All language subtitles for Whiteboyz.1999.1080p.WEBRip.x264-RARBG-en

Flip: UHH.

IOWA GANGSTER BLOOD THUGS.

GHETTO-ROLLIN'...

COMIN' FOR THAT ASS
IN THE 2-G.

WHAT? THIS AIN'T NO G?

THIS AIN'T NO G, NIGGA?
TRYIN' TO BE SICK WITH ME, MAN?

I'M GONNA BLAST YOU.
I'M GONNA BLAST YOU!

[IMITATING GUNFIRE]

YEAH.

NOW YOU KNOW NOT TO FUCK
WITH FLIP DOGG ANYMORE.

[LAUGHTER]

UH-UH. DON'T DO THAT.

NO, NO, NO,
DON'T DO THAT, MAN.

NO, NO, DON'T TOUCH
THE DIAL, MAN.

NO.

HEY, CHECK IT OUT, MAN.

* YO, THE WEST COAST
RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH
POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST
BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM MIDWEST
ROBBERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* IT'S JAM-PACKED

* AND THE NUMBERS
GETTIN' ROWDY OUTSIDE *

* YOU GOT NIGGAS IN TIME
FOR A LONG-ASS TIME *

* MAKIN' EVERYBODY
YELLIN' MAD *

* SO PEOPLE STARTED BOUNCIN'
AND SMASHIN' THE GAT *

* ACTIN' BAD, BREAKIN' GLASS
IN THEIR PATH *

* THE MONKEY'S ASS SWINGIN'
DOUGHNUTS IN FRONT OF THE CLUB *

* LOOKIN' FOR LOVE,
NO ONE EVER DUG A DANK *

* AND A POWDERED VOICE
SNORTIN' THE CRANK *

* PRETTY WOMEN AT THE BAR
HAVIN' DRINKS *

* PEOPLE DANCIN'
TILL THEY FIGHT THE SONG *

* GIVE A DOG A BONE,
BOOGIE IN THE ZONE *

* TOUCHDOWN, WE CLOWN

* WE CAN PAINT
THE WHOLE TOWN *

* RUNNING YOUR MOUTH
WILL GET YOU KNOCKED OUT *

* BALLIN'
DURING A DROUGHT *

* AND WE'LL KILL OR STEAL
ON ANY ACCOUNT *

* BLASTIN' OUT THE PARKING LOT,
WE SPARK THE CHOPS *

* BURNIN' RUBBER
UP AND DOWN THE BLOCK *

* WITH MY TIRES SCREECHIN'

* AIN'T NOBODY TRIPPIN'
ON THE POLICEMEN *

* BUT I COULD SEE
SOME MORE CREEPIN' *

* COMIN' ON THE WEEKEND

* I'M NEVER SURPRISED TO SEE
THE PEOPLE THAT WAS CHILLIN' *

* GET ROWDY OUTSIDE

* THEY BOUGHT THE HOORAH,
THEY OWN A SUPERSTAR *

* THEY BOUGHT THE HOORAH,
THEY GET ROWDY OUTSIDE *

* YOU KNOW THEM WEST COAST
RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH
POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST
BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM MIDWEST
ROBBERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* B-I-E-I-ITCH

* I WILL NEVER SWITCH

* I'M GONNA STAY ROWDY

* I'M ABOUT TO BOUNTY
FOR THOSE THAT LIKE THE DOUGH *

* AND LIKE TO SMOKE,
I'M GONNA LET YOU KNOW *

* IF YOU GOT WEED,
LET'S BLOW THE HOUSE DOWN *

* BLOW THE HOUSE DOWN,
BLOW THE HOUSE DOWN *

* NOW IF YOU GOT MAIL,
LET'S BUY THE WHOLE TOWN *

* AND I'LL
PASS IT TO YOUR PHONIES *

* I'M GONNA LET YOU KNOW

* TAINT HER, INVADE HER,
NIGGAS CAN'T FADE HER *

* QUICK TO SMOKE
A QUARTER POUND IN THE TOWN *

* LOOK YOU IN THE EYE,
REPLY, I AIN'T HIGH *

* BUT HELP ME FOCUS
THROUGH THE HOCUS-POCUS *

* YOU KNOW THEM WEST COAST
RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH
POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST
BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE,
ROWDY OUTSIDE *

* CHECK IT, CHECK IT,
UHH *

* A-1, 2, AND I
DROP LYRICS LIKE THIS *

* I BE THE F TO THE L
TO THE I TO THE P *

* DESTROYIN' MOTHERFUCKERS,
YEAH, THAT'S MY HOBBY *

* ANY SUCKER EMCEE
WANNA COME TEST ME *

* I'LL PUT A BULLET IN YOUR ASS
WITH MY FUCKIN' UZI *

* NIGGAS GET KILLED
TRYIN' TO BITE MY STEAM *

* MY MAIN NIGGA TREV,
YO, PASS THE FOR-TY *

* SO I CAN LOOSE AND BUST
NIGGAS OUT THE FRAME *

* DON'T EVEN TRY TO TRIP
BECAUSE FLIP BE MY NAME *

* YO, MY NAME
IS FUNKY TREVOR *

* DON'T FUCK WITH ME,
NEVER *

* YOU STEP IN MY WAY, AND, BOY,
YOUR HEAD'LL GET SEVERED *

* I KEEP MY TEC-9 ON MY WAIST
'CAUSE I'M A GANGSTER *

* IF YOU TRY TO POP SHIT,
I'LL FUCKIN' GANK YA *

* NICKEL-PLATES,
38s AND 22s *

* MEASURE YOUR SHIT
NEXT TO ME, SON *

* YOU'LL FUCKIN' LOSE

* GOT MY PHILLY BLUNTS,
PLUS MY 40-OUNCE BREWS *

* HOP IN THE DUALLY, WORD UP,
AND THEN I CRUISE *

* I SAY, UNEMPLOYMENT CHECKS
COULD SUCK MY FUCKIN' DICK *

* THAT NIGGA BRYANT GUMBEL
MAKES ME FUCKIN' SICK *

* SITTIN' AT HIS DESK, HE
TALKIN' MAD FUCKIN' SHIT *

* LIKE LA-LA-LA-LA-LOT
OF SHIT! *

* IT'S FUCKIN'
BULLSHIT *

* YEAH, MY IGBT KIDS
ALWAYS MAKE THE STACK *

* I GOT THE REMEDY FOR THEM
FIENDS THAT SMOKE CRACK *

* FUCK BEIN' WHITE,
WORD UP, SON, I'M BLACK *

* MY NIGGAS
IS IN THE FRONT *

* WHILE YOU BE IN THE BACK

MOTHERFUCKER.

YO, DEAL, DOGG.

THAT SHIT WAS
FUCKIN' ALL THAT.

REPRESENT EVERY DAY
UP IN THIS MUGLI.

THAT SHIT
WAS FUCKIN' REAL.

YOU RIPPED IT, MAN.

I MESSED FUCKIN'
MY RHYMES RIGHT NOW.

I FEEL ENERGIZED.

WORD UP, MAN. LIKE FUCKIN'
ELECTRICAL-TYPE SHIT.

HELL, YEAH, DOGG!

YOU KNOW WHAT I'M SAYIN'?

THAT SHIT IS
JUST COMIN' OUT

LIKE
LITTLE PARTICLES

COMING OUT
OF YOUR LUNGS.

YOU KNOW WHAT, THOUGH?

LET ME JUST SAY
ONE THING, MAN.

LIKE--LIKE DON'T TAKE THIS
AS A DIS, RIGHT?

I'M SAYIN', LIKE, ALL OF US,

BUT MOSTLY LIKE YOU, MAN,
AND YOU,

YOU NEED TO, LIKE,
WORK ON, LIKE...

LIKE, THE WAY YOU
SPIT LYRICS, MAN,

LIKE, MORE ARTICULATE.

BECAUSE IT SOUNDS
KIND OF, LIKE, MUSHED UP.

MAN, THAT SHIT IS, LIKE,
FLOWIN' OUT OF MY HEART

WHEN I'M DOIN' THAT,
DOGG.

I KNOW BUT YOU
SOUND LIKE WAYNE NEWTON

UP IN THAT MOTHERFUCKER.

OH, SHIT, DOGG.

I DON'T MEAN
TO DIS, MAN.

HELLO, UH,
THIS IS SARA MILLER

CALLING ON BEHALF OF OFFLINE
LONG-DISTANCE COMPANY.

THE PURPOSE OF MY CALL IS
TO LET YOU KNOW THAT OFFLINE

DOES HAVE SOME
NEW DISCOUNTS AVAILABLE

ON LONG-DISTANCE RATES.

I'M GONNA GO BLAST
SOME FOOLS, DOGG.

ALL RIGHT, MAN,
HOLD UP.

ALL RIGHT, DUDE.
I'M SEEIN' A D.C...

WHEN WOULD BE A GOOD TIME
TO CALL, SIR?

YO, I'M GETTIN'
THE WHITE PUMAS.

IT'S JUST THE TYPE.
OH, WORD.

YEAH, THEY JUST CAME OUT.

HELLO.

CHECK HER OUT.

HALF AN HOUR.

RIGHT HERE.
HALF AN HOUR.

[SARA LAUGHING]

YOUR MOM'S SO STUPID,

IT TOOK HER AN HOUR
TO MAKE MINUTE RICE.

MAN, THAT SHIT'S CORNY,
MAN. THAT'S OLD.

I'M GONNA TELL YOU,
YOUR MOM'S GOT NO LEGS

AND STILL TRYIN'
TO KICK IT TO ME.

THAT'S STUPID.
THAT IS STUPID.

NO. Y'ALL FOOLS GOT TO COME
TO CHICAGO WITH ME. WORD UP.

YOU REALLY GOING
TO CHICAGO?

HELL, YEAH,
I'M GONNA BE THERE, MAN.

I'M GONNA BE UP THERE,
I'M GONNA GET PAID,

COOL OUT WITH MY SHORTY.

NO, ALL RIGHT?
DAMN, BABY.

YO, LET'S GET THIS SHIT,
GO TO THE CLUB, DOGG.

DAMN. SAVE ME ONE.

PAY THE BILL.
DOGG.

I WROTE YOU
A LITTLE SOMETHIN'.

WORD. WHAT?

YOU KNOW. A LITTLE RHYME
OR WHATEVER.

* COMMERCIAL RAP NIGGAS GET
THEIR DOME SMACKED OUT OF THEM *

* WE'RE TIRED
OF THESE EARTHLINGS *

* ACTIN' LIKE
THEY'RE COWARDS *

* WHEN YOU FUCK UP,
WE GETTIN' DOWN FOR HOURS *

* COLD, SLY, MILLION NIGGAS,
SKYIN' LIKE TWIN TOWERS *

YO, I'M READY FOR THIS SHIT,
DUDE. FUCK THIS, MAN.

HELL, YEAH, DOGG.

HEY, WHAT'S THAT
FUCKIN' SIGN SAY, DOGG?

WHERE?

HOLD ON.

AW, WHAT'S UP, GIRL?

A'IGHT.

SHE FUCKIN' WAVED
TO ME, DOGG.

MAN, SHE AIN'T
WAVIN' AT YOU, MAN.

SHE WAS WAVIN' LIKE,
"GET THE FUCK OUT OF HERE."

NAW, MAN, SHE FUCKIN'
WAS SMILIN', MAN.

SHE WAS FUCKIN'
WAVIN' AT ME.

ALL RIGHT, WHATEVER.

CHECK, CHECK, CHECK,
1, 2, AND YOU DON'T.

LOOK AT THIS
MOTHERFUCKER.

THIS IS IT RIGHT HERE.
JAY, MAN, PARK.

YEAH, THIS IS THE FUCKIN'
DEAL RIGHT HERE.

I'M GONNA GET
MY SWERVE ON. WORD.

YEAH,
STRAIGHT UP, DOGG.

MMM...MMM.

I SMELL CASH-LOOT
UP IN THIS MOTHERFUCKER.

YOU SMELL CASH?

YEAH, BOY.

YOU WANNA GET SOME?

I SAY, YOU READY
TO GET SOME?

I'M READY TO GET IT,
DOGG. COME ON.

OBEY YOUR THIRST, NIGGA.

[RAP MUSIC PLAYING]

YO, MAN.

WHAT'S UP?
HOW MUCH WE GOT, DOGG?

ONLY AROUND 200.
ABOUT.

I THINK TREV'S ABOUT
TO BRING 2 MORE.

YO, I GOT THIS
FINE-ASS BITCH OUTSIDE,

GAVE ME A HUNDRED-DOLLAR
BILL AND SHIT.

WHY THE FUCK DIDN'T YOU
BRING HER IN, DOGG?

IT'S THE MEN'S
ROOM, FOOL.

SO WHAT?

YO, HOW MANY SHE NEED?

5, MAN.

SHIT, MAN, HERE.

YO, MAN,
COME ON, HURRY UP.

DON'T BRING NO MORE
PEOPLE, ALL RIGHT?

WE'RE ALMOST OUT OF HERE.

ALL RIGHT, DUDE.

LET ME COUNT
THAT SHIT, DOGG.

YO, CHILL. WHAT,
YOU DON'T BELIEVE ME?

HA HA HA.

HEY, MOTHERFUCKER!

I DON'T KNOW
WHAT YOU SOLD ME,

BUT THIS SHIT
AIN'T BLOW, MAN.

NAW, MAN, I SWEAR THIS SHIT
IS REAL, MAN, I SWEAR, YO.

BULLSHIT, MAN.
I'VE HAD COCAINE BEFORE.

I KNOW THE DIFFERENCE.

I'M NOT SOME STUPID LITTLE
DUMB-ASS MOTHERFUCKER.

THIS IS NOT COKE.
THIS IS FUCKIN' FLOUR.

YOU SOLD ME FUCKIN'
BAKING FLOUR!

NO, NO, NO, MAN.

I WANT MY MONEY!

AAH! FUCK, MAN!

GIVE ME MY MONEY NOW,

OR I'LL KICK THE SHIT
OUT OF YOU,

YOU LITTLE COCKSUCKER.

YO, MAN, I'M SORRY.
ALL SALES IS FINAL.

GIMME MY MONEY!

AAH, FUCK!

YO, MOTHERFUCKER!
WHAT THE FUCK IS UP, DOGG?

WHY DON'T YOU JUST BACK
THE FUCK UP RIGHT NOW, DOGG?

I WILL FUCKIN'
BLAST YOU, DOGG!

