Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
hello and welcome back to the channel
today I'm going to be talking all about
headphones because in one of my previous
videos where I talked about the
importance of studio monitor calibration
and mixing on studio monitors I got the
same three questions over and over again
firstly what about just mixing on
headphones can you mix on headphones
secondly what ohm value of headphones
should you use
so what resistance of headphones 32 ohms
250 ohms etc and what's the difference
and thirdly which are better for mixing
and mastering open back or closed back
headphones and why so that's what I'm
going to be talking about in this video
it's all about headphones so let's just
dive right in I want to quickly say that
as I talked about the negatives of using
headphones I also have solutions for
most of these problems so you just wait
a few minutes I've got a lot of
actionable tips and advice you can use
to get a much better response out of
your headphones most of the questions
focused on can you just mix in
headphones why do you need studio
monitors so that's what I'm going to
start with basically when is it a good
time to grab the headphones and when
might you want to rely on studio
monitors so firstly there's loads of
things that headphones are fantastic for
which is why I would recommend all
beginners just simply start on
headphones they're cheaper for a start
than investing in a set of studio
monitors they're also obviously far more
private so you can use them anywhere and
they also sound the same anywhere
whether you're on a bus in your studio
in a living room they're gonna sound
pretty much the same whatever you use
them and because you don't need to worry
about how your room is interacting with
the sound as long as you know what good
music sounds like on your headphones
it's usually a really good reference to
go towards another positive is that
they're excellent for fine editing tasks
especially if there's noise in the room
listening for clicks pops distortions
and also when setting reverb trails like
reverb times and delay settings using
headphones and just getting really
locked in and closed in on what you're
doing it can really be helpful
however there's plenty of times when
headphones start to fall down and this
doesn't mean that you can't mix on them
of course you can but it means that
there's areas where studio monitors just
Excel and the first thing is that it's
really difficult to gauge your stereo
separation properly on head
because they're almost too perfect they
give you all the right channel in the
right ear and all of the left in the
left ear and there's no crosstalk
between the two channels so what this is
is when you're mixing in studio monitors
this is my right hand studio monitor
that's my right here might be flipped
for you the way I hear the right channel
is actually that I hear it in my right
ear and a bit of it in my left and it
also bounces around the room and I hear
the sound in a very spacious way whereas
in headphones you simply hear only the
right channel in your right ear and this
means that things tend to sound really
wide and separated in your headphones
even if you try to do a mono check so
you press mono on your interface or on
your mixer the sound in the headphones
is still really separated so it can
actually be hard to gauge how
instruments are sort of folding on top
of each other and mushing together
whereas in studio monitors you just get
this more spacious sound where you can
typically tell where instruments are
stepping on each other quicker
another reason is fatigue and the
enjoyment of music so often especially
in hot climates if you've got to wear
headphones for four five six hours it's
going to get really hot often sweaty and
just becomes really heavy and
uncomfortable and I know that sounds
like a really pathetic problem it's not
something I actually deal with in my
studio because it's really cold here I
live in Scotland but especially if
you're in a hotter climate so if you're
you know many places in the States or in
India or potentially in southern Europe
especially if it's a hot or a humid day
listening in headphones can become
really fatiguing and just not enjoyable
whereas studio monitors there's no
pressure on your ear you've got a good
airflow and it's not really something
that you have to worry about another
potential issue along with the mono
compatibility is checking for phase
problems and it's not always a problem
in headphones it does depend on which
type you have but anyone that's ever
recorded you know live drums bass
guitars you know that getting everything
in phase and also with the correct
polarity really really matters and often
engineers find it easier to check the
phase on studio monitors it can
absolutely be done on headphones
especially if you know what you're
listening for but it can sometimes be
harder to list
Alfre especially if you're new to
critical listening and finally the last
potential issue with headphones is that
many many people said but what if I'm
listening on flat headphones it isn't
that okay and the thing is there is no
such thing as a flat pair of headphones
as far as I'm aware almost every pair of
headphones even mixing and mastering
headphones have their own tonal balance
profiles just it's down to the
electronics the drivers the shape the
size your own ears everything will
affect the curve of the headphones so to
speak I'm oversimplifying it even my
favorite headphones right now not at all
sponsored these are extremely bright in
the high-end they've got a nice little
bass boost on them as well I really
really enjoy that but they are not flat
the way that my studio monitors are flat
when I've calibrated them so although
you could simply listen to a lot of
reference tracks and then your own music
to gauge how you should be mixing the
issue is if your headphones are overly
bright it can mean that it can be really
difficult to judge the clarity in the
mid-range or if they're really Basie it
can be difficult to be accurate and make
really precise and accurate moves down
in the low end however these problems
I've mentioned I have a couple of ways
