Original subtitles

Flip: UHH.

IOWA GANGSTER BLOOD THUGS.

GHETTO-ROLLIN'...

COMIN' FOR THAT ASS IN THE 2-G.

WHAT? THIS AIN'T NO G?

THIS AIN'T NO G, NIGGA? TRYIN' TO BE SICK WITH ME, MAN?

I'M GONNA BLAST YOU. I'M GONNA BLAST YOU!

[IMITATING GUNFIRE]

YEAH.

NOW YOU KNOW NOT TO FUCK WITH FLIP DOGG ANYMORE.

[LAUGHTER]

UH-UH. DON'T DO THAT.

NO, NO, NO, DON'T DO THAT, MAN.

NO, NO, DON'T TOUCH THE DIAL, MAN.

NO.

HEY, CHECK IT OUT, MAN.

* YO, THE WEST COAST RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM MIDWEST ROBBERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* IT'S JAM-PACKED

* AND THE NUMBERS GETTIN' ROWDY OUTSIDE *

* YOU GOT NIGGAS IN TIME FOR A LONG-ASS TIME *

* MAKIN' EVERYBODY YELLIN' MAD *

* SO PEOPLE STARTED BOUNCIN' AND SMASHIN' THE GAT *

* ACTIN' BAD, BREAKIN' GLASS IN THEIR PATH *

* THE MONKEY'S ASS SWINGIN' DOUGHNUTS IN FRONT OF THE CLUB *

* LOOKIN' FOR LOVE, NO ONE EVER DUG A DANK *

* AND A POWDERED VOICE SNORTIN' THE CRANK *

* PRETTY WOMEN AT THE BAR HAVIN' DRINKS *

* PEOPLE DANCIN' TILL THEY FIGHT THE SONG *

* GIVE A DOG A BONE, BOOGIE IN THE ZONE *

* TOUCHDOWN, WE CLOWN

* WE CAN PAINT THE WHOLE TOWN *

* RUNNING YOUR MOUTH WILL GET YOU KNOCKED OUT *

* BALLIN' DURING A DROUGHT *

* AND WE'LL KILL OR STEAL ON ANY ACCOUNT *

* BLASTIN' OUT THE PARKING LOT, WE SPARK THE CHOPS *

* BURNIN' RUBBER UP AND DOWN THE BLOCK *

* WITH MY TIRES SCREECHIN'

* AIN'T NOBODY TRIPPIN' ON THE POLICEMEN *

* BUT I COULD SEE SOME MORE CREEPIN' *

* COMIN' ON THE WEEKEND

* I'M NEVER SURPRISED TO SEE THE PEOPLE THAT WAS CHILLIN' *

* GET ROWDY OUTSIDE

* THEY BOUGHT THE HOORAH, THEY OWN A SUPERSTAR *

* THEY BOUGHT THE HOORAH, THEY GET ROWDY OUTSIDE *

* YOU KNOW THEM WEST COAST RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM MIDWEST ROBBERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* B-I-E-I-ITCH

* I WILL NEVER SWITCH

* I'M GONNA STAY ROWDY

* I'M ABOUT TO BOUNTY FOR THOSE THAT LIKE THE DOUGH *

* AND LIKE TO SMOKE, I'M GONNA LET YOU KNOW *

* IF YOU GOT WEED, LET'S BLOW THE HOUSE DOWN *

* BLOW THE HOUSE DOWN, BLOW THE HOUSE DOWN *

* NOW IF YOU GOT MAIL, LET'S BUY THE WHOLE TOWN *

* AND I'LL PASS IT TO YOUR PHONIES *

* I'M GONNA LET YOU KNOW

* TAINT HER, INVADE HER, NIGGAS CAN'T FADE HER *

* QUICK TO SMOKE A QUARTER POUND IN THE TOWN *

* LOOK YOU IN THE EYE, REPLY, I AIN'T HIGH *

* BUT HELP ME FOCUS THROUGH THE HOCUS-POCUS *

* YOU KNOW THEM WEST COAST RIDERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM DOWN SOUTH POSSES GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* YOU KNOW THEM EAST COAST BALLERS GET ROWDY OUTSIDE *

* ROWDY OUTSIDE, ROWDY OUTSIDE *

* CHECK IT, CHECK IT, UHH *

* A-1, 2, AND I DROP LYRICS LIKE THIS *

* I BE THE F TO THE L TO THE I TO THE P *

* DESTROYIN' MOTHERFUCKERS, YEAH, THAT'S MY HOBBY *

* ANY SUCKER EMCEE WANNA COME TEST ME *

* I'LL PUT A BULLET IN YOUR ASS WITH MY FUCKIN' UZI *

* NIGGAS GET KILLED TRYIN' TO BITE MY STEAM *

* MY MAIN NIGGA TREV, YO, PASS THE FOR-TY *

* SO I CAN LOOSE AND BUST NIGGAS OUT THE FRAME *

* DON'T EVEN TRY TO TRIP BECAUSE FLIP BE MY NAME *

* YO, MY NAME IS FUNKY TREVOR *

* DON'T FUCK WITH ME, NEVER *

* YOU STEP IN MY WAY, AND, BOY, YOUR HEAD'LL GET SEVERED *

* I KEEP MY TEC-9 ON MY WAIST 'CAUSE I'M A GANGSTER *

* IF YOU TRY TO POP SHIT, I'LL FUCKIN' GANK YA *

* NICKEL-PLATES, 38s AND 22s *

* MEASURE YOUR SHIT NEXT TO ME, SON *

* YOU'LL FUCKIN' LOSE

* GOT MY PHILLY BLUNTS, PLUS MY 40-OUNCE BREWS *

* HOP IN THE DUALLY, WORD UP, AND THEN I CRUISE *

* I SAY, UNEMPLOYMENT CHECKS COULD SUCK MY FUCKIN' DICK *

* THAT NIGGA BRYANT GUMBEL MAKES ME FUCKIN' SICK *

* SITTIN' AT HIS DESK, HE TALKIN' MAD FUCKIN' SHIT *

* LIKE LA-LA-LA-LA-LOT OF SHIT! *

* IT'S FUCKIN' BULLSHIT *

* YEAH, MY IGBT KIDS ALWAYS MAKE THE STACK *

* I GOT THE REMEDY FOR THEM FIENDS THAT SMOKE CRACK *

* FUCK BEIN' WHITE, WORD UP, SON, I'M BLACK *

* MY NIGGAS IS IN THE FRONT *

* WHILE YOU BE IN THE BACK

MOTHERFUCKER.

YO, DEAL, DOGG.

THAT SHIT WAS FUCKIN' ALL THAT.

REPRESENT EVERY DAY UP IN THIS MUGLI.

THAT SHIT WAS FUCKIN' REAL.

YOU RIPPED IT, MAN.

I MESSED FUCKIN' MY RHYMES RIGHT NOW.

I FEEL ENERGIZED.

WORD UP, MAN. LIKE FUCKIN' ELECTRICAL-TYPE SHIT.

HELL, YEAH, DOGG!

YOU KNOW WHAT I'M SAYIN'?

THAT SHIT IS JUST COMIN' OUT

LIKE LITTLE PARTICLES

COMING OUT OF YOUR LUNGS.

YOU KNOW WHAT, THOUGH?

LET ME JUST SAY ONE THING, MAN.

LIKE--LIKE DON'T TAKE THIS AS A DIS, RIGHT?

I'M SAYIN', LIKE, ALL OF US,

BUT MOSTLY LIKE YOU, MAN, AND YOU,

YOU NEED TO, LIKE, WORK ON, LIKE...

LIKE, THE WAY YOU SPIT LYRICS, MAN,

LIKE, MORE ARTICULATE.

BECAUSE IT SOUNDS KIND OF, LIKE, MUSHED UP.

MAN, THAT SHIT IS, LIKE, FLOWIN' OUT OF MY HEART

WHEN I'M DOIN' THAT, DOGG.

I KNOW BUT YOU SOUND LIKE WAYNE NEWTON

UP IN THAT MOTHERFUCKER.

OH, SHIT, DOGG.

I DON'T MEAN TO DIS, MAN.

HELLO, UH, THIS IS SARA MILLER

CALLING ON BEHALF OF OFFLINE LONG-DISTANCE COMPANY.

