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Back
In this video steps beginning or shot to final by adjusting optical lens effects
I'm tweaking a few of those tech issues that we can have
Let's get started
I want to do as I want to figure out what is going on with atmosphere
Difficult of a fix is this like you and or
Ahead and take a look at because that issue is likely in our atmosphere
And what's just check out the Irish VAT for cos that's where this light is
And you can see what's happening as we go from from 171 172 for some reason this is so
That's a strange issued a hair but it shouldn't be too hard to fix
Just make a
And do is just going to freeze frame
72
To you and Renee copy
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Must be on frame 171
Ahead and make a shuffle mode
Wallpaper into our frame hold
And what we want to do as we want to copy
RGB 80 fault
Enjoy your party by 80
And we'll make sure driving is from input
Answer now let's go to the bottom on frame 171 and this looks like we'll go to our
Mummy zoom and we can see that are spotlight right now isn't a line if you get forwarded
It is a line but it's not tracked
We could projector but this is just one single frame so easy enough just
Move it in the policeman you take world 24
So let's just shifted the couple pixels it to make sure that
Nice and light
Corsa that was fully close
And
We could do and I see this
What is b consider keyframe on her disabled here
And then
Turn it off
And then that was essentially make sure I'm only copying over on one frame
This is a little bit dangerous to do
Animating your disable
Because what happened if you turn this off and on a review for
Is wrestling a Keith
And that's a very very dangerous because disabling is the main way of kind of troubleshooting
I'm checking if things are working
Necessarily know that you're setting keyframes if you don't have the new properties open because one this is closed
We don't see your keyframes here
So I don't like in a meeting or disabled with hard to be friends
Go ahead and get rid of this
What does abas enabled and I much prefer to do
To use a switch
American scooters over
We can use this
As a separate note whose sole purpose is to essentially disable The Shuffle
Can I accidentally add any keyframes doing this
So what's that a key
72 input 0
Then I go to frame 171 and say be wanting for one
And now it's simple enough we can disable this shuffle we want if that comes up for any reason and relax
Any accidents
So that should have worked
Shakira
Distract in
Correctly
That was pretty straightforward
And so in here
Another thing I am not the same as we do have lines over our spot like that
In here I think that's because in our explosion a room
Down here
It's not been blocked
Fire spotlights that something were going to
To fix
I've got a head
Disconnect h free render
The fix this we can just do an ad
Enable ad
Explosion
Change that to b
And it's still not appearing in search troubleshooting this and see exactly what's going on
RGB explosion alarm here
Select that and we see that we are blocking it
Let's just keep travelling down or a pipe and figure out what's going on
I'm looking here to solve xcaret
User problem
Have I reduce noise and it's not getting updated explosion
And I'm going to go ahead and just write out a version 2 of this
And I just use a pretty cool shortcut
When you have a right or Reno selected if you hit upper down that will auto version of Madame to file
In that
I'll make sure I label this
Reduce noise
Make sure to include this in elements for this week's class and I was going to rain
Really quickly
That's fine shop now let's go ahead and bring in Our Version
Nice and denoised let's just check it down here
Bottom
Call Sally have this blocking bellissima channel active line
We could add some but I think it's fine or not seen any
And now let's move onto when's effects down
So first I want to add some chromatic aberration to this
Meant to be based on a real shot
And one of those in week 4
Something to go ahead and
Open
Are we going to grab the schematic
Because we've managed to put a tree know about it based on reality so we can just copy and paste between Express
Throw it in here
FreeCell
Colour shift this isn't going to do
808
Start in our lens effects video
Darker foreground objects with you get more light bleeding especially
Purple chromatic aberrations go ahead and set that up really quick
Sore throat down the Kieran and the goal is to use this to try to isolate
Parts of an image so we'll just this
Something kind of like this
And I'm going to make an a road
Just affecting our
Fastest eroding advert ever
10 pixel
And I'm a rolling out because I want a chromatic aberration to wrap around the circle Jackson
Inner alpha channel
And I'm going to make another operation
Copy and paste vs
And this I want to be a bit more I want to see some more noticeable
Shifting happening
Just asking
Should we get there
Little bit
Colour shift in the brightest areas
This is probably too much right now
Think I'm going to
Back song
1
But you do see your breasts
Too much
Something like that
But I do think it's really going to
Sausage
Right
Operation
Operation
Next we can start adjusting or lens distortion I shot a grid
That has a similar focal length and similar
And we know
How to work with this phone
When's distortion
And we can go home
An analysis
And you'll see the results you're pretty one I think it's getting confused
Line on a keyboard
I took a picture of my Mum for this so the actual pixels foreseen
Go ahead and clear all of this what we can do is take control
And then we can hit reset and delete
And what I want to do is preprocessing
Maybe we can
3
Just want us to automatically work and then we can work this out
The try to get rid of those
Why was there
And then we can restart the mess
About the same amount as this
What's go ahead and automatically detect Airlines now
That's much better
And see what we get
Exchange this to read and that's just the way down
Subtitled by -♪ online-courses.club ♪- We compress knowledge for you! https://t.me/joinchat/ailxpXoW3JVjYzQ1
See what happens when we connect our minds the store
We can go ahead and zoom in a little
And so hard to read right now let's go ahead and it just number in Ark
And we can see it
Pretty Little Liars actually stretching this out words
And that's because there is really two types of ones distortion that you'll see
Destruction it Ben
Anna's pincushion distortion which bent outwards like this in this example once I was using has pin
Ashley stretch in a little bit
So we can go ahead and just grab this
Play secure
And it's pretty sad
Is stretching that's a serious
