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so we just finished our final lyrics
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to our first course
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we include some background doubles
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some wide and centered doubles
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some ooze just a little bit of ear candy
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to really fill out that chorus
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and now it's time to do that for the verse
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a little bit less
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more sparse
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because we want the chorus to have the most leads
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in this case
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for this song
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it might be different in your song
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but we're working backwards
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and that's how I love to do it
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so let's get to it
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huh okay let me just hear what we
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have in the course right now
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why you gotta go
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Love Me Like You
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do do do do do do do
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I want this to like
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I wanted to sound effortless
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and I wanted to sound like I wasn't trying too hard
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um I'm always thinking about what I want my vocal
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performance to sound like in my head
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before I actually start recording um
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things are bound to change
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but I have an idea that
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I don't want it to be exactly the same as the chorus
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because it's
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it's it's a
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it's a curveball here in the change of chords
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Musically uh
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when the chorus pops up
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and a lot changes in the elements of the song
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and I want that to reflect in the vocals as well
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so let's put these squeaky headphones on
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um I had this melody you heard in the last lesson
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that was kind of sparse
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I've added a little bit in my head
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it makes sense to add
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like a little bit more call and responseness into it
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because I don't want it to be too sparse
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where there a lot of time goes by in between each line
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um I had no no no
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space and I think instead I'm gonna do
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but I guess
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I haven't really worked out the lyrics
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and we're just gonna do it while we record
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which is something I love doing
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that's cool
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now that I say that out loud
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let's see how something like that sounds like
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and whatever song you're working on whatever
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stylistically
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it's totally okay to not have everything
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done right away
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you can really surprise yourself and like
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be surprised how your voice sounds
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might prompt you to think of a different way to
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say something
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it's usually how it works for me
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so let's aren't
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let's make sure that this is down
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the king of vocal feedback
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cause I have my microphone right next to my speakers