I WILL FUCKIN'--YOU FUCKIN'
CANDY-COATED ASS BITCH.

Jock: WHAT YOU GONNA
DO WITH THAT, HUH?

[HIP-HOP MUSIC PLAYING]

Man:
PLEASE DON'T, FLIP.

IT'S--IT'S ALL THERE.

WHAT DO YOU TAKE US FOR,
A BUNCH OF IDIOTS?

DON FLIP, WHAT ARE WE
GONNA DO WITH THIS GUY, HUH?

YOU DISRESPECT
THE DON.

NO!

KISS MY SHOE.

IT'S DELICIOUS.

HA HA HA HA HA!

TURN.

YEAH, MOTHERFUCKER.

WHAT?

James: YO, MOTHERFUCKER,
WHAT THE FUCK IS UP, DOGG?

WHY DON'T YOU JUST BACK
THE FUCK UP RIGHT NOW, DOGG?

I WILL FUCKING BLAST YOU, YOU
FUCKING CANDY-COATED ASS BITCH.

WHAT YOU GONNA DO
WITH THAT, HUH?

AAH!

AAH!

[ALL SHOUTING]

WHAT'S YOUR
FUCKING PROBLEM?

Flip: LET'S GET
THE FUCK OUT!

[WHIMPERING]

* YEAH

* I BE
THE ILLEST MOTHERFUCKER *

* THAT YOU
EVER SEEN AROUND *

* I GET DOWN, I DROP
SUCKERS TO THE GROUND *

* YEAH, I GOT JUICE

* I GOT SO MUCH JUICE,
I'M GETTIN' LOOSE *

* YOU COULD CALL ME BRUCE

* WILLIS

THANK YOU.
THANK YOU, ALL MY FANS.

ALL MY MILLIONS OF FANS.

* IT'S FLIP DOGG
ON THE M-I-C *

WHAT YOU THOUGHT
IT WAS, FOOL?

YEAH. BIOTCH.

UHH.

THANK YOU, JAY.
THANKS A LOT, JAY.

YOU LITTLE FUCKER.

[IMITATES GUNFIRE]

YEAH. IT'S ALL GOOD.

I KNOW WHAT YOU'RE
THINKING, JAY.

YOU'RE THINKING, LIKE,
HOW IS IT THIS WHITE DUDE

COULD BE SUCH
A DOPE RAPPER, RIGHT?

WELL, TRUTH OF
THE MATTER IS, JAY,

I AIN'T WHITE, MAN.

I'M BLACK.

SEE, I WENT
TO THE DOCTOR, JAY.

THIS IS BETWEEN
YOU AND ME, MAN.

AND HE TOLD ME
I GOT THIS, LIKE,

LIKE, THIS RARE
SKIN DISORDER.

IT'S CALLED, LIKE,
EOSONOPHILIC...

IONIC DERMATITIS, RIGHT?

AND IT'S, LIKE,
WHERE YOU LOOK WHITE, OK?

BUT INSIDE, DUDE--

LIKE, ALL RIGHT,
CHECK THIS OUT, JAY.

YOU THINK THAT'S
A BIRTHMARK, RIGHT?

WELL, TRUTH OF
THE MATTER IS,

LIKE, THAT'S THE REAL
COLOR OF MY SKIN,

AND THE REST OF ME
IS A BIRTHMARK.

THIS SHIT IS MAD RARE, JAY.
IT'S MAD RARE.

I MEAN, EVEN THOUGH
I LIVE IN IOWA,

I STILL, I STILL GOT
THE GHETTO IN MY HEART, JAY.

I MEAN, THIS IS JUST
TEMPORARY, YOU KNOW?

I'M GONNA MOVE, MAN.

YOU KNOW, I DON'T
BELONG HERE, YOU KNOW?

AS SOON AS I, LIKE,
GET SOME MONEY,

I'M JUST GONNA, LIKE,
MOVE TO SOME STRAIGHT-UP,

JUST, LIKE, GHETTO,
GANGSTER, THUG,

PROJECTS-TYPE SHIT,
YOU KNOW?

LIKE IN CHICAGO,
LIKE, YOU KNOW,

LIKE, THE PEOPLE
JUST KICK IT.

AND JUST, LIKE, CHILL
IN THEIR BMWs EVERY DAY.

AND, LIKE, YOU KNOW,
DRIVE AROUND AND JUST PARTY.

LIKE, ALL THE GIRLS
GOT BIKINIS ON.

EVERYBODY'S, YOU KNOW...

RAPS.

YOU KNOW WHAT
I'M SAYIN', JAY?

WHERE, LIKE, THE NIGGERS
JUST KICK IT, JAY.

DON'T GET ME WRONG, JAY.

WHEN I SAY "NIGGER,"
I DON'T MEAN IT IN THE ILL WAY,

YOU KNOW, LIKE,
"OH, YOU FUCKIN' NIGGER,"

OR SOME SHIT LIKE THAT.

I MEAN, YOU KNOW,
YOU JUST CHILLIN'.

YOU JUST KICKIN' IT WITH
YOUR HOMEYS OR WHATEVER.

YOU JUST BE, LIKE,

"WHAT'S GOING ON,
YOU BITCH-ASS NIGGER?"

YOU KNOW.
IT'S ALL GOOD, JAY.

IT'S ALL LOVE, MAN,
STRICTLY LOVE.

Kate: FLIP!

WHAT?!

THE MONEY'S NOT
ON THE FRIDGE.

NOT THE FRIDGE!
THE MICROWAVE!

OH, DON'T FORGET TO PICK
YOUR DAD UP FROM WORK.

DAMN. LEAVE ME
THE FUCK ALONE.

I HATE THIS PLACE, JAY.

BUNCH OF TRACTOR-DRIVIN'
MOTHERFUCKERS.

DAMN BISCUIT-HEAD BITCHES.

MAN, YOU GOT TO SEE
THESE PEOPLE, MAN.

ALL THEY DO IS HANG OUT
AT THE MALL EVERY DAY

AND WALK BACK AND FORTH
FROM FOOTLOCKER TO CHI-CHI'S,

CHI-CHI'S TO FOOTLOCKER.

THEN THEY GO HOME
AND WATCH DAMN...

FRIENDS.

THOSE ARE WACK
FUCKING ACTIVITIES, JAY.

ARE YOU WITH ME, MAN?

I MEAN, I DON'T ASPIRE
TO THAT IN MY LIFE, DUDE.

I WANT FUCKING, I WANT...

I MEAN, WHAT THE HELL
I WANNA BE WHITE FOR, MAN?

THAT SHIT IS STUPID.

[HORN HONKS]

[WHISTLE BLOWS]

HEY, THERE, FLIP.

W'SUP?

HOW'S YOUR MOM?

SHE'S A'IGHT.

YOU TELL YOUR MOM
I SAID HI.

A'IGHT.

WHAT'D YOU SAY?

MY DICK.

HATE TO DO THIS, ART.

YOU'VE BEEN WITH US
DAMN NEAR 25 YEARS.

THE COMPANY'S
OUT OF MONEY.

HEY, DAD.

YOU ALL RIGHT?

NO.

JAY.

AH, W'SUP, NIGGA?

A'IGHT?

WHAT YOU GOT TO EAT,
MAN? I'M STARVIN'.

[ROCK MUSIC PLAYING]

DAMN, MAN, TELL YOUR MOMS
TO GET SOME WONDER BREAD.

AT LEAST THEN YOU HAVE SOMETHING
TO PUT THE CHEESE WHIZ ON.

James: WHY DON'T YOU
SHUT THE FUCK UP, MAN?

LAST TIME I WAS
IN YOUR FRIDGE,

ALL I SAW WAS SOME,
LIKE,

BAKING SODA AND
THE LIGHT BULB, DOGG.

MAN, SHUT UP. WHY DON'T WE
GET SOME MUNCH FOR REAL?

SWING US BY HUCKY'S.

YOU KNOW, GET THAT
EMPLOYEE DISCOUNT.

FUCK HUCKY'S.

I'M SICK OF THAT
FUCKIN' PLACE, DOGG.

I'M TRYIN' TO MAKE ME
SOME FUCKIN' LOOT, BABY.

I HEAR THAT.
I GOT THE PLAN.

SOME MASTER P SHIT,
YOU KNOW?

THAT'S WHAT
I'M SAYIN', MAN.

SEE, SEE,
THE PLANS, DOGG.

THAT'S WHAT I'M THINKIN'.
I--I GOT THOUGHTS, MAN.

WHAT? WHAT YOU
GONNA BE, A RAPPER?

NIGGA CAN'T RAP
FOR SHIT.

WORD. YOU KNOW
YOU CAN'T RAP, JAY.

[LAUGHING]

MAN, FUCK YOU, MAN.
I CAN RAP.

I'M NOT TALKING ABOUT
NO RAPPING SHIT, DOGG.

MAN, I'M TELLING YOU, MAN,
WE COULD BE...

UHH! MAKING CAKE, BABY.

WITH WHAT?

SOME CRANK, DOGG.

CRANK?
YEAH, BABY.

YOU ARE SOME
REDNECK SHIT, MAN.

LEAVE THAT SHIT
TO THEM

DENNY'S-EATIN'
BISCUIT HEADS.

MAN, FUCK YOU, MAN!

MAN, FUCK YOU
AND YOUR REDNECK SHIT.

I AIN'T NO MOTHERFUCKIN'
REDNECK, ALL RIGHT, DOGG?

OH, NO? THEN WHAT ARE YOU
LISTENING TO THIS SHIT FOR?

YOU BETTER--

DOGG, DON'T FUCKIN'
PUSH MY BUTTONS SO HARD.

THAT SHIT IS
SOME PIMP SHIT, MAN.

YOU NEED TO BE EASY
WITH THAT SHIT.

[IMITATING
ELECTRIC GUITAR]

YOU KNOW HOW FUCKING
OLD THAT SHIT IS, DOGG?

THAT'S SOME FUCKING RETRO SHIT.
DON'T FUCK WITH MY SHIT.

DON'T PUSH THE BUTTONS
ALL HARD, DOGG.

YO, BACK TO THE FUTURE,
BABY. CDs, A'IGHT?

YOU KNOW WHAT, MAN?

THAT'S WHAT YOU WERE
FUCKING LISTENING TO

IN YOUR MOM'S
FUCKING STOMACH, DOGG.

SOME FUCKIN' ESSENCE.

THAT'S SOME ESSENCE-TYPE SHIT
RIGHT THERE, BABY.

ESSENCE OF WHAT?

ESSENCE, MAN.
THAT'S YOUR ROOTS.

THAT SHIT IS OLD. THAT'S
PREHISTORIC, ALL RIGHT?

YOU MIGHT AS WELL
RUB SOME ROCKS TOGETHER

AND MAKE A FIRE, OK?

I'M SAYIN' RAP IS
GONNA CHANGE THE WORLD.

THAT'S EXPRESSION, DUDE.

WHERE DO YOU THINK HIP-HOP
CAME FROM, DOGG?

OH, MY GOD!

SOME ROCK SHIT, DOGG.

ALL THIS HARD-CORE
HIP-HOP DADA,

THAT'S ALL SOME FUCKING
AAH AAH!

UHH, IT'S THE SAME
MASTER P SHIT. UHH!

LIKE IN YOUR SHIT--

LIKE YOU WANNA JUST FUCKIN'
BREAK SOME SHIT UP, DOGG.

THAT'S EXPRESSION, DOGG.
EX-PRES-SI-ON.

WHAT THE HELL ARE YOU
EXPRESSING, MAN?

IT'S NOT THAT STRAIGHT-UP
HARD-CORE GHETTO SHIT.

DOGG, GHETTO SHIT IS--YO,
YOU DON'T THINK MOTHERFUCKERS

WHO ARE IN THE FUCKING GHETTO
ARE PLAYING THE GUITAR?

MOTHERFUCKERS ARE IN THE GHETTO
PLAYING THE GUITAR, MAN.

YOU BEEN THERE?
SO YOU DON'T KNOW.

SEE, YOU A REDNECK.

YOU THINKIN' REDNECK
MENTALITY.

MAN, YOU GOTTA GET OUT
OF THAT SHIT, MAN.

MAN...

YOU GOTTA GET OUT
OF THAT SHIT, MAN.

FUCK YOU, MAN.
YOU MY NIGGA, RIGHT?

YEAH, I'M YOUR NIGGER,
DOGG.

THAT'S WHAT I'M SAYIN'.
SO CHILL, THEN.

I'M SAYIN' YOU NEED TO RESPECT
MY FUCKING TASTE, DOGG.

'CAUSE I GOT TASTE, DOGG.
ALL RIGHT, MAN.

LET'S GO GET SOMETHING
TO EAT, MAN, A'IGHT?

A'IGHT?

ALL RIGHT, MAN.

I'M JUST SAYIN'.

A'IGHT.
CHILL, CHILL.

IT'S ALL GOOD.

DON'T PUSH MY MOTHERFUCKIN'
BUTTONS SO HARD.

YO. A'IGHT, MAN.

FUCKIN' OLD-ASS
8-TRACK BULLSHIT.

DON'T FUCK
WITH MY SHIT, DOGG.

LET'S GO.

[RAP MUSIC PLAYING]

HEY, MOM,
FLIP AND JAMES ARE HERE.

Both: HEY, MRS. M.

MR. M.

WHAT'S GOING ON,
MR. M?

HAVE YOU BOYS
HAD DINNER YET?

NO.

NOT REALLY.
WE'VE ALREADY EATEN,

BUT THERE'S PLENTY
LEFT OVER,

IF YOU'D LIKE SOME.

ALL RIGHT.

Y'ALL A BUNCH OF HUNGRY,
BEGGIN' BASTARDS.

YO, DON'T CURSE IN FRONT
OF YOUR MOMS, DUDE.

HELP YOURSELVES,
FIX UP SOME PLATES.

THERE'S, UM,
MASHED POTATOES,

CHICKEN, ICED TEA,
APPLE JUICE, SODAS.

YO, MAN, DON'T TAKE
EVERYTHING, DUDE.

YO, PUT THEM BACK,
MAN.

AW, MAN.

WHAT'S UP WITH
YOUR MOMS, DOGG?

STRAIGHT UP
AND DOWN, MAN.

I THINK SHE, YO,
SHE WAS, LIKE,

GIVING ME THE MASHED
POTATOES, DOGG,

AND I WANTED TO
TAKE THE MAYONNAISE

AND, LIKE, UHH!
SPREAD SOME SHIT

UP ON SOME SAUCE-THE-PAN
TYPE SHIT, DOGG.

