:16:57,249 --> 00:16:58,394
I'M GOING TO BE THERE
353
00:16:58,418 --> 00:16:59,695
TO TAKE CARE OF YOU, BABY.
354
00:16:59,719 --> 00:17:02,197
MM.
355
00:17:02,221 --> 00:17:03,599
LOOK AT IT THIS WAY...
356
00:17:03,623 --> 00:17:06,501
NO ONE EVER GOT
SICK ON THE LOVE BOAT.
357
00:17:06,525 --> 00:17:07,836
ACTUALLY, THAT'S NOT TRUE.
358
00:17:07,860 --> 00:17:10,572
COREY PARKER, WHO
PLAYED THE SHIP'S DOCTOR,
359
00:17:10,596 --> 00:17:11,674
HE WAS HORRIBLY SEASICK.
360
00:17:11,698 --> 00:17:12,975
NO, NO, NO.
361
00:17:12,999 --> 00:17:14,409
THE SHIP'S DOCTOR
WAS BERNIE KOPELL.
362
00:17:14,433 --> 00:17:15,911
DR. ADAM BRICKER.
363
00:17:15,935 --> 00:17:17,146
RIGHT, AND THEN COREY PARKER
364
00:17:17,170 --> 00:17:20,783
PLAYED DR. JOHN
MORGAN, HIS REPLACEMENT.
365
00:17:20,807 --> 00:17:22,117
IT WAS THE SEQUEL,
366
00:17:22,141 --> 00:17:23,218
THE NEXT WAVE.
367
00:17:23,242 --> 00:17:24,720
WELL, YEAH, BUT
THAT DOESN'T COUNT.
368
00:17:24,744 --> 00:17:28,023
I MEAN, IF IT DOESN'T HAVE
GOPHER AND ISAAC WASHINGTON
369
00:17:28,047 --> 00:17:29,892
AND, YOU KNOW,
CAPTAIN MERRILL STUBING,
370
00:17:29,916 --> 00:17:31,293
THAT'S NOT THE LOVE BOAT.
371
00:17:31,317 --> 00:17:32,460
AND DON'T FORGET JULIE.
372
00:17:32,484 --> 00:17:34,397
HELLO.
373
00:17:34,421 --> 00:17:35,720
REALLY?
374
00:17:38,524 --> 00:17:39,435
HEY.
375
00:17:39,459 --> 00:17:40,536
HEY.
376
00:17:40,560 --> 00:17:42,304
YOU SCARED ME.
377
00:17:42,328 --> 00:17:44,628
HOW'S THE PACKING COMING ALONG?
378
00:17:48,000 --> 00:17:50,112
WHAT'S UP WITH YOU?
379
00:17:50,136 --> 00:17:52,147
YOU'RE LIABLE TO
HEAR SHIT ABOUT ME
380
00:17:52,171 --> 00:17:53,582
WHILE YOU'RE GONE,
381
00:17:53,606 --> 00:17:55,684
AND SINCE I WON'T BE
THERE TO DEFEND MYSELF,
382
00:17:55,708 --> 00:17:58,087
I JUST...
383
00:17:58,111 --> 00:18:00,411
I DON'T WANT YOU TO
THINK I'M A TOTAL ASSHOLE.
384
00:18:02,348 --> 00:18:03,358
WHAT DID YOU DO?
385
00:18:03,382 --> 00:18:04,726
I CAN'T TELL YOU.
386
00:18:04,750 --> 00:18:05,994
I'M SORRY.
387
00:18:06,018 --> 00:18:07,096
I PROMISE YOU
388
00:18:07,120 --> 00:18:09,040
YOU'LL FIND OUT
EVENTUALLY, THOUGH.
389
00:18:13,626 --> 00:18:15,771
YOU'RE BEING REALLY INTENSE
AND CRYPTIC RIGHT NOW.
390
00:18:15,795 --> 00:18:17,172
YEAH, WELL,
391
00:18:17,196 --> 00:18:19,608
THAT'S MY STYLE, REALLY
INTENSE AND CRYPTIC.
392
00:18:19,632 --> 00:18:21,598
THAT'S HOW I GET ALL THE LADIES.
393
00:18:23,536 --> 00:18:24,835
YEAH.
394
00:18:28,407 --> 00:18:30,007
SHANE...
395
00:18:32,311 --> 00:18:35,191
I JUST WANT YOU TO KNOW THAT...
396
00:18:35,215 --> 00:18:37,815
THAT I'M YOUR FRIEND.
397
00:18:40,820 --> 00:18:42,853
I'M YOUR FRIEND TOO.
398
00:18:44,724 --> 00:18:46,402
DO YOU THINK
399
00:18:46,426 --> 00:18:47,936
THAT CAPTAIN STUBING
GOT MORE WOMEN,
400
00:18:47,960 --> 00:18:49,204
OR THE DOCTOR?
401
00:18:49,228 --> 00:18:51,039
NO, THE DOCTOR DID
NOT GET MORE WOMEN...
402
00:18:51,063 --> 00:18:52,241
HE GETS SO MANY.
403
00:18:52,265 --> 00:18:53,509
NO, NO, NO.
404
00:18:53,533 --> 00:18:54,743
CAPTAIN STUBING AND JULIE
405
00:18:54,767 --> 00:18:56,912
WERE NOT HAVING AN AFFAIR, OKAY?
406
00:18:56,936 --> 00:18:58,280
DID YOU EVER WATCH THE SHOW?
407
00:18:58,304 --> 00:18:59,715
CAPTAIN STUBING WAS MARRIED.
408
00:18:59,739 --> 00:19:02,651
RIGHT, BUT SUPPOSEDLY
SOMEBODY WAS A BIG HOMO.
409
00:19:02,675 --> 00:19:03,952
WHAT?
410
00:19:03,976 --> 00:19:05,654
WHO CARES?
411
00:19:05,678 --> 00:19:07,056
AND WHY DO WE SAY
IT LIKE BEING A HOMO
412
00:19:07,080 --> 00:19:09,057
IS, LIKE, SOME DIRTY SECRET?
413
00:19:09,081 --> 00:19:10,726
THANK YOU. EXACTLY.
414
00:19:10,750 --> 00:19:12,495
THANK YOU.
415
00:19:12,519 --> 00:19:13,695
YOU GUYS, THIS IS FANTASTIC
416
00:19:13,719 --> 00:19:14,696
WE'RE ALL CARRYING ON.
417
00:19:14,720 --> 00:19:15,697
THIS IS GREAT.
418
00:19:15,721 --> 00:19:16,664
WHAT? NO, NO.
419
00:19:16,688 --> 00:19:18,400
NO, I'M CHECKING.
420
00:19:18,424 --> 00:19:20,057
I'M CHECKING.
421
00:19:27,900 --> 00:19:29,044
I DON'T KNOW WHY
YOU'RE BEING LIKE THIS.
422
00:19:29,068 --> 00:19:30,045
YOUR BAG WILL TOTALLY FIT
423
00:19:30,069 --> 00:19:31,046
IN THE OVERHEAD COMPARTMENT.
424
00:19:31,070 --> 00:19:32,114
NO, IT'S TOO HEAVY.
425
00:19:32,138 --> 00:19:33,115
NO, IT'S NOT.
426
00:19:33,139 --> 00:19:34,116
DO YOU WANT ME TO TAKE IT?
427
00:19:34,140 --> 00:19:35,150
BECAUSE I'LL SWITCH WITH YOU.
428
00:19:35,174 --> 00:19:37,719
NO, I DON'T. JUST...
429
00:19:37,743 --> 00:19:38,721
LOOK, I JUST DON'T
WANT TO PUT IT
430
00:19:38,745 --> 00:19:39,721
THROUGH SECURITY, OKAY?
431
00:19:39,745 --> 00:19:40,722
WHY?
432
00:19:40,746 --> 00:19:41,857
I JUST DON'T.
433
00:19:41,881 --> 00:19:42,858
OKAY, FINE.
434
00:19:42,882 --> 00:19:43,892
YOU'RE GOING TO HOLD
EVERYONE ELSE UP,
435
00:19:43,916 --> 00:19:45,928
BECAUSE NO ONE ELSE
IS CHECKING ANYTHING.
436
00:19:45,952 --> 00:19:48,597
AL! AL!
437
00:19:48,621 --> 00:19:50,465
GODDAMMIT.
438
00:19:50,489 --> 00:19:52,589
ALICE...
439
00:20:02,268 --> 00:20:03,767
DADDY!
440
00:20:09,776 --> 00:20:11,056
WHAT A NICE SURPRISE.
441
00:20:12,878 --> 00:20:14,723
HOW ARE YOU?