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huh
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another thing that could help
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your vocal performance is thinking of like
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if you're an artist
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thinking of the music video
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what it's gonna look like while you're singing it
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I sometimes will do that
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and some of those videos actually
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ended up being what I thought in my head
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which is pretty cool
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oh so I think lyrically
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we're saying
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why you have to go and get my hopes up
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you love me and love me like you did
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and act like I don't exist
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and get distracted and you're gone come on
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why you have to go and get my hopes up
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I think the thing we have to talk about it's like
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what do you say
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before that
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um and in my mind
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it makes sense to talk about
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what I'm actually going through
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I think of myself like you know
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laying on a bed at 3 o'clock in the morning
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you know replaying things
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and what I could have said differently to this person
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what I've how I could have acted
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a little bit differently when maybe I said too much
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just overthinking things
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and then I start to think
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what would I sound like when I'm overthinking
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not thinking logically uh
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some kind of
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channeling that in my vocal performance too
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you say something like
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uh you know
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I'm painting this picture in my head
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but I don't really live in reality
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it's so pathetic that I can't
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stop thinking about how perfect we could be
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why you have to go
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why do you have to go and get my hopes up
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something very vulnerable like that
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I didn't know the song was gonna be so vulnerable
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but the chords kind of prompted that from the
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from the get go when I came with it
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um so let's see how this sounds
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I paint this picture in my head as the first lyric
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and we're gonna do uh
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but I guess I
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these little things in parentheses here
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uh we're gonna just do those as like
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little background responses
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and I think it's gonna end up being pretty cool
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hmm sound like Bob Ross right now
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very calm we're gonna paint a little happy bush
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good hmm hmm
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head hmm in my head
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so you don't have to do this
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but I like to put my verse in pre choruses
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on different tracks
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again I think it's just placebo
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you can easily get away with putting
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your vocals all on one track
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but sometimes I'll make the chorus lead