THE PURPOSE OF MY CALL IS TO LET YOU KNOW THAT OFFLINE

DOES HAVE SOME NEW DISCOUNTS AVAILABLE

ON LONG-DISTANCE RATES.

I'M GONNA GO BLAST SOME FOOLS, DOGG.

ALL RIGHT, MAN, HOLD UP.

ALL RIGHT, DUDE. I'M SEEIN' A D.C...

WHEN WOULD BE A GOOD TIME TO CALL, SIR?

YO, I'M GETTIN' THE WHITE PUMAS.

IT'S JUST THE TYPE. OH, WORD.

YEAH, THEY JUST CAME OUT.

HELLO.

CHECK HER OUT.

HALF AN HOUR.

RIGHT HERE. HALF AN HOUR.

[SARA LAUGHING]

YOUR MOM'S SO STUPID,

IT TOOK HER AN HOUR TO MAKE MINUTE RICE.

MAN, THAT SHIT'S CORNY, MAN. THAT'S OLD.

I'M GONNA TELL YOU, YOUR MOM'S GOT NO LEGS

AND STILL TRYIN' TO KICK IT TO ME.

THAT'S STUPID. THAT IS STUPID.

NO. Y'ALL FOOLS GOT TO COME TO CHICAGO WITH ME. WORD UP.

YOU REALLY GOING TO CHICAGO?

HELL, YEAH, I'M GONNA BE THERE, MAN.

I'M GONNA BE UP THERE, I'M GONNA GET PAID,

COOL OUT WITH MY SHORTY.

NO, ALL RIGHT? DAMN, BABY.

YO, LET'S GET THIS SHIT, GO TO THE CLUB, DOGG.

DAMN. SAVE ME ONE.

PAY THE BILL. DOGG.

I WROTE YOU A LITTLE SOMETHIN'.

WORD. WHAT?

YOU KNOW. A LITTLE RHYME OR WHATEVER.

* COMMERCIAL RAP NIGGAS GET THEIR DOME SMACKED OUT OF THEM *

* WE'RE TIRED OF THESE EARTHLINGS *

* ACTIN' LIKE THEY'RE COWARDS *

* WHEN YOU FUCK UP, WE GETTIN' DOWN FOR HOURS *

* COLD, SLY, MILLION NIGGAS, SKYIN' LIKE TWIN TOWERS *

YO, I'M READY FOR THIS SHIT, DUDE. FUCK THIS, MAN.

HELL, YEAH, DOGG.

HEY, WHAT'S THAT FUCKIN' SIGN SAY, DOGG?

WHERE?

HOLD ON.

AW, WHAT'S UP, GIRL?

A'IGHT.

SHE FUCKIN' WAVED TO ME, DOGG.

MAN, SHE AIN'T WAVIN' AT YOU, MAN.

SHE WAS WAVIN' LIKE, "GET THE FUCK OUT OF HERE."

NAW, MAN, SHE FUCKIN' WAS SMILIN', MAN.

SHE WAS FUCKIN' WAVIN' AT ME.

ALL RIGHT, WHATEVER.

CHECK, CHECK, CHECK, 1, 2, AND YOU DON'T.

LOOK AT THIS MOTHERFUCKER.

THIS IS IT RIGHT HERE. JAY, MAN, PARK.

YEAH, THIS IS THE FUCKIN' DEAL RIGHT HERE.

I'M GONNA GET MY SWERVE ON. WORD.

YEAH, STRAIGHT UP, DOGG.

MMM...MMM.

I SMELL CASH-LOOT UP IN THIS MOTHERFUCKER.

YOU SMELL CASH?

YEAH, BOY.

YOU WANNA GET SOME?

I SAY, YOU READY TO GET SOME?

I'M READY TO GET IT, DOGG. COME ON.

OBEY YOUR THIRST, NIGGA.

[RAP MUSIC PLAYING]

YO, MAN.

WHAT'S UP? HOW MUCH WE GOT, DOGG?

ONLY AROUND 200. ABOUT.

I THINK TREV'S ABOUT TO BRING 2 MORE.

YO, I GOT THIS FINE-ASS BITCH OUTSIDE,

GAVE ME A HUNDRED-DOLLAR BILL AND SHIT.

WHY THE FUCK DIDN'T YOU BRING HER IN, DOGG?

IT'S THE MEN'S ROOM, FOOL.

SO WHAT?

YO, HOW MANY SHE NEED?

5, MAN.

SHIT, MAN, HERE.

YO, MAN, COME ON, HURRY UP.

DON'T BRING NO MORE PEOPLE, ALL RIGHT?

WE'RE ALMOST OUT OF HERE.

ALL RIGHT, DUDE.

LET ME COUNT THAT SHIT, DOGG.

YO, CHILL. WHAT, YOU DON'T BELIEVE ME?

HA HA HA.

HEY, MOTHERFUCKER!

I DON'T KNOW WHAT YOU SOLD ME,

BUT THIS SHIT AIN'T BLOW, MAN.

NAW, MAN, I SWEAR THIS SHIT IS REAL, MAN, I SWEAR, YO.

BULLSHIT, MAN. I'VE HAD COCAINE BEFORE.

I KNOW THE DIFFERENCE.

I'M NOT SOME STUPID LITTLE DUMB-ASS MOTHERFUCKER.

THIS IS NOT COKE. THIS IS FUCKIN' FLOUR.

YOU SOLD ME FUCKIN' BAKING FLOUR!

NO, NO, NO, MAN.

I WANT MY MONEY!

AAH! FUCK, MAN!

GIVE ME MY MONEY NOW,

OR I'LL KICK THE SHIT OUT OF YOU,

YOU LITTLE COCKSUCKER.

YO, MAN, I'M SORRY. ALL SALES IS FINAL.

GIMME MY MONEY!

AAH, FUCK!

YO, MOTHERFUCKER! WHAT THE FUCK IS UP, DOGG?

WHY DON'T YOU JUST BACK THE FUCK UP RIGHT NOW, DOGG?

I WILL FUCKIN' BLAST YOU, DOGG!

I WILL FUCKIN'--YOU FUCKIN' CANDY-COATED ASS BITCH.

Jock: WHAT YOU GONNA DO WITH THAT, HUH?

[HIP-HOP MUSIC PLAYING]

Man: PLEASE DON'T, FLIP.

IT'S--IT'S ALL THERE.

WHAT DO YOU TAKE US FOR, A BUNCH OF IDIOTS?

DON FLIP, WHAT ARE WE GONNA DO WITH THIS GUY, HUH?

YOU DISRESPECT THE DON.

NO!

KISS MY SHOE.

IT'S DELICIOUS.

HA HA HA HA HA!

TURN.

YEAH, MOTHERFUCKER.

WHAT?

James: YO, MOTHERFUCKER, WHAT THE FUCK IS UP, DOGG?

WHY DON'T YOU JUST BACK THE FUCK UP RIGHT NOW, DOGG?

I WILL FUCKING BLAST YOU, YOU FUCKING CANDY-COATED ASS BITCH.

WHAT YOU GONNA DO WITH THAT, HUH?

AAH!

AAH!

[ALL SHOUTING]

WHAT'S YOUR FUCKING PROBLEM?

Flip: LET'S GET THE FUCK OUT!

[WHIMPERING]

* YEAH

* I BE THE ILLEST MOTHERFUCKER *

* THAT YOU EVER SEEN AROUND *

* I GET DOWN, I DROP SUCKERS TO THE GROUND *

* YEAH, I GOT JUICE

* I GOT SO MUCH JUICE, I'M GETTIN' LOOSE *

* YOU COULD CALL ME BRUCE

* WILLIS

THANK YOU. THANK YOU, ALL MY FANS.

ALL MY MILLIONS OF FANS.

* IT'S FLIP DOGG ON THE M-I-C *

WHAT YOU THOUGHT IT WAS, FOOL?

YEAH. BIOTCH.

UHH.

THANK YOU, JAY. THANKS A LOT, JAY.

YOU LITTLE FUCKER.

[IMITATES GUNFIRE]

YEAH. IT'S ALL GOOD.

I KNOW WHAT YOU'RE THINKING, JAY.

YOU'RE THINKING, LIKE, HOW IS IT THIS WHITE DUDE

COULD BE SUCH A DOPE RAPPER, RIGHT?

