Original subtitles

Hello there and welcome back

In this video I put the last little touches in two weeks on a shot so we can go ahead and bring it to final

So let's get started

So I've just organised a couple of things that you're back right back here and organise these peanuts little but otherwise this is where we live

Off

And I have our list of notes here it's always good to have a list of now so you know what you need to address as you're working

What's go ahead and start working on his anamorphic features that we want to add like anything in order to get

Focus accurate is possible we want to reference reality so you have a lens grid that we're going to be able to use hair salt spray

And we have this cook in a Morphy

When's right here take a look at this guy

A lot of the

Anamorphic lens characteristics that we talked about

In our when's effects video and looking over here like out blurry the Zedge

Chromatic aberration can see

Compared to the centre this is a flat grade but this

The focusing on the side is something we're definitely going to want to replicate can't even see at the bottom a little bit

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Scott head and start matching this

So what I want to do here

Is like we have been doing we're going to make a lens distortion node make sure you're in nuke x for this

I need to change a couple things for an anamorphic lens because the calculation is actually

A little bit different than math involved is not exactly the same so the first thing you have to do is changed

When's type 2 anymore

And then what will need to do is tell us what the squeeze of this image is because endomorphic

Not bikes vehicle lenses transform just for a quick example you had a look at this image straight out

Camera it would look something like this where it is horizontally squid

So when we are doing at once distortion we have to compensate for that

And best greatest actually provided by do plus lenses they have a ton of grids online

Free to use this to guide RNA morphic characteristics and I know that this one's here

8221 squeeze solitary match there

Then otherwise it's pretty much the same as what we've done before you want to make sure that we don't

Have

Any black on the outside that might throw off a calculation it's there a crap right here

And was scooters in until he even reached the Surge and I will just make sure there's a nice hole

Number there

And then we'll go over here as well

Skip this Edge and trailer wanted up close and make sure this is a whole number

Alright and then we're going to check

Format silver

Format size changes you can actually change the form

What's the crack

And then we should be good

Do you go

Alright

Awesome

So now we're going to our lens distortion set anamorphic with to

We can just do what we've been doing this whole time will hit the text

See what that comes up with all make sure that these are looking accurate

And it looks like it's pretty good it didn't connect

Some of these bottomline.com head and help it out there

Just sul

These guys

Sugar connected

Wickes 3DS really quick doing one line isn't

End of the world

Alright

Head and hits of and see what happens

Set

This is our under store shin and there is something a little funky with it you can see that are great is nice and slow

Play Here by the corners is a little squished in somanyhits solve again

And let's hit this a few times so I think this is looking pretty good now these are much more Square

Out sometimes with anamorphic lenses you need a hits of a couple of times to get the proper under store

This is looking pretty good now

So let's go ahead and start working on overlay in America flexio make sure this works

What's make a chequerboard that is the same

Approximate size as the

Crap here

And so we can just make a new format size really quick

Colours in r

And this is to 595

By 2160

Are we look at this

We can see actually that this is not winding up

With our crap price

It's squish

Right is that all that's because of the squeeze that we talked about again

But I did a transform to show you what the squeeze looks like but looking at this resolution

This actually is being ordered he squeezed by now

If we hit this right here

What we can do is check ignore pixel aspect ratio

And now this is actually what are footage looks like if you opened it in a program that didn't order the squeezer

Read pixel aspect ratio

This is the actual unique

Pixel count

For RNA

If we turn on our pixel aspect ratio what does is doing is actually making or pixels

Twice as wide as they are tall

And this is a common workflow with anamorphic lenses and that signified by this little too

In our format size here

And that's where we went wrong on this checkerboard to go ahead and edit this format size you can just

The pixel aspect ratio to 2

Alright

There we go now these are the same format size as try to get our Chequers to be approximately the same size

So scale this up a little bit

Something like that this does it need to be

Perfect

And I think that I work

Maybe I can just be live crazy and darkness

Closer

Alright search approximately correct let's go ahead and take a look at what happens if we apply

Distortion near here

We'll go ahead intern or white bath and take a look

It looks like there's a strange issue happening

How to change the speed box to input

Very girl

Sir crab after this

Analysis just starting at 2 match with h

When's right here and we need a little bit more this checkerboards was just

Skillet after this crap

Speaking test out how close it is

That's a pretty damn good it's not perfectly aligned so looks like it's killing a little bit of the actual band