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a little bit louder than the verse
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I don't know
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we're gonna label this verse
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I think that calls for a little more reverb
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up in this picture
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balance that out in the Q I mean the compression
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let's drag picture over a little bit
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see where we're actively
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it's like actively stretching while you work out
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we're still we're just
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we're just tweaking and adjusting as we go
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my head just so satisfying
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I'm gonna move these two over
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paint this and this right here boom
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I paint this picture
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I'm gonna bring that P over
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my head hmm
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I paint this picture in my head
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I like that
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and picture in my head
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I'm not mad about it being a little loose
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because sounds good in my head
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but I guess I
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let's do those bad
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that background response
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those can go on these
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these group vocals down here
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we can put them on the same track as these kind of
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let's actually put them hmm
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let's put them right here on these hopes up tracks
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but I guess I
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but I guess I but I guess I
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but I guess I but
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but I guess I
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I can say bye bye maybe it's a bit differently but
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but I guess I
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but I guess I but I
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but I guess I
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it's cool let's bring that down
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but I guess
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I
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but I guess I
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but I guess I
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but I guess I there we go but I guess I double that
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but I guess I
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but I guess I
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but I guess I
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but and and same approach as we
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doubled the chorus leads and everything like that
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just using a kind of using your mind
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like not singing everything the same way
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because it's just gonna sound like a phased out
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over produce vocal
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but I guess bye bye bye
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I'll sing this little dope here
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but I guess I
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but I guess I
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hmm but I guess I
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but I guess I
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it's the f did I put the f natural back in
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yes but but
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gotta get it but
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but I guess I
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sometimes if it's a fast note and I want it to
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be on pitch
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I'll kind of sing the note like hold it out like
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but I guess I
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to kind of just get my mind used to it
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but I guess I
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not perfect but
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but I guess but
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but but I guess I was good