WHY THE FUCK YOU ALWAYS GOT
TO TALK ABOUT MY MOMS, MAN?

I'M JUST SAYIN',
YOUR MOM IS STRAIGHT UP.

YOUR MOM IS...
SHE'S A MILF, DOGG.

SHE'S
A STRAIGHT-UP MILF.

WHAT'S A FUCKING MILF?

A MILF...

IS A "MOTHER
I'D LIKE TO FUCK."

YOU KNOW WHAT
I'M SAYIN', DOGG?

HELL, YEAH, DOGG!

WHAT'S UP, MAN? UHH!

'CAUSE I'LL BE
LIKE THIS...UHH!

[RAP MUSIC PLAYING]

UHH!

UHH!

A'IGHT.

* THAT'S THE WAY

* THE REAL HUSTLERS PLAY

* THAT'S THE WAY

* THE REAL HUSTLERS...

[RAPPER RAPPING]

* PIMPS IN THE FRONT,
FREAKS IN THE BACK *

* PUSHING YOUR LEXUS
AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP,
PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE,
PIMP IT UP *

[RAPPER RAPPING]

* PIMPS IN THE FRONT,
FREAKS IN THE BACK *

* PUSHING YOUR LEXUS
AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP,
PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE,
PIMP IT UP *

* PIMPS IN THE FRONT,
FREAKS IN THE BACK *

* PUSHING YOUR LEXUS
AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP,
PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE,
PIMP IT UP *

* THIS IS HOW WE ROLL

* THIS IS HOW WE ROLL,
YEAH *

* OH OH-OH OH-OHH

* HEY, YEAH

[ROCK MUSIC PLAYING]

James: UHH!
WHAT'S UP, DOGG?

WHAT'S GOING ON?

YEAH! WHOO-HOO!

KHALID!

WHAT'S GOING ON, PLAYER?

OH, WHAT'S UP, DOGG?

Trevor: UHH. I SEE YOU'RE
GETTIN' YOUR DRINK ON, HUH?

YOU KNOW
WHAT'S UP, TREV.

STRAIGHT,
NO CHASER, BABY.

KHALID, IS THAT
A NEW PAIR OF N1's?

HELL, YEAH, DOGG.

I GOT THEM LAST WEEK,
YOU LIKE?

THEM PUPS IS ALL GOOD,
YOU KNOW.

THEM PUPS?

YEAH, YOU KNOW. PUPS.

YEAH, YOU PUPS IS
ALL GOOD, KHALID.

WOOF WOOF!

WHAT?

WOOF WOOF!

WOOF WOOF WOOF!

MAN, SHUT THE FUCK UP!

YOU MOTHERFUCKERS SOUND
LIKE A BUNCH OF DAMN HICKS.

FUCKIN' DUMB MOTHERFUCKIN'
HICK-ASS BASTARDS.

Khalid: CHILL, DOGG.

WHATEVER, DOGG.

DAMN. AT LEAST WE
DIDN'T GET LEFT BACK.

Khalid: OH, SHIT.

WHAT?

YO, YO,
HE'S ONLY PLAYING, DOGG.

WHAT THE FUCK
DID YOU SAY?

WHAT'S UP, NIGGA?

COME ON, MOTHERFUCKER.

YO, YO, FLIP DOGG!

GET HIM, MAN!

[SHOUTING]

COME HERE.
COME HERE, MAN!

James: GET THE FUCK
OUT OF HERE, MAN.

YEAH! YEAH!
SAY THAT SHIT WELL.

YOU GOTTA BACK UP
THEM WORDS, BITCH.

YOU WOULDN'T LAST A MINUTE
IN COMPTON, FOOL.

MOTHERFUCKER!

TCH!

YEAH, YOU KNOW HOW WE DO.

WHAT?

Sara: FLIP.

WHAT Y'ALL
LOOKIN' AT, HUH?

GO BACK TO YOUR LITTLE
COW-TIPPIN' STORIES NOW.

FLIP, YOU AIN'T
NEVER BEEN TO CALI.

TSK. YEAH, BUT I KNOW
WHAT IT'S LIKE, A'IGHT?

HEY.

HEY, I LOVE THAT RHYME
YOU WROTE FOR ME.

YEAH?

COME ON,
LET'S GET OUT OF HERE.

Bill Clinton on TV: INDEED
I DID HAVE A RELATIONSHIP...

Sara: STOP...FLIP.

IN FACT, IT WAS WRONG.

IT CONSTITUTED A CRITICAL
LAPSE IN JUDGMENT

AND A PERSONAL FAILURE
ON MY PART...

Sara: STOP. FLIP.

FOR WHICH I AM SOLELY
AND COMPLETELY RESPONSIBLE.

FLIP!

BUT I TOLD
THE GRAND JURY TODAY...

FLIP, PULL OUT
AND PUT SOMETHING ON.

THAT AT NO TIME
DID I ASK ANYONE TO LIE,

TO HIDE
OR DESTROY EVIDENCE.

FLIP.

Flip: CHILL.

[MOANING]

FLIP!

UHH.

I GOT IT.

UHH-UHH-UHH!
UHH! UHH! UHH!

OHH. UHH.

Clinton: NOTHING IS MORE
IMPORTANT TO ME PERSONALLY,

BUT IT IS PRIVATE.

AND I INTEND TO RECLAIM
MY FAMILY LIFE

FOR MY FAMILY.

IT'S NOBODY'S BUSINESS
BUT OURS.

EVEN PRESIDENTS
HAVE PRIVATE LIVES.

IT'S NOT FUNNY, FLIP.

AW, COME ON.

M'KAY?

DON'T.

SARA, COME ON.

DON'T.

DON'T MAKE ME.

[LAUGHING]
DON'T, DON'T.

YOU KNOW.

DON'T. COME ON. OW!

QUIT IT.

MOVE OVER, TOO.

OH, WHAT?
I GOT TO MOVE OVER?

IT'S MY BED.

YO, YOU TAKE IT
ALL UP, TOO.

[SIGHS]
I'M TIRED.

I WROTE ANOTHER RHYME
FOR YOU.

LET ME HEAR IT.
READ IT TO ME.

NAH.

COME ON, READ IT TO ME.

I AIN'T FINISHED
WITH IT YET.

I'M, LIKE, TWO THIRDS
OR, LIKE...

I'M, LIKE, FIVE EIGHTHS
DONE WITH IT.

WELL, LET ME HEAR
THE BEGINNING.

ALL RIGHT.

OK.

IT GOES LIKE THIS...

M'KAY?

COME ON.

WHAT'S UP?

I'M SAYIN'
I'M THUGGED OUT. WHAT?

YOU AIN'T NO FUN,
THAT'S THE PROBLEM.

YOU DON'T WANT ME
TO READ NO SHIT.

YOU DON'T WANT ME
TO TICKLE YOU.

BLAH, WAH, WAH.

* MMM MMM MMM

I'VE HEARD IT
ALL BEFORE.

WERE YOU GONNA COME
VISIT ME IN COLLEGE?

VISIT YOU? COME ON, SARA,
I'M GONNA LIVE UP THERE.

WHAT?

I'M SAYIN' AIN'T NOBODY
PRODUCIN' NO RAP

UP IN THIS MOTHERFUCKER.

YOU AIN'T LIVIN' IN MY DORM ROOM
WITH MY 3 ROOMMATES.

TSS. COME ON,
I'LL FIND SOME SHIT.

AND THEN ONCE
I GET A RECORD DEAL,

WE COULD GET A PLACE
TOGETHER, ALL RIGHT?

WHY DON'T YOU GET A JOB?

YOU COULD SAVE SOME MONEY
AND THEN COME OUT.

SARA, DO I LOOK LIKE
I BELONG HERE?

ALL RIGHT?
WHAT AM I GONNA DO?

STAND AND SERVE BURGERS

TO SOME FAT FRIED-LOOKIN'
MOTHERFUCKERS?

I'M SERIOUS.

I'M TALKIN' ABOUT THIS,
YOU KNOW?

I MEAN, I JUST
WANT PEOPLE TO...

I WANNA MAKE PEOPLE SEE
THE TRUTH, YOU KNOW?

IT'S LIKE SHIT
THEY DON'T WANNA SEE,

JUST LIKE STRAIGHT-UP,
HARD-CORE GHETTO SHIT.

YOU KNOW,
JUST LIKE THE TRUTH.

PEOPLE ARE IGNORANT HERE.

PEOPLE ARE IGNORANT
IN CHICAGO, TOO, FLIP.

YEAH, BUT IN CHICAGO,

THEY'RE LIVIN' THE REAL
SHIT, ALL RIGHT?

CABRINI GREEN.

CABRINI WHAT?

IT'S THESE PROJECTS
UP THERE.

BROTHERS KEEP IT REAL
UP IN THERE.

AND YOU WANNA GO THERE?

THAT'S WHAT I AM.

I'M ABOUT IT.

WHAT DO YOU EXPECT ME
TO DO?

YOU ACT LIKE I'M AN IDIOT.

I DON'T THINK
YOU'RE AN IDIOT.

I THINK THERE ARE PLENTY
OF JOBS OUT THERE.

YOU'LL FIND SOMETHING.

BULLSHIT!

W'SUP, MA?

YOU WANNA HELP ME OUT
WITH THIS?

MA, WHEN IS SUPPER
GONNA BE READY?

I GOT STUFF TO DO.

Art: WHAT THE HELL
IS WRONG WITH YOU, BOY?

I'M HAVING A CONVERSATION
WITH YOUR MOTHER HERE.

I'M TRYIN' TO SUPPORT
A GODDAMN FAMILY,

AND YOU ALL WANT TO DO
IS PLAY VIDEO GAMES.

IT'S NOT VIDEO GAMES.

I DON'T CARE
WHAT THE HELL IT IS!

WHAT THE HELL IS THIS?

WHAT?

WHERE THE HELL DID YOU
GET THIS OUTFIT?

I BOUGHT IT.

WITH WHAT?

WHAT?! SPEAK UP!
I DIDN'T HEAR YOU!

ARE YOU THE MAN
OF THE HOUSE?!

Kate: ART, PLEASE.

YOU DON'T HAVE HALF
THE SENSE TO JERK OFF,

AND NOW YOU'RE THE MAN
OF THE HOUSE.

I MUST REALLY BE A FOOL.

I'M A JACKASS, AREN'T I?

WHAT A JACKASS!

[GLASS BREAKS]

[RAP MUSIC PLAYING]

Flip: * A LOT OF NIGGAS
DON'T LIKE ME *

* I DON'T REALLY
GIVE A FUCK, THOUGH *

* 'CAUSE I'LL JUST
SHOOT YOUR ASS *

* KEEP SHOOTIN' YA

* YEAH, MAKIN' LOTS OF MONEY,
LOTS OF CASH *

* LOTS OF HOS, UHH

WHAT ARE YOU,
A NIGGER NOW?

Woman: EXCUSE ME.

I ORDERED
THE CHICKEN COMBO,

BUT I ASKED FOR RIBS
INSTEAD OF CHICKEN.

I SAID I WANTED RIBS.
I DIDN'T WANT CHICKEN.

WELL, UH, WHY DIDN'T YOU
JUST ORDER THE RIB COMBO?

I DIDN'T WANT THE RIB COMBO.

I WANTED THE CHICKEN COMBO,
BUT WITH RIBS.

RIBS.

OH. WELL,
YOU FUCKED UP, THEN.

Frank: JAMES, WHAT DID YOU
JUST SAY TO THIS CUSTOMER?

NOTHIN'.

HE SAID I FUCKED UP.

WHAT DID YOU SAY, SON?

I'M SORRY, DID YOU
JUST CALL ME SON?

YEAH.

WELL, FOR CRYIN'
OUT LOUD, PA.

I DIDN'T KNOW YOU WAS
MY MOTHERFUCKIN' DAD.

KEEP IT DOWN, OK?

LOOK, I GAVE YOU
AN OPPORTUNITY.

LET'S TALK OVER HERE
FOR A SECOND.

HOLD ON. AWAY FROM
THE CUSTOMERS, DOGG.

I DON'T WANNA INVOLVE HER,
YOU KNOW WHAT I'M SAYIN'?

WHAT'S YOUR PROBLEM?

I DON'T WANNA INVOLVE
THAT FUCKIN' BITCH OVER THERE!

OR YOU! WHY DON'T YOU MOP UP
THE MOTHERFUCKIN' FLOOR, DOGG?

LET'S GET
THESE PEOPLE OUT.
LISTEN, MOTHERFUCKER,

I'M SICK AND TIRED OF
YOUR FUCKIN' BULLSHIT, DOGG!

FUCK THIS WHOLE
FUCKIN' PLACE, MAN.

YOU'RE RIPPING ME OFF LIKE I'M
SOME LITTLE FUCKIN' PUNK BITCH.

FUCK THAT!
MOTHERFUCKER!

I'M IN SOME FUCKIN JAIL
BULLSHIT, MOTHERFUCKER!

I'M OUT OF THIS
FUCKIN' PIECE OF SHIT.

GABLE, DON'T THINK
I'M NOT COMING

FOR MY MOTHERFUCKIN'
MONEY, DOGG.

[BELL ON DOOR RINGS]

YO, MAN,
WHAT THE FUCK, DUDE?

YO, I WAS ABOUT TO DROP
THAT FOOL, DOGG.

MAN, FUCK THAT JOB.

UHH! FUCK THAT SHIT!

YO, DON'T EVEN
SWEAT THAT, MAN.

WE GONNA MAKE LOOT,
A'IGHT?

Flip: I'M GONNA WIN
THIS TALENT SHOW

RIGHT NOW, DOGG.

TAKE THE MONEY,
DO SOME REAL BUSINESS.

* I'M CRYIN'

* I'M ON A 2-WAY STREET

* THERE'S A BOY

* HE'S ON MY MIND

OH, YOU MISSED!
YOU GOTTA BUST 'EM!

OH, MAN, WHAT THE--

HEY, WHAT THE HELL!
HEY!

YOU GUYS CAN'T DO THAT!
GET OUT OF HERE!

A'IGHT?

W'SUP?

* MOM SAYS
HE'S NOT COUNTRY *

[CONTINUES SINGING]

WHAT'S UP, MAN?

WHAT YOU LOOKIN' AT, MAN?

Flip: BRING IT, Y'ALL.

WHAT?