WELL, TRUTH OF THE MATTER IS, JAY,

I AIN'T WHITE, MAN.

I'M BLACK.

SEE, I WENT TO THE DOCTOR, JAY.

THIS IS BETWEEN YOU AND ME, MAN.

AND HE TOLD ME I GOT THIS, LIKE,

LIKE, THIS RARE SKIN DISORDER.

IT'S CALLED, LIKE, EOSONOPHILIC...

IONIC DERMATITIS, RIGHT?

AND IT'S, LIKE, WHERE YOU LOOK WHITE, OK?

BUT INSIDE, DUDE--

LIKE, ALL RIGHT, CHECK THIS OUT, JAY.

YOU THINK THAT'S A BIRTHMARK, RIGHT?

WELL, TRUTH OF THE MATTER IS,

LIKE, THAT'S THE REAL COLOR OF MY SKIN,

AND THE REST OF ME IS A BIRTHMARK.

THIS SHIT IS MAD RARE, JAY. IT'S MAD RARE.

I MEAN, EVEN THOUGH I LIVE IN IOWA,

I STILL, I STILL GOT THE GHETTO IN MY HEART, JAY.

I MEAN, THIS IS JUST TEMPORARY, YOU KNOW?

I'M GONNA MOVE, MAN.

YOU KNOW, I DON'T BELONG HERE, YOU KNOW?

AS SOON AS I, LIKE, GET SOME MONEY,

I'M JUST GONNA, LIKE, MOVE TO SOME STRAIGHT-UP,

JUST, LIKE, GHETTO, GANGSTER, THUG,

PROJECTS-TYPE SHIT, YOU KNOW?

LIKE IN CHICAGO, LIKE, YOU KNOW,

LIKE, THE PEOPLE JUST KICK IT.

AND JUST, LIKE, CHILL IN THEIR BMWs EVERY DAY.

AND, LIKE, YOU KNOW, DRIVE AROUND AND JUST PARTY.

LIKE, ALL THE GIRLS GOT BIKINIS ON.

EVERYBODY'S, YOU KNOW...

RAPS.

YOU KNOW WHAT I'M SAYIN', JAY?

WHERE, LIKE, THE NIGGERS JUST KICK IT, JAY.

DON'T GET ME WRONG, JAY.

WHEN I SAY "NIGGER," I DON'T MEAN IT IN THE ILL WAY,

YOU KNOW, LIKE, "OH, YOU FUCKIN' NIGGER,"

OR SOME SHIT LIKE THAT.

I MEAN, YOU KNOW, YOU JUST CHILLIN'.

YOU JUST KICKIN' IT WITH YOUR HOMEYS OR WHATEVER.

YOU JUST BE, LIKE,

"WHAT'S GOING ON, YOU BITCH-ASS NIGGER?"

YOU KNOW. IT'S ALL GOOD, JAY.

IT'S ALL LOVE, MAN, STRICTLY LOVE.

Kate: FLIP!

WHAT?!

THE MONEY'S NOT ON THE FRIDGE.

NOT THE FRIDGE! THE MICROWAVE!

OH, DON'T FORGET TO PICK YOUR DAD UP FROM WORK.

DAMN. LEAVE ME THE FUCK ALONE.

I HATE THIS PLACE, JAY.

BUNCH OF TRACTOR-DRIVIN' MOTHERFUCKERS.

DAMN BISCUIT-HEAD BITCHES.

MAN, YOU GOT TO SEE THESE PEOPLE, MAN.

ALL THEY DO IS HANG OUT AT THE MALL EVERY DAY

AND WALK BACK AND FORTH FROM FOOTLOCKER TO CHI-CHI'S,

CHI-CHI'S TO FOOTLOCKER.

THEN THEY GO HOME AND WATCH DAMN...

FRIENDS.

THOSE ARE WACK FUCKING ACTIVITIES, JAY.

ARE YOU WITH ME, MAN?

I MEAN, I DON'T ASPIRE TO THAT IN MY LIFE, DUDE.

I WANT FUCKING, I WANT...

I MEAN, WHAT THE HELL I WANNA BE WHITE FOR, MAN?

THAT SHIT IS STUPID.

[HORN HONKS]

[WHISTLE BLOWS]

HEY, THERE, FLIP.

W'SUP?

HOW'S YOUR MOM?

SHE'S A'IGHT.

YOU TELL YOUR MOM I SAID HI.

A'IGHT.

WHAT'D YOU SAY?

MY DICK.

HATE TO DO THIS, ART.

YOU'VE BEEN WITH US DAMN NEAR 25 YEARS.

THE COMPANY'S OUT OF MONEY.

HEY, DAD.

YOU ALL RIGHT?

NO.

JAY.

AH, W'SUP, NIGGA?

A'IGHT?

WHAT YOU GOT TO EAT, MAN? I'M STARVIN'.

[ROCK MUSIC PLAYING]

DAMN, MAN, TELL YOUR MOMS TO GET SOME WONDER BREAD.

AT LEAST THEN YOU HAVE SOMETHING TO PUT THE CHEESE WHIZ ON.

James: WHY DON'T YOU SHUT THE FUCK UP, MAN?

LAST TIME I WAS IN YOUR FRIDGE,

ALL I SAW WAS SOME, LIKE,

BAKING SODA AND THE LIGHT BULB, DOGG.

MAN, SHUT UP. WHY DON'T WE GET SOME MUNCH FOR REAL?

SWING US BY HUCKY'S.

YOU KNOW, GET THAT EMPLOYEE DISCOUNT.

FUCK HUCKY'S.

I'M SICK OF THAT FUCKIN' PLACE, DOGG.

I'M TRYIN' TO MAKE ME SOME FUCKIN' LOOT, BABY.

I HEAR THAT. I GOT THE PLAN.

SOME MASTER P SHIT, YOU KNOW?

THAT'S WHAT I'M SAYIN', MAN.

SEE, SEE, THE PLANS, DOGG.

THAT'S WHAT I'M THINKIN'. I--I GOT THOUGHTS, MAN.

WHAT? WHAT YOU GONNA BE, A RAPPER?

NIGGA CAN'T RAP FOR SHIT.

WORD. YOU KNOW YOU CAN'T RAP, JAY.

[LAUGHING]

MAN, FUCK YOU, MAN. I CAN RAP.

I'M NOT TALKING ABOUT NO RAPPING SHIT, DOGG.

MAN, I'M TELLING YOU, MAN, WE COULD BE...

UHH! MAKING CAKE, BABY.

WITH WHAT?

SOME CRANK, DOGG.

CRANK? YEAH, BABY.

YOU ARE SOME REDNECK SHIT, MAN.

LEAVE THAT SHIT TO THEM

DENNY'S-EATIN' BISCUIT HEADS.

MAN, FUCK YOU, MAN!

MAN, FUCK YOU AND YOUR REDNECK SHIT.

I AIN'T NO MOTHERFUCKIN' REDNECK, ALL RIGHT, DOGG?

OH, NO? THEN WHAT ARE YOU LISTENING TO THIS SHIT FOR?

YOU BETTER--

DOGG, DON'T FUCKIN' PUSH MY BUTTONS SO HARD.

THAT SHIT IS SOME PIMP SHIT, MAN.

YOU NEED TO BE EASY WITH THAT SHIT.

[IMITATING ELECTRIC GUITAR]

YOU KNOW HOW FUCKING OLD THAT SHIT IS, DOGG?

THAT'S SOME FUCKING RETRO SHIT. DON'T FUCK WITH MY SHIT.

DON'T PUSH THE BUTTONS ALL HARD, DOGG.

YO, BACK TO THE FUTURE, BABY. CDs, A'IGHT?

YOU KNOW WHAT, MAN?

THAT'S WHAT YOU WERE FUCKING LISTENING TO

IN YOUR MOM'S FUCKING STOMACH, DOGG.

SOME FUCKIN' ESSENCE.

THAT'S SOME ESSENCE-TYPE SHIT RIGHT THERE, BABY.

ESSENCE OF WHAT?

ESSENCE, MAN. THAT'S YOUR ROOTS.

THAT SHIT IS OLD. THAT'S PREHISTORIC, ALL RIGHT?

YOU MIGHT AS WELL RUB SOME ROCKS TOGETHER

AND MAKE A FIRE, OK?