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but but I guess I drag it down hmm
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but but I guess I but but I guess I but
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but I guess I
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but I guess I
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but I guess I
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brought these
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but I guess I
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but I guess but I guess I
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but I guess I
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but I guess I get down here
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but I guess I but I guess I but I guess I okay
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but I guess I
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do that
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you know we could do I know we need to keep recording
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but just to keep everything going keep it exciting
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little cheap trick
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edit selection bounce that down
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make like a super super controlled delay see
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take the all these plugs off
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duplicate this
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because I wanted to be like
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I could easily just bust a delay
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but it's so cool when the things are printed
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and you don't have to worry about things overlapping
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this will all make sense in a second
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so start here left
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and now I love this setting is telephone Vox setting
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where did it go today
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but make this one a little bit more closed
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but I
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but I guess
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I but I guess I
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could even just go a little bit more on this one too
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that's better
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but I guess
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I but I guess I
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my favorite thing in the world
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you already know
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80s
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make
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the decay a little bit down
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this one down even more
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size down a little
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but I guess I uh huh
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but I guess it would sound like you hmm
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but I guess I even shorter with this picture in my head
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but I guess I with this picture in my
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but I guess I can do other things too too OK
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just gotta mess around with it
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lead vocal and it's already in the
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it's not do that cares
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it's okay let's keep it moving
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you want to get too caught up
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see I'm getting too caught up
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what's going on
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oh that's amazing
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it was operated on 64 samples the whole time
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oh my goodness
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at least put it up to 1:28
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but I guess I
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this can go
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but I guess I
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but I guess I good for now
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what in the world
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just don't live in
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but I guess I just don't live in reality
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oh that's gonna be good just a little
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it's good I got down but I guess I just don't live
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a little vocal crack there it's emotional
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but I guess I just don't live
