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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,269 --> 00:00:04,146 YOU DID IT, DIDN'T YOU? YOU AND DANA. 2 00:00:04,170 --> 00:00:06,382 YEAH. 3 00:00:06,406 --> 00:00:08,384 YOU KISSED JENNY? 4 00:00:08,408 --> 00:00:09,919 I-I DIDN'T THINK THAT YOU WOULD MIND. 5 00:00:09,943 --> 00:00:11,854 THEN, NO, AND, HEY, AND I DON'T. 6 00:00:11,878 --> 00:00:13,390 STARTING A NEW PROJECT. 7 00:00:13,414 --> 00:00:15,491 THIS JOURNAL OF MY LIFE WITH THE TWO OF YOU GUYS. 8 00:00:15,515 --> 00:00:16,959 BASICALLY, IT'S JUST GOING TO BE INTERVIEWS. 9 00:00:16,983 --> 00:00:19,729 WOW. 10 00:00:19,753 --> 00:00:21,531 OKAY, I TAKE YOUR POINT, MAN. 11 00:00:21,555 --> 00:00:22,698 YEAH, HIDDEN CAMERAS, MAN. 12 00:00:22,722 --> 00:00:24,701 IT'S THE WAY TO DO THIS. 13 00:00:24,725 --> 00:00:26,303 SINCE MY WORK IN T.O.E., 14 00:00:26,327 --> 00:00:28,871 THE PLANET HAS GONE FROM BEING IN THE RED TO BLACK. 15 00:00:28,895 --> 00:00:30,006 AND... 16 00:00:30,030 --> 00:00:31,508 AND BENJAMIN 17 00:00:31,532 --> 00:00:34,143 IS THE BEST THING THAT'S EVER HAPPENED TO ME. 18 00:00:34,167 --> 00:00:35,745 SO I'M GOING TO STAY IN THE GUEST ROOM 19 00:00:35,769 --> 00:00:37,214 UNTIL I FIND A PLACE OF MY OWN. 20 00:00:37,238 --> 00:00:39,049 WELCOME HOME. 21 00:00:39,073 --> 00:00:41,051 HELENA PEABODY IS ON HER WAY OVER HERE. 22 00:00:41,075 --> 00:00:42,085 RIGHT NOW? 23 00:00:42,109 --> 00:00:43,219 WE GOT THE BIGGEST GRANT 24 00:00:43,243 --> 00:00:44,254 THAT THEY GAVE. 25 00:00:44,278 --> 00:00:45,421 NOBODY ELSE GOT AS MUCH MONEY. 26 00:00:45,445 --> 00:00:47,089 WHAT IS GOING ON HERE? WHAT ARE YOU DOING? 27 00:00:47,113 --> 00:00:49,659 I'M HERE TO PUBLICIZE OUR GRANT ANNOUNCEMENT. 28 00:00:49,683 --> 00:00:51,695 WHAT ARE YOU DOING WITH MY GIRLFRIEND? 29 00:00:51,719 --> 00:00:53,162 DID YOU KNOW THAT TINA WAS PREGNANT? 30 00:00:53,186 --> 00:00:54,230 BETTE, YOU DIDN'T KNOW? 31 00:00:54,254 --> 00:00:55,165 OH, MY GOD. 32 00:00:55,189 --> 00:00:56,599 HOW DID YOU NOT KNOW? 33 00:00:56,623 --> 00:00:58,234 BECAUSE I AM JUST THE BIGGEST FUCKING ASSHOLE 34 00:00:58,258 --> 00:00:59,235 IN THE UNIVERSE. 35 00:00:59,259 --> 00:01:00,259 I GUESS THAT'S HOW. 36 00:01:06,166 --> 00:01:07,144 THANKS FOR JOINING ME. 37 00:01:07,168 --> 00:01:09,178 I DON'T USUALLY DO THIS, 38 00:01:09,202 --> 00:01:11,114 SOCIALIZE WITH MY STUDENTS. 39 00:01:11,138 --> 00:01:15,251 I'M GLAD YOU'RE MAKING AN EXCEPTION FOR ME. 40 00:01:15,275 --> 00:01:17,787 IT GETS KIND OF LONELY ON THE ROAD SOMETIMES. 41 00:01:17,811 --> 00:01:19,088 YEAH. 42 00:01:19,112 --> 00:01:20,272 YOU MUST MISS YOUR FAMILY. 43 00:01:23,317 --> 00:01:25,161 I-I'M SORRY. 44 00:01:25,185 --> 00:01:26,629 DID I OVERSTEP? 45 00:01:26,653 --> 00:01:29,332 I'M TRYING TO DO THE RIGHT THING, KIT. 46 00:01:29,356 --> 00:01:33,170 I'M AWAY FROM THEM NINE MONTHS OUT OF THE YEAR, 47 00:01:33,194 --> 00:01:35,638 SLEEPING ALONE IN HOTEL ROOMS... 48 00:01:37,464 --> 00:01:38,842 YEAH, BACK IN THE DAY, I DEALT WITH IT 49 00:01:38,866 --> 00:01:41,478 BY JUST GETTING HAMMERED EVERY NIGHT 50 00:01:41,502 --> 00:01:43,780 AND WAKING UP WITH A DIFFERENT MAN 51 00:01:43,804 --> 00:01:44,836 EVERY MORNING. 52 00:01:46,807 --> 00:01:48,718 WELL, I'M GLAD YOU DON'T FEEL THE NEED 53 00:01:48,742 --> 00:01:50,019 TO DO THAT ANYMORE. 54 00:01:50,043 --> 00:01:51,455 I CAN'T SAY 55 00:01:51,479 --> 00:01:55,458 THAT I DON'T FEEL THE NEED. 56 00:01:55,482 --> 00:01:58,149 I JUST DON'T ACT ON IT LIKE I USED TO. 57 00:02:01,822 --> 00:02:05,735 WELL, I GUESS IT'S GOODBYE, THEN. 58 00:02:05,759 --> 00:02:08,138 YEAH, YEAH, WELL, LOOK... 59 00:02:08,162 --> 00:02:09,239 THANKS FOR KEEPING ME COMPANY. 60 00:02:09,263 --> 00:02:10,307 I REALLY APPRECIATE IT. 61 00:02:10,331 --> 00:02:12,964 OH, IT WAS MY PLEASURE. 62 00:02:38,192 --> 00:02:39,669 SHIT. 63 00:02:39,693 --> 00:02:44,206 UH, UM... I THINK I SHOULD GO. 64 00:02:44,230 --> 00:02:45,675 YEAH, YEAH, OKAY. 65 00:02:45,699 --> 00:02:46,676 OKAY? 66 00:02:46,700 --> 00:02:49,045 YEAH, OKAY. 67 00:02:49,069 --> 00:02:51,169 OKAY. 68 00:02:58,078 --> 00:02:59,589 OH, YEAH. 69 00:02:59,613 --> 00:03:02,325 OH, YEAH. 70 00:03:02,349 --> 00:03:04,283 OH, YEAH. 71 00:04:08,248 --> 00:04:10,660 I DON'T EVEN LIKE THIS STUPID PICTURE. 72 00:04:10,684 --> 00:04:12,061 IT'S JUST THE ONLY THING I HAVE 73 00:04:12,085 --> 00:04:14,931 THAT ISN'T FROM BETTE OR OF BETTE. 74 00:04:16,390 --> 00:04:17,834 OH, MY GOD. 75 00:04:17,858 --> 00:04:19,736 I LOVE THIS SONG. 76 00:04:19,760 --> 00:04:21,270 ♪ BEST SHOT... ♪ 77 00:04:21,294 --> 00:04:25,708 ♪ WHY DON'T YOU HIT ME WITH YOUR BEST SHOT ♪ 78 00:04:25,732 --> 00:04:28,644 IS THAT STRAIGHT? 79 00:04:28,668 --> 00:04:30,045 ♪ FIRE AWAY... ♪ 80 00:04:30,069 --> 00:04:31,936 NO, IT'S CROOKED. 81 00:04:36,310 --> 00:04:37,753 OH, GUITAR SOLO. 82 00:04:37,777 --> 00:04:39,243 I'M DRUMS. 83 00:04:40,948 --> 00:04:42,025 TINA, HELLO? 84 00:04:42,049 --> 00:04:43,882 I'M DOING THE SOLO. 85 00:04:46,053 --> 00:04:47,564 OH, JEEZ. 86 00:04:47,588 --> 00:04:48,697 OKAY. 87 00:04:48,721 --> 00:04:51,156 OKAY, NOT A PROBLEM. 88 00:04:58,298 --> 00:04:59,442 OH! 89 00:04:59,466 --> 00:05:01,033 OH, HI. 90 00:05:04,471 --> 00:05:05,782 I... I DID RING THE BELL, 91 00:05:05,806 --> 00:05:07,583 BUT I GUESS YOU COULDN'T HEAR ME OVER THE CACOPHONY. 92 00:05:07,607 --> 00:05:09,385 HOW ARE YOU? 93 00:05:09,409 --> 00:05:11,020 I'M... GOD. 94 00:05:11,044 --> 00:05:12,755 I'M NOT... 95 00:05:12,779 --> 00:05:13,957 IT'S KIND OF A MESS. 96 00:05:13,981 --> 00:05:16,759 I'M NOT REALLY PREPARED FOR COMPANY. 97 00:05:16,783 --> 00:05:17,894 I WAS JUST ON MY WAY TO BRUNCH, 98 00:05:17,918 --> 00:05:18,895 AND I THOUGHT 99 00:05:18,919 --> 00:05:20,796 I'D DROP OFF THIS PAPERWORK. 100 00:05:20,820 --> 00:05:21,798 NOW, THE HEADQUARTERS FOR SOCIAL JUSTICE 101 00:05:21,822 --> 00:05:22,632 HAS MONEY IN THE BANK. 102 00:05:22,656 --> 00:05:24,133 WOW. WHERE DO I SIGN UP? 103 00:05:24,157 --> 00:05:25,268 HI. 104 00:05:25,292 --> 00:05:26,603 THANK YOU. 105 00:05:26,627 --> 00:05:28,972 UM... CAN I MAKE YOU A CUP OF TEA? 106 00:05:28,996 --> 00:05:31,941 NO, NO, NOT TODAY. 107 00:05:31,965 --> 00:05:32,976 I'LL SEE YOU THURSDAY. 108 00:05:33,000 --> 00:05:33,977 OKAY. 109 00:05:34,001 --> 00:05:36,346 SEE YOU THEN. 110 00:05:36,370 --> 00:05:38,103 THANKS FOR COMING BY. 111 00:05:42,242 --> 00:05:43,453 WHAT'S THURSDAY? 112 00:05:44,811 --> 00:05:46,422 IT'S THE PEABODY FOUNDATION DINNER 113 00:05:46,446 --> 00:05:49,325 FOR ALL THEIR GRANT RECIPIENTS. 114 00:05:49,349 --> 00:05:50,626 I CAN'T BELIEVE SHE SAW ME LIKE THIS. 115 00:05:50,650 --> 00:05:51,994 LIKE WHAT? 116 00:05:52,018 --> 00:05:53,829 LIKE A PREGNANT WOMAN AT HOME DOING NORMAL THINGS 117 00:05:53,853 --> 00:05:54,831 IN HER APARTMENT? 118 00:05:54,855 --> 00:05:57,066 LIKE A NORMAL PERSON 119 00:05:57,090 --> 00:05:58,735 SHE WAS ALWAYS DRESSED PERSONALLY BY YVES ST. LAURENT? 120 00:05:58,759 --> 00:06:00,637 I THINK I'VE PUT HER OFF. 121 00:06:00,661 --> 00:06:01,704 DID YOU SEE THE WAY SHE LOOKED AT ME? 122 00:06:01,728 --> 00:06:03,539 YEAH, I DID. 123 00:06:03,563 --> 00:06:05,603 IT WAS A LITTLE BIT SCARY. 