[APPLAUSE]

YO, I KNOW EVERYBODY'S BEEN
WAITIN' A LONG TIME FOR THIS,

SO I'M GONNA ROCK
THAT HOUSE FOR Y'ALL.

SO HERE WE GO.

* YO, YES, YES, Y'ALL

* YES, YES, Y'ALL,
TO THE BEAT *

* YO, Y'ALL DON'T STOP,
ONE *

* SMILE, CHI-TOWN CHICAGO
IS WHERE I COME FROM *

AH, IT'S KHALID.

* 'CAUSE I COME FROM THE LAND
OF WISDOM AND KNOWLEDGE *

HE'S KINDA PHAT. I NEVER
HEARD HIM RAP BEFORE.

MAN, SHUT UP, MAN.

HE AIN'T
NO AFRICAN KING.

MAN, FLIP, YOU GONNA
TAKE THIS SHIT, DOGG.

MAN, Y'ALL DON'T KNOW SHIT.

WE ALL GOT AFRICAN KINGS
IN OUR BLOOD, FOOL.

MAN, YOU GOT WATERMELONS
IN YOUR BLOOD, DOGG.

MAN, SHUT UP.

WHAT?

I'M GONNA WIN THIS MONEY.

THAT'S THAT MOTHERFUCKER
THAT WAS TALKING SHIT.

WHAT'S UP, JAMES?

WHAT'S UP, MIKE?

WHAT'S UP WITH
YOUR BOY HERE?

LOOK LIKE A GANGBANGER
WITH THOSE FUCKING PANTS.

WATCH OUT, MAN.
HE'LL GET HIS PEOPLES
COME HERE AND GANK US.

OH, YOUR PEOPLES?

YOU SUPPOSED TO BE VICE-LORD
OR SOMETHIN', YOU FOLKS?

MAYBE WE ARE.
MAYBE YOU ARE WHAT?

G.D., VICE-LORD. W'SUP?

WHAT THE FUCK IS YOUR CREW,
THE FUCKIN' MARSHMALLOW POSSE?

OH, WHAT'S YOURS,

THE DRUNK NORWEGIAN
SLAVEMASTER MOTHERFUCKERS?

YOU BETTER STOP TALKIN'
SHIT, FORREST GUMP.

YOU STILL BANGIN'
YOUR SISTER?

FUCK THAT SHIT!

BREAK IT UP!

KICK HIS ASS!
BREAK IT UP!

* TURN AROUND, LOOK AT ME,
LOOK AT ME *

* 'CAUSE THESE LOOSE STUPID
INGRATES CAN'T SEE *

BREAK IT UP!

HEY, WHAT? WHAT?
YEAH!

BREAK IT UP!

COME ON, MAN.
WHAT THE FUCK?

GO ON, GO ON.

THERE GOES
THE PRIZE MONEY, FOOL.

SHIT.

MAN, SHUT THE FUCK UP,
DOGG.

YOU ALWAYS TALKIN'
SOME BULLSHIT.

MOTHERFUCKERS
ARE STUPID, MAN.

LOOK WHERE WE ARE,
MOTHERFUCKER.

IF WE WAS IN CHICAGO,
MAN...

YOU DON'T EVEN
KNOW THE HALF.

YOU GO THERE, AND YOU
SEE THE FUCKING TRUTH.

WORD UP.

YOU ON SOME TRIP.

I'M DOWN WITH YOU, DOGG,
BUT THAT'S SOME--

I KNOW, MAN,
YOU MY NIGGA.

I'M NOT SAYIN'--
I'M NOT TRYIN'--

DON'T FUCKIN' TOUCH
MY ASS, BITCH.

[BLOWING IN BOTTLE]

WHY YOU FUCKIN'
LAUGHIN' AT HIM?

FUCKIN' DOGG.

[COW MOOS]

THAT'S YOUR MOM.

YEAH, BABY!

THAT'S TREVOR'S MOMS.

SHE'S CALLING YOU
FOR DINNER.

YO, THEY'RE ANSWERING
TO MY SHIT, DOGG.

* NOW, IF YOU'RE DOWN WITH
THIS SHIT, SAY, HELL, YEAH *

* IF YOU'RE DOWN WITH
SOOPAFLY SAY, HELL, YEAH *

* IF YOU'RE DOWN WITH NAKED
CHICKS SAY, HELL, YEAH *

* IF YOU'RE DOWN FOR SMOKING
SHIT, SAY, HELL, YEAH *

* IF YOU LIKE TO GET HIGH,
SAY, HELL, YEAH *

* IF YOU LIKE THE GANG BOOGIE,
SAY, HELL, YEAH *

* IF YOU LIKE TO GET RICH,
SAY, HELL, YEAH *

* IF YOU LIKE TO FUCK A BITCH,
SAY, HELL, YEAH *

CHILL, DOGG.

MOTHERFUCKER, MAN.

DO IT, MAN.

OW! FUCKIN' SHIT, MAN!

UHH!

FUCKIN' HELL, YEAH!

WHAT ARE YOU TALKIN'
ABOUT, MAN? UHH!

THAT SHIT IS FUCKIN'
PIMP RIGHT THERE.

UHH!

SHIT.

SHIT.

YO, THAT SHIT
IS NICE, MAN.

YO, WHERE'S
MY NEXT JOINT, DOGG?

ONE MORE, DOGG.
ONE MORE.

FUCK, MAN, HURRY UP!

DO IT, MAN.

DO IT, FLIP.

READY, DOGG?

UHH.

AAH!

OH, FUCK.

Trevor: THAT SHIT
HAS GOT TO STING.

HELL, YEAH, MAN.
WHAT THE FUCK YOU THINK?

FUCKIN' SHIT, MAN.

James:
WHAT'S THE FUCKIN' DEAL?

THAT SHIT IS REAL.

WHAT IS UP?

UHH!

YO, WAIT,
HOLD ON, THOUGH.

YO, YOU GOTTA...

[LAUGHING] BLOWIN'
ON THAT SHIT, MAN.

THAT SHIT IS REAL.

YO, DOGG,
THAT SHIT IS NICE.

YOU GOT TO KEEP
THIS ON THE SHIT

FOR, LIKE,
A COUPLE OF DAYS.

ALL RIGHT, MAN.

KEEP IT LATHERED UP.

I NEED ANOTHER 40
AFTER THAT SHIT, MAN.

LEAVE THAT SHIT ALONE,
DOGG.

THAT SHIT IS
FUCKIN' PIMP.

YEAH.
WHAT THE DEAL? UHH.

WHOA, PLAYER.

W'SUP, KHALID?
W'SUP, DOGG?

I DIDN'T KNOW
YOU WAS ROLLIN' UP.

WHAT'S THE DEAL, MAN?

YO, I GOTTA GIVE YOU
MAD PROPS

FOR THAT RHYME YOU
KICKED AT THE FAIR, MAN.

THAT SHIT
WAS PHAT, NIGGA.

WHAT?

YOU NEED TO WATCH
YOUR MOUTH, MAN.

OH, CHILL, MAN, I DON'T
MEAN TO DISRESPECT.

YOU KNOW,
IT'S ALL GOOD.

WE ALL BROTHERS HERE,
RIGHT?

TCH.
WHATEVER, DOGG.

AW, CHILL, MAN,
FOR ONE SECOND.

I WANT TO DO A LITTLE
BUSINESS WITH YOU.

COME ON, KHALID.

YO, MAN,
I WAS THINKING, RIGHT?

YOU KNOW, I'M SAYIN'...

KHALID, MAN?
WHAT?

YO, YOU KNOW
HOW I ROLL, RIGHT?

YEAH, DOGG.

I WAS THINKIN', MAN, YOU KNOW,
WHY DON'T YOU, YOU KNOW,

LIKE, HOOK ME UP WITH
YOUR OLD SET OR WHATEVER?

MY OLD SET? DOGG,
WHAT YOU TALKIN' ABOUT?

I'M SAYIN', MAN,
LIKE, YOU KNOW...

I KNOW WHEN YOU WAS
GROWIN' UP IN CHICAGO,

YOU USED TO KICK IT
WITH THE DISCIPLES,

OR, LIKE, YOU WERE DOWN
WITH THEM OR SOME SHIT.

THE DISCIPLES?
UH, NAH.

I MEAN, YEAH.
I MEAN, I KNEW SOMEBODY.

I MEAN, MY COUSIN
KNEW SOMEBODY WHO KNEW SOME--

I DON'T KNOW IF THAT
MEANS KNOWIN' SOMEBODY.

I'M SAYING...

I BEEN MEANING TO TALK
TO YOU ABOUT SOMETHING.

HANDLE YOURS, DOGG.

ABOUT WHAT?

EXCUSE ME, IT'S IMPORTANT.

I JUST BURNED
MY DAMN ARM FOR YOU.
THAT'S NOT IMPORTANT?

YOU SEE I'M HAVING
A CONVERSATION RIGHT HERE.

WHY YOU WANNA ACT
LIKE A DUMB TRICK NOW?

YO, DOGG, THAT WAS
UNCALLED FOR, DOGG.

OH, CHILL, MAN.
IT'S ALL GOOD, A'IGHT?

DON'T WORRY
ABOUT THAT, MAN.

YO, CHECK IT,
KHALID, MAN.

I'M SAYIN', I'M MOVING
UP TO CHICAGO, RIGHT?

AND I WAS WONDERING IF
YOU COULD JUST HOOK ME UP

WITH YOUR HOMEYS.

SOME OF MY HOMEYS?

YEAH, YOU KNOW,
YOUR PEOPLES OR WHATEVER.

YOU KNOW, YOUR BOYS,
I MEAN...

I FIGURED YOU COULD
HOOK ME UP WITH YOUR CREW,

AND, LIKE, YOU KNOW,
I COULD GET SOME MATERIAL

FOR MY RHYMES OR WHATEVER,
KEEP IT REAL.

SO YOU JUST GONNA
GO UP THERE?

THAT'S WHAT
I'M SAYIN', MAN.

HOOK ME UP WITH, LIKE,
A PHONE NUMBER

OR SOME
MOTHERFUCKIN' SHIT.

A'IGHT.

A'IGHT! THAT'S ALL
I'M SAYIN'! KHALID!

YEAH.
UHH!

IGBT!

WHAT?

YOU'RE JUST A CRAZY
MOTHERFUCKER, MAN.

* RAMPAGE UP IN THE HOUSE

I NEED SOME ALOE VERA
UP IN THIS MOTHERFUCKER.

[RAP MUSIC PLAYING]

AAH!

WHAT'S UP?

WHAT'S MY NAME?
JAY, DID YOU SAY JAY?

WHA-WHAT'S MY NAME?

I'LL SAY JAY.
WHAT'S MY NAME?

YOUR NAME IS, YO--
UH, WHATEVER, DOGG.

[LAUGHING]

WHAT THE FUCK?

YOU DON'T EVEN
KNOW MY NAME.

I KNOW YOUR FUCK--I KNOW
YOUR FUCKIN' NAME.

YO, YOUR NAME IS
SHEILA E. AND SHIT.

NO.

I SWEAR TO GOD. OHH!

[RAP MUSIC PLAYING]

[MUSIC STOPS]

HEY, WHAT YOU DOIN',
DOGG?

Girl: WHAT ARE
YOU DOIN'?

Girl: WHAT ARE YOU
DOING, FLIP?

Girl:
COME ON, COME ON.

[MUSIC PLAYING]

UHH.

WHAT THE FUCK, MAN?

FUCK THE BULLSHIT.
YOU KNOW WHAT I'M SAYIN'?

I'M TRYING TO GET DOWN
FOR THIS.

CHECK IT OUT, RIGHT? UHH!

W'SUP?

* HEY, FLIP DOGG
ON THE MIC *

* WHILE KEEPIN' IT REAL

* MOTHERFUCKERS
KNOW MY DEAL *

* SO WHAT'S THE STEAL

* IN MY POCKET,
ON THE MICROPHONE *

* I ROCK SHIT

* YEAH, I'M CAUSIN'
MAD PROSTITUTIONS *

* WE PLUS A 40
EQUALS MY REVOLUTION *

* UHH, MOTHERFUCKER, YEAH

* YOU KNOW HOW WE DO *

* WHAT, BABY? YEAH!

[CHEERING]

YOU KNOW
WHAT I'M SAYIN'?

IGBT, BIOTCH! UHH!

WHAT?

WHITE PEOPLE.

HI. YOU LIVE HERE?
OH, SHIT!

I GUESS NOT.
OK, LET'S GO, EVERYBODY.

THIS PARTY'S OVER.

OUT THE FRONT DOOR
THERE, LITTLE LADY.

WATCH OUT. MOVE OVER.
PUT IT OUT.

YO, TREVOR, LET'S GO!
GET RID OF IT!

GET RID OF IT!
GET RID OF IT!

HERE.
SARA, TAKE THIS.

FLIP,
I AIN'T TAKIN' IT.

NAH, TAKE IT. SARA,
JUST TAKE THE WEED.

Cop: IT SMELLS
LIKE A DOPE PARTY.

WHO OWNS THIS HOUSE?

DOPE ON THE TABLE
RIGHT HERE.

WHAT'D I DO?

YO, OFFICER, WHAT'S
YOUR PROBABLE CAUSE?

YOU CAN'T DO THIS!
WHAT YOU ARRESTING ME FOR?

HEY, POLICE BRUTALITY, Y'ALL.
WHAT THE DEAL, MAN?

BACK OFF AND LET HIM
DO HIS JOB.

THERE'S 150 MOTHERFUCKERS
UP IN HERE.

YOU ARREST A BLACK MAN.

PUT YOUR HANDS UP
ON TOP OF THERE.

HEY, NAH. YO,
RACIST-ASS PIGS.

I WILL BREAK YOUR ARM.

A'IGHT, MAN, A'IGHT.
DON'T TOUCH MY ARM, MAN.

IT GOT A TATTOO.
IT'S SENSITIVE.

PUT THE OTHER ONE
BEHIND YOUR BACK.

WHAT'D I DO?
THIS IS BULLSHIT!

WHAT THE FUCK?
YOU FUCKIN' MOTHERFUCKERS, MAN?

I DIDN'T DO SHIT!

WHAT ARE WE GONNA DO?

GET BACK IN HOUSE!

FUCK THE MOTHERFUCKIN'
POLICE!

SHUT UP!
GET BACK IN THE HOUSE.

YO, TREV, DON'T CALL
MY MOM, MAN!

Trevor:
GET BACK IN THE HOUSE.

