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These are the user uploaded subtitles that are being translated: 1 00:00:42,240 --> 00:00:45,200 -PICTURE THE SCENE. 2 00:00:45,200 --> 00:00:47,320 IT IS 3 O'CLOCK IN THE MORNING. 3 00:00:47,320 --> 00:00:51,140 AND THERE YOU LIE IN THE IMAGINED SAFETY OF YOUR OWN 4 00:00:51,140 --> 00:00:58,510 BED, LISTENING IS THAT A MOVEMENT YOU HEAR DOWNSTAIRS? 5 00:00:58,510 --> 00:01:02,090 A SERVANT, PERHAPS, WHOSE DUTY DRIVES HIM TO CHECK THE 6 00:01:02,090 --> 00:01:05,380 SILVER, EVEN AT THIS LATE HOUR. 7 00:01:05,380 --> 00:01:06,680 NO. 8 00:01:06,680 --> 00:01:10,020 IT IS SOMETHING FAR MORE SINISTER. 9 00:01:10,020 --> 00:01:15,500 SO YOU RISE FROM YOUR BED, LOOKING AROUND YOURSELF. 10 00:01:15,500 --> 00:01:18,740 AND WHAT DO YOU SEE IN THE MOONLIGHT? 11 00:01:18,740 --> 00:01:20,680 A POKER. 12 00:01:20,680 --> 00:01:25,960 YES, THE IRON POKER FROM YOUR BEDROOM FIREPLACE. 13 00:01:25,960 --> 00:01:29,990 GRASPING IT FIRMLY IN YOUR HAND, YOU PROCEED TO THE 14 00:01:29,990 --> 00:01:33,560 STAIRS AND DESCEND TO THE HALL. 15 00:01:33,560 --> 00:01:35,650 THERE YOU STOP. 16 00:01:35,650 --> 00:01:38,370 YOU LOOK AROUND. 17 00:01:38,370 --> 00:01:41,410 ALL IS SILENCE. 18 00:01:41,410 --> 00:01:42,880 AND THEN-- 19 00:01:42,880 --> 00:01:43,370 [BANG] 20 00:01:43,370 --> 00:01:49,230 [GASPING] 21 00:01:49,230 --> 00:01:50,480 -(ANGRILY) MISS BOXER. 22 00:01:57,910 --> 00:01:59,790 -PICTURE THE SCENE. 23 00:01:59,790 --> 00:02:01,370 -UH, LUNCH, I THINK. 24 00:02:01,370 --> 00:02:05,250 THANK YOU, MR. JARDINE. 25 00:02:05,250 --> 00:02:06,830 -CUT IT OUT, QUATERMASS. 26 00:02:06,830 --> 00:02:07,990 -WHAT'S THE HURRY? 27 00:02:07,990 --> 00:02:10,220 -WARWICK JARDINE'S ON HIS WAY OUT, AND I GOT ON THE WRONG 28 00:02:10,220 --> 00:02:11,950 SIDE OF HIM WHEN I SPRAYED HIS DAIMLER. 29 00:02:11,950 --> 00:02:13,690 -OH, WELL, HE'LL NEVER GET FUNGAL ROT. 30 00:02:13,690 --> 00:02:15,220 -OR A SHINE ON HIS PAINT WORK. 31 00:02:15,220 --> 00:02:16,690 COME ON. 32 00:02:16,690 --> 00:02:18,980 -MRS. THYME. 33 00:02:18,980 --> 00:02:21,550 MISS BOXER. 34 00:02:21,550 --> 00:02:24,640 -I'M SORRY ABOUT THE, UM-- YOU KNOW. 35 00:02:24,640 --> 00:02:27,450 -HOW MUCH MORE OF YOUR PROFESSIONAL ATTENTION MAY WE 36 00:02:27,450 --> 00:02:29,160 LOOK FORWARD TO? 37 00:02:29,160 --> 00:02:30,820 -THE BLIGHT'S ALL BUT GONE. 38 00:02:30,820 --> 00:02:32,650 -ARE YOU? 39 00:02:32,650 --> 00:02:33,900 GOOD. 40 00:02:38,720 --> 00:02:41,120 -HERE'S A TRICK THE REST OF US USE. 41 00:02:41,120 --> 00:02:42,770 IMAGINE HIM IN WOMEN'S UNDERWEAR. 42 00:02:42,770 --> 00:02:43,820 -DOES IT WORK FOR YOU? 43 00:02:43,820 --> 00:02:45,070 -A BIT TOO WELL. 44 00:02:45,070 --> 00:02:47,320 I'VE HAD TO STOP. 45 00:02:47,320 --> 00:02:48,830 YOU NEARLY DONE HERE? 46 00:02:48,830 --> 00:02:51,170 -WE'VE THINNED OUT THE INFECTED LEAVES, SPRAYED TO 47 00:02:51,170 --> 00:02:52,240 PROTECT THE REST OF THEM. 48 00:02:52,240 --> 00:02:54,080 THERE'S NOT A LOT MORE WE CAN DO. 49 00:02:54,080 --> 00:02:56,430 -I'VE GOT A PROPOSAL I'D LIKE TO RUN BY YOU. 50 00:02:56,430 --> 00:02:57,740 TEA SHOP IN HALF AN HOUR? 51 00:02:57,740 --> 00:02:59,160 MAN (OFFSCREEN): FRAZER! 52 00:02:59,160 --> 00:03:00,410 -THE BUNS ARE ON ME. 53 00:03:06,280 --> 00:03:08,540 -IT'S JUST A LITTLE OLD PLACE OUT IN THE COUNTRY. 54 00:03:08,540 --> 00:03:11,060 IT'S BEEN IN THE FAMILY SINCE GOD WAS IN SHORT TROUSERS. 55 00:03:11,060 --> 00:03:12,140 -HOW BIG'S THE GARDEN? 56 00:03:12,140 --> 00:03:13,450 -TINY, TINY. 57 00:03:13,450 --> 00:03:17,350 AND IT'S BARELY WORTH FIVE MINUTES OF YOUR ATTENTION. 58 00:03:17,350 --> 00:03:19,540 ACTUALLY, I'M LYING. 59 00:03:19,540 --> 00:03:21,220 IT'S QUITE HUGE. 60 00:03:21,220 --> 00:03:22,650 OH, I DON'T KNOW. 61 00:03:22,650 --> 00:03:24,610 WHICH GETS YOU MORE INTERESTED? 62 00:03:24,610 --> 00:03:27,580 DO YOU KNOW HOW HARD IT IS TO NAIL DOWN A LANDSCAPER? 63 00:03:27,580 --> 00:03:32,590 -MARTIN, JUST DESCRIBE THE PROBLEM. 64 00:03:32,590 --> 00:03:36,710 -I WANT TO PUT THE ELIZABETHAN GARDEN BACK THE WAY IT WAS. 65 00:03:36,710 --> 00:03:38,600 BUT IT'S GONE TO POT. 66 00:03:38,600 --> 00:03:39,880 COULD YOU TAKE A LOOK AT IT? 67 00:03:39,880 --> 00:03:40,620 -YEAH-- 68 00:03:40,620 --> 00:03:45,200 -WE'LL, UH, CHECK OUR DIARY, AND LET YOU KNOW. 69 00:03:45,200 --> 00:03:47,450 -I'VE BEEN ASKING ABOUT YOU. 70 00:03:47,450 --> 00:03:49,430 YOU KNOW YOUR STUFF. 71 00:03:49,430 --> 00:03:51,420 AND YOU DON'T PAD YOUR OVERHEADS. 72 00:03:51,420 --> 00:03:52,880 HERE'S MY NUMBER. 73 00:03:52,880 --> 00:03:56,360 I'LL BE HOME ANYTIME FROM 9:00 ON FRIDAY. 74 00:03:56,360 --> 00:03:59,350 -WHY CHECK THE DIARY WHEN THERE'S NOTHING IN IT? 75 00:03:59,350 --> 00:04:01,210 -IT'S BAD BUSINESS TO SEEM TOO EAGER. 76 00:04:01,210 --> 00:04:04,210 ANYWAY, HE'S ALREADY DROPPING HINTS ABOUT OUR LOW OVERHEADS. 77 00:04:04,210 --> 00:04:06,750 -OH, I CAN'T IMAGINE WHAT GAVE HIM THAT IDEA. 78 00:04:06,750 --> 00:04:08,930 -HA HA HA. 79 00:04:08,930 --> 00:04:10,810 I'VE ALWAYS FANCIED GETTING MY HANDS ON 80 00:04:10,810 --> 00:04:12,020 AN ELIZABETHAN GARDEN. 81 00:04:12,020 --> 00:04:14,620 LAURA (OFFSCREEN): YES, AND, UH, SPEAKING OF OVERHEADS, 82 00:04:14,620 --> 00:04:17,470 I'VE HAD AN IDEA THAT COULD SAVE US A TON 83 00:04:17,470 --> 00:04:18,980 OF MONEY THIS SUMMER. 84 00:04:18,980 --> 00:04:20,940 ROSEMARY (OFFSCREEN): WHAT IS IT? 85 00:04:20,940 --> 00:04:21,430 OH, DEAR. 86 00:04:21,430 --> 00:04:23,380 LAURA (OFFSCREEN): UH, IF I JUST COME OUT AND TELL YOU, 87 00:04:23,380 --> 00:04:24,850 YOU'LL ONLY SAY NO. 88 00:04:32,670 --> 00:04:35,520 -SEE, YOU'VE GOT YOUR TWO SLEEPING COMPARTMENTS ON 89 00:04:35,520 --> 00:04:38,380 OPPOSITE SIDES WHILE THE MIDDLE OPENS RIGHT OUT IN GOOD 90 00:04:38,380 --> 00:04:38,460 WEATHER. 91 00:04:38,460 --> 00:04:39,860 -OH, I LIKE THIS ONE. 92 00:04:39,860 --> 00:04:41,160 -HAVE YOU BEEN CAMPING BEFORE? 93 00:04:41,160 --> 00:04:41,930 -OH, YES. 94 00:04:41,930 --> 00:04:44,660 IN THE BROWNIES. 95 00:04:44,660 --> 00:04:45,570 MARTIN (OFFSCREEN): THAT'S GREAT NEWS. 96 00:04:45,570 --> 00:04:47,000 -WELL, JUST ONE MORE THING. 97 00:04:47,000 --> 00:04:47,760 MARTIN (OFFSCREEN): WHAT'S THAT? 98 00:04:47,760 --> 00:04:50,640 -IS THERE ANYWHERE DECENT WE CAN STAY? 99 00:04:50,640 --> 00:04:53,550 MARTIN (OFFSCREEN): (LAUGHING) WELL, THAT DEPENDS ON WHAT YOU 100 00:04:53,550 --> 00:04:55,250 CLASS AS DECENT. 101 00:04:55,250 --> 00:04:55,950 -WALLS AND A ROOF. 102 00:04:55,950 --> 00:04:59,720 MARTIN (OFFSCREEN): (LAUGHING) WE'VE GOT BAGS OF ROOM. 103 00:04:59,720 --> 00:05:00,700 -OH, GREAT. 104 00:05:00,700 --> 00:05:01,080 RIGHT. 105 00:05:01,080 --> 00:05:02,350 WELL, YOU'RE ON. 106 00:05:02,350 --> 00:05:03,920 AH, WE'LL SEE YOU ON SUNDAY. 107 00:05:03,920 --> 00:05:05,050 -LOOK FORWARD TO IT. 108 00:05:05,050 --> 00:05:06,300 -BYE. 109 00:05:09,410 --> 00:05:18,030 -SLIDE POLES INTO POLE SLEEVES ON OUTSIDE OF FLY SHEET. 110 00:05:18,030 --> 00:05:25,650 BRACE POLE, AND LOCATE POLE PINS ON POLE END. 111 00:05:25,650 --> 00:05:27,780 -WHY DON'T YOU USE THE ENGLISH TRANSLATION? 112 00:05:27,780 --> 00:05:31,400 -I'M SURE IT WILL BE PERFECTLY CLEAR WHEN IT'S LAID OUT ON 113 00:05:31,400 --> 00:05:32,000 THE GROUND. 