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same thing we'll do the delays in a second
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let's get the whole vocal down
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and I'll admit that
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and I'll admit that I couldn't and I'll admit that
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but I guess I just don't live
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I think and I'll admit that
282
00:15:35,966 --> 00:15:38,066
my brain tells me to go up and then down
283
00:15:38,066 --> 00:15:40,199
because on the first response we went
284
00:15:40,666 --> 00:15:42,833
we went up up
285
00:15:43,266 --> 00:15:46,599
up down now we can go down down
286
00:15:54,466 --> 00:15:55,699
and now I meant that
287
00:15:58,066 --> 00:15:59,366
and now I'm at that
288
00:16:00,500 --> 00:16:01,933
let's bring the record track
289
00:16:01,933 --> 00:16:04,099
since I know they're down here
290
00:16:04,500 --> 00:16:05,800
let's bring this down
291
00:16:06,133 --> 00:16:07,066
now I'm at that
292
00:16:07,166 --> 00:16:08,433
and now I'm at that
293
00:16:08,933 --> 00:16:10,166
and now I'm at that
294
00:16:12,166 --> 00:16:15,166
and now I miss it and now I miss it
295
00:16:15,700 --> 00:16:20,266
nice and now I miss it double that and now I miss it
296
00:16:26,400 --> 00:16:27,633
and now admit that
297
00:16:28,500 --> 00:16:32,400
and now admit that and now I'm a couple more times
298
00:16:39,000 --> 00:16:40,266
and now admit that
299
00:16:42,066 --> 00:16:43,233
and now admit that
300
00:16:44,400 --> 00:16:45,633
and now admit that
301
00:16:46,966 --> 00:16:48,266
and now admit that
302
00:16:49,866 --> 00:16:51,099
and now admit that
303
00:16:52,400 --> 00:16:55,233
couple more and now that I'm at that
304
00:17:01,166 --> 00:17:02,466
and now I admit that
305
00:17:04,166 --> 00:17:05,866
and now two breath he's on the end
306
00:17:07,066 --> 00:17:10,699
and I admit that rounds it all out it's nice
307
00:17:11,666 --> 00:17:12,966
and now admit that
308
00:17:14,533 --> 00:17:18,433
and now admit that that dead air up
309
00:17:20,900 --> 00:17:22,833
but I guess I just a little
310
00:17:25,700 --> 00:17:26,966
and I'll admit that
311
00:17:28,733 --> 00:17:30,366
but I guess I just
312
00:17:33,266 --> 00:17:36,399
hey I'll admit that I'll admit that
313
00:17:39,900 --> 00:17:42,566
because cat rhymes kind of rhymes with head
314
00:17:42,766 --> 00:17:46,133
but I guess I just let's play it back just so I can
315
00:17:46,133 --> 00:17:48,766
sometimes you have to kind of shape the word so it like
316
00:17:48,766 --> 00:17:50,299
rhymes exactly with it
317
00:18:03,466 --> 00:18:04,933
that I can just do your best
318
00:18:04,933 --> 00:18:05,966
if it's like a soft rhyme
319
00:18:05,966 --> 00:18:07,933
just do your best to shape the vowel sound
320
00:18:07,933 --> 00:18:10,433
is to the word that you want to rhyme it with
321
00:18:10,700 --> 00:18:12,266
so head can
322
00:18:28,333 --> 00:18:30,799
okay I'll admit that it's so
323
00:18:40,666 --> 00:18:42,766
I like that I can that I can
324
00:18:49,566 --> 00:18:51,799
and it's okay that that's like that that is that
325
00:18:51,800 --> 00:18:53,600
that note right there is a little off tune
326
00:18:53,600 --> 00:18:54,666
but we'll fix it
327
00:18:56,866 --> 00:18:59,166
actually don't even mind it sounds real
328
00:19:00,100 --> 00:19:02,033
hey and now I met that
329
00:19:05,666 --> 00:19:09,599
it's so pathetic I like it so it's so
330
00:19:09,600 --> 00:19:12,966
I gotta sing pathetic a little bit differently it's so
331
00:19:22,766 --> 00:19:26,433
that I can I like that let's drag that over
332
00:19:26,866 --> 00:19:30,133
it's so pathetic that I can static
333
00:19:30,133 --> 00:19:35,166
we can drag to the left it's so pathetic that I can
334
00:19:36,200 --> 00:19:38,233
kind of make it sound real though pathetic
335
00:19:51,866 --> 00:19:53,399
I sound like I'm saying can
336
00:19:53,400 --> 00:19:54,900
and although I love that take
337
00:19:54,900 --> 00:19:56,866
I need to maybe I can sneak a little
338
00:19:57,100 --> 00:19:58,100
I just love that take
339
00:19:58,100 --> 00:19:59,166
I'd love not to redo that
340
00:19:59,166 --> 00:20:01,266
but let's see it's super
341
00:20:03,900 --> 00:20:05,566
let's see if I can cheat it
342
00:20:10,766 --> 00:20:13,233
take the ant at the end see if we do it
343
00:20:16,266 --> 00:20:19,099
there we go that's pretty good it's super
344
00:20:29,566 --> 00:20:31,799
but I guess I just don't live
345
00:20:39,933 --> 00:20:41,099
again can't stop thinking
346
00:20:41,100 --> 00:20:43,000
that we're going back to the low
347
00:20:43,300 --> 00:20:44,300
up up up down
348
00:20:46,166 --> 00:20:47,099
can't stop thinking
349
00:20:49,533 --> 00:20:53,033
I guess I'm thinking care how many solos did I do
350
00:20:53,866 --> 00:20:54,666
but I guess
351
00:20:56,300 --> 00:20:57,500
I guess I'm thinking
352
00:20:59,200 --> 00:21:00,133
always thinking
353
00:21:00,133 --> 00:21:01,633
guess I'm thinking okay
354
00:21:01,733 --> 00:21:03,999
can't stop won't stop looking for the records baby
355
00:21:04,000 --> 00:21:05,100
guess I'm thinking
356
00:21:06,100 --> 00:21:07,566
that sounds awkward on its own
357
00:21:07,566 --> 00:21:09,666
but it'll make sense when it's in a group
358
00:21:10,133 --> 00:21:12,366
guess I'm thinking nice
359
00:21:14,333 --> 00:21:15,766
guess I'm thinking guess
360
00:21:17,700 --> 00:21:18,700
can't stop thinking
361
00:21:20,966 --> 00:21:21,833
okay
362
00:21:23,533 --> 00:21:26,433