442
00:20:14,747 --> 00:20:15,924
I'M VERY WELL, AND YOU?
443
00:20:15,948 --> 00:20:17,059
I'M GOOD.
444
00:20:17,083 --> 00:20:18,393
I'M SO HAPPY YOU'RE HERE.
445
00:20:18,417 --> 00:20:19,894
I'M GOING TO TAKE
YOU TO THE OFFICE,
446
00:20:19,918 --> 00:20:22,397
WHERE WE'RE GOING TO
SEE AN AMAZING PAINTING
447
00:20:22,421 --> 00:20:25,034
THAT I HAVE ON LOAN
FROM THE GETTY,
448
00:20:25,058 --> 00:20:26,101
AND THEN WE'RE
GOING TO HAVE LUNCH
449
00:20:26,125 --> 00:20:28,704
WITH AN INCREDIBLE ARTIST.
450
00:20:28,728 --> 00:20:30,472
YOU REMEMBER ALLYN BARNES?
451
00:20:30,496 --> 00:20:32,608
IS HE THE PAINTER?
452
00:20:32,632 --> 00:20:34,609
NO, IT'S NOT HER PAINTING.
453
00:20:34,633 --> 00:20:36,078
THE PAINTING IS 14th CENTURY,
454
00:20:36,102 --> 00:20:37,679
BY DOSSO DOSSI.
455
00:20:37,703 --> 00:20:39,381
NO, ALLYN BARNES WAS
MY TEACHER AT YALE.
456
00:20:39,405 --> 00:20:42,517
SHE'S PROBABLY ONE
OF OUR MOST IMPORTANT
457
00:20:42,541 --> 00:20:43,752
LIVING ARTISTS.
458
00:20:43,776 --> 00:20:45,409
NEVER HEARD OF HER.
459
00:20:58,391 --> 00:21:00,668
SHE'S THE REASON I
WANTED TO GO INTO THE ARTS.
460
00:21:00,692 --> 00:21:02,826
I THOUGHT THAT WAS
YOUR MOTHER'S INFLUENCE.
461
00:21:05,531 --> 00:21:09,077
SHE WAS A GREAT ARTIST.
462
00:21:09,101 --> 00:21:11,613
YOU REMEMBER HER
WATERCOLORS, DON'T YOU?
463
00:21:11,637 --> 00:21:13,348
OF COURSE I DO, DADDY.
464
00:21:13,372 --> 00:21:15,539
I HAVE ALL OF THEM.
465
00:21:26,119 --> 00:21:28,719
PLEASE GO THROUGH.
PLEASE GO THROUGH.
466
00:21:31,924 --> 00:21:33,168
STEP HERE, PLEASE, MA'AM.
467
00:21:33,192 --> 00:21:34,192
COME ON.
468
00:21:34,693 --> 00:21:35,938
HOLD IT THERE.
469
00:21:35,962 --> 00:21:37,539
OKAY, GO OVER TO
THE SIDE, PLEASE,
470
00:21:37,563 --> 00:21:38,273
IF YOU WOULD.
471
00:21:38,297 --> 00:21:39,574
THANK YOU.
472
00:21:39,598 --> 00:21:41,577
DANA, NOBODY CARES
ABOUT MEDICATION.
473
00:21:41,601 --> 00:21:42,878
THANK YOU.
474
00:21:42,902 --> 00:21:44,613
ALL RIGHT, GO AHEAD.
475
00:21:44,637 --> 00:21:46,114
PUT YOUR ARMS UP. THANK YOU.
476
00:21:46,138 --> 00:21:47,404
COME BACK!
477
00:21:49,976 --> 00:21:51,486
THIS IS ALL YOUR FAULT.
478
00:21:51,510 --> 00:21:52,887
FAYE...
479
00:21:52,911 --> 00:21:55,779
COME HERE.
480
00:21:57,182 --> 00:21:58,459
THANKS.
481
00:21:58,483 --> 00:22:00,984
I THINK WE'VE GOT
SOMETHING HERE.
482
00:22:05,857 --> 00:22:08,336
WHAT IS IT, SOME
KIND OF A WEAPON?
483
00:22:08,360 --> 00:22:09,571
LADIES?
484
00:22:09,595 --> 00:22:11,835
STEP OVER HERE, PLEASE.
485
00:22:20,573 --> 00:22:23,540
WHAT THE HELL?
486
00:22:28,447 --> 00:22:29,958
YOU JUST...
487
00:22:29,982 --> 00:22:31,815
IT, UM... OKAY?
488
00:22:34,019 --> 00:22:35,019
GREAT.
489
00:22:41,460 --> 00:22:43,360
YEAH. NIPPLE CLAMPS.
490
00:22:44,630 --> 00:22:46,775
WHEN DID YOU GET THOSE?
491
00:22:46,799 --> 00:22:48,910
BABY...
492
00:22:48,934 --> 00:22:50,945
YOU CAN'T TAKE THESE
ON THE PLANE, LADIES.
493
00:22:50,969 --> 00:22:53,470
YOU SHOULD KNOW
BETTER THAN THAT.
494
00:22:56,208 --> 00:22:57,619
OKAY, MA'AM, YOU CAN GO AHEAD
495
00:22:57,643 --> 00:22:58,787
AND PACK THIS BACK UP.
496
00:22:58,811 --> 00:23:00,577
GREAT.
497
00:23:05,183 --> 00:23:06,461
HAVE FUN.
498
00:23:06,485 --> 00:23:07,963
YEAH, GOOD, THANKS.
499
00:23:07,987 --> 00:23:09,230
MELVIN,
500
00:23:09,254 --> 00:23:10,999
YOU SEEM TO BE MISSING
THE POINT OF THE PAINTING.
501
00:23:11,023 --> 00:23:12,967
IT'S ABOUT THE
FLEETINGNESS OF FORTUNE.
502
00:23:12,991 --> 00:23:15,236
I JUST SEE IT DIFFERENTLY.
503
00:23:15,260 --> 00:23:16,371
YOU DON'T THINK
504
00:23:16,395 --> 00:23:17,439
THAT THE MAN IN THE PAINTING
505
00:23:17,463 --> 00:23:19,140
IS ENJOYING HIS LIFE?
506
00:23:19,164 --> 00:23:20,842
I DON'T. OF COURSE I DON'T.
507
00:23:20,866 --> 00:23:23,245
HE LOOKS MISERABLE.
508
00:23:23,269 --> 00:23:25,914
SPIRITUALLY VOID.
509
00:23:25,938 --> 00:23:29,051
THE ONLY TRUE ABUNDANCE
510
00:23:29,075 --> 00:23:30,986
IS HARMONY WITH GOD.
511
00:23:31,010 --> 00:23:33,421
AH, SO FAITH ASSURES PROSPERITY,
512
00:23:33,445 --> 00:23:34,857
IS THAT WHAT YOU'RE SAYING?
513
00:23:34,881 --> 00:23:36,924
FIGURATIVELY SPEAKING, YES.
514
00:23:36,948 --> 00:23:38,226
THERE IT IS.
515
00:23:38,250 --> 00:23:39,394
THE DANGLING CARROT
516
00:23:39,418 --> 00:23:41,696
OF THE ASHCROFT AND THE BUSHIES.
517
00:23:41,720 --> 00:23:43,198
I BEG YOUR PARDON.
518
00:23:43,222 --> 00:23:44,632
I HAVE NOTHING IN COMMON
519
00:23:44,656 --> 00:23:47,870
WITH THE ASHCROFTS
OR THE BUSHIES.
520
00:23:47,894 --> 00:23:49,070
IT'S MERCENARY CHRISTIANITY,
521
00:23:49,094 --> 00:23:51,173
KEEPING US MORTALS IN THRALL
522
00:23:51,197 --> 00:23:52,874
THROUGH A COMBINATION
OF FEAR AND PAYOLA.
523
00:23:52,898 --> 00:23:54,509
IT MAKES ME WANT TO
GO BACK INTO A CAVE
524
00:23:54,533 --> 00:23:55,977
AND NEVER COME OUT AGAIN.
525
00:23:56,001 --> 00:23:58,402
THAT WOULD BE YOUR
PREROGATIVE, MADAME.
526
00:24:06,445 --> 00:24:08,312
DADDY?
527
00:24:16,689 --> 00:24:18,333
DADDY?
528
00:24:18,357 --> 00:24:20,068
WHERE ARE YOU GOING?
529
00:24:20,092 --> 00:24:21,136
OH, I...
530
00:24:21,160 --> 00:24:23,359
HERE, COME ON.
531
00:24:25,164 --> 00:24:26,308
ARE YOU OKAY?
532
00:24:26,332 --> 00:24:27,575
YEAH.