114 00:05:32,000 --> 00:05:35,440 -AH, HERE WE ARE. 115 00:05:35,440 --> 00:05:39,190 MARTIN SAID WE GO LEFT WHEN WE SEE A POST BOX. 116 00:05:39,190 --> 00:05:40,670 AND THERE IT IS. 117 00:05:59,400 --> 00:06:01,860 [CHILDREN TALKING] 118 00:06:01,860 --> 00:06:04,330 [DOG BARKING] 119 00:06:04,330 --> 00:06:05,320 CHILD (OFFSCREEN): IT'S MY TURN! 120 00:06:05,320 --> 00:06:06,350 [CHILDREN SHOUTING] 121 00:06:06,350 --> 00:06:08,510 -DOESN'T IT GET LONELY WITH MARTIN NOT AROUND DURING THE 122 00:06:08,510 --> 00:06:09,260 WEEK, SUZANNE? 123 00:06:09,260 --> 00:06:11,000 -NOT WITH A CLASS OF 20 TO TEACH. 124 00:06:11,000 --> 00:06:11,160 -WHAT? 125 00:06:11,160 --> 00:06:12,480 YOU WORK, AS WELL? 126 00:06:12,480 --> 00:06:13,160 -PART TIME. 127 00:06:13,160 --> 00:06:14,380 IT'S THE ONLY WAY TO KEEP IT ALL GOING. 128 00:06:14,380 --> 00:06:15,060 -HUH. 129 00:06:15,060 --> 00:06:16,960 -WE HAVEN'T HAD A HOLIDAY IN FIVE YEARS. 130 00:06:16,960 --> 00:06:19,610 AND THE KIDS GOT SECOND-HAND BIKES FOR CHRISTMAS. 131 00:06:19,610 --> 00:06:20,950 -ISN'T THERE AN INCOME FROM THE ESTATE? 132 00:06:20,950 --> 00:06:21,570 -HUH. 133 00:06:21,570 --> 00:06:23,020 NOWHERE NEAR ENOUGH. 134 00:06:23,020 --> 00:06:25,020 OI, TOBY! 135 00:06:25,020 --> 00:06:26,000 PLAY NICELY. 136 00:06:26,000 --> 00:06:27,250 CHILD (OFFSCREEN): YEAH, BUT IT'S MY TURN TO HAVE THE-- 137 00:06:27,250 --> 00:06:29,230 -I'VE HAD THIS ALL WEEK. 138 00:06:29,230 --> 00:06:29,680 -GO ON. 139 00:06:29,680 --> 00:06:32,270 WE'LL FIND OUR OWN WAY TO THE GARDEN. 140 00:06:32,270 --> 00:06:32,820 -COME ON, NOW. 141 00:06:32,820 --> 00:06:34,610 WHY CAN'T YOU LEARN TO SHARE? 142 00:06:34,610 --> 00:06:35,860 -(LAUGHING) OH, DEAR. 143 00:06:39,180 --> 00:06:40,250 -I OUGHT TO WARN YOU. 144 00:06:40,250 --> 00:06:42,600 I'VE PUT MARTIN ON LUNCH DUTY. 145 00:06:42,600 --> 00:06:43,800 -WHY IS THAT WORTH A WARNING? 146 00:06:43,800 --> 00:06:46,810 -WELL, IT DEPENDS ON WHETHER YOU'RE OK WITH CAVEMAN FOOD. 147 00:06:46,810 --> 00:06:49,230 IF HE CAN'T BURN IT, YOU'D BETTER LIKE IT RAW. 148 00:06:56,900 --> 00:06:58,150 LAURA (OFFSCREEN): OH, LORD. 149 00:07:04,370 --> 00:07:07,170 -THIS OLD PRINT SHOWS WHAT IT USED TO BE LIKE. 150 00:07:07,170 --> 00:07:09,660 EVERY GENERATION LEAVES ITS MARK ON THE PLACE. 151 00:07:09,660 --> 00:07:12,420 MARTIN WANTS THIS TO BE HIS. 152 00:07:12,420 --> 00:07:14,570 -WHY DON'T YOU LEAVE US ALONE FOR A BIT? 153 00:07:14,570 --> 00:07:17,900 -YEAH, WE'LL JUST HAVE A POKE AROUND, AND SEE WHAT'S WHAT. 154 00:07:17,900 --> 00:07:19,830 -OK, WELL, COME AND JOIN US WHEN YOU'RE DONE. 155 00:07:25,950 --> 00:07:27,360 LAURA (OFFSCREEN): IT'S GOING TO TAKE A BIT MORE THAN A 156 00:07:27,360 --> 00:07:28,510 PRUNE AND A TIDY. 157 00:07:28,510 --> 00:07:30,950 -NO, IT'S NOT QUITE AS BAD AS IT LOOKS. 158 00:07:30,950 --> 00:07:32,480 THE BASIC LAYOUT'S STILL HERE. 159 00:07:32,480 --> 00:07:34,870 -OOH, YOU ARE THE BIGGEST OPTIMIST I'VE EVER KNOWN. 160 00:07:34,870 --> 00:07:36,470 WHAT ARE YOU LOOKING FOR? 161 00:07:36,470 --> 00:07:37,820 ROSEMARY (OFFSCREEN): I RATHER FEAR THAT OLD 162 00:07:37,820 --> 00:07:39,530 SUN DIAL'S LONG GONE. 163 00:07:39,530 --> 00:07:42,050 OH, BUT LOOK AT THIS. 164 00:07:42,050 --> 00:07:45,930 WON'T IT BE SOMETHING? 165 00:07:45,930 --> 00:07:47,650 LAURA (OFFSCREEN): THERE'S BEEN A BUILDING HERE. 166 00:07:47,650 --> 00:07:50,300 YOU CAN SEE THE OLD FOUNDATIONS. 167 00:07:50,300 --> 00:07:51,740 -IT WILL TAKE MORE THAN THE TWO OF US TO 168 00:07:51,740 --> 00:07:52,920 GET THOSE DUG OUT. 169 00:07:52,920 --> 00:07:53,090 -HMM. 170 00:07:53,090 --> 00:07:54,760 WE'LL HAVE TO GET IN SOME EXTRA LABOR. 171 00:07:54,760 --> 00:07:56,600 -HMM. 172 00:07:56,600 --> 00:07:59,140 BIG HUNKY BLOKES WITH PICKS AND SHOVELS. 173 00:07:59,140 --> 00:08:00,410 -AND A COUPLE OF DECK CHAIRS. 174 00:08:00,410 --> 00:08:01,260 -DECK CHAIRS? 175 00:08:01,260 --> 00:08:02,580 -SO WE CAN SIT AND WATCH. 176 00:08:02,580 --> 00:08:03,830 -HAH. 177 00:08:10,300 --> 00:08:12,350 -PARDON ME. 178 00:08:12,350 --> 00:08:14,020 -WERE YOU SENT TO FETCH US? 179 00:08:14,020 --> 00:08:15,810 SORRY WE'RE TAKING SO LONG. 180 00:08:15,810 --> 00:08:19,390 -I DON'T EVEN KNOW WHO YOU ARE. 181 00:08:19,390 --> 00:08:21,990 I'M JIM. 182 00:08:21,990 --> 00:08:22,800 -LAURA THYME. 183 00:08:22,800 --> 00:08:24,300 -ROSEMARY BOXER. 184 00:08:24,300 --> 00:08:27,130 -I WOULD COUNT IT A GREAT FAVOR IF YOU DIDN'T MENTION 185 00:08:27,130 --> 00:08:28,460 THAT YOU'D SEEN ME. 186 00:08:28,460 --> 00:08:29,710 -WHAT? 187 00:08:31,600 --> 00:08:35,030 -I'M NOT REALLY SUPPOSED TO BE HERE. 188 00:08:35,030 --> 00:08:37,820 I'VE BEEN BANNED FROM THE PROPERTY. 189 00:08:37,820 --> 00:08:39,360 -OH, WELL, I'M SORRY TO HEAR THAT. 190 00:08:39,360 --> 00:08:41,210 BUT YOU CAN'T ASK US TO COVER FOR YOU. 191 00:08:41,210 --> 00:08:42,460 -WE'RE GUESTS HERE. 192 00:08:53,450 --> 00:08:54,700 -I'LL JUST GO THEN. 193 00:09:00,140 --> 00:09:02,460 -ME BRING MEAT FROM MIGHTY AGA. 194 00:09:02,460 --> 00:09:06,830 [CLAPPING AND CHEERING] 195 00:09:06,830 --> 00:09:08,080 [INTERPOSING VOICES] 196 00:09:21,240 --> 00:09:21,740 [DOG BARKING] 197 00:09:21,740 --> 00:09:22,850 SUZANNE (OFFSCREEN): THERE'S FREE ICE CREAM FOR ANYONE WHO 198 00:09:22,850 --> 00:09:27,700 CAN TAKE THESE SCROUNGY DOGS AWAY FROM THE TABLE. 199 00:09:27,700 --> 00:09:31,680 [DOGS BARKING] 200 00:09:31,680 --> 00:09:37,640 [CHILDREN'S VOICES] 201 00:09:37,640 --> 00:09:39,130 -A PLANT PATHOLOGIST? 202 00:09:39,130 --> 00:09:40,740 -THAT'S RIGHT. 203 00:09:40,740 --> 00:09:43,880 -LIKE QUINCY OF THE GREENWOOD? 204 00:09:43,880 --> 00:09:45,580 -IF YOU LIKE. 205 00:09:45,580 --> 00:09:46,640 -DON'T LET HIM WIND YOU UP. 206 00:09:46,640 --> 00:09:47,350 -NO, NO, NO. 207 00:09:47,350 --> 00:09:47,940 I'M INTRIGUED. 208 00:09:47,940 --> 00:09:52,050 I'D LIKE TO KNOW HOW YOU DO A POST-MORTEM ON A TREE. 209 00:09:52,050 --> 00:09:53,300 -WITH A CHAIN SAW. 210 00:09:55,290 --> 00:09:56,570 -ARE YOU BEING SERIOUS? 211 00:09:56,570 --> 00:09:57,670 -YOU STARTED IT. 212 00:09:57,670 --> 00:09:59,590 [LAUGHING] 213 00:09:59,590 --> 00:10:00,710 -HAVE YOU LIVED HERE ALL YOUR LIFE? 214 00:10:00,710 --> 00:10:02,090 -BORN HERE. 215 00:10:02,090 --> 00:10:04,780 WENT AWAY, CAME BACK. 216 00:10:04,780 --> 00:10:06,610 NOW I'M IN CHARGE OF THE LYVEDON TRUST. 217 00:10:06,610 --> 00:10:09,640 -AND THE FIRST GIRL I EVER KISSED. 218 00:10:09,640 --> 00:10:10,180 -OOH. 219 00:10:10,180 --> 00:10:13,120 -BUT DON'T YOU DARE TELL THE MRS. THAT. 220 00:10:13,120 --> 00:10:14,720 KATIE, ARE YOU ALL RIGHT? 221 00:10:14,720 --> 00:10:15,740 -THANKS, I'M ON CALL. 222 00:10:15,740 --> 00:10:16,710 -ARE YOU A DOCTOR? 223 00:10:16,710 --> 00:10:18,300 -ANESTHETICS. 224 00:10:18,300 --> 00:10:21,230 AND I'VE HEARD ALL THE JOKES, THANK YOU. 225 00:10:21,230 --> 00:10:23,190 -AND WHAT DO YOU DO? 226 00:10:23,190 --> 00:10:24,780 -BOOK JACKETS. 227 00:10:24,780 --> 00:10:26,640 I'M AN ILLUSTRATOR. 228 00:10:26,640 --> 00:10:27,140 -REALLY? 229 00:10:27,140 --> 00:10:28,780 WOULD I HAVE SEEN ANY? 230 00:10:28,780 --> 00:10:29,420 - I DON'T KNOW. 231 00:10:29,420 --> 00:10:30,510 CAN YOU READ? 232 00:10:30,510 --> 00:10:30,750 -CHRIS! 