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okay so mixing and mastering
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I'm not even gonna pretend that I know
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everything about mixing and mastering
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I definitely don't know everything about mastering
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I just know how I want my drums to sound
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I know where I want my vocals to sit
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and then I get it to a place
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I bounce all the tracks down
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and send it in a very easy file
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where either Manny or Serban can
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mix it even better than me
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and sometimes
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like with we don't talk anymore
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the mix was like okay
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and then we send it to Manny
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and then he brought something out of it
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all the instruments I added
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he put it through an SSL board
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and brought the song to life
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so mixing engineers respect your mixing engineers
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but right now
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we're gonna mix prep
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we're gonna EQ compress
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all that fun stuff
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and get it sounding really
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really good um
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I like to isolate the tracks I started with
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and kind of just building it from there again
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just listening to everything as a whole
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and definitely listening to it very very low
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it's actually mute the vocals right now
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let's just focus on the instrumentation
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but I guess I
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and now they've been
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so I got to go into a master I was just about
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let's look at this face
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again in the spirit of
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not even remotely pretending that I know how to
39
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oh just subtract this and gain
40
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change this
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blah blah blah
42
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literally stick Neutron 3 on it
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is the most powerful tool you can have made by isotope
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it's a wonderful company
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it's very very nice people
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they've been very
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very kind to me
48
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um and I put it on balance medium
49
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and it's analyzing algorithmically everything
50
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going through the main output
51
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and it's gonna give a suggestion
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let's see if we like it
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okay
54
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it's kind of killing it a lot with this excited
55
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let's see what it did in the EQ boosted about
56
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I'd have to agree with that
57
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what's the sculptor doing
58
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okay so I just took the exciter off
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I don't think it needs it
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before
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just push the mids a little bit
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putting it before my cheeky little compression thingy
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I like it commit
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hide and make an active
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it's literally what I do for the base
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I think it's very very smart
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maybe some proper I don't know sounds good though
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hmm let that render out
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okay tackle this hi hat a little bit
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let's actually print all of this
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so it's not too plug and heavy
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okay that should be a lot faster
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alright let's put this
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literally put the neutron on it again
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I never do that on the high house but I feel like
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I feel like going crazy
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let's do warm what let's do balance
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definitely compressed it more before
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might bring that down a little bit
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I'm bringing No. 7 down a little bit
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because I don't agree
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I wanted to
83
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stylistically don't want to be like too much
84
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bring it down use your ear
85
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kind of cool to dip the hi hat out right there
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I love it commit
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okay let's see here
88
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I don't mind these high hats
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I might just turn them up a little bit
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still a little frequency that bothering me though
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let's do the uh neutron 2 EQ
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I think that might be better
93
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bring these joints down now and
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this little white noise thing
95
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I think we can are you literally use neutron everything
96
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what's that C
97
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maybe that's five
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see what that does
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a little less harsh
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can't really hear this open hat now
101
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bring it up
102
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hmm
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you put a little plate on it
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think it deserves to be a little wet
105
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okay down
106
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maybe these little high hats like like barely
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it's
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I don't like it I like the other one
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my favorite
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one more spacious
111
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definitely take these strings down
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let's see what neutron does to this
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Michon 3 I'd be interested to know
114
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oh I don't like what that did at all
115
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I think I had to put the reverb after let me try again
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boop boop boop
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I might just use the EQ for
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I just took the reverb off that completely
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because it rides better commit
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do do do do do do
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take my fake guitar
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honestly I don't know what I would do without neutron
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so I hear all that stuff in between there
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let's put a little gate on it to
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kind of close all that shit off
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so here's the C1
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which one do I
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think which one do I use
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I think it's this one see one come yeah
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let's do this
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no that's not it hold on
132
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this one they look so similar chop gate
133
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kind of like the sound of that
134
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I could chop it up but I don't feel like it
135
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let's put a little bit of widening on this thing um
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I know I said I don't really love using images
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but this one's all right
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before after
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hear the wow wow wow
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probably needs to be a bit more prominent
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neutron
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this lesson should just be called
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how to put neutron on your track
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I wanna make it up front
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up front please
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see what it did
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let's do a great LA today
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just to bring it up even pump it even more
149
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I like that
150
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let's print that
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I think we're almost in a good place
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let's just listen to how the vocals sit
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and then I'd bounce everything down
154
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and then bounce down an MP three
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send it to Manny as a reference mix
156
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and he'd make it 10 times better
157
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cause he has more real stuff
158
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but you don't need the real stuff to make a great song
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just helps having someone
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finish it up with the real stuff
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this is still bouncing
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oh one last thing
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I think this deserves a little bit of love
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you guessed it
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hmm
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I like I like what it did on the
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sick fix cider off
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I like the compression it's a little bit
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it's nice let's bring
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put the NS1 at the end of the chain
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to get rid of that hiss
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dope commit
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boom
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I'm hearing like a little
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I think it might be the strings
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it is and that's one what would we do without you
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just as an Alt
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there's another one that waves
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makes great noise reduction
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x noise and using it for a very very long time
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I think that works better
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hey let's listen to the music in the intro
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let's focus on that base