533
00:24:27,599 --> 00:24:29,766
RIGHT HERE.
534
00:24:48,854 --> 00:24:51,099
ACTUALLY, I...
535
00:24:51,123 --> 00:24:54,336
I LIKED THE PAINTING VERY MUCH.
536
00:24:54,360 --> 00:24:56,004
OH, GOOD. I'M GLAD.
537
00:24:56,028 --> 00:24:59,630
SHE JUST WANTED TO
MAKE ME FEEL IGNORANT.
538
00:25:01,267 --> 00:25:03,244
YOUR MOTHER AND I...
539
00:25:03,268 --> 00:25:07,282
WE HAD SOME HEAVY ARGUMENTS...
540
00:25:07,306 --> 00:25:10,952
SMARTEST WOMAN I EVER MET...
541
00:25:10,976 --> 00:25:13,676
BUT SHE WAS NEVER CONDESCENDING.
542
00:25:16,415 --> 00:25:18,493
DADDY...
543
00:25:18,517 --> 00:25:20,995
IF YOU LOVED HER SO MUCH,
544
00:25:21,019 --> 00:25:22,431
THEN WHY DID YOU LET HER LEAVE?
545
00:25:22,455 --> 00:25:27,524
WHY DIDN'T YOU TRY TO
SALVAGE THE MARRIAGE?
546
00:25:29,395 --> 00:25:31,139
YOU WOULDN'T UNDERSTAND.
547
00:25:31,163 --> 00:25:33,141
GIVE ME A CHANCE.
548
00:25:33,165 --> 00:25:36,878
YOU WOULD'VE HAD
TO HAVE EXPERIENCED
549
00:25:36,902 --> 00:25:40,148
THAT BOND OF MARRIAGE
550
00:25:40,172 --> 00:25:42,150
TO APPRECIATE
551
00:25:42,174 --> 00:25:44,808
HOW MUCH I HURT YOUR MOTHER.
552
00:25:46,845 --> 00:25:50,080
I THINK I MIGHT BE ABLE TO
UNDERSTAND THAT, DADDY.
553
00:25:59,058 --> 00:26:01,236
I MADE A RESERVATION FOR US
554
00:26:01,260 --> 00:26:02,437
AT 8:00
555
00:26:02,461 --> 00:26:04,806
AT A RESTAURANT
CALLED ANGELINA OSTERIA.
556
00:26:04,830 --> 00:26:05,773
THEY HAVE REALLY GREAT...
557
00:26:05,797 --> 00:26:06,708
I'D PREFER TO EAT
558
00:26:06,732 --> 00:26:07,942
AT THE HOTEL RESTAURANT TONIGHT.
559
00:26:07,966 --> 00:26:09,278
THAT IS, IF YOU DON'T MIND.
560
00:26:09,302 --> 00:26:12,080
OKAY. WHATEVER YOU WANT.
561
00:26:12,104 --> 00:26:13,682
AND HOW ABOUT SEEING
562
00:26:13,706 --> 00:26:15,505
IF KATIE COULD JOIN US?
563
00:26:17,876 --> 00:26:20,055
YOU WANT KIT TO COME
TO DINNER WITH US?
564
00:26:20,079 --> 00:26:21,156
YEAH.
565
00:26:21,180 --> 00:26:23,425
I'D LIKE TO SEE HER.
566
00:26:23,449 --> 00:26:26,194
WELL, HER BOYFRIEND'S IN TOWN.
567
00:26:26,218 --> 00:26:28,430
HE'S ONLY HERE FOR A
COUPLE OF DAYS, SO...
568
00:26:28,454 --> 00:26:31,488
WELL, SHE SHOULD BRING HIM TOO.
569
00:26:33,291 --> 00:26:35,092
I'LL CALL HER.
570
00:26:38,631 --> 00:26:41,609
YOU KNOW, DADDY,
I'M STRUCK BY THE FACT
571
00:26:41,633 --> 00:26:43,278
THAT YOU JUST
INVITED KIT'S BOYFRIEND
572
00:26:43,302 --> 00:26:44,612
TO COME TO DINNER WITH US,
573
00:26:44,636 --> 00:26:46,148
AND SHE'S ONLY BEEN
SEEING HIM A SHORT WHILE,
574
00:26:46,172 --> 00:26:48,416
BUT YOU HAVE NOT YET
SAID A WORD ABOUT TINA.
575
00:26:48,440 --> 00:26:49,985
WELL, OF COURSE YOU'RE WELCOME
576
00:26:50,009 --> 00:26:52,854
TO BRING HER TOO, IF
THAT'S WHAT YOU WISH.
577
00:26:52,878 --> 00:26:54,990
WE'VE SPLIT UP.
578
00:26:55,014 --> 00:26:56,858
OH. WELL, THEN...
579
00:26:56,882 --> 00:27:00,484
I DON'T KNOW WHAT
I'M SUPPOSED TO SAY.
580
00:27:01,854 --> 00:27:03,231
NOTHING.
581
00:27:03,255 --> 00:27:05,215
YOU'RE NOT SUPPOSED
TO SAY ANYTHING.
582
00:27:16,035 --> 00:27:18,513
CAN YOU BELIEVE THIS?
WE'RE ACTUALLY ON A CRUISE.
583
00:27:18,537 --> 00:27:20,015
IT'S GOING TO BE FUN.
584
00:27:20,039 --> 00:27:21,383
I'VE GOT MY LITTLE...
585
00:27:21,407 --> 00:27:23,006
IT'S PHOEBE SPARKLE.
586
00:27:25,211 --> 00:27:26,555
WAIT, I WANT TO WATCH
587
00:27:26,579 --> 00:27:28,122
AND SEE IF SHE
MAKES THAT GIRL COME.
588
00:27:28,146 --> 00:27:29,591
CAN SHE DO THAT?
589
00:27:29,615 --> 00:27:30,947
I'M KIDDING, DANA.
590
00:27:32,418 --> 00:27:34,017
OH, MY GOD.
591
00:27:45,264 --> 00:27:47,509
LADIES, WELCOME TO OWLs.
592
00:27:47,533 --> 00:27:49,044
IT STANDS FOR "OLDER,
WISER LESBIANS."
593
00:27:49,068 --> 00:27:51,412
WE TALK ABOUT HOW
SPIRITUALITY AND SEXUALITY
594
00:27:51,436 --> 00:27:53,081
ARE COMBINED,
595
00:27:53,105 --> 00:27:54,482
AND OUR DEFINITION OF "ORGASM"
596
00:27:54,506 --> 00:27:56,284
IS THAT IT IS THE KISS OF GOD
597
00:27:56,308 --> 00:27:58,868
THAT BRINGS ECSTASY
TO CONSCIOUSNESS...
598
00:28:03,816 --> 00:28:05,976
DANA! DANA FAIRBANKS!
599
00:28:08,754 --> 00:28:10,031
OH, OVER HERE, OVER HERE,
600
00:28:10,055 --> 00:28:11,099
LET ME HAVE YOUR AUTOGRAPH.
601
00:28:11,123 --> 00:28:12,222
ALL RIGHT.
602
00:28:16,896 --> 00:28:18,139
HI. HOW ARE YOU?
603
00:28:18,163 --> 00:28:19,274
I'M ALICE. NICE TO MEET YOU.
604
00:28:19,298 --> 00:28:20,809
CAN I ASK YOU A QUESTION?
605
00:28:20,833 --> 00:28:23,177
YEAH, SURE.
606
00:28:25,403 --> 00:28:26,481
YEAH, SURE.
607
00:28:26,505 --> 00:28:27,716
YEAH? WE'LL TALK?
608
00:28:27,740 --> 00:28:28,816
YEAH, SURE.
609
00:28:28,840 --> 00:28:29,885
OKAY.
610
00:28:29,909 --> 00:28:32,620
EXCELLENT.
611
00:28:32,644 --> 00:28:34,678
OH. GOD.
612
00:28:36,915 --> 00:28:38,060
I THOUGHT
613
00:28:38,084 --> 00:28:39,628
WE WERE SUPPOSED
TO HAVE A SUITE.
614
00:28:39,652 --> 00:28:41,296
WELL, I HAVE AN IDEA.
615
00:28:41,320 --> 00:28:43,564
WHY DON'T WE ALL SLEEP TOGETHER,
616
00:28:43,588 --> 00:28:45,033
AND CARMEN,
617
00:28:45,057 --> 00:28:46,757
YOU CAN SLEEP IN THE MIDDLE?
618
00:28:48,994 --> 00:28:51,161
I'M GOING TO GO EXPLORE.
619
00:28:56,235 --> 00:28:59,736
EVEN FOR JENNY,
SHE'S ACTING WEIRD.