I'M SAYIN' RAP IS GONNA CHANGE THE WORLD.

THAT'S EXPRESSION, DUDE.

WHERE DO YOU THINK HIP-HOP CAME FROM, DOGG?

OH, MY GOD!

SOME ROCK SHIT, DOGG.

ALL THIS HARD-CORE HIP-HOP DADA,

THAT'S ALL SOME FUCKING AAH AAH!

UHH, IT'S THE SAME MASTER P SHIT. UHH!

LIKE IN YOUR SHIT--

LIKE YOU WANNA JUST FUCKIN' BREAK SOME SHIT UP, DOGG.

THAT'S EXPRESSION, DOGG. EX-PRES-SI-ON.

WHAT THE HELL ARE YOU EXPRESSING, MAN?

IT'S NOT THAT STRAIGHT-UP HARD-CORE GHETTO SHIT.

DOGG, GHETTO SHIT IS--YO, YOU DON'T THINK MOTHERFUCKERS

WHO ARE IN THE FUCKING GHETTO ARE PLAYING THE GUITAR?

MOTHERFUCKERS ARE IN THE GHETTO PLAYING THE GUITAR, MAN.

YOU BEEN THERE? SO YOU DON'T KNOW.

SEE, YOU A REDNECK.

YOU THINKIN' REDNECK MENTALITY.

MAN, YOU GOTTA GET OUT OF THAT SHIT, MAN.

MAN...

YOU GOTTA GET OUT OF THAT SHIT, MAN.

FUCK YOU, MAN. YOU MY NIGGA, RIGHT?

YEAH, I'M YOUR NIGGER, DOGG.

THAT'S WHAT I'M SAYIN'. SO CHILL, THEN.

I'M SAYIN' YOU NEED TO RESPECT MY FUCKING TASTE, DOGG.

'CAUSE I GOT TASTE, DOGG. ALL RIGHT, MAN.

LET'S GO GET SOMETHING TO EAT, MAN, A'IGHT?

A'IGHT?

ALL RIGHT, MAN.

I'M JUST SAYIN'.

A'IGHT. CHILL, CHILL.

IT'S ALL GOOD.

DON'T PUSH MY MOTHERFUCKIN' BUTTONS SO HARD.

YO. A'IGHT, MAN.

FUCKIN' OLD-ASS 8-TRACK BULLSHIT.

DON'T FUCK WITH MY SHIT, DOGG.

LET'S GO.

[RAP MUSIC PLAYING]

HEY, MOM, FLIP AND JAMES ARE HERE.

Both: HEY, MRS. M.

MR. M.

WHAT'S GOING ON, MR. M?

HAVE YOU BOYS HAD DINNER YET?

NO.

NOT REALLY. WE'VE ALREADY EATEN,

BUT THERE'S PLENTY LEFT OVER,

IF YOU'D LIKE SOME.

ALL RIGHT.

Y'ALL A BUNCH OF HUNGRY, BEGGIN' BASTARDS.

YO, DON'T CURSE IN FRONT OF YOUR MOMS, DUDE.

HELP YOURSELVES, FIX UP SOME PLATES.

THERE'S, UM, MASHED POTATOES,

CHICKEN, ICED TEA, APPLE JUICE, SODAS.

YO, MAN, DON'T TAKE EVERYTHING, DUDE.

YO, PUT THEM BACK, MAN.

AW, MAN.

WHAT'S UP WITH YOUR MOMS, DOGG?

STRAIGHT UP AND DOWN, MAN.

I THINK SHE, YO, SHE WAS, LIKE,

GIVING ME THE MASHED POTATOES, DOGG,

AND I WANTED TO TAKE THE MAYONNAISE

AND, LIKE, UHH! SPREAD SOME SHIT

UP ON SOME SAUCE-THE-PAN TYPE SHIT, DOGG.

WHY THE FUCK YOU ALWAYS GOT TO TALK ABOUT MY MOMS, MAN?

I'M JUST SAYIN', YOUR MOM IS STRAIGHT UP.

YOUR MOM IS... SHE'S A MILF, DOGG.

SHE'S A STRAIGHT-UP MILF.

WHAT'S A FUCKING MILF?

A MILF...

IS A "MOTHER I'D LIKE TO FUCK."

YOU KNOW WHAT I'M SAYIN', DOGG?

HELL, YEAH, DOGG!

WHAT'S UP, MAN? UHH!

'CAUSE I'LL BE LIKE THIS...UHH!

[RAP MUSIC PLAYING]

UHH!

UHH!

A'IGHT.

* THAT'S THE WAY

* THE REAL HUSTLERS PLAY

* THAT'S THE WAY

* THE REAL HUSTLERS...

[RAPPER RAPPING]

* PIMPS IN THE FRONT, FREAKS IN THE BACK *

* PUSHING YOUR LEXUS AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP, PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE, PIMP IT UP *

[RAPPER RAPPING]

* PIMPS IN THE FRONT, FREAKS IN THE BACK *

* PUSHING YOUR LEXUS AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP, PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE, PIMP IT UP *

* PIMPS IN THE FRONT, FREAKS IN THE BACK *

* PUSHING YOUR LEXUS AND CADILLACS *

* SO PIMP IT UP, PIMP IT UP, PLAYERS, PIMP IT UP *

* ALL THE PLAYERS IN THE HOUSE, PIMP IT UP *

* THIS IS HOW WE ROLL

* THIS IS HOW WE ROLL, YEAH *

* OH OH-OH OH-OHH

* HEY, YEAH

[ROCK MUSIC PLAYING]

James: UHH! WHAT'S UP, DOGG?

WHAT'S GOING ON?

YEAH! WHOO-HOO!

KHALID!

WHAT'S GOING ON, PLAYER?

OH, WHAT'S UP, DOGG?

Trevor: UHH. I SEE YOU'RE GETTIN' YOUR DRINK ON, HUH?

YOU KNOW WHAT'S UP, TREV.

STRAIGHT, NO CHASER, BABY.

KHALID, IS THAT A NEW PAIR OF N1's?

HELL, YEAH, DOGG.

I GOT THEM LAST WEEK, YOU LIKE?

THEM PUPS IS ALL GOOD, YOU KNOW.

THEM PUPS?

YEAH, YOU KNOW. PUPS.

YEAH, YOU PUPS IS ALL GOOD, KHALID.

WOOF WOOF!

WHAT?

WOOF WOOF!

WOOF WOOF WOOF!

MAN, SHUT THE FUCK UP!

YOU MOTHERFUCKERS SOUND LIKE A BUNCH OF DAMN HICKS.

FUCKIN' DUMB MOTHERFUCKIN' HICK-ASS BASTARDS.

Khalid: CHILL, DOGG.

WHATEVER, DOGG.

DAMN. AT LEAST WE DIDN'T GET LEFT BACK.

Khalid: OH, SHIT.

WHAT?

YO, YO, HE'S ONLY PLAYING, DOGG.

WHAT THE FUCK DID YOU SAY?

WHAT'S UP, NIGGA?

COME ON, MOTHERFUCKER.

YO, YO, FLIP DOGG!

GET HIM, MAN!

[SHOUTING]

COME HERE. COME HERE, MAN!

James: GET THE FUCK OUT OF HERE, MAN.

YEAH! YEAH! SAY THAT SHIT WELL.

YOU GOTTA BACK UP THEM WORDS, BITCH.

YOU WOULDN'T LAST A MINUTE IN COMPTON, FOOL.

MOTHERFUCKER!

TCH!

YEAH, YOU KNOW HOW WE DO.

WHAT?

Sara: FLIP.

WHAT Y'ALL LOOKIN' AT, HUH?

GO BACK TO YOUR LITTLE COW-TIPPIN' STORIES NOW.

FLIP, YOU AIN'T NEVER BEEN TO CALI.

TSK. YEAH, BUT I KNOW WHAT IT'S LIKE, A'IGHT?

HEY.

HEY, I LOVE THAT RHYME YOU WROTE FOR ME.

YEAH?

COME ON, LET'S GET OUT OF HERE.

Bill Clinton on TV: INDEED I DID HAVE A RELATIONSHIP...

Sara: STOP...FLIP.

IN FACT, IT WAS WRONG.

IT CONSTITUTED A CRITICAL LAPSE IN JUDGMENT

AND A PERSONAL FAILURE ON MY PART...