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um let's put it before the reverb um each round three
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and I feel like you say
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I love the panning
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too much
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I don't need to be
189
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I took the sculptor off and took the excitor off
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I love what it did with the EQ
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sick commit
192
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and keep it really really simple
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do do do do do do do do do do do
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do do do do
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I'm gonna leave the rest alone
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but let's just focus on that organ
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hmm
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so nice
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okay
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I love you I love you
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great love it print
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don't think just print
203
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will never never never will never never will
204
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never never never
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this is not one snare I think that snare is good yeah
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but just for shits and gigs
207
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you never know what neutron can do to a snare so
208
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say upfront
209
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actually quite like that a lot before
210
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hmm maybe maybe
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off the compressor
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hmm elongated it
213
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let's go to the EQ
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and just take it down just a little bit
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great print
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vocals
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I rarely do
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I'll never do this to like my vocals
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I just focus on making everything underneath
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the vocals pretty tight
221
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but I guess I just don't
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cause I'm thinking about our
223
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I want those on a different
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kind of track situation
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hopefully it doesn't get mad at me for duplicating this
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hey
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but I guess I just
228
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but I guess I sounded with the altered boy
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but I guess I nope
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but I guess I
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but I guess I just
232
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but I guess I just to
233
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but I guess I just but I guess I just don't
234
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but I guess I just don't live in real
235
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but I guess I just don't
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but I guess I can bring the fourth delay up too
237
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but I guess I just
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but I guess I
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but I guess but I guess I
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guess I'm thinking about
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guess I'm thinking about
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this right here I need some money
243
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that needs to like
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have something on it to smooth it out
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what's this
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act like I do not go and get my hopes up
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and love me love
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oh I need to put these on a different thing
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39 40
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39 40
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good
252
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I was wondering why there wasn't making a difference
253
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I can back it off Jim okay
254
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where's my come ons come on
255
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just copy paste this so we don't have to stop
256
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I like this here too and this
257
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verse two
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to this part I didn't know
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go and get my hopes up and love alright boom
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are you gonna show me thank you
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okay let's listen to this all the way up to here
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so this is a good mix
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I think it's
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if Manny were to mix
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it would be better
266
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if serving were to mix
267
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it would definitely be better
268
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but this is good enough for me to rock to
269
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and then just about bouncing down all the stems
270
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and making it easy for the mix engineers life
271
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but let's listen to what we got
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I think it's definitely
273
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definitely much
274
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much cleaner
275
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that's a little loud though
276
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I want to go down the road
277
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I mean that sounds really
278
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really much
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dramatically different from the first demo
280
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from yesterday
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so I figured I might as well show you this
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um somebody just told me recently that the volume knob
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on the master on Pro Tools
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I don't know about any other DW
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but on Pro Tools
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which is what I use
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it's before all these plugins
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so I had no idea about that
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and I could make up the game by putting an L2
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or something at the very
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very end of it
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but I start out the chain with this
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Shadow Hills
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compressor I put it on
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I'll just tell you exactly what I do
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this is what I use for everything
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mastering Discreet Steel
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on the very
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very first one
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I put this mastering setting off
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the wave C6
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which is been around for a very
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very long time
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but I think it has a lot
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a little bit of color
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I just boost up here
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I just cut a little bit down here um
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no that's not doing a whole lot
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sometimes I'll push 16K
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to give it a little bit more of a ring on the 3rd
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on the third slot here on the API
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but I'm just boosting 8K
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make sure the analog is off
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I couldn't figure out for the longest time
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why my mixes were sounding hissy
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and that was on the entire time
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stereo with 17% delay
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0.1 milliseconds
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make it a little bit wire or wider
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Brain Works
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screenshot this
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this is just
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this isn't a preset or anything
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this is just
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shift the base just a little bit up
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the presence a little bit up
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what else did I do here
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this and everything is pretty
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pretty neutral here
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um let's see here about the bow
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the pull tech is really
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really good
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it is insane
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how similar this thing sounds to the real thing
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um super fun uh
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boosting these highs up here um
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you don't wanna do it too much
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because then it sounds hissy
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um so now you subtract
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I take 3 decibels off the top
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um and then add like one
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and I think I usually put it on bring out the beat
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I like that one a lot
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does something to it
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sounds like this
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brings out the beat literally does what it says
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um and then I will highlight it from here on out
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everything's labeled
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I know exactly where to end it
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I will do command option B if I'm sending it to a label
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I'll do a do a wave 16 bit 4:41
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if I'm just doing it for me it's just an MP 3
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call it day 1.1
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um well now I can call it the title
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since we have a title
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hopes up 1.1
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she really should be 1.0
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but 1.1 sounds better than just bounce it
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I don't really run it through a track
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or anything like that
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cause I don't really have an expensive
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hardware rig to run it through
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I'm just doing everything mostly in the box
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so my song is done
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it's bouncing down right now
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now is the time for you guys to tune your vocals
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make any last changes to the
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any reverbs on any tracks you wanna do
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mix and master your stuff
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feel free to use my mastering cocktail
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I can't wait to hear what you guys come up with
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