620
00:29:03,242 --> 00:29:05,153
OH, MY GOD.
621
00:29:05,177 --> 00:29:07,289
THIS IS SWEET.
622
00:29:07,313 --> 00:29:08,990
OH...
623
00:29:09,014 --> 00:29:10,692
"WELCOME ABOARD,
624
00:29:10,716 --> 00:29:11,893
"DANA FAIRBANKS AND FRIENDS.
625
00:29:11,917 --> 00:29:13,928
"WE HOPE YOU ENJOY
YOUR TIME WITH US.
626
00:29:13,952 --> 00:29:15,062
"FROM OLIVIA CRUISE.
627
00:29:15,086 --> 00:29:16,898
"P.S., THANK YOU, ALICE,
628
00:29:16,922 --> 00:29:18,433
FOR TALKING UP OUR
CRUISE ON YOUR SHOW."
629
00:29:18,457 --> 00:29:19,600
THAT WAS NICE.
630
00:29:19,624 --> 00:29:20,904
YEAH, I MADE IT UP.
631
00:29:23,094 --> 00:29:24,172
YES, THE WOMAN IN THE BACK.
632
00:29:24,196 --> 00:29:25,540
MISS SPARKLE,
633
00:29:25,564 --> 00:29:26,841
DO YOU THINK IT'S POSSIBLE
634
00:29:26,865 --> 00:29:28,175
TO BE A COMMITTED RELATIONSHIP
635
00:29:28,199 --> 00:29:29,577
AND STILL CARRY ON A, UH...
636
00:29:29,601 --> 00:29:33,014
POLYAMOROUS LIFESTYLE?
637
00:29:33,038 --> 00:29:35,016
IT'S CERTAINLY POSSIBLE.
638
00:29:35,040 --> 00:29:36,618
THE MOST IMPORTANT THING
639
00:29:36,642 --> 00:29:39,387
IS TO KNOW THAT JEALOUSY
WILL REAR ITS HEAD.
640
00:29:39,411 --> 00:29:40,589
YOU HAVE TO AGREE
641
00:29:40,613 --> 00:29:41,556
WITH YOUR PRIMARY LOVED ONE
642
00:29:41,580 --> 00:29:43,925
TO BE HONEST
ABOUT YOUR FEELINGS,
643
00:29:43,949 --> 00:29:46,349
AND YOU HAVE TO MAKE RULES.
644
00:29:47,385 --> 00:29:49,163
WOMAN IN YELLOW.
645
00:29:49,187 --> 00:29:50,965
DANA FAIRBANKS...
646
00:29:50,989 --> 00:29:53,034
WILL YOU MARRY ME?
647
00:30:01,400 --> 00:30:03,844
SURE. NO. I'M SORRY.
648
00:30:03,868 --> 00:30:06,214
UH, THANK YOU,
ACTUALLY, VERY MUCH,
649
00:30:06,238 --> 00:30:07,982
BUT I'M IN ONE OF THOSE, UM...
650
00:30:08,006 --> 00:30:10,251
COMMITTED RELATIONSHIPS,
651
00:30:10,275 --> 00:30:13,354
AND WE'RE NOT POLY...
652
00:30:13,378 --> 00:30:16,791
AMORPHIC, OR WHATEVER IT IS.
653
00:30:16,815 --> 00:30:18,760
WELL, THAT ALSO WORKS,
654
00:30:18,784 --> 00:30:19,828
BUT I'M GUESSING
655
00:30:19,852 --> 00:30:21,129
THAT DANA AND HER PARTNER
656
00:30:21,153 --> 00:30:23,965
KNOW HOW TO SPICE THINGS UP.
657
00:30:26,792 --> 00:30:28,703
ALL RIGHT, WE HAVE TIME
FOR ONE MORE QUESTION.
658
00:30:28,727 --> 00:30:29,804
RIGHT THERE.
659
00:30:29,828 --> 00:30:32,140
MISS SPARKLE,
WHAT IS YOUR ADVICE
660
00:30:32,164 --> 00:30:33,774
ON THREE-WAYS?
661
00:30:33,798 --> 00:30:35,076
YAY!
662
00:30:39,538 --> 00:30:42,117
WELL, I THINK THEY'RE GREAT.
663
00:30:42,141 --> 00:30:45,353
I'M A BIG, BIG FAN OF GROUP SEX.
664
00:30:45,377 --> 00:30:46,554
THE ONLY THING
665
00:30:46,578 --> 00:30:48,356
IS THAT ALL PARTIES
HAVE TO BE SIGNED ON
666
00:30:48,380 --> 00:30:50,091
FOR THE SAME AGENDA.
667
00:30:50,115 --> 00:30:51,660
SO THAT'S THE END OF
OUR PANEL FOR TODAY.
668
00:30:51,684 --> 00:30:53,161
I WANT TO THANK YOU
ALL FOR BEING HERE.
669
00:30:53,185 --> 00:30:54,751
IT'S BEEN A PLEASURE.
670
00:30:59,290 --> 00:31:01,402
YOU SHOULD REALLY
SEE DISNEY HALL, DADDY.
671
00:31:01,426 --> 00:31:05,106
OKAY, BUT NOT TOO EARLY.
672
00:31:05,130 --> 00:31:06,107
SINCE WHEN
673
00:31:06,131 --> 00:31:08,976
DID YOU BECOME A SLEEPYHEAD?
674
00:31:09,000 --> 00:31:10,778
I DO HAVE TO GET BACK
BY 5:00 TO GET DRESSED.
675
00:31:10,802 --> 00:31:13,269
TINA'S BEING HONORED.
676
00:31:17,209 --> 00:31:18,452
DON'T YOU WANT TO KNOW
677
00:31:18,476 --> 00:31:20,021
WHY TINA'S BEING HONORED?
678
00:31:20,045 --> 00:31:24,781
YES, CERTAINLY, IF
YOU WANT TO TELL ME.
679
00:31:27,719 --> 00:31:29,397
KATIE...
680
00:31:29,421 --> 00:31:30,721
DADDY...
681
00:31:33,826 --> 00:31:36,271
DADDY, I'D LIKE FOR YOU TO MEET
682
00:31:36,295 --> 00:31:38,561
MY FRIEND BENJAMIN BRADSHAW.
683
00:31:41,466 --> 00:31:42,443
MR. BRADSHAW.
684
00:31:42,467 --> 00:31:43,747
NICE TO MEET YOU, SIR.
685
00:31:47,439 --> 00:31:49,650
THANK YOU.
686
00:31:49,674 --> 00:31:50,819
HEY, BABY SIS.
687
00:31:50,843 --> 00:31:52,123
KIT.
688
00:31:53,578 --> 00:31:55,890
NOW...
689
00:31:55,914 --> 00:31:59,694
HOW DID YOU CONCEIVE IT,
690
00:31:59,718 --> 00:32:01,295
THIS, UH...
691
00:32:01,319 --> 00:32:03,431
THEORY OF EVERYTHING.
692
00:32:03,455 --> 00:32:05,867
ARE YOU FAMILIAR
WITH QUANTUM PHYSICS?
693
00:32:05,891 --> 00:32:08,003
MM.
694
00:32:08,027 --> 00:32:11,039
OH, THEN IT IS A
UNIFIED FIELD THEORY.
695
00:32:11,063 --> 00:32:12,774
THE UNIFIED WHAT THEORY?
696
00:32:12,798 --> 00:32:16,811
SIMPLY, EINSTEIN'S ATTEMPT TO...
697
00:32:16,835 --> 00:32:19,714
EXPLAIN THE MIND OF GOD.
698
00:32:19,738 --> 00:32:21,182
WELL, THAT'S A MARVELOUS WAY
699
00:32:21,206 --> 00:32:22,350
OF LOOKING AT IT.
700
00:32:22,374 --> 00:32:24,285
IT INCLUDES EVERYTHING,
701
00:32:24,309 --> 00:32:25,854
FROM CREATION
702
00:32:25,878 --> 00:32:27,889
TO SUPERNOVAS, TO ATOMS...
703
00:32:27,913 --> 00:32:29,557
EVEN DNA.
704
00:32:29,581 --> 00:32:32,827
OUR HEARTS, OUR MINDS.
705
00:32:32,851 --> 00:32:34,295
IT'S REALLY BEEN WORKING FOR ME.
706
00:32:34,319 --> 00:32:35,430
DID YOU TELL YOUR FATHER
707
00:32:35,454 --> 00:32:37,765
ABOUT YOUR BUSINESS?
708
00:32:37,789 --> 00:32:39,367
BUSINESS?
709
00:32:39,391 --> 00:32:40,635
WHAT BUSINESS?
710
00:32:40,659 --> 00:32:43,138
WELL, DADDY, IT'S A CAFE.