Sara: STOP. FLIP.

FOR WHICH I AM SOLELY AND COMPLETELY RESPONSIBLE.

FLIP!

BUT I TOLD THE GRAND JURY TODAY...

FLIP, PULL OUT AND PUT SOMETHING ON.

THAT AT NO TIME DID I ASK ANYONE TO LIE,

TO HIDE OR DESTROY EVIDENCE.

FLIP.

Flip: CHILL.

[MOANING]

FLIP!

UHH.

I GOT IT.

UHH-UHH-UHH! UHH! UHH! UHH!

OHH. UHH.

Clinton: NOTHING IS MORE IMPORTANT TO ME PERSONALLY,

BUT IT IS PRIVATE.

AND I INTEND TO RECLAIM MY FAMILY LIFE

FOR MY FAMILY.

IT'S NOBODY'S BUSINESS BUT OURS.

EVEN PRESIDENTS HAVE PRIVATE LIVES.

IT'S NOT FUNNY, FLIP.

AW, COME ON.

M'KAY?

DON'T.

SARA, COME ON.

DON'T.

DON'T MAKE ME.

[LAUGHING] DON'T, DON'T.

YOU KNOW.

DON'T. COME ON. OW!

QUIT IT.

MOVE OVER, TOO.

OH, WHAT? I GOT TO MOVE OVER?

IT'S MY BED.

YO, YOU TAKE IT ALL UP, TOO.

[SIGHS] I'M TIRED.

I WROTE ANOTHER RHYME FOR YOU.

LET ME HEAR IT. READ IT TO ME.

NAH.

COME ON, READ IT TO ME.

I AIN'T FINISHED WITH IT YET.

I'M, LIKE, TWO THIRDS OR, LIKE...

I'M, LIKE, FIVE EIGHTHS DONE WITH IT.

WELL, LET ME HEAR THE BEGINNING.

ALL RIGHT.

OK.

IT GOES LIKE THIS...

M'KAY?

COME ON.

WHAT'S UP?

I'M SAYIN' I'M THUGGED OUT. WHAT?

YOU AIN'T NO FUN, THAT'S THE PROBLEM.

YOU DON'T WANT ME TO READ NO SHIT.

YOU DON'T WANT ME TO TICKLE YOU.

BLAH, WAH, WAH.

* MMM MMM MMM

I'VE HEARD IT ALL BEFORE.

WERE YOU GONNA COME VISIT ME IN COLLEGE?

VISIT YOU? COME ON, SARA, I'M GONNA LIVE UP THERE.

WHAT?

I'M SAYIN' AIN'T NOBODY PRODUCIN' NO RAP

UP IN THIS MOTHERFUCKER.

YOU AIN'T LIVIN' IN MY DORM ROOM WITH MY 3 ROOMMATES.

TSS. COME ON, I'LL FIND SOME SHIT.

AND THEN ONCE I GET A RECORD DEAL,

WE COULD GET A PLACE TOGETHER, ALL RIGHT?

WHY DON'T YOU GET A JOB?

YOU COULD SAVE SOME MONEY AND THEN COME OUT.

SARA, DO I LOOK LIKE I BELONG HERE?

ALL RIGHT? WHAT AM I GONNA DO?

STAND AND SERVE BURGERS

TO SOME FAT FRIED-LOOKIN' MOTHERFUCKERS?

I'M SERIOUS.

I'M TALKIN' ABOUT THIS, YOU KNOW?

I MEAN, I JUST WANT PEOPLE TO...

I WANNA MAKE PEOPLE SEE THE TRUTH, YOU KNOW?

IT'S LIKE SHIT THEY DON'T WANNA SEE,

JUST LIKE STRAIGHT-UP, HARD-CORE GHETTO SHIT.

YOU KNOW, JUST LIKE THE TRUTH.

PEOPLE ARE IGNORANT HERE.

PEOPLE ARE IGNORANT IN CHICAGO, TOO, FLIP.

YEAH, BUT IN CHICAGO,

THEY'RE LIVIN' THE REAL SHIT, ALL RIGHT?

CABRINI GREEN.

CABRINI WHAT?

IT'S THESE PROJECTS UP THERE.

BROTHERS KEEP IT REAL UP IN THERE.

AND YOU WANNA GO THERE?

THAT'S WHAT I AM.

I'M ABOUT IT.

WHAT DO YOU EXPECT ME TO DO?

YOU ACT LIKE I'M AN IDIOT.

I DON'T THINK YOU'RE AN IDIOT.

I THINK THERE ARE PLENTY OF JOBS OUT THERE.

YOU'LL FIND SOMETHING.

BULLSHIT!

W'SUP, MA?

YOU WANNA HELP ME OUT WITH THIS?

MA, WHEN IS SUPPER GONNA BE READY?

I GOT STUFF TO DO.

Art: WHAT THE HELL IS WRONG WITH YOU, BOY?

I'M HAVING A CONVERSATION WITH YOUR MOTHER HERE.

I'M TRYIN' TO SUPPORT A GODDAMN FAMILY,

AND YOU ALL WANT TO DO IS PLAY VIDEO GAMES.

IT'S NOT VIDEO GAMES.

I DON'T CARE WHAT THE HELL IT IS!

WHAT THE HELL IS THIS?

WHAT?

WHERE THE HELL DID YOU GET THIS OUTFIT?

I BOUGHT IT.

WITH WHAT?

WHAT?! SPEAK UP! I DIDN'T HEAR YOU!

ARE YOU THE MAN OF THE HOUSE?!

Kate: ART, PLEASE.

YOU DON'T HAVE HALF THE SENSE TO JERK OFF,

AND NOW YOU'RE THE MAN OF THE HOUSE.

I MUST REALLY BE A FOOL.

I'M A JACKASS, AREN'T I?

WHAT A JACKASS!

[GLASS BREAKS]

[RAP MUSIC PLAYING]

Flip: * A LOT OF NIGGAS DON'T LIKE ME *

* I DON'T REALLY GIVE A FUCK, THOUGH *

* 'CAUSE I'LL JUST SHOOT YOUR ASS *

* KEEP SHOOTIN' YA

* YEAH, MAKIN' LOTS OF MONEY, LOTS OF CASH *

* LOTS OF HOS, UHH

WHAT ARE YOU, A NIGGER NOW?

Woman: EXCUSE ME.

I ORDERED THE CHICKEN COMBO,

BUT I ASKED FOR RIBS INSTEAD OF CHICKEN.

I SAID I WANTED RIBS. I DIDN'T WANT CHICKEN.

WELL, UH, WHY DIDN'T YOU JUST ORDER THE RIB COMBO?

I DIDN'T WANT THE RIB COMBO.

I WANTED THE CHICKEN COMBO, BUT WITH RIBS.

RIBS.

OH. WELL, YOU FUCKED UP, THEN.

Frank: JAMES, WHAT DID YOU JUST SAY TO THIS CUSTOMER?

NOTHIN'.

HE SAID I FUCKED UP.

WHAT DID YOU SAY, SON?

I'M SORRY, DID YOU JUST CALL ME SON?

YEAH.

WELL, FOR CRYIN' OUT LOUD, PA.

I DIDN'T KNOW YOU WAS MY MOTHERFUCKIN' DAD.

KEEP IT DOWN, OK?

LOOK, I GAVE YOU AN OPPORTUNITY.

LET'S TALK OVER HERE FOR A SECOND.

HOLD ON. AWAY FROM THE CUSTOMERS, DOGG.

I DON'T WANNA INVOLVE HER, YOU KNOW WHAT I'M SAYIN'?

WHAT'S YOUR PROBLEM?

I DON'T WANNA INVOLVE THAT FUCKIN' BITCH OVER THERE!

OR YOU! WHY DON'T YOU MOP UP THE MOTHERFUCKIN' FLOOR, DOGG?

LET'S GET THESE PEOPLE OUT. LISTEN, MOTHERFUCKER,

I'M SICK AND TIRED OF YOUR FUCKIN' BULLSHIT, DOGG!

FUCK THIS WHOLE FUCKIN' PLACE, MAN.

YOU'RE RIPPING ME OFF LIKE I'M SOME LITTLE FUCKIN' PUNK BITCH.

FUCK THAT! MOTHERFUCKER!

