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These are the user uploaded subtitles that are being translated: 1 00:00:00,868 --> 00:00:01,778 PREVIOUSLY ON THE L WORD... 2 00:00:01,802 --> 00:00:03,101 ISN'T SHE AMAZING? 3 00:00:08,609 --> 00:00:10,119 THIS DOESN'T MEAN... 4 00:00:10,143 --> 00:00:11,854 WE'RE BACK TOGETHER, I KNOW. 5 00:00:11,878 --> 00:00:13,345 FOR YOU... 6 00:00:15,482 --> 00:00:17,360 AND FOR HER. 7 00:00:17,384 --> 00:00:19,062 I JUST... 8 00:00:19,086 --> 00:00:21,331 DID IT BECAUSE I WANTED TO. 9 00:00:21,355 --> 00:00:22,598 WHEN IS BENJAMIN COMING IN? 10 00:00:22,622 --> 00:00:23,767 TOMORROW AT 6:00. 11 00:00:23,791 --> 00:00:25,969 HE'S GOING TO CHECK IN AT THE HOTEL, 12 00:00:25,993 --> 00:00:27,203 THEN HEAD OVER HERE. 13 00:00:27,227 --> 00:00:28,504 IT'S YOUR FAMILY... 14 00:00:28,528 --> 00:00:31,729 AND YOU HAVE TO BE THERE FOR THEM. 15 00:00:33,300 --> 00:00:34,633 DON'T LAUGH, OKAY? 16 00:00:38,004 --> 00:00:41,284 WHO'S LAUGHING? 17 00:00:41,308 --> 00:00:42,419 YOU'RE IN DIRECT VIOLATION 18 00:00:42,443 --> 00:00:43,386 OF YOUR CONTRACT, OKAY? 19 00:00:43,410 --> 00:00:44,421 AND I EXPECT YOU 20 00:00:44,445 --> 00:00:45,922 TO RETURN EVERY PENNY 21 00:00:45,946 --> 00:00:48,386 OF THE MONEY I ADVANCED YOU. 22 00:00:51,185 --> 00:00:52,295 YOU DON'T... 23 00:00:52,319 --> 00:00:55,499 THINK YOU AND JENNY ARE THE REAL DEAL? 24 00:00:55,523 --> 00:00:57,167 JENNY WOULDN'T KNOW WHAT THE REAL DEAL WAS 25 00:00:57,191 --> 00:00:59,671 IF IT BIT HER IN THE ASS. 26 00:01:41,702 --> 00:01:43,501 GO ON, ASK HER. 27 00:01:45,172 --> 00:01:46,816 NO, YOU. 28 00:01:46,840 --> 00:01:49,280 I JUST WANT TO GET MY BOOK SIGNED. 29 00:01:52,412 --> 00:01:54,791 MISS SPARKLE... 30 00:01:54,815 --> 00:01:58,428 I THINK I'VE ONLY HAD THREE CLASSES OF ORGASMS. 31 00:01:58,452 --> 00:02:01,230 HOW DO I GET TO THE SIXTH OR SEVENTH? 32 00:02:01,254 --> 00:02:02,332 YOU NEED TO EXPERIMENT. 33 00:02:02,356 --> 00:02:05,335 TRY A NEW LOVER. TRY SEVERAL. 34 00:02:05,359 --> 00:02:06,436 BUT IN YOUR BOOK... 35 00:02:06,460 --> 00:02:07,626 SHH... 36 00:02:43,797 --> 00:02:45,208 THAT WAS DIVINE. 37 00:02:45,232 --> 00:02:46,676 DO YOU TAKE REQUESTS? 38 00:02:46,700 --> 00:02:48,344 WELL, WHAT'S YOUR DESIRE? 39 00:02:48,368 --> 00:02:50,435 YOUR PLEASURE. 40 00:03:11,225 --> 00:03:13,558 YOU READY FOR NUMBER FOUR? 41 00:03:45,158 --> 00:03:46,336 OH, MY GOD. 42 00:03:46,360 --> 00:03:47,970 YEAH. YES. 43 00:03:47,994 --> 00:03:50,106 YEAH. YEAH. YEAH! 44 00:03:50,130 --> 00:03:51,507 OH, OH... 45 00:03:51,531 --> 00:03:52,608 YEAH! 46 00:03:52,632 --> 00:03:55,912 OH... OH... 47 00:03:55,936 --> 00:03:57,614 YEAH, DON'T STOP. DON'T STOP. 48 00:03:57,638 --> 00:03:59,382 DON'T STOP! DON'T STOP! 49 00:05:09,643 --> 00:05:14,690 I'M 14 YEARS OLD, 50 00:05:14,714 --> 00:05:17,093 AND I'M A VIRGIN. 51 00:05:17,117 --> 00:05:18,594 MY PUSSY'S NEVER BEEN TOUCHED 52 00:05:18,618 --> 00:05:20,763 BY A BIG COCK BEFORE, 53 00:05:20,787 --> 00:05:23,333 AND I WANT YOU TO FUCK ME. 54 00:05:23,357 --> 00:05:25,635 HERE'S MY PUSSY. 55 00:05:25,659 --> 00:05:28,571 I WANT YOU... 56 00:05:28,595 --> 00:05:31,574 TO TAKE YOUR BIG COCK, 57 00:05:31,598 --> 00:05:34,910 AND I WANT YOU TO SHOVE IT UP MY ASS. 58 00:05:34,934 --> 00:05:37,413 A BOY HAS NEVER SEEN MY TITS BEFORE. 59 00:05:39,272 --> 00:05:41,017 JENNY? 60 00:05:41,041 --> 00:05:43,708 COME IN. 61 00:05:46,046 --> 00:05:48,012 JENNY, YOU HAVE NO IDEA WHAT'S... 62 00:05:51,218 --> 00:05:53,430 NO, THIS IS NOT WHAT I WANT. 63 00:05:53,454 --> 00:05:55,765 JENNY, YOU HAVE THE WRONG IDEA ABOUT THIS. 64 00:05:55,789 --> 00:05:57,688 PLEASE... 65 00:05:59,492 --> 00:06:01,470 IS THAT MY CAMERA? 66 00:06:01,494 --> 00:06:02,771 YEAH, AND I'M GOING TO USE IT NOW. 67 00:06:02,795 --> 00:06:03,940 THAT'S MY TAPE 68 00:06:03,964 --> 00:06:05,775 OF SHANE AND CARMEN. 69 00:06:05,799 --> 00:06:07,799 I DON'T REALLY THINK THAT'S YOUR TAPE. 70 00:06:09,002 --> 00:06:10,212 LOOK... 71 00:06:10,236 --> 00:06:11,681 I KNOW WHAT YOU THINK OF ME RIGHT NOW. 72 00:06:11,705 --> 00:06:14,617 I KNOW THAT I DON'T HAVE A VERY GOOD TRACK RECORD WITH... 73 00:06:14,641 --> 00:06:16,385 YOU HAVE VIOLATED US. 74 00:06:16,409 --> 00:06:17,420 I WANT TO MAKE A DOCUMENTARY. 75 00:06:17,444 --> 00:06:18,621 YOU ARE VIOLATING US. I KNOW. 76 00:06:18,645 --> 00:06:22,291 YOU HAVE CROSSED EVERY LINE OF TRUST, 77 00:06:22,315 --> 00:06:24,294 AND DON'T YOU DARE TELL ME 78 00:06:24,318 --> 00:06:25,795 THIS WAS FOR THE SAKE OF ART. 79 00:06:25,819 --> 00:06:26,796 PLEASE... 80 00:06:26,820 --> 00:06:28,264 WATCH MY DOCUMENTARY. 81 00:06:28,288 --> 00:06:29,298 YOU KNOW ME. 82 00:06:29,322 --> 00:06:30,367 YOU'LL UNDERSTAND. 83 00:06:30,391 --> 00:06:32,001 IT'S NOT WHAT YOU THINK IT IS. 84 00:06:32,025 --> 00:06:33,803 I KNOW THAT I CROSSED THE LINE. 85 00:06:33,827 --> 00:06:35,471 I KNOW THAT I WENT TOO FAR WITH THIS. 86 00:06:35,495 --> 00:06:37,073 LOOK, WHEN I MOVED HERE, 87 00:06:37,097 --> 00:06:38,674 THIS WAS JUST SOMETHING I DID, YOU KNOW? 88 00:06:38,698 --> 00:06:39,676 BUT YOU HAVE TO KNOW... 89 00:06:39,700 --> 00:06:42,433 DO YOU HAVE ANY SISTERS? 90 00:06:44,103 --> 00:06:45,915 YES, I HAVE TWO YOUNGER SISTERS. 91 00:06:45,939 --> 00:06:47,549 OKAY. 92 00:06:47,573 --> 00:06:48,885 I WANT YOU TO ASK THEM 93 00:06:48,909 --> 00:06:50,709 A QUESTION... 94 00:06:52,613 --> 00:06:54,023 AND THE MOST IMPORTANT THING 95 00:06:54,047 --> 00:06:57,059 IS THAT YOU REALLY LISTEN TO THEIR ANSWER. 96 00:06:57,083 --> 00:06:59,996 I WANT YOU TO ASK YOUR SISTERS 97 00:07:00,020 --> 00:07:01,998 ABOUT THE VERY FIRST TIME 98 00:07:02,022 --> 00:07:03,666 THAT THEY WERE INTRUDED UPON 99 00:07:03,690 --> 00:07:06,130 BY SOME MAN, OR A BOY. 100 00:07:07,394 --> 00:07:08,671 WHAT MAKES YOU THINK 101 00:07:08,695 --> 00:07:09,972 THAT MY SISTERS HAVE BEEN INTRUDED UPON? 102 00:07:09,996 --> 00:07:11,474 BECAUSE THERE ISN'T A SINGLE GIRL OR WOMAN 103 00:07:11,498 --> 00:07:12,575 IN THIS WORLD 104 00:07:12,599 --> 00:07:14,477 THAT HASN'T BEEN INTRUDED UPON, 105 00:07:14,501 --> 00:07:16,713 AND SOMETIMES, IT'S RELATIVELY BENIGN, 106 00:07:16,737 --> 00:07:18,114 AND SOMETIMES, 107 00:07:18,138 --> 00:07:20,550 IT'S SO FUCKING PAINFUL 108 00:07:20,574 --> 00:07:22,485 THAT YOU... 109 00:07:22,509 --> 00:07:24,853 HAVE NO IDEA... 110 00:07:24,877 --> 00:07:27,946 WHAT THIS FEELS LIKE. 111 00:07:32,986 --> 00:07:34,196 FOR WHAT IT'S WORTH, 112 00:07:34,220 --> 00:07:35,598 I ALREADY BEGAN TAKING DOWN THE CAMERAS, 113 00:07:35,622 --> 00:07:38,134 AND I WILL FINISH TAKING DOWN THE REST OF THEM 114 00:07:38,158 --> 00:07:40,369 I'M GOING TO GO TELL SHANE NOW WHAT I'VE DONE. 115 00:07:40,393 --> 00:07:41,537 YOU GUYS CAN TALK... NO. 116 00:07:41,561 --> 00:07:42,672 YOU DON'T EVER HAVE TO SPEAK TO ME AGAIN. 117 00:07:42,696 --> 00:07:43,739 I'M GOING TO PACK MY SHIT AND... 118 00:07:43,763 --> 00:07:45,207 I SAID NO. 119 00:07:45,231 --> 00:07:48,077 YOU'RE NOT GOING TO TALK TO CARMEN, 120 00:07:48,101 --> 00:07:49,912 AND YOU'RE NOT GOING TO TALK TO SHANE. 121 00:07:49,936 --> 00:07:52,581 YOU'RE NOT GOING TO WRECK THEIR VACATION 122 00:07:52,605 --> 00:07:53,683 AND FUCK WITH THEIR LIVES 123 00:07:53,707 --> 00:07:55,284 ANYMORE. 124 00:07:55,308 --> 00:07:57,554 I'M GOING TO DECIDE... 125 00:07:57,578 --> 00:08:00,578 WHEN YOU CAN TAKE THOSE RAPEY CAMERAS DOWN. 126 00:08:03,283 --> 00:08:06,517 NOW, GET THE FUCK OUT OF MY ROOM. 127 00:08:18,664 --> 00:08:20,009 THERE YOU GO. 128 00:08:20,033 --> 00:08:21,033 THANK YOU. 129 00:08:24,303 --> 00:08:25,881 YEAH, THANKS. 130 00:08:25,905 --> 00:08:28,818 AND WHAT WOULD YOU LIKE TODAY? 131 00:08:28,842 --> 00:08:30,352 I'LL HAVE AN ORGANIC SALAD 132 00:08:30,376 --> 00:08:32,288 AND A CAFE AMERICANO. 