to get over them so firstly as for the
mono compatibility issue a tip that a
friend of mine gave me which also helps
for the overall balance of instruments
is actually to just plug your headphones
in turn the volume up really high
separate the cones out a little bit just
like this and then hold them away from
you or put them down on your desk and
then just listen to your song and also
listen to a few bits of other music and
often this gives you an idea of how it
sounds when everything sort of mushed
together the way it might be on a phone
speaker or small pair of speakers and
when I only had headphones this was a
really really good tip it often helped
me tell when a vocal was far too loud or
quiet or whether high hats were being
lost under the mix or were far too loud
so genuinely try it seems like a little
bit of a gimmicky trick but it did help
me and it might help you to now as for
fixing that crosstalk issue where you
really should be hearing the right
channel in your right ear and your left
ear and the whole room there's a couple
of software's which I do not use and I'm
not sponsored by the companies so I
don't even own these softwares
one is can opener by good hurts and
another I think is waves and X and quite
a few people swear by these and also
loads of people would never go near them
what these do is they feed a bit of one
channel into the other and they also
simulate more of sort of an acoustic
room space I suppose so there's a lot of
you know complex algorithms and coding
that I do not understand that goes into
them but the advice here is that there
are several mix engineers and producers
who do rely on tools like that when
they're traveling where they can only
use headphones and I thought I should at
least mention it to those that might be
curious see if you can get a free trial
or something like that test it out it
might be for you
and then that issue about the headphones
not being flat well just in one of my
previous videos as I mentioned sonar
works for flattening your studio monitor
response sonar works has a headphone
addition where you can actually flatten
out the response of your headphones so
they've measured the response of
probably hundreds of headphones at this
point and you can also have yours
individually calibrated for a perfect
response and just in the same way that
their plug-in and standalone software
flattened out the response of your
studio monitors they can do the same
with your headphones this tends to have
mixed results between people whether
they like it or dislike it but there's
no doubt that it makes it flat
personally in my headphones I've over
the last three or four years I've become
so accustomed to the sound of these
wonderful headphones that it was a bit
odd for me at first especially in the
top end but when it came to the bass it
really just extended it made it sound
really really good so I do turn I do
turn the headphone addition on to check
the bass at least but I do quite like
the sound of my headphones so if you're
struggling with your headphones it might
be worth checking out those three
software's that I just mentioned okay so
I'm gonna move on to the next question
now because I think I've covered the
sort of headphones versus studio
monitors debate and I hope that's helped
a little bit the next is what ohm value
of headphones should I have some
headphones simply come up one and others
such as these bio dynamics or ver
dynamics they come in different options
from 32 ohms 250 ohm versions so you've
got low and high own versions people are
asking which should I get and why and
which ones sound best
now it all depends on what you're going
to be plugging it into so if you're
listening to music or mixing from a
smartphone or a laptop with a headphone
output you're going to want a lower own
value because these headphones require a
lot less power or gain to get a really
really high volume so if you're just
listening on your phone or your laptop
you won't need to turn the volume all
the way up and you'll still have a super
loud super full signal however if you
get at 250 or a 600 ohm pair of
headphones and plug those into your
laptop output or your phone even with
the volume maxed out you're not likely
to get the right amount of volume that
you can actually hear what's going on
it's going to be very quiet in your ears
even though the volume is maxed out and
to properly drive these higher ohm
headphones you want to make sure you
have a decent audio interface I've
managed to get a really good volume out
of all of the audience interfaces and
I'm sure other people can comment down
below what they use whether it works or
not but typically if you have a good
headphone amplifier or a good audio
interface you'll be able to drive 250
ohm headphones no problem at all now
when it comes to the sound quality
differences between the two so in an
ideal situation you're in a studio
you've got a headphone amp or an
interface which which headphones sound
better
I believe along with many many other
professionals and audio files that the
higher ohm headphones just sound
generally better typically a deeper
richer bass response kind of a wider
deeper soundstage it's quite difficult
to put this stuff into words and kind of
vocalize it but just generally a better
image better sonic image I suppose and
for many people just for the sheer
enjoyment of listening to music as a
hobby typically you'll see people using
higher ohm headphones
however I think a lot of people
including myself in a blind test would
not guess correctly every single time it
really does depend on the source
material if you're listening to a
low-quality mp3 file or you're streaming
at a low quality I I don't know if I
could even tell the difference being
completely truthful whereas if I'm
listening to a very high quality file
that's been fantastically well mixed a
mass
I would be able to tell the difference
between a higher ohm headphone and a
lower ohm headphone but they're both
gonna deliver excellent results and it
typically matters what brand you choose
on what type of headphone tends to
matter a bit more than just obsessing
over own values and finally I'll try to
keep this last question brief whilst the