Cop: EVERYBODY
BACK IN THE HOUSE NOW.

YOU, IN THE HOUSE.

WATCH MY ARM, BITCH.

SHUT UP
AND GET IN THE CAR.

WATCH MY FUCKIN' ARM,
DICK. DAMN!

[DOOR SLAMS]

I CAN SEE MY MOMS
GONNA KICK MY ASS, MAN.

I CAN'T BE IN JAIL, MAN.
I START CLASSES NEXT WEEK, MAN.

FUCKIN' COPS, MAN!

FUCK IT, MAN.
IT'S ALL GOOD.

NO, NO,
THIS IS NOT ALL GOOD.

WHAT THE FUCK
ARE YOU TALKING ABOUT?

I'M IN THIS THING WITH
DRUNKS AND REDNECKS, MAN.

IF THIS GETS ON MY RECORD,
I'M NOT GETTING INTO LAW SCHOOL.

YOU ACTIN' LIKE IT'S
YOUR LIFE AND SHIT, MAN.

THIS IS MY LIFE, MAN.
WHAT ARE YOU TALKIN' ABOUT?

CHILL, MAN. I'LL SAY
I DID THIS SHIT, A'IGHT?

WHAT SHIT?
WHATEVER, DUDE.

WHATEVER THEY SAY WE DID,
I DID IT, A'IGHT?

IT'S ALL GOOD.

OH, REALLY? REALLY?
YOU WOULD DO THAT SHIT?

YOU KNOW
WHAT I'M SAYIN'?

BROTHERS GOT TO STICK
TOGETHER AND SHIT, A'IGHT?

YO, MAN, HOLD UP, MAN.

WHY YOU ACT
LIKE YOU'RE BLACK?

ACT? I DON'T ACT
LIKE NOTHIN', MAN.

DON'T LET MY SKIN
CONFUSE YOU, A'IGHT?

OH, SO WHAT YOU'RE SAYING IS
YOU GOT BLACK IN YOUR FAMILY?

NO, MAN, I'M SAYING IT'S
ON THE INSIDE, THOUGH.

[SCOFFS] LOOK, MAN,
I WAS WONDERING, MAN,

ALL THEM YEARS
WHEN WE WEREN'T HANGING OUT,

YOU DRESSED AND ACTED COMPLETELY
DIFFERENT THAN YOU DO NOW.

YEAH, BUT THOSE WERE
MY IGNORANT DAYS, MAN.

SEE, TO ME, BLACK IS
THE DOPE SHIT, YOU KNOW.

LIKE, PEOPLE
THAT'S DESCENDED

FROM KINGS
AND QUEENS OF AFRICA

AND VICTIMIZED
BY WHITE DEVILS

FOR OVER 400 YEARS,
MAN.

YO, DOGG, WHAT ARE YOU
TALKIN' ABOUT?

WHAT ABOUT YOUR GIRL?

AND WHAT ABOUT TREVOR
AND YOUR BOY JAMES, MAN?

THEY--THEY DEVILS, TOO?
IS THAT WHAT YOU SAYIN'?

NAH,
THEY COOL PEOPLES, MAN.

I MEAN, THEY BEEN DOWN
WITH ME FROM YEA HIGH,

BUT JAMES GOT
SOME PROBLEMS STILL,

BUT I'M TRYIN' TO HELP HIM
SEE THE LIGHT, YOU KNOW?

OH. OH, YOU'RE GONNA HELP--
YEAH, YOU'RE RIGHT.

YOU'RE GONNA HELP HIM
SEE THE LIGHT.

YO, KHALID, MAN,
SO YOU GONNA HOOK ME UP

WITH SOME OF YOUR PEOPLES
IN CHICAGO, RIGHT?

MAN, YOU DON'T GET IT,
DO YOU?

YOU DON'T UNDERSTAND, MAN.

IF YOU DIDN'T STEP
TO THEM COPS WHEN YOU DID,

DO YOU REALIZE
YOU WOULDN'T BE HERE?

I'D BE THE ONLY ONE
IN HERE ALONE?

NAH, BUT THEY WANT ME
TO ACT LIKE A GOOD OLD BOY.

I AIN'T GONNA DO THAT SHIT.

I MEAN, THAT'S
WHY I'M IN HERE.

COPS WANNA HARASS
A BROTHER AND SHIT.

A BROTHER?
OH, A BROTHER.

I'M A BROTHER, MAN!
THEY WERE HARASSING ME!

HEY, YOU. YOUR PARENTS
ARE HERE. LET'S GO.

COME ON OUT.
YOU'RE WASTING MY TIME.

LET'S GO. YOU WANNA
BE HERE ALL NIGHT?

YO, MAN, I'M GONNA BE
OUT OF HERE SOON, A'IGHT?

YOU KEEP IT REAL, A'IGHT?
I'LL TALK TO YOU LATER.

I'M COOL, MAN.
EVERYTHING'S CHILL.

WHAT? TCH.

YEAH. IGBT UP IN THIS
MOTHERFUCKER, YOU KNOW?

YEAH.

I SAY, REAL NIGGERS
STAY LOCK DOWN EVERY DAY,

KEEPIN' IT REAL.

WHAT, MOTHERFUCKER?
UHH!

TCH.

RACK 10.

FLIP DOGG,
WHAT'S UP, BABY?

OH, SNOOP, MAN.

COME ON IN HERE, BABY.
MAKE YOURSELF AT HOME, MAN.

SIT THAT SHIT DOWN.
WELCOME TO THE CRIB.

YO, IT'S GOOD
TO SEE YOU, MAN.

WHAT YOU IN HERE FOR,
FLIP DOGG?

YOU DONE MURDERED
SOMEBODY OR SOMETHING?

HELL, YEAH. I MURDERED
EVERYBODY, MAN.

* POSTED UP
WITH FLIP DOGG *

* TRYIN' TO GET US
SOME Ns *

* YOU KNOW
IT'S A TRUE THING *

* AND YOU KNOW
IT'S A FACT *

* FLIP DOGG
BUST YOUR RAP *

* ON HOW THEY
LOCK UP BLACKS *

* I SAID AMERICA SINS
AGAINST YOUNG CITIZENS *

* DE-EDUCATE US
AND THROW US INTO BINS *

* A COUPLE YEARS LATER
COME OUT COMMITTING SINS *

* ASSAULTING FOREIGNERS,
BUSINESSMENS, AND EVEN KINS *

* THE MO MONEY IN JAILS,
THE MO MONEY IN RAP *

* SO IF YOUR ASS
IS HAVIN' MONEY *

* AND YOU THINK
YOU ALL PHAT *

* YOU BETTER GET UP
OUT OF TOWN *

* 'CAUSE YOU MIGHT
GET JACKED *

* AND THAT'S REAL
LIKE DAT *

* UHH, UHH
* JUST LIKE DAT

* YOU MIGHT GET JACKED
WITH A BID *

* THAT'S LONGER
THAN YOUR AGE *

* AND YOU WON'T EVEN MAKE IT
TO THE FRONT PAGE *

* I SAY EVERYBODY KNOW THAT
I'M THE DOGG NAMED FLIP *

* AND IF A BUSTER SAY SHIT,
THEN I'M BUSTIN' THEY LIP *

* BI-ITCH

* YEAH, YOU KNOW
WHAT I'M SAYING? *

HELL, YEAH.

OH, YEAH.

I'M READY TO BUST SHIT.

TAKE ALL THESE
MOTHERFUCKERS, YOU KNOW?

KNOW WHAT I'M SAYING?
ME AND SNOOP.

WHAT THE FUCK?

YEAH, HOW MUCH MONEY
WE GOT THIS WEEK?

MUCH, MUCH.

HAVE SOME
OF THE STRAWBERRIES.

OH, THANK YOU, SNOOP.

I'M HUNGRY.

YO, GUARD, BRING THEM
TRAYS OVER HERE, MAN.

DAMN, MAN.

YO, LET'S SEE THOSE SHRIMP
RIGHT THERE, MAN.

MMM. THOSE LOOK KINDA GOOD.

YOU DOWN FOR SOME SHRIMP?

WHEN ARE WE GETTING
LOBSTER, MAN?

THROW ON SOME
OF THAT CHEESE, MAN.

PULL THAT CHEESE
OFF, MAN.

YEAH. OH, THAT'S THAT CHEESE
FROM FRANCE RIGHT THERE.

THAT EXPENSIVE CHEESE.

I'M THIRSTY, MAN.
WHAT'S UP?

WHAT THE FUCK IS THAT?

WHAT THE HELL KIND
OF CHAMPAGNE IS THIS, MAN?

THAT'S BULLSHIT, DOGG.

1968. THAT WAS A BAD YEAR.

FUCK. WHAT,
ARE YOU STUPID, MAN?

[PRISONERS CHEERING]

Woman on P.A.:
PRICE CHECK, AISLE 9.

PRICE CHECK ON AISLE 9.

WE NEED A BAGGER
UP AT REGISTER 3.

REGISTER 3 NEEDS A BAGGER.

WHY?

FLIP, WHY DO YOU WANT
TO DO THIS?

YOU MAKE ME LOOK LIKE A FOOL.

DISRESPECT YOUR FATHER.

NOW I GOTTA
FETCH YOU OUT OF JAIL.

THE COPS
WAS BEING RACISTS.

I DON'T GIVE A DAMN.

I WON'T TOLERATE
YOUR BEING IN JAIL.

I HAD TO SAY SOMETHING
TO THE COPS.

YOU KNOW,
I HAD TO REPRESENT.

WHO THE HELL
ARE YOU REPRESENTING,

FIGHTING WITH THE POLICE?

HUH?

ARE YOU PAYING FOR THAT?

IT'S JUST GUM, MAN.

IT COSTS MONEY.

FLIP, DO I LOOK
LIKE I'M RICH TO YOU?

LIKE I CAN JUST PULL MONEY
OUT OF THE AIR?

NO. I HAVE TO PAY
WITH THESE.

AND THESE DON'T BUY GUM,

SO PUT IT BACK
UNLESS YOU'RE PAYING FOR IT.

Y'ALL FUCKIN' LOSE
SOMETHING OVER HERE, MAN?!

[KNOCKS ON DOOR]

SARA, YOUR BOYFRIEND
IS HERE!

WHAT HAPPENED?

IT'S COOL.

I MEAN, I'M FREE.

HOW'S YOUR ARM?

IT'S ALL RIGHT.

I CAN'T BELIEVE
YOU DID THAT.

COME ON. YOU KNOW
I HAD TO REPRESENT.

YOU'RE MY WOMAN.

SARA, HONEY, YOU'RE NOT
GOING OUT TONIGHT.

WE'RE JUST TALKING.

YOUR MOTHER AND I
WANT YOU TO COME INSIDE.

WHY?

SARA!
WHAT?

THEY DON'T LIKE ME, HUH?

YOU DON'T TRY SO HARD.

YOU KNOW,
I GOTTA KEEP IT REAL.

FLIP.

HONEY, I MISSED
MY PERIOD.

WHAT?

I MEAN...

I THINK THAT...

[SCREEN DOOR OPENS]

HONEY, COME INSIDE.

CALL ME TOMORROW.

YEAH, LIKE THIS!

UHH!

PUT THAT SHIT AWAY, DOGG.

WHAT YOU WORRIED
ABOUT, TREV?

AIN'T NOBODY
GONNA HEAR US.

WE LIVE
IN FUCKIN' IOWA.

YEAH, WHAT? BREAK
YOURSELF, NIGGER!

YOUR ASS
IS A REAL BITCH, MAN.

I'LL TAKE YOUR SHIT
RIGHT NOW.

WHAT? OH, YEAH?
SAY SOMETHING.

SAY SOMETHING,
FUCKER, WHAT?

YEAH.

YEAH.

SHIT.

YO, MAN,
WHAT THE FUCK IS UP

WITH THIS NEXT JOINT,
DOGG?

WHAT'S UP
WITH THIS HERB, MAN?

I DON'T KNOW.

[DOG BARKS]

YO,
THINK ABOUT WHERE

WE GET OUR INDO
FROM, RIGHT?

OUR WEED, MAN!
OUR FUCKIN' SMOKE!

GEORGE TATE GROWS THAT SHIT
ON HIS FARM.

HE'S PAID
LIKE A MOTHERFUCKER.

Trevor: WE AIN'T GROWIN'
NOTHIN', MAN.

FUCK GROWIN' WEED, MAN.

I'M SAYIN' WE GOTTA GET
SOME OTHER SHIT.

BUT WE DON'T KNOW NOBODY

WITH NO OTHER SHIT, DOGG.

YES, WE DO.

WE KNOW SOMEBODY
IN CHICAGO.

WE DO?

[CLICK CLICK CLICK]

WHO WE KNOW
IN CHICAGO, DOGG?

[DOG BARKS]

YO, WHAT'S UP, PLAYER?

WHAT'S UP, DOGG?
WHAT'S GOING ON?

WHAT'S UP, Y'ALL?

YOU DIDN'T TELL ME YOU WERE
BRINGIN' THE WHOLE CREW.

AW, YOU KNOW
HOW I ROLL.

IS ANYONE CHEWING GUM?

Flip: NO.
ALL RIGHT,

BUT THIS IS HOW IT'S
GONNA GO DOWN, Y'ALL.

YOU GOTTA TAKE OFF YOUR HATS
AND YOUR SHOES,

'CAUSE MY MOMS
AIN'T HAVIN' NOBODY

STEP ON HER RUG,
ALL RIGHT?

Sara: OHH.

Flip: ALL RIGHT.
CHECK THIS OUT.

STATUES. KHALID,
YOU LIVIN' LARGE.

OH, SNAP. YO,
WHAT'S THIS, YO?

YOUR MOM. THEY GOT
A STATUE OF YOUR MOM.

THAT'S YOUR MOMS, YO.

YO, PUT ON B.E.T.
RAP CITY IS ON, MAN.

I WANNA SEE THAT
WUTANG VIDEO. WORD.

THAT AIN'T THE ONE, MAN.
THAT'S NOT FOR THE TV.

WHICH FUCKIN' ONE
IS IT, DOGG?

YO.
WHAT'S UP?

YOU TRYING
TO START THE STEREO?

YO, IT'S THAT ONE, DOGG.

YO, RAP CITY
IS ON RIGHT NOW.

NO, NO, IT'S THE O--

RAP CITY.
Mom: KHALID.

YEAH?

Mom: KHALID.

LET ME TALK TO YOU
FOR A MINUTE.