can't stop thinking drag it down
363
00:21:28,733 --> 00:21:29,766
can't stop thinking
364
00:21:34,266 --> 00:21:35,299
can't stop thinking
365
00:21:37,400 --> 00:21:40,000
guess I'm thinking don't care
366
00:21:40,733 --> 00:21:41,866
guess I'm thinking
367
00:21:42,366 --> 00:21:44,433
guess I'm thinking guess I'm thinking
368
00:21:46,000 --> 00:21:47,100
guess I'm thinking
369
00:21:49,800 --> 00:21:50,833
guess I'm thinking
370
00:21:51,066 --> 00:21:51,899
sometimes like
371
00:21:51,900 --> 00:21:52,900
if I'm saying like a
372
00:21:52,900 --> 00:21:54,066
like a lot of staccato words
373
00:21:54,066 --> 00:21:55,699
I guess I'm thinking oh
374
00:21:55,900 --> 00:21:58,500
do those stacata words and then kind of like cheat it
375
00:21:58,500 --> 00:22:01,066
it's a smooth it out so you have can't stop thinking
376
00:22:01,066 --> 00:22:03,599
and then like a couple under it like
377
00:22:03,600 --> 00:22:04,566
can't stop thinking
378
00:22:04,566 --> 00:22:05,266
can't stop thinking
379
00:22:05,266 --> 00:22:05,899
and it's just
380
00:22:05,900 --> 00:22:06,300
I don't know
381
00:22:06,300 --> 00:22:08,633
it just makes it a little bit smoother to the ear
382
00:22:08,700 --> 00:22:11,066
uh last two breathies uh
383
00:22:11,866 --> 00:22:13,699
cause I'm thinking uh
384
00:22:14,966 --> 00:22:16,166
guess I'm thinking
385
00:22:17,766 --> 00:22:21,999
guess I'm thinking there you go one more
386
00:22:23,733 --> 00:22:24,899
guess I'm thinking
387
00:22:27,566 --> 00:22:28,599
guess I'm thinking
388
00:22:30,466 --> 00:22:31,999
okay there's that
389
00:22:35,100 --> 00:22:37,000
guess I'm thinking about
390
00:22:46,600 --> 00:22:50,000
so I have to sing Noza the math has to be right
391
00:22:54,866 --> 00:22:56,799
I guess I'm thinking about
392
00:23:02,066 --> 00:23:04,299
guess I'm thinking about how
393
00:23:09,600 --> 00:23:10,466
boom
394
00:23:14,300 --> 00:23:16,366
guess I'm thinking about how
395
00:23:21,100 --> 00:23:23,233
and I get I'm cool with the overlapping here
396
00:23:29,266 --> 00:23:30,733
we could be sloppy
397
00:23:30,733 --> 00:23:34,033
I need to redo that cause I'm thinking about how
398
00:23:39,666 --> 00:23:42,999
guess I'm thinking about how am I gonna do that
399
00:23:44,333 --> 00:23:46,966
guess I'm thinking about our per
400
00:23:47,166 --> 00:23:48,133
about our per
401
00:23:48,133 --> 00:23:49,999
I'm definitely gonna connect that about and how
402
00:23:50,000 --> 00:23:51,533
because it would sound super awkward if it was
403
00:23:51,533 --> 00:23:53,199
like about how
404
00:24:00,533 --> 00:24:03,466
no cause I'm thinking about now
405
00:24:05,933 --> 00:24:08,099
guess I'm thinking about out
406
00:24:24,766 --> 00:24:28,599
skip that the timing right on that was raise the click
407
00:24:32,600 --> 00:24:35,000
how about our trip about
408
00:24:37,366 --> 00:24:39,866
the perfect could come a bit earlier
409
00:24:40,000 --> 00:24:43,300
perfect we could be perfect we could be
410
00:24:43,500 --> 00:24:45,800
but the P has to come a little forward
411
00:25:39,933 --> 00:25:43,366
and Love Me like let's do those delays really quickly
412
00:25:46,733 --> 00:25:48,366
but I guess I just to
413
00:25:55,733 --> 00:25:58,066
hey I guess I'm thinking oh
414
00:26:03,300 --> 00:26:04,100
and love me
415
00:26:04,100 --> 00:26:06,666
like this is definitely starting to become a thing
416
00:26:06,666 --> 00:26:08,166
let's see reality
417
00:26:09,700 --> 00:26:11,266
where's the delay going to start on that
418
00:26:12,600 --> 00:26:15,566
but I guess I just don't live in
419
00:26:21,000 --> 00:26:25,900
print all that so take it out of arm let's commit this
420
00:26:30,266 --> 00:26:30,999
the best thing that I can
421
00:26:31,000 --> 00:26:33,266
just drag and drop so it's like
422
00:26:41,533 --> 00:26:43,599
yeah then just time it
423
00:26:50,200 --> 00:26:51,200
an element
424
00:26:52,900 --> 00:26:54,800
it's gonna sound like that
425
00:27:17,866 --> 00:27:20,066
and now I meant that it's super
426
00:27:20,400 --> 00:27:22,000
or was it better just one
427
00:27:28,966 --> 00:27:31,066
but I guess I just don't live
428
00:27:33,733 --> 00:27:36,166
and now I admit that there's something cool about it
429
00:27:36,166 --> 00:27:37,566
being slightly double
430
00:27:44,900 --> 00:27:46,166
print this one here
431
00:27:47,566 --> 00:27:51,166
again very tedious work but freaking worth it brother
432
00:27:59,466 --> 00:28:00,566
all this excess
433
00:28:03,666 --> 00:28:04,766
guess I'm thinking
434
00:28:06,700 --> 00:28:07,800
guess I'm thinking
435
00:28:09,766 --> 00:28:12,066
guess I'm thinking about
436
00:28:16,100 --> 00:28:19,800
guess I'm thinking heard some clicking noise there
437
00:28:21,733 --> 00:28:24,599
guess I'm thinking about now perfect
438
00:28:25,900 --> 00:28:27,000
guess I'm thinking
439
00:28:28,566 --> 00:28:29,633
guess I'm thinking
440
00:28:29,766 --> 00:28:31,966
now drag all these to the right a little bit
441
00:28:34,300 --> 00:28:38,066
guess I'm thinking about guess I'm thinking about
442
00:28:38,066 --> 00:28:41,866
guess I'm thinking guess I'm thinking about
443
00:28:47,666 --> 00:28:49,566
let's do it there too I might not use it
444
00:28:51,966 --> 00:28:54,599
maybe one at least edit selection
445
00:29:06,733 --> 00:29:07,533
maybe
446
00:29:08,966 --> 00:29:11,299
boy you gotta go and get my kind of gets in the way
447
00:29:11,300 --> 00:29:12,100
I don't know
448
00:29:16,400 --> 00:29:19,100
okay and one little transitional thing
449
00:29:19,166 --> 00:29:20,766
gonna take this a flat
450
00:29:23,333 --> 00:29:24,766