233 00:10:30,750 --> 00:10:32,880 -WHAT? 234 00:10:32,880 --> 00:10:34,030 -FERN, THAT'S A LOVELY NAME. 235 00:10:34,030 --> 00:10:35,250 WHERE'D IT COME FROM? 236 00:10:35,250 --> 00:10:36,310 -MUM'S AN OLD HIPPIE. 237 00:10:36,310 --> 00:10:38,560 YOU WOULDN'T KNOW IT TO LOOK AT HER NOW. 238 00:10:38,560 --> 00:10:40,070 -I DON'T KNOW HOW TO TAKE THAT. 239 00:10:40,070 --> 00:10:41,550 -I THINK YOU'RE VERY LUCKY. 240 00:10:41,550 --> 00:10:42,480 -I KNOW. 241 00:10:42,480 --> 00:10:44,400 IF I'D BEEN A BOY, IT WOULD'VE BEEN BAMBI. 242 00:10:44,400 --> 00:10:47,060 [LAUGHING] 243 00:10:50,860 --> 00:10:52,550 -SEE THERE'S ANOTHER JOB HALF FINISHED. 244 00:10:52,550 --> 00:10:54,820 LOOKS LIKE YOU'LL BE LEFT WITH A BUILDER'S YARD. 245 00:10:54,820 --> 00:10:56,680 -IT BELONGS TO THE ODD-JOB MAN. 246 00:10:56,680 --> 00:11:00,340 AND HE ONLY COMES BACK BECAUSE WE HIDE HIS TOOLS. 247 00:11:00,340 --> 00:11:03,260 I THINK MARTIN FELL FOR YOU TWO BECAUSE YOU'LL LIVE ON THE 248 00:11:03,260 --> 00:11:06,180 JOB TILL IT'S DONE. 249 00:11:06,180 --> 00:11:10,320 -OH, DID YOU TELL MARTIN ABOUT THE MAN WE SAW? 250 00:11:10,320 --> 00:11:11,310 -NO, UH-- 251 00:11:11,310 --> 00:11:12,200 -WHERE WAS THIS? 252 00:11:12,200 --> 00:11:14,370 -AT THE DOOR IN THE WALLED GARDEN. 253 00:11:14,370 --> 00:11:17,010 -SEE, HE SEEMED A BIT ODD. 254 00:11:17,010 --> 00:11:20,790 HE ASKED US NOT TO SAY THAT WE'D SEEN HIM. 255 00:11:20,790 --> 00:11:23,970 HE SAID HIS NAME WAS JIM. 256 00:11:23,970 --> 00:11:25,670 -COUSIN JIM. 257 00:11:25,670 --> 00:11:26,670 -WHAT DID HE WANT? 258 00:11:26,670 --> 00:11:27,460 -I DON'T KNOW. 259 00:11:27,460 --> 00:11:29,420 HE DIDN'T MAKE A LOT OF SENSE. 260 00:11:29,420 --> 00:11:32,510 -I THOUGHT HE'D BEEN TOLD TO STAY AWAY. 261 00:11:32,510 --> 00:11:34,450 -IS THERE SOMETHING WE SHOULD KNOW ABOUT? 262 00:11:34,450 --> 00:11:34,870 -NO. 263 00:11:34,870 --> 00:11:36,180 HE'S PERFECTLY HARMLESS. 264 00:11:36,180 --> 00:11:38,130 BUT HE'S TROUBLED. 265 00:11:38,130 --> 00:11:41,120 NOTHING YOU SHOULD LOSE ANY SLEEP OVER. 266 00:11:41,120 --> 00:11:45,620 SPEAKING OF WHICH, LAURA HERE ABSOLUTELY INSISTS ON SPURNING 267 00:11:45,620 --> 00:11:48,140 OUR HOSPITALITY FOR A NIGHT UNDER THE STARS. 268 00:11:48,140 --> 00:11:50,370 WHERE'S THE BEST SPOT TO PITCH THE TENT? 269 00:11:50,370 --> 00:11:51,890 -OH, DEFINITELY THE DINGLE. 270 00:11:51,890 --> 00:11:53,870 DOWN BY THE RIVER. 271 00:11:53,870 --> 00:11:54,810 -WELL DONE, GIRLS. 272 00:11:54,810 --> 00:11:57,390 YOU'VE JUST SPARED MY POOR, LONG SUFFERING A WHOLE HEAP OF 273 00:11:57,390 --> 00:11:58,310 EXTRA LAUNDRY. 274 00:11:58,310 --> 00:11:59,790 [LAUGHING] 275 00:11:59,790 --> 00:12:00,290 -CHEERS. 276 00:12:00,290 --> 00:12:01,540 -CHEERS TO THAT. 277 00:12:08,690 --> 00:12:11,660 -DID YOU NOTICE HOW EVERYONE REACTED WHEN COUSIN 278 00:12:11,660 --> 00:12:13,640 JIM'S NAME CAME UP? 279 00:12:13,640 --> 00:12:17,590 -I AM SO HAPPY TO BE INSIDE A THIN LAYER OF NYLON WHILE 280 00:12:17,590 --> 00:12:20,410 HEATHCLIFF'S OUT THERE, STALKING THE COUNTRYSIDE. 281 00:12:20,410 --> 00:12:22,390 -MARTIN SAYS HE'S HARMLESS. 282 00:12:22,390 --> 00:12:25,860 -MARTIN'S IN A HOUSE. 283 00:12:25,860 --> 00:12:33,020 [LEAVES RUSTLING] 284 00:12:33,020 --> 00:12:36,190 -YOU SEEM TO BE GETTING ON WELL WITH CHRIS. 285 00:12:36,190 --> 00:12:37,430 IS HE THE ARTIST? 286 00:12:37,430 --> 00:12:38,680 -HMM. 287 00:12:38,680 --> 00:12:43,240 HE SAYS HE'S ALWAYS ON THE LOOKOUT FOR LIFE MODELS. 288 00:12:43,240 --> 00:12:44,650 -OOH, I'D WATCH HIM. 289 00:12:44,650 --> 00:12:44,920 -NO, NO. 290 00:12:44,920 --> 00:12:47,010 I DON'T THINK THAT WAS WHAT WAS ON HIS MIND. 291 00:12:47,010 --> 00:12:48,180 NOT WITH HIS WIFE SITTING RIGHT THERE. 292 00:12:48,180 --> 00:12:49,320 LAURA (OFFSCREEN): OOH, I DON'T KNOW. 293 00:12:49,320 --> 00:12:50,750 THESE ARTISTIC TYPES. 294 00:12:53,920 --> 00:12:59,040 "WHILE TITIAN WAS MIXING ROSE MADDER, HIS MODEL 295 00:12:59,040 --> 00:13:02,170 RECLINED ON A LADDER. 296 00:13:02,170 --> 00:13:07,080 HER POSITION TO TITIAN SUGGESTED COITION, SO HE RAN 297 00:13:07,080 --> 00:13:07,750 UP THE LADDER 298 00:13:07,750 --> 00:13:17,550 AND AT HER." [LAUGHTER] 299 00:13:20,880 --> 00:13:22,460 -ANYWAY, IT'S WHO HE WANTS TO PAINT. 300 00:13:48,380 --> 00:13:49,430 -LAURA, YOU AWAKE? 301 00:13:49,430 --> 00:13:50,360 LAURA (OFFSCREEN): (MUMBLING) 302 00:13:50,360 --> 00:13:51,610 -I'M GOING FOR WATER. 303 00:14:00,940 --> 00:14:01,940 -OOH. 304 00:14:01,940 --> 00:14:10,400 [WATER RUNNING] 305 00:14:10,400 --> 00:14:10,900 -AAAH. 306 00:14:10,900 --> 00:14:26,340 [WATER RUNNING] 307 00:14:26,340 --> 00:14:27,590 -JIM? 308 00:14:48,250 --> 00:14:49,500 JIM! 309 00:15:26,920 --> 00:15:28,170 OFFICER (OFFSCREEN): START DOWN THERE. 310 00:15:31,280 --> 00:15:34,090 THE LAST PERSON THAT FELL IN THIS RIVER TURNED UP THREE 311 00:15:34,090 --> 00:15:37,030 DAYS LATER AND A MILE DOWNSTREAM. 312 00:15:37,030 --> 00:15:38,900 -DEAD? 313 00:15:38,900 --> 00:15:40,120 -UPSETTING FOR YOU, I KNOW. 314 00:15:40,120 --> 00:15:41,710 BUT I CAN TELL YOU THIS. 315 00:15:41,710 --> 00:15:44,500 ONE WAY, OR ANOTHER, THIS WAS A TRAGEDY WAITING TO HAPPEN. 316 00:15:44,500 --> 00:15:46,830 IF JIM FRAZER HADN'T TOPPED HIMSELF, SOMEONE AROUND HERE 317 00:15:46,830 --> 00:15:49,600 WOULD HAVE MURDERED HIM. 318 00:15:49,600 --> 00:15:51,550 -WHY ON EARTH WOULD YOU SAY THAT? 319 00:15:51,550 --> 00:15:54,160 -HE WAS A LONER. 320 00:15:54,160 --> 00:15:56,900 HE WAS A BIT STRANGE. 321 00:15:56,900 --> 00:15:59,320 AND HE MADE IT HIS LIFE'S MISSION TO RUB PEOPLE 322 00:15:59,320 --> 00:16:00,950 UP THE WRONG WAY. 323 00:16:00,950 --> 00:16:03,040 YOU ASK GEORGE HAMILTON TEED. 324 00:16:03,040 --> 00:16:03,920 -GEORGE WHO? 325 00:16:03,920 --> 00:16:05,740 -HAMILTON TEED. 326 00:16:05,740 --> 00:16:07,700 EDITOR OF THE "LYVEDON OBSERVER." HE CAN FILL HIS 327 00:16:07,700 --> 00:16:10,150 LEDGERS PAGE 10 TIMES OVER WITH THE STUFF HE GOT FROM OUR 328 00:16:10,150 --> 00:16:10,370 JIM. 329 00:16:10,370 --> 00:16:11,640 -IF IT WASN'T FOR THE LAW OF LIBEL. 330 00:16:15,110 --> 00:16:17,840 LOOK, I KNOW IT'S A BIT OF A BAD TIME, BUT CAN I HAVE A 331 00:16:17,840 --> 00:16:19,090 QUICK WORD? 332 00:16:33,370 --> 00:16:34,680 -I WAS AT A BREAKFAST MEETING IN CHAMBERS. 333 00:16:34,680 --> 00:16:36,160 HAVE THEY FOUND ANY SIGN OF HIM YET? 334 00:16:36,160 --> 00:16:39,320 -THEY SAY HE COULD FETCH UP ANYWHERE DOWN RIVER. 335 00:16:39,320 --> 00:16:41,470 I'LL GET AWAY AS SOON AS I CAN. 336 00:16:41,470 --> 00:16:43,150 YOU KNOW WARWICK JARDINE. 337 00:16:43,150 --> 00:16:44,670 MENTION COMPASSIONATE LENIENCE, HE'LL REACH FOR A 338 00:16:44,670 --> 00:16:46,020 DICTIONARY. 339 00:16:46,020 --> 00:16:49,070 -WELL, THERE'S NOTHING YOU CAN DO FOR JIM ANYWAY. 340 00:16:49,070 --> 00:16:49,920 -MARTIN. 341 00:16:49,920 --> 00:16:51,000 -I'VE GOT TO GO. 342 00:16:51,000 --> 00:16:52,280 I'LL CALL YOU TONIGHT. 343 00:16:52,280 --> 00:16:53,530 -BYE, LOVE. 344 00:17:00,840 --> 00:17:03,680 -ARE YOU GOING TO TAKE THE DAY OFF? 345 00:17:03,680 --> 00:17:04,930 -SCHOOL'S CLOSED FOR HALF-TERM. 346 00:17:09,000 --> 00:17:10,250 -HERE. 347 00:17:12,990 --> 00:17:16,900 -DO YOU WANT US TO CARRY ON WITH THE GARDEN? 