difference between close back and open
back headphones but more specifically
which one sounds better for mixing and
mastering most people will know you've
got two general classifications of
headphones you have closed back
headphones like this if my camera will
focus which has a hard shell on the back
that prevents noise leaking out into the
world and keeps things quite private
even without any active noise
cancellation technology and then you've
also got open-back headphones that look
a little bit like this where they have a
grill or a mesh on the back which allows
sound to escape and also sound from the
room to leak in to the headphone as well
long story short I much prefer open-back
headphones for mixing and mastering but
there are times when closed back
headphones are far far superior firstly
if you're not in a private environment
and you need to listen to what you're
doing and there's people talking or
there's noise you definitely want to use
closed back headphones you won't be able
to use open-back headphones if you're
traveling if you're on a plane or a bus
or any kind of noisy environment or even
if there's people talking in your studio
it's gonna really bother you because
you're gonna hear absolutely everything
however when I used to produce in a duo
or whenever I have artists on is quite
nice because when I put these open-back
headphones on I'm not wearing them for
fashion clearly I can hear what
everyone's saying and I can also hear my
own voice really clearly so I don't feel
like I'm being as antisocial and locking
myself away but in a lot of cases this
openness and lack of privacy is going to
be an issue another one is for recording
which I wasn't really going to talk
about which is that because sound leaks
out of these headphones everyone else
can hear what you're listening to sound
will leak into the microphone the
metronome will leak out so they're not
really great for recording you can get
away with it but it's not ideal but I
think by far the main reason people
choose between them is comfort and audio
quality so firstly the open-back
headphones are usually in almost all
brands
are more comfortable there's air flow
and the heat can get in and out so they
typically stay at a really nice
temperature on your head no buildup of
like sweat or heat or anything like that
and sometimes they're even lighter than
the clothes back versions because
they've got a grill there's less
material so often there can be a little
bit less pressure on the headband again
these are really known issues for a lot
of people but it's worth mentioning and
then when it comes to the sound quality
the open-back headphones are just so
much wider deeper more spacious now
there are times when closed back
headphones sound a bit better
often the bass can sound more punchy but
not necessarily deeper or full but with
the open-back headphones it was a really
interesting experience when I first
tried this and when I listened to any
new music it's a completely immersive
spacious experience of sound completely
different to anything else that I'm used
to hearing you hear all the instruments
separated around your head everything
feels extraordinary 3d and for the sake
of pure enjoyment this is what I usually
like to listen to music on first just to
really gauge a song and just enjoy it
but also this quality of having a really
wide and deep soundstage means that I
find them excellent from mixing I find
it much much easier to judge stereo
width and panning decisions and also
just overall balance with these on my
head as opposed to a pair of closed back
headphones and although I said the bass
was a little bit more punchy with the
closed back headphones or even a lot
more punchy I find the bass in this is
just deeper and more enjoyable and a
fuller sound even if it's not quite as
fun or punchy or pokey potentially
depending on the genre of music you're
gonna listen to and mix one might win
over the other but I know so many
engineers and myself included just
prefer open-back headphones when we can
but that does depend on being in a nice
quiet environment and knowing that
you're not gonna bother anyone with all
the sound that's leaking out as for any
recommendations for which headphones you
should use any brands that I prefer now
most people know that I've used bio
dynamics for years I just find them to
be absolutely bomb-proof and I've really
enjoyed listening on them they always I
can
pads off wash them they always come up
really clean and good the pads are
really large really soft and it means
that one when they're on my head I kind
of just forgot they're there sometimes
they feel like there's like little
pillows on my ears which is really nice
this is not a sponsored video but I know
the bio dynamics are widely trusted as
almost an industry standard in
headphones and some people like the look
of the mic whenever I'm wearing them in
my tutorials I'm definitely not wearing
them for the sake of fashion that's for
sure I'm wearing them for the function
of them and they sound really really
good I also have quite small ears and
quite flexible so having something that
sits over my full ear really helps
because if something presses on to my
ear it tends to just call a lot of
build-up and heat but other brands that
are fantastic are audio technica I've
used those before and I know that a lot
of people swear by Sennheiser headphones
typically these brands with a long
heritage of headphone design they tend
to not mess anything up usually their
headphones end up being really
comfortable really accurate and just
sound great where it's often the newer
or younger brands that are trying all
sorts of crazy wacky designs typically
they only work for a small fraction of
people and they're not perfect for
everybody anyway I hope I've cleared up
those three questions I don't want to
drag this out any longer so thank you
very much for watching I hope that
helped any questions at all drop them in
the comment section down below I'll be
trying to answer as many as possible but
thank you very much for watching and I
hope to see you in the next video - hope
you have a great week bye for now
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.