133 00:08:32,312 --> 00:08:33,756 OKAY. 134 00:08:33,780 --> 00:08:36,359 OKAY, HERE YOU ARE. 135 00:08:36,383 --> 00:08:38,060 THANKS. 136 00:08:38,084 --> 00:08:39,528 AND WHAT WOULD YOU LIKE? 137 00:08:39,552 --> 00:08:40,697 I'D LIKE TO KNOW 138 00:08:40,721 --> 00:08:45,401 IF THE LADY WILL JOIN ME FOR LUNCH. 139 00:08:45,425 --> 00:08:47,706 BENJAMIN, I'M REALLY BUSY. 140 00:08:49,396 --> 00:08:50,773 AND WHAT WOULD YOU LIKE? 141 00:08:50,797 --> 00:08:52,208 THEN DINNER... 142 00:08:52,232 --> 00:08:55,367 FOLLOWED BY BREAKFAST IN BED. 143 00:09:04,077 --> 00:09:06,789 YOU'RE LISTENING TO KCRW. 144 00:09:06,813 --> 00:09:09,358 THIS IS ALICE PIESZECKI OF THE CHART. 145 00:09:11,184 --> 00:09:13,897 UH, TODAY, MY SPECIAL GUEST ON THE CHART 146 00:09:13,921 --> 00:09:15,364 IS MY GIRLFRIEND, DANA FAIRBANKS. 147 00:09:15,388 --> 00:09:16,799 NOW, DANA... HI. 148 00:09:16,823 --> 00:09:18,033 OKAY. 149 00:09:18,057 --> 00:09:19,802 UH, WHO IS RESPONSIBLE 150 00:09:19,826 --> 00:09:21,537 FOR TODAY'S PIECE OF INTERCONNECTEDNESS. 151 00:09:21,561 --> 00:09:23,505 DANA GOT INVITED TO SPEAK 152 00:09:23,529 --> 00:09:25,407 ON THE LIFESTYLE LEADERSHIP PANEL 153 00:09:25,431 --> 00:09:26,709 ON AN OLIVIA CRUISE FOR WOMEN... 154 00:09:26,733 --> 00:09:28,010 FOR GAY WOMEN, ACTUALLY. 155 00:09:28,034 --> 00:09:29,012 OKAY. 156 00:09:29,036 --> 00:09:30,513 IT'S CALLED 157 00:09:30,537 --> 00:09:32,582 LOVE AND FRIENDSHIP, 158 00:09:32,606 --> 00:09:36,886 AND IT'S GOING TO BE ME, AND PHOEBE SPARKLE, AND... 159 00:09:36,910 --> 00:09:38,854 DANA, I'M NOT REALLY READY TO GO THERE YET. 160 00:09:39,947 --> 00:09:41,190 SO SHE'S TAKING ME, 161 00:09:41,214 --> 00:09:44,760 AND ALSO OUR FRIENDS JENNY, SHANE, AND CARMEN. 162 00:09:44,784 --> 00:09:46,495 NOW, JUST TO DIGRESS FOR A MINUTE 163 00:09:46,519 --> 00:09:49,132 INTO LESBIAN LINKAGE 101, 164 00:09:49,156 --> 00:09:51,400 ORIGINALLY, SHANE AND CARMEN HOOKED UP, 165 00:09:51,424 --> 00:09:54,237 BUT NOW CARMEN IS SEEING JENNY, 166 00:09:54,261 --> 00:09:56,472 WHO'S TOTALLY COMING OUT OF THE CLOSET. 167 00:09:56,496 --> 00:09:58,007 YOU CAN'T TELL THEM THAT, ALICE. 168 00:09:58,031 --> 00:10:01,465 UM, ANYWAY, BACK TO THE BIG WEB OF CONNECTIVITY. 169 00:10:03,136 --> 00:10:05,581 ONE OF MY MAJOR IDOLS, PHOEBE SPARKLE, 170 00:10:05,605 --> 00:10:08,350 A BRILLIANT WRITER AND ACCLAIMED SEXPERT... 171 00:10:08,374 --> 00:10:09,985 AND SHE'S A VERY NICE... 172 00:10:10,009 --> 00:10:11,721 WHAT SHE, UH, IS GOING TO BE DOING 173 00:10:11,745 --> 00:10:13,745 IS SPEAKING ON THE PANEL WITH DANA. 174 00:10:16,082 --> 00:10:17,960 HI, MOM. 175 00:10:17,984 --> 00:10:19,762 AS YOU CAN SEE, 176 00:10:19,786 --> 00:10:21,998 I HAVE ALL OUR FAMILY PICTURES HERE, 177 00:10:22,022 --> 00:10:24,834 AND I'M VIDEOTAPING THIS, 178 00:10:24,858 --> 00:10:27,236 BECAUSE I HAVE A COUPLE OF QUESTIONS FOR YOU 179 00:10:27,260 --> 00:10:30,173 ABOUT ZAYDA. 180 00:10:30,197 --> 00:10:35,044 I WOULD LIKE TO KNOW IF ZAYDA LOST HIS MIND 181 00:10:35,068 --> 00:10:38,113 WHEN HE BEGAN TO TRANSCRIBE THE TORAH BY HAND, 182 00:10:38,137 --> 00:10:43,119 OR DID THAT CAUSE HIM TO LOSE HIS MIND? 183 00:10:43,143 --> 00:10:47,123 DO YOU REMEMBER THE DAY THEY TOOK HIM AWAY? 184 00:10:47,147 --> 00:10:50,226 AND THEN I WANTED TO ASK YOU QUESTIONS 185 00:10:50,250 --> 00:10:52,462 ABOUT GRANDMA, 186 00:10:52,486 --> 00:10:54,464 OR GRANDMA, IF YOU'RE WATCHING THIS, 187 00:10:54,488 --> 00:10:56,331 I WANTED TO ASK YOU QUESTIONS 188 00:10:56,355 --> 00:10:58,801 ABOUT YOUR EXPERIENCE IN AUSCHWITZ. 189 00:10:58,825 --> 00:11:00,502 I WANTED TO KNOW 190 00:11:00,526 --> 00:11:02,772 IF WHEN YOU ARRIVED IN AUSCHWITZ, 191 00:11:02,796 --> 00:11:05,475 DID THEY SEPARATE YOU FROM YOUR DAUGHTER? 192 00:11:05,499 --> 00:11:09,378 AND I WANTED TO KNOW 193 00:11:09,402 --> 00:11:10,947 IF YOU REMEMBER THE NAME OF THE UNTERSCHARFUHRER 194 00:11:10,971 --> 00:11:12,949 WHO TOOK YOUR ARM 195 00:11:12,973 --> 00:11:16,285 AND BRANDED YOU WITH THAT TATTOO. 196 00:11:16,309 --> 00:11:19,121 DO YOU REMEMBER HIS EYES? 197 00:11:19,145 --> 00:11:23,759 DO YOU REMEMBER IF HE USED A STEEL PLATE... 198 00:11:25,018 --> 00:11:28,664 OR DID HE USE A NEEDLE? 199 00:11:28,688 --> 00:11:30,699 I'M REALLY SORRY TO INTERRUPT. 200 00:11:30,723 --> 00:11:31,768 I JUST... 201 00:11:31,792 --> 00:11:32,935 WANTED TO SAY HELLO TO YOU, 202 00:11:32,959 --> 00:11:33,936 BUT YOU KNOW WHAT? 203 00:11:33,960 --> 00:11:35,004 I CAN COME BACK AT ANOTHER TIME 204 00:11:35,028 --> 00:11:36,004 IF, UM... 205 00:11:36,028 --> 00:11:37,106 NO, IT'S OKAY. 206 00:11:37,130 --> 00:11:38,107 ARE YOU SURE? YEAH. 207 00:11:38,131 --> 00:11:39,942 I'M JUST WORKING ON A... 208 00:11:39,966 --> 00:11:41,710 PROJECT ABOUT MY FAMILY. 209 00:11:41,734 --> 00:11:43,212 WOW. 210 00:11:43,236 --> 00:11:44,747 THIS IS MY FAMILY. 211 00:11:44,771 --> 00:11:46,048 OH, MY GOODNESS. 212 00:11:46,072 --> 00:11:47,817 AND I'M MAKING A TAPE FOR MY MOM. 213 00:11:47,841 --> 00:11:51,253 SAY HI TO MY FRIEND CARMEN. 214 00:11:51,277 --> 00:11:54,656 UM, HELLO, MRS. SCHECTER. 215 00:11:54,680 --> 00:11:57,193 AND THAT IS MY MOM. 216 00:11:57,217 --> 00:12:01,430 SHE'S BEAUTIFUL. 217 00:12:01,454 --> 00:12:03,266 OH... 218 00:12:03,290 --> 00:12:04,600 UM... 219 00:12:04,624 --> 00:12:05,701 HAVE YOU PACKED? 220 00:12:05,725 --> 00:12:06,802 NO. 221 00:12:06,826 --> 00:12:08,137 DO YOU WANT ME TO HELP YOU START 222 00:12:08,161 --> 00:12:09,105 OR SOMETHING? 223 00:12:09,129 --> 00:12:10,440 I TOTALLY FORGOT. 224 00:12:10,464 --> 00:12:14,043 I'VE JUST BEEN SO ENGROSSED IN THIS PROJECT, 225 00:12:14,067 --> 00:12:15,411 AND I'M REALLY INTO IT, SO... 226 00:12:16,802 --> 00:12:18,214 I'VE DECIDED I'M NOT COMING ON THE TRIP. 227 00:12:18,238 --> 00:12:20,148 I WANT YOU TO GO AWAY WITH SHANE. 228 00:12:20,172 --> 00:12:21,818 WHAT? 229 00:12:21,842 --> 00:12:23,052 YEP. 230 00:12:23,076 --> 00:12:24,286 WITH SHANE? WHY... 231 00:12:24,310 --> 00:12:25,921 YEAH, BECAUSE I THINK 232 00:12:25,945 --> 00:12:27,923 YOU GUYS WILL HAVE A BLAST TOGETHER. 233 00:12:27,947 --> 00:12:29,425 JENNY, ABSOLUTELY NOT. 234 00:12:29,449 --> 00:12:32,027 YOU ARE NOT GOING TO PULL OUT OF THIS. 235 00:12:32,051 --> 00:12:33,028 YOU KNOW... 236 00:12:33,052 --> 00:12:34,096 NO EXCUSES. NO. YOU'RE COMING. 237 00:12:34,120 --> 00:12:35,831 THIS IS NOT AN EXCUSE. 238 00:12:35,855 --> 00:12:37,132 WHEN BURR CONNOR FIRED ME, HE JUST... 239 00:12:37,156 --> 00:12:38,434 THE BEST THING THAT CAME OUT OF THAT EXPERIENCE 240 00:12:38,458 --> 00:12:39,802 WAS HE WAS, LIKE, 241 00:12:39,826 --> 00:12:41,470 "YOU'VE GOT TO TELL THE TRUTH ABOUT YOUR LIFE, 242 00:12:41,494 --> 00:12:43,506 AND YOU HAVE TO BE TRUTHFUL ABOUT YOUR WORK," 243 00:12:43,530 --> 00:12:44,740 AND THAT'S ALL I WANT TO DO, 244 00:12:44,764 --> 00:12:46,174 IS JUST TELL THE FUCKING TRUTH, AND... 245 00:12:46,198 --> 00:12:47,777 ALL RIGHT, OKAY, FINE, FINE, FINE. 246 00:12:47,801 --> 00:12:49,378 WELL, HERE'S A TRUTH. 247 00:12:49,402 --> 00:12:50,679 I WOULD LIKE TO GO WITH MY GIRLFRIEND, 248 00:12:50,703 --> 00:12:52,781 SO, YOU KNOW... 249 00:12:52,805 --> 00:12:54,305 WHO'S THAT? 250 00:12:55,875 --> 00:12:58,220 IT'S YOU. 251 00:12:58,244 --> 00:13:00,645 PLEASE JUST TELL ME THE TRUTH. 252 00:13:02,248 --> 00:13:03,826 YES, DO YOU THINK 253 00:13:03,850 --> 00:13:05,828 WE COULD PULL THESE STRAPS UP 254 00:13:05,852 --> 00:13:06,929 A LITTLE? 255 00:13:06,953 --> 00:13:09,365 BECAUSE THIS... 256 00:13:09,389 --> 00:13:11,601 IS WHAT I WANT TO SEE. 257 00:13:11,625 --> 00:13:13,336 NO PROBLEM AT ALL. 258 00:13:13,360 --> 00:13:15,037 GOOD. 259 00:13:15,061 --> 00:13:16,405 WE'LL TAKE IT. 260 00:13:16,429 --> 00:13:19,041 CAN YOU EXCUSE US FOR A MINUTE, PLEASE? 261 00:13:19,065 --> 00:13:20,175 OF COURSE. 262 00:13:20,199 --> 00:13:21,199 THANKS. 