this a flat right here
451
00:29:26,166 --> 00:29:29,666
let's commit that this is a cool trick to know
452
00:29:30,066 --> 00:29:31,633
you might know how to do it already
453
00:29:31,900 --> 00:29:33,600
I definitely didn't invent this
454
00:29:37,533 --> 00:29:39,166
take all the stuff off
455
00:29:41,200 --> 00:29:44,200
put like for whatever reason
456
00:29:44,200 --> 00:29:47,366
the Pro Tools reverb works very very well on this
457
00:29:47,366 --> 00:29:49,833
where is it d verb
458
00:29:54,500 --> 00:29:56,833
it's actually perfect so
459
00:29:58,866 --> 00:30:04,433
let's print that so delightfully awful edit selection
460
00:30:08,333 --> 00:30:10,433
how to make an active on that one
461
00:30:13,100 --> 00:30:15,000
and then reverse it
462
00:30:17,700 --> 00:30:18,900
just bits the ear candy
463
00:30:18,900 --> 00:30:21,333
that the normal listener is not going to pick up on
464
00:30:21,333 --> 00:30:23,499
but feels weird if you take it out
465
00:30:40,366 --> 00:30:43,666
love me like you did act like God
466
00:30:43,866 --> 00:30:46,133
even if it's not perfect I'll tweak it later
467
00:30:46,133 --> 00:30:48,466
but as long as it's there sounds good
468
00:30:53,933 --> 00:30:55,866
maybe it deserves to be on the whole thing
469
00:31:07,266 --> 00:31:10,466
no I don't like that right before we could be
470
00:31:36,400 --> 00:31:38,200
one of my favorite things to do is
471
00:31:38,200 --> 00:31:40,900
even though the second verse isn't written
472
00:31:40,900 --> 00:31:42,533
just copy and paste the first verse
473
00:31:42,533 --> 00:31:45,166
just to hear the vibe
474
00:31:56,266 --> 00:31:58,066
and it might inspire some lyrics
475
00:31:58,366 --> 00:32:00,599
I think it will put the verse
476
00:32:06,100 --> 00:32:08,066
up up up up just a little
477
00:32:10,666 --> 00:32:12,366
but I guess I just do it
478
00:32:21,933 --> 00:32:23,966
and here I would do a little melody flip
479
00:32:41,400 --> 00:32:42,233
oh yeah
480
00:32:50,100 --> 00:32:52,266
I see I forgot about that little section
481
00:32:52,266 --> 00:32:53,833
I'm glad that's there
482
00:32:56,266 --> 00:32:58,499
easy to copy and paste
483
00:33:01,566 --> 00:33:02,366
do do do
484
00:33:17,866 --> 00:33:20,199
uh just let's get everything over here
485
00:33:20,200 --> 00:33:21,433
don't get my hopes up
486
00:33:34,200 --> 00:33:35,833
this joint right here
487
00:33:39,166 --> 00:33:43,033
I'm so good at copy and pasting things boom
488
00:33:53,600 --> 00:33:56,166
where's my come on come on
489
00:33:57,166 --> 00:34:00,099
did to you right from the beginning of the course
490
00:34:00,100 --> 00:34:02,433
I know to bring it right to the beginning of the course
491
00:34:52,066 --> 00:34:53,933
that's where it would end in my mind
492
00:34:53,933 --> 00:34:56,299
um see what the second verse sounds like though
493
00:35:03,333 --> 00:35:05,166
I guess I just don't know
494
00:35:19,466 --> 00:35:20,299
second verse comes
495
00:35:20,300 --> 00:35:20,766
it comes well
496
00:35:20,766 --> 00:35:22,433
let's listen what we have so far
497
00:35:23,700 --> 00:35:25,966
on the speakers keep free and have these
498
00:35:29,500 --> 00:35:29,933
oh you know
499
00:35:29,933 --> 00:35:30,866
it's super fun too
500
00:35:30,866 --> 00:35:32,966
huh I got my mastering cocktail
501
00:35:33,300 --> 00:35:35,366
and I only put this on until I'm like
502
00:35:35,366 --> 00:35:38,033
I know that things are moving along nicely
503
00:35:38,166 --> 00:35:39,299
I have it saved from a
504
00:35:39,300 --> 00:35:43,200
another song I'm working on
505
00:35:43,933 --> 00:35:45,766
everything is gonna go through here
506
00:35:45,766 --> 00:35:46,766
and I just Learned this
507
00:35:46,766 --> 00:35:50,466
that the Pro Tools Master Fader is before all the plugs
508
00:35:50,466 --> 00:35:53,433
so it's good to know
509
00:35:54,000 --> 00:35:55,366
so I now I can like
510
00:35:55,700 --> 00:35:59,900
make up gain like a Pro L2 and bring it down three
511
00:36:05,133 --> 00:36:06,599
sounds just bigger
512
00:36:38,666 --> 00:36:40,866
it's a time knows I
513
00:36:45,333 --> 00:36:46,766
was really off on there
514
00:36:46,966 --> 00:36:49,466
and I admit that it's so perfect
515
00:36:50,300 --> 00:36:52,800
but I guess I just don't live in
516
00:36:53,500 --> 00:36:55,700
guess I'm thinking about
517
00:37:00,100 --> 00:37:02,233
and love me love let's see
518
00:37:11,533 --> 00:37:13,166
but I guess I just to
519
00:38:55,100 --> 00:38:56,700
it's like I don't know how to explain
520
00:38:56,700 --> 00:38:58,566
the genre of this is like UK is
521
00:38:58,566 --> 00:38:59,333
reminds me of like
522
00:38:59,333 --> 00:39:00,199
Spice Girls
523
00:39:00,200 --> 00:39:01,400
or something like that
524
00:39:01,400 --> 00:39:02,000
it's like this
525
00:39:02,000 --> 00:39:03,100
especially with the string stabs
526
00:39:03,100 --> 00:39:04,300
and everything like that
527
00:39:04,300 --> 00:39:06,000
so this is sounding really great
528
00:39:06,000 --> 00:39:09,900
I think the thing that's missing in this session
529
00:39:10,000 --> 00:39:12,466
is a section of vocal ooze
530
00:39:12,466 --> 00:39:14,366
which is really part of my sound
531
00:39:14,366 --> 00:39:16,733
I love stacking many many notes
532
00:39:16,733 --> 00:39:18,666
and coming up with kind of intricate harmonies
533
00:39:18,666 --> 00:39:20,333
that complement the instrumentation
534
00:39:20,333 --> 00:39:22,099
so I think that's what we're gonna tackle next
535
00:39:22,100 --> 00:39:23,233
in the next lesson
34688
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