124 00:06:08,035 --> 00:06:09,779 ARE YOU SLEEPING WITH HER? 125 00:06:09,803 --> 00:06:11,281 NO. 126 00:06:11,305 --> 00:06:13,438 NO, I HAVEN'T. 127 00:06:15,375 --> 00:06:16,786 ARE YOU GOING TO? 128 00:06:16,810 --> 00:06:18,354 I DON'T KNOW. 129 00:06:18,378 --> 00:06:20,723 I-I DON'T THINK I'M READY. 130 00:06:20,747 --> 00:06:21,791 I MEAN, BESIDES, LOOK... 131 00:06:21,815 --> 00:06:24,126 WITH THIS... 132 00:06:24,150 --> 00:06:25,695 ALICE, DON'T BE RIDICULOUS. 133 00:06:25,719 --> 00:06:27,630 SHE'S NOT EVEN INTERESTED IN ME. 134 00:06:27,654 --> 00:06:30,288 HA. 135 00:06:34,327 --> 00:06:36,105 I DON'T KNOW. I CAN'T TELL. 136 00:06:36,129 --> 00:06:38,674 OKAY, DO YOU THINK CARMEN IS INTO ME, HONESTLY? 137 00:06:38,698 --> 00:06:42,011 OKAY, WHEN YOU WENT OUT WITH HER, LIKE... 138 00:06:42,035 --> 00:06:43,979 WAS SHE JUST KIND OF, LIKE, YOU KNOW, 139 00:06:44,003 --> 00:06:45,415 I DON'T KNOW... 140 00:06:45,439 --> 00:06:47,349 RETICENT? 141 00:06:47,373 --> 00:06:48,384 WAIT A MINUTE. 142 00:06:48,408 --> 00:06:49,418 YOU WENT OUT 143 00:06:49,442 --> 00:06:50,820 WITH THIS GIRL? 144 00:06:50,844 --> 00:06:51,854 THE GIRL YOU'RE... 145 00:06:51,878 --> 00:06:53,222 FUCK YOU, MARK. 146 00:06:55,081 --> 00:06:56,326 AND NOW YOU'RE GOING OUT WITH THE SAME GIRL. 147 00:06:56,350 --> 00:06:58,161 I AM DEFINITELY NOT GOING OUT WITH HER. 148 00:06:58,185 --> 00:06:59,328 AND THAT'S COOL? 149 00:06:59,352 --> 00:07:00,963 YOU GUYS... IS THAT COMMON? 150 00:07:00,987 --> 00:07:03,221 YOU GUYS JUST SHARE CHICKS AND SHIT? 151 00:07:05,526 --> 00:07:06,335 WE DON'T SHARE. 152 00:07:06,359 --> 00:07:07,203 I DON'T DATE CARMEN ANYMORE. 153 00:07:07,227 --> 00:07:08,604 OH, RIGHT, RIGHT. 154 00:07:08,628 --> 00:07:10,740 OF COURSE, YOU HAVE YOUR TWO-FUCK LIMIT, RIGHT? 155 00:07:10,764 --> 00:07:12,742 SHANE, HOW DO YOU EVEN CONVINCE A GIRL 156 00:07:12,766 --> 00:07:14,577 TO GO HOME WITH YOU? 157 00:07:14,601 --> 00:07:15,778 DOESN'T YOUR REPUTATION 158 00:07:15,802 --> 00:07:16,780 PRECEDE YOU BY THIS POINT? 159 00:07:16,804 --> 00:07:17,780 HOW DO YOU? 160 00:07:17,804 --> 00:07:18,781 I DON'T KNOW. 161 00:07:18,805 --> 00:07:21,150 I MAKE A LOT OF EYE CONTACT, 162 00:07:21,174 --> 00:07:22,752 LAUGH AT THEIR JOKES... 163 00:07:22,776 --> 00:07:25,588 OH, AND WHAT SIGNS AND SEALS THE DEAL 164 00:07:25,612 --> 00:07:28,491 IS I TELL A TRAGIC CHILDHOOD STORY. 165 00:07:28,515 --> 00:07:29,759 OH, MARK... 166 00:07:29,783 --> 00:07:32,094 YOU'RE SO FULL OF SHIT. 167 00:07:32,118 --> 00:07:33,962 YOU KNOW IT'S TRUE. 168 00:07:33,986 --> 00:07:35,565 LOOK, FROM WHAT I KNOW, 169 00:07:35,589 --> 00:07:38,701 THE MOST IMPORTANT THING IS TO LISTEN. 170 00:07:38,725 --> 00:07:39,969 YOU GET THEM TALKING, 171 00:07:39,993 --> 00:07:41,370 AND YOU START HEARING ABOUT THEIR LIFE, 172 00:07:41,394 --> 00:07:42,906 AND THEN YOU FIGURE OUT WHAT THEY WANT. 173 00:07:42,930 --> 00:07:43,906 YEAH, IT'S TRUE. 174 00:07:43,930 --> 00:07:46,409 CHICKS DO LIKE TO TALK A LOT. 175 00:07:46,433 --> 00:07:48,277 BUT YOU DO NOT TALK TOO MUCH. 176 00:07:48,301 --> 00:07:49,545 THAT'S THE THING. 177 00:07:49,569 --> 00:07:50,547 TALKING TOO MUCH CAN KILL IT. 178 00:07:50,571 --> 00:07:51,614 YOU DON'T TELL YOUR LIFE STORY, 179 00:07:51,638 --> 00:07:52,782 AND YOU DON'T HAVE THEM TELL THEIRS. 180 00:07:52,806 --> 00:07:55,117 THAT'S IT. 181 00:07:55,141 --> 00:07:56,686 YOU SHOULD JUST SHOW HER, SHANE. 182 00:07:56,710 --> 00:07:57,754 THINK ABOUT IT. 183 00:07:57,778 --> 00:07:59,121 I MEAN, YOU KNOW THIS GIRL. 184 00:07:59,145 --> 00:08:00,623 YOU'VE DATED HER, RIGHT? 185 00:08:00,647 --> 00:08:02,391 WHAT A TIME SAVER IT WOULD BE FOR POOR JENNY 186 00:08:02,415 --> 00:08:04,460 JUST TO HAVE A LITTLE THREE-WAY. 187 00:08:04,484 --> 00:08:06,295 DON'T YOU THINK, JENNY? 188 00:08:06,319 --> 00:08:08,464 I HATE TO TELL YOU THIS, MARK, 189 00:08:08,488 --> 00:08:11,255 BUT I DON'T FUCK MY ROOMMATES. 190 00:08:12,492 --> 00:08:14,759 OH... DAMN. 191 00:08:24,838 --> 00:08:26,148 HEY. HEY. 192 00:08:26,172 --> 00:08:27,517 WHERE HAVE YOU BEEN? 193 00:08:27,541 --> 00:08:29,586 TONYA'S MEETING IS ONLY A COUPLE OF HOURS. 194 00:08:29,610 --> 00:08:30,954 I WAS AT TINA'S. 195 00:08:30,978 --> 00:08:33,622 WHAT MEETING? 196 00:08:33,646 --> 00:08:35,024 THE HEINEKEN CELEBRITY SLAMMIN' JAMMIN' TOURNAMENT. 197 00:08:35,048 --> 00:08:37,415 SO CAN WE GO BACK TO YOUR PLACE NOW? 198 00:08:40,687 --> 00:08:41,998 DANA... YEAH? 199 00:08:42,022 --> 00:08:43,332 I'M NOT GOING TO DO THIS WITH YOU. 200 00:08:43,356 --> 00:08:44,834 YOU'RE NOT GOING TO DO WHAT? 201 00:08:44,858 --> 00:08:46,669 I'M NOT GOING TO SNEAK AROUND WITH YOU. 202 00:08:46,693 --> 00:08:48,071 I'M NOT GOING TO BE YOUR SECRET LOVER, 203 00:08:48,095 --> 00:08:48,838 YOUR BACK-DOOR WOMAN. 204 00:08:48,862 --> 00:08:52,341 WH-WHAT HAPPENED? 205 00:08:52,365 --> 00:08:53,610 I WANT YOU... 206 00:08:53,634 --> 00:08:54,844 I WANT YOU TO LEAVE HER. 207 00:08:54,868 --> 00:08:57,413 AL, I CAN'T DO THAT RIGHT NOW. 208 00:08:57,437 --> 00:08:58,414 WHY? 209 00:08:58,438 --> 00:08:59,348 BECAUSE... 210 00:08:59,372 --> 00:09:02,385 THE TOURNAMENT TOMORROW. 211 00:09:02,409 --> 00:09:04,020 BECAUSE TONYA SET UP THE WHOLE THING, 212 00:09:04,044 --> 00:09:06,689 AND IT'S A REALLY BIG DEAL FOR ME. 213 00:09:06,713 --> 00:09:09,692 OKAY, THAT'S IT FOR US. 214 00:09:09,716 --> 00:09:10,692 WHAT? NO, AL. 215 00:09:10,716 --> 00:09:11,694 ALICE. ALICE! 216 00:09:11,718 --> 00:09:12,861 WHAT? 217 00:09:12,885 --> 00:09:16,888 AL. COME HERE, PLEASE. 218 00:09:19,960 --> 00:09:21,892 PLEASE. 219 00:09:24,030 --> 00:09:25,462 AL... 220 00:09:27,934 --> 00:09:29,512 LOOK AT ME. 221 00:09:29,536 --> 00:09:31,580 ALICE, LOOK AT ME. 222 00:09:31,604 --> 00:09:33,716 I REALLY... 223 00:09:33,740 --> 00:09:36,408 REALLY WANT TO BE WITH YOU. 224 00:09:39,245 --> 00:09:40,223 YOU DO? 225 00:09:40,247 --> 00:09:42,580 YES. 226 00:09:46,152 --> 00:09:49,865 WELL... WELL, THEN, WILL YOU BREAK UP WITH HER 227 00:09:49,889 --> 00:09:52,958 AFTER THE TOURNAMENT? 228 00:10:22,322 --> 00:10:24,267 HI. 229 00:10:24,291 --> 00:10:25,957 WHAT'S UP? 230 00:10:29,095 --> 00:10:30,272 YOU LOOK GOOD. 231 00:10:31,565 --> 00:10:33,631 I'M A MESS. 232 00:10:35,635 --> 00:10:38,047 ARE YOU GOING TO INVITE ME IN? 233 00:10:38,071 --> 00:10:39,582 TO TELL YOU THE TRUTH, 234 00:10:39,606 --> 00:10:40,583 I'M NOT REALLY IN THE MOOD 235 00:10:40,607 --> 00:10:41,750 FOR COMPANY RIGHT NOW. 236 00:10:41,774 --> 00:10:44,153 I'D RATHER YOU CALLED FIRST. 237 00:10:44,177 --> 00:10:46,422 WELL, IS THE APARTMENT OKAY? 238 00:10:46,446 --> 00:10:48,157 I MEAN, ARE YOU COMFORTABLE HERE? 239 00:10:48,181 --> 00:10:49,157 IT'S FINE. 240 00:10:49,181 --> 00:10:51,794 I'M FINE. 241 00:10:51,818 --> 00:10:53,738 IS THERE SOMETHING IN PARTICULAR? 242 00:11:04,664 --> 00:11:05,941 WE SHOULD TALK, TINA. 243 00:11:05,965 --> 00:11:07,410 I MEAN, I CAN'T CARRY ON 244 00:11:07,434 --> 00:11:09,544 AND PRETEND LIKE IT'S ALL FINE, 245 00:11:09,568 --> 00:11:11,147 AND THAT I'M NOT AS CONFUSED AS HELL 246 00:11:11,171 --> 00:11:13,582 BY THE WHOLE THING. 