I'M IN SOME FUCKIN JAIL BULLSHIT, MOTHERFUCKER!

I'M OUT OF THIS FUCKIN' PIECE OF SHIT.

GABLE, DON'T THINK I'M NOT COMING

FOR MY MOTHERFUCKIN' MONEY, DOGG.

[BELL ON DOOR RINGS]

YO, MAN, WHAT THE FUCK, DUDE?

YO, I WAS ABOUT TO DROP THAT FOOL, DOGG.

MAN, FUCK THAT JOB.

UHH! FUCK THAT SHIT!

YO, DON'T EVEN SWEAT THAT, MAN.

WE GONNA MAKE LOOT, A'IGHT?

Flip: I'M GONNA WIN THIS TALENT SHOW

RIGHT NOW, DOGG.

TAKE THE MONEY, DO SOME REAL BUSINESS.

* I'M CRYIN'

* I'M ON A 2-WAY STREET

* THERE'S A BOY

* HE'S ON MY MIND

OH, YOU MISSED! YOU GOTTA BUST 'EM!

OH, MAN, WHAT THE--

HEY, WHAT THE HELL! HEY!

YOU GUYS CAN'T DO THAT! GET OUT OF HERE!

A'IGHT?

W'SUP?

* MOM SAYS HE'S NOT COUNTRY *

[CONTINUES SINGING]

WHAT'S UP, MAN?

WHAT YOU LOOKIN' AT, MAN?

Flip: BRING IT, Y'ALL.

WHAT?

[APPLAUSE]

YO, I KNOW EVERYBODY'S BEEN WAITIN' A LONG TIME FOR THIS,

SO I'M GONNA ROCK THAT HOUSE FOR Y'ALL.

SO HERE WE GO.

* YO, YES, YES, Y'ALL

* YES, YES, Y'ALL, TO THE BEAT *

* YO, Y'ALL DON'T STOP, ONE *

* SMILE, CHI-TOWN CHICAGO IS WHERE I COME FROM *

AH, IT'S KHALID.

* 'CAUSE I COME FROM THE LAND OF WISDOM AND KNOWLEDGE *

HE'S KINDA PHAT. I NEVER HEARD HIM RAP BEFORE.

MAN, SHUT UP, MAN.

HE AIN'T NO AFRICAN KING.

MAN, FLIP, YOU GONNA TAKE THIS SHIT, DOGG.

MAN, Y'ALL DON'T KNOW SHIT.

WE ALL GOT AFRICAN KINGS IN OUR BLOOD, FOOL.

MAN, YOU GOT WATERMELONS IN YOUR BLOOD, DOGG.

MAN, SHUT UP.

WHAT?

I'M GONNA WIN THIS MONEY.

THAT'S THAT MOTHERFUCKER THAT WAS TALKING SHIT.

WHAT'S UP, JAMES?

WHAT'S UP, MIKE?

WHAT'S UP WITH YOUR BOY HERE?

LOOK LIKE A GANGBANGER WITH THOSE FUCKING PANTS.

WATCH OUT, MAN. HE'LL GET HIS PEOPLES COME HERE AND GANK US.

OH, YOUR PEOPLES?

YOU SUPPOSED TO BE VICE-LORD OR SOMETHIN', YOU FOLKS?

MAYBE WE ARE. MAYBE YOU ARE WHAT?

G.D., VICE-LORD. W'SUP?

WHAT THE FUCK IS YOUR CREW, THE FUCKIN' MARSHMALLOW POSSE?

OH, WHAT'S YOURS,

THE DRUNK NORWEGIAN SLAVEMASTER MOTHERFUCKERS?

YOU BETTER STOP TALKIN' SHIT, FORREST GUMP.

YOU STILL BANGIN' YOUR SISTER?

FUCK THAT SHIT!

BREAK IT UP!

KICK HIS ASS! BREAK IT UP!

* TURN AROUND, LOOK AT ME, LOOK AT ME *

* 'CAUSE THESE LOOSE STUPID INGRATES CAN'T SEE *

BREAK IT UP!

HEY, WHAT? WHAT? YEAH!

BREAK IT UP!

COME ON, MAN. WHAT THE FUCK?

GO ON, GO ON.

THERE GOES THE PRIZE MONEY, FOOL.

SHIT.

MAN, SHUT THE FUCK UP, DOGG.

YOU ALWAYS TALKIN' SOME BULLSHIT.

MOTHERFUCKERS ARE STUPID, MAN.

LOOK WHERE WE ARE, MOTHERFUCKER.

IF WE WAS IN CHICAGO, MAN...

YOU DON'T EVEN KNOW THE HALF.

YOU GO THERE, AND YOU SEE THE FUCKING TRUTH.

WORD UP.

YOU ON SOME TRIP.

I'M DOWN WITH YOU, DOGG, BUT THAT'S SOME--

I KNOW, MAN, YOU MY NIGGA.

I'M NOT SAYIN'-- I'M NOT TRYIN'--

DON'T FUCKIN' TOUCH MY ASS, BITCH.

[BLOWING IN BOTTLE]

WHY YOU FUCKIN' LAUGHIN' AT HIM?

FUCKIN' DOGG.

[COW MOOS]

THAT'S YOUR MOM.

YEAH, BABY!

THAT'S TREVOR'S MOMS.

SHE'S CALLING YOU FOR DINNER.

YO, THEY'RE ANSWERING TO MY SHIT, DOGG.

* NOW, IF YOU'RE DOWN WITH THIS SHIT, SAY, HELL, YEAH *

* IF YOU'RE DOWN WITH SOOPAFLY SAY, HELL, YEAH *

* IF YOU'RE DOWN WITH NAKED CHICKS SAY, HELL, YEAH *

* IF YOU'RE DOWN FOR SMOKING SHIT, SAY, HELL, YEAH *

* IF YOU LIKE TO GET HIGH, SAY, HELL, YEAH *

* IF YOU LIKE THE GANG BOOGIE, SAY, HELL, YEAH *

* IF YOU LIKE TO GET RICH, SAY, HELL, YEAH *

* IF YOU LIKE TO FUCK A BITCH, SAY, HELL, YEAH *

CHILL, DOGG.

MOTHERFUCKER, MAN.

DO IT, MAN.

OW! FUCKIN' SHIT, MAN!

UHH!

FUCKIN' HELL, YEAH!

WHAT ARE YOU TALKIN' ABOUT, MAN? UHH!

THAT SHIT IS FUCKIN' PIMP RIGHT THERE.

UHH!

SHIT.

SHIT.

YO, THAT SHIT IS NICE, MAN.

YO, WHERE'S MY NEXT JOINT, DOGG?

ONE MORE, DOGG. ONE MORE.

FUCK, MAN, HURRY UP!

DO IT, MAN.

DO IT, FLIP.

READY, DOGG?

UHH.

AAH!

OH, FUCK.

Trevor: THAT SHIT HAS GOT TO STING.

HELL, YEAH, MAN. WHAT THE FUCK YOU THINK?

FUCKIN' SHIT, MAN.

James: WHAT'S THE FUCKIN' DEAL?

THAT SHIT IS REAL.

WHAT IS UP?

UHH!

YO, WAIT, HOLD ON, THOUGH.

YO, YOU GOTTA...

[LAUGHING] BLOWIN' ON THAT SHIT, MAN.

THAT SHIT IS REAL.

YO, DOGG, THAT SHIT IS NICE.

YOU GOT TO KEEP THIS ON THE SHIT

FOR, LIKE, A COUPLE OF DAYS.

ALL RIGHT, MAN.

KEEP IT LATHERED UP.

I NEED ANOTHER 40 AFTER THAT SHIT, MAN.

LEAVE THAT SHIT ALONE, DOGG.

THAT SHIT IS FUCKIN' PIMP.

YEAH. WHAT THE DEAL? UHH.

WHOA, PLAYER.

W'SUP, KHALID? W'SUP, DOGG?

I DIDN'T KNOW YOU WAS ROLLIN' UP.

WHAT'S THE DEAL, MAN?

YO, I GOTTA GIVE YOU MAD PROPS

FOR THAT RHYME YOU KICKED AT THE FAIR, MAN.

THAT SHIT WAS PHAT, NIGGA.

WHAT?

YOU NEED TO WATCH YOUR MOUTH, MAN.