348 00:17:16,900 --> 00:17:17,410 -OH, LORDY. 349 00:17:17,410 --> 00:17:19,670 YES, NOTHING CHANGES THERE. 350 00:17:19,670 --> 00:17:23,240 YOU'LL HAVE SOME HELP WITH THE HEAVY WORK. 351 00:17:23,240 --> 00:17:25,670 -APPARENTLY JIM WROTE TO THE LOCAL NEWSPAPER, COMPLAINING 352 00:17:25,670 --> 00:17:27,840 ABOUT EVERYONE AND EVERYTHING. 353 00:17:27,840 --> 00:17:29,190 AND ALL OF IT UNPRINTABLE. 354 00:17:29,190 --> 00:17:30,640 -WELL, EVERYONE NEEDS A HOBBY. 355 00:17:30,640 --> 00:17:32,430 -WELL, THIS WAS LIKE AN OBSESSION. 356 00:17:32,430 --> 00:17:35,580 I THINK HE SAW HIMSELF AS THE CONSCIENCE OF THE VILLAGE. 357 00:17:35,580 --> 00:17:36,720 -YOU AREN'T LETTING THIS GET TO YOU? 358 00:17:36,720 --> 00:17:38,230 -WELL, WHAT DO YOU EXPECT? 359 00:17:38,230 --> 00:17:40,450 YOU DIDN'T SEE THE LOOK HE GAVE ME. 360 00:17:40,450 --> 00:17:42,870 OH, AND THE POLICEMAN SAID THAT IF JIM HADN'T THROWN 361 00:17:42,870 --> 00:17:45,130 HIMSELF IN THE RIVER WHEN HE DID, HE-- 362 00:17:48,910 --> 00:17:50,160 -LADIES. 363 00:17:51,770 --> 00:17:53,410 -OH. 364 00:17:53,410 --> 00:17:56,620 -I THINK IT'S OUR LABOR FORCE. 365 00:17:56,620 --> 00:17:58,570 -COOL HAND LUKE AND THE GANG. 366 00:18:08,830 --> 00:18:09,380 -NOT GOING TO EAT YOU. 367 00:18:09,380 --> 00:18:11,940 NOT HERE IN BROAD DAYLIGHT, ANYWAY. 368 00:18:11,940 --> 00:18:14,240 -IT'S ALL VERY WELL FOR AN EX-COPPER. 369 00:18:14,240 --> 00:18:16,740 YOU HAVE EXPERIENCE WITH LAW BREAKERS. 370 00:18:16,740 --> 00:18:18,880 WHAT IF ONE OF THEM TRIED TO MAKE A RUN FOR IT? 371 00:18:18,880 --> 00:18:20,220 -THERE'S NO WOODEN HORSE. 372 00:18:20,220 --> 00:18:21,810 AND STEVE MCQUEEN HIMSELF COULDN'T GET A 373 00:18:21,810 --> 00:18:23,190 MOTORBIKE OVER THAT WALL. 374 00:18:23,190 --> 00:18:25,140 -WELL, HE'S NOT GOING TO BE MUCH OF AN OBSTACLE. 375 00:18:25,140 --> 00:18:28,420 -DON'T BE MISLEAD BY OUR MR. COUTTS. 376 00:18:28,420 --> 00:18:30,980 HE'S LIKE A COILED SPRING. 377 00:18:30,980 --> 00:18:32,170 -HELLO. 378 00:18:32,170 --> 00:18:36,270 -WOULD YOU LIKE ME TO INTRODUCE THE BOYS? 379 00:18:36,270 --> 00:18:40,040 -HUXTON RYMER, MP. 380 00:18:40,040 --> 00:18:42,170 RING ANY BELLS? 381 00:18:42,170 --> 00:18:43,840 -OOOH. 382 00:18:43,840 --> 00:18:46,330 -GEORGE MARSDEN PLUMMER. 383 00:18:46,330 --> 00:18:48,200 AN EXAMPLE TO US ALL. 384 00:18:48,200 --> 00:18:51,110 IF YOU'RE GOING TO BURN DOWN A BUILDING, AND CLAIM FROM FIVE 385 00:18:51,110 --> 00:18:54,690 DIFFERENT INSURANCE COMPANIES, MAKE SURE YOU PUT THE CLAIM 386 00:18:54,690 --> 00:18:58,440 FORMS IN THE RIGHT ENVELOPES. 387 00:18:58,440 --> 00:18:59,910 -YOU LOOK FAMILIAR. 388 00:18:59,910 --> 00:19:01,160 -I'M RUPERT WALDO. 389 00:19:03,630 --> 00:19:05,230 CELEBRITY CHEF. 390 00:19:05,230 --> 00:19:07,920 YOU MAY HAVE SEEN MY SHOW ON THE HOME AND KITCHEN CHANNEL. 391 00:19:07,920 --> 00:19:10,430 -YOU DIDN'T POISON SOMEONE ON AIR, DID YOU? 392 00:19:10,430 --> 00:19:12,490 -FRAUD, I'M AFRAID. 393 00:19:12,490 --> 00:19:15,510 THOSE, UH, RECIPE BOOKS WITH MY NAME ON THEM. 394 00:19:15,510 --> 00:19:16,960 DIDN'T WRITE A SINGLE ONE OF THEM. 395 00:19:16,960 --> 00:19:18,580 -THEY PUT YOU IN JAIL FOR THAT? 396 00:19:18,580 --> 00:19:22,510 -WELL, PLUS A SMALL MATTER OF MISSTATED PROFITS AND THE 397 00:19:22,510 --> 00:19:24,460 INLAND REVENUE. 398 00:19:24,460 --> 00:19:27,660 -SO WHAT ARE YOU ALL DOING HERE? 399 00:19:27,660 --> 00:19:33,040 -WE ARE ON LOAN TO MR. FRAZER FROM BLEAKMOOR GRANGE. 400 00:19:33,040 --> 00:19:35,680 HE'S DONE A DEAL WITH THE GOVERNOR. 401 00:19:35,680 --> 00:19:38,910 HE HAS AN EYE FOR A BARGAIN, MR. FRAZER. 402 00:19:38,910 --> 00:19:42,220 I BET HE GOT YOU CHEAP. 403 00:19:42,220 --> 00:19:44,360 -UM, ANY CHANCE OF A LOOK AT A PLAN? 404 00:19:47,620 --> 00:19:50,540 -THERE'S BEEN A-- A BUILDING HERE THAT DOESN'T APPEAR ON 405 00:19:50,540 --> 00:19:51,870 THE ORIGINAL PLAN. 406 00:19:51,870 --> 00:19:52,300 -NO. 407 00:19:52,300 --> 00:19:54,700 UM, NOW THIS WAS THE VICTORIAN CHAPEL. 408 00:19:54,700 --> 00:19:56,940 AS UGLY A PIECE OF JERRY-BUILDING AS EVER SPOILED 409 00:19:56,940 --> 00:19:57,700 A GARDEN. 410 00:19:57,700 --> 00:19:59,160 -IT HAD BEEN A RUIN FOR YEARS. 411 00:19:59,160 --> 00:20:01,910 WE SPENT THE LAST THREE WEEKS LOADING UP STONES FOR CARTING 412 00:20:01,910 --> 00:20:02,340 AWAY. 413 00:20:02,340 --> 00:20:05,740 -WELL, WE'LL HAVE TO, UM, DIG OUT THE FOUNDATIONS AND MAKE 414 00:20:05,740 --> 00:20:07,570 THE GROUND GOOD BEFORE WE CAN RECREATE 415 00:20:07,570 --> 00:20:09,490 THE ELIZABETHAN DESIGN. 416 00:20:09,490 --> 00:20:13,320 -WHEN THE JUDGE SAID 10 YEARS, HE NEVER MENTIONED HARD LABOR. 417 00:20:13,320 --> 00:20:16,440 -IS THIS A PROBLEM? 418 00:20:16,440 --> 00:20:17,540 -I AM KIDDING. 419 00:20:17,540 --> 00:20:19,310 WE'RE ALL VOLUNTEERS. 420 00:20:19,310 --> 00:20:20,800 YOU'RE NOT THE ONLY ONES THAT WANT TO SEE THIS GARDEN 421 00:20:20,800 --> 00:20:22,210 RESTORED, YOU KNOW. 422 00:20:22,210 --> 00:20:24,100 -HAVE YOU DONE THIS SORT OF THING BEFORE? 423 00:20:24,100 --> 00:20:26,130 -BEST WINDOW BOX DISPLAY KETTLE HAMPTON 424 00:20:26,130 --> 00:20:28,080 FLOWER SHOW LAST YEAR. 425 00:20:28,080 --> 00:20:30,050 -(PROUDLY) RUNNERS-UP BEST GARDEN (SLIGHTLY CHAGRINED) IN 426 00:20:30,050 --> 00:20:32,830 A SMALL, ENCLOSED YARD. 427 00:20:32,830 --> 00:20:35,550 -THEY'D HAVE GIVEN US BEST HANGING BASKET. 428 00:20:35,550 --> 00:20:37,020 BUT THEY WOULDN'T LET US HAVE A LADDER. 429 00:20:37,020 --> 00:20:39,990 [LAUGHTER] 430 00:20:46,410 --> 00:20:48,180 -OH, ROSEMARY? 431 00:20:48,180 --> 00:20:49,430 -WHAT? 432 00:20:53,630 --> 00:20:56,080 -WHAT DO YOU MAKE OF THESE HOLES? 433 00:20:56,080 --> 00:20:58,740 -WE'VE BEEN SEEING THEM ALL OVER. 434 00:20:58,740 --> 00:21:04,530 -OH, I DIDN'T KNOW MOLES BROUGHT THEIR OWN SPADES. 435 00:21:04,530 --> 00:21:06,750 -HMM. 436 00:21:06,750 --> 00:21:10,900 -MAYBE THAT'S WHY JIM WAS SNEAKING INTO THE GARDEN. 437 00:21:10,900 --> 00:21:14,140 -DIGGING IN THE CHAPEL RUINS FOR SOME ANCIENT FAMILY 438 00:21:14,140 --> 00:21:14,610 TREASURE? 439 00:21:14,610 --> 00:21:16,480 -HMM. 440 00:21:16,480 --> 00:21:17,970 HAVE THEY FOUND JIM? 441 00:21:17,970 --> 00:21:19,900 -NOBODY FOUND ANYTHING. 442 00:21:19,900 --> 00:21:23,120 LOOK, I KNOW YOU'RE VERY COMFORTABLE HERE. 443 00:21:23,120 --> 00:21:24,900 BUT, WOULD YOU MIND AWFULLY STAYING WITH ME 444 00:21:24,900 --> 00:21:25,730 IN THE HOUSE TONIGHT? 445 00:21:25,730 --> 00:21:27,320 MARTIN CAN'T GET BACK UNTIL MORNING. 446 00:21:27,320 --> 00:21:28,320 -WELL, IF YOU INSIST. 447 00:21:28,320 --> 00:21:29,140 COME ON, ROSEMARY. 448 00:21:29,140 --> 00:21:31,110 WE CAN'T LET SUZANNE DOWN. 449 00:21:36,030 --> 00:21:38,490 -AHH. 450 00:21:38,490 --> 00:21:39,470 AH HAH HAH. 451 00:21:39,470 --> 00:21:40,370 -ENJOY IT WHILE YOU CAN. 452 00:21:40,370 --> 00:21:40,960 -OH, I WILL. 453 00:21:40,960 --> 00:21:44,220 I WILL. 454 00:21:44,220 --> 00:21:45,690 [CHILDREN'S VOICES] 455 00:21:45,690 --> 00:21:47,210 -TOBY. 456 00:21:47,210 --> 00:21:48,490 TIM. 457 00:21:48,490 --> 00:21:50,860 BACK INTO BED RIGHT NOW, AND STAY THERE. 458 00:21:50,860 --> 00:21:52,700 MOMMY'S GOT FRIENDS ROUND. 