711
00:32:43,162 --> 00:32:45,873
I BOUGHT IT FROM A
FRIEND OF BETTE'S.
712
00:32:45,897 --> 00:32:47,374
IT'S NOT JUST A CAFE.
713
00:32:47,398 --> 00:32:50,066
KIT HAS TURNED IT INTO
THIS SWANKY NIGHTCLUB.
714
00:32:56,108 --> 00:32:57,741
EXCUSE ME.
715
00:33:00,079 --> 00:33:01,511
I'LL BE RIGHT BACK.
716
00:34:26,865 --> 00:34:28,643
SHE HAS A STAGE UP THERE,
717
00:34:28,667 --> 00:34:29,743
AND THEN IF YOU TAKE
THE TABLES AWAY...
718
00:34:29,767 --> 00:34:32,013
HEY, YOU TWO.
719
00:34:32,037 --> 00:34:33,614
OH, HI.
720
00:34:33,638 --> 00:34:35,282
GOOD MORNING.
721
00:34:35,306 --> 00:34:37,652
AND WHERE IS
BENJAMIN THIS MORNING?
722
00:34:37,676 --> 00:34:39,353
UM, WELL, HE'S AT THE HOTEL.
723
00:34:39,377 --> 00:34:40,755
HE DECIDED
724
00:34:40,779 --> 00:34:42,190
THAT WE MIGHT LIKE
725
00:34:42,214 --> 00:34:45,293
A LITTLE FAMILY TIME TOGETHER.
726
00:34:45,317 --> 00:34:46,527
DADDY, HAVE A SEAT.
727
00:34:46,551 --> 00:34:49,831
AND HOW ABOUT YOU, BABY SIS?
728
00:34:49,855 --> 00:34:50,965
I DIDN'T SLEEP VERY WELL.
729
00:34:50,989 --> 00:34:53,101
I NEED AN ESPRESSO.
730
00:34:53,125 --> 00:34:55,937
HE'S STAYING AT A HOTEL?
731
00:34:55,961 --> 00:34:57,338
HE DOESN'T LIVE HERE?
732
00:34:57,362 --> 00:34:58,573
UM...
733
00:34:58,597 --> 00:35:02,043
NO, DAD, HE LIVES IN
PORTLAND, OREGON.
734
00:35:02,067 --> 00:35:04,045
PORTLAND, OREGON?
735
00:35:04,069 --> 00:35:05,268
WHAT'S IN PORTLAND, OREGON?
736
00:35:08,207 --> 00:35:09,450
UM...
737
00:35:09,474 --> 00:35:11,352
WELL...
738
00:35:11,376 --> 00:35:12,887
HE, UM...
739
00:35:12,911 --> 00:35:14,421
IT'S PROBABLY WHAT HE NEEDS.
740
00:35:14,445 --> 00:35:15,623
I MEAN, REALLY,
WHEN HE'S WORKING,
741
00:35:15,647 --> 00:35:16,858
THERE ARE ALL THESE PEOPLE
742
00:35:16,882 --> 00:35:19,227
CLAMORING AFTER HIM,
743
00:35:19,251 --> 00:35:20,728
AND HE PROBABLY JUST
NEEDS TO GET AWAY.
744
00:35:20,752 --> 00:35:22,118
MAKES PERFECT SENSE.
745
00:35:23,655 --> 00:35:25,433
HAVE YOU BEEN TO PORTLAND?
746
00:35:25,457 --> 00:35:27,702
UH, NO, NOT YET.
747
00:35:27,726 --> 00:35:28,703
I REALLY NEED THAT ESPRESSO.
748
00:35:28,727 --> 00:35:29,704
DO YOU MIND?
749
00:35:29,728 --> 00:35:31,461
YEAH, YEAH. ESPRESSO.
750
00:35:36,268 --> 00:35:38,679
YOU CAN'T TELL HIM
BENJAMIN'S MARRIED.
751
00:35:38,703 --> 00:35:40,114
HE'S SO HAPPY NOW.
752
00:35:40,138 --> 00:35:42,683
I HATE LYING TO HIM.
753
00:35:42,707 --> 00:35:43,851
KIT, YOU KNOW,
754
00:35:43,875 --> 00:35:45,086
THIS IS THE FIRST
TIME IN 14 YEARS
755
00:35:45,110 --> 00:35:46,354
YOU'VE SPENT TIME WITH DADDY.
756
00:35:46,378 --> 00:35:48,389
DOESN'T IT FEEL GOOD?
757
00:35:48,413 --> 00:35:50,391
YEAH, IT FEELS REAL GOOD.
758
00:35:50,415 --> 00:35:51,759
THEN WHY DON'T YOU
JUST ENJOY IT FOR A WHILE,
759
00:35:51,783 --> 00:35:53,149
AND LET HIM ENJOY IT?
760
00:35:58,823 --> 00:36:00,968
HERE YOU GO, DADDY.
761
00:36:00,992 --> 00:36:03,671
UH, IT'S SO...
762
00:36:03,695 --> 00:36:05,806
SO SMALL, I CAN...
763
00:36:05,830 --> 00:36:08,832
HARDLY PICK IT UP.
764
00:36:14,639 --> 00:36:18,619
KATIE, WHY DON'T WE
HAVE DINNER HERE TONIGHT?
765
00:36:18,643 --> 00:36:21,355
YEAH.
766
00:36:21,379 --> 00:36:23,691
I, UH...
767
00:36:23,715 --> 00:36:25,993
WOULD LIKE TO TRY OUT YOUR CHEF,
768
00:36:26,017 --> 00:36:29,130
AND YOUR SISTER HERE
HAS A PRIOR ENGAGEMENT
769
00:36:29,154 --> 00:36:31,832
WITH MS. KENNARD.
770
00:36:31,856 --> 00:36:35,370
DADDY, DO YOU THINK
YOU COULD CALL HER TINA?
771
00:36:35,394 --> 00:36:37,604
THAT'S HER NAME. TINA.
772
00:36:37,628 --> 00:36:40,141
FOR THE MILLIONTH
TIME, HER NAME IS TINA.
773
00:36:40,165 --> 00:36:41,608
HOW LONG HAVE YOU KNOWN HER?
774
00:36:41,632 --> 00:36:43,566
VERY WELL. TINA.
775
00:36:46,271 --> 00:36:47,381
WILL BENJAMIN
776
00:36:47,405 --> 00:36:48,583
BE ABLE TO JOIN US?
777
00:36:48,607 --> 00:36:49,884
YOU KNOW, I'M JUST
GOING TO LEAVE YOU TWO
778
00:36:49,908 --> 00:36:52,053
TO PLAN YOUR EVENING.
779
00:36:52,077 --> 00:36:53,187
BETTE...
780
00:36:53,211 --> 00:36:54,688
WHAT'S WRONG?
781
00:36:54,712 --> 00:36:55,890
YOU HAVE NO REGARD
782
00:36:55,914 --> 00:36:57,492
FOR WHAT I'M GOING
THROUGH, DADDY,
783
00:36:57,516 --> 00:36:59,193
NONE,
784
00:36:59,217 --> 00:37:00,661
AND UNTIL YOU CAN ACKNOWLEDGE
785
00:37:00,685 --> 00:37:03,064
THAT MY RELATIONSHIP
OF EIGHT YEARS
786
00:37:03,088 --> 00:37:04,064
WAS EVERY BIT AS MEANINGFUL
787
00:37:04,088 --> 00:37:05,333
AS YOUR MARRIAGE TO MY MOTHER,
788
00:37:05,357 --> 00:37:07,501
UNTIL YOU CAN SEE
THAT MY HEART IS BROKEN
789
00:37:07,525 --> 00:37:09,336
BECAUSE I FAILED
THE WOMAN I LOVE,
790
00:37:09,360 --> 00:37:11,205
PERHAPS IN THE SAME WAY
THAT YOU FAILED MY MOTHER,
791
00:37:11,229 --> 00:37:12,840
THEN I REALLY HAVE
NOTHING ELSE TO SAY,
792
00:37:12,864 --> 00:37:14,141
EXCEPT, YOU KNOW...
793
00:37:14,165 --> 00:37:16,044
I AM NOT GIVING UP.
794
00:37:16,068 --> 00:37:19,435
I'M NOT GOING TO END UP SAD
AND ALONE AND FULL OF REGRET.
795
00:37:49,100 --> 00:37:50,711
I WANT ONE OF THOSE.
796
00:37:50,735 --> 00:37:53,514
DANA FAIRBANKS? OH, MY GOD.
797
00:37:53,538 --> 00:37:54,782
THANK YOU FOR BEING HERE.