Flip: IT'S THIS
ONE RIGHT HERE.

YEAH?

YOU DIDN'T TELL ME YOU
WERE HAVING COMPANY.

WHO ARE THESE WHITE KIDS?

THEY'RE JUST SOME
OF MY FRIENDS, MA.

NOT THE FRIENDS THAT GOT YOU
IN TROUBLE WITH THE POLICE?

HEY, Y'ALL,
THIS IS MY MOM.

MOM, THIS IS FLIP, SARA,
JAMES, AND TREVOR.

THIS IS MY MOM.

HOW YOU DOING,
MRS. ROBERTSON?

I'M GLAD TO SEE YOU ALL
HAVE YOUR SHOES OFF.

OH, YEAH, YOU KNOW,
KHALID TOLD US

YOU AIN'T HAVIN' NO SHOES
UP IN YOUR HOUSE.

I CAN RESPECT THAT.
YOU KNOW WHAT I'M SAYING?

ARE YOU CREOLE,
FLIP?

AM I WHAT?

YOUR ACCENT.

IT SOUNDS LIKE YOU'RE
FROM LOUISIANA.

OH, NAH. I'M FROM HERE.

YOU KNOW, THAT'S JUST
STRAIGHT-UP GHETTO SLANG.

YOU KNOW WHAT I'M SAYING?

IF YOU ALL WOULD LIKE
SOMETHING TO EAT OR DRINK,

THERE'S CHIPS AND POP
IN THE KITCHEN.

[DOOR CLOSES]

YO, KHALID, YOUR MOM'S
KIND OF COOL, MAN.

YEAH, YEAH, DUDE.

YO, WE GOIN' TO CHICAGO
RIGHT NOW. YOU DOWN?

CHICAGO? NO, DOGG,
I CAN'T DO THAT.

I GOT COLLEGE
NEXT WEEK, MAN.

I GOT A LOT OF STUFF
I GOTTA DO.

THAT'S WHAT I'M SAYING.

YOU WANT TO PARTY
BEFORE YOU GO?

JUST HOOK US UP, MAN.
YOU PROMISED.

BUT I GOTTA PICK UP MY COMPUTER,
I GOTTA GET STUFF DONE,

AND MY MOMS AND ME
GOTTA SHOP, DOGG.

LOOK, KHALID, I DON'T MEAN
TO BUST ON YOU, MAN,

BUT SOME PEOPLE MIGHT SAY
YOU'RE A BITCH.

WHAT? I AIN'T NO BITCH.

FLIP, YOU KNOW THAT, DOGG.

I AIN'T SAYING YOU ARE.

I'M JUST SAYING
YOU ALWAYS BE STUDYING

AND STUFF LIKE THAT, MAN.

YOU NEVER SEEM TO REALLY
GET DOWN FOR YOURS.

I MEAN,
IF YOU WASN'T A BITCH,

YOU'D BE UP THERE
IN A MINUTE.

ALL THEM HONEYS
UP THERE?

RIGHT.

MAD HONEYS, YO.

ALL RIGHT.

ALL RIGHT? THAT'S
WHAT I'M SAYING, MAN!

SHH! THAT'S MY MOM
UP THERE, MAN.

I DON'T WANT HER TO KNOW
WHAT WE'RE DOING.

NO DOUBT, NO DOUBT,
ALL RIGHT.

SO, LOOK,
I'LL GO CHANGE.

ALL RIGHT.
IT'S ALL GOOD.

MAKE SURE THEY DON'T
TEAR UP MY PLACE.

YO, MAN, GET YOUR FEET
OFF MY TABLE, DOGG!

...FUCKERS IN THAT
FUCKING RACK, DUDE.

YO, AND IT'S
THE THIRD ONE.

WHICH THIRD ONE?

WHAT THE FUCK
IS THE THIRD ONE, DOGG?

DON'T CURSE
IN HIS HOUSE, BITCH.

ALL RIGHT,
DOGGS, WE OUT.

YO, OUT?
WHERE WE GOIN'?

UPTOWN, BABY.
CHICAGO.

YO, FLIP.

YO, FLIP.

CAN I JUST TALK TO
YOU FOR A SECOND,

LIKE IN PRIVATE?

WHAT'S UP?

WE NEED TO TALK.

KICK IT.
I'M LISTENING.

WHAT DO YOU WANT ME
TO DO, FLIP?

I'M SAYING
COME WITH US, YO.

THAT'S NOT WHAT
I'M TALKING ABOUT.

WHAT, THEN?

WHAT THE HELL DO YOU THINK?

WHAT ARE YOU GONNA DO
IN CHICAGO?

I'M SAYING KHALID'S
GONNA HOOK US UP.

YOU JUST DON'T GET IT,
DO YOU?

GET WHAT?

THIS! I TOLD YOU

ABOUT WHAT IS
HAPPENING HERE.

COME ON. DON'T EVEN
PLAY ME LIKE THAT.

YOU THINK I DIDN'T
THINK ABOUT THINGS?

I FIGURED, YOU KNOW,
WE SHOULD GET MARRIED,

GET OUT OF IOWA.

I WANNA BE
MY KID'S FATHER.

I'M HAVING AN ABORTION.

OHH.

WHAT?

YOU HEARD ME.

WHAT KIND OF FATHER
YOU GONNA BE?

A WANNABE DRUG DEALER?

I THINK YOU NEED
TO LOWER YOUR VOICE.

I THINK YOU NEED TO STOP
ACTING LIKE AN ASSHOLE.

YOU AND YOUR CREW ARE JUST
A BUNCH OF WHITEBOYS

RUNNING AROUND
PRETENDING YOU'RE BLACK.

YOU DON'T EVEN KNOW
WHAT BLACK IS.

YOU NEED TO STOP
TALKIN' SHIT, BITCH!

I AM BLACK!

YEAH, GO AHEAD,
GANGSTA MAN.

THAT'S ALL YOU GOT.

WHAT'S UP?

LET'S GO!

LET'S GO, Y'ALL!

Trevor: CHILL, MAN. LET
EVERYBODY GET IN THE TRUCK.

[STARTS ENGINE]

[RAP MUSIC PLAYING]

* YO, FOR ALL THE PALE
WHITE HORSES *

* ON THE DEFFEST COURSE

* BEEN WATCHING MTV

* READING ARTICLES
IN THE SOUR CE *

* LOST ON THE OTHER SIDE
OF THE RIVER *

* WHERE DEATH APPROACHES
THE LIVEST NIGGER *

* I WONDER WHY THIS WIGGER

* WOULD EVEN COME
AROUND MY TILL *

* WHERE GRANDMOTHERS CRY,
UNCLES GET HIGH *

* AND CAPS GET FILLED,
YO, YO, YO *

James:
WHAT THE FUCK?

BLUNT, PLEASE.

YO, THEY GOT
THE REAL SHIT UP HERE.

YOU KNOW WHAT I'M SAYING?

HELL FUCKIN' YEAH,
DOGG.

I SAY WE JUST GET IT

AND THEN FIND A PARTY,
ALL RIGHT?

James: NO.
WE GET THAT SHIT,

AND WE GET THE FUCK
OUT OF DODGE, DOGG.

G-G-GET WHAT?

WHAT THE HELL ARE Y'ALL
TALKING ABOUT?

YO, MAN, WE GONNA
GET SOME BLOW

AND SHIT LIKE THAT,
KNOW WHAT I MEAN?

WHAT?

Y'ALL CAME TO--
WHOA, WHOA, WHOA!

Y'ALL CAME TO BUY DRUGS
UP IN THIS MOTHERFUCKER?

NO. FUCK THAT. YO,
I AIN'T WITH THAT.

FUCK IT. YO, OPEN THE DOOR,
MOTHERFUCKER. LET ME OUT.

YO, KHALID,
MAN, COME ON.

YOU DON'T GOT TO DO NOTHIN'
OR SAY NOTHIN'.

JUST COME WITH US.
JUST BE THERE.

I DON'T NEED THIS SHIT!

YOU'RE LIKE A LITTLE
FUCKIN' BITCH.

JAMES,
SHUT THE FUCK UP, MAN.

KHALID, LOOK, MAN,
WE CAME ALL THE WAY UP HERE.

COME ON, MAN.

ALL RIGHT, BUT YOU MAKE
THIS SHIT QUICK.

DAMN!

* IN MY VEINS *

* I FEEL THE DAY

* THINGS DON'T CHANGE

OH, SHIT.

YO, YOU SEE
THAT SHIT, MAN?

James: I TOLD YOU, MAN.
DICKHEAD, MAN.

THAT'S CABRINI GREEN.
WORD UP, MAN.

Khalid: OH, SHIT.

* OH, NO *

* THINGS DON'T CHANGE

Flip: YO, KHALID,
THIS IS THE SPOT, RIGHT?

* NO, NO, NO, NO, NO

[DISTANT SIRENS]

Woman:
Y'ALL BEEN PLAYIN'?

Boy: YEAH.

WHAT Y'ALL
BEEN DOIN'?

SOME GIRLS
WERE CHASING US.

BEEN DOING WHAT?

CHASING US.

Y'ALL BEEN
PLAYING BALL?

EXCUSE ME.

WHAT'S GOING ON?

FUCK, DOGG.

YO, MAN,
STRAIGHT UP, MAN,

ANYBODY COMES AT US,

I'M GONNA FUCKIN'
BLAST THEIR ASS, DOGG.

YO, STRAIGHT UP, MAN.

THAT'S MY WORD, DOGG.
FUCK THAT, MAN.

I AIN'T TRYIN'
TO GET FUCKED UP, MAN.

YEAH?

YO, MAN, WE LOOKIN'
FOR DARIUS.

WHO THE FUCK ARE YOU?

I'M FLIP, AND THIS IS MY
NIGGER KHALID RIGHT HERE--

I MEAN MY HOMEY.

OH, YEAH?

FLIP.

AND KHALID.

SO?

WHAT DO YOU WANT?

WE WAS WONDERING IF,
YOU KNOW, LIKE,

YOU COULD HOOK US UP
WITH SOME COKE--

WHAT?!

CAINE?

YEAH.

SOME COKE-CAINE?

NO, MAN. JUST CHILL
FOR ONE MINUTE.

HOLD UP, MAN.
JUST CHILL.

WHY DON'T YOU JUST
SLAP THE CUFFS ON ME?

WANT TO COME IN
AND SEARCH MY SPOT?

I ALREADY SEEN MY P.O.
THIS MORNING,

YOU UNDERSTAND?

I BEEN GOIN'
STRAIGHT, MAN.

WE AIN'T COPS, MAN.
SEE, CHECK IT.

WE FROM HOLY OAK.

HOLY ROAD?

NO, MAN.

IN IOWA.

I GOT THIS
WHOLE BUSINESS--

KEEP YOUR VOICE
DOWN, MAN.

YO, JUST GET
IN HERE, MAN.

GET THE FUCK IN HERE.
MOVE SLOW.

MOVE SLOW, MOVE SLOW.

HOW YOU DOIN'?

Darius: GRANDMA, WE'LL JUST
BE A MINUTE RIGHT HERE.

YO, MAN,
YOU FROM IOWA?

YEAH.

ARE YOU FROM IOWA?

YEAH, YEAH.

I DIDN'T KNOW
THEY HAD BROTHERS IN IOWA.

OH, YEAH, MAN,
THEY GOT A LOT--

WELL, NOT A LOT
OF 'EM, BUT--

YOU DON'T LIVE IN
NO TRAILER PARK.
OH, HELL NO.

'CAUSE BLACK PEOPLE
AIN'T SUPPOSED TO BE

IN NO GODDAMN
TRAILER PARK.

Flip: NO, MAN. HE GOT
A STATUE IN HIS HOUSE.

THAT'S WORD.

YO, WHAT YOU BRING THIS
WHITEBOY HERE FOR, MAN?

I DIDN'T--

THAT SHIT
IS NOT COOL, MAN.

YO, MAN, I KNOW WHAT
YOU'RE THINKING, RIGHT?

BUT I AIN'T ONE OF THEM
VANILLA ICE FOOLS.

I KNOW WHAT'S THE DEAL,
YOU KNOW?

I KNOW WHAT'S UP.

[CLEARS THROAT]

JUST STEP INSIDE
FOR A MINUTE.

STEP INSIDE.

Y'ALL ARE COPS.

WHAT?

YOU'RE COPS!

YO, MAN, WE AIN'T COPS, MAN.
WE HATE COPS, MAN.

OH, YEAH?

I JUST CAME OUT OF JAIL,
MAN, A MONTH AGO.

YOU THINK
I NEED THAT AGAIN?

NAW, MAN. WE WAS
LOCKED DOWN, TOO.

WORD UP.
THAT SHIT WAS PHAT.

YO, MAN,
CHECK THIS, MAN.

THIS IS WHAT
I'M SAYING, RIGHT?

I GOT THIS OPERATION
DOWN IN IOWA, MAN,

AND I'M JUST TRYING
TO EXPAND, MAN.

NOT EXPAND, BUT
JUST GET MY HANDS

ON SOME MORE SHIT,
YOU KNOW?

LIKE SUPPLIES,
AND BLOW UP

THE WHOLE
MOTHERFUCKIN' SHIT.

NIGGER,
YOU CAME TO MY CRIB.

I GOT A SICK GRANDMOTHER
IN HERE, MAN.

NO OFFENSE, DOGG.
SHE LOOKED GOOD.

WHAT, DO I LOOK
LIKE SCARFACE?

NO, MAN, I'M JUST
SAYING, YOU KNOW,

LIKE, I'M TRYING
TO NETWORK, THAT'S ALL.

AW, MAN, DUDE.

THAT'S OLD, MAN.

NO, DOGG, I'M NOT THAT
KIND OF PLAYER NO MORE.

KILLIN' MY PEOPLE, MAN.

BLACK MAN,
THAT SOUND GOOD TO YOU?

NO, MAN.

SHIT. IF YOU WANT ME
TO POISON SOME PEOPLE

OUT IN IOWA,
SOME WHITE FOLKS...

WELL...

FUCK IT.

BUT LISTEN, I'M NOT GONNA
PROMISE YOU NOTHIN'.

IF WE DON'T SEE 'EM,
YOU LEAVE.

YOU UNDERSTAND?

IT'S ALL GOOD.

LISTEN,
ONE MORE THING, MAN.

YOU SEE THIS?
THIS IS CHICAGO.

I KNOW THAT.

YO, THIS AIN'T KANSAS.
I'M NOT THE WIZARD.