263 00:13:22,602 --> 00:13:24,380 THIS IS A $5,000 DRESS. 264 00:13:24,404 --> 00:13:26,181 THEY'RE GIVING ME AN AWARD 265 00:13:26,205 --> 00:13:27,783 FOR COMMUNITY SERVICE. 266 00:13:27,807 --> 00:13:29,251 I DON'T WANT TO SHOW UP IN SOME SORT OF... 267 00:13:29,275 --> 00:13:32,154 EXTRAVAGANT, OVER-THE-TOP GOWN. 268 00:13:32,178 --> 00:13:35,246 THAT MONEY CAN BE USED IN SO MANY OTHER WAYS. 269 00:13:38,618 --> 00:13:42,030 TINA, PLEASE, DON'T TELL ME 270 00:13:42,054 --> 00:13:45,067 WHAT I CAN AND CANNOT SPEND MY OWN MONEY ON. 271 00:13:45,091 --> 00:13:47,669 DO YOU KNOW HOW MUCH MONEY 272 00:13:47,693 --> 00:13:50,439 I PERSONALLY GIVE AWAY EVERY YEAR? 273 00:13:50,463 --> 00:13:52,341 HOW MANY CHARITIES 274 00:13:52,365 --> 00:13:55,043 THE PEABODY FOUNDATION SPONSORS? 275 00:13:55,067 --> 00:13:56,745 I MEAN... 276 00:13:56,769 --> 00:13:59,648 IT WOULD GIVE ME THE UTMOST PLEASURE 277 00:13:59,672 --> 00:14:01,884 TO BUY YOU THIS DRESS, 278 00:14:01,908 --> 00:14:04,486 SO, PLEASE... 279 00:14:04,510 --> 00:14:07,579 BE GRACIOUS ENOUGH TO LET ME. 280 00:14:13,886 --> 00:14:15,586 WE'LL TAKE IT. 281 00:14:17,790 --> 00:14:20,191 DID I MENTION I INVITED BETTE? 282 00:14:21,627 --> 00:14:23,272 WHAT? 283 00:14:23,296 --> 00:14:25,830 HEY, SHANE, COME HERE. 284 00:14:27,467 --> 00:14:29,111 HEY. 285 00:14:29,135 --> 00:14:30,245 OKAY, I HAVE SOMETHING TO TELL YOU. 286 00:14:30,269 --> 00:14:31,514 THIS ONE RIGHT HERE, 287 00:14:31,538 --> 00:14:32,514 SHE DOESN'T WANT TO GO. 288 00:14:32,538 --> 00:14:33,916 WHAT? 289 00:14:33,940 --> 00:14:35,418 NOT GOING. 290 00:14:35,442 --> 00:14:36,652 YOU'RE GOING ON THAT CRUISE. 291 00:14:36,676 --> 00:14:37,652 I'M NOT GOING. 292 00:14:37,676 --> 00:14:38,654 YES, YOU ARE. 293 00:14:38,678 --> 00:14:39,855 NO, I'M NOT. 294 00:14:39,879 --> 00:14:41,190 I DON'T WANT TO. 295 00:14:41,214 --> 00:14:42,424 YOU KNOW WHY? 296 00:14:42,448 --> 00:14:43,625 I'M ACTUALLY WORKING ON SOMETHING 297 00:14:43,649 --> 00:14:44,961 THAT'S IMPORTANT TO ME, 298 00:14:44,985 --> 00:14:46,295 AND I JUST DON'T WANT TO FUCK AROUND ANYMORE, 299 00:14:46,319 --> 00:14:47,629 AND I WANT TO BE SERIOUS 300 00:14:47,653 --> 00:14:48,997 ABOUT MY WORK. 301 00:14:49,021 --> 00:14:50,665 FUCK IT. 302 00:14:50,689 --> 00:14:52,501 IF YOU'RE NOT GOING, I'M NOT GOING. 303 00:14:52,525 --> 00:14:53,602 WHAT? 304 00:14:53,626 --> 00:14:54,736 WAIT A MINUTE! 305 00:14:54,760 --> 00:14:55,838 NO, COME BACK HERE. 306 00:14:55,862 --> 00:14:57,473 IF YOU DON'T GO AND IF YOU DON'T GO, 307 00:14:57,497 --> 00:14:58,640 THEN I'M NOT GOING TO GO, 308 00:14:58,664 --> 00:15:00,075 AND I WANTED TO GO, 309 00:15:00,099 --> 00:15:01,377 AND I GUESS DANA AND ALICE 310 00:15:01,401 --> 00:15:02,711 ARE JUST GOING TO HAVE TO BE PISSED, 311 00:15:02,735 --> 00:15:03,778 BECAUSE NO ONE'S GOING TO GO. 312 00:15:03,802 --> 00:15:04,880 OH, MY GOD! 313 00:15:04,904 --> 00:15:05,881 I'M NOT GOING TO GO! 314 00:15:05,905 --> 00:15:08,684 I'M GOING TO GO. I'M GOING TO GO. 315 00:15:08,708 --> 00:15:10,319 I'M GOING TO GO. WE'RE GOING TO... 316 00:15:10,343 --> 00:15:14,111 WE'RE GOING TO BE A FUCKING THREESOME, MAN. 317 00:15:17,917 --> 00:15:19,061 BUT WE'RE BOTH STILL TAKING GINGER, 318 00:15:19,085 --> 00:15:20,829 NO MATTER WHAT, ALL RIGHT? 319 00:15:20,853 --> 00:15:22,264 OH, AND JUST IN CASE, 320 00:15:22,288 --> 00:15:24,267 I'VE GOT THESE TWO THINGS FOR SEASICKNESS. 321 00:15:24,291 --> 00:15:25,801 YOU'RE NOT GOING TO GET SEASICK. 322 00:15:25,825 --> 00:15:27,002 THERE'S NO REASON FOR BOTH OF US 323 00:15:27,026 --> 00:15:29,838 TO TAKE THINGS LIKE TOOTHPASTE, OR... 324 00:15:29,862 --> 00:15:31,873 RAZORS, 325 00:15:31,897 --> 00:15:34,610 OR Q-TIPS, OR HAND SANITIZER. 326 00:15:34,634 --> 00:15:35,978 AL? 327 00:15:36,002 --> 00:15:37,046 HMM? 328 00:15:37,070 --> 00:15:38,803 WHAT'S WRONG? 329 00:15:40,774 --> 00:15:42,039 NOTHING. 330 00:15:43,409 --> 00:15:44,953 YES, THERE IS. 331 00:15:44,977 --> 00:15:47,389 OKAY, 332 00:15:47,413 --> 00:15:49,893 BEFORE WE GET ON THE GIANT BOAT THAT SINKS WITH YOU MAD AT ME. 333 00:15:50,583 --> 00:15:52,316 ALICE... 334 00:15:54,220 --> 00:15:56,532 LOOK, I AM A WRECK ABOUT THIS CRUISE, 335 00:15:56,556 --> 00:15:58,267 AND YOU'RE NOT HELPING. 336 00:15:58,291 --> 00:16:00,836 HOW WOULD YOU FEEL, DANA, IF I CAME DOWN 337 00:16:00,860 --> 00:16:03,761 AND I JUST INTERRUPTED ONE OF YOUR MATCHES, OR... 338 00:16:05,565 --> 00:16:07,998 CORRECTED ONE OF YOUR SHOTS? 339 00:16:10,203 --> 00:16:11,213 OKAY. 340 00:16:11,237 --> 00:16:12,381 IS THIS ABOUT ME TALKING ON YOUR SHOW? 341 00:16:12,405 --> 00:16:13,382 YOU WEREN'T TALKING. 342 00:16:13,406 --> 00:16:14,549 YOU WERE INTERRUPTING ME, 343 00:16:14,573 --> 00:16:16,451 AND YOU DIDN'T EVEN RESPECT THE FACT 344 00:16:16,475 --> 00:16:18,054 THAT IT WAS MY GIG, 345 00:16:18,078 --> 00:16:20,411 AND I FEEL LIKE I'M ALWAYS THERE FOR YOU. 346 00:16:30,156 --> 00:16:32,757 I'M REALLY SORRY. 347 00:16:46,572 --> 00:16:48,250 I'M SUCH AN ASS. 348 00:16:48,274 --> 00:16:49,518 IT'S ALL RIGHT. 349 00:16:49,542 --> 00:16:50,919 SORRY, I JUST HATE THESE CRUISES. 350 00:16:50,943 --> 00:16:53,977 I JUST GET REALLY SEASICK AND SCARED, YOU KNOW? 351 00:16:56,115 --> 00:16:57,225 YOU DON'T HAVE TO BE THAT SCARED. 352 00:16:57,249 --> 00:16:58,394 I'M GOING TO BE THERE 353 00:16:58,418 --> 00:16:59,695 TO TAKE CARE OF YOU, BABY. 354 00:16:59,719 --> 00:17:02,197 MM. 355 00:17:02,221 --> 00:17:03,599 LOOK AT IT THIS WAY... 356 00:17:03,623 --> 00:17:06,501 NO ONE EVER GOT SICK ON THE LOVE BOAT. 357 00:17:06,525 --> 00:17:07,836 ACTUALLY, THAT'S NOT TRUE. 358 00:17:07,860 --> 00:17:10,572 COREY PARKER, WHO PLAYED THE SHIP'S DOCTOR, 359 00:17:10,596 --> 00:17:11,674 HE WAS HORRIBLY SEASICK. 360 00:17:11,698 --> 00:17:12,975 NO, NO, NO. 361 00:17:12,999 --> 00:17:14,409 THE SHIP'S DOCTOR WAS BERNIE KOPELL. 362 00:17:14,433 --> 00:17:15,911 DR. ADAM BRICKER. 363 00:17:15,935 --> 00:17:17,146 RIGHT, AND THEN COREY PARKER 364 00:17:17,170 --> 00:17:20,783 PLAYED DR. JOHN MORGAN, HIS REPLACEMENT. 365 00:17:20,807 --> 00:17:22,117 IT WAS THE SEQUEL, 366 00:17:22,141 --> 00:17:23,218 THE NEXT WAVE. 367 00:17:23,242 --> 00:17:24,720 WELL, YEAH, BUT THAT DOESN'T COUNT. 368 00:17:24,744 --> 00:17:28,023 I MEAN, IF IT DOESN'T HAVE GOPHER AND ISAAC WASHINGTON 369 00:17:28,047 --> 00:17:29,892 AND, YOU KNOW, CAPTAIN MERRILL STUBING, 370 00:17:29,916 --> 00:17:31,293 THAT'S NOT THE LOVE BOAT. 371 00:17:31,317 --> 00:17:32,460 AND DON'T FORGET JULIE. 372 00:17:32,484 --> 00:17:34,397 HELLO. 373 00:17:34,421 --> 00:17:35,720 REALLY? 374 00:17:38,524 --> 00:17:39,435 HEY. 375 00:17:39,459 --> 00:17:40,536 HEY. 376 00:17:40,560 --> 00:17:42,304 YOU SCARED ME. 377 00:17:42,328 --> 00:17:44,628 HOW'S THE PACKING COMING ALONG? 378 00:17:48,000 --> 00:17:50,112 WHAT'S UP WITH YOU? 379 00:17:50,136 --> 00:17:52,147 YOU'RE LIABLE TO HEAR SHIT ABOUT ME 380 00:17:52,171 --> 00:17:53,582 WHILE YOU'RE GONE, 381 00:17:53,606 --> 00:17:55,684 AND SINCE I WON'T BE THERE TO DEFEND MYSELF, 382 00:17:55,708 --> 00:17:58,087 I JUST... 383 00:17:58,111 --> 00:18:00,411 I DON'T WANT YOU TO THINK I'M A TOTAL ASSHOLE. 384 00:18:02,348 --> 00:18:03,358 WHAT DID YOU DO? 385 00:18:03,382 --> 00:18:04,726 I CAN'T TELL YOU. 386 00:18:04,750 --> 00:18:05,994 I'M SORRY. 387 00:18:06,018 --> 00:18:07,096 I PROMISE YOU 388 00:18:07,120 --> 00:18:09,040 YOU'LL FIND OUT EVENTUALLY, THOUGH. 389 00:18:13,626 --> 00:18:15,771 YOU'RE BEING REALLY INTENSE AND CRYPTIC RIGHT NOW. 390 00:18:15,795 --> 00:18:17,172 YEAH, WELL, 391 00:18:17,196 --> 00:18:19,608 THAT'S MY STYLE, REALLY INTENSE AND CRYPTIC. 392 00:18:19,632 --> 00:18:21,598 THAT'S HOW I GET ALL THE LADIES. 393 00:18:23,536 --> 00:18:24,835 YEAH. 394 00:18:28,407 --> 00:18:30,007 SHANE... 