459 00:21:52,700 --> 00:21:54,660 [CHILDREN'S VOICES INDISTINCTLY FROM UPSTAIRS] 460 00:22:00,060 --> 00:22:03,520 -AS LONG AS THEY STAY UPSTAIRS AFTER 8 O'CLOCK, THAT'S ALL 461 00:22:03,520 --> 00:22:06,100 THE VICTORY I ASK FOR. 462 00:22:06,100 --> 00:22:08,030 -AH, WHO'S JOINING US? 463 00:22:08,030 --> 00:22:08,980 -GWYNNE. 464 00:22:08,980 --> 00:22:10,690 YOU MET HER YESTERDAY. 465 00:22:10,690 --> 00:22:12,790 SHE'S MY BEST FRIEND IN THE VILLAGE. 466 00:22:12,790 --> 00:22:17,380 AND SHE WAS MARTIN'S FIRST GIRLFRIEND, I KNOW. 467 00:22:17,380 --> 00:22:18,850 HE TELLS EVERYONE. 468 00:22:18,850 --> 00:22:20,810 AND THEN HE TELLS THEM NOT TO MENTION IT TO ME. 469 00:22:20,810 --> 00:22:23,560 -(LAUGHING) BLESS HIM. 470 00:22:23,560 --> 00:22:26,260 -CHEERS. 471 00:22:26,260 --> 00:22:31,660 [PHONE RINGING] 472 00:22:31,660 --> 00:22:34,600 -WHOEVER IT IS, I'VE HAD ENOUGH FOR ONE DAY. 473 00:22:34,600 --> 00:22:38,320 -THEY MIGHT HAVE FOUND HIM. 474 00:22:38,320 --> 00:22:40,820 -WELL, THAT'S THE LAST THING I WANT TO THINK ABOUT. 475 00:22:40,820 --> 00:22:42,350 MARTIN (ON ANSWERING MACHINE): HELLO, LOVE. 476 00:22:42,350 --> 00:22:45,590 OLD HAUSERSTOKES SAYS I CAN TAKE THE REST OF THE WEEK OFF 477 00:22:45,590 --> 00:22:46,980 ONCE I'VE COVERED THE CUSTODY HEARING. 478 00:22:46,980 --> 00:22:50,830 SO I'LL DEFINITELY BE HOME BY TOMORROW, I PROMISE. 479 00:22:50,830 --> 00:22:52,730 I'LL TRY AND BE BACK BY NIGHT. 480 00:22:52,730 --> 00:22:53,980 [DISHES CLANKING] 481 00:22:57,020 --> 00:22:59,660 -BY THE WAY, I STOPPED BY AND FED JIM'S CHICKENS ON THE WAY 482 00:22:59,660 --> 00:22:59,780 OVER. 483 00:22:59,780 --> 00:23:00,500 -OH, THANKS. 484 00:23:00,500 --> 00:23:02,820 -OK. 485 00:23:02,820 --> 00:23:06,820 -HAS ANYBODY ANY IDEA WHAT MADE HIM DO IT? 486 00:23:06,820 --> 00:23:08,390 -NOBODY WAS THAT CLOSE TO HIM. 487 00:23:08,390 --> 00:23:10,480 NOBODY WANTED TO BE. 488 00:23:10,480 --> 00:23:12,540 -OH, THERE'LL BE SO MUCH TO DO. 489 00:23:12,540 --> 00:23:14,800 THERE'S THE WHOLE HOUSE TO CLEAR. 490 00:23:14,800 --> 00:23:17,500 -WE DON'T EVEN KNOW THAT HE'S DEAD YET. 491 00:23:17,500 --> 00:23:19,980 -BLESS YOU FOR HELPING, BUT YOU DON'T INTERRUPT RAPIDS 492 00:23:19,980 --> 00:23:21,640 DOWNSTREAM. 493 00:23:21,640 --> 00:23:23,760 -HE DIDN'T GET OUT BEFORE THAT? 494 00:23:23,760 --> 00:23:25,010 -HE DIDN'T GET OUT. 495 00:23:31,450 --> 00:23:34,700 -WHY DID MARTIN HAVE TO WARN HIM OFF? 496 00:23:34,700 --> 00:23:37,190 -JIM COULD NEVER APPRECIATE THE FINE LINE BETWEEN BEING A 497 00:23:37,190 --> 00:23:39,540 WELCOMED GUEST AND A TRESPASSER. 498 00:23:39,540 --> 00:23:40,400 -(ADMONISHINGLY) GWYNNE. 499 00:23:40,400 --> 00:23:42,270 GWYNNE (OFFSCREEN): WELL, LOOK AT THE NUMBER OF TIMES MARTIN 500 00:23:42,270 --> 00:23:44,160 CAUGHT HIM ON THE PROPERTY. 501 00:23:44,160 --> 00:23:45,980 YOU SAW FOR YOURSELVES. 502 00:23:45,980 --> 00:23:47,200 NEVER MIND SHE'S HERE ON HER OWN WITH THE 503 00:23:47,200 --> 00:23:48,380 CHILDREN ALL WEEK. 504 00:23:48,380 --> 00:23:49,810 [KNOCKING ON DOOR] 505 00:23:49,810 --> 00:23:52,200 [DOOR OPENS] 506 00:23:52,200 --> 00:23:55,560 -OH, THAT'LL BE FERN. 507 00:23:55,560 --> 00:23:58,230 I TOLD HER TO CALL BY AFTER WORK IF SHE NEEDS A LIFT HOME. 508 00:24:05,270 --> 00:24:06,970 YOU'RE EARLY, DARLING. 509 00:24:06,970 --> 00:24:08,460 -ONLY THREE TABLES, AND THE TIPS WERE LOUSY. 510 00:24:11,410 --> 00:24:12,630 -DO YOU WANT ANYTHING TO EAT? 511 00:24:12,630 --> 00:24:15,850 -OH, CHEF MADE ME SOME CHIPS. 512 00:24:15,850 --> 00:24:17,580 WHAT WERE YOU TALKING ABOUT? 513 00:24:17,580 --> 00:24:20,390 -I'LL GIVE YOU ONE GUESS. 514 00:24:20,390 --> 00:24:23,020 -WELL, I SAW JIM HANGING OUT HERE ON FRIDAY NIGHT. 515 00:24:23,020 --> 00:24:24,360 -WHEN? 516 00:24:24,360 --> 00:24:25,790 -WHEN I WAS WALKING TO WORK. 517 00:24:25,790 --> 00:24:27,790 HE WAS OUT THERE ON THE LANE, OUTSIDE THE GATES. 518 00:24:27,790 --> 00:24:29,070 I RECKON HE DIDN'T WANT ME TO SEE HIM 519 00:24:29,070 --> 00:24:31,170 POSTING ONE OF HIS LETTERS. 520 00:24:31,170 --> 00:24:33,530 -YOU MEAN ONE OF THE LETTERS HE SENT TO THE LOCAL PAPER? 521 00:24:33,530 --> 00:24:34,990 -JIM WAS HARMLESS. 522 00:24:34,990 --> 00:24:36,590 -HE COULD HAVE A NASTY MIND WHEN IT 523 00:24:36,590 --> 00:24:37,690 CAME TO CERTAIN PEOPLE. 524 00:24:37,690 --> 00:24:38,330 -GWYNNE! 525 00:24:38,330 --> 00:24:39,580 PLEASE. 526 00:24:59,800 --> 00:25:02,250 -WHAT ABOUT SOME ACIDIC FERTILIZER? 527 00:25:02,250 --> 00:25:03,740 -SEE WHAT I'VE GOT IN. 528 00:25:15,220 --> 00:25:16,470 -JIM? 529 00:25:39,670 --> 00:25:40,170 SORRY. 530 00:25:40,170 --> 00:25:41,420 SORRY. 531 00:25:53,640 --> 00:25:56,140 [CAR HONKING] 532 00:26:49,730 --> 00:26:51,570 -THEY FOUND JIM'S BODY IN THE RIVER. 533 00:26:51,570 --> 00:26:53,280 MARTIN'S JUST BEEN TO IDENTIFY HIM. 534 00:27:10,570 --> 00:27:15,020 -JUST STAND UP, SAY WHAT YOU SAW, AND SIT DOWN. 535 00:27:15,020 --> 00:27:16,800 THAT'S ALL THERE IS TO IT. 536 00:27:16,800 --> 00:27:17,250 -MORNING. 537 00:27:17,250 --> 00:27:17,810 -GOOD MORNING. 538 00:27:17,810 --> 00:27:18,210 -MORNING. 539 00:27:18,210 --> 00:27:20,730 -ROSEMARY, I THINK OUGHT TO WARN YOU. 540 00:27:20,730 --> 00:27:23,960 DO YOU KNOW WHO THE CORONER FOR THE LYVEDON BOROUGH IS? 541 00:27:23,960 --> 00:27:24,620 -NO. 542 00:27:24,620 --> 00:27:27,730 -WELL, TECHNICALLY, IT'S SUPPOSED TO BE ME. 543 00:27:27,730 --> 00:27:30,800 BUT WHEN THERE'S A CLASH OF INTEREST, WHAT HAPPENS IS-- 544 00:27:30,800 --> 00:27:33,230 -SURELY MARTIN CAN'T BE EXPECTED TO PRESENT OVER HIS 545 00:27:33,230 --> 00:27:34,630 OWN COUSIN'S INQUEST. 546 00:27:34,630 --> 00:27:35,760 -NO, OF COURSE NOT. 547 00:27:35,760 --> 00:27:37,700 WHEN SOMETHING LIKE THIS HAPPENS, THEY SWAP DUTIES WITH 548 00:27:37,700 --> 00:27:39,430 THE PART-TIMER FROM THE NEXT BOROUGH. 549 00:27:39,430 --> 00:27:41,420 -WELL, WHY WOULD THAT BE A PROBLEM FOR ROSEMARY? 550 00:27:41,420 --> 00:27:42,690 -WARWICK JARDINE? 551 00:27:42,690 --> 00:27:43,940 YOU'RE JOKING. 552 00:27:46,640 --> 00:27:49,510 -THE BODY WAS WASHED DOWN RIVER, AND WAS RETRIEVED FROM 553 00:27:49,510 --> 00:27:54,170 THE WEIR AT 11 O'CLOCK ON TUESDAY MORNING. 554 00:27:54,170 --> 00:27:55,540 IT WAS IN A VERY POOR CONDITION. 555 00:27:55,540 --> 00:27:58,560 BUT MR. MARTIN FRAZER WAS ABLE TO IDENTIFY HIS 556 00:27:58,560 --> 00:28:00,100 COUSIN AT THE SCENE. 557 00:28:00,100 --> 00:28:04,660 -AND THE REASON FOR THAT POOR CONDITION BEING-- 558 00:28:04,660 --> 00:28:06,360 -ALL THE ROCKS AND STONES. 559 00:28:06,360 --> 00:28:08,510 IT'S A VERY FAST-MOVING RIVER. 560 00:28:08,510 --> 00:28:12,290 OUR PATHOLOGIST SAID IT WAS THE BATTERING THAT KILLED HIM. 561 00:28:12,290 --> 00:28:15,600 -THANK YOU, CONSTABLE STUART. 562 00:28:15,600 --> 00:28:20,940 AND NOW I'D LIKE TO HEAR FROM MISS ROSEMARY BOXER. 563 00:28:28,660 --> 00:28:33,290 -I SAW JAMES FRAZER OUT ON THE STEPPING STONES. 564 00:28:33,290 --> 00:28:37,690 HE SEEMED TO BE WAITING FOR SOMETHING. 565 00:28:37,690 --> 00:28:41,630 AND HE LOOKED STRAIGHT AT ME FOR A MOMENT. 566 00:28:41,630 --> 00:28:45,860 AND THEN HE JUST LET HIMSELF FALL INTO THE WATER. 567 00:28:45,860 --> 00:28:49,470 -DID HE STRUGGLE OR CRY OUT? 568 00:28:49,470 --> 00:28:52,910 -NO, HE WAS CARRIED AWAY IN A MATTER OF SECONDS. 