YO, MAN.

YOU UNDERSTAND?

WHAT DO I LOOK LIKE?

ALL RIGHT, ALL RIGHT.

WE'RE GONNA SEE
WHAT YOU MADE OF NOW.

WHAT'S UP, MAN?

YOU GOT THE CHEESE?

CHEESE?

SCRATCH,
MOTHERFUCKER!

DINERO,
MONEY, CASH.

YOU GOT IT?

YEAH, MAN,
I GOT MONEY, MAN.

GIMME $20, MAN.

WE WANT MORE THAN 20.

GIVE ME $20,
MOTHERFUCKER!

NOW...

WHERE YOUR FRIEND AT?

RIGHT THERE, MAN.

THEM WHITE KIDS
IN THAT TRUCK?

YEAH, MAN.

OH, MY GOD, MAN.

YEAH, DOGG, I GOTTA
SETTLE DOWN, KID.

GIRLS ARE STEALIN'
MY RINGS NOW.

I WOKE UP, MAN.
I SAW 7 INSTEAD OF 8.

WAIT TILL I CATCH HER.

THAT SHIT IS CRAZY.

YOU AIN'T GONNA GET INTO
THAT SHIT OVER NO RING.

PEACE.

WHAT'S UP, BABY?

WHAT'S GOING ON,
MAN?

SHOW SOME LOVE HERE, MAN.
YOU ALL RIGHT?

YEAH, EVERYTHING'S
ALL RIGHT.

I NEED TO BORROW
THE PHONE FOR A MINUTE.

WHO YOU CALLING?

MACE.

YO, YOU A STUPID
MOTHERFUCKER, MAN.

YOU GONNA GO
WITH MACE AGAIN?

YOU KNOW YOU AIN'T GOT
TO GO OVER THERE.

YO, WHY YOU GIVE HIM IT
FOR FUCKIN' MACE?

LET THE MAN MAKE HIS MONEY.

REMEMBER HOW FLY
HE USED TO BE?

WHAT'S UP, OFFICER?

WHAT'S GOIN' ON?

I AIN'T NO COP, MAN.

NO, MAN, I'M STRAIGHT-UP
THUG, YOU KNOW?

NIGGER, DID I
FUCKING STUTTER, MAN?

I SAID BIG MONEY, MAN.

BIG MONEY, MAN.
THESE NIGGERS IS WHITE, CUZ.

WHERE YOU FROM, MAN?

I'M FROM IOWA,
YOU KNOW?

REPRESENTIN'.

I LIKE THAT BIG-ASS
CHAIN YOU GOT ON.

OH, YO, I'M TRYIN' TO
GET MY STACK LIKE THAT.

JUST BE THERE.
YOU GOT SOME STUFF THERE?

BE THERE, MAN, PLEASE.
I'M IN AND OUT.

YOU KNOW
WHERE YOU AT, MAN?

I KNOW WHERE I'M AT.
I'M AN ENTREPRENEUR.

COME HERE.
I NEED TO TALK TO YOU.

THIS SHIT
IS OUT OF ORDER.
YOU'RE SPEAKING

LIKE YOU KNOW
WHAT THE FUCK IS GOIN' ON.

I KNOW WHAT'S GOIN' ON.
YOU KNOW WHAT THE FUCK
HAPPENS AROUND HERE.

YOU KNOW THE RULES.

GO TAKE CARE
OF YOUR BUSINESS, KID,

BEFORE YOU BE
BROKE LIKE HIM.

YO, YO!

WHY YOU LOSIN' IT, MAN?

WHAT DO YOU MEAN WHY
AM I LOSIN' IT, NIGGER?

YOU GOT CLOTHES ON, MAN.

YOU GOT CLOTHES ON, TOO.

MAN, YOU GOT CLOTHES ON,
ALL RIGHT?

THANKS, PREACHER.

HEY, YO, YO, YO,
Y'ALL FUCKIN' UP.

[RAP MUSIC PLAYING]

UHH!

WANT SOME
OF THIS, DOGG?

NO.

* BLACK MAN

* IN THE BLACK LAND

* SELL WHITE ROCKS
AND BLACK COPS GET RICH *

YOU'RE GONNA GO DOWN
A COUPLE OF BLOCKS,

AND YOU'RE GONNA
TAKE ANOTHER LEFT.

YO, MAN,
JUST TELL ME, LIKE--

WHAT'S THAT
OVER THERE, MAN?

THAT'S SOME, LIKE--
WHAT'S THAT?

WOULD YOU STOP FUCKIN'--

YO, THIS SHIT'S
KIND OF BUGGED OUT.

YO, MAN, WHAT'S
THE MATTER WITH YOU, MAN?

WHAT'S THE MATTER
WITH YOU, MAN?

YOU WANT TO DO
SHIT LIKE THAT?

KEEP YOUR HANDS
IN THE TRUCK, MAN.

DON'T POINT
AT NOBODY.

ALL RIGHT, DOGG.

YOU DON'T KNOW WHO
THE FUCK IS DOWN HERE.

YOU WILL GET SHOT
IN YOUR FACE.

WHATEVER, DUDE.

* IF YOU SELL COKE OR CRACK,
I RELATE TO THAT *

* IF YOU DO STICKS AND STATS,
I CAN RELATE TO THAT *

* I DON'T GIVE A FUCK
IF YOU'RE WHITE OR BLACK *

* IF YOU BUST YOUR GAT,
I CAN RELATE TO THAT *

* IF YOU SELL COKE OR CRACK,
I CAN RELATE TO THAT *

* IT'S YOUR TURN TO BLOW AWAY,
NO TURNING BACK *

* SEEM LIKE ANOTHER LIFETIME

WHAT THE FUCK?

WHAT'S GOIN' DOWN?

JUST CHILLIN', MAN.
WHAT'S GOIN' DOWN?

ALL RIGHT. WE GOT SOME
VERY THIRSTY CUSTOMERS HERE.

WHAT'S UP, DOGG?

Darius: YO.

MACE IS IN
THE BACK, MAN.

LITTLE NIGGER.

FUCK YOU UP,
LITTLE NIGGER.

[RAP MUSIC PLAYING]

W'SUP?

W'SUP?

YO, YO.

WHAT UP, BABY?

I JUST WANT
MY FINDER'S FEE, MAN.

THEN DISAPPEAR.

WHAT'S GOIN' ON?

YO, D, WHERE YOU GET THIS
WHITE MOTHERFUCKER FROM, YO?

THIS WHITE TRASH JUST
SHOWED UP ON MY DOORSTEP.

WHAT THE FUCK
WAS I SUPPOSED TO DO?

I DON'T FEEL GOOD
ABOUT THIS, MAN.

CHILL, MAN.

HEY, BLACK MAN,

GO OUTSIDE, WAIT FOR
YOUR FRIEND, A'IGHT?

IT'S ALL GOOD.

A'IGHT?

IT'S ALL GOOD.

SO WHAT'S UP, MAN?

SHIT.

FUCK, MAN.

WHERE'S FLIP?

HE'S INSIDE, DOGG.

SO WHY THE FUCK
ARE YOU HERE, MAN?

I DON'T KNOW, MAN.
THEY TOLD ME TO LEAVE.

WE SHOULD KILL THIS WHITE
MOTHERFUCKER RIGHT NOW,

TAKE ALL OF HIS MONEY.

SO WHAT'S UP, YO?

WHERE THE MONEY?

HA HA, CHILL, MAN,
YOU KNOW WHAT I'M SAYIN'.

WHERE'S THE SHIT?

SHOW US THE GREENS,
SON.

WHY THE FUCK DID THEY TELL
YOU TO FUCKIN' LEAVE, MAN?

WHY THE FUCK DIDN'T YOU
STAY THERE, MAN?

OH, MAN, THIS SHIT
IS CRAZY, MAN.

WE GOT TO GET
THE FUCK OUT OF HERE.

WHAT ARE YOU
TALKING ABOUT, MAN?

THAT'S OUR FUCKIN' DOGG
IN THERE, MAN.

I'M NOT TALKIN'
ABOUT LEAVIN',

BUT WHAT ARE WE
GONNA DO RIGHT NOW?

UH...

WELL, I GOT,
LIKE, 160 BUCKS.

WHAT?!

WHAT THE FUCK
DID YOU JUST SAY?

THIS MOTHERFUCKER SAY
HE GOT 160 BUCKS, D.

WHAT THE FUCK
DID YOU JUST SAY?

I ALREADY GAVE YOU 20.

NIGGER, YOU BROUGHT ME
DOWN HERE FOR $160?

WHAT THE FUCK
ARE YOU DOING?

YO, JAY,
CHILL, MAN, DON'T--

JAY. JAY, JAY,
WHAT THE FUCK ARE YOU DOIN'?

I'M GONNA GO GET
MY MOTHERFUCKIN' DOGG

THAT'S IN THERE
RIGHT NOW.

YOU THINK
I'M SOME SUCKA?

WHAT YOU THINK?

MAYBE YOU COULD FRONT ME
FOR THE NATION, RIGHT?

Darius: FRONT YOU?

NAH, LIKE, FOR THE NATION
OR WHATEVER, MAN.

HA HA HA!

NAH, MAN, I GOT
THIS WHOLE SHIT SET UP

DOWN IN IOWA, MAN.

AND I COULD JUST
COME BACK IN A WEEK.

COME BACK WITH,
LIKE, MAD LOOT,

WE COULD MAKE,
LIKE, JUST MAD LOOT,

YOU AND ME,
YOU KNOW WHAT I'M SAYIN'?

GET THE FUCK OUT OF HERE
WITH THAT SHIT.

[SIGHS]

DUDE, HE'S BEEN UP THERE

FOR, LIKE, A FUCKIN'
HALF HOUR, MAN.

TAKE A LOOK
AT THAT SHIT.

James: WHAT THE FUCK
DO YOU WANT, DOGG?

I'M SAYIN'
WHAT THE FUCK.

I'M NOT TRYIN' TO--
MAN, FUCK YOU, MAN.

WHAT DO YOU MEAN,
WHAT THE FUCK?

I'M NOT TRYIN' TO
FUCKIN' STAND HERE, MAN.

WHAT THE FUCK?

113, MARK US OUT
ON INVESTIGATION

AT PERSHING
AND COTTAGE GROVE.

Mace: LET'S JUST KILL
THIS MOTHERFUCKER

RIGHT NOW
LIKE I SAID, SON.

Man: WHAT THE FUCK
IS THIS SHIT, MAN?

IOWA PORK-ASS NIGGER.

GET HIM OUT OF HERE.
GET HIS ASS OUT OF HERE.

BOY, COME HERE.

MOTHERFUCKER!

TAKE THAT SHIT
TO THE NATION!

TAKE SOME OF THAT SHIT
BACK TO THE NATION!

ALL RIGHT, THAT'S ENOUGH.
THAT'S ENOUGH!

CHILL OUT, MAN.
CHILL OUT, MAN.

DAMN, YOU ALREADY
FUCKIN' ROBBED HIM,

YOU TOOK HIS MONEY
AND ALL THAT SHIT, MAN.

WHAT THE FUCK ARE YOU
GONNA DO, KILL HIM?

AM I IN?

WHAT THE FUCK
ARE YOU TALKIN' ABOUT, YO?

YEAH,
YOU IN DEEP SHIT.

YO, D, WHAT THE FUCK
YOU DOIN', MAN?

YOU BROUGHT THIS BULLSHIT
IN HERE, A'IGHT?

I'M FUCKIN'
THIS MOTHERFUCKER UP.
WHAT?

WHAT THE FUCK
YOU MEAN, WHAT, MAN?

NIGGER, YOU BETTER HAVE SOME
RESPECT FOR ME, YOUNG BLOOD.

DON'T DO THAT SHIT,
A'IGHT?

I'M TELLING YOU RIGHT NOW.

MAN, HAVE SOME FUCKIN'
RESPECT FOR ME!

NIGGER,
FUCK RESPECT, MAN!

OH, WORD?

YEAH. FUCK.

COME ON.
GET THE FUCK OUT, MAN.

GET THE FUCK
OUT OF HERE.

GET THE FUCK
OUT OF HERE.

ARE YOU OK, MAN?

[SHOTGUN COCKS]

FREEZE!

AAH!

James: HOLY SHIT!

OH, SHIT.

Trevor: HURRY UP, MAN!

James: GET THE FUCK
IN THIS CAR, MAN!

GET UP, DARIUS.

AAH!

WAIT UP. SHIT!

WHAT?! WHAT?!

Khalid: COME ON!
COME ON!

HE'S DEAD!
HE'S DEAD!

Flip:
WE CAN'T LEAVE HIM.

GET IN THE CAR, MAN!

YEAH, MOTHERFUCKER,
COME ON!

[SIREN]

Trevor: YOU GOTTA GET
IN THE TRUCK, MAN!

COME ON, MAN!

GET OUT OF HERE, MAN!

OH, SHIT!

MOTHERFUCKER,
WHAT THE FUCK, DOGG?

OH, SHIT!

THAT SHIT WAS
FUCKING CRAZY, MAN!

WHAT THE FUCK JUST
FUCKIN' HAPPENED, DOGG?

WHAT THE FUCK HAPPENED
IN THERE, DOGG?

ARE YOU FUCKING STUPID,
MOTHERFUCKER?!

ARE YOU FUCKING STUPID,
NIGGER?!

YOU LEFT MOTHERFUCKING
FLIP INSIDE ALONE, DOGG!

I TOLD YOU NOT TO CALL ME
A NIGGER, MOTHERFUCKER!

FUCK! NIGGER!
NIGGER! NIGGER!

FUCK YOU! FUCK YOU!

SHUT THE FUCK UP!

GET THE FUCK OUT
OF THE CAR, NIGGER.

GET THAT FUCKIN' GUN
OUT OF MY FACE, MAN.

GET THE FUCK
OUT OF THE CAR

RIGHT THE FUCK NOW,
DOGG.

YOU SET US UP, DOGG.

I SET YOU UP?!
WHAT?!

IS THAT WHAT YOU FUCKING
THINK I DID, PUSSY?!

YOU AIN'T NO DIFFERENT
THAN THE FUCKIN' KLAN

OR THE FUCKIN' POLICE!

THE ONLY THING IS

YOU MOTHERFUCKERS
LISTEN TO RAP!

SO PULL THE FUCKING
TRIGGER, BITCH!

COME ON!

DRIVE, MAN.

HOME! NOW!