798
00:37:54,806 --> 00:37:56,350
OH, THANK YOU FOR COMING OUT,
799
00:37:56,374 --> 00:37:58,052
AND THANK YOU
FOR LIVING YOUR LIFE.
800
00:37:58,076 --> 00:37:59,053
OH, MY GOD,
801
00:37:59,077 --> 00:38:00,087
I SAW YOU ALMOST
BEAT CAPRIATI IN 2002.
802
00:38:00,111 --> 00:38:03,023
I DRIVE A SUBARU
BECAUSE OF YOU...
803
00:38:03,047 --> 00:38:04,892
PHOEBE? HI. SPARKLE? HI.
804
00:38:04,916 --> 00:38:06,827
HI. HI. I'M ALICE PIESZECKI.
805
00:38:06,851 --> 00:38:08,062
I DO A RADIO SHOW IN L.A.,
806
00:38:08,086 --> 00:38:09,196
THE CHART.
807
00:38:09,220 --> 00:38:10,231
I'M SURE YOU'VE HEARD OF IT.
808
00:38:10,255 --> 00:38:11,666
IS IT TRUE, FOR
RESEARCH PURPOSES,
809
00:38:11,690 --> 00:38:13,000
THAT YOU SLEEP WITH
A DIFFERENT WOMAN
810
00:38:13,024 --> 00:38:14,368
EVERY NIGHT?
811
00:38:14,392 --> 00:38:17,238
WELL, I LIKE TO HAVE AS
MUCH SEX AS POSSIBLE,
812
00:38:17,262 --> 00:38:19,073
WHENEVER, WHEREVER,
813
00:38:19,097 --> 00:38:22,810
BUT IF I COME ACROSS
SOMEONE REALLY AMAZING...
814
00:38:22,834 --> 00:38:24,044
I DON'T KNOW.
815
00:38:24,068 --> 00:38:25,880
TOO BAD THE CELLIST
HAD TO LEAVE THE BOAT.
816
00:38:25,904 --> 00:38:28,149
AND WHO'S GOING TO BE NEXT?
817
00:38:28,173 --> 00:38:30,318
YOU KNOW, I DON'T KNOW.
818
00:38:30,342 --> 00:38:31,886
I'M OPEN TO A NEW DISCOVERY.
819
00:38:31,910 --> 00:38:33,387
HI.
820
00:38:33,411 --> 00:38:34,821
HAVE YOU SEEN JENNY?
821
00:38:34,845 --> 00:38:36,291
NO. I'M TALKING TO
PHOEBE SPARKLE.
822
00:38:36,315 --> 00:38:37,592
HI.
823
00:38:37,616 --> 00:38:39,293
HELLO. HELLO, PHOEBE SPARKLE.
824
00:38:39,317 --> 00:38:40,327
YOU HAVEN'T SEEN HER?
825
00:38:40,351 --> 00:38:42,296
UM, CAN I BUY YOU A DRINK?
826
00:38:42,320 --> 00:38:45,500
UH...
827
00:38:45,524 --> 00:38:47,235
OKAY.
828
00:38:47,259 --> 00:38:49,737
GREAT.
829
00:38:49,761 --> 00:38:50,761
THANKS, SHANE.
830
00:38:52,397 --> 00:38:53,407
SHE OFFERED.
831
00:38:53,431 --> 00:38:54,997
MM-HMM.
832
00:39:46,284 --> 00:39:48,629
WHOO!
833
00:40:01,733 --> 00:40:03,578
WELL, WELL, WELL.
834
00:40:03,602 --> 00:40:04,834
WHAT HAVE WE GOT HERE?
835
00:40:07,506 --> 00:40:10,406
WELL, IT LOOKS LIKE A
CAPTAIN'S UNIFORM TO ME.
836
00:40:20,085 --> 00:40:21,662
ALICE...
837
00:40:21,686 --> 00:40:23,019
IT'S HOT.
838
00:40:33,598 --> 00:40:35,209
OKAY.
839
00:40:35,233 --> 00:40:36,844
ALL RIGHT, AL, I'M READY.
840
00:40:36,868 --> 00:40:38,148
OKAY.
841
00:40:44,276 --> 00:40:45,276
JULIE...
842
00:40:49,447 --> 00:40:51,024
YOU LOOK...
843
00:40:51,048 --> 00:40:53,193
BEAUTIFUL.
844
00:40:53,217 --> 00:40:56,052
OH, CAPTAIN STUBING, THANK YOU.
845
00:40:57,489 --> 00:40:58,788
CAPTAIN STUBING...
846
00:41:01,092 --> 00:41:03,470
OH, GOD, IS THAT A
PERISCOPE IN YOUR POCKET,
847
00:41:03,494 --> 00:41:05,260
OR ARE YOU JUST HAPPY TO SEE ME?
848
00:41:09,901 --> 00:41:12,647
OH, CAPTAIN, MY CAPTAIN.
849
00:41:14,239 --> 00:41:15,549
GUYS, IT'S TIME FOR DINNER.
850
00:41:15,573 --> 00:41:16,850
WHAT?
851
00:41:16,874 --> 00:41:18,519
YOU'RE SITTING AT
THE CAPTAIN'S TABLE.
852
00:41:18,543 --> 00:41:20,576
NOW?
853
00:41:23,748 --> 00:41:25,460
HI. YOU'RE LATE.
854
00:41:25,484 --> 00:41:26,794
ALL THE OTHER PANELISTS
ARE ALREADY THERE.
855
00:41:26,818 --> 00:41:27,894
BUT I HAVE TO CHANGE.
856
00:41:27,918 --> 00:41:29,063
YOU LOOK GREAT.
857
00:41:29,087 --> 00:41:30,264
NO, I CAN'T... COME ON.
858
00:41:30,288 --> 00:41:31,364
JULIE!
859
00:41:31,388 --> 00:41:33,089
CAPTAIN STUBING!
860
00:41:35,259 --> 00:41:36,937
MOST OF THE WOMEN
ON THIS CRUISE?
861
00:41:36,961 --> 00:41:39,306
THEY DON'T HAVE
THAT KIND OF FREEDOM.
862
00:41:39,330 --> 00:41:41,241
THIS IS THE ONLY PLACE
863
00:41:41,265 --> 00:41:44,511
WHERE THEY'RE COMPLETELY
FREE TO EXPRESS THEMSELVES.
864
00:41:44,535 --> 00:41:45,869
MM-HMM.
865
00:41:50,208 --> 00:41:51,185
HI.
866
00:41:51,209 --> 00:41:52,352
HELLO. GOOD EVENING.
867
00:41:52,376 --> 00:41:54,410
HI. NICE TO SEE YOU.
868
00:41:57,448 --> 00:41:59,626
SEE, THESE GIRLS ARE
COMPLETELY IN THEIR POWER,
869
00:41:59,650 --> 00:42:01,161
FREE TO GO
870
00:42:01,185 --> 00:42:03,585
WHEREVER THEIR
LIBIDO TAKES THEM.
871
00:42:04,789 --> 00:42:06,434
FOR ME, IT'S JUST BUSINESS,
872
00:42:06,458 --> 00:42:07,835
AND AS LONG AS THE
GUESTS ARE HAPPY,
873
00:42:07,859 --> 00:42:09,370
I'M HAPPY.
874
00:42:09,394 --> 00:42:10,904
YOU WANT TO TELL ME
875
00:42:10,928 --> 00:42:12,840
WHAT'S GOING ON WITH YOU?
876
00:42:12,864 --> 00:42:14,830
NOTHING.
877
00:42:16,434 --> 00:42:18,178
NOTHING? NO.
878
00:42:18,202 --> 00:42:20,247
OKAY.
879
00:42:20,271 --> 00:42:21,782
WELL, IT JUST...
880
00:42:21,806 --> 00:42:26,187
IT SEEMS LIKE YOU WANT
A THREE-WAY WITH SHANE.
881
00:42:26,211 --> 00:42:27,588
YOU SEEMED LIKE YOU WERE
VERY ATTRACTED TO HER,
882
00:42:27,612 --> 00:42:28,756
AND I JUST THOUGHT IT
WOULD, I DON'T KNOW...
883
00:42:28,780 --> 00:42:29,757
IT WOULD BE INTERESTING.
884
00:42:29,781 --> 00:42:30,758
IT JUST CAME INTO MY HEAD.
885
00:42:30,782 --> 00:42:31,892
ARE YOU JEALOUS?
886
00:42:31,916 --> 00:42:34,095
NO, I'M NOT...
887
00:42:34,119 --> 00:42:35,763
JUST TELL ME IF THAT'S
WHAT THIS IS ALL ABOUT.
888
00:42:35,787 --> 00:42:37,031
NO, I'M NOT JEALOUS.