247 00:11:13,606 --> 00:11:14,817 LOOK, I AM... 248 00:11:14,841 --> 00:11:16,385 I'M JUST GOING TO SAY WHAT I HAVE TO SAY, 249 00:11:16,409 --> 00:11:19,321 AND I HOPE THAT YOU'RE ABLE TO HEAR IT. 250 00:11:19,345 --> 00:11:21,078 OKAY. 251 00:11:28,488 --> 00:11:29,832 I DON'T KNOW 252 00:11:29,856 --> 00:11:31,701 HOW YOU COULD KEEP THIS BABY A SECRET FROM ME. 253 00:11:31,725 --> 00:11:34,236 I DON'T KNOW HOW YOU COULD LIE TO ME 254 00:11:34,260 --> 00:11:35,271 FOR NEARLY FOUR MONTHS. 255 00:11:35,295 --> 00:11:36,272 I MEAN, WE WERE STILL TOGETHER. 256 00:11:36,296 --> 00:11:37,407 WE WERE A COUPLE, 257 00:11:37,431 --> 00:11:39,775 AND YOU WERE PREGNANT, AND I HAD NO IDEA. 258 00:11:39,799 --> 00:11:41,643 I PLANNED TO TELL YOU, AND THEN YOU FUCKED OFF. 259 00:11:41,667 --> 00:11:42,645 I FUCKED UP. 260 00:11:42,669 --> 00:11:43,712 I DID NOT FUCK OFF. 261 00:11:43,736 --> 00:11:44,747 I DID NOT LEAVE. 262 00:11:44,771 --> 00:11:46,848 I AM STILL HERE. 263 00:11:46,872 --> 00:11:51,854 I WANT TO HAVE A PLACE IN THIS BABY'S LIFE. 264 00:11:51,878 --> 00:11:54,189 THIS IS OUR BABY, TINA. 265 00:11:54,213 --> 00:11:55,591 OKAY, I KNOW THAT IT'S COMPLICATED. 266 00:11:55,615 --> 00:11:57,059 I KNOW THAT THERE ARE NO EASY ANSWERS. 267 00:11:57,083 --> 00:11:58,360 THERE'S PROBABLY NO LEGAL PRECEDENT, 268 00:11:58,384 --> 00:11:59,861 AND, IF YOU PREFER, WE CAN HIRE LAWYERS 269 00:11:59,885 --> 00:12:00,863 AND MAKE UP DOCUMENTS... 270 00:12:00,887 --> 00:12:02,247 I DON'T EVEN HAVE A LAWYER ANYMORE. 271 00:12:03,490 --> 00:12:06,335 OKAY, FINE. I... 272 00:12:06,359 --> 00:12:07,703 I WOULD RATHER THAT WE WORK IT OUT OURSELVES. 273 00:12:07,727 --> 00:12:09,072 WELL, I'M NOT SURE I WANT TO WORK IT OUT, 274 00:12:09,096 --> 00:12:11,462 NOT IN THE WAY THAT YOU WANT IT. 275 00:12:16,136 --> 00:12:17,680 DID YOU USE OUR SPERM? 276 00:12:17,704 --> 00:12:20,048 I USED THE SPERM WE HAD STORED AT THE CRYOBANK, YES. 277 00:12:20,072 --> 00:12:21,818 THEN THIS IS OUR BABY, TINA. 278 00:12:21,842 --> 00:12:23,719 I CAN'T BELIEVE THAT YOU'RE DOING THIS. 279 00:12:23,743 --> 00:12:24,720 YOU KNOW WHAT? 280 00:12:24,744 --> 00:12:25,821 WE CONCEIVED OF THIS BABY TOGETHER. 281 00:12:25,845 --> 00:12:26,989 WE SEARCHED FOR A DONOR TOGETHER. 282 00:12:27,013 --> 00:12:28,023 IN FACT, YOU KNOW WHAT? I FOUND THE DONOR. 283 00:12:28,047 --> 00:12:29,725 MARCUS ALLENWOOD IS A FRIEND OF MINE, 284 00:12:29,749 --> 00:12:30,726 AND IF WE WERE HUSBAND AND WIFE, 285 00:12:30,750 --> 00:12:33,095 THIS WOULD BE MY BABY. 286 00:12:33,119 --> 00:12:34,597 LOOK, I JUST NEED TO THINK ABOUT IT! 287 00:12:34,621 --> 00:12:35,621 OKAY? 288 00:12:36,923 --> 00:12:39,123 JUST GIVE ME SOME TIME. 289 00:12:41,594 --> 00:12:42,994 OKAY. 290 00:12:51,338 --> 00:12:53,749 OH, LAST ONE. 291 00:12:53,773 --> 00:12:54,750 DO YOU WANT THIS? 292 00:12:54,774 --> 00:12:56,886 NO, IT'S ALL YOURS. 293 00:12:56,910 --> 00:12:57,986 OH, THANK YOU. 294 00:12:58,010 --> 00:13:00,611 YOU'RE SO VERY WELCOME. 295 00:13:07,253 --> 00:13:10,365 MM, MM. 296 00:13:10,389 --> 00:13:11,901 MM. 297 00:13:11,925 --> 00:13:13,269 IS IT GOOD? 298 00:13:13,293 --> 00:13:14,759 MM-HMM. 299 00:13:16,896 --> 00:13:18,107 MM... 300 00:13:18,131 --> 00:13:19,674 YOU'RE SUCH A TEASE. 301 00:13:19,698 --> 00:13:21,277 WELL, THEN, KEEP GOING. 302 00:13:21,301 --> 00:13:23,112 I KNOW THIRST. 303 00:13:23,136 --> 00:13:24,914 IT'S SO INTENSE. 304 00:13:24,938 --> 00:13:27,616 OH, SHIT. OH. 305 00:13:27,640 --> 00:13:28,784 WHOO, GOD, YOU STINK. 306 00:13:28,808 --> 00:13:29,785 OH, GOD, REALLY? 307 00:13:29,809 --> 00:13:30,786 YEAH. 308 00:13:30,810 --> 00:13:31,787 OH, SHIT. 309 00:13:31,811 --> 00:13:33,088 OH, NOW YOU ARE, TOO. 310 00:13:33,112 --> 00:13:34,790 YOU'RE GOING TO STINK. 311 00:13:34,814 --> 00:13:36,658 I CAN'T BELIEVE YOU JUST DID THAT. 312 00:13:36,682 --> 00:13:38,126 NO, I DIDN'T MEAN TO. 313 00:13:38,150 --> 00:13:39,128 OF COURSE I DIDN'T. 314 00:13:39,152 --> 00:13:41,097 I DON'T KNOW ANYMORE. 315 00:13:41,121 --> 00:13:42,097 HI. 316 00:13:42,121 --> 00:13:43,599 HEY. 317 00:13:43,623 --> 00:13:44,967 OH, HOW ARE YOU? 318 00:13:44,991 --> 00:13:48,003 I JUST WANTED TO SAY THAT MARK IS OUT THERE 319 00:13:48,027 --> 00:13:49,005 FILMING WITH HIS VIDEO CAMERA. 320 00:13:49,029 --> 00:13:50,606 WHAT? 321 00:13:50,630 --> 00:13:52,341 YEAH. 322 00:13:52,365 --> 00:13:54,276 OKAY, WHO WOULD MAKE OUT WITH A GUY 323 00:13:54,300 --> 00:13:56,045 FOR A MILLION DOLLARS? 324 00:13:56,069 --> 00:13:57,168 WHO WOULDN'T? 325 00:13:58,238 --> 00:13:59,415 WOULD YOU? 326 00:13:59,439 --> 00:14:01,119 HELL, YEAH. A LOT LESS THAN THAT, ACTUALLY. 327 00:14:05,311 --> 00:14:06,455 WHAT ABOUT YOU? 328 00:14:06,479 --> 00:14:07,657 WOULD YOU MAKE OUT WITH A GUY 329 00:14:07,681 --> 00:14:10,325 FOR A MILLION DOLLARS? 330 00:14:10,349 --> 00:14:11,693 A MILLION AND A HALF DOLLARS? 331 00:14:11,717 --> 00:14:13,028 OOH! 332 00:14:13,052 --> 00:14:17,866 I... I WOULD MAKE OUT WITH A REPUBLICAN 333 00:14:17,890 --> 00:14:19,257 FOR A MILLION DOLLARS. 334 00:14:20,860 --> 00:14:21,904 WHAT? I THINK... 335 00:14:21,928 --> 00:14:23,305 I THINK THE REPUBLICANS CAN BE HOT. 336 00:14:23,329 --> 00:14:24,873 TAKE IT BACK. 337 00:14:24,897 --> 00:14:26,108 WHY? 338 00:14:26,132 --> 00:14:30,612 BECAUSE REPUBLICANS ARE FUCKING SCARY. 339 00:14:30,636 --> 00:14:33,382 SCARY CAN SOMETIMES BE... 340 00:14:33,406 --> 00:14:35,584 SEXY. 341 00:14:35,608 --> 00:14:36,585 THEY'RE NOT SCARY. 342 00:14:36,609 --> 00:14:37,719 THEY'RE STUPID. 343 00:14:37,743 --> 00:14:38,721 THAT'S RIGHT, 344 00:14:38,745 --> 00:14:40,111 AND STUPID, SHANE... 345 00:14:41,814 --> 00:14:43,859 CAN BE EVEN SEXIER. 346 00:14:43,883 --> 00:14:45,127 OKAY, BUT WOULD YOU 347 00:14:45,151 --> 00:14:46,996 MAKE OUT WITH A FRIEND? 348 00:14:47,020 --> 00:14:47,997 SURE. 349 00:14:48,021 --> 00:14:49,030 WHAT ABOUT TWO FRIENDS 350 00:14:49,054 --> 00:14:50,999 AT THE SAME TIME? 351 00:14:51,023 --> 00:14:52,101 WHAT? 352 00:14:52,125 --> 00:14:53,135 OH, TWO FRIENDS AT THE SAME TIME? 353 00:14:53,159 --> 00:14:54,870 NO, I WOULDN'T. 354 00:14:54,894 --> 00:14:56,505 COME ON, YEAH. 355 00:14:56,529 --> 00:14:57,540 NO, NO, NO. 356 00:14:57,564 --> 00:14:59,041 NOT FOR SOME HORNY GUY'S BENEFIT. 357 00:14:59,065 --> 00:15:00,576 ABSOLUTELY NOT. 358 00:15:00,600 --> 00:15:02,132 I WOULD NOT. 359 00:15:09,408 --> 00:15:10,887 JENNY! 360 00:15:10,911 --> 00:15:12,087 LET'S GO GET SOME MORE BEER. 361 00:15:12,111 --> 00:15:14,245 BYE. 362 00:15:16,082 --> 00:15:18,060 YEAH, WE'RE OUT. 363 00:15:18,084 --> 00:15:20,896 COME ON. 364 00:15:20,920 --> 00:15:22,319 NO. DON'T. 365 00:15:41,908 --> 00:15:43,841 NO, THANK YOU. 366 00:15:57,056 --> 00:15:59,690 HELLO, BETTE. 367 00:16:01,827 --> 00:16:03,538 HELENA. 368 00:16:03,562 --> 00:16:05,707 CONGRATULATIONS, BY THE WAY. 369 00:16:05,731 --> 00:16:06,942 ON? 370 00:16:06,966 --> 00:16:08,511 LEO HERRERA. 371 00:16:08,535 --> 00:16:10,879 HE'S GOING TO BE WONDERFUL FOR THE C.A.C. 372 00:16:10,903 --> 00:16:13,549 LEO'S SUCH A GEM. 373 00:16:13,573 --> 00:16:15,618 BETTE'S GOING TO BE WORKING WITH LEO HERRERA. 374 00:16:15,642 --> 00:16:16,618 HE'S COMING TO LOS ANGELES 375 00:16:16,642 --> 00:16:17,753 FOR SIX MONTHS TO HELP RAISE MONEY 376 00:16:17,777 --> 00:16:19,544 FOR THE CALIFORNIA ART CENTER. 