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alright so our goal for right now is to finish our song
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we're gonna tune the lead vocals
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uh we're gonna do some mixing things
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we're gonna bump some gain up on some kicks
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I feel like we're gonna uh
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use neutron
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which is one of my favorite plugins to use at the very
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very end of the song's life
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and yeah we're gonna have a finished product
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by the end of this lesson
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start by tuning this chorus lead
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and as you know
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we already timed it
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so it's all in the pocket
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now we're gonna just make it really
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really good
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and I have a very specific way of tuning vocals
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sometimes I'll even make new notes
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um let's see what we got here
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format on we're in d flat major to collect the pitch
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why you gotta go
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and get my oh
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why you gotta go
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let's put that's completely dry so
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going really crazy right here this G flat to an a flat
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I'm kind of sliding up to it
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so I wanna make it well
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let's first get that a flat wait
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and you can do this in melodine too
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that's a really powerful tool as well
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I'm just using auto tune
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if you have waves tune
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that's great too
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um I wanna make this a little less bendy what
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so I want to get this G flat what
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it's kind of sounds like this right now
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why you gotta
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why either let's go here
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and we're gonna extend this out
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we're gonna overtune it on purpose
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and then kind of correct it by smoothing it out
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like that it's gonna
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why you gotta go
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still not perfect
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cause you don't want it to sound like a robot
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so kind of just manipulate it like that
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why you gotta go
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why you gotta go
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pretty good
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get this right here
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smooth that out boom
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I never wanna
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like hard tune it at the very beginning
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because that's what gives it the super
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super t pain effect
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but if that's
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that's fine
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if that's what you're going for but here
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we're going for a kind of natural sounding vocal
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get this right here
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not going too hard at the beginning
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but at the very end go crazy
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why you gotta go
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and get my get my
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gentle and maybe a bit more aggressive
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cure very aggressive
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see how it drops off there
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Wanna keep that up as much as possible
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why you gotta go and get my
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actually I was wrong
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drop it down a little bit
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so now we have this
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I always after I'm done tuning
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I always leave the plug in on a little bit
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and I kind of just take it back to
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I think it has a sound to it
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humanize up
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flex up just gluing it all together
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but you know I just heard something
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I want that d natural
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to be a deep flat you're my hope
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let's listen to it now why you gotta go and get my cool
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why you gotta go and get my hope
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and again that's going into the hope step
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um let's get the next section right here
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2 2 2 this is good right here
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clear all data
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and love me like you do
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act like I do not exist
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and love me like it's so bad listening to it on its own
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all right so you want to do this artfully
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get that f natural I didn't really nail it
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cause the whole point is you want to sound like a human
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for this song
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in love see
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I I I still
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I did like a little inflation there in love
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I still kept on the f in love
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but I kind of dip down a little bit here
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so I don't want that to happen
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I want it to stay up here
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so I'm gonna just drag that up here
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and it's gonna be a little aggressive just for now but
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boom and then you smooth it out
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let's see what that sounds like too much
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that E flat is a little hard
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and love me
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and love me love and love
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get this little end bit here love