I JUST THOUGHT...
889
00:42:37,055 --> 00:42:40,222
WE HAVE TO EXPLORE OUR OPTIONS.
890
00:42:44,395 --> 00:42:45,461
THERE.
891
00:42:49,767 --> 00:42:51,979
IS THAT WHAT YOU WANT?
892
00:42:52,003 --> 00:42:54,903
SHE'S BEAUTIFUL.
893
00:42:57,074 --> 00:42:59,007
SALAD'S GREAT.
894
00:43:05,116 --> 00:43:06,426
OH, HELLO.
895
00:43:06,450 --> 00:43:07,728
HOW ARE YOU?
896
00:43:07,752 --> 00:43:09,597
NICE TO SEE YOU.
897
00:43:09,621 --> 00:43:10,987
NICE TO SEE YOU. HOW ARE YOU?
898
00:43:19,363 --> 00:43:20,830
I'LL BE RIGHT BACK.
899
00:43:33,211 --> 00:43:34,254
HI.
900
00:43:34,278 --> 00:43:35,256
CONGRATULATIONS.
901
00:43:35,280 --> 00:43:36,590
THANK YOU.
902
00:43:36,614 --> 00:43:38,425
I MEANS A LOT TO ME
THAT YOU'RE HERE.
903
00:43:38,449 --> 00:43:40,160
I WOULDN'T HAVE MISSED IT.
904
00:43:40,184 --> 00:43:43,386
I'VE BEEN THINKING
A LOT ABOUT US.
905
00:43:45,056 --> 00:43:46,033
YOU HAVE?
906
00:43:46,057 --> 00:43:48,057
MM-HMM. ABOUT THE OTHER DAY.
907
00:43:52,263 --> 00:43:54,141
IT WAS NICE.
908
00:43:54,165 --> 00:43:56,143
NICE?
909
00:43:56,167 --> 00:43:59,447
YEAH, IT WAS
REALLY, REALLY NICE,
910
00:43:59,471 --> 00:44:00,748
AND IF YOU WANT,
911
00:44:00,772 --> 00:44:02,516
I'D LIKE TO SEE
WHAT WOULD HAPPEN
912
00:44:02,540 --> 00:44:05,308
IF WE STARTED TO SPEND
SOME MORE TIME TOGETHER.
913
00:44:08,012 --> 00:44:10,725
WHAT ABOUT HELENA?
914
00:44:10,749 --> 00:44:13,749
WE'RE NOT EXCLUSIVE.
915
00:44:15,920 --> 00:44:18,232
SO ARE YOU SAYING
YOU WANT TO DATE ME?
916
00:44:18,256 --> 00:44:20,723
YEAH.
917
00:44:22,960 --> 00:44:24,771
TINA, YOU HAVE TO
MEET SENATOR FEINSTEIN.
918
00:44:24,795 --> 00:44:26,172
SHE'S NOT STAYING FOR DINNER.
919
00:44:26,196 --> 00:44:27,208
HELLO, BETTE.
920
00:44:27,232 --> 00:44:29,009
HELLO, HELENA.
921
00:44:29,033 --> 00:44:30,043
THANK YOU FOR INVITING ME.
922
00:44:30,067 --> 00:44:31,045
OH...
923
00:44:31,069 --> 00:44:33,109
YOU'RE AT TABLE 27, RIGHT?
924
00:44:45,216 --> 00:44:50,597
♪ SUNNY CAME HOME
WITH A LIST OF NAMES ♪
925
00:44:50,621 --> 00:44:55,469
♪ SHE DIDN'T BELIEVE
IN TRANSCENDENCE ♪
926
00:44:55,493 --> 00:45:01,641
♪ "IT'S TIME FOR A FEW
SMALL REPAIRS," SHE SAID ♪
927
00:45:01,665 --> 00:45:06,447
♪ SUNNY CAME HOME
WITH A VENGEANCE ♪
928
00:45:06,471 --> 00:45:08,783
♪ SHE SAYS DAYS GO BY ♪
929
00:45:08,807 --> 00:45:16,456
♪ I DON'T KNOW WHY
I'M WALKING ON A WIRE ♪
930
00:45:16,480 --> 00:45:24,480
♪ I CLOSE MY EYES AND
FLY OUT OF MY MIND ♪
931
00:45:26,858 --> 00:45:29,424
♪ INTO THE FIRE ♪
932
00:45:37,001 --> 00:45:42,649
♪ AND SUNNY CAME HOME ♪
933
00:45:42,673 --> 00:45:45,241
♪ SUNNY CAME HOME ♪
934
00:45:47,779 --> 00:45:53,082
♪ SUNNY CAME HOME ♪♪
935
00:45:59,523 --> 00:46:00,823
GREAT.
936
00:46:02,360 --> 00:46:04,920
SO LET'S GET OUT OF HERE.
937
00:46:09,968 --> 00:46:11,600
THANK YOU.
938
00:46:15,939 --> 00:46:18,552
THANK YOU.
939
00:46:18,576 --> 00:46:19,786
CAPTAIN STUBING,
940
00:46:19,810 --> 00:46:21,021
WHAT ARE WE GOING TO
DO ABOUT THIS BIG HARD-ON
941
00:46:21,045 --> 00:46:22,957
YOU'VE BEEN SPORTING ALL NIGHT?
942
00:46:22,981 --> 00:46:25,392
I DON'T KNOW, JULIE.
943
00:46:25,416 --> 00:46:26,861
LET'S GO.
944
00:46:26,885 --> 00:46:28,962
WE CAN'T. IT'S RUDE.
945
00:46:28,986 --> 00:46:30,397
I'M GOING NUTS.
946
00:46:30,421 --> 00:46:31,531
I DON'T KNOW HOW MUCH LONGER
947
00:46:31,555 --> 00:46:33,122
I CAN STAND IT.
948
00:46:44,535 --> 00:46:47,414
HELENA, LOVELY TO SEE YOU.
949
00:46:47,438 --> 00:46:48,515
NICE TO SEE YOU AGAIN.
950
00:46:48,539 --> 00:46:49,683
HOW ARE YOU?
951
00:46:49,707 --> 00:46:51,267
YOU KNOW, I WAS JUST
REMARKING TO JIM...
952
00:47:02,419 --> 00:47:03,797
OH, GOD, CAPTAIN STUBING,
953
00:47:03,821 --> 00:47:06,054
I WANT YOUR BIG
DICK INSIDE ME SO BAD.
954
00:47:10,261 --> 00:47:11,371
I JUST HOPE MY WIFE MARION ROSS
955
00:47:11,395 --> 00:47:12,840
DOESN'T FIND OUT ABOUT US.
956
00:47:12,864 --> 00:47:14,708
NO, MARION ROSS WAS THE ACTRESS.
957
00:47:14,732 --> 00:47:16,892
THE CHARACTER'S NAME WAS EMILY.
958
00:47:19,136 --> 00:47:20,402
OH, GOD.
959
00:47:21,872 --> 00:47:23,917
OH, MY...
960
00:47:23,941 --> 00:47:26,174
OH, FUCK.
961
00:47:27,378 --> 00:47:28,354
OH, GOD.
962
00:47:28,378 --> 00:47:29,356
OH, GOD.
963
00:47:29,380 --> 00:47:31,724
OH, GOD. OH, YEAH.
964
00:47:31,748 --> 00:47:32,726
OH, MY GOD.
965
00:47:32,750 --> 00:47:33,893
OH, GOD.
966
00:47:33,917 --> 00:47:34,895
OH, GOD.
967
00:47:34,919 --> 00:47:35,896
OH, NO.
968
00:47:35,920 --> 00:47:36,897
WHAT?
969
00:47:36,921 --> 00:47:38,065
OH, NO.
970
00:47:38,089 --> 00:47:39,900
OW! GOD!
971
00:47:39,924 --> 00:47:40,924
I...
972
00:47:50,434 --> 00:47:53,636
OKAY, I'M COMING,
BABY, I'M COMING.
973
00:48:02,480 --> 00:48:04,324
YOU TRYING TO TOP ME?
974
00:48:04,348 --> 00:48:06,668
WHAT, YOU THINK
YOU'RE GOING TO TOP ME?
975
00:48:24,602 --> 00:48:25,912
UH, SHIT.
976
00:48:25,936 --> 00:48:27,481
LOOK, I HAVE A
FAVOR TO ASK OF YOU.
977
00:48:27,505 --> 00:48:28,682
YEAH.
978
00:48:28,706 --> 00:48:29,816
THINGS ARE A LITTLE, UM...
979
00:48:29,840 --> 00:48:31,785
THEY'RE A LITTLE...