395 00:18:32,311 --> 00:18:35,191 I JUST WANT YOU TO KNOW THAT... 396 00:18:35,215 --> 00:18:37,815 THAT I'M YOUR FRIEND. 397 00:18:40,820 --> 00:18:42,853 I'M YOUR FRIEND TOO. 398 00:18:44,724 --> 00:18:46,402 DO YOU THINK 399 00:18:46,426 --> 00:18:47,936 THAT CAPTAIN STUBING GOT MORE WOMEN, 400 00:18:47,960 --> 00:18:49,204 OR THE DOCTOR? 401 00:18:49,228 --> 00:18:51,039 NO, THE DOCTOR DID NOT GET MORE WOMEN... 402 00:18:51,063 --> 00:18:52,241 HE GETS SO MANY. 403 00:18:52,265 --> 00:18:53,509 NO, NO, NO. 404 00:18:53,533 --> 00:18:54,743 CAPTAIN STUBING AND JULIE 405 00:18:54,767 --> 00:18:56,912 WERE NOT HAVING AN AFFAIR, OKAY? 406 00:18:56,936 --> 00:18:58,280 DID YOU EVER WATCH THE SHOW? 407 00:18:58,304 --> 00:18:59,715 CAPTAIN STUBING WAS MARRIED. 408 00:18:59,739 --> 00:19:02,651 RIGHT, BUT SUPPOSEDLY SOMEBODY WAS A BIG HOMO. 409 00:19:02,675 --> 00:19:03,952 WHAT? 410 00:19:03,976 --> 00:19:05,654 WHO CARES? 411 00:19:05,678 --> 00:19:07,056 AND WHY DO WE SAY IT LIKE BEING A HOMO 412 00:19:07,080 --> 00:19:09,057 IS, LIKE, SOME DIRTY SECRET? 413 00:19:09,081 --> 00:19:10,726 THANK YOU. EXACTLY. 414 00:19:10,750 --> 00:19:12,495 THANK YOU. 415 00:19:12,519 --> 00:19:13,695 YOU GUYS, THIS IS FANTASTIC 416 00:19:13,719 --> 00:19:14,696 WE'RE ALL CARRYING ON. 417 00:19:14,720 --> 00:19:15,697 THIS IS GREAT. 418 00:19:15,721 --> 00:19:16,664 WHAT? NO, NO. 419 00:19:16,688 --> 00:19:18,400 NO, I'M CHECKING. 420 00:19:18,424 --> 00:19:20,057 I'M CHECKING. 421 00:19:27,900 --> 00:19:29,044 I DON'T KNOW WHY YOU'RE BEING LIKE THIS. 422 00:19:29,068 --> 00:19:30,045 YOUR BAG WILL TOTALLY FIT 423 00:19:30,069 --> 00:19:31,046 IN THE OVERHEAD COMPARTMENT. 424 00:19:31,070 --> 00:19:32,114 NO, IT'S TOO HEAVY. 425 00:19:32,138 --> 00:19:33,115 NO, IT'S NOT. 426 00:19:33,139 --> 00:19:34,116 DO YOU WANT ME TO TAKE IT? 427 00:19:34,140 --> 00:19:35,150 BECAUSE I'LL SWITCH WITH YOU. 428 00:19:35,174 --> 00:19:37,719 NO, I DON'T. JUST... 429 00:19:37,743 --> 00:19:38,721 LOOK, I JUST DON'T WANT TO PUT IT 430 00:19:38,745 --> 00:19:39,721 THROUGH SECURITY, OKAY? 431 00:19:39,745 --> 00:19:40,722 WHY? 432 00:19:40,746 --> 00:19:41,857 I JUST DON'T. 433 00:19:41,881 --> 00:19:42,858 OKAY, FINE. 434 00:19:42,882 --> 00:19:43,892 YOU'RE GOING TO HOLD EVERYONE ELSE UP, 435 00:19:43,916 --> 00:19:45,928 BECAUSE NO ONE ELSE IS CHECKING ANYTHING. 436 00:19:45,952 --> 00:19:48,597 AL! AL! 437 00:19:48,621 --> 00:19:50,465 GODDAMMIT. 438 00:19:50,489 --> 00:19:52,589 ALICE... 439 00:20:02,268 --> 00:20:03,767 DADDY! 440 00:20:09,776 --> 00:20:11,056 WHAT A NICE SURPRISE. 441 00:20:12,878 --> 00:20:14,723 HOW ARE YOU? 442 00:20:14,747 --> 00:20:15,924 I'M VERY WELL, AND YOU? 443 00:20:15,948 --> 00:20:17,059 I'M GOOD. 444 00:20:17,083 --> 00:20:18,393 I'M SO HAPPY YOU'RE HERE. 445 00:20:18,417 --> 00:20:19,894 I'M GOING TO TAKE YOU TO THE OFFICE, 446 00:20:19,918 --> 00:20:22,397 WHERE WE'RE GOING TO SEE AN AMAZING PAINTING 447 00:20:22,421 --> 00:20:25,034 THAT I HAVE ON LOAN FROM THE GETTY, 448 00:20:25,058 --> 00:20:26,101 AND THEN WE'RE GOING TO HAVE LUNCH 449 00:20:26,125 --> 00:20:28,704 WITH AN INCREDIBLE ARTIST. 450 00:20:28,728 --> 00:20:30,472 YOU REMEMBER ALLYN BARNES? 451 00:20:30,496 --> 00:20:32,608 IS HE THE PAINTER? 452 00:20:32,632 --> 00:20:34,609 NO, IT'S NOT HER PAINTING. 453 00:20:34,633 --> 00:20:36,078 THE PAINTING IS 14th CENTURY, 454 00:20:36,102 --> 00:20:37,679 BY DOSSO DOSSI. 455 00:20:37,703 --> 00:20:39,381 NO, ALLYN BARNES WAS MY TEACHER AT YALE. 456 00:20:39,405 --> 00:20:42,517 SHE'S PROBABLY ONE OF OUR MOST IMPORTANT 457 00:20:42,541 --> 00:20:43,752 LIVING ARTISTS. 458 00:20:43,776 --> 00:20:45,409 NEVER HEARD OF HER. 459 00:20:58,391 --> 00:21:00,668 SHE'S THE REASON I WANTED TO GO INTO THE ARTS. 460 00:21:00,692 --> 00:21:02,826 I THOUGHT THAT WAS YOUR MOTHER'S INFLUENCE. 461 00:21:05,531 --> 00:21:09,077 SHE WAS A GREAT ARTIST. 462 00:21:09,101 --> 00:21:11,613 YOU REMEMBER HER WATERCOLORS, DON'T YOU? 463 00:21:11,637 --> 00:21:13,348 OF COURSE I DO, DADDY. 464 00:21:13,372 --> 00:21:15,539 I HAVE ALL OF THEM. 465 00:21:26,119 --> 00:21:28,719 PLEASE GO THROUGH. PLEASE GO THROUGH. 466 00:21:31,924 --> 00:21:33,168 STEP HERE, PLEASE, MA'AM. 467 00:21:33,192 --> 00:21:34,192 COME ON. 468 00:21:34,693 --> 00:21:35,938 HOLD IT THERE. 469 00:21:35,962 --> 00:21:37,539 OKAY, GO OVER TO THE SIDE, PLEASE, 470 00:21:37,563 --> 00:21:38,273 IF YOU WOULD. 471 00:21:38,297 --> 00:21:39,574 THANK YOU. 472 00:21:39,598 --> 00:21:41,577 DANA, NOBODY CARES ABOUT MEDICATION. 473 00:21:41,601 --> 00:21:42,878 THANK YOU. 474 00:21:42,902 --> 00:21:44,613 ALL RIGHT, GO AHEAD. 475 00:21:44,637 --> 00:21:46,114 PUT YOUR ARMS UP. THANK YOU. 476 00:21:46,138 --> 00:21:47,404 COME BACK! 477 00:21:49,976 --> 00:21:51,486 THIS IS ALL YOUR FAULT. 478 00:21:51,510 --> 00:21:52,887 FAYE... 479 00:21:52,911 --> 00:21:55,779 COME HERE. 480 00:21:57,182 --> 00:21:58,459 THANKS. 481 00:21:58,483 --> 00:22:00,984 I THINK WE'VE GOT SOMETHING HERE. 482 00:22:05,857 --> 00:22:08,336 WHAT IS IT, SOME KIND OF A WEAPON? 483 00:22:08,360 --> 00:22:09,571 LADIES? 484 00:22:09,595 --> 00:22:11,835 STEP OVER HERE, PLEASE. 485 00:22:20,573 --> 00:22:23,540 WHAT THE HELL? 486 00:22:28,447 --> 00:22:29,958 YOU JUST... 487 00:22:29,982 --> 00:22:31,815 IT, UM... OKAY? 488 00:22:34,019 --> 00:22:35,019 GREAT. 489 00:22:41,460 --> 00:22:43,360 YEAH. NIPPLE CLAMPS. 490 00:22:44,630 --> 00:22:46,775 WHEN DID YOU GET THOSE? 491 00:22:46,799 --> 00:22:48,910 BABY... 492 00:22:48,934 --> 00:22:50,945 YOU CAN'T TAKE THESE ON THE PLANE, LADIES. 493 00:22:50,969 --> 00:22:53,470 YOU SHOULD KNOW BETTER THAN THAT. 494 00:22:56,208 --> 00:22:57,619 OKAY, MA'AM, YOU CAN GO AHEAD 495 00:22:57,643 --> 00:22:58,787 AND PACK THIS BACK UP. 496 00:22:58,811 --> 00:23:00,577 GREAT. 497 00:23:05,183 --> 00:23:06,461 HAVE FUN. 498 00:23:06,485 --> 00:23:07,963 YEAH, GOOD, THANKS. 499 00:23:07,987 --> 00:23:09,230 MELVIN, 500 00:23:09,254 --> 00:23:10,999 YOU SEEM TO BE MISSING THE POINT OF THE PAINTING. 501 00:23:11,023 --> 00:23:12,967 IT'S ABOUT THE FLEETINGNESS OF FORTUNE. 502 00:23:12,991 --> 00:23:15,236 I JUST SEE IT DIFFERENTLY. 503 00:23:15,260 --> 00:23:16,371 YOU DON'T THINK 504 00:23:16,395 --> 00:23:17,439 THAT THE MAN IN THE PAINTING 505 00:23:17,463 --> 00:23:19,140 IS ENJOYING HIS LIFE? 506 00:23:19,164 --> 00:23:20,842 I DON'T. OF COURSE I DON'T. 507 00:23:20,866 --> 00:23:23,245 HE LOOKS MISERABLE. 508 00:23:23,269 --> 00:23:25,914 SPIRITUALLY VOID. 509 00:23:25,938 --> 00:23:29,051 THE ONLY TRUE ABUNDANCE 510 00:23:29,075 --> 00:23:30,986 IS HARMONY WITH GOD. 511 00:23:31,010 --> 00:23:33,421 AH, SO FAITH ASSURES PROSPERITY, 512 00:23:33,445 --> 00:23:34,857 IS THAT WHAT YOU'RE SAYING? 513 00:23:34,881 --> 00:23:36,924 FIGURATIVELY SPEAKING, YES. 514 00:23:36,948 --> 00:23:38,226 THERE IT IS. 515 00:23:38,250 --> 00:23:39,394 THE DANGLING CARROT 516 00:23:39,418 --> 00:23:41,696 OF THE ASHCROFT AND THE BUSHIES. 517 00:23:41,720 --> 00:23:43,198 I BEG YOUR PARDON. 518 00:23:43,222 --> 00:23:44,632 I HAVE NOTHING IN COMMON 519 00:23:44,656 --> 00:23:47,870 WITH THE ASHCROFTS OR THE BUSHIES. 520 00:23:47,894 --> 00:23:49,070 IT'S MERCENARY CHRISTIANITY, 521 00:23:49,094 --> 00:23:51,173 KEEPING US MORTALS IN THRALL 522 00:23:51,197 --> 00:23:52,874 THROUGH A COMBINATION OF FEAR AND PAYOLA. 523 00:23:52,898 --> 00:23:54,509 IT MAKES ME WANT TO GO BACK INTO A CAVE 524 00:23:54,533 --> 00:23:55,977 AND NEVER COME OUT AGAIN. 525 00:23:56,001 --> 00:23:58,402 THAT WOULD BE YOUR PREROGATIVE, MADAME. 526 00:24:06,445 --> 00:24:08,312 DADDY? 527 00:24:16,689 --> 00:24:18,333 DADDY? 528 00:24:18,357 --> 00:24:20,068 WHERE ARE YOU GOING? 