It is fixing the issue over there we are lucky we don't have to do any more work on there
No I just have a little bit more realistic distortion on mess
Intercession all taken care of
What's got a head and start working at now
I'm going to do and go to
2 elements
And that's bringing out
What age
And our denoised footage
Because they're what's the easiest version of the Alexa
Weak to Steel
From the shop
So what we can do as well
Screen
Play in here
What's a head in Analyser cos
And weather
To scatter
Use the crane surgery
What's the head and take over
Just getting some real windscreen over the help if you're bit more
But you'll see some stretching happening here
Elements to be the same format size here because there
A little bit
Shorter
We can just make a reformat
And even out stretching at the top of this what kind of been fine
We just need to make sure you look here that were picking the
Area
And now this is properly scattering all over her image
Image for short at night and would be presumably
Let's go ahead and jump
That's gonna cheat in
Call Sinatra just found some more
And applying a luminous it's not affecting are based on reality
We can compare with our approximate Green
Green is just a little bit softer in which is what real Grinch
If you don't have any news
Match between these two here
Hope this and see what we have
Between
What age
Rape ever footage on the right in Dartford
And what I want to do
Is first on trying to match the scene and make sure
Individual channel we definitely to Lower Red intensity
B
A word
Matching pretty closely
Channel now
Green she was a bit too
10
Probably size that attaches world is way too small
Intensity here
Find a flight that go ahead and check her other areas
Down a bit
So down here
Channel mask pretty well
It's not matching curtains the quick rack
Takeaway
Fixing desk
Newman a bit here over
And as we do that we want to bring this point in just so doesn't
A match
Just start
Wrekin maths
Try to get that follow
Fuel
Because I'm ten city in our Shadows is now career
We don't really want to lighten these that much which we haven't because are blacks are controlled by this
Anywhere affecting the current area with this point and we got these pretty darn close
We just keep adjusting our red for check on the monitor
This actually work
This is a very fine to control your movements
What does automatically complete this for you
We can do it as well
We can go ahead check out our cream Channel now
This over quite a bit
What does shorten this
Handle doesn't freak out here if you want us to be flat
Penis over
Chequers Shadows to make sure we haven't touched those
Excellent
Check screen
Screen it looks like we could use a bit more brain
Subscribe to this point
Just start for me
Check MOT
Original it's pretty close actually
4
And started shouting
That's looking
It's a little bit too intense probably the same price as we have to go to the real or bring this point in
The trial of void freaking Eldar
School in
Down until the smashes
Check out our manager or money does need to cancel bring this up some
Call Michael that matches
Red
Remind me to make the CV
Bigger
Snap-on 10
May need to change the size of a pro controller too big now
What's 10 City
Things to use as just a bit
More time consuming
When you don't have dark screen
And we can bring me to highlight
Again
What does trying to make sure this is within the ballpark
Incorrect
The big thing we need in the sentence is to get
And that's a pity there
And so now I think
30 closest go ahead in attach or advanced screen and see how it's looking
Quite as intense as I would expect to see in a nightshirt
Just like we did with our Josh green we can up the intensity of this a little bit
If we are putting the screen on our original monitor shot we definitely would do that but since this is
Off on its own is ok then this just a little bit more intense
Stop the like this
Important another relative size of an element is correct
You can do this either way I meant used our screen because were we can use real Green I prefer to do that
And now we have Oliver optical elements
Last bit that I think we should talk about is defocus do we need to focus on
Because these trains are in the foreground
We do have a fairly long lens in the shark take away
75mm by 75mm calculator
Do a math to figure out
Where did the friends actually be out of
So we can find out exactly how far away are objects
We can work at our frames
Thank you later
And they should have a Daf pass Z
And this pics of value represents how far away or object is
In metres so right now the screen is roughly 687 m away
What does keep that number of mine
Write it down
187ml
Screen
And now that's figure out exactly
How far away
Just saying
Play down to actually
What's going on
That is a very very bright so it's difficult to see into the give this to
Really really
Alright 30
Free sample here we can see this is 1700 m away
For away
From our Focus
So the question is if this is a real shark or trains realistically
Out of focus
What do a little bit of maths
You can grab this depth of field calculator
And it does a good job of telling you
Let's would be Focus
So we need to first a camera that has a similar sensor size
2 Arcana
And I also aperture
Aka are horizontal sensor sizes about a 41
In here
Closest camera that I found two that I wish you couldn't put your own custom ones that you can
At the phase one p40 has a sensor size of about 44 mm
So that's pretty damn close
Then our focal
Is 75
And are subject
Distance
Is 1700 m
Homework at the result
Answer the main two numbers that we need
Right here is our depth of field in your limit and adjust the field for
Are depth of field near monitor is telling us how close objects can be to our plans without because
In other words
How far away from a focus point can an object be while still remaining acceptable is nice
It is telling us that
Checks better away from the camera
And 15 will be in Focus
And Sophie take a look at our cranes will see you there much further than 50 m
The week and conclusively say that they should not be defocused
You're not going to add any defocus to the cranes because after clearly it doesn't make sense
Go back to a calculator for a second
Let's give this defocus the best chance that has as we learnt in R&D Focus fundamental as you already app
Chapter field becomes smaller
Which means more Focus and even when we start to change the standard 1.8
Which is a small as this would get on your shooting realistically
18 m is the cut-off point for tea Focus so are prunes should still be tech
And now we have our lens effects and I will go ahead and the cell
And we can take a look at what will hopefully be our final shot
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