Turn off the lands looks pretty close to

What we want to do now is trying to match the blood fall off

And thankfully we are nothing to do that it's a gizmo that we've used before

And it is cold

IPlayer

Just make that guy

Through a mask on it and we just want to make a mask around the outside of our image

Here

So grab this

Draw our lips

Alright right now this is the opposite of what we're after so we can go home for an inverted nose

Now I can see that some softening on her lands at the bottom

But at the top we don't quite have it yet it's turn off noclip

Hairy girl sorry just softening the outside a bit

Go ahead and

Whereabouts out

Baby 500 pixels for sale

What's see how

What's latest matches

A little bit further in let's go ahead and just you a negative feather

Start Birmingham that were in a little bit more

Make sure that this is matching

So I think we're getting pretty close but still a little bit more on the negative feather

Double dare so United of 1000

That too much was that just right

That's looking pretty close maybe we can take us where a little bit further to go away

15 that are accurate

Something like that isn't working

And then what we're going to want to do

Is Adam from Eric aberration a try to match that's what she's our friend the fxt chromatic aberration

Right now these colours are wrong I think it's the green we may need to adjust

What is a deep blue

It's like the blue can it looks like a Guinness yellow blue split on this so blues on the

Yellow's on the right sorts make sure matching there

Looks like we have we just need to make a little bit more subdued

Little less

And it's 15 in the red a little as well

Kind of kind of desaturated with that Red a little

Maybe it actually

Needs less red

So the opposite direction

Yeah I think that's

Cool snowy have a nice with anamorphic

Edge built up

So now all we need to do is take the set-up

And apply it to our Sartre here something to delete this random chromatic aberration that was based off of

Week 4 shots that's what we had abusing in

5 and R week 637

And I delete that won't even yet down

Let's go ahead and apply this to our shop and see what all happens

Alright sore squeezing the sky in right now I'm wearing it quite a bit of take a look at the shape of this mask

Is very tall because the pixel aspect ratio is different

Let's bring this down a little I'm going to hold control so I'm heading at the bottom

Make sure this works

And right now looks like this is blowing our entire image

So may have to adjust this a little bit

The issue that were running across here is that our resolution is different

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On our footage vs the test scenarios Justin cdata actually setup run

That's something I should have

Before we can go ahead and adjust

Pretty quickly here I've made a checkerboard that now matches our actual shot resolution

Just a b and start week unless to match again your email the process so it shouldn't take too long

Start off by judge

Stopping this federal it's going to be naked 250 to start with

We can look at the size because this is way too much right now

Go down the sun

5 maybe

Still too much

5

That's looking a little bit closer probably have to adjust

Are chromatic aberration a little bit

A red down sun

Furniture a feeling that yellow

And actually Watson lights reduce the blue summer

That feeling closer WhatsApp the checker size just so we have a little bit more of an accurate comparison

That's looking pretty good

Blow fall off actually isn't too bad maybe we can have a little more

On the inside

You just get that so

Do you like a -450 so it's just a Touch

More

I think this is looking pretty good thoughts crab the sky

Delete this because this was set up for a different format

Hope this in and take a look at what we have right here

Stomach wrap after this colour correct so I can see what's happening

Alright Santa getting that nice little brain on her Ed Sheeran

But we're definitely going to need to scale the supper touch because we're getting

This hard Edge right here

And sell

The best solution really is to just add a transfer

Skill up a few pixels will do this as minimal as possible we just want to make sure you're not getting any

Dark edge there

I think that's working pretty well

And now we can go ahead to a crab after this just so there's no extra day that we don't need intern blackouts

Light off

Let's blow this out now

Girl and then add our with a chromatic aberration looks like we actually need a little bit on the Edge

Electromatic aberration otherwise

We end up introducing acra line

We can turn that crap off

And put it after or chromatic aberration

And I just have a nice little

Anamorphic effect happening

Honor Fullard here and I think that will end up helping

And another we can do is since anamorphic footage

Comes in my turn or viewer settings on by clicking interviewing heading ass

Anamorphic footage will typically come in like this and have a 2-day 1 pixel aspect ratio we can

When are images squash we have our Square pixels here

That means our green is going to be long as well

Currently we have Square pixeldrain

Take a look at trying to adjust that

And let's see what we can do to make these pixels or stretched

How to transform here

And we just scale this by to you

In the way

How to take a look somewhere

Please don't feel like stretched pixels

Change filter to Impulse

Kim Possible do is there will be no

Lending that

It's going to be a

Your stretch there knocking a blend with the other side because cubic you can see that pretty song