529 00:24:20,092 --> 00:24:21,136 OH, I... 530 00:24:21,160 --> 00:24:23,359 HERE, COME ON. 531 00:24:25,164 --> 00:24:26,308 ARE YOU OKAY? 532 00:24:26,332 --> 00:24:27,575 YEAH. 533 00:24:27,599 --> 00:24:29,766 RIGHT HERE. 534 00:24:48,854 --> 00:24:51,099 ACTUALLY, I... 535 00:24:51,123 --> 00:24:54,336 I LIKED THE PAINTING VERY MUCH. 536 00:24:54,360 --> 00:24:56,004 OH, GOOD. I'M GLAD. 537 00:24:56,028 --> 00:24:59,630 SHE JUST WANTED TO MAKE ME FEEL IGNORANT. 538 00:25:01,267 --> 00:25:03,244 YOUR MOTHER AND I... 539 00:25:03,268 --> 00:25:07,282 WE HAD SOME HEAVY ARGUMENTS... 540 00:25:07,306 --> 00:25:10,952 SMARTEST WOMAN I EVER MET... 541 00:25:10,976 --> 00:25:13,676 BUT SHE WAS NEVER CONDESCENDING. 542 00:25:16,415 --> 00:25:18,493 DADDY... 543 00:25:18,517 --> 00:25:20,995 IF YOU LOVED HER SO MUCH, 544 00:25:21,019 --> 00:25:22,431 THEN WHY DID YOU LET HER LEAVE? 545 00:25:22,455 --> 00:25:27,524 WHY DIDN'T YOU TRY TO SALVAGE THE MARRIAGE? 546 00:25:29,395 --> 00:25:31,139 YOU WOULDN'T UNDERSTAND. 547 00:25:31,163 --> 00:25:33,141 GIVE ME A CHANCE. 548 00:25:33,165 --> 00:25:36,878 YOU WOULD'VE HAD TO HAVE EXPERIENCED 549 00:25:36,902 --> 00:25:40,148 THAT BOND OF MARRIAGE 550 00:25:40,172 --> 00:25:42,150 TO APPRECIATE 551 00:25:42,174 --> 00:25:44,808 HOW MUCH I HURT YOUR MOTHER. 552 00:25:46,845 --> 00:25:50,080 I THINK I MIGHT BE ABLE TO UNDERSTAND THAT, DADDY. 553 00:25:59,058 --> 00:26:01,236 I MADE A RESERVATION FOR US 554 00:26:01,260 --> 00:26:02,437 AT 8:00 555 00:26:02,461 --> 00:26:04,806 AT A RESTAURANT CALLED ANGELINA OSTERIA. 556 00:26:04,830 --> 00:26:05,773 THEY HAVE REALLY GREAT... 557 00:26:05,797 --> 00:26:06,708 I'D PREFER TO EAT 558 00:26:06,732 --> 00:26:07,942 AT THE HOTEL RESTAURANT TONIGHT. 559 00:26:07,966 --> 00:26:09,278 THAT IS, IF YOU DON'T MIND. 560 00:26:09,302 --> 00:26:12,080 OKAY. WHATEVER YOU WANT. 561 00:26:12,104 --> 00:26:13,682 AND HOW ABOUT SEEING 562 00:26:13,706 --> 00:26:15,505 IF KATIE COULD JOIN US? 563 00:26:17,876 --> 00:26:20,055 YOU WANT KIT TO COME TO DINNER WITH US? 564 00:26:20,079 --> 00:26:21,156 YEAH. 565 00:26:21,180 --> 00:26:23,425 I'D LIKE TO SEE HER. 566 00:26:23,449 --> 00:26:26,194 WELL, HER BOYFRIEND'S IN TOWN. 567 00:26:26,218 --> 00:26:28,430 HE'S ONLY HERE FOR A COUPLE OF DAYS, SO... 568 00:26:28,454 --> 00:26:31,488 WELL, SHE SHOULD BRING HIM TOO. 569 00:26:33,291 --> 00:26:35,092 I'LL CALL HER. 570 00:26:38,631 --> 00:26:41,609 YOU KNOW, DADDY, I'M STRUCK BY THE FACT 571 00:26:41,633 --> 00:26:43,278 THAT YOU JUST INVITED KIT'S BOYFRIEND 572 00:26:43,302 --> 00:26:44,612 TO COME TO DINNER WITH US, 573 00:26:44,636 --> 00:26:46,148 AND SHE'S ONLY BEEN SEEING HIM A SHORT WHILE, 574 00:26:46,172 --> 00:26:48,416 BUT YOU HAVE NOT YET SAID A WORD ABOUT TINA. 575 00:26:48,440 --> 00:26:49,985 WELL, OF COURSE YOU'RE WELCOME 576 00:26:50,009 --> 00:26:52,854 TO BRING HER TOO, IF THAT'S WHAT YOU WISH. 577 00:26:52,878 --> 00:26:54,990 WE'VE SPLIT UP. 578 00:26:55,014 --> 00:26:56,858 OH. WELL, THEN... 579 00:26:56,882 --> 00:27:00,484 I DON'T KNOW WHAT I'M SUPPOSED TO SAY. 580 00:27:01,854 --> 00:27:03,231 NOTHING. 581 00:27:03,255 --> 00:27:05,215 YOU'RE NOT SUPPOSED TO SAY ANYTHING. 582 00:27:16,035 --> 00:27:18,513 CAN YOU BELIEVE THIS? WE'RE ACTUALLY ON A CRUISE. 583 00:27:18,537 --> 00:27:20,015 IT'S GOING TO BE FUN. 584 00:27:20,039 --> 00:27:21,383 I'VE GOT MY LITTLE... 585 00:27:21,407 --> 00:27:23,006 IT'S PHOEBE SPARKLE. 586 00:27:25,211 --> 00:27:26,555 WAIT, I WANT TO WATCH 587 00:27:26,579 --> 00:27:28,122 AND SEE IF SHE MAKES THAT GIRL COME. 588 00:27:28,146 --> 00:27:29,591 CAN SHE DO THAT? 589 00:27:29,615 --> 00:27:30,947 I'M KIDDING, DANA. 590 00:27:32,418 --> 00:27:34,017 OH, MY GOD. 591 00:27:45,264 --> 00:27:47,509 LADIES, WELCOME TO OWLs. 592 00:27:47,533 --> 00:27:49,044 IT STANDS FOR "OLDER, WISER LESBIANS." 593 00:27:49,068 --> 00:27:51,412 WE TALK ABOUT HOW SPIRITUALITY AND SEXUALITY 594 00:27:51,436 --> 00:27:53,081 ARE COMBINED, 595 00:27:53,105 --> 00:27:54,482 AND OUR DEFINITION OF "ORGASM" 596 00:27:54,506 --> 00:27:56,284 IS THAT IT IS THE KISS OF GOD 597 00:27:56,308 --> 00:27:58,868 THAT BRINGS ECSTASY TO CONSCIOUSNESS... 598 00:28:03,816 --> 00:28:05,976 DANA! DANA FAIRBANKS! 599 00:28:08,754 --> 00:28:10,031 OH, OVER HERE, OVER HERE, 600 00:28:10,055 --> 00:28:11,099 LET ME HAVE YOUR AUTOGRAPH. 601 00:28:11,123 --> 00:28:12,222 ALL RIGHT. 602 00:28:16,896 --> 00:28:18,139 HI. HOW ARE YOU? 603 00:28:18,163 --> 00:28:19,274 I'M ALICE. NICE TO MEET YOU. 604 00:28:19,298 --> 00:28:20,809 CAN I ASK YOU A QUESTION? 605 00:28:20,833 --> 00:28:23,177 YEAH, SURE. 606 00:28:25,403 --> 00:28:26,481 YEAH, SURE. 607 00:28:26,505 --> 00:28:27,716 YEAH? WE'LL TALK? 608 00:28:27,740 --> 00:28:28,816 YEAH, SURE. 609 00:28:28,840 --> 00:28:29,885 OKAY. 610 00:28:29,909 --> 00:28:32,620 EXCELLENT. 611 00:28:32,644 --> 00:28:34,678 OH. GOD. 612 00:28:36,915 --> 00:28:38,060 I THOUGHT 613 00:28:38,084 --> 00:28:39,628 WE WERE SUPPOSED TO HAVE A SUITE. 614 00:28:39,652 --> 00:28:41,296 WELL, I HAVE AN IDEA. 615 00:28:41,320 --> 00:28:43,564 WHY DON'T WE ALL SLEEP TOGETHER, 616 00:28:43,588 --> 00:28:45,033 AND CARMEN, 617 00:28:45,057 --> 00:28:46,757 YOU CAN SLEEP IN THE MIDDLE? 618 00:28:48,994 --> 00:28:51,161 I'M GOING TO GO EXPLORE. 619 00:28:56,235 --> 00:28:59,736 EVEN FOR JENNY, SHE'S ACTING WEIRD. 620 00:29:03,242 --> 00:29:05,153 OH, MY GOD. 621 00:29:05,177 --> 00:29:07,289 THIS IS SWEET. 622 00:29:07,313 --> 00:29:08,990 OH... 623 00:29:09,014 --> 00:29:10,692 "WELCOME ABOARD, 624 00:29:10,716 --> 00:29:11,893 "DANA FAIRBANKS AND FRIENDS. 625 00:29:11,917 --> 00:29:13,928 "WE HOPE YOU ENJOY YOUR TIME WITH US. 626 00:29:13,952 --> 00:29:15,062 "FROM OLIVIA CRUISE. 627 00:29:15,086 --> 00:29:16,898 "P.S., THANK YOU, ALICE, 628 00:29:16,922 --> 00:29:18,433 FOR TALKING UP OUR CRUISE ON YOUR SHOW." 629 00:29:18,457 --> 00:29:19,600 THAT WAS NICE. 630 00:29:19,624 --> 00:29:20,904 YEAH, I MADE IT UP. 631 00:29:23,094 --> 00:29:24,172 YES, THE WOMAN IN THE BACK. 632 00:29:24,196 --> 00:29:25,540 MISS SPARKLE, 633 00:29:25,564 --> 00:29:26,841 DO YOU THINK IT'S POSSIBLE 634 00:29:26,865 --> 00:29:28,175 TO BE A COMMITTED RELATIONSHIP 635 00:29:28,199 --> 00:29:29,577 AND STILL CARRY ON A, UH... 636 00:29:29,601 --> 00:29:33,014 POLYAMOROUS LIFESTYLE? 637 00:29:33,038 --> 00:29:35,016 IT'S CERTAINLY POSSIBLE. 638 00:29:35,040 --> 00:29:36,618 THE MOST IMPORTANT THING 639 00:29:36,642 --> 00:29:39,387 IS TO KNOW THAT JEALOUSY WILL REAR ITS HEAD. 640 00:29:39,411 --> 00:29:40,589 YOU HAVE TO AGREE 641 00:29:40,613 --> 00:29:41,556 WITH YOUR PRIMARY LOVED ONE 642 00:29:41,580 --> 00:29:43,925 TO BE HONEST ABOUT YOUR FEELINGS, 643 00:29:43,949 --> 00:29:46,349 AND YOU HAVE TO MAKE RULES. 644 00:29:47,385 --> 00:29:49,163 WOMAN IN YELLOW. 645 00:29:49,187 --> 00:29:50,965 DANA FAIRBANKS... 646 00:29:50,989 --> 00:29:53,034 WILL YOU MARRY ME? 647 00:30:01,400 --> 00:30:03,844 SURE. NO. I'M SORRY. 648 00:30:03,868 --> 00:30:06,214 UH, THANK YOU, ACTUALLY, VERY MUCH, 649 00:30:06,238 --> 00:30:07,982 BUT I'M IN ONE OF THOSE, UM... 650 00:30:08,006 --> 00:30:10,251 COMMITTED RELATIONSHIPS, 651 00:30:10,275 --> 00:30:13,354 AND WE'RE NOT POLY... 652 00:30:13,378 --> 00:30:16,791 AMORPHIC, OR WHATEVER IT IS. 653 00:30:16,815 --> 00:30:18,760 WELL, THAT ALSO WORKS, 654 00:30:18,784 --> 00:30:19,828 BUT I'M GUESSING 655 00:30:19,852 --> 00:30:21,129 THAT DANA AND HER PARTNER 656 00:30:21,153 --> 00:30:23,965 KNOW HOW TO SPICE THINGS UP. 657 00:30:26,792 --> 00:30:28,703 ALL RIGHT, WE HAVE TIME FOR ONE MORE QUESTION. 658 00:30:28,727 --> 00:30:29,804 RIGHT THERE. 659 00:30:29,828 --> 00:30:32,140 MISS SPARKLE, WHAT IS YOUR ADVICE 660 00:30:32,164 --> 00:30:33,774 ON THREE-WAYS? 661 00:30:33,798 --> 00:30:35,076 YAY! 662 00:30:39,538 --> 00:30:42,117 WELL, I THINK THEY'RE GREAT. 