569 00:28:52,910 --> 00:28:55,610 -SO, IN EFFECT, YOU WERE THE LAST PERSON TO SEE HIM ALIVE. 570 00:29:09,560 --> 00:29:11,470 MISS BOXER? 571 00:29:11,470 --> 00:29:15,190 -I THOUGHT I SAW HIM AGAIN AT THE TUESDAY MARKET. 572 00:29:15,190 --> 00:29:18,020 IT WAS ONLY FOR A SECOND, AND I--I COULDN'T BE SURE. 573 00:29:18,020 --> 00:29:22,260 BUT IT ISN'T A FACE THAT I'D QUICKLY FORGET. 574 00:29:22,260 --> 00:29:26,870 -MISS BOXER, I WANT YOU TO THINK VERY CAREFULLY ABOUT 575 00:29:26,870 --> 00:29:29,580 WHAT YOU'RE TELLING US. 576 00:29:29,580 --> 00:29:33,140 -I THOUGHT I SAW HIM, BUT I COULDN'T SWEAR TO IT. 577 00:29:33,140 --> 00:29:35,620 -MISS BOXER, THIS IS A CORONER'S COURT. 578 00:29:35,620 --> 00:29:37,350 YOU ARE SWEARING TO IT. 579 00:29:41,450 --> 00:29:43,670 -IN THAT CASE, I WOULD HAVE TO SAY THAT I 580 00:29:43,670 --> 00:29:45,260 WAS PROBABLY MISTAKEN. 581 00:29:48,330 --> 00:29:50,700 -THANK YOU. 582 00:29:50,700 --> 00:29:51,490 -YOU CAN FORGET IT NOW. 583 00:29:51,490 --> 00:29:52,420 IT'S OVER. 584 00:29:52,420 --> 00:29:56,670 -ANYTHING TO SAY ABOUT THE SUICIDE VERDICT, MISS BOXER? 585 00:29:56,670 --> 00:29:57,920 THANK YOU. 586 00:30:00,690 --> 00:30:02,330 -WELL, HE MIGHT HAVE WAITED FOR AN ANSWER. 587 00:30:02,330 --> 00:30:02,940 -HE'S A JOURNALIST. 588 00:30:02,940 --> 00:30:05,190 HE CAN MAKE UP HIS OWN-- 589 00:30:05,190 --> 00:30:05,520 -YOU POOR THING. 590 00:30:05,520 --> 00:30:06,660 ARE YOU ALL RIGHT? 591 00:30:06,660 --> 00:30:07,810 -OH, I'M FINE. 592 00:30:07,810 --> 00:30:09,650 -YOU MUSTN'T TAKE ANY OF THAT AWFUL SUMMING UP PERSONALLY. 593 00:30:09,650 --> 00:30:12,110 -YEAH, ANYONE CAN HAVE A WILD AND IRRATIONAL FLIGHT OF 594 00:30:12,110 --> 00:30:13,170 FANTASY AT ANY TIME. 595 00:30:13,170 --> 00:30:14,750 I KNOW I CAN. 596 00:30:14,750 --> 00:30:16,490 -THANK YOU. 597 00:30:16,490 --> 00:30:17,150 -I, UH-- 598 00:30:17,150 --> 00:30:21,450 I WONDERED IF YOU HAD A CHANCE TO MENTION YOU-KNOW-WHAT TO 599 00:30:21,450 --> 00:30:23,840 YOU-KNOW-WHO? 600 00:30:23,840 --> 00:30:25,270 -WHAT? 601 00:30:25,270 --> 00:30:26,700 -ABOUT POSING. 602 00:30:26,700 --> 00:30:29,570 -NO, I DIDN'T SEE THE ACTUAL EVENT. 603 00:30:29,570 --> 00:30:31,690 -NO, I DON'T THINK SHE'S INTERESTED. 604 00:30:31,690 --> 00:30:32,940 -OH. 605 00:30:38,990 --> 00:30:41,060 -YEAH, I'M SORRY, MARTIN. 606 00:30:41,060 --> 00:30:43,640 BUT IF WARWICK JARDINE HADN'T PUT ME ON THE SPOT, I WOULDN'T 607 00:30:43,640 --> 00:30:44,900 EVEN HAVE MENTIONED IT. 608 00:30:44,900 --> 00:30:47,390 -YOU COULD SEE WHAT I'M GETTING AT, THOUGH, CAN'T YOU? 609 00:30:47,390 --> 00:30:49,680 THE LAST THING I WANT IS SUZANNE AND THE KIDS BEING 610 00:30:49,680 --> 00:30:50,770 SPOOKED WHEN I'M NOT HERE. 611 00:30:50,770 --> 00:30:53,740 -I'M NOT SAYING THAT THEY'RE GOING TO MEET THEIR DEAD UNCLE 612 00:30:53,740 --> 00:30:55,910 JIM ON THE DOORSTEP IN THE MOONLIGHT. 613 00:30:55,910 --> 00:30:57,030 -I SAW HIM DEAD. 614 00:30:57,030 --> 00:30:58,040 YOU SAW HIM DIE. 615 00:30:58,040 --> 00:30:59,470 WHAT ARE YOU SUGGESTING, ROSEMARY? 616 00:30:59,470 --> 00:31:00,850 SOME KIND OF FUNNY BUSINESS? 617 00:31:00,850 --> 00:31:03,080 -SHE WAS UNDER OATH, MARTIN. 618 00:31:03,080 --> 00:31:05,850 SHE HAD TO SAY WHAT SHE BELIEVED SHE SAW. 619 00:31:05,850 --> 00:31:07,610 -I'LL TELL YOU WHAT. 620 00:31:07,610 --> 00:31:09,250 DO THIS, AND YOU'LL BE DOING ME A BIG 621 00:31:09,250 --> 00:31:11,880 FAVOR AT THE SAME TIME. 622 00:31:11,880 --> 00:31:13,350 GO TO JIM'S COTTAGE. 623 00:31:13,350 --> 00:31:16,590 SORT OUT HIS BLOODY ANIMALS FOR ME. 624 00:31:16,590 --> 00:31:19,960 YOU HAVE MY PERMISSION TO SNOOP, SNEAK, AND CRAWL ALL 625 00:31:19,960 --> 00:31:20,530 OVER THAT PLACE. 626 00:31:20,530 --> 00:31:23,130 AND IF YOU FIND ANYTHING THAT SMACKS OF DODGY BUSINESS, TELL 627 00:31:23,130 --> 00:31:24,020 CONSTABLE STUART. 628 00:31:24,020 --> 00:31:24,730 TELL THE WORLD. 629 00:31:24,730 --> 00:31:25,950 BUT MOST OF ALL, TELL ME. 630 00:31:25,950 --> 00:31:28,220 BECAUSE I WANT TO BE THE FIRST TO KNOW. 631 00:31:28,220 --> 00:31:28,540 -SHH. 632 00:31:28,540 --> 00:31:30,300 -AS IF THIS ISN'T EMBARRASSING ENOUGH. 633 00:31:30,300 --> 00:31:30,590 -I-- 634 00:31:30,590 --> 00:31:33,090 I'M SERIOUS. 635 00:31:33,090 --> 00:31:35,270 JIM WAS MY COUSIN, BUT WE GREW UP LIKE BROTHERS. 636 00:31:35,270 --> 00:31:38,250 HE WAS THE BEST FRIEND A BOY COULD ASK FOR. 637 00:31:38,250 --> 00:31:41,290 IT BROKE MY HEART TO SEE HOW HE WENT AS HE GOT OLDER. 638 00:31:41,290 --> 00:31:43,100 HOW DO YOU THINK IT FELT TO WATCH HIM TURN INTO THE 639 00:31:43,100 --> 00:31:44,430 VILLAGE NUTTER? 640 00:31:44,430 --> 00:31:45,240 -MARTIN. 641 00:31:45,240 --> 00:31:46,690 -WELL, THAT'S WHAT HE WAS. 642 00:31:46,690 --> 00:31:49,390 THAT WAS NOT THE JIM THAT I KNEW. 643 00:31:49,390 --> 00:31:52,510 THE JIM THAT I KNEW WAS HERE. 644 00:31:52,510 --> 00:31:56,720 THE MAN THAT YOU SAW WAS A STRANGER TO ME. 645 00:31:56,720 --> 00:31:58,640 I DON'T KNOW WHAT PUSHED HIM OVER THE EDGE. 646 00:31:58,640 --> 00:32:02,020 BUT IT ONLY PUT HIM IN A KINDER PLACE. 647 00:32:02,020 --> 00:32:04,740 -PERHAPS WE SHOULD DISCUSS THIS AGAIN WHEN WE'RE ALL A 648 00:32:04,740 --> 00:32:06,240 LITTLE BIT LESS WORKED UP. 649 00:32:12,560 --> 00:32:13,810 (SHOCKED) ROSEMARY. 650 00:32:18,620 --> 00:32:21,540 LAURA (OFFSCREEN): I DON'T BELIEVE YOU. 651 00:32:21,540 --> 00:32:23,690 ROSEMARY (OFFSCREEN): WELL, YOU CAN'T EXPECT MARTIN TO 652 00:32:23,690 --> 00:32:25,510 MOVE CHICKENS AND A GOAT IN THE FAMILY PEUGEOT. 653 00:32:25,510 --> 00:32:26,760 -YOU KNOW WHAT I'M TALKING ABOUT. 654 00:32:29,010 --> 00:32:31,510 -CONSTABLE STUART SAID THAT IF JIM FRAZER HADN'T TOPPED 655 00:32:31,510 --> 00:32:34,700 HIMSELF, SOMEBODY AROUND HERE WOULD HAVE MURDERED HIM. 656 00:32:34,700 --> 00:32:37,140 WELL, WHAT IF SOMEBODY HAS? 657 00:32:37,140 --> 00:32:40,050 -HE STILL WOULDN'T BE ALIVE, AND WALKING AROUND THE MARKET. 658 00:32:40,050 --> 00:32:43,530 -UNLESS THE JIM WE SAW IN THE GARDEN WASN'T MARTIN'S COUSIN, 659 00:32:43,530 --> 00:32:46,150 BUT SOMEONE PRETENDING TO BE HIM. 660 00:32:46,150 --> 00:32:46,640 -WHY? 661 00:32:46,640 --> 00:32:49,140 -BECAUSE THE REAL COUSIN JIM'S ALREADY 662 00:32:49,140 --> 00:32:50,520 DEAD, AND IN THE RIVER. 663 00:32:57,370 --> 00:32:59,880 -WHAT ARE YOUR EXPERIENCE WITH GOATS? 664 00:32:59,880 --> 00:33:01,130 -NONE. 665 00:33:04,920 --> 00:33:05,060 -CHICKENS? 666 00:33:05,060 --> 00:33:07,610 -ONLY IN SOUP OR SANDWICH FORM. 667 00:33:10,280 --> 00:33:13,570 -GWYNNE SAID SHE'S BEEN POPPING AROUND TO FEED THEM. 668 00:33:13,570 --> 00:33:15,940 POOR THINGS. 669 00:33:15,940 --> 00:33:17,190 LOST YOUR DADDY? 670 00:33:19,430 --> 00:33:20,680 WHAT? 671 00:33:29,740 --> 00:33:30,370 GO ON. 672 00:33:30,370 --> 00:33:31,870 NO ONE'S GOING TO JUMP OUT AT YOU. 673 00:33:31,870 --> 00:33:34,680 -I WOULDN'T BE SO SURE. 674 00:33:34,680 --> 00:33:36,080 -(WHISPERED DISAPPROVINGLY) ROSEMARY. 675 00:33:36,080 --> 00:33:38,490 (NORMAL VOLUME) WHY WOULD ANYONE MURDER JIM, AND THEN 676 00:33:38,490 --> 00:33:41,030 PRETEND TO BE HIM JUST TO CHUCK HIMSELF IN THE RIVER? 677 00:33:41,030 --> 00:33:44,320 -SO EVERYONE WOULD ASSUME IT WAS SUICIDE WHEN JIM'S ACTUAL 678 00:33:44,320 --> 00:33:46,920 BODY TURNED UP DOWNSTREAM. 