Impossible that do no softening at all

This is going to create our more stretched

Pixels

What's just apply this to both our

Forage and R&D noise

And what will need to do as always is one need to check our scatter region to make sure that

We went to far off there but we can just really just this a bit

Make sure nothing we're just getting started and now a green is twice as long

As it originally was

And that's what we are after trying to mimic all the effects that we can

Alright sweet so those are anamorphic features let's check the cell anamorphic lenses have quite a bit of

Play me We Can Touch more

They're just talking that down a bit

What's delete this offer a lift that's nice and done

Dark and dust at beginning

So I don't really like

How bright

The dust is there a little car under such a little bit faster

I like this overall colour town

And here it's just a bit too bright but I do like it in the lower part of the frame

So I think I want to do is make a mask that's just covering the upper section of our just right here

And so let's you that look like even in

Our just element itself we can see that the brightness that exists appear

And so what we can do

Is make a colour correct

And if we were to just roughly math

The sky

The

Has probably really all that we need or blurred out

Couple 100 pixels

Let's check this out

Contrast on

That's really all the time after so we always want this to track correctly

Make a reconcile 3D

IPad camera in

Imogen we just need something with the correct resolution

And then we need

Summer 3D space for where we want us to track and describe one of our middle range

Cards

And get that to stick

But see this one looks like

Good one

So you want a little bit lower

So let's make an access

And we will just copy this position to access

I can lower a little bit bizarre position

Weights

Where is that hiding

What's make sure that roughly makes sense

Lorelai Gilmore sits on the ground

Alright

Anderlecht

Keyframes

That's like a work only cancel that I need to pay my excess in

Create keyframes now

Alright so this should work let's go ahead and grab

You can disconnect everything

Just want to make sure that our mask is going to track the whole time

So take this in here as we can see our mask is shifting

And when you want your mask to not shift

For a frame

What we can do as grab a XY offset and

Type that in there and it will perfectly off set it so

Alright that's acting my car reference from here

So now when we played this in it should track correctly

The whole entire time really that vertical movement was all we need

And as we can see here

We need a bit more room but turn off

The format just looks nice and big

Crab it afterwards

And now

Let's just make sure this doesn't get clips we have our mask

Tract in

Looks like right at the very end it's only to be a little bit bigger

Let's go to work keyframe

What does scale this from the bottom right holding control the change the Anchor point

There

Girl alright

So now theoretically

This afternoon there's not really any effect at the end

If you go the beginning

Starting at top part download

Potentially expand be further on this over or more

At too much though

And that's just

Game of this damn potentially at touch

And now it's just not quite as washed out it's still nice and Hazel

Which is not working but it's not quite so bright which I

I like

Alright so I think that will work

All of these notes and then hit play because you want to do as much as you can

Before looking at it in motion you just need to keep track of what you're doing

Zenotech check them

Because when can't start getting heavy like this one is you want to preview this the minimal amount of time

To see the maximum amount of Change

So we've had that dark and dust

And then our next note

Was we had a flare up around frame 65

And let's see what that means exactly

Alright so looks like this little guy is what we referring to

It will break fire patch

It should be easy to hit

Go ahead and set an out here

And an Endpoint

Right here

And what does the work on

Are Flames in the area

We know had a Justice that should

Free easy

We could track it but we may as well do this the simple way

What we want to do here

Is

First of all make sure that this mask stops on this frame

Because what we're going I want to do is turn the stencil back on

Round frame

41

What's just make achy right here

Anime this back on

Since we said this life

To end all actually that backwards

Change the frame range

You can actually manually take the sand we want it from 0 to 2

There we go now this mask that we have selected is going to pop off at from 23

And we can now draw a new one

Right there

Turn the stencil off

Make sure that this is sticking over the shape the entire time

Mcnabola tracking this because this is not going to be hard to do quickly

What does

Going about 5 frames at a time

Alright and then we're done we can anime art stencil off

Here

And I stencils currently going from frame 80

241 such change the framerate on that mask

41

80

We turn this guy on we'll give it a quick preview

Will a flare up should be gone

It's mostly gone and yes is Blurred out

Too much

We expanded this

Weather

There we go now it's pretty much entirely gone if there's a little bit left that shouldn't be too big of a deal