663 00:30:42,141 --> 00:30:45,353 I'M A BIG, BIG FAN OF GROUP SEX. 664 00:30:45,377 --> 00:30:46,554 THE ONLY THING 665 00:30:46,578 --> 00:30:48,356 IS THAT ALL PARTIES HAVE TO BE SIGNED ON 666 00:30:48,380 --> 00:30:50,091 FOR THE SAME AGENDA. 667 00:30:50,115 --> 00:30:51,660 SO THAT'S THE END OF OUR PANEL FOR TODAY. 668 00:30:51,684 --> 00:30:53,161 I WANT TO THANK YOU ALL FOR BEING HERE. 669 00:30:53,185 --> 00:30:54,751 IT'S BEEN A PLEASURE. 670 00:30:59,290 --> 00:31:01,402 YOU SHOULD REALLY SEE DISNEY HALL, DADDY. 671 00:31:01,426 --> 00:31:05,106 OKAY, BUT NOT TOO EARLY. 672 00:31:05,130 --> 00:31:06,107 SINCE WHEN 673 00:31:06,131 --> 00:31:08,976 DID YOU BECOME A SLEEPYHEAD? 674 00:31:09,000 --> 00:31:10,778 I DO HAVE TO GET BACK BY 5:00 TO GET DRESSED. 675 00:31:10,802 --> 00:31:13,269 TINA'S BEING HONORED. 676 00:31:17,209 --> 00:31:18,452 DON'T YOU WANT TO KNOW 677 00:31:18,476 --> 00:31:20,021 WHY TINA'S BEING HONORED? 678 00:31:20,045 --> 00:31:24,781 YES, CERTAINLY, IF YOU WANT TO TELL ME. 679 00:31:27,719 --> 00:31:29,397 KATIE... 680 00:31:29,421 --> 00:31:30,721 DADDY... 681 00:31:33,826 --> 00:31:36,271 DADDY, I'D LIKE FOR YOU TO MEET 682 00:31:36,295 --> 00:31:38,561 MY FRIEND BENJAMIN BRADSHAW. 683 00:31:41,466 --> 00:31:42,443 MR. BRADSHAW. 684 00:31:42,467 --> 00:31:43,747 NICE TO MEET YOU, SIR. 685 00:31:47,439 --> 00:31:49,650 THANK YOU. 686 00:31:49,674 --> 00:31:50,819 HEY, BABY SIS. 687 00:31:50,843 --> 00:31:52,123 KIT. 688 00:31:53,578 --> 00:31:55,890 NOW... 689 00:31:55,914 --> 00:31:59,694 HOW DID YOU CONCEIVE IT, 690 00:31:59,718 --> 00:32:01,295 THIS, UH... 691 00:32:01,319 --> 00:32:03,431 THEORY OF EVERYTHING. 692 00:32:03,455 --> 00:32:05,867 ARE YOU FAMILIAR WITH QUANTUM PHYSICS? 693 00:32:05,891 --> 00:32:08,003 MM. 694 00:32:08,027 --> 00:32:11,039 OH, THEN IT IS A UNIFIED FIELD THEORY. 695 00:32:11,063 --> 00:32:12,774 THE UNIFIED WHAT THEORY? 696 00:32:12,798 --> 00:32:16,811 SIMPLY, EINSTEIN'S ATTEMPT TO... 697 00:32:16,835 --> 00:32:19,714 EXPLAIN THE MIND OF GOD. 698 00:32:19,738 --> 00:32:21,182 WELL, THAT'S A MARVELOUS WAY 699 00:32:21,206 --> 00:32:22,350 OF LOOKING AT IT. 700 00:32:22,374 --> 00:32:24,285 IT INCLUDES EVERYTHING, 701 00:32:24,309 --> 00:32:25,854 FROM CREATION 702 00:32:25,878 --> 00:32:27,889 TO SUPERNOVAS, TO ATOMS... 703 00:32:27,913 --> 00:32:29,557 EVEN DNA. 704 00:32:29,581 --> 00:32:32,827 OUR HEARTS, OUR MINDS. 705 00:32:32,851 --> 00:32:34,295 IT'S REALLY BEEN WORKING FOR ME. 706 00:32:34,319 --> 00:32:35,430 DID YOU TELL YOUR FATHER 707 00:32:35,454 --> 00:32:37,765 ABOUT YOUR BUSINESS? 708 00:32:37,789 --> 00:32:39,367 BUSINESS? 709 00:32:39,391 --> 00:32:40,635 WHAT BUSINESS? 710 00:32:40,659 --> 00:32:43,138 WELL, DADDY, IT'S A CAFE. 711 00:32:43,162 --> 00:32:45,873 I BOUGHT IT FROM A FRIEND OF BETTE'S. 712 00:32:45,897 --> 00:32:47,374 IT'S NOT JUST A CAFE. 713 00:32:47,398 --> 00:32:50,066 KIT HAS TURNED IT INTO THIS SWANKY NIGHTCLUB. 714 00:32:56,108 --> 00:32:57,741 EXCUSE ME. 715 00:33:00,079 --> 00:33:01,511 I'LL BE RIGHT BACK. 716 00:34:26,865 --> 00:34:28,643 SHE HAS A STAGE UP THERE, 717 00:34:28,667 --> 00:34:29,743 AND THEN IF YOU TAKE THE TABLES AWAY... 718 00:34:29,767 --> 00:34:32,013 HEY, YOU TWO. 719 00:34:32,037 --> 00:34:33,614 OH, HI. 720 00:34:33,638 --> 00:34:35,282 GOOD MORNING. 721 00:34:35,306 --> 00:34:37,652 AND WHERE IS BENJAMIN THIS MORNING? 722 00:34:37,676 --> 00:34:39,353 UM, WELL, HE'S AT THE HOTEL. 723 00:34:39,377 --> 00:34:40,755 HE DECIDED 724 00:34:40,779 --> 00:34:42,190 THAT WE MIGHT LIKE 725 00:34:42,214 --> 00:34:45,293 A LITTLE FAMILY TIME TOGETHER. 726 00:34:45,317 --> 00:34:46,527 DADDY, HAVE A SEAT. 727 00:34:46,551 --> 00:34:49,831 AND HOW ABOUT YOU, BABY SIS? 728 00:34:49,855 --> 00:34:50,965 I DIDN'T SLEEP VERY WELL. 729 00:34:50,989 --> 00:34:53,101 I NEED AN ESPRESSO. 730 00:34:53,125 --> 00:34:55,937 HE'S STAYING AT A HOTEL? 731 00:34:55,961 --> 00:34:57,338 HE DOESN'T LIVE HERE? 732 00:34:57,362 --> 00:34:58,573 UM... 733 00:34:58,597 --> 00:35:02,043 NO, DAD, HE LIVES IN PORTLAND, OREGON. 734 00:35:02,067 --> 00:35:04,045 PORTLAND, OREGON? 735 00:35:04,069 --> 00:35:05,268 WHAT'S IN PORTLAND, OREGON? 736 00:35:08,207 --> 00:35:09,450 UM... 737 00:35:09,474 --> 00:35:11,352 WELL... 738 00:35:11,376 --> 00:35:12,887 HE, UM... 739 00:35:12,911 --> 00:35:14,421 IT'S PROBABLY WHAT HE NEEDS. 740 00:35:14,445 --> 00:35:15,623 I MEAN, REALLY, WHEN HE'S WORKING, 741 00:35:15,647 --> 00:35:16,858 THERE ARE ALL THESE PEOPLE 742 00:35:16,882 --> 00:35:19,227 CLAMORING AFTER HIM, 743 00:35:19,251 --> 00:35:20,728 AND HE PROBABLY JUST NEEDS TO GET AWAY. 744 00:35:20,752 --> 00:35:22,118 MAKES PERFECT SENSE. 745 00:35:23,655 --> 00:35:25,433 HAVE YOU BEEN TO PORTLAND? 746 00:35:25,457 --> 00:35:27,702 UH, NO, NOT YET. 747 00:35:27,726 --> 00:35:28,703 I REALLY NEED THAT ESPRESSO. 748 00:35:28,727 --> 00:35:29,704 DO YOU MIND? 749 00:35:29,728 --> 00:35:31,461 YEAH, YEAH. ESPRESSO. 750 00:35:36,268 --> 00:35:38,679 YOU CAN'T TELL HIM BENJAMIN'S MARRIED. 751 00:35:38,703 --> 00:35:40,114 HE'S SO HAPPY NOW. 752 00:35:40,138 --> 00:35:42,683 I HATE LYING TO HIM. 753 00:35:42,707 --> 00:35:43,851 KIT, YOU KNOW, 754 00:35:43,875 --> 00:35:45,086 THIS IS THE FIRST TIME IN 14 YEARS 755 00:35:45,110 --> 00:35:46,354 YOU'VE SPENT TIME WITH DADDY. 756 00:35:46,378 --> 00:35:48,389 DOESN'T IT FEEL GOOD? 757 00:35:48,413 --> 00:35:50,391 YEAH, IT FEELS REAL GOOD. 758 00:35:50,415 --> 00:35:51,759 THEN WHY DON'T YOU JUST ENJOY IT FOR A WHILE, 759 00:35:51,783 --> 00:35:53,149 AND LET HIM ENJOY IT? 760 00:35:58,823 --> 00:36:00,968 HERE YOU GO, DADDY. 761 00:36:00,992 --> 00:36:03,671 UH, IT'S SO... 762 00:36:03,695 --> 00:36:05,806 SO SMALL, I CAN... 763 00:36:05,830 --> 00:36:08,832 HARDLY PICK IT UP. 764 00:36:14,639 --> 00:36:18,619 KATIE, WHY DON'T WE HAVE DINNER HERE TONIGHT? 765 00:36:18,643 --> 00:36:21,355 YEAH. 766 00:36:21,379 --> 00:36:23,691 I, UH... 767 00:36:23,715 --> 00:36:25,993 WOULD LIKE TO TRY OUT YOUR CHEF, 768 00:36:26,017 --> 00:36:29,130 AND YOUR SISTER HERE HAS A PRIOR ENGAGEMENT 769 00:36:29,154 --> 00:36:31,832 WITH MS. KENNARD. 770 00:36:31,856 --> 00:36:35,370 DADDY, DO YOU THINK YOU COULD CALL HER TINA? 771 00:36:35,394 --> 00:36:37,604 THAT'S HER NAME. TINA. 772 00:36:37,628 --> 00:36:40,141 FOR THE MILLIONTH TIME, HER NAME IS TINA. 773 00:36:40,165 --> 00:36:41,608 HOW LONG HAVE YOU KNOWN HER? 774 00:36:41,632 --> 00:36:43,566 VERY WELL. TINA. 775 00:36:46,271 --> 00:36:47,381 WILL BENJAMIN 776 00:36:47,405 --> 00:36:48,583 BE ABLE TO JOIN US? 777 00:36:48,607 --> 00:36:49,884 YOU KNOW, I'M JUST GOING TO LEAVE YOU TWO 778 00:36:49,908 --> 00:36:52,053 TO PLAN YOUR EVENING. 779 00:36:52,077 --> 00:36:53,187 BETTE... 780 00:36:53,211 --> 00:36:54,688 WHAT'S WRONG? 781 00:36:54,712 --> 00:36:55,890 YOU HAVE NO REGARD 782 00:36:55,914 --> 00:36:57,492 FOR WHAT I'M GOING THROUGH, DADDY, 783 00:36:57,516 --> 00:36:59,193 NONE, 784 00:36:59,217 --> 00:37:00,661 AND UNTIL YOU CAN ACKNOWLEDGE 785 00:37:00,685 --> 00:37:03,064 THAT MY RELATIONSHIP OF EIGHT YEARS 786 00:37:03,088 --> 00:37:04,064 WAS EVERY BIT AS MEANINGFUL 787 00:37:04,088 --> 00:37:05,333 AS YOUR MARRIAGE TO MY MOTHER, 788 00:37:05,357 --> 00:37:07,501 UNTIL YOU CAN SEE THAT MY HEART IS BROKEN 789 00:37:07,525 --> 00:37:09,336 BECAUSE I FAILED THE WOMAN I LOVE, 790 00:37:09,360 --> 00:37:11,205 PERHAPS IN THE SAME WAY THAT YOU FAILED MY MOTHER, 791 00:37:11,229 --> 00:37:12,840 THEN I REALLY HAVE NOTHING ELSE TO SAY, 792 00:37:12,864 --> 00:37:14,141 EXCEPT, YOU KNOW... 793 00:37:14,165 --> 00:37:16,044 I AM NOT GIVING UP. 794 00:37:16,068 --> 00:37:19,435 I'M NOT GOING TO END UP SAD AND ALONE AND FULL OF REGRET. 795 00:37:49,100 --> 00:37:50,711 I WANT ONE OF THOSE. 