All language subtitles for 03_approaching_fully_cg_shots

In this video talk about our mindset and approach

To dealing with Foley CG shots

Because

And determine how realistic

Are short is like to talk about

How fully CGI shots compared to more traditional shots we have practical for

Ncg

Sofa shops

Do you have some advantages

Is that assuming that ex are properly exposed

Arsene is automatically going to blend together

And match

Which is one of our main

As a compare

Everything looks like it's sitting within the same

Together

An apple is easy everything should match

And our second advantage

Is that

Bound by the practical

So we can have work

The Freedom we have to match

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Exactly

We can change it

Autistic

And have more control over or

What does advantage

Is also a dish

Because we're not bound

So

Difficult to make or CDI look more realistic

To perfectly match our session

To the practical footage it informs us how the indirect about should work

Colour

We were able to adjust a shadow to look really

Based

But in a full ECG show

We don't have

And so

Practical footage

Ultimately raises the Cordis stand

That are CG elements have to

Because Arsene is not going to blend together

If it doesn't have those same realistic qualities that we

I've seen a lot of CG render

How we couldn't

And then

If you drop it in Terraria

Imperfections in a suddenly become

Watch more

It's very hard

Can look at CG

In a vacuum

If it looks really

So how do we make for the major disadvantage

Three basic steps you can for

The first is UK

These are more

An individual

The main thing you're trying to get out of here

Is lighting

Colour

I want to know exactly what the right

Contrast ratio engine

I've seen it way too many times

Play there is a CD stand

Having a direct hit on some objects in your SIM

And yeah it will be

Almost the same

If not

No matter how physical

Calculator

I never feel realistic because we inherently know

That is wrong in that no ever

Is nearly as intense as a hit from the sun

It's a bit of an extreme example

If you just think back again 2 weeks if we have footage as a reference for a full ECG show

We would again know how much into

Bounce we should be out

In order to get there

Make sure that you're all seen

A lot of people are afraid

Super bright highlights or

Really dark in the Shadows in full ECG shots because they want this perfect universal exposure that show

Ripley ever the case

So use these photographs to know what your

And then once you have this collection of photographs

Make sure you use those references to inform and adjust the look of your seat

In order to make it

You need to compare and contrast your photographs with the CG that you have in front of

Because oftentimes

This is going to reveal

Imperfections in the CG that should be modified

Could see a texture that's completely flat and needs to have a little bit of Grant at

You might find that the grunts that has already been there

Is the wrong type of

Comparing and contrasting

These references that

And then once all that is in place in have your notes to CG or you've adjusted it

You don't need to step back

And look at your see

Credit

About the purpose and use

Of every Elim

Inosine

You search for new references that reflects those findings and go back

Two step two

Looks like an example

So we

Here

Together

And say we have Witnesses now naturally illuminated

Manchester

So clearly

Leave

Areas are missing some textures and some lighting we don't really have any lights going on aside from

Could possibly go out

And why

Is this area used

Are we see you there is some sort of how iPad helicopter

And there's also some cream

So this could very well be some sort of airstrip it looks like there is some rain and pieces here that we could do

Get rid of we could make this

But if it's a brand

Tyre rubber marks do they have on

What all has happened

And then we can find references that make that look

Also been informed by the

Is this some sort of based that is under construction and not

Is that the reason why we can't see any of our

Details

We can look at some construction element and start putting them in and we could really start to dress the set and suddenly

Doesn't feel like a random collection

Of Peter's it will start to feel like a lived in

And that's always one of the hardest parts about getting CG shot

Beautiful

Lift

Because for example look at this dog

It doesn't really make sense that it's completely dark if this was built in real life there would be some sort of light

Turn on around even if they're just small wall lights that don't really illuminae

Holidays will factors that we found references and more references for

Is just going to add to a real person

And then once we have all these new references apply

We can again

Rethink about our space and once we feel like a visually we can fully understand

What happens and how its used

Vanya seager

Is going to

References

White realistic art

Closely

Compares to your CG

In order to identify

Because every single CD

Will

Shoes

It could be the textures that could be the shaders in The Shining a70

These real life references will tell you

Which of those are

So now let's start putting these steps into action

NR4 6eg

And go through

Stefan

Get some light in references and some colour references that I found

So we can try to figure out exactly what

The balance of light and colour will be

So here are some of the references that are collected for our shop

You'll never see I've tried to match the overall mood and tone

As I was going

All of these are set at night

Where is

And you could just kind of get a feel for the overall

Exposure was in contrast to this

Doesn't have

Detail in the Shadows despite this likely been a false

Keyshot

And that's very good

Especially

Night

And you'll notice several art of the zoo

And it's ok to have references

From films especially if you think they're visual effects look really good

You just have to keep in mind

That you are removing yourself

One step further away

Reality

Because instead of messing or real photograph

You're messing in

That was based on

Other

And so it's a step removed but if you think it looks

Very good and realistic it's more

That in mind

So you can see the colour Townsend exposure bubbles

This is a real photograph no detail on the side of this care

And on the side of this car

Is pretty much a pitch black and doesn't the areas you can't Be Afraid to go

Same here

And this is just a variety

Different colours

This one feels very much so that

It feels

Of the Bunch

There is anything inherently unrealistic about this but it's so hyper saturated and stylewise

That just makes it feel a little bit more

Artificial

More power to you that's why we're establishing is references to identify what

Do you like

For example in this one this is just wait

Crazy for me

I'm not sure that's really feels real because of a couple reasons and one of them

Is the coronavirus

Crazy high saturation

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Back here

Like this image it shows a good amount of saturation in the war

Colour

Combination

That we may end up going with

And this one again

Hyper saturated that's what you want go for it

But this just doesn't make the space you're like somewhere I can actually go and see the

I think that would make out rock hard

So I like this one

I think this

Pretty good as well I love her

Get this will be one of the

This weekend

Working out and I also really like

And we have a

Inconsistent colour power that's not

So I think these three are going to be our main references as we move on

In this class and star McDevitt in the next video

So we'll keep these in mind as we keep refining and refining our work will make sure that will

How much is pasta

So the next big component that will need to find references for

Is our explode

Explosions and fires are always great to have real

And it's good to fly

Because you can see as a friend and just how much detail is x

Overexpose

There is nothing in this highlights

And then you can start to see some fiery detail appearing you can see how much is illuminating the sun

That's always good just to have

Couple of these

And you

Contentful

In there first

And it looks like it's another spark

Potentially

And I found a third one that we could use

It's actually a verb

And then once the starts to have

You'll never have something in

Over

And I think that would be something that's very interesting to do

In art

Is perpetually

And and

It kind of gets washed out

Read for those moments

Before

Returning

Just looking at these reference forget all these other secondary l

That was seeing

Looking at references like this will inspire you to add more

Your shot to

If we still had room to just the effects and the shot we could ask for those

And even in just a short amount of time we've been looking at references we already have some ideas that are in your head

Make a shot look more real

And so now that we have this overall reference

Collected

Let's go ahead and

Intelligently virgin

Together

We can get to look down

In our next