377 00:16:43,069 --> 00:16:44,046 HELLO? 378 00:16:44,070 --> 00:16:46,871 IT'S BETTE PORTER. 379 00:16:53,713 --> 00:16:54,690 BETTE. 380 00:16:54,714 --> 00:16:55,557 IS SOMETHING WRONG? 381 00:16:55,581 --> 00:16:56,692 LEO HERRERA. 382 00:16:56,716 --> 00:16:59,795 I WAS PLANNING ON TALKING ABOUT THIS TOMORROW. 383 00:16:59,819 --> 00:17:01,497 DID HELENA PEABODY HAVE SOMETHING TO DO WITH THIS? 384 00:17:01,521 --> 00:17:03,198 BETTE, I REALLY DON'T THINK THIS IS THE TIME OR PLACE. 385 00:17:03,222 --> 00:17:04,833 NOW, I'D LIKE TO TALK TO YOU ABOUT THIS TOMORROW MORNING. 386 00:17:04,857 --> 00:17:07,269 I ASKED YOU A QUESTION, FRANKLIN. 387 00:17:07,293 --> 00:17:08,371 IT'S IRRELEVANT. 388 00:17:08,395 --> 00:17:09,705 WE'RE HEMORRHAGING, BETTE. 389 00:17:09,729 --> 00:17:11,006 YOU YOURSELF SAID THAT THIS IS 390 00:17:11,030 --> 00:17:12,107 THE MOST DIFFICULT FUNDRAISING CLIMATE 391 00:17:12,131 --> 00:17:14,176 YOU'VE EVER FACED. 392 00:17:14,200 --> 00:17:15,811 AND HIRED A FUNDRAISER WITHOUT CONSULTING ME, 393 00:17:15,835 --> 00:17:16,879 IN VIOLATION OF MY CONTRACT? 394 00:17:16,903 --> 00:17:20,015 WE HIRED LEO AS A CONSULTANT. 395 00:17:20,039 --> 00:17:21,450 I SUGGEST YOU TAKE A LOOK AT YOUR CONTRACT, 396 00:17:21,474 --> 00:17:24,019 AND YOU'LL SEE THAT IT'S WELL WITHIN OUR PURVIEW. 397 00:17:24,043 --> 00:17:25,387 NOW, IF YOU WANT TO DISCUSS THIS WITH ME FURTHER, 398 00:17:25,411 --> 00:17:26,589 PLEASE SET UP AN APPOINTMENT 399 00:17:26,613 --> 00:17:27,890 TO TALK TO ME 400 00:17:27,914 --> 00:17:30,274 DURING THE DAY TOMORROW. 401 00:17:50,803 --> 00:17:52,314 HI, IT'S ME. 402 00:17:52,338 --> 00:17:54,550 I'M JUST HAVING A ROUGH TIME, AND IT'S... 403 00:17:54,574 --> 00:17:56,218 CAN YOU TALK, OR ARE YOU BUSY? 404 00:17:56,242 --> 00:17:57,419 WHAT'S UP? 405 00:17:57,443 --> 00:17:59,221 FUCKING FRANKLIN WENT AND HIRED LEO HERRERA 406 00:17:59,245 --> 00:18:00,689 TO COME RAISE MONEY FOR THE C.A.C. 407 00:18:00,713 --> 00:18:01,891 HE'S ACTUALLY MOVING HIM OUT 408 00:18:01,915 --> 00:18:03,292 FROM NEW YORK. 409 00:18:03,316 --> 00:18:05,060 WITHOUT CONSULTING YOU? 410 00:18:05,084 --> 00:18:06,228 YEAH... 411 00:18:06,252 --> 00:18:07,630 AND THEN I WENT TO HIS HOUSE UNANNOUNCED 412 00:18:07,654 --> 00:18:10,032 AND WENT OFF ON HIM IN HIS DRIVEWAY. 413 00:18:10,056 --> 00:18:12,167 OH, NO, NO, NO. 414 00:18:12,191 --> 00:18:13,202 YOU DIDN'T. 415 00:18:13,226 --> 00:18:14,837 YEAH, I DID, 416 00:18:14,861 --> 00:18:15,837 AND YOU KNOW WHO'S RESPONSIBLE FOR THIS? 417 00:18:15,861 --> 00:18:17,773 YOUR BUDDY HELENA PEABODY. 418 00:18:17,797 --> 00:18:19,241 THE WOMAN IS A FUCKING DRAGON, 419 00:18:19,265 --> 00:18:21,231 AND SHE'S MAKING MY LIFE A LIVING HELL. 420 00:18:23,235 --> 00:18:25,514 OH, PLEASE TELL ME YOU'RE NOT SLEEPING WITH HER, TINA. 421 00:18:25,538 --> 00:18:26,415 BETTE. 422 00:18:26,439 --> 00:18:27,716 ARE YOU SLEEPING WITH HER? 423 00:18:27,740 --> 00:18:29,852 ARE YOU FUCKING SLEEPING WITH HER? 424 00:18:29,876 --> 00:18:30,919 IT'S NONE OF YOUR FUCKING BUSINESS. 425 00:18:30,943 --> 00:18:31,920 DON'T DO IT, TINA. 426 00:18:31,944 --> 00:18:33,422 THAT WOMAN WILL EAT YOU ALIVE. 427 00:18:33,446 --> 00:18:34,423 SHE IS A VAMPIRE. 428 00:18:34,447 --> 00:18:35,924 YEAH, AND A DRAGON. 429 00:18:35,948 --> 00:18:37,459 THAT'S RIGHT, SHE IS A MONSTER, 430 00:18:37,483 --> 00:18:38,627 HOWEVER YOU WANT TO CHARACTERIZE IT. 431 00:18:38,651 --> 00:18:39,895 SHE LIKES TO FUCK WITH PEOPLE FOR SPORT... 432 00:18:39,919 --> 00:18:40,896 BETTE! 433 00:18:40,920 --> 00:18:42,932 LOOK, YOU WERE IN DISTRESS, 434 00:18:42,956 --> 00:18:44,500 AND YOU NEEDED SOMEONE TO TALK TO, 435 00:18:44,524 --> 00:18:46,702 AND I'M WILLING TO LISTEN, 436 00:18:46,726 --> 00:18:47,770 BUT I'M NOT GOING TO DO THIS WITH YOU. 437 00:18:47,794 --> 00:18:49,371 DO WHAT? WHAT ARE WE DOING? 438 00:18:49,395 --> 00:18:51,206 YOU'RE TRYING TO CONTROL ME, AND YOU CAN'T. 439 00:18:51,230 --> 00:18:53,208 I'M NOT GOING TO TALK TO YOU ABOUT HELENA PEABODY. 440 00:18:53,232 --> 00:18:54,631 OH, PLEASE. 441 00:19:01,407 --> 00:19:04,007 FUCK. 442 00:19:09,314 --> 00:19:10,959 HI! 443 00:19:10,983 --> 00:19:11,960 HI. 444 00:19:11,984 --> 00:19:14,463 HOW'S MY LITTLE BRIDE-TO-BE? 445 00:19:14,487 --> 00:19:15,797 READY TO PLAY THE BEST TENNIS OF HER LIFE? 446 00:19:15,821 --> 00:19:18,400 FINE. 447 00:19:18,424 --> 00:19:20,169 OKAY, WELL, IN ORDER TO GET OUT OF HERE, 448 00:19:20,193 --> 00:19:21,637 WE NEED TO LEAVE IN ABOUT FIVE MINUTES, 449 00:19:21,661 --> 00:19:22,838 TO BE ON THE SAFE SIDE. 450 00:19:22,862 --> 00:19:23,672 SO I'M JUST GOING TO PHONE ANNA KOURNIKOVA 451 00:19:23,696 --> 00:19:24,873 AND MARTINA'S PEOPLE, 452 00:19:24,897 --> 00:19:26,274 MAKE SURE EVERYTHING'S OKAY IN LA JOLLA, 453 00:19:26,298 --> 00:19:27,276 AND THEN WE'RE OFF, OKAY? 454 00:19:27,300 --> 00:19:28,276 OKAY. 455 00:19:28,300 --> 00:19:29,311 OKAY. 456 00:19:31,804 --> 00:19:32,982 HELLO? 457 00:19:33,006 --> 00:19:33,982 NO, ALICE, 458 00:19:34,006 --> 00:19:35,017 I HAVEN'T TOLD HER YET. 459 00:19:35,041 --> 00:19:37,219 STOP PRESSURING ME! 460 00:19:37,243 --> 00:19:38,587 HONEY, WHO IS THAT? 461 00:19:38,611 --> 00:19:40,822 MY MOM. 462 00:19:40,846 --> 00:19:41,846 IT'S MY MOM. 463 00:19:43,850 --> 00:19:45,961 SHE MAKES ME FEEL SO PRESSURED 464 00:19:45,985 --> 00:19:48,663 WHEN SHE CALLS ME TO WISH ME GOOD LUCK. 465 00:19:48,687 --> 00:19:52,935 OH, OKAY. SORRY. 466 00:19:52,959 --> 00:19:54,636 SO, YEAH, 467 00:19:54,660 --> 00:19:56,405 I JUST WANTED TO MAKE SURE... 468 00:19:56,429 --> 00:19:58,362 I WILL CALL YOU BACK LATER. 469 00:20:18,885 --> 00:20:19,861 HI. 470 00:20:19,885 --> 00:20:20,862 HI. 471 00:20:20,886 --> 00:20:22,597 ARE YOU SHANE McCOUCHIN? 472 00:20:22,621 --> 00:20:23,621 McCUTCHEON. 473 00:20:27,392 --> 00:20:30,573 I NEED YOU TO SIGN THIS. 474 00:20:30,597 --> 00:20:32,374 WHO ARE THEY FROM? 475 00:20:32,398 --> 00:20:34,209 MAYBE YOU HAVE A SECRET ADMIRER. 476 00:20:34,233 --> 00:20:36,412 JUST RIGHT THERE. 477 00:20:36,436 --> 00:20:40,104 IS THAT GOOD FOR YOU? 478 00:20:41,841 --> 00:20:43,975 YES, MA'AM, THAT'S GOOD FOR ME. 479 00:20:46,412 --> 00:20:47,555 WOW. 480 00:20:47,579 --> 00:20:49,539 DON'T YOU WANT TO PUT THEM IN WATER? 481 00:20:52,418 --> 00:20:54,563 UM, YEAH. 482 00:20:54,587 --> 00:20:56,865 MM-HMM, I DO, 483 00:20:56,889 --> 00:20:59,369 BUT I DON'T KNOW IF WE HAVE A VASE. 484 00:21:13,739 --> 00:21:15,039 I THINK THIS MIGHT WORK. 485 00:21:17,210 --> 00:21:19,287 YEAH, YOU'RE RIGHT. 486 00:21:19,311 --> 00:21:21,278 IT COULD WORK. 487 00:21:24,050 --> 00:21:26,484 THANK YOU. 488 00:21:44,737 --> 00:21:46,948 YOUR DESCRIPTIVE TECHNIQUE IS BETTER, 489 00:21:46,972 --> 00:21:49,084 BUT YOU'RE STILL SKATING ON THE SURFACE. 490 00:21:49,108 --> 00:21:50,419 HOW DO YOU MEAN 491 00:21:50,443 --> 00:21:52,854 THAT I'M "SKATING OVER THE SURFACE?" 492 00:21:52,878 --> 00:21:54,456 JUST THINK ABOUT IT, 493 00:21:54,480 --> 00:21:56,858 AND THEN TAKE ANOTHER PASS. 494 00:21:56,882 --> 00:21:58,560 AND REMEMBER... 495 00:21:58,584 --> 00:22:00,061 YOU'RE NOT CLEA. 496 00:22:00,085 --> 00:22:01,964 I KNOW THAT I'M NOT CLEA. 497 00:22:01,988 --> 00:22:03,665 HAVE YOU EVER READ 498 00:22:03,689 --> 00:22:05,967 ANY OF THE STORIES FROM MY RODEO DAYS? 499 00:22:05,991 --> 00:22:07,969 YES, I'VE, ACTUALLY, I'VE... 500 00:22:07,993 --> 00:22:09,171 I'VE READ ALL OF YOUR STORIES. 