796 00:37:50,735 --> 00:37:53,514 DANA FAIRBANKS? OH, MY GOD. 797 00:37:53,538 --> 00:37:54,782 THANK YOU FOR BEING HERE. 798 00:37:54,806 --> 00:37:56,350 OH, THANK YOU FOR COMING OUT, 799 00:37:56,374 --> 00:37:58,052 AND THANK YOU FOR LIVING YOUR LIFE. 800 00:37:58,076 --> 00:37:59,053 OH, MY GOD, 801 00:37:59,077 --> 00:38:00,087 I SAW YOU ALMOST BEAT CAPRIATI IN 2002. 802 00:38:00,111 --> 00:38:03,023 I DRIVE A SUBARU BECAUSE OF YOU... 803 00:38:03,047 --> 00:38:04,892 PHOEBE? HI. SPARKLE? HI. 804 00:38:04,916 --> 00:38:06,827 HI. HI. I'M ALICE PIESZECKI. 805 00:38:06,851 --> 00:38:08,062 I DO A RADIO SHOW IN L.A., 806 00:38:08,086 --> 00:38:09,196 THE CHART. 807 00:38:09,220 --> 00:38:10,231 I'M SURE YOU'VE HEARD OF IT. 808 00:38:10,255 --> 00:38:11,666 IS IT TRUE, FOR RESEARCH PURPOSES, 809 00:38:11,690 --> 00:38:13,000 THAT YOU SLEEP WITH A DIFFERENT WOMAN 810 00:38:13,024 --> 00:38:14,368 EVERY NIGHT? 811 00:38:14,392 --> 00:38:17,238 WELL, I LIKE TO HAVE AS MUCH SEX AS POSSIBLE, 812 00:38:17,262 --> 00:38:19,073 WHENEVER, WHEREVER, 813 00:38:19,097 --> 00:38:22,810 BUT IF I COME ACROSS SOMEONE REALLY AMAZING... 814 00:38:22,834 --> 00:38:24,044 I DON'T KNOW. 815 00:38:24,068 --> 00:38:25,880 TOO BAD THE CELLIST HAD TO LEAVE THE BOAT. 816 00:38:25,904 --> 00:38:28,149 AND WHO'S GOING TO BE NEXT? 817 00:38:28,173 --> 00:38:30,318 YOU KNOW, I DON'T KNOW. 818 00:38:30,342 --> 00:38:31,886 I'M OPEN TO A NEW DISCOVERY. 819 00:38:31,910 --> 00:38:33,387 HI. 820 00:38:33,411 --> 00:38:34,821 HAVE YOU SEEN JENNY? 821 00:38:34,845 --> 00:38:36,291 NO. I'M TALKING TO PHOEBE SPARKLE. 822 00:38:36,315 --> 00:38:37,592 HI. 823 00:38:37,616 --> 00:38:39,293 HELLO. HELLO, PHOEBE SPARKLE. 824 00:38:39,317 --> 00:38:40,327 YOU HAVEN'T SEEN HER? 825 00:38:40,351 --> 00:38:42,296 UM, CAN I BUY YOU A DRINK? 826 00:38:42,320 --> 00:38:45,500 UH... 827 00:38:45,524 --> 00:38:47,235 OKAY. 828 00:38:47,259 --> 00:38:49,737 GREAT. 829 00:38:49,761 --> 00:38:50,761 THANKS, SHANE. 830 00:38:52,397 --> 00:38:53,407 SHE OFFERED. 831 00:38:53,431 --> 00:38:54,997 MM-HMM. 832 00:39:46,284 --> 00:39:48,629 WHOO! 833 00:40:01,733 --> 00:40:03,578 WELL, WELL, WELL. 834 00:40:03,602 --> 00:40:04,834 WHAT HAVE WE GOT HERE? 835 00:40:07,506 --> 00:40:10,406 WELL, IT LOOKS LIKE A CAPTAIN'S UNIFORM TO ME. 836 00:40:20,085 --> 00:40:21,662 ALICE... 837 00:40:21,686 --> 00:40:23,019 IT'S HOT. 838 00:40:33,598 --> 00:40:35,209 OKAY. 839 00:40:35,233 --> 00:40:36,844 ALL RIGHT, AL, I'M READY. 840 00:40:36,868 --> 00:40:38,148 OKAY. 841 00:40:44,276 --> 00:40:45,276 JULIE... 842 00:40:49,447 --> 00:40:51,024 YOU LOOK... 843 00:40:51,048 --> 00:40:53,193 BEAUTIFUL. 844 00:40:53,217 --> 00:40:56,052 OH, CAPTAIN STUBING, THANK YOU. 845 00:40:57,489 --> 00:40:58,788 CAPTAIN STUBING... 846 00:41:01,092 --> 00:41:03,470 OH, GOD, IS THAT A PERISCOPE IN YOUR POCKET, 847 00:41:03,494 --> 00:41:05,260 OR ARE YOU JUST HAPPY TO SEE ME? 848 00:41:09,901 --> 00:41:12,647 OH, CAPTAIN, MY CAPTAIN. 849 00:41:14,239 --> 00:41:15,549 GUYS, IT'S TIME FOR DINNER. 850 00:41:15,573 --> 00:41:16,850 WHAT? 851 00:41:16,874 --> 00:41:18,519 YOU'RE SITTING AT THE CAPTAIN'S TABLE. 852 00:41:18,543 --> 00:41:20,576 NOW? 853 00:41:23,748 --> 00:41:25,460 HI. YOU'RE LATE. 854 00:41:25,484 --> 00:41:26,794 ALL THE OTHER PANELISTS ARE ALREADY THERE. 855 00:41:26,818 --> 00:41:27,894 BUT I HAVE TO CHANGE. 856 00:41:27,918 --> 00:41:29,063 YOU LOOK GREAT. 857 00:41:29,087 --> 00:41:30,264 NO, I CAN'T... COME ON. 858 00:41:30,288 --> 00:41:31,364 JULIE! 859 00:41:31,388 --> 00:41:33,089 CAPTAIN STUBING! 860 00:41:35,259 --> 00:41:36,937 MOST OF THE WOMEN ON THIS CRUISE? 861 00:41:36,961 --> 00:41:39,306 THEY DON'T HAVE THAT KIND OF FREEDOM. 862 00:41:39,330 --> 00:41:41,241 THIS IS THE ONLY PLACE 863 00:41:41,265 --> 00:41:44,511 WHERE THEY'RE COMPLETELY FREE TO EXPRESS THEMSELVES. 864 00:41:44,535 --> 00:41:45,869 MM-HMM. 865 00:41:50,208 --> 00:41:51,185 HI. 866 00:41:51,209 --> 00:41:52,352 HELLO. GOOD EVENING. 867 00:41:52,376 --> 00:41:54,410 HI. NICE TO SEE YOU. 868 00:41:57,448 --> 00:41:59,626 SEE, THESE GIRLS ARE COMPLETELY IN THEIR POWER, 869 00:41:59,650 --> 00:42:01,161 FREE TO GO 870 00:42:01,185 --> 00:42:03,585 WHEREVER THEIR LIBIDO TAKES THEM. 871 00:42:04,789 --> 00:42:06,434 FOR ME, IT'S JUST BUSINESS, 872 00:42:06,458 --> 00:42:07,835 AND AS LONG AS THE GUESTS ARE HAPPY, 873 00:42:07,859 --> 00:42:09,370 I'M HAPPY. 874 00:42:09,394 --> 00:42:10,904 YOU WANT TO TELL ME 875 00:42:10,928 --> 00:42:12,840 WHAT'S GOING ON WITH YOU? 876 00:42:12,864 --> 00:42:14,830 NOTHING. 877 00:42:16,434 --> 00:42:18,178 NOTHING? NO. 878 00:42:18,202 --> 00:42:20,247 OKAY. 879 00:42:20,271 --> 00:42:21,782 WELL, IT JUST... 880 00:42:21,806 --> 00:42:26,187 IT SEEMS LIKE YOU WANT A THREE-WAY WITH SHANE. 881 00:42:26,211 --> 00:42:27,588 YOU SEEMED LIKE YOU WERE VERY ATTRACTED TO HER, 882 00:42:27,612 --> 00:42:28,756 AND I JUST THOUGHT IT WOULD, I DON'T KNOW... 883 00:42:28,780 --> 00:42:29,757 IT WOULD BE INTERESTING. 884 00:42:29,781 --> 00:42:30,758 IT JUST CAME INTO MY HEAD. 885 00:42:30,782 --> 00:42:31,892 ARE YOU JEALOUS? 886 00:42:31,916 --> 00:42:34,095 NO, I'M NOT... 887 00:42:34,119 --> 00:42:35,763 JUST TELL ME IF THAT'S WHAT THIS IS ALL ABOUT. 888 00:42:35,787 --> 00:42:37,031 NO, I'M NOT JEALOUS. I JUST THOUGHT... 889 00:42:37,055 --> 00:42:40,222 WE HAVE TO EXPLORE OUR OPTIONS. 890 00:42:44,395 --> 00:42:45,461 THERE. 891 00:42:49,767 --> 00:42:51,979 IS THAT WHAT YOU WANT? 892 00:42:52,003 --> 00:42:54,903 SHE'S BEAUTIFUL. 893 00:42:57,074 --> 00:42:59,007 SALAD'S GREAT. 894 00:43:05,116 --> 00:43:06,426 OH, HELLO. 895 00:43:06,450 --> 00:43:07,728 HOW ARE YOU? 896 00:43:07,752 --> 00:43:09,597 NICE TO SEE YOU. 897 00:43:09,621 --> 00:43:10,987 NICE TO SEE YOU. HOW ARE YOU? 898 00:43:19,363 --> 00:43:20,830 I'LL BE RIGHT BACK. 899 00:43:33,211 --> 00:43:34,254 HI. 900 00:43:34,278 --> 00:43:35,256 CONGRATULATIONS. 901 00:43:35,280 --> 00:43:36,590 THANK YOU. 902 00:43:36,614 --> 00:43:38,425 I MEANS A LOT TO ME THAT YOU'RE HERE. 903 00:43:38,449 --> 00:43:40,160 I WOULDN'T HAVE MISSED IT. 904 00:43:40,184 --> 00:43:43,386 I'VE BEEN THINKING A LOT ABOUT US. 905 00:43:45,056 --> 00:43:46,033 YOU HAVE? 906 00:43:46,057 --> 00:43:48,057 MM-HMM. ABOUT THE OTHER DAY. 907 00:43:52,263 --> 00:43:54,141 IT WAS NICE. 908 00:43:54,165 --> 00:43:56,143 NICE? 909 00:43:56,167 --> 00:43:59,447 YEAH, IT WAS REALLY, REALLY NICE, 910 00:43:59,471 --> 00:44:00,748 AND IF YOU WANT, 911 00:44:00,772 --> 00:44:02,516 I'D LIKE TO SEE WHAT WOULD HAPPEN 912 00:44:02,540 --> 00:44:05,308 IF WE STARTED TO SPEND SOME MORE TIME TOGETHER. 913 00:44:08,012 --> 00:44:10,725 WHAT ABOUT HELENA? 914 00:44:10,749 --> 00:44:13,749 WE'RE NOT EXCLUSIVE. 915 00:44:15,920 --> 00:44:18,232 SO ARE YOU SAYING YOU WANT TO DATE ME? 916 00:44:18,256 --> 00:44:20,723 YEAH. 917 00:44:22,960 --> 00:44:24,771 TINA, YOU HAVE TO MEET SENATOR FEINSTEIN. 918 00:44:24,795 --> 00:44:26,172 SHE'S NOT STAYING FOR DINNER. 919 00:44:26,196 --> 00:44:27,208 HELLO, BETTE. 920 00:44:27,232 --> 00:44:29,009 HELLO, HELENA. 921 00:44:29,033 --> 00:44:30,043 THANK YOU FOR INVITING ME. 922 00:44:30,067 --> 00:44:31,045 OH... 923 00:44:31,069 --> 00:44:33,109 YOU'RE AT TABLE 27, RIGHT? 924 00:44:45,216 --> 00:44:50,597 ♪ SUNNY CAME HOME WITH A LIST OF NAMES ♪ 925 00:44:50,621 --> 00:44:55,469 ♪ SHE DIDN'T BELIEVE IN TRANSCENDENCE ♪ 926 00:44:55,493 --> 00:45:01,641 ♪ "IT'S TIME FOR A FEW SMALL REPAIRS," SHE SAID ♪ 927 00:45:01,665 --> 00:45:06,447 ♪ SUNNY CAME HOME WITH A VENGEANCE ♪ 928 00:45:06,471 --> 00:45:08,783 ♪ SHE SAYS DAYS GO BY ♪ 929 00:45:08,807 --> 00:45:16,456 ♪ I DON'T KNOW WHY I'M WALKING ON A WIRE ♪ 930 00:45:16,480 --> 00:45:24,480 ♪ I CLOSE MY EYES AND FLY OUT OF MY MIND ♪ 931 00:45:26,858 --> 00:45:29,424 ♪ INTO THE FIRE ♪ 932 00:45:37,001 --> 00:45:42,649 ♪ AND SUNNY CAME HOME ♪ 933 00:45:42,673 --> 00:45:45,241 ♪ SUNNY CAME HOME ♪ 934 00:45:47,779 --> 00:45:53,082 ♪ SUNNY CAME HOME ♪♪ 935 00:45:59,523 --> 00:46:00,823 GREAT. 