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I still think I can push it there
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and love me love there we go and love me love
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get this here me
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and Love Me Like You Did
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smooth That Out
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Smooth It Out Now and Love Me Like You Do
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and love me like it still a little hard there
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let's get that there and love me like it
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that's a passing note
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so that can be tuned pretty aggressively it did
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this is go easy
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just a little there
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I want the vibrato still
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and love me
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act like I did not accept
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like you flat here new new boom do do
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boop boop
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right here
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just getting everything to the best of my ability
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like it did and act like I did
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that is a little robotic sounding so loosen it up
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and love me like it did and act like I didn't
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it's good hmm
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same thing I'll just blast through this hmm
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there we go so this is what we have so far why you
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super gratifying hearing it with the music
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get distracted then you go skip that really quickly
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get distract
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then
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yeah
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maybe go a bit earlier on that one then yeah
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get distracted then you're gone
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then he fled of course there's dogs barking now
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come on you should be good
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and we'd already did that
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so we just copy paste this right here one
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no
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you had me so it's really good damn
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so we'll jump down to these background vocals
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really quickly what were
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think these actually need too much that's my
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maybe just hopes up just to make that super hopes up
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hopes and then we're gonna vocal line that to the main
153
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show you how I do that I do it a little bit differently
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but not too differently
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imagine listening to that for hours
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like the worst fire alarm ever
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okay so imagine
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starting to go crazy um last one here upset upset upset
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cause I kind of glide into the d flat
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and I wanted to be like super straight stop
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so the only part that isn't on the lead is the hopes up
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so let's open up
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where is it
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other vocal line pro why do you have to go and get my
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kind of put it on normal and vocal line
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and then I don't worry about this transient right here
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because it's better if it's like
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everything else is lined up
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but that doesn't have to be exactly lined up
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line that up
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let's do it here to capture why you gotta go and get my
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why you gotta go and get my
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really talk to him there's amazing plug in
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why you gotta go and get my heart
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why you gotta go and get my heart
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now I can since it's so aligned that I can bring it up
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why you gotta go
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let's get the hopes up
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this is what we got so far actually
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hmm some really good
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let's just get this one right here
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you don't want to vocalizing everything
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because it's like
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wanted to sound like kind of natural again
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if that's what you're going for
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I'm going for the kind of natural
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I'm gonna pretend
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I'm a much better singer than I actually am bye yeah
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that G flag is gonna be an F
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sometimes it's fun to look at
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so f to the E flat do do
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so there guys you had me so convinced there's that
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blast through this
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boom
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Boo
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no
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there's that
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dude
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and melon you can actually like hit the note
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it'll play it for you
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I know this doesn't do that but
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Boo boo
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boo see if I can get it on one shot do do
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do
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do
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flatten that out
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love me from the beginning love me from the beginning
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girl that thinking in not clean enough use it to be
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killing right here from the beginning
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but now I know that I was so that
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and we can why you gotta go into my hopes up
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we already tuned so we just copy this that over here
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um let's graphic tuned out vocal line rather this
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zoom in here haha haha you have
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those SS aren't lined up right now
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vocal line might solve that