679 00:33:46,920 --> 00:33:48,970 -BEARING THE MARKS OF A MURDER VICTIM? 680 00:33:48,970 --> 00:33:49,970 -NO, NOT NECESSARILY. 681 00:33:49,970 --> 00:33:52,930 YOU'D HAVE A HARD TIME SORTING OUT THE INJURIES AFTER THE 682 00:33:52,930 --> 00:33:56,090 RIVER BED PINBALL. 683 00:33:56,090 --> 00:33:58,460 -WHY DIDN'T YOU TRY AND FIND SOME PICTURE ID? 684 00:33:58,460 --> 00:34:00,470 SURELY THAT WOULD SETTLE THE QUESTION ONCE AND FOR ALL. 685 00:34:03,700 --> 00:34:04,340 -HELP ME LOOK. 686 00:34:04,340 --> 00:34:06,840 -NO, I SHALL BE ESTABLISHING A RAPPORT WITH A GOAT. 687 00:34:13,220 --> 00:34:14,620 -WHAT WILL THEY THINK OF NEXT? 688 00:34:50,760 --> 00:34:55,320 -IF YOU NEVER TRAVEL, YOU DON'T NEED A PASSPORT. 689 00:34:55,320 --> 00:34:57,500 AND IF HE DIDN'T HAVE A CAR-- 690 00:34:57,500 --> 00:34:59,000 -NOT ONE PICTURE OF HIM, THOUGH. 691 00:34:59,000 --> 00:35:01,320 NOT ANYWHERE IN THE HOUSE. 692 00:35:01,320 --> 00:35:04,330 -PEOPLE KEEP PICTURES OF OTHER PEOPLE. 693 00:35:04,330 --> 00:35:06,140 THAT DOESN'T HAVE TO BE SIGNIFICANT. 694 00:35:06,140 --> 00:35:07,660 -UNLESS THAT MEANS THAT SOMEBODY WENT THROUGH THE 695 00:35:07,660 --> 00:35:08,360 PLACE BEFORE US. 696 00:35:08,360 --> 00:35:09,610 I'D CALL THAT SIGNIFICANT. 697 00:35:09,610 --> 00:35:12,210 -YOU HEARD MARTIN. 698 00:35:12,210 --> 00:35:17,190 HIS LANDLORD'S KEY WAS THE ONLY SPARE. 699 00:35:17,190 --> 00:35:18,720 -STRANGE. 700 00:35:18,720 --> 00:35:21,750 EVEN MARTIN DIDN'T HAVE A PICTURE. 701 00:35:21,750 --> 00:35:25,730 AND SPEAKING OF MARTIN, HE SEEMS TO BE THE ONLY PERSON 702 00:35:25,730 --> 00:35:28,230 AROUND HERE WHO DOESN'T GET A MENTION IN JIM'S 703 00:35:28,230 --> 00:35:31,130 LETTERS TO THE PRESS. 704 00:35:31,130 --> 00:35:32,490 I WONDER IF THEY'RE ALL HERE. 705 00:35:37,230 --> 00:35:39,220 -WHAT HAVE YOU GOT THERE? 706 00:35:39,220 --> 00:35:40,730 -CARBON COPIES. 707 00:35:40,730 --> 00:35:43,720 -(APPALLED) YOU-- YOU NEVER TOOK THEM FROM THE COTTAGE. 708 00:35:43,720 --> 00:35:46,720 -WELL, I'M ONLY DOING WHAT MARTIN TOLD ME TO. 709 00:35:46,720 --> 00:35:49,980 [EXASPERATED SNORT] 710 00:35:49,980 --> 00:35:53,150 -OH, LISTEN TO THIS ONE. 711 00:35:53,150 --> 00:35:55,600 "SHE HAS ACCESS TO ALL THOSE DRUGS AT THE HOSPITAL. 712 00:35:55,600 --> 00:36:01,110 BUT SOMEONE OUGHT TO ASK HER WHAT SHE'S HOARDING IN THAT 713 00:36:01,110 --> 00:36:02,820 BRIDGE." 714 00:36:02,820 --> 00:36:03,630 -WHO? 715 00:36:03,630 --> 00:36:06,220 -KATIE STEVENS, THE ANESTHETIST. 716 00:36:06,220 --> 00:36:08,100 DRUGS! 717 00:36:08,100 --> 00:36:10,820 MAYBE JIM SAW SOMETHING THERE THAT COULD 718 00:36:10,820 --> 00:36:13,420 HAVE GOT HIM KILLED. 719 00:36:13,420 --> 00:36:14,360 -KATIE. 720 00:36:14,360 --> 00:36:17,220 -MMM. 721 00:36:17,220 --> 00:36:20,300 ONE OF US HAS A PERFECT EXCUSE TO KNOW WHO'S AROUND THE 722 00:36:20,300 --> 00:36:23,270 STEVENS' HOUSE. 723 00:36:23,270 --> 00:36:24,970 -WHO WOULD THAT BE? 724 00:36:24,970 --> 00:36:27,000 -I'M NOT THE ONE HER HUSBAND WANTS TO PAINT. 725 00:36:43,930 --> 00:36:46,420 -YOU SEE? 726 00:36:46,420 --> 00:36:48,350 -NOTHING MUCH GOT PAST HIM, DID IT? 727 00:36:48,350 --> 00:36:52,770 "SHE'S GROWING UP A TERRIBLE FLIRT, BUT THEN LOOK AT WHO 728 00:36:52,770 --> 00:36:53,900 HER FATHER WAS." 729 00:36:53,900 --> 00:36:55,460 -WHICH ONE'S THAT? 730 00:36:55,460 --> 00:36:57,920 LAURA (OFFSCREEN): THE ONE ABOUT GWYNNE'S DAUGHTER. 731 00:36:57,920 --> 00:36:58,420 ROSEMARY (OFFSCREEN): FERN? 732 00:36:58,420 --> 00:36:59,890 LAURA (OFFSCREEN): MM. 733 00:36:59,890 --> 00:37:01,860 ROSEMARY (OFFSCREEN): NOW, JUST REMEMBER. 734 00:37:01,860 --> 00:37:05,190 IF YOU SEE HIM START MIXING ROSE MADDER-- 735 00:37:05,190 --> 00:37:11,860 [LAUGHING] 736 00:37:11,860 --> 00:37:14,860 IS THAT THE FACE YOU'RE GOING TO POSE WITH? 737 00:37:14,860 --> 00:37:16,610 -I DON'T CARE HOW CHARMING HE IS. 738 00:37:16,610 --> 00:37:18,650 THE KIT STAYS ON. 739 00:37:29,080 --> 00:37:33,560 [DISTANT VOICES] 740 00:37:33,560 --> 00:37:34,810 -HELLO? 741 00:37:42,030 --> 00:37:43,750 [GROWLING] 742 00:37:43,750 --> 00:37:44,570 [LAURA YELLS] 743 00:37:44,570 --> 00:37:45,620 [SCREAMING] 744 00:37:45,620 --> 00:37:48,940 [CLICK OF CAMERA] 745 00:37:48,940 --> 00:37:51,370 -OH. 746 00:37:51,370 --> 00:37:54,120 HI, HER. 747 00:37:54,120 --> 00:37:56,660 -HELLO, MRS. THYME. 748 00:37:56,660 --> 00:37:58,380 -BE WITH YOU IN ABOUT 10 MINUTES. 749 00:37:58,380 --> 00:37:59,620 YOU WANT TO FIND THE KITCHEN? 750 00:37:59,620 --> 00:38:01,890 GRAB A COFFEE? 751 00:38:01,890 --> 00:38:04,090 THRUD THE BARBARIAN. 752 00:38:04,090 --> 00:38:06,910 REPRINTING THE WHOLE SERIES WITH NEW COVERS. 753 00:38:06,910 --> 00:38:09,990 YOU KNOW, THEY'RE ALL WRITTEN BY PSYCHIATRISTS. 754 00:38:09,990 --> 00:38:11,850 -I'LL, UH, LEAVE YOU TO IT, THEN. 755 00:38:11,850 --> 00:38:13,050 -(TEASING) FULL MONTY. 756 00:38:13,050 --> 00:38:13,940 -DAH. 757 00:38:13,940 --> 00:38:15,520 HEY, IF MY SERGEANT SAW THAT. 758 00:38:15,520 --> 00:38:16,280 -ALL RIGHT, YOU TWO. 759 00:38:16,280 --> 00:38:16,610 SETTLE DOWN. 760 00:38:16,610 --> 00:38:16,710 COME ON. 761 00:38:16,710 --> 00:38:17,960 WORK TO DO. 762 00:38:27,300 --> 00:38:28,550 -MILK? 763 00:38:45,820 --> 00:38:48,300 -FEELING PEAKY? 764 00:38:48,300 --> 00:38:50,150 THAT COULD SOLVE ALL YOUR PROBLEMS. 765 00:38:50,150 --> 00:38:52,210 -AH. 766 00:38:52,210 --> 00:38:55,440 -IT'S FOR THE CHILDREN'S LITTLE AILMENTS. 767 00:38:55,440 --> 00:38:56,690 I MAKE IT UP MYSELF. 768 00:38:59,240 --> 00:39:01,680 DO YOU KNOW HOW HOMEOPATHY WORKS? 769 00:39:01,680 --> 00:39:06,270 -YOU TAKE A HEAVILY DILUTED FORM OF SOMETHING THAT WOULD 770 00:39:06,270 --> 00:39:08,650 CAUSE THE SAME SYMPTOMS AS THE DISEASE. 771 00:39:08,650 --> 00:39:10,370 -AH, YOU'VE DONE STUDY. 772 00:39:10,370 --> 00:39:12,310 -JUST WHAT I'VE READ IN MAGAZINES. 773 00:39:12,310 --> 00:39:14,920 -OF COURSE, WHEN THEY SET THE DILUTION LEVELS, THEY FAILED 774 00:39:14,920 --> 00:39:17,520 TO REALIZE YOU NEED TO DRINK 8,000 GALLONS OF THIS STUFF TO 775 00:39:17,520 --> 00:39:20,410 GET ONE MOLECULE OF THE ADDITIVE. 776 00:39:20,410 --> 00:39:22,960 SO THEN THEY CAME UP WITH THE MEMORY OF WATER. 777 00:39:27,390 --> 00:39:29,940 -I WAS NEVER THAT GOOD AT SCIENCE. 778 00:39:29,940 --> 00:39:32,670 -YOU SEE IT DOESN'T MATTER IF THE ADDITIVE'S LONG VANISHED. 779 00:39:32,670 --> 00:39:35,070 THE WATER REMEMBERS IT. 780 00:39:35,070 --> 00:39:37,680 NOW, WHEN I MAKE UP MEDICINE FOR THE CHILDREN, I JUST TAKE 781 00:39:37,680 --> 00:39:40,120 THAT ONE STAGE FURTHER. 782 00:39:40,120 --> 00:39:44,360 I SIMPLY SHOW THE ADDITIVE TO THE WATER. 783 00:39:44,360 --> 00:39:46,000 AND THE WATER IMAGINES IT. 784 00:39:51,650 --> 00:39:55,300 -YOU DON'T BELIEVE ANY OF THIS, DO YOU? 785 00:39:55,300 --> 00:39:58,680 -I DO BELIEVE IN THE PLACEBO EFFECT. 786 00:39:58,680 --> 00:40:00,950 THE POWER OF SUGGESTION. 787 00:40:00,950 --> 00:40:06,200 AND I DON'T THINK PLAIN WATER EVER DID ANYONE MUCH HARM. 788 00:40:06,200 --> 00:40:07,510 -UNLESS YOUR NAME IS JIM FRAZER. 789 00:40:11,330 --> 00:40:16,490 COULD THE POWER OF SUGGESTION MAKE SOMEONE KILL HIMSELF? 