Because that's going to be covered by

A tonne of atmosphere

What's this make sure these first

Few frames

It is

In

And that it's not too noticeable

Alright yeah you can't see that

Colbert good

And then we want to lower the intensity of our dust particles a little bit

Over our spaceship

Because they're just attached too much right now I think

Selection be too hard to adjust

Take a quick look right here

And that's just the lower than

A little better value than the point

5 potentially

Will it make a little bit more subtle

That note very easy to hit

And now we just need to fix the edges on our spaceship

And does edges are these guys right here

Because it's not quite going all the way to the edge

Do something pretty interesting for this

Can I use distortion to make sure arm ask you

Is reaching all the way to the edge of our species because that's the problem right now

Return this mask off

The mask isn't really doing much the problem is our shape itself

The geometry is like one pixel short

Of where it should be enough just a sampling thing between different vendors go ahead

Start adjusting that

Because I scanline just isn't exactly the same as Arnold

Switch the sky

So what we're going to want to do here is use a distortion to just kind of work this edge

A little bit

And so let's set up a couple notes

Or make a shuffle won't

I distort

And let's make a

Constance

So like we learnt when we're going over distortion

You can grab the input here and put that into our forward

We know that wants the set-up our forward into our UV channels

If we start school in this around in xx

Negative that should move to the right

Looks like it's not what's check out what's going on here these are connected

Alright

So we know that we start moving the surround this is basically how many pixels were going to ask her this

PB is

If we make a mask

We can actually feather or distortion of such just roughly draw

This shape

Set a 10 maths

And now we have our pure distortion

And no distortion is a very harsh cut-off there

But if people are this out it's actually going to soften the edge of art store

So now we look here at we can pull this edge

Over

So it's fully covering

RSPCA

And all we need to do is make sure that this mask right here

Is going to track

And again we know I had to do that will make a reconcile 3D

Never track something that you can automatically generate

Camera in here or Imogen here to get the right format

Let's make an access

And wicked our position to points

And we want to make sure this is on the front

Other spaceships knows

What's go ahead skip this over

I meant to go to work top down view

Find this those are spaceship

You want to get right or their noses

I can go to the front view

Find the nose

Just bring that up there doesn't need to be perfect

What's bring this over to our reconcile 3D

Play Take That Into the access now

And just let's Create our key thanks

Alright now you have a track re2 girl

And what we need to do is find the friendly made the song that frame 89

It's just clear our in and out point here

And so on Friday T9 we did this to a line

And so we can just drag this into offset

And now the perfectly align with itself

And let's go ahead and just play this right here to make sure that it's working

This is nice and scooter Dover

The small little pixel chef that were doing in our distortion

Shouldn't be enough to make this text or not track no one's really gonna notice that

And so I think we're safe to be doing it

And let's just make sure that this is working the whole entire time

And I was pretty easy all we did was just or text her over a bit

And now that way Purge is pretty much 100%

As you're playing this there's a little bit

Flickering happening on her nose right there

I'm curious let's go ahead and check out

Are version here can you actually see that

You can a little bit sweeter probably just fix that that's not going to be too difficult we know how to do it we have the

Turn off

So what's go ahead

Copy and paste

Face

And what we need to do is just make a little bring up

Right here

After the side

And will find a good friend will do frame 150 since this is already set up for

I shall not sure friend 150 is the best because it's old on motion Blur

I'm trying to find a good Couch to cover that with

What do frame

140

That looks pretty in Focus so of frame hold of that

And looking here we have all these channels we don't want those to run the race can line

Sore throat a random move on the sky and would just keep

Rgba

And all we need to do now as mask this off

Right

Here these are troublesome frames

Set that to mask

Picture of frame hold Heroes set to 1:40

Call Anna looks like motion where is turned on the Sky right now

What's merge this over

We can see it's getting filtered a little but that's to be expected

Let's just play some flames here

Make sure that this is working correctly

Is a little bit of something that's happening but I think that will end up being ok

Yes pretty well let's make sure I'm covering

Everything that looks like it will be

Call so that should work what is there a couple pics of Laura Mercier so he's going to just sorry for that

I'm pretty confident that will end up working the whole entire time

So what I'm going to do now as I'm going to

Virgin my right nose all the way to the bottom

And render out a version 2 of the sky

And see how it looks

Sauna next video what do our final review with what should be Oliver tweaks nice and fixed