501 00:22:09,195 --> 00:22:12,441 I THOUGHT SO. 502 00:22:12,465 --> 00:22:14,476 YOU'VE GOT TO FIND YOUR OWN VOICE, JENNY. 503 00:22:14,500 --> 00:22:16,845 IMITATION MAY BE 504 00:22:16,869 --> 00:22:18,480 THE SINCEREST FORM OF FLATTERY, 505 00:22:18,504 --> 00:22:20,949 BUT IT'S NOT THE BEST FORM OF WRITING. 506 00:22:20,973 --> 00:22:23,986 UM, OKAY, BUT... 507 00:22:24,010 --> 00:22:25,987 WITH ALL DUE RESPECT, 508 00:22:26,011 --> 00:22:28,356 I DON'T THINK THAT I'M IMITATING YOU, ACTUALLY. 509 00:22:28,380 --> 00:22:29,425 I'M NOT INTO THE WHOLE... 510 00:22:29,449 --> 00:22:31,960 STUDENT-TEACHER TRANSFERENCE THING. 511 00:22:31,984 --> 00:22:33,928 I'D PREFER TO KEEP THE BOUNDARIES 512 00:22:33,952 --> 00:22:37,599 BETWEEN US CRISP AND CLEAR. 513 00:22:37,623 --> 00:22:40,469 OKAY, I WILL... 514 00:22:40,493 --> 00:22:41,603 I WILL KEEP THAT IN MIND. 515 00:22:41,627 --> 00:22:42,638 THANK YOU. 516 00:22:42,662 --> 00:22:43,942 HEY, JENNY. 517 00:22:46,032 --> 00:22:47,008 HEY, HUNTER. 518 00:22:47,032 --> 00:22:48,032 YOU READY? 519 00:22:49,702 --> 00:22:51,513 YES. 520 00:22:51,537 --> 00:22:54,683 I'LL SEE YOU LATER. 521 00:22:54,707 --> 00:22:56,484 YOU KNOW, JENNY... 522 00:22:56,508 --> 00:22:58,675 HOLD ON. I HAVE AN ASSIGNMENT FOR YOU. 523 00:23:00,412 --> 00:23:01,589 OKAY, READY? 524 00:23:01,613 --> 00:23:03,258 DEEP BREATHS. 525 00:23:04,283 --> 00:23:08,330 ONE. GOOD. 526 00:23:08,354 --> 00:23:09,331 TWO. 527 00:23:09,355 --> 00:23:11,399 GOOD. 528 00:23:11,423 --> 00:23:12,668 KEEP BREATHING. 529 00:23:12,692 --> 00:23:14,536 THREE... 530 00:23:21,501 --> 00:23:25,347 SHE IS UNBELIEVABLE. 531 00:23:25,371 --> 00:23:27,949 YOU ARE A GOD, MAN. 532 00:23:27,973 --> 00:23:30,786 I MEAN, THAT'S WHAT I CALL GOOD FILMMAKING. 533 00:23:34,580 --> 00:23:35,891 OH... 534 00:23:35,915 --> 00:23:38,360 OH, GOODNESS. 535 00:23:38,384 --> 00:23:40,562 THAT BLONDE IS UNBELIEVABLE, MAN. 536 00:23:40,586 --> 00:23:42,764 HOW DO YOU KNOW GIRLS LIKE THIS? 537 00:23:42,788 --> 00:23:44,668 FOR $200, YOU COULD KNOW GIRLS LIKE THAT, GOMEY. 538 00:23:45,992 --> 00:23:48,503 SEE, I TOLD YOU, MAN. 539 00:23:48,527 --> 00:23:50,894 REALITY JUST NEEDS A LITTLE HELP SOMETIMES. 540 00:24:03,742 --> 00:24:04,720 WHAT ARE YOU DOING, MAN? 541 00:24:04,744 --> 00:24:06,088 HOLD ON. 542 00:24:06,112 --> 00:24:07,222 PAN BACK. 543 00:24:07,246 --> 00:24:09,057 DUDE, HOLD ON A SECOND. 544 00:24:09,081 --> 00:24:12,861 I JUST... I WANT TO KNOW WHAT SHE'S FEELING. 545 00:24:12,885 --> 00:24:16,520 WHO GIVES A FUCK WHAT SHE'S FEELING? 546 00:24:21,660 --> 00:24:23,872 TRY NOT SPEAKING FOR THE REST OF THE DAY. 547 00:24:23,896 --> 00:24:25,674 NOT A WORD. 548 00:24:25,698 --> 00:24:28,143 TRY COMMUNICATING ALL YOUR NEEDS 549 00:24:28,167 --> 00:24:30,112 WITHOUT USING AUDIBLE LANGUAGE. 550 00:24:30,136 --> 00:24:31,446 WHY? 551 00:24:31,470 --> 00:24:32,481 DON'T ASK WHY. 552 00:24:32,505 --> 00:24:34,716 JUST TRY IT... 553 00:24:34,740 --> 00:24:36,451 AND THEN WRITE ME AN ESSAY 554 00:24:36,475 --> 00:24:39,076 ABOUT YOUR EXPERIENCE. 555 00:24:41,514 --> 00:24:42,724 I CAN'T BELIEVE 556 00:24:42,748 --> 00:24:44,492 I LET YOU TAKE ME TO LA JOLLA FOR THIS. 557 00:24:44,516 --> 00:24:46,127 OKAY, YOU NEED TO TELL HER 558 00:24:46,151 --> 00:24:47,796 TO CALL THIS THING OFF, 559 00:24:47,820 --> 00:24:48,797 AND JUST EXPLAIN 560 00:24:48,821 --> 00:24:50,231 THAT THE LONGER SHE WAITS, 561 00:24:50,255 --> 00:24:51,532 THE MORE PAINFUL IT'S GOING TO GET, 562 00:24:51,556 --> 00:24:53,067 BECAUSE SHE DOESN'T UNDERSTAND THAT, 563 00:24:53,091 --> 00:24:54,436 AND, JUST, LIKE, TELL HER IF... 564 00:24:54,460 --> 00:24:56,104 ALICE, WHY DO I HAVE TO TELL HER? 565 00:24:56,128 --> 00:24:57,171 SHE SAID SHE'D SAY SOMETHING 566 00:24:57,195 --> 00:24:58,973 AFTER THE GAME. 567 00:24:58,997 --> 00:25:01,509 HONEY, MELLOW OUT, PLEASE. 568 00:25:02,734 --> 00:25:03,946 THERE'S TONYA. 569 00:25:03,970 --> 00:25:05,147 I JUST WANTED TO CALL AND SAY 570 00:25:05,171 --> 00:25:07,616 THANK YOU SO MUCH FOR TODAY. 571 00:25:07,640 --> 00:25:08,650 I KNOW. 572 00:25:08,674 --> 00:25:09,651 MELISSA RIVERS. 573 00:25:09,675 --> 00:25:10,752 I AM DYING! 574 00:25:10,776 --> 00:25:11,819 I KNOW. 575 00:25:11,843 --> 00:25:13,088 I CAN'T BELIEVE 576 00:25:13,112 --> 00:25:16,324 SHE'S ACTUALLY HOSTING THE EVENT. 577 00:25:16,348 --> 00:25:17,992 SHE DOESN'T EVEN KNOW WE'RE HERE, DOES SHE? 578 00:25:18,016 --> 00:25:19,127 OKAY, NO. 579 00:25:19,151 --> 00:25:22,064 UM, OKAY, HERE'S THE PLAN, STAN. 580 00:25:22,088 --> 00:25:23,231 YOU'RE GOING TO CALL ME ON THIS PHONE... 581 00:25:23,255 --> 00:25:24,333 TAKE THIS... 582 00:25:24,357 --> 00:25:25,467 IF YOU SEE TONYA COMING, OKAY? 583 00:25:25,491 --> 00:25:26,467 THAT'S JUST DUMB. 584 00:25:26,491 --> 00:25:27,803 ALL RIGHT. 585 00:25:27,827 --> 00:25:30,187 I DON'T HAVE TIME FOR THIS, SHANE, OKAY? 586 00:25:32,998 --> 00:25:35,377 DANA. 587 00:25:35,401 --> 00:25:36,378 HI. 588 00:25:36,402 --> 00:25:37,682 HI. HI. 589 00:25:40,339 --> 00:25:41,771 HI. 590 00:25:43,876 --> 00:25:45,053 OKAY, LISTEN, 591 00:25:45,077 --> 00:25:46,755 IF YOU DON'T PROMISE TO DO THIS TONIGHT, 592 00:25:46,779 --> 00:25:48,779 THEN I REFUSE TO LEAVE THIS ROOM. 593 00:25:51,216 --> 00:25:53,094 WAIT, WAIT. 594 00:25:53,118 --> 00:25:53,862 WAIT, WAIT, WAIT. THAT'S NOT FAIR. 595 00:25:53,886 --> 00:25:54,562 I SAID I WOULD DO IT AFTER. 596 00:25:54,586 --> 00:25:56,865 BESIDES, WHAT DO I SAY? 597 00:25:56,889 --> 00:25:58,666 MM... HOW ABOUT... 598 00:25:58,690 --> 00:26:01,269 HOW ABOUT, "HI, TONYA, YOU'RE A SCARY ROBOT, 599 00:26:01,293 --> 00:26:03,305 AND I'M NOT GOING TO MARRY YOU," 600 00:26:03,329 --> 00:26:04,329 AND... 601 00:26:06,298 --> 00:26:08,376 "BUT YOU CAN STILL BE MY "MANAGER. 602 00:26:08,400 --> 00:26:09,711 OKAY. 603 00:26:11,236 --> 00:26:12,213 OH, GOD. 604 00:26:12,237 --> 00:26:13,214 THAT'S SHANE. 605 00:26:13,238 --> 00:26:14,416 THAT MEANS TONYA'S COMING, SO... 606 00:26:14,440 --> 00:26:16,518 WHAT WAS YOUR ESCAPE PLAN, AL? 607 00:26:16,542 --> 00:26:17,886 I DIDN'T REALLY THINK ABOUT THAT ONE. 608 00:26:17,910 --> 00:26:19,220 ALICE! 609 00:26:19,244 --> 00:26:21,756 HI... 610 00:26:27,286 --> 00:26:29,665 HOW ARE YOU? 611 00:26:29,689 --> 00:26:30,665 SURPRISE! 612 00:26:30,689 --> 00:26:31,666 ALICE. 613 00:26:31,690 --> 00:26:32,667 HI! 614 00:26:32,691 --> 00:26:34,436 TENNIS, ANYONE? 615 00:26:35,560 --> 00:26:36,805 WOW, DID YOU... 616 00:26:36,829 --> 00:26:39,407 DID YOU COME UP HERE JUST... TO SUPPORT YOUR FRIEND? 617 00:26:39,431 --> 00:26:40,609 I DID. 618 00:26:40,633 --> 00:26:41,609 THAT IS SO SWEET. 619 00:26:41,633 --> 00:26:42,910 AH, YES. 620 00:26:43,936 --> 00:26:45,847 MELISSA RIVERS IS GREAT. 621 00:26:45,871 --> 00:26:47,282 IT IS SUCH A COUP TO GET HER. 622 00:26:47,306 --> 00:26:48,283 I CAN'T EVEN TELL YOU. 623 00:26:48,307 --> 00:26:49,551 HEINEKEN IS THRILLED. 624 00:26:49,575 --> 00:26:53,321 YEAH, YOU'RE A FANTASTIC PROMOTER, TONYA. 