790 00:40:16,490 --> 00:40:19,770 -I DOUBT IT. 791 00:40:19,770 --> 00:40:24,240 UNLESS THE PERSON'S WEAK AND VULNERABLE, AND DEEP IN HIS 792 00:40:24,240 --> 00:40:25,490 HEART REALLY NEEDED TO DIE. 793 00:40:30,500 --> 00:40:32,130 -CHRIS IS READY FOR YOU NOW. 794 00:40:32,130 --> 00:40:34,260 -BYE, FERN. 795 00:40:34,260 --> 00:40:36,820 DON'T FORGET YOUR COFFEE. 796 00:40:36,820 --> 00:40:38,070 -OH, THANKS. 797 00:40:46,430 --> 00:40:48,370 -OK, JUST WRAP IT AROUND YOURSELF. 798 00:40:48,370 --> 00:40:50,030 FLING IT ACROSS. 799 00:40:50,030 --> 00:40:51,370 LIKE THIS. 800 00:40:51,370 --> 00:40:52,620 -OOH, VERY SCARLET PIMPERNEL. 801 00:40:58,190 --> 00:40:59,290 WHAT'S THE BOOK CALLED? 802 00:40:59,290 --> 00:41:00,020 -"THE KING'S 803 00:41:00,020 --> 00:41:01,970 LAST MISTRESS." -OH. 804 00:41:01,970 --> 00:41:02,870 SOUNDS RACY. 805 00:41:02,870 --> 00:41:03,910 HAVE YOU READ IT? 806 00:41:03,910 --> 00:41:05,160 -MMM. 807 00:41:05,160 --> 00:41:08,040 NOW, CAN YOU LOOK SURPRISED? 808 00:41:08,040 --> 00:41:09,470 REALLY SURPRISED? 809 00:41:09,470 --> 00:41:11,020 -WELL, I'M NOT USED TO THIS. 810 00:41:11,020 --> 00:41:12,450 -YOU HERE TO WORK, OR JUST WASTE MY TIME? 811 00:41:12,450 --> 00:41:13,440 -I BEG YOUR PARDON. 812 00:41:13,440 --> 00:41:13,960 -GOOD. 813 00:41:13,960 --> 00:41:15,190 EXCELLENT. 814 00:41:15,190 --> 00:41:16,080 MORE OF THAT. 815 00:41:16,080 --> 00:41:16,860 COME ON, YOU TROLLUP. 816 00:41:16,860 --> 00:41:17,530 LET'S WORK. 817 00:41:17,530 --> 00:41:19,190 GOOD, GOOD, GOOD. 818 00:41:19,190 --> 00:41:20,530 MORE LIKE THAT, OR I'LL THROW YOU OUT OF HERE. 819 00:41:20,530 --> 00:41:21,740 [OUTRAGED GASP] 820 00:41:21,740 --> 00:41:22,040 -SHOCK! 821 00:41:22,040 --> 00:41:22,530 HORROR! 822 00:41:22,530 --> 00:41:23,030 SHOCK! 823 00:41:23,030 --> 00:41:24,510 HORROR! 824 00:41:24,510 --> 00:41:26,980 -MR.TEED! 825 00:41:26,980 --> 00:41:28,230 MR. TEED. 826 00:41:31,440 --> 00:41:33,720 -I LOVE IT WHEN WOMEN CHASE AFTER ME. 827 00:41:44,590 --> 00:41:46,790 TELL ME WHAT I CAN DO FOR YOU. 828 00:41:46,790 --> 00:41:50,880 -I WAS WONDERING IF YOU WERE RUNNING A PICTURE OF JIM 829 00:41:50,880 --> 00:41:54,400 FRAZER ALONGSIDE THE INQUEST REPORT. 830 00:41:54,400 --> 00:41:55,650 -OF COURSE. 831 00:41:57,980 --> 00:41:58,960 -AW. 832 00:41:58,960 --> 00:42:02,120 HE'S BARELY 10 YEARS OLD IN THIS. 833 00:42:02,120 --> 00:42:05,200 IS THERE NOTHING A BIT MORE RECENT? 834 00:42:05,200 --> 00:42:07,740 -ALAS, THAT'S ALL MARTIN COULD GIVE ME. 835 00:42:07,740 --> 00:42:11,020 -IS THERE NOTHING ON FILE? 836 00:42:11,020 --> 00:42:12,270 -MISS BOXER. 837 00:42:14,780 --> 00:42:18,220 THIS NEWSPAPER STAYS AFLOAT ON ONE SIMPLE PRINCIPLE. 838 00:42:18,220 --> 00:42:20,150 WHENEVER THERE'S AN EVENT IN ONE OF THE VILLAGES, I TURN UP 839 00:42:20,150 --> 00:42:22,020 AND PHOTOGRAPH THE CROWD. 840 00:42:22,020 --> 00:42:24,830 IF THOSE PEOPLE BUY THE NEWSPAPER, I BREAK EVEN. 841 00:42:24,830 --> 00:42:29,560 IF SOME OF THEM BUY A COPY OF THE PICTURE, I'M IN PROFIT. 842 00:42:29,560 --> 00:42:33,580 JAMES FRAZER, I'M SORRY TO SAY, WAS NEVER A WELCOME FACE 843 00:42:33,580 --> 00:42:35,130 IN ANY CROWD. 844 00:42:35,130 --> 00:42:37,850 -HE SENT YOU A LOT OF LETTERS, THOUGH. 845 00:42:37,850 --> 00:42:39,110 -BIG PART OF HIS PROBLEM. 846 00:42:39,110 --> 00:42:42,220 -DID YOU PRINT ANY OF THEM? 847 00:42:42,220 --> 00:42:45,200 -I LIKE MY HOUSE TOO MUCH. 848 00:42:45,200 --> 00:42:48,820 -THEY DIDN'T LOOK PRETTY CONTENTIOUS. 849 00:42:48,820 --> 00:42:50,900 -WELL, YOU COULDN'T SAY. 850 00:42:50,900 --> 00:42:53,640 I GOT TO THE POINT I DROPPED THEM IN THE SHREDDER WITHOUT 851 00:42:53,640 --> 00:42:54,610 READING THEM. 852 00:42:54,610 --> 00:42:57,000 -SO YOU WOULDN'T EVEN KNOW IF ANY OF THE GOSSIP CONCERNED 853 00:42:57,000 --> 00:42:58,430 HIS COUSIN, MARTIN? 854 00:42:58,430 --> 00:42:59,670 -HA HA HA. 855 00:42:59,670 --> 00:43:03,740 WELL, YOU KNOW, YOU'VE GOT TO UNDERSTAND SOMETHING ABOUT THE 856 00:43:03,740 --> 00:43:05,210 SETUP IN LYVEDON. 857 00:43:05,210 --> 00:43:08,960 EVERYBODY IN THIS ENTIRE VALLEY DEPENDS ON MARTIN 858 00:43:08,960 --> 00:43:12,730 FRAZER AND HIS FAMILY'S ESTATE IN SOME WAY OR ANOTHER. 859 00:43:12,730 --> 00:43:14,320 THEY RENT FROM HIM, SELL TO HIM. 860 00:43:14,320 --> 00:43:18,070 THEY WORK IN TRADES WOULD HAVE VANISHED WITHOUT HIM. 861 00:43:18,070 --> 00:43:20,140 HE KEEPS THE SCHOOL OPEN, THE-- 862 00:43:20,140 --> 00:43:22,090 THE DEVELOPERS OUT. 863 00:43:22,090 --> 00:43:25,470 -SO WHAT YOU'RE TELLING ME IS EVEN IF THERE WAS ANY SCANDAL, 864 00:43:25,470 --> 00:43:28,710 YOU'D ONLY LOSE READERS IF YOU PRINTED IT. 865 00:43:28,710 --> 00:43:30,490 -WHAT I'M TELLING YOU IS YOU'D GO A LONG WAY TO 866 00:43:30,490 --> 00:43:33,350 FIND A BETTER MAN. 867 00:43:33,350 --> 00:43:37,290 I DON'T SUPPOSE I COULD, UM, PUT YOU DOWN TO, UH, BUY A 868 00:43:37,290 --> 00:43:39,240 PICTURE, HMM? 869 00:43:39,240 --> 00:43:43,280 THIS WEEK'S PAGE THREE. 870 00:43:43,280 --> 00:43:44,850 -YOU'RE REALLY GOOD. 871 00:43:44,850 --> 00:43:47,130 -WELL, SAY IT A BIT LOUDER SO THE MRS. CAN HEAR. 872 00:43:47,130 --> 00:43:49,020 -I MEAN IT. 873 00:43:49,020 --> 00:43:49,980 YOU COULD BE IN GALLERIES. 874 00:43:49,980 --> 00:43:51,420 YOU COULD BE STINKING RICH. 875 00:43:51,420 --> 00:43:53,500 -I AM STINKING RICH. 876 00:43:53,500 --> 00:43:56,480 HAVE THE OVERDRAFT TO PROVE IT. 877 00:43:56,480 --> 00:43:58,540 -I'VE READ SOME OF THESE. 878 00:43:58,540 --> 00:44:00,780 -WELL DONE. 879 00:44:00,780 --> 00:44:02,950 -DO YOU OFTEN USE PEOPLE FROM THE VILLAGE? 880 00:44:02,950 --> 00:44:03,620 -ALWAYS. 881 00:44:03,620 --> 00:44:05,570 I LIKE TO USE REAL FACES. 882 00:44:05,570 --> 00:44:08,830 I'VE HAD JUST ABOUT EVERYONE THROUGH HERE. 883 00:44:08,830 --> 00:44:12,190 -INCLUDING JIM FRAZER. 884 00:44:12,190 --> 00:44:14,050 -THERE IS A LIMIT. 885 00:44:14,050 --> 00:44:15,600 -WHAT YOU MEAN? 886 00:44:15,600 --> 00:44:17,440 -WELL, ALL DUE DEFERENCE TO MARTIN, BUT I WOULDN'T HAVE 887 00:44:17,440 --> 00:44:20,300 THAT COUSIN OF HIS ANYWHERE NEAR MY HOUSE. 888 00:44:20,300 --> 00:44:21,360 -WHY NOT? 889 00:44:21,360 --> 00:44:26,870 -HE TRIED TO MAKE TROUBLE FOR ME AND MINE. 890 00:44:26,870 --> 00:44:28,120 GOD REST HIS SOUL. 891 00:44:30,750 --> 00:44:32,130 I SHALL SAY NO MORE. 892 00:44:35,710 --> 00:44:40,080 -UM, WHO WAS THE MODEL FOR THAT ONE? 893 00:44:40,080 --> 00:44:41,330 -I CAN'T RECALL. 894 00:44:44,960 --> 00:44:46,930 -OH. 895 00:44:46,930 --> 00:44:48,180 THANK YOU. 896 00:45:08,550 --> 00:45:09,880 -YES, MARTIN. 897 00:45:09,880 --> 00:45:13,190 YES, SHE JUST LEFT WITHIN THE LAST MINUTE. 898 00:45:13,190 --> 00:45:16,340 NOW, THE THING IS, I TOLD HER THE 899 00:45:16,340 --> 00:45:17,920 LETTERS HAD BEEN DESTROYED. 900 00:45:17,920 --> 00:45:20,180 SO WHAT SHOULD I DO? 901 00:45:20,180 --> 00:45:23,240 DO YOU KNOW IF JIM KEPT COPIES OF WHAT HE WROTE? 902 00:45:23,240 --> 00:45:25,340 THIS SOUNDS TO ME LIKE-- 903 00:45:25,340 --> 00:45:28,800 LIKE SHE'S HAD HER HANDS ON THEM. 904 00:45:28,800 --> 00:45:29,700 OK. 905 00:45:29,700 --> 00:45:30,720 NO PROBLEM. 906 00:45:30,720 --> 00:45:31,760 I'M DOING IT NOW. 907 00:45:31,760 --> 00:45:38,730 [WHIR OF SHREDDER] 63286

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