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but might have to manually do it
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let's see vocal line
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normal flexibility the track it to that
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pressing guide go to dub
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same amount see sometimes it messes up you had me
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you have sometimes it kills it just like it just did
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dub the middle one
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I love it when it just works
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now I'm on the next section
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and now I know that
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hit guide capture
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it's like a game
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what's wrong see that wonderful
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because I put the bit crusher on these backgrounds
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you get a little bit of now
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now it's I love that now it's like some grit
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what I'm hearing a little see from from not here from
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not here from
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let's go back to auto tune
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Pro Tools and its next update
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has to include multiple audio suite windows
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and one window
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it's a b I see
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should be an e fi
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wrong wrong wrong wrong wrong wrong
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who's that wrong wrong
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let's do this copy paste
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oh and we have these down here
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oh that's gonna be so good
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so these little harmonies here
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I usually go really
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really heavy on the vocal line
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like super unnatural sounding
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and it's totally Okey dokey
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fine because no one's really gonna hear them
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unless they somehow get the stems
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I'm sure someone will
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maximum compression to the lead boom
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this is how tight they sound
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so this is what the chorus sounds like right now with
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you don't want to like vocal line everything again
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want to keep it some parts loose
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but the most obvious parts really really tight nice
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I approve of that
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so let's tackle this first a little bit
262
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it's a little less work um
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again they didn't
264
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they used to use even tight harmonizers to do very
265
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very light tuning on songs
266
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that kind of sounded like this in 1987 1988
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uh so you don't wanna kill it with it
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cause it won't really be
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true to form
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just get that really quick
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format on
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scroll off
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hmm
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this right here up in this pitch
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just down a little bit sure
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go up like that boom
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that's gonna be good
278
00:21:25,800 --> 00:21:26,966
right here boom
279
00:21:28,900 --> 00:21:30,100
I wanna keep that vibrato
280
00:21:30,100 --> 00:21:31,800
so I don't wanna go too crazy on it
281
00:21:41,166 --> 00:21:43,833
see what that sounds like I've been
282
00:21:47,000 --> 00:21:50,500
but I guess I just don't live in reality
283
00:21:52,000 --> 00:21:54,100
so nice just don't
284
00:21:59,800 --> 00:22:01,533
so I kind of did like a little vocal fry there
285
00:22:01,533 --> 00:22:04,066
just a little so don't trip on tuning that
286
00:22:04,066 --> 00:22:06,766
you can just leave that alone just a little
287
00:22:06,766 --> 00:22:08,633
Scott I didn't really hit a note
288
00:22:30,300 --> 00:22:32,466
turn turn turn just a little
289
00:22:39,333 --> 00:22:42,033
I got a little tough just like a living
290
00:22:52,933 --> 00:22:54,799
it's a little hard there just don't
291
00:22:57,966 --> 00:23:00,866
see what that sounds like just a little
292
00:23:05,100 --> 00:23:06,633
back it off overall
293
00:23:14,766 --> 00:23:16,999
nice that sounds good I'll be
294
00:23:20,300 --> 00:23:22,166
but I guess I just don't
295
00:23:26,133 --> 00:23:29,399
it's so perfect sounds like the moon landing
296
00:23:32,733 --> 00:23:35,399
it's so put that note to the it's so
297
00:23:35,800 --> 00:23:36,766
you don't really need
298
00:23:36,766 --> 00:23:40,066
I guess you could do that but it's going crazy
299
00:23:47,866 --> 00:23:50,499
it's so pathetic that I can
300
00:24:01,933 --> 00:24:02,733
no
301
00:24:03,966 --> 00:24:05,499
headache that I can
302
00:24:06,133 --> 00:24:08,399
so it's so I definitely didn't nail that
303
00:24:08,400 --> 00:24:10,166
so I gotta kind of draw it in
304
00:24:36,466 --> 00:24:37,966
can much better
305
00:24:42,366 --> 00:24:43,433
this is
306
00:24:46,500 --> 00:24:48,600
guess I'm thinking about a
307
00:24:52,100 --> 00:24:53,333
it's not even that bad really
308
00:24:53,333 --> 00:24:55,299
just about making it super tight
309
00:24:55,566 --> 00:24:57,499
this is the last one in the verse
310
00:25:08,600 --> 00:25:09,400
up up
311
00:25:14,533 --> 00:25:15,333
Ho ho ho ho ho ho ho
312
00:25:18,000 --> 00:25:18,800
ho
313
00:25:22,166 --> 00:25:25,666
see about how perfect we it's a lot
314
00:25:26,533 --> 00:25:29,099
back it off about still a lot
315
00:25:31,900 --> 00:25:33,633
how perfect we could be
316
00:25:35,066 --> 00:25:37,066
how about how perfect we
317
00:25:39,166 --> 00:25:41,466
about how perfect we could be
318
00:25:41,566 --> 00:25:43,566
on a serious note you're touching your mouse a lot
319
00:25:43,566 --> 00:25:44,566
make sure you stretch your hand
320
00:25:44,566 --> 00:25:45,966
or else you're gonna get carpal tunnel
321
00:25:45,966 --> 00:25:47,766
that's happened to me before
322
00:26:07,300 --> 00:26:08,433
it's gonna be a d flat
323
00:26:36,800 --> 00:26:37,966
see what that sounds like
324
00:26:44,100 --> 00:26:45,966
listen now nicely that collides in
325
00:26:46,133 --> 00:26:47,466
and I want to keep everything else loose
326
00:26:47,466 --> 00:26:50,066
so this is what the verse going into
327
00:26:50,466 --> 00:26:51,399
the chorus would sound like
328
00:26:51,400 --> 00:26:52,966
the fully tuned verse lead
329
00:26:52,966 --> 00:26:56,633
and going into the fully tune chorus lead
330
00:26:57,766 --> 00:26:59,666
from the top we have the yeah
331
00:27:18,700 --> 00:27:20,433
guess I'm thinking about
332
00:27:48,100 --> 00:27:49,500
and now it's all about
333
00:27:50,733 --> 00:27:51,899
mixing and fine tuning
334
00:27:51,900 --> 00:27:53,766
and we're just gonna EQ some things
335
00:27:53,766 --> 00:27:55,966
there's definitely some frequencies I wanna
336
00:27:56,466 --> 00:27:57,899
subtract from in these
337
00:27:58,100 --> 00:27:58,966
in these vocals
338
00:27:58,966 --> 00:28:00,699
but you gotta tune vocal now
339
00:28:00,700 --> 00:28:02,266
that's the most important part
22180
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