YO, WHY DON'T YOU PUT THAT
FUCKIN' GUN DOWN, DOGG?

I AIN'T FUCKIN'
WITH YOU, MAN.

DRIVE THE FUCKIN'
DUALLY NOW, MAN!

I CAN'T BELIEVE
YOU GET UP

WITH THESE MOTHERFUCKIN'
NIGGERS, DOGG.

DON'T SAY THAT WORD,
JAMES!

I'LL FUCKIN' PULL IT, MAN!
I SWEAR TO GOD!

DON'T SAY A WORD, MAN.

[CRYING] WE'RE GONNA
GET FUCKING LOCKED UP, MAN.

MY FUCKING MOM'S
GONNA KILL ME, MAN.

Khalid:
SHUT THE FUCK UP, TREVOR.

PULL OVER, MAN.

PULL OVER!

RIGHT HERE.
LET ME OUT.

OPEN THE DOOR.
LET ME OUT, MAN.

[HORN HONKS]

[HORN HONKS]

WHAT HAPPENED TO YOU?
NOTHIN'.

LET ME SEE THIS.

NOTHIN' HAPPENED.

HOW WAS CHICAGO?

BAD.

I JUST WANTED
TO SAY...SORRY.

SO SAY IT.

I'M SORRY.

YOU KNOW,
I'M SORRY, SARA.

I WAS ALL STRESSED OUT,
YOU KNOW, AND...

ON TOP OF THAT,
YOU'RE PREGNANT.

HOW'S JUNIOR?

GONE.

WHAT?

WHAT WAS I SUPPOSED
TO DO, FLIP?

I DON'T KNOW.

I MEAN, YOU WERE RIGHT.

WHAT KINDA FATHER
AM I GONNA BE ANYWAY?

YOU WANNA BE
A GANGSTER RAPPER?

[GUNFIRE, YELLING]

James:
WHAT THE FUCK, DOGG?!

Khalid: I TOLD YOU
NOT TO CALL ME A NIGGER!

YOU READY?

WHAT'S HAPPENING, BABY?

ALL RIGHT,
I'M BRINGING THE MAN IN.

BRINGING THE MAN IN.

WATCH YOUR BACK, DUDE.

YEAH, YEAH, LADIES
AND GENTLEMEN,

I BROUGHT HIM.
HE'S HERE.

HE IS HERE.

THE NEW SHIT
NAMED FLIP.

FLIP, FLIP, COME ON.

COME ON OVER
AND TAKE A PICTURE.

PICTURE OVER THIS WAY.
PICTURE.

[PEOPLE CHATTERING]

GIVE ME SOME LOVE, MAN.

[PHOTOGRAPHERS
TAKING PICTURES]

Flip: JAMES, MAN.

TREV.

[MAN LAUGHING]

Darius: LET'S KICK
SOMETHING RIGHT NOW.

I'M GOING
TO INTRODUCE Y'ALL.

YEAH. LET'S GO
KICK SOMETHING.

LET'S GO KICK SOMETHING.

Khalid: WE ALL
BROTHERS IN HERE.

WE WANT TO KNOW
WHEN'S THE NEXT RECORD.

Man: COMING DOWN.

* YO, LIVE IS LIKE
POISONOUS SNAKES *

Both:
* SLICK AND COLORFUL

* AND THAT'S HOW MOST
NIGGERS GET BIT *

* FROM BEING GULLIBLE

* SEE, I BELIEVE A LIAR'S
A FUCKING COWARD *

* AND BY THE SAME BATCH
OF LIES YOU TELL *

* YOU GET DEVOURED *

* I LOVE WHO I AM, AND THAT
MEANS EVERYTHING TO ME *

* 'CAUSE MY LIFE
AIN'T WORTH A DAMN *

* UNLESS I'M DEALIN'
WITH REALITY *

* WHEN I LOOK MYSELF
IN THE EYES, IT'S JUST ME *

* AND I AIN'T GOTTA TELL
NOBODY NO LIES *

* I FEEL FREE

* AND I WOULD RATHER DEAL

* WITH THE TRUTH
THAN FALSEHOOD *

* THAN BEING FAKE
WITH MY PEOPLE *

* AND CLAIMIN'
IT'S ALL GOOD *

* YOU CAN'T RUN AWAY
FROM YOURSELF *

* SO THAT'S USELESS

* IF YOUR WORD IS BOND

* THEN YOU DON'T HAVE
TO MAKE EXCUSES *

* YOU CAN'T FLIP THE SCRIPT,
YOU KNOW WHAT I'M SAYIN'? *

* GHETTO ROLLIN',
WHAT'S GOIN' ON? *

* YOU KNOW WHAT
I'M SAYIN'? *

* COMIN' FOR THAT ASS
IN THE 2-G? *

* WHATEVER,
VANILLA THUG *

* WHAT'S UP?

[PEOPLE CHATTERING]

CHILL.

FLIP.
SHRIMP, FLIP.

WOULD YOU LIKE
SOME SHRIMP?

NAW, MAN.

SHRIMP! SHRIMP!

SHRIMP!

Darius: HEY, FLIP,
COME BACK THIS WAY!

WHAT ARE YOU DOING?

SHRIMP!

[BREATHING HEAVILY]

YOU KILLED ME,
WHITEBOY.

AW, MAN, I'M SORRY.

YOU KILLED ME, MAN.

I'M SORRY, MAN.

YOU KILLED ME,
MOTHERFUCKER!

Mother: WHO THE HELL
ARE YOU REPRESENTING?

SARA,
WHAT ARE YOU DOING?

WHAT ARE YOU DOING?

YO, WHAT THE FUCK?

IS THIS HOW
YOU WANT IT, NIGGER?

Flip: TREV.

TREV.

YO, WHAT THE FUCK
DO YOU WANT,

YOU FUCKING SELLOUT?

[DIAL TONE BEEPING]

JAMES, MAN.

J DOGG, WHAT'S UP?

WHAT THE FUCK?

Flip: FUCK, MAN!

[PANTING]

I HAD THIS DREAM THAT I
WAS ON THIS PLANET...

All: BYE, SARA.

BUT IT WASN'T
ANOTHER PLANET.

IT WAS, LIKE, THIS PLANET.

AND I STARTED CRYING.

I DON'T KNOW WHY I WAS
CRYING, BUT I KEPT GOING,

AND I KEPT PASSING
THESE PEOPLE.

AND THEY SAW ME CRYING,
AND I WAS EMBARRASSED--

EMBARRASSED
THAT I DIDN'T KNOW SHIT,

THAT I DIDN'T KNOW
WHERE I WAS GOING--

EMBARRASSED AT MY HISTORY.

AND I STARTED THINKING
ABOUT 50,000 MURDERS A YEAR

AND 2 MILLION PEOPLE
IN JAIL,

AND I THINK ABOUT
COLUMBUS DAY

AND COLUMBUS CIRCLE
AND COLUMBUS, OHIO.

AND I STARTED THINKING
ABOUT TRIBES, MAN--

AMERICAN TRIBES--RAPED,
MURDERED, AND MOVED.

AND I STARTED THINKING ABOUT
TENS OF MILLIONS OF AFRICANS

DYING IN THE SEA

AND MALCOLM X
AND CHIEF CHEROKEE

AND COLUMBUS DAY
AND COLUMBUS, OHIO,

AND I FELT ASHAMED, MAN--

ASHAMED OF
WHAT I WAS REPRESENTING.

* WHITEBOY, WHITEBOY,
TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA
AIN'T READY FOR THE SOUND *

* FROM THEM WHITEBOYS

* THEY'RE SLITTING
YOUR THROAT *

* WITH A DIRTY
FUCKING RAZOR *

* THEY DROWN YOU
IN MALT LIQUOR *

* CHOKE YOU
WITH YOUR PAGER *

* 'CAUSE THEY DON'T REALLY
GIVE ONE OUNCE TYPE OF FUCK *

* EVERYBODY STEPS
IN THEIR WAY *

* AND THEY MOM'S
IS GETTIN' STUCK *

* YEAH,
AND YOU DON'T STOP *

* KEEP ON TILL
THE BREAK OF DAWN AND *

* WHITEBOY, WHITEBOY

THANK YOU.

I GOT TO PRACTICE
THAT SHIT.

* WHITEBOYS, WHITEBOYS,
WHITEBOYS *

* WHITEBOYS, WHITEBOYS,
WHITEBOYS *

[BURPING
RHYTHMICALLY]

Flip: MAN, WHAT THE FUCK
ARE YOU REPRESENTING, MAN?

MAN, I'M SAYING--

I'M DOING
THE HUMAN BURP BOX.

ALL RIGHT.
WHAT'S YOUR RHYME, MAN?

* WHITEBOYS, WHITEBOYS

* BOW WOW, WHITEBOYS

* NIGGERS CALLING ME
A WHITEBOY *

* WHITEBOYS
CALLING ME A NIGGER *

* HOW THE FUCK
YOU FIGURE? *

* AND, YES, CHECK THIS, YOU,
I BE BIGGER *

* AND, YES,
TELL ME, UHH *

* THIS IS HOW WE DOIN' IT
FOR THE 9 IRONS *

* WHITEBOYS,
WHITEBOYS, WHITEBOYS *

* WE BLOWIN' INDO SMOKE
BEHIND THESE BARS *

* LIVIN' LIKE STARS,
YOU KNOW WHO WE ARE *

* SNOOP AND FLIP,
DON'T TRIP, WE GET GRIP *

* MOTHERFUCKERS
CAN'T TOUCH IT *

* 'CAUSE THEY CAN'T
FUCK WITH THIS *

YEAH, YOU KNOW
WHAT I'M SAYING?

REPRESENTIN'.

Man:
BEAUTIFUL, BEAUTIFUL.

* WHITEBOY, WHITEBOY,
TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA
AIN'T READY FOR THE SOUND *

* FROM THEM WHITEBOYS,
WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS,
WHITEBOYS *

* HOW YOU LIVIN',
MOTHERFUCKER? *

* PERM TO THE CURB *

* FUCKIN' WITH THIS WHITEBOY
SLINGIN' MY HERB *

* D.P.G.
TO THE FULLEST YOUNG CUZ *

* MY HOMEBOY RICKY SAYS
SHOW ME SOME LOVE *

* WE GOT THE CLUB
WITH THIS FOOL NAMED T-BONE *

* FROM THE DIRTY STYLE,
CLOSIN' HIS MOUTH *

* MY PEOPLE

* ALL OF MY HOMEYS
FROM THE L.B.C. *

* ALL MY WHITE HOMEYS
WHO SMOKE WITH ME *

* SELL ME BUD
ON THE WEEKDAYS, CUZ *

* THIS SHIT'S FOR Y'ALL,
FOR ME AND MY DOGG *

* IF YOU DON'T KNOW,
YOU DO KNOW *

* T-BONE MY NEW DOG

* FUCK WITH YOU, BUT WE ABOUT
TO FUCK IT UP, Y'ALL *

* WHITEBOYS, WHITEBOYS,
TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA
AIN'T READY FOR THE SOUND *

* OF THEM WHITEBOYS,
WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS,
WHITEBOYS *

* WHITEBOYS, WHITEBOYS

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* BY THE CURB,
CANDY PAINT *

* 20 CRAWL,
CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* BY THE CURB,
CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL

* YOU TRYIN'
TO WEAR MY SUIT *

* YOU TRYIN'
TO WEAR MY CLOTHES *

* YOU TRYIN' TO BE LIKE ME

* I'M TRYIN'
TO BE LIKE YOU, BRO *

* WHAT I'M REALLY
TRYIN' TO SAY *

* YOU GOT TO KEEP IT
ALL REAL *

* YOU CAN'T BE
FAKIN' NO DEAL *

* YOU GOT TO GET YOU
A MEAL *

* SEE, IT'S HARD OUT HERE

* PIMPIN' AIN'T A CAREER

* SEE, IT'S HARD OUT HERE

* PEOPLE
PUT YOU IN REAL *

* I'M TRYIN'
TO KICK YOU A MEAL *

* I'M TRYIN' TO KEEP IT
ALL REAL *

* DO YOU BE FAKIN' A DEAL?

* SO I CAN LET YOU SEE
HOW IT FEELS *

* WANNA BE, WANNA BE *

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* AT THE CURB,
CANDY PAINT *

* 20 CRAWL,
CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* BY THE CURB,
CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL

* THEY'RE ALWAYS
BOTHERIN' YOU, BEGGIN' YOU *

* CALLIN' YOU ENDLESSLY

* THE WORST,
THAT WAS YOUR LESSON *

* YOU'RE A YUPPIE,
SO A.T.V. *

* YOU'RE GREEDY,
YOU'RE FIENDIN' TO BE *

* BUT YOU WON'T PICK UP A PENNY
UP IN THIS INDUSTRY *

* WANT TO COME IN
OUT OF NOWHERE *

* BE THE KING
OF THE STREETS, RADIO, AIR *

* YOU ONLY KNOW
YOU HAVE SOMETHING TO GAIN *

* THE RECORD LABEL,
YOUR MASTER'S STORED THERE *

* I CAN PLAY
YOUR ALBUM BACK *

* EVERYBODY
CAN BE A RAPPER *

* SAY WHAT,
SAY WHAT, SAY WHAT? *

* IN THE GHETTO,
WE GOT GHETTO STARS *

* RIDIN'
IN THE SCHEMER CARS *

* NICE
WITH THE TINTED WINDOWS *

* PUSHIN' DOWN
THE BOULEVARD *

* IN THEIR MOUTH,
YOU SEE THEM GRILLS *

* SPECIAL PLAYA,
CAN'T BE REAL *

* THAT'S BECAUSE
HE ROLLIN' *

* WITH A CUZ IDEA
FOR THE BILL *

* HUSTLER TRYIN'
TO STACK SOME Gs *

* PUSHIN'
WITH A QUARTER KEY *

* HEY, LET ME RIDE
IN THAT LATEST BUZZ *

* FREAK, YOU BETTER
KEEP YOUR NEEDS *

* NEVER WILL I
SAVE A BROAD *

* GANGSTA PLAYAS
COMIN' HARD *

* CHICK
CAN JUST GET OUT MY CAR *

* THE POLICE ARE STRANDED
IN THE PARK *

* WANNA BE, WANNA BE *

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* AT THE CURB,
CANDY PAINT *

* 20 CRAWL,
CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE
LIKE A YOUNG G *

* GOLD TEETH,
DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD
IN THE STREET *

* AT THE CURB,
CANDY PAINT... *