936 00:46:02,360 --> 00:46:04,920 SO LET'S GET OUT OF HERE. 937 00:46:09,968 --> 00:46:11,600 THANK YOU. 938 00:46:15,939 --> 00:46:18,552 THANK YOU. 939 00:46:18,576 --> 00:46:19,786 CAPTAIN STUBING, 940 00:46:19,810 --> 00:46:21,021 WHAT ARE WE GOING TO DO ABOUT THIS BIG HARD-ON 941 00:46:21,045 --> 00:46:22,957 YOU'VE BEEN SPORTING ALL NIGHT? 942 00:46:22,981 --> 00:46:25,392 I DON'T KNOW, JULIE. 943 00:46:25,416 --> 00:46:26,861 LET'S GO. 944 00:46:26,885 --> 00:46:28,962 WE CAN'T. IT'S RUDE. 945 00:46:28,986 --> 00:46:30,397 I'M GOING NUTS. 946 00:46:30,421 --> 00:46:31,531 I DON'T KNOW HOW MUCH LONGER 947 00:46:31,555 --> 00:46:33,122 I CAN STAND IT. 948 00:46:44,535 --> 00:46:47,414 HELENA, LOVELY TO SEE YOU. 949 00:46:47,438 --> 00:46:48,515 NICE TO SEE YOU AGAIN. 950 00:46:48,539 --> 00:46:49,683 HOW ARE YOU? 951 00:46:49,707 --> 00:46:51,267 YOU KNOW, I WAS JUST REMARKING TO JIM... 952 00:47:02,419 --> 00:47:03,797 OH, GOD, CAPTAIN STUBING, 953 00:47:03,821 --> 00:47:06,054 I WANT YOUR BIG DICK INSIDE ME SO BAD. 954 00:47:10,261 --> 00:47:11,371 I JUST HOPE MY WIFE MARION ROSS 955 00:47:11,395 --> 00:47:12,840 DOESN'T FIND OUT ABOUT US. 956 00:47:12,864 --> 00:47:14,708 NO, MARION ROSS WAS THE ACTRESS. 957 00:47:14,732 --> 00:47:16,892 THE CHARACTER'S NAME WAS EMILY. 958 00:47:19,136 --> 00:47:20,402 OH, GOD. 959 00:47:21,872 --> 00:47:23,917 OH, MY... 960 00:47:23,941 --> 00:47:26,174 OH, FUCK. 961 00:47:27,378 --> 00:47:28,354 OH, GOD. 962 00:47:28,378 --> 00:47:29,356 OH, GOD. 963 00:47:29,380 --> 00:47:31,724 OH, GOD. OH, YEAH. 964 00:47:31,748 --> 00:47:32,726 OH, MY GOD. 965 00:47:32,750 --> 00:47:33,893 OH, GOD. 966 00:47:33,917 --> 00:47:34,895 OH, GOD. 967 00:47:34,919 --> 00:47:35,896 OH, NO. 968 00:47:35,920 --> 00:47:36,897 WHAT? 969 00:47:36,921 --> 00:47:38,065 OH, NO. 970 00:47:38,089 --> 00:47:39,900 OW! GOD! 971 00:47:39,924 --> 00:47:40,924 I... 972 00:47:50,434 --> 00:47:53,636 OKAY, I'M COMING, BABY, I'M COMING. 973 00:48:02,480 --> 00:48:04,324 YOU TRYING TO TOP ME? 974 00:48:04,348 --> 00:48:06,668 WHAT, YOU THINK YOU'RE GOING TO TOP ME? 975 00:48:24,602 --> 00:48:25,912 UH, SHIT. 976 00:48:25,936 --> 00:48:27,481 LOOK, I HAVE A FAVOR TO ASK OF YOU. 977 00:48:27,505 --> 00:48:28,682 YEAH. 978 00:48:28,706 --> 00:48:29,816 THINGS ARE A LITTLE, UM... 979 00:48:29,840 --> 00:48:31,785 THEY'RE A LITTLE... 980 00:48:31,809 --> 00:48:34,788 DIFFERENT IN MY ROOM... 981 00:48:34,812 --> 00:48:35,956 MM-HMM. 982 00:48:35,980 --> 00:48:39,025 AND I SEE THAT YOU HAVE A COUCH. 983 00:48:39,049 --> 00:48:40,660 YES. 984 00:48:40,684 --> 00:48:42,729 WELL, WOULD YOU MIND? 985 00:48:42,753 --> 00:48:45,065 YOU WANT TO CRASH ON MY COUCH? 986 00:48:45,089 --> 00:48:48,435 AS IN, SLEEP, JUST SLEEP? 987 00:48:48,459 --> 00:48:49,403 NO... 988 00:48:49,427 --> 00:48:51,905 SLEEP, ENTIRELY. 989 00:48:51,929 --> 00:48:53,073 YOU KNOW WHAT? 990 00:48:53,097 --> 00:48:55,108 THAT SOUNDS FANTASTIC TO ME. 991 00:48:55,132 --> 00:48:57,110 I AM COMPLETELY EXHAUSTED. 992 00:48:57,134 --> 00:48:59,779 OKAY, GOOD. THANK YOU SO MUCH. 993 00:48:59,803 --> 00:49:00,848 YOU HAVE NO IDEA. 994 00:49:00,872 --> 00:49:01,915 NO, THANK YOU. 995 00:49:01,939 --> 00:49:03,083 HEY, UM... 996 00:49:03,107 --> 00:49:04,684 JUST DO ME ONE FAVOR. 997 00:49:04,708 --> 00:49:06,686 DON'T TELL ANYBODY. 998 00:49:06,710 --> 00:49:08,255 NO. I SWEAR. 999 00:49:08,279 --> 00:49:09,356 I WON'T SAY ANYTHING. 1000 00:49:09,380 --> 00:49:10,356 EXCELLENT. 1001 00:49:10,380 --> 00:49:11,491 THANK YOU. OH, THANK YOU. 1002 00:49:11,515 --> 00:49:13,182 SLEEP WELL. YOU TOO. 1003 00:49:44,014 --> 00:49:46,026 DAD, IS... 1004 00:49:46,050 --> 00:49:47,493 YOU'RE NOT EATING YOUR DINNER. 1005 00:49:47,517 --> 00:49:48,695 IS THERE SOMETHING WRONG WITH IT? 1006 00:49:48,719 --> 00:49:50,731 OH, IT'S DELICIOUS. 1007 00:49:50,755 --> 00:49:53,321 I'M JUST TAKING MY TIME. 1008 00:49:59,063 --> 00:50:00,528 EXCUSE ME. 1009 00:50:03,601 --> 00:50:04,577 DADDY! 1010 00:50:04,601 --> 00:50:05,601 OH... 1011 00:50:07,838 --> 00:50:10,583 AND SHE SECURED THE LARGEST EVER GRANT 1012 00:50:10,607 --> 00:50:12,920 IN CALIFORNIA HISTORY 1013 00:50:12,944 --> 00:50:14,254 TO ESTABLISH DAYCARE CENTERS 1014 00:50:14,278 --> 00:50:16,122 FOR AT-RISK KIDS... 1015 00:50:16,146 --> 00:50:17,423 NO, NO. 1016 00:50:17,447 --> 00:50:20,026 COME TO THE HOSPITAL. CEDARS. 1017 00:50:20,050 --> 00:50:22,595 OKAY. 1018 00:50:22,619 --> 00:50:25,098 MS. TINA KENNARD... 1019 00:50:30,560 --> 00:50:32,772 WOULD ALL FIVE OF OUR HONOREES 1020 00:50:32,796 --> 00:50:35,530 PLEASE JOIN ME UP HERE ON THE DAIS? 1021 00:50:38,402 --> 00:50:40,146 THESE FIVE INDIVIDUALS 1022 00:50:40,170 --> 00:50:42,549 ARE EXTRAORDINARY IN THEIR ABILITY 1023 00:50:42,573 --> 00:50:44,618 TO WALK IN MANY WORLDS, 1024 00:50:44,642 --> 00:50:49,188 AND TO HOLD THE BIG VISION THAT UNITES DIVERSE COMMUNITIES. 1025 00:50:49,212 --> 00:50:50,790 THEY INSPIRE ALL OF US 1026 00:50:50,814 --> 00:50:52,692 TO RISE ABOVE DIVISIONS 1027 00:50:52,716 --> 00:50:54,627 AND DIFFERENCES. 1028 00:50:54,651 --> 00:50:58,053 TO PRESENT THIS YEAR'S COMMUNITY ACTIVIST AWARDS. 1029 00:51:18,708 --> 00:51:20,653 HEY. 1030 00:51:20,677 --> 00:51:22,744 HEY. 1031 00:51:24,982 --> 00:51:26,822 UM, I'M JUST GOING TO GET MY KEYS. 1032 00:51:27,851 --> 00:51:30,586 WHAT ARE YOU DOING? 1033 00:51:33,290 --> 00:51:34,601 WHAT ARE THOSE? 1034 00:51:34,625 --> 00:51:37,270 THEY'RE CAMERAS. 1035 00:51:37,294 --> 00:51:39,339 WHAT'S WITH ALL THE TAPES? 1036 00:51:39,363 --> 00:51:40,740 THERE'S SOMETHING THAT I NEED TO SHOW YOU, 1037 00:51:40,764 --> 00:51:42,875 AND, UM... 1038 00:51:42,899 --> 00:51:44,844 AND THEN, AFTER THAT, I DON'T KNOW, UM... 1039 00:51:44,868 --> 00:51:47,380 YOU'LL PROBABLY WANT ME OUT OF HERE. 1040 00:51:47,404 --> 00:51:48,481 IT'S GOING TO TAKE ME... 1041 00:51:48,505 --> 00:51:49,983 WHAT'S GOING ON, MARK? 1042 00:51:50,007 --> 00:51:51,284 I JUST FINISHED TAKING DOWN 1043 00:51:51,308 --> 00:51:54,287 THE LAST OF THE CAMERAS. 1044 00:51:54,311 --> 00:51:56,222 I PRETTY MUCH HAD THEM ALL OVER THE HOUSE. 1045 00:51:56,246 --> 00:51:57,690 UM... 1046 00:51:57,714 --> 00:51:59,358 JENNY SAW... 1047 00:51:59,382 --> 00:52:01,995 A TAPE I'D MADE OF THE TWO OF YOU. 1048 00:52:02,019 --> 00:52:03,563 SHIT. 1049 00:52:03,587 --> 00:52:05,064 SHE DIDN'T WANT TO TELL YOU, 1050 00:52:05,088 --> 00:52:05,699 BECAUSE SHE DIDN'T WANT TO RUIN 1051 00:52:05,723 --> 00:52:07,155 YOUR VACATION. 1052 00:52:35,853 --> 00:52:37,798 JENNY, WAIT A MINUTE, LISTEN TO ME. 1053 00:52:37,822 --> 00:52:39,566 IF YOU HEARD THIS TAPE 1054 00:52:39,590 --> 00:52:40,566 OR THIS CONVERSATION, 1055 00:52:40,590 --> 00:52:42,669 THEN YOU KNOW EXACTLY WHAT I SAID, 1056 00:52:42,693 --> 00:52:44,771 AND I SAID THAT IT IS FUN AND EASY TO BE WITH YOU, 1057 00:52:44,795 --> 00:52:47,274 THAT I WANT TO MAKE IT WORK WITH YOU. 1058 00:52:47,298 --> 00:52:50,844 IT'S OKAY... 1059 00:52:50,868 --> 00:52:53,113 THAT WE'RE NOT MEANT TO BE TOGETHER, 1060 00:52:53,137 --> 00:52:54,347 AND I KNOW 1061 00:52:54,371 --> 00:52:56,416 THAT THE ONLY REASON WHY YOU'RE WITH ME 1062 00:52:56,440 --> 00:52:59,619 IS BECAUSE YOU WANT TO BE NEAR SHANE. 1063 00:52:59,643 --> 00:53:01,843 THAT IS BULLSHIT, JENNY. 1064 00:53:13,857 --> 00:53:16,169 SHANE IS MY BEST FRIEND, 1065 00:53:16,193 --> 00:53:20,228 AND I DON'T WANT TO FUCK IT UP. 1066 00:53:22,433 --> 00:53:23,713 OKAY? 1067 00:55:10,007 --> 00:55:12,452 CAPTIONING PERFORMED BY: 1068 00:55:12,476 --> 00:55:14,876 LINE 21 MEDIA SERVICES LTD. VANCOUVER, B.C. 2005 63778

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