625 00:26:53,345 --> 00:26:54,923 YOU ARE. 626 00:26:54,947 --> 00:26:57,525 I MEAN, DANA'S REALLY LUCKY TO HAVE YOU AS HER MANAGER. 627 00:26:57,549 --> 00:26:59,527 AND I AM SO GLAD THAT YOU CAME, 628 00:26:59,551 --> 00:27:00,762 BECAUSE OUR LITTLE MISS FAIRBANKS 629 00:27:00,786 --> 00:27:01,896 HAS BEEN A BUNDLE OF NERVES. 630 00:27:01,920 --> 00:27:02,898 OH. 631 00:27:02,922 --> 00:27:03,932 HAVEN'T YOU, BABY? 632 00:27:03,956 --> 00:27:05,233 OH, HAVE YOU? 633 00:27:05,257 --> 00:27:08,970 OH, BOO-DOO-DOO-DOO-DOO. 634 00:27:08,994 --> 00:27:10,138 JUST ONE MORE LITTLE MATCH 635 00:27:10,162 --> 00:27:11,506 TILL WE CAN GO BACK 636 00:27:11,530 --> 00:27:12,273 AND SLEEP IN OUR OWN LITTLE BEDDY-BYE, 637 00:27:12,297 --> 00:27:13,775 RIGHT, POOKIE PIE? 638 00:27:13,799 --> 00:27:17,078 YEAH... OKAY. 639 00:27:17,102 --> 00:27:18,413 WELL, I'M GOING TO LEAVE YOU GUYS ALONE... 640 00:27:18,437 --> 00:27:19,481 OKAY. 641 00:27:19,505 --> 00:27:21,816 BUT I AM EXCITED TO SEE YOU 642 00:27:21,840 --> 00:27:23,584 KICK SOME BUTT. 643 00:27:23,608 --> 00:27:24,586 YEAH! 644 00:27:24,610 --> 00:27:25,553 ALL RIGHT. 645 00:27:25,577 --> 00:27:26,821 LATER, GIRL. 646 00:27:26,845 --> 00:27:28,456 BYE. 647 00:27:28,480 --> 00:27:32,382 ALICE... CRAZY. 648 00:27:35,420 --> 00:27:38,833 SO WHEN DOES YOUR SILENCE ASSIGNMENT END? 649 00:27:38,857 --> 00:27:40,735 I HAD A REALLY GREAT TIME WITH YOU, 650 00:27:40,759 --> 00:27:44,038 BUT... I THINK I WANT TO DO IT AGAIN 651 00:27:44,062 --> 00:27:48,509 WHEN YOU'RE A LITTLE BIT MORE VERBAL. 652 00:27:48,533 --> 00:27:50,500 MAYBE. 653 00:27:52,838 --> 00:27:55,572 IS THAT COOL WITH YOU? 654 00:28:25,938 --> 00:28:28,605 OKAY. 655 00:28:55,434 --> 00:28:57,412 HURRY, HURRY, HURRY. 656 00:28:57,436 --> 00:29:00,248 STEP RIGHT UP, LADIES AND GENTLEMEN, 657 00:29:00,272 --> 00:29:04,886 BOYS AND GIRLS, GIRLY BOYS AND BOYISH GIRLS, 658 00:29:04,910 --> 00:29:09,590 TOPS, BOTTOMS, QUEERS, BIS, TRANSGENDERS, 659 00:29:09,614 --> 00:29:13,895 AND LABEL-FREE PEOPLE OF EVERY STRIPE AND VARIETY... 660 00:29:13,919 --> 00:29:17,431 COME AND SEE THE AMAZING TRIO OF HUMAN FREAKS, 661 00:29:17,455 --> 00:29:19,567 BROUGHT BEFORE YOU 662 00:29:19,591 --> 00:29:21,569 FOR ENTERTAINMENT AND AMUSEMENT. 663 00:29:21,593 --> 00:29:24,839 ON THE HIGH WIRE, WE HAVE OUR FIRST SPECIMEN, 664 00:29:24,863 --> 00:29:27,063 THE SILENT BALLERINA... 665 00:29:29,101 --> 00:29:30,411 AND BEHIND ME, 666 00:29:30,435 --> 00:29:34,348 OUR SECOND SPECIMEN, THE BEAUTIFUL TEMPTRESS! 667 00:29:34,372 --> 00:29:37,785 WHO COULD RESIST HER CHARMS? 668 00:29:37,809 --> 00:29:41,389 AND TO MY LEFT, OUR THIRD SPECIMEN... 669 00:29:41,413 --> 00:29:46,283 THE TEMPTRESS TAMER! 670 00:30:32,231 --> 00:30:35,509 HERE IT IS... 671 00:30:35,533 --> 00:30:37,834 BUT... I'M GOING TO NEED YOU TO SIGN FOR IT FIRST. 672 00:30:39,271 --> 00:30:41,983 IS THAT GOOD FOR YOU? 673 00:30:42,007 --> 00:30:43,818 NO, KELLY, 674 00:30:43,842 --> 00:30:45,286 YOU WERE GENIUS IN THIS. 675 00:30:45,310 --> 00:30:47,188 NO, REALLY, IT'S... 676 00:30:47,212 --> 00:30:48,190 IT'S PRETTY FUCKING HOT. 677 00:30:48,214 --> 00:30:49,824 I THINK YOU'RE GOING TO ENJOY IT. 678 00:30:49,848 --> 00:30:51,459 THANKS. 679 00:30:51,483 --> 00:30:53,895 HEY, WHAT'S UP? 680 00:30:53,919 --> 00:30:55,330 ARE YOU SORRY YOU DID IT? 681 00:30:55,354 --> 00:30:56,865 BECAUSE IF YOU DON'T WANT ME TO, 682 00:30:56,889 --> 00:30:58,421 I WON'T USE IT. 683 00:31:00,759 --> 00:31:01,969 I DON'T WANT YOU TO USE IT. 684 00:31:01,993 --> 00:31:05,306 BUT... KEL, IT'S GOOD. 685 00:31:05,330 --> 00:31:07,776 I MEAN, IT'S PROVOCATIVE, BUT IT'S NOT CHEESY. 686 00:31:07,800 --> 00:31:09,277 IT'S GOING TO WORK REALLY WELL IN THE NARRATIVE 687 00:31:09,301 --> 00:31:10,544 OF MY FILM. 688 00:31:10,568 --> 00:31:12,313 YOUR FILM? 689 00:31:12,337 --> 00:31:14,482 LESBIANS GONE WILD? 690 00:31:14,506 --> 00:31:15,684 NO. 691 00:31:15,708 --> 00:31:17,252 THAT'S ACTUALLY NOT WHAT I HAVE IN MIND. 692 00:31:17,276 --> 00:31:19,454 I'M MAKING A DOCUMENTARY. 693 00:31:19,478 --> 00:31:22,190 I DON'T KNOW. 694 00:31:22,214 --> 00:31:23,294 SHANE MIGHT GET UPSET. 695 00:31:25,316 --> 00:31:27,236 YOU'RE SURE SHE'S NOT HOME, RIGHT? 696 00:31:28,854 --> 00:31:31,633 YEAH, I'M SURE. 697 00:31:31,657 --> 00:31:33,067 WHAT? 698 00:31:33,091 --> 00:31:34,135 I DON'T WANT TO HURT HER. 699 00:31:34,159 --> 00:31:35,236 THAT'S ALL. 700 00:31:35,260 --> 00:31:37,038 SHE WAS REALLY NICE TO ME. 701 00:31:37,062 --> 00:31:38,706 THAT'S IT? 702 00:31:38,730 --> 00:31:41,176 SHE WAS... SHE WAS REALLY NICE TO YOU? 703 00:31:41,200 --> 00:31:43,678 WHAT DOES THAT MEAN, EXACTLY? 704 00:31:43,702 --> 00:31:44,979 SHE TURNED YOU ON? 705 00:31:45,003 --> 00:31:46,047 SHE MADE YOU COME REAL HARD? 706 00:31:46,071 --> 00:31:47,649 SCREW YOU, MARK. 707 00:31:47,673 --> 00:31:48,650 I'M SORRY. 708 00:31:48,674 --> 00:31:51,019 THAT WASN'T APPROPRIATE. 709 00:31:51,043 --> 00:31:53,554 IT'S JUST IT'S GOOD, 710 00:31:53,578 --> 00:31:56,580 AND I GUESS I'M JUST A LITTLE JEALOUS. 711 00:32:00,152 --> 00:32:01,362 OF ME OR HER? 712 00:32:01,386 --> 00:32:03,453 SHUT UP. 713 00:32:05,457 --> 00:32:06,534 IT'S JUST... 714 00:32:06,558 --> 00:32:08,269 IT'S REALLY UNBELIEVABLE, THOUGH. 715 00:32:08,293 --> 00:32:10,304 THAT CHICK MUST HAVE SOME KIND OF POWER 716 00:32:10,328 --> 00:32:11,339 OR SOMETHING. 717 00:32:11,363 --> 00:32:13,575 I'VE NEVER SEEN A GIRL 718 00:32:13,599 --> 00:32:16,244 HAVE THAT KIND OF EFFECT ON OTHER GIRLS. 719 00:32:16,268 --> 00:32:17,244 SOUNDS LIKE 720 00:32:17,268 --> 00:32:19,714 SHE'S WORKING ON YOU, TOO. 721 00:32:19,738 --> 00:32:21,649 NOT. 722 00:32:21,673 --> 00:32:26,621 I'M JUST INTRIGUED BY HER. 723 00:32:26,645 --> 00:32:28,685 SO DOES SHANE SLEEP WITH A LOT OF GIRLS? 724 00:32:50,768 --> 00:32:52,113 MELISSA RIVERS IS OUT OF WATER, 725 00:32:52,137 --> 00:32:53,447 AND HER CELEBRITY HANDLER 726 00:32:53,471 --> 00:32:54,916 IS JUST SITTING THERE? 727 00:32:54,940 --> 00:32:58,153 WHAT IS WRONG WITH THESE PEOPLE? 728 00:32:58,177 --> 00:33:00,088 I WILL BE RIGHT BACK. 729 00:33:00,112 --> 00:33:01,392 EXCUSE ME. 730 00:33:04,249 --> 00:33:05,694 OKAY, QUICK. SHANE... 731 00:33:05,718 --> 00:33:08,629 I NEED YOU TO READ THIS AND TELL ME WHAT YOU THINK. 732 00:33:08,653 --> 00:33:09,897 WHAT IS IT? 733 00:33:09,921 --> 00:33:11,066 IT'S A SCRIPT. 734 00:33:11,090 --> 00:33:12,367 I WROTE IT FOR DANA TO BREAK UP WITH TONYA 735 00:33:12,391 --> 00:33:14,631 BECAUSE SHE WAS HAVING TROUBLE FINDING THE WORDS. 736 00:33:17,863 --> 00:33:21,709 "TONYA, THERE'S SOMETHING I NEED TO SAY TO YOU. 737 00:33:21,733 --> 00:33:22,843 "THIS ISN'T EASY FOR ME, 738 00:33:22,867 --> 00:33:23,845 "BECAUSE YOU'VE WORKED REALLY HARD 739 00:33:23,869 --> 00:33:26,047 AND DONE SO MUCH FOR MY CAREER." 740 00:33:26,071 --> 00:33:27,071 ALICE. 741 00:33:29,341 --> 00:33:31,019 IT'S KARMICALLY WRONG, 742 00:33:31,043 --> 00:33:32,520 AND IT'S GOING TO COME BACK AT YOU 743 00:33:32,544 --> 00:33:34,424 IF YOU AND DANA WIND UP TOGETHER. 744 00:33:38,350 --> 00:33:39,493 ALL RIGHT, 745 00:33:39,517 --> 00:33:40,829 YODA NEEDS TO GIVE ME SOME BETTER ADVICE HERE, 746 00:33:40,853 --> 00:33:43,286 OR YODA NEEDS TO SHUT THE FUCK UP. 747 00:33:46,791 --> 00:33:48,936 I'M SO GLAD 748 00:33:48,960 --> 00:33:49,938 YOU DECIDED TO COME, BABY SISTER. 