OH, CHILL, MAN, I DON'T MEAN TO DISRESPECT.

YOU KNOW, IT'S ALL GOOD.

WE ALL BROTHERS HERE, RIGHT?

TCH. WHATEVER, DOGG.

AW, CHILL, MAN, FOR ONE SECOND.

I WANT TO DO A LITTLE BUSINESS WITH YOU.

COME ON, KHALID.

YO, MAN, I WAS THINKING, RIGHT?

YOU KNOW, I'M SAYIN'...

KHALID, MAN? WHAT?

YO, YOU KNOW HOW I ROLL, RIGHT?

YEAH, DOGG.

I WAS THINKIN', MAN, YOU KNOW, WHY DON'T YOU, YOU KNOW,

LIKE, HOOK ME UP WITH YOUR OLD SET OR WHATEVER?

MY OLD SET? DOGG, WHAT YOU TALKIN' ABOUT?

I'M SAYIN', MAN, LIKE, YOU KNOW...

I KNOW WHEN YOU WAS GROWIN' UP IN CHICAGO,

YOU USED TO KICK IT WITH THE DISCIPLES,

OR, LIKE, YOU WERE DOWN WITH THEM OR SOME SHIT.

THE DISCIPLES? UH, NAH.

I MEAN, YEAH. I MEAN, I KNEW SOMEBODY.

I MEAN, MY COUSIN KNEW SOMEBODY WHO KNEW SOME--

I DON'T KNOW IF THAT MEANS KNOWIN' SOMEBODY.

I'M SAYING...

I BEEN MEANING TO TALK TO YOU ABOUT SOMETHING.

HANDLE YOURS, DOGG.

ABOUT WHAT?

EXCUSE ME, IT'S IMPORTANT.

I JUST BURNED MY DAMN ARM FOR YOU. THAT'S NOT IMPORTANT?

YOU SEE I'M HAVING A CONVERSATION RIGHT HERE.

WHY YOU WANNA ACT LIKE A DUMB TRICK NOW?

YO, DOGG, THAT WAS UNCALLED FOR, DOGG.

OH, CHILL, MAN. IT'S ALL GOOD, A'IGHT?

DON'T WORRY ABOUT THAT, MAN.

YO, CHECK IT, KHALID, MAN.

I'M SAYIN', I'M MOVING UP TO CHICAGO, RIGHT?

AND I WAS WONDERING IF YOU COULD JUST HOOK ME UP

WITH YOUR HOMEYS.

SOME OF MY HOMEYS?

YEAH, YOU KNOW, YOUR PEOPLES OR WHATEVER.

YOU KNOW, YOUR BOYS, I MEAN...

I FIGURED YOU COULD HOOK ME UP WITH YOUR CREW,

AND, LIKE, YOU KNOW, I COULD GET SOME MATERIAL

FOR MY RHYMES OR WHATEVER, KEEP IT REAL.

SO YOU JUST GONNA GO UP THERE?

THAT'S WHAT I'M SAYIN', MAN.

HOOK ME UP WITH, LIKE, A PHONE NUMBER

OR SOME MOTHERFUCKIN' SHIT.

A'IGHT.

A'IGHT! THAT'S ALL I'M SAYIN'! KHALID!

YEAH. UHH!

IGBT!

WHAT?

YOU'RE JUST A CRAZY MOTHERFUCKER, MAN.

* RAMPAGE UP IN THE HOUSE

I NEED SOME ALOE VERA UP IN THIS MOTHERFUCKER.

[RAP MUSIC PLAYING]

AAH!

WHAT'S UP?

WHAT'S MY NAME? JAY, DID YOU SAY JAY?

WHA-WHAT'S MY NAME?

I'LL SAY JAY. WHAT'S MY NAME?

YOUR NAME IS, YO-- UH, WHATEVER, DOGG.

[LAUGHING]

WHAT THE FUCK?

YOU DON'T EVEN KNOW MY NAME.

I KNOW YOUR FUCK--I KNOW YOUR FUCKIN' NAME.

YO, YOUR NAME IS SHEILA E. AND SHIT.

NO.

I SWEAR TO GOD. OHH!

[RAP MUSIC PLAYING]

[MUSIC STOPS]

HEY, WHAT YOU DOIN', DOGG?

Girl: WHAT ARE YOU DOIN'?

Girl: WHAT ARE YOU DOING, FLIP?

Girl: COME ON, COME ON.

[MUSIC PLAYING]

UHH.

WHAT THE FUCK, MAN?

FUCK THE BULLSHIT. YOU KNOW WHAT I'M SAYIN'?

I'M TRYING TO GET DOWN FOR THIS.

CHECK IT OUT, RIGHT? UHH!

W'SUP?

* HEY, FLIP DOGG ON THE MIC *

* WHILE KEEPIN' IT REAL

* MOTHERFUCKERS KNOW MY DEAL *

* SO WHAT'S THE STEAL

* IN MY POCKET, ON THE MICROPHONE *

* I ROCK SHIT

* YEAH, I'M CAUSIN' MAD PROSTITUTIONS *

* WE PLUS A 40 EQUALS MY REVOLUTION *

* UHH, MOTHERFUCKER, YEAH

* YOU KNOW HOW WE DO *

* WHAT, BABY? YEAH!

[CHEERING]

YOU KNOW WHAT I'M SAYIN'?

IGBT, BIOTCH! UHH!

WHAT?

WHITE PEOPLE.

HI. YOU LIVE HERE? OH, SHIT!

I GUESS NOT. OK, LET'S GO, EVERYBODY.

THIS PARTY'S OVER.

OUT THE FRONT DOOR THERE, LITTLE LADY.

WATCH OUT. MOVE OVER. PUT IT OUT.

YO, TREVOR, LET'S GO! GET RID OF IT!

GET RID OF IT! GET RID OF IT!

HERE. SARA, TAKE THIS.

FLIP, I AIN'T TAKIN' IT.

NAH, TAKE IT. SARA, JUST TAKE THE WEED.

Cop: IT SMELLS LIKE A DOPE PARTY.

WHO OWNS THIS HOUSE?

DOPE ON THE TABLE RIGHT HERE.

WHAT'D I DO?

YO, OFFICER, WHAT'S YOUR PROBABLE CAUSE?

YOU CAN'T DO THIS! WHAT YOU ARRESTING ME FOR?

HEY, POLICE BRUTALITY, Y'ALL. WHAT THE DEAL, MAN?

BACK OFF AND LET HIM DO HIS JOB.

THERE'S 150 MOTHERFUCKERS UP IN HERE.

YOU ARREST A BLACK MAN.

PUT YOUR HANDS UP ON TOP OF THERE.

HEY, NAH. YO, RACIST-ASS PIGS.

I WILL BREAK YOUR ARM.

A'IGHT, MAN, A'IGHT. DON'T TOUCH MY ARM, MAN.

IT GOT A TATTOO. IT'S SENSITIVE.

PUT THE OTHER ONE BEHIND YOUR BACK.

WHAT'D I DO? THIS IS BULLSHIT!

WHAT THE FUCK? YOU FUCKIN' MOTHERFUCKERS, MAN?

I DIDN'T DO SHIT!

WHAT ARE WE GONNA DO?

GET BACK IN HOUSE!

FUCK THE MOTHERFUCKIN' POLICE!

SHUT UP! GET BACK IN THE HOUSE.

YO, TREV, DON'T CALL MY MOM, MAN!

Trevor: GET BACK IN THE HOUSE.

Cop: EVERYBODY BACK IN THE HOUSE NOW.

YOU, IN THE HOUSE.

WATCH MY ARM, BITCH.

SHUT UP AND GET IN THE CAR.

WATCH MY FUCKIN' ARM, DICK. DAMN!

[DOOR SLAMS]

I CAN SEE MY MOMS GONNA KICK MY ASS, MAN.

I CAN'T BE IN JAIL, MAN. I START CLASSES NEXT WEEK, MAN.

FUCKIN' COPS, MAN!

FUCK IT, MAN. IT'S ALL GOOD.

NO, NO, THIS IS NOT ALL GOOD.

WHAT THE FUCK ARE YOU TALKING ABOUT?

I'M IN THIS THING WITH DRUNKS AND REDNECKS, MAN.

