Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
alright this lesson is all about vocal harmonies
and how I think of the intervals
the notes that are gonna go in these vocal harmonies
I'm gonna show you how I do it
I try not to write things down
I try to just let it flow into the microphone
um and that's what we're gonna do right now
I already have some okay
I'm gonna make these purple
so it's obvious that this is
completely different section
all right let's start with the lead vocal
and then we're just gonna see where our ear takes us
and keep it moving
I'm gonna do LA LA's here
it's good
where is it oh wrong bus 33 34 there we go LA LA LA
we're gonna double that a couple times let's do it
different texture maybe
okay
let's solo these
and just clean this up just a little bit
okay so I usually do one bus for each note
it just allows the most control and the best blend
so for the next note we'll change the bus to 35 and 36
just gotta hit the note it's hardest part
double that
and more it's high
there's that
and the last one
sure I make the craziest faces when I'm
it's gonna drag all these over
now I can take these notes wider up here
next one just gets more exciting with each layer
it's like making a musical cake
with strawberry frosting 37 38
so I'm always thinking of the piano
sometimes I'll even hit like the notes
and I know for this third part of the harmony
I wanted to like be pure to the chords in the song
start with a d flat
and I'm going to the a flat major course
so I want to go to the first inversion
of an a flat major triad
see what that goes like
one more
a lot of love
it's gotta use your ear hello
there's that
LA LA LA
oh that's gonna be good
third part harmony we're not gonna go too crazy
finish that
nice last one
love it
maybe make this a bit
oh and panning to
you don't want them to be like this 100
100 100 100
you wanted to
Phineas told me to do this
I always kept it 100 like dude
why do your background vocal sound wider than mine
I'm doing more tracks than you
and he was like
moron dude we didn't say that but
make them all different values
boom you know random
okay so I kind of want these lower to
to be lower in volume than these top ones
kind of I think for this song would be kind of cool
it's like Easy Lover kind of sounding kind of thing
the gated reverb on them
just do this here I love
can do a little cut off action
what was that
I wonder what that little
key compressor would sound like
where is it
I know it's down here somewhere
where where's the Chapstick
here it is hmm
put at the end here
I was already there crap
it's weird it gives it like
a little bounce or something
oh why you gotta go and get my
f it what does this sound like with the
can I put the towel on here that could be cool
I'll leave it off the bottom one
this might not work but um
entires makes this great choir plugin
um here's entires uh wire sometimes this works for me
sometimes it doesn't I feel like it will on this
eh
I don't love it
um so soloed sounds like this
very small dips you can hear
goes well with this too
and all together
okay so that's pretty much the whole song
those vocal harmonies are gonna be be fine tune now
everything's gonna be fine tuned
we have the full skeleton of the song
and I'm ready to the super nitty gritty
detailed oriented work
which is going into audio suite and auto tune
in tuning and taking all the uh
the SS down
vocal lining
lining everything up manually
uh making sure that nothing's out of phase
this is where like
the real important stuff comes in
so I now urge you to finish your song
and then you're gonna get ready to do the same
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.