749 00:33:49,962 --> 00:33:51,239 I THINK IT WILL BE GOOD FOR YOU. 750 00:33:51,263 --> 00:33:52,873 I'M JUST DOING THIS TO SUPPORT YOU, KIT. 751 00:33:52,897 --> 00:33:54,174 I'M NOT DOING THIS FOR MYSELF. 752 00:33:54,198 --> 00:33:55,776 OH, YOU MAY SAY THAT NOW, 753 00:33:55,800 --> 00:33:57,045 BUT IT'S TRANSFORMATIVE, 754 00:33:57,069 --> 00:33:58,546 AND IF YOU DON'T MIND ME SAYING, 755 00:33:58,570 --> 00:34:00,047 YOU COULD USE A LITTLE TRANSFORMING 756 00:34:00,071 --> 00:34:01,115 RIGHT ABOUT NOW. 757 00:34:01,139 --> 00:34:02,116 PLEASE DO NOT USE 758 00:34:02,140 --> 00:34:03,151 THAT SELF-HELP JARGON ON ME. 759 00:34:03,175 --> 00:34:04,151 I WILL BARF. 760 00:34:04,175 --> 00:34:05,219 I'M NOT A MOONIE. 761 00:34:05,243 --> 00:34:06,721 HE JUST SAYS A LOT OF THINGS 762 00:34:06,745 --> 00:34:08,523 THAT MAKE SENSE. 763 00:34:08,547 --> 00:34:11,392 IF YOU SAY SO. 764 00:34:11,416 --> 00:34:14,561 DON'T YOU THINK HE'S FINE? 765 00:34:14,585 --> 00:34:16,730 WAIT UNTIL YOU HEAR HIM SPEAK. 766 00:34:16,754 --> 00:34:17,866 THERE'S SOMETHING ABOUT THE WAY 767 00:34:17,890 --> 00:34:21,291 HE MOVES HIS BODY ON STAGE. 768 00:34:29,801 --> 00:34:32,213 YOU'VE BEGGED, PLEADED, 769 00:34:32,237 --> 00:34:35,816 PLOTTED, SCREAMED, AND FLAILED, 770 00:34:35,840 --> 00:34:40,988 AND YET YOU'VE STILL NOT GOT THAT THING, 771 00:34:41,012 --> 00:34:43,892 THAT ONE THING THAT YOU MOST WANT, 772 00:34:43,916 --> 00:34:47,228 THAT YOU CAN'T LIVE WITHOUT, 773 00:34:47,252 --> 00:34:54,068 BUT... HAVE YOU TAKEN... 774 00:34:54,092 --> 00:34:58,973 THE ULTIMATE RISK? 775 00:34:58,997 --> 00:35:03,444 HAVE YOU MADE YOURSELF VULNERABLE? 776 00:35:03,468 --> 00:35:05,914 SAY TO YOURSELF, 777 00:35:05,938 --> 00:35:10,517 "WHAT IS THE MOST VULNERABLE POSITION FOR ME? 778 00:35:10,541 --> 00:35:13,588 "HOW CAN I PUT MYSELF AT RISK 779 00:35:13,612 --> 00:35:18,059 TO LOSE EVERYTHING THAT I HAVE TO LOSE?" 780 00:35:18,083 --> 00:35:22,463 BECAUSE WHEN YOU RISK LOSING EVERYTHING, 781 00:35:22,487 --> 00:35:28,291 YOU INVARIABLY STAND TO GAIN EVERYTHING. 782 00:35:30,195 --> 00:35:33,274 OKAY. 783 00:35:33,298 --> 00:35:35,309 NOW'S THE TIME. 784 00:35:36,601 --> 00:35:37,779 OH, I WROTE YOU A SCRIPT. 785 00:35:37,803 --> 00:35:38,813 A SCRIPT? 786 00:35:38,837 --> 00:35:40,381 YEAH, SO YOU KNOW WHAT TO SAY. 787 00:35:40,405 --> 00:35:42,516 UM, DO YOU WANT TO PRACTICE? 788 00:35:42,540 --> 00:35:43,884 OKAY, "TONYA, 789 00:35:43,908 --> 00:35:45,588 THERE IS SOMETHING I NEED TO SAY TO YOU..." 790 00:35:47,146 --> 00:35:48,356 I CAN'T SAY THIS, AL. 791 00:35:48,380 --> 00:35:49,946 IT'S HORRIBLE! 792 00:35:51,416 --> 00:35:52,993 HOW IS "THIS ISN'T EASY FOR ME 793 00:35:53,017 --> 00:35:54,062 "BECAUSE YOU'VE WORKED REALLY HARD 794 00:35:54,086 --> 00:35:55,730 AND DONE SO MUCH FOR MY CAREER" HORRIBLE? 795 00:35:55,754 --> 00:35:57,198 I'M TRYING TO SOFTEN THE BLOW HERE. 796 00:35:57,222 --> 00:35:58,333 "BECAUSE I DON'T KNOW WHAT I WAS THINKING 797 00:35:58,357 --> 00:35:59,701 WHEN I AGREED TO MARRY YOU?" 798 00:35:59,725 --> 00:36:01,769 THAT'S A HIDEOUS THING TO SAY TO ANYBODY, AL. 799 00:36:01,793 --> 00:36:03,771 FINE, NO SCRIPTS. 800 00:36:03,795 --> 00:36:04,872 IT'S OKAY. 801 00:36:04,896 --> 00:36:05,973 JUST IMPROV. 802 00:36:05,997 --> 00:36:07,041 I CAN'T DO THIS. 803 00:36:07,065 --> 00:36:08,042 YES, YOU CAN. 804 00:36:08,066 --> 00:36:09,244 NO, I CAN'T. 805 00:36:09,268 --> 00:36:12,079 I BELIEVE IN YOU. 806 00:36:12,103 --> 00:36:13,747 YOU DO? 807 00:36:13,771 --> 00:36:16,184 YEAH. 808 00:36:16,208 --> 00:36:17,451 DANA, GO. 809 00:36:17,475 --> 00:36:18,586 OKAY, OKAY. 810 00:36:18,610 --> 00:36:19,890 I'LL GO. 811 00:36:35,494 --> 00:36:36,537 KIT. 812 00:36:36,561 --> 00:36:37,838 DR. BRADSHAW. 813 00:36:37,862 --> 00:36:40,608 OH, IT'S SO LOVELY TO SEE YOU... 814 00:36:40,632 --> 00:36:42,844 AND BETTE, I'M GLAD YOU DECIDED 815 00:36:42,868 --> 00:36:44,111 TO OPEN YOURSELF UP. 816 00:36:44,135 --> 00:36:45,335 DID YOU FIND IT ENLIGHTENING? 817 00:36:46,772 --> 00:36:48,616 ACTUALLY, YOU SAID A FEW THINGS 818 00:36:48,640 --> 00:36:50,018 THAT HIT HOME. 819 00:36:50,042 --> 00:36:52,220 ONLY A FEW THINGS? 820 00:36:52,244 --> 00:36:53,287 WELL, IT'S A FEW MORE THAN I WAS EXPECTING, 821 00:36:53,311 --> 00:36:54,122 TO BE PERFECTLY HONEST. 822 00:36:54,146 --> 00:36:55,323 WELL, TELL ME YOUR THOUGHTS. 823 00:36:55,347 --> 00:36:57,347 WHAT IN PARTICULAR RESONATED FOR YOU? 824 00:36:59,952 --> 00:37:01,762 I GUESS THE COMMENTS THAT YOU MADE 825 00:37:01,786 --> 00:37:04,298 ABOUT MAKING YOURSELF VULNERABLE. 826 00:37:04,322 --> 00:37:05,533 MM-HMM, YOU WANT TO KNOW 827 00:37:05,557 --> 00:37:07,501 HOW TO MAKE YOURSELF VULNERABLE TO TINA 828 00:37:07,525 --> 00:37:09,703 SO THAT YOU AND SHE CAN RAISE A CHILD TOGETHER? 829 00:37:09,727 --> 00:37:11,572 JESUS, HAVE YOU TOLD HIM EVERYTHING 830 00:37:11,596 --> 00:37:12,640 THAT'S GOING ON IN MY LIFE? 831 00:37:12,664 --> 00:37:14,275 WELL, I WAS WORRIED ABOUT YOU. 832 00:37:14,299 --> 00:37:15,576 I JUST WANTED TO HELP. 833 00:37:15,600 --> 00:37:16,577 GO TO HER TONIGHT, 834 00:37:16,601 --> 00:37:19,213 WHEREVER SHE IS. 835 00:37:19,237 --> 00:37:20,547 BRING HER FLOWERS... 836 00:37:20,571 --> 00:37:22,683 IF POSSIBLE, FLOWERS YOU PICKED YOURSELF 837 00:37:22,707 --> 00:37:24,518 RATHER THAN BOUGHT. 838 00:37:24,542 --> 00:37:26,554 GIVE TINA THE FLOWERS 839 00:37:26,578 --> 00:37:30,358 AND SAY, "YOU HOLD ALL THE CARDS." 840 00:37:30,382 --> 00:37:32,493 NO MATTER WHAT SHE SAYS, SAY, 841 00:37:32,517 --> 00:37:37,398 "YOU HOLD ALL THE CARDS." 842 00:37:37,422 --> 00:37:38,399 IT IS MY PERSONAL BUSINESS. 843 00:37:38,423 --> 00:37:39,400 I DON'T WANT SOME STRANGER 844 00:37:39,424 --> 00:37:40,768 KNOWING MY PERSONAL BUSINESS, 845 00:37:40,792 --> 00:37:42,803 ESPECIALLY SOMEBODY LIKE BENJAMIN BRADSHAW. 846 00:37:42,827 --> 00:37:44,205 WELL, IF THERE'S ANYONE YOU SHOULD TRUST, 847 00:37:44,229 --> 00:37:45,473 IT SHOULD BE BENJAMIN, HONEY. 848 00:37:45,497 --> 00:37:46,473 HE'S A GOOD PERSON. 849 00:37:46,497 --> 00:37:47,975 HE'S A FUCKING CIRCUS PERFORMER. 850 00:37:47,999 --> 00:37:49,343 I THOUGHT YOU SAID 851 00:37:49,367 --> 00:37:51,512 HE SAID SOMETHING THAT HIT HOME. 852 00:37:51,536 --> 00:37:53,781 IT'S THE TECHNIQUE OF PEOPLE LIKE HIM. 853 00:37:53,805 --> 00:37:55,782 THERE'S BOUND TO BE SOMETHING FOR EVERYBODY. 854 00:37:55,806 --> 00:37:57,785 YOU KNOW, I FIND SOMETHING FOR ME 855 00:37:57,809 --> 00:38:00,221 THAT DOESN'T MEAN IT'S NOT BULLSHIT. 856 00:38:00,245 --> 00:38:01,555 DOES THAT MEAN 857 00:38:01,579 --> 00:38:03,860 YOU'RE NOT GOING TO DO THE ASSIGNMENT? 858 00:38:15,326 --> 00:38:17,672 POOKIE, WHERE ARE YOU? 859 00:38:17,696 --> 00:38:19,173 GOD, YOUR LOCKER'S, LIKE, IN SIBERIA. 860 00:38:19,197 --> 00:38:20,975 WE ARE GOING TO HAVE TO HAVE A HARSH CONVERSATION 861 00:38:20,999 --> 00:38:22,176 WITH SOMEBODY ABOUT THAT... 862 00:38:22,200 --> 00:38:23,944 TONYA, THERE'S SOMETHING I NEED TO SAY. 863 00:38:23,968 --> 00:38:25,146 ME TOO. 864 00:38:25,170 --> 00:38:26,314 WHY DON'T YOU GO FIRST? 865 00:38:26,338 --> 00:38:27,803 OKAY, TONYA. 