980
00:48:31,809 --> 00:48:34,788
DIFFERENT IN MY ROOM...
981
00:48:34,812 --> 00:48:35,956
MM-HMM.
982
00:48:35,980 --> 00:48:39,025
AND I SEE THAT YOU HAVE A COUCH.
983
00:48:39,049 --> 00:48:40,660
YES.
984
00:48:40,684 --> 00:48:42,729
WELL, WOULD YOU MIND?
985
00:48:42,753 --> 00:48:45,065
YOU WANT TO CRASH ON MY COUCH?
986
00:48:45,089 --> 00:48:48,435
AS IN, SLEEP, JUST SLEEP?
987
00:48:48,459 --> 00:48:49,403
NO...
988
00:48:49,427 --> 00:48:51,905
SLEEP, ENTIRELY.
989
00:48:51,929 --> 00:48:53,073
YOU KNOW WHAT?
990
00:48:53,097 --> 00:48:55,108
THAT SOUNDS FANTASTIC TO ME.
991
00:48:55,132 --> 00:48:57,110
I AM COMPLETELY EXHAUSTED.
992
00:48:57,134 --> 00:48:59,779
OKAY, GOOD. THANK YOU SO MUCH.
993
00:48:59,803 --> 00:49:00,848
YOU HAVE NO IDEA.
994
00:49:00,872 --> 00:49:01,915
NO, THANK YOU.
995
00:49:01,939 --> 00:49:03,083
HEY, UM...
996
00:49:03,107 --> 00:49:04,684
JUST DO ME ONE FAVOR.
997
00:49:04,708 --> 00:49:06,686
DON'T TELL ANYBODY.
998
00:49:06,710 --> 00:49:08,255
NO. I SWEAR.
999
00:49:08,279 --> 00:49:09,356
I WON'T SAY ANYTHING.
1000
00:49:09,380 --> 00:49:10,356
EXCELLENT.
1001
00:49:10,380 --> 00:49:11,491
THANK YOU. OH, THANK YOU.
1002
00:49:11,515 --> 00:49:13,182
SLEEP WELL. YOU TOO.
1003
00:49:44,014 --> 00:49:46,026
DAD, IS...
1004
00:49:46,050 --> 00:49:47,493
YOU'RE NOT EATING YOUR DINNER.
1005
00:49:47,517 --> 00:49:48,695
IS THERE SOMETHING
WRONG WITH IT?
1006
00:49:48,719 --> 00:49:50,731
OH, IT'S DELICIOUS.
1007
00:49:50,755 --> 00:49:53,321
I'M JUST TAKING MY TIME.
1008
00:49:59,063 --> 00:50:00,528
EXCUSE ME.
1009
00:50:03,601 --> 00:50:04,577
DADDY!
1010
00:50:04,601 --> 00:50:05,601
OH...
1011
00:50:07,838 --> 00:50:10,583
AND SHE SECURED THE
LARGEST EVER GRANT
1012
00:50:10,607 --> 00:50:12,920
IN CALIFORNIA HISTORY
1013
00:50:12,944 --> 00:50:14,254
TO ESTABLISH DAYCARE CENTERS
1014
00:50:14,278 --> 00:50:16,122
FOR AT-RISK KIDS...
1015
00:50:16,146 --> 00:50:17,423
NO, NO.
1016
00:50:17,447 --> 00:50:20,026
COME TO THE HOSPITAL. CEDARS.
1017
00:50:20,050 --> 00:50:22,595
OKAY.
1018
00:50:22,619 --> 00:50:25,098
MS. TINA KENNARD...
1019
00:50:30,560 --> 00:50:32,772
WOULD ALL FIVE OF OUR HONOREES
1020
00:50:32,796 --> 00:50:35,530
PLEASE JOIN ME UP
HERE ON THE DAIS?
1021
00:50:38,402 --> 00:50:40,146
THESE FIVE INDIVIDUALS
1022
00:50:40,170 --> 00:50:42,549
ARE EXTRAORDINARY
IN THEIR ABILITY
1023
00:50:42,573 --> 00:50:44,618
TO WALK IN MANY WORLDS,
1024
00:50:44,642 --> 00:50:49,188
AND TO HOLD THE BIG VISION
THAT UNITES DIVERSE COMMUNITIES.
1025
00:50:49,212 --> 00:50:50,790
THEY INSPIRE ALL OF US
1026
00:50:50,814 --> 00:50:52,692
TO RISE ABOVE DIVISIONS
1027
00:50:52,716 --> 00:50:54,627
AND DIFFERENCES.
1028
00:50:54,651 --> 00:50:58,053
TO PRESENT THIS YEAR'S
COMMUNITY ACTIVIST AWARDS.
1029
00:51:18,708 --> 00:51:20,653
HEY.
1030
00:51:20,677 --> 00:51:22,744
HEY.
1031
00:51:24,982 --> 00:51:26,822
UM, I'M JUST GOING
TO GET MY KEYS.
1032
00:51:27,851 --> 00:51:30,586
WHAT ARE YOU DOING?
1033
00:51:33,290 --> 00:51:34,601
WHAT ARE THOSE?
1034
00:51:34,625 --> 00:51:37,270
THEY'RE CAMERAS.
1035
00:51:37,294 --> 00:51:39,339
WHAT'S WITH ALL THE TAPES?
1036
00:51:39,363 --> 00:51:40,740
THERE'S SOMETHING
THAT I NEED TO SHOW YOU,
1037
00:51:40,764 --> 00:51:42,875
AND, UM...
1038
00:51:42,899 --> 00:51:44,844
AND THEN, AFTER
THAT, I DON'T KNOW, UM...
1039
00:51:44,868 --> 00:51:47,380
YOU'LL PROBABLY
WANT ME OUT OF HERE.
1040
00:51:47,404 --> 00:51:48,481
IT'S GOING TO TAKE ME...
1041
00:51:48,505 --> 00:51:49,983
WHAT'S GOING ON, MARK?
1042
00:51:50,007 --> 00:51:51,284
I JUST FINISHED TAKING DOWN
1043
00:51:51,308 --> 00:51:54,287
THE LAST OF THE CAMERAS.
1044
00:51:54,311 --> 00:51:56,222
I PRETTY MUCH HAD
THEM ALL OVER THE HOUSE.
1045
00:51:56,246 --> 00:51:57,690
UM...
1046
00:51:57,714 --> 00:51:59,358
JENNY SAW...
1047
00:51:59,382 --> 00:52:01,995
A TAPE I'D MADE
OF THE TWO OF YOU.
1048
00:52:02,019 --> 00:52:03,563
SHIT.
1049
00:52:03,587 --> 00:52:05,064
SHE DIDN'T WANT TO TELL YOU,
1050
00:52:05,088 --> 00:52:05,699
BECAUSE SHE DIDN'T WANT TO RUIN
1051
00:52:05,723 --> 00:52:07,155
YOUR VACATION.
1052
00:52:35,853 --> 00:52:37,798
JENNY, WAIT A
MINUTE, LISTEN TO ME.
1053
00:52:37,822 --> 00:52:39,566
IF YOU HEARD THIS TAPE
1054
00:52:39,590 --> 00:52:40,566
OR THIS CONVERSATION,
1055
00:52:40,590 --> 00:52:42,669
THEN YOU KNOW
EXACTLY WHAT I SAID,
1056
00:52:42,693 --> 00:52:44,771
AND I SAID THAT IT IS FUN
AND EASY TO BE WITH YOU,
1057
00:52:44,795 --> 00:52:47,274
THAT I WANT TO MAKE
IT WORK WITH YOU.
1058
00:52:47,298 --> 00:52:50,844
IT'S OKAY...
1059
00:52:50,868 --> 00:52:53,113
THAT WE'RE NOT
MEANT TO BE TOGETHER,
1060
00:52:53,137 --> 00:52:54,347
AND I KNOW
1061
00:52:54,371 --> 00:52:56,416
THAT THE ONLY REASON
WHY YOU'RE WITH ME
1062
00:52:56,440 --> 00:52:59,619
IS BECAUSE YOU WANT
TO BE NEAR SHANE.
1063
00:52:59,643 --> 00:53:01,843
THAT IS BULLSHIT, JENNY.
1064
00:53:13,857 --> 00:53:16,169
SHANE IS MY BEST FRIEND,
1065
00:53:16,193 --> 00:53:20,228
AND I DON'T WANT TO FUCK IT UP.
1066
00:53:22,433 --> 00:53:23,713
OKAY?
1067
00:55:10,007 --> 00:55:12,452
CAPTIONING PERFORMED BY:
1068
00:55:12,476 --> 00:55:14,876
LINE 21 MEDIA SERVICES
LTD. VANCOUVER, B.C. 2005
63778
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