866 00:38:34,312 --> 00:38:36,812 YOU ARE AN AMAZING WOMAN. 867 00:38:39,684 --> 00:38:42,629 YOU CAME INTO MY LIFE AT A TIME 868 00:38:42,653 --> 00:38:47,801 WHEN I WAS TRYING TO FIGURE OUT WHO I REALLY WAS, AND... 869 00:38:47,825 --> 00:38:53,240 YOU MADE ME FEEL SO WELL TAKEN CARE OF. 870 00:38:53,264 --> 00:38:55,976 YOU HAD SUCH RESPECT FOR ME 871 00:38:56,000 --> 00:39:01,148 THAT I STARTED LEARNING TO RESPECT MYSELF, 872 00:39:01,172 --> 00:39:03,250 AND I'LL NEVER FORGET THAT, 873 00:39:03,274 --> 00:39:07,321 OR STOP BEING THANKFUL... 874 00:39:07,345 --> 00:39:12,293 BUT I THINK I CONFUSED IT WITH SOMETHING ELSE. 875 00:39:12,317 --> 00:39:19,533 I KNOW I CONFUSED GRATITUDE WITH LOVE, 876 00:39:19,557 --> 00:39:23,337 WHICH MEANS I CARE SO MUCH ABOUT YOU. 877 00:39:23,361 --> 00:39:25,673 I CARE SO MUCH ABOUT YOU, BUT... 878 00:39:25,697 --> 00:39:30,033 BUT I KNOW IN MY HEART THAT WE DON'T BELONG TOGETHER... 879 00:39:32,103 --> 00:39:35,049 AND IN THE LONG RUN, I THINK... 880 00:39:35,073 --> 00:39:40,754 I THINK WE'LL BOTH BE GLAD THAT WE REALIZED IT IN TIME, 881 00:39:40,778 --> 00:39:44,146 BEFORE MAKING A HUGE MISTAKE LIKE GETTING MARRIED. 882 00:39:46,217 --> 00:39:49,830 TONYA, TONYA, BABY, 883 00:39:49,854 --> 00:39:50,898 I AM SO SORRY. 884 00:39:50,922 --> 00:39:51,799 I HOPE YOU HAVEN'T BEEN WAITING LONG. 885 00:39:51,823 --> 00:39:53,133 A FAN CORNERED ME IN THE HALLWAY. 886 00:39:53,157 --> 00:39:55,035 COULD YOU GIVE US A MINUTE, PLEASE? 887 00:39:56,661 --> 00:39:57,638 OH, MY GOD. 888 00:39:57,662 --> 00:39:58,972 YOU TOLD HER? 889 00:39:58,996 --> 00:40:00,374 TOLD ME WHAT? 890 00:40:00,398 --> 00:40:02,276 SHE SEEMS TO BE TAKING IT WELL, 891 00:40:02,300 --> 00:40:03,944 BUT THEN AGAIN, 892 00:40:03,968 --> 00:40:05,846 PROFESSIONAL ATHLETES ARE SO EMOTIONLESS. 893 00:40:05,870 --> 00:40:07,881 TONYA TOLD ME YOU WERE THE STRONG, STOIC TYPE 894 00:40:07,905 --> 00:40:09,250 IN A SITUATION LIKE THIS, 895 00:40:09,274 --> 00:40:10,250 BUT I THINK IT'S GOOD. 896 00:40:10,274 --> 00:40:11,852 IN WHAT SITUATION? 897 00:40:13,544 --> 00:40:15,511 DANA. 898 00:40:17,348 --> 00:40:19,059 WELL, THIS IS WHAT I WANTED TO TALK TO YOU ABOUT. 899 00:40:19,083 --> 00:40:25,666 I AM SO SORRY. 900 00:40:25,690 --> 00:40:26,934 I DON'T EVEN KNOW HOW IT HAPPENED. 901 00:40:26,958 --> 00:40:27,935 I COULDN'T HELP IT. IT JUST... 902 00:40:27,959 --> 00:40:29,003 IT HAPPENED. 903 00:40:29,027 --> 00:40:30,003 WHAT? 904 00:40:30,027 --> 00:40:31,105 IT JUST HAPPENED. 905 00:40:31,129 --> 00:40:32,106 LIGHTNING STRUCK. 906 00:40:32,130 --> 00:40:33,841 THE SKIES PARTED. 907 00:40:33,865 --> 00:40:35,876 I'VE SEEN THE LIGHT. 908 00:40:35,900 --> 00:40:40,047 MISSY, NOW, YOU ARE GOING TO MAKE ME CRY. 909 00:40:40,071 --> 00:40:41,682 OH, MY GOD. 910 00:40:41,706 --> 00:40:43,851 ARE YOU EVEN GAY, MELISSA? 911 00:40:43,875 --> 00:40:46,020 WELL, I LIKE TO THINK OF MYSELF 912 00:40:46,044 --> 00:40:47,354 AS LABEL-FREE. 913 00:40:47,378 --> 00:40:48,622 I MEAN, LOVE IS LOVE, 914 00:40:48,646 --> 00:40:51,192 AND I'VE FALLEN IN LOVE WITH TONYA THE PERSON, 915 00:40:51,216 --> 00:40:52,715 NOT THE GENDER. 916 00:40:54,585 --> 00:40:58,165 OH, SEE... 917 00:40:58,189 --> 00:40:59,933 NOW, WE HAVE A LOT WE NEED TO TALK ABOUT, 918 00:40:59,957 --> 00:41:02,002 BUT I THINK AT THIS POINT, 919 00:41:02,026 --> 00:41:03,037 IT'S BEST TO LEAVE YOU 920 00:41:03,061 --> 00:41:04,894 TO HAVE SOME TIME TO YOURSELF TO ABSORB. 921 00:41:06,798 --> 00:41:07,741 AND I AM SO GRATEFUL 922 00:41:07,765 --> 00:41:08,910 THAT ALICE AND SHANE ARE HERE 923 00:41:08,934 --> 00:41:10,378 SO I DON'T NEED TO WORRY ABOUT YOU. 924 00:41:10,402 --> 00:41:11,979 I MEAN, A GIRL NEEDS HER FRIENDS 925 00:41:12,003 --> 00:41:13,213 AT TIMES LIKE THIS. 926 00:41:13,237 --> 00:41:14,215 YEAH. 927 00:41:14,239 --> 00:41:15,939 OKAY. 928 00:41:17,676 --> 00:41:20,743 NOW, I CAN'T WAIT TO MEET YOUR MOTHER. 929 00:41:37,962 --> 00:41:38,972 TELL ME, 930 00:41:38,996 --> 00:41:40,107 WHO WROTE YOUR GRANT PROPOSAL? 931 00:41:40,131 --> 00:41:41,642 IT WAS SO MOVING. 932 00:41:41,666 --> 00:41:43,110 I THINK I'M GOING TO COPY IT 933 00:41:43,134 --> 00:41:44,945 FOR THE PEABODY FOUNDATION MISSION STATEMENT. 934 00:41:44,969 --> 00:41:46,780 MY WIFE AND I WROTE IT. 935 00:41:46,804 --> 00:41:48,382 MY EX-WIFE. 936 00:41:48,406 --> 00:41:50,985 WE'VE BEEN DIVORCED FOR THREE YEARS. 937 00:41:51,009 --> 00:41:53,588 HMM, AND YOU STILL WORK TOGETHER. 938 00:41:53,612 --> 00:41:54,788 HOW PROGRESSIVE. 939 00:41:54,812 --> 00:41:57,992 HELENA'S BEEN ON A RAMPAGE 940 00:41:58,016 --> 00:42:00,194 ABOUT HEADQUARTERS FOR SOCIAL JUSTICE. 941 00:42:00,218 --> 00:42:01,294 SHE'S ENCOURAGING US ALL 942 00:42:01,318 --> 00:42:02,730 TO COME AND TAKE A TOUR OF YOUR FACILITIES. 943 00:42:02,754 --> 00:42:05,499 AH. 944 00:42:05,523 --> 00:42:08,069 WOULD YOU JUST EXCUSE ME? 945 00:42:08,093 --> 00:42:09,373 MM-HMM. 946 00:42:24,742 --> 00:42:26,676 EXCUSE ME. 947 00:42:29,447 --> 00:42:32,993 OH, I HAVE TO TAKE THIS. 948 00:42:33,017 --> 00:42:34,694 HELLO? 949 00:42:34,718 --> 00:42:36,496 DON'T THESE BORING, PRETENTIOUS DINNERS 950 00:42:36,520 --> 00:42:39,333 MAKE YOU REALLY HORNY? 951 00:42:39,357 --> 00:42:40,400 WHERE ARE YOU? 952 00:42:40,424 --> 00:42:41,502 WAITING FOR YOU TO COME 953 00:42:41,526 --> 00:42:43,571 AND SHOW ME ANOTHER SIDE OF TINA. 954 00:42:43,595 --> 00:42:45,706 AND WHAT SIDE WOULD THAT BE? 955 00:42:45,730 --> 00:42:46,974 THE SIDE THAT WANTS TO WALK AWAY FROM THAT TABLE 956 00:42:46,998 --> 00:42:49,143 RIGHT THIS VERY SECOND. 957 00:42:49,167 --> 00:42:51,134 I'LL BE WAITING FOR YOU BY THE POOL. 958 00:42:54,639 --> 00:42:56,383 WHAT'S MY EXCUSE? 959 00:42:56,407 --> 00:42:58,686 WHY DO YOU NEED AN EXCUSE? 960 00:42:58,710 --> 00:42:59,787 WELL, BECAUSE... 961 00:42:59,811 --> 00:43:00,888 NEVER APOLOGIZE. 962 00:43:00,912 --> 00:43:03,245 NEVER EXPLAIN, TINA. 963 00:43:56,467 --> 00:43:57,611 YOU KNOW, 964 00:43:57,635 --> 00:43:59,946 I WAS SO FUCKING BORED UP THERE. 965 00:43:59,970 --> 00:44:01,782 YOU WERE THE ONLY THING 966 00:44:01,806 --> 00:44:04,484 THAT WASN'T BORING ME TO TEARS. 967 00:44:04,508 --> 00:44:07,921 COME ON. 968 00:44:07,945 --> 00:44:09,345 LET'S GO FOR A SWIM. 969 00:44:13,551 --> 00:44:14,962 I DON'T HAVE A BATHING SUIT. 970 00:44:14,986 --> 00:44:17,219 AND? 971 00:44:22,493 --> 00:44:24,938 YOU'RE NOT TIMID, ARE YOU? 972 00:44:24,962 --> 00:44:27,402 I HADN'T PEGGED YOU FOR BEING TIMID. 973 00:44:30,134 --> 00:44:32,568 NO, I'M NOT TIMID. 974 00:44:34,706 --> 00:44:36,517 IS IT BECAUSE OF BETTE? 975 00:44:36,541 --> 00:44:38,875 I DON'T KNOW. 976 00:44:41,079 --> 00:44:42,278 ALTHOUGH... 977 00:44:45,450 --> 00:44:48,217 I'VE NEVER DONE THIS BEFORE. 978 00:44:51,523 --> 00:44:54,801 WELL, THAT'S GOOD. 979 00:44:54,825 --> 00:44:57,671 I LIKE THE IDEA OF BEING YOUR FIRST. 980 00:44:57,695 --> 00:45:01,208 YOU KNOW, I WANTED TO SLEEP WITH YOU 981 00:45:01,232 --> 00:45:02,543 FROM THE FIRST MOMENT 982 00:45:02,567 --> 00:45:04,500 I SAW YOU. 983 00:45:09,106 --> 00:45:12,108 I FIND THAT HARD TO BELIEVE. 984 00:45:17,482 --> 00:45:21,150 THIS IS WHAT I FIND THE MOST BEAUTIFUL. 59029

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