IF THIS GETS ON MY RECORD, I'M NOT GETTING INTO LAW SCHOOL.

YOU ACTIN' LIKE IT'S YOUR LIFE AND SHIT, MAN.

THIS IS MY LIFE, MAN. WHAT ARE YOU TALKIN' ABOUT?

CHILL, MAN. I'LL SAY I DID THIS SHIT, A'IGHT?

WHAT SHIT? WHATEVER, DUDE.

WHATEVER THEY SAY WE DID, I DID IT, A'IGHT?

IT'S ALL GOOD.

OH, REALLY? REALLY? YOU WOULD DO THAT SHIT?

YOU KNOW WHAT I'M SAYIN'?

BROTHERS GOT TO STICK TOGETHER AND SHIT, A'IGHT?

YO, MAN, HOLD UP, MAN.

WHY YOU ACT LIKE YOU'RE BLACK?

ACT? I DON'T ACT LIKE NOTHIN', MAN.

DON'T LET MY SKIN CONFUSE YOU, A'IGHT?

OH, SO WHAT YOU'RE SAYING IS YOU GOT BLACK IN YOUR FAMILY?

NO, MAN, I'M SAYING IT'S ON THE INSIDE, THOUGH.

[SCOFFS] LOOK, MAN, I WAS WONDERING, MAN,

ALL THEM YEARS WHEN WE WEREN'T HANGING OUT,

YOU DRESSED AND ACTED COMPLETELY DIFFERENT THAN YOU DO NOW.

YEAH, BUT THOSE WERE MY IGNORANT DAYS, MAN.

SEE, TO ME, BLACK IS THE DOPE SHIT, YOU KNOW.

LIKE, PEOPLE THAT'S DESCENDED

FROM KINGS AND QUEENS OF AFRICA

AND VICTIMIZED BY WHITE DEVILS

FOR OVER 400 YEARS, MAN.

YO, DOGG, WHAT ARE YOU TALKIN' ABOUT?

WHAT ABOUT YOUR GIRL?

AND WHAT ABOUT TREVOR AND YOUR BOY JAMES, MAN?

THEY--THEY DEVILS, TOO? IS THAT WHAT YOU SAYIN'?

NAH, THEY COOL PEOPLES, MAN.

I MEAN, THEY BEEN DOWN WITH ME FROM YEA HIGH,

BUT JAMES GOT SOME PROBLEMS STILL,

BUT I'M TRYIN' TO HELP HIM SEE THE LIGHT, YOU KNOW?

OH. OH, YOU'RE GONNA HELP-- YEAH, YOU'RE RIGHT.

YOU'RE GONNA HELP HIM SEE THE LIGHT.

YO, KHALID, MAN, SO YOU GONNA HOOK ME UP

WITH SOME OF YOUR PEOPLES IN CHICAGO, RIGHT?

MAN, YOU DON'T GET IT, DO YOU?

YOU DON'T UNDERSTAND, MAN.

IF YOU DIDN'T STEP TO THEM COPS WHEN YOU DID,

DO YOU REALIZE YOU WOULDN'T BE HERE?

I'D BE THE ONLY ONE IN HERE ALONE?

NAH, BUT THEY WANT ME TO ACT LIKE A GOOD OLD BOY.

I AIN'T GONNA DO THAT SHIT.

I MEAN, THAT'S WHY I'M IN HERE.

COPS WANNA HARASS A BROTHER AND SHIT.

A BROTHER? OH, A BROTHER.

I'M A BROTHER, MAN! THEY WERE HARASSING ME!

HEY, YOU. YOUR PARENTS ARE HERE. LET'S GO.

COME ON OUT. YOU'RE WASTING MY TIME.

LET'S GO. YOU WANNA BE HERE ALL NIGHT?

YO, MAN, I'M GONNA BE OUT OF HERE SOON, A'IGHT?

YOU KEEP IT REAL, A'IGHT? I'LL TALK TO YOU LATER.

I'M COOL, MAN. EVERYTHING'S CHILL.

WHAT? TCH.

YEAH. IGBT UP IN THIS MOTHERFUCKER, YOU KNOW?

YEAH.

I SAY, REAL NIGGERS STAY LOCK DOWN EVERY DAY,

KEEPIN' IT REAL.

WHAT, MOTHERFUCKER? UHH!

TCH.

RACK 10.

FLIP DOGG, WHAT'S UP, BABY?

OH, SNOOP, MAN.

COME ON IN HERE, BABY. MAKE YOURSELF AT HOME, MAN.

SIT THAT SHIT DOWN. WELCOME TO THE CRIB.

YO, IT'S GOOD TO SEE YOU, MAN.

WHAT YOU IN HERE FOR, FLIP DOGG?

YOU DONE MURDERED SOMEBODY OR SOMETHING?

HELL, YEAH. I MURDERED EVERYBODY, MAN.

* POSTED UP WITH FLIP DOGG *

* TRYIN' TO GET US SOME Ns *

* YOU KNOW IT'S A TRUE THING *

* AND YOU KNOW IT'S A FACT *

* FLIP DOGG BUST YOUR RAP *

* ON HOW THEY LOCK UP BLACKS *

* I SAID AMERICA SINS AGAINST YOUNG CITIZENS *

* DE-EDUCATE US AND THROW US INTO BINS *

* A COUPLE YEARS LATER COME OUT COMMITTING SINS *

* ASSAULTING FOREIGNERS, BUSINESSMENS, AND EVEN KINS *

* THE MO MONEY IN JAILS, THE MO MONEY IN RAP *

* SO IF YOUR ASS IS HAVIN' MONEY *

* AND YOU THINK YOU ALL PHAT *

* YOU BETTER GET UP OUT OF TOWN *

* 'CAUSE YOU MIGHT GET JACKED *

* AND THAT'S REAL LIKE DAT *

* UHH, UHH * JUST LIKE DAT

* YOU MIGHT GET JACKED WITH A BID *

* THAT'S LONGER THAN YOUR AGE *

* AND YOU WON'T EVEN MAKE IT TO THE FRONT PAGE *

* I SAY EVERYBODY KNOW THAT I'M THE DOGG NAMED FLIP *

* AND IF A BUSTER SAY SHIT, THEN I'M BUSTIN' THEY LIP *

* BI-ITCH

* YEAH, YOU KNOW WHAT I'M SAYING? *

HELL, YEAH.

OH, YEAH.

I'M READY TO BUST SHIT.

TAKE ALL THESE MOTHERFUCKERS, YOU KNOW?

KNOW WHAT I'M SAYING? ME AND SNOOP.

WHAT THE FUCK?

YEAH, HOW MUCH MONEY WE GOT THIS WEEK?

MUCH, MUCH.

HAVE SOME OF THE STRAWBERRIES.

OH, THANK YOU, SNOOP.

I'M HUNGRY.

YO, GUARD, BRING THEM TRAYS OVER HERE, MAN.

DAMN, MAN.

YO, LET'S SEE THOSE SHRIMP RIGHT THERE, MAN.

MMM. THOSE LOOK KINDA GOOD.

YOU DOWN FOR SOME SHRIMP?

WHEN ARE WE GETTING LOBSTER, MAN?

THROW ON SOME OF THAT CHEESE, MAN.

PULL THAT CHEESE OFF, MAN.

YEAH. OH, THAT'S THAT CHEESE FROM FRANCE RIGHT THERE.

THAT EXPENSIVE CHEESE.

I'M THIRSTY, MAN. WHAT'S UP?

WHAT THE FUCK IS THAT?

WHAT THE HELL KIND OF CHAMPAGNE IS THIS, MAN?

THAT'S BULLSHIT, DOGG.

1968. THAT WAS A BAD YEAR.

FUCK. WHAT, ARE YOU STUPID, MAN?

[PRISONERS CHEERING]

Woman on P.A.: PRICE CHECK, AISLE 9.

PRICE CHECK ON AISLE 9.

WE NEED A BAGGER UP AT REGISTER 3.

REGISTER 3 NEEDS A BAGGER.

WHY?

FLIP, WHY DO YOU WANT TO DO THIS?

YOU MAKE ME LOOK LIKE A FOOL.

DISRESPECT YOUR FATHER.

NOW I GOTTA FETCH YOU OUT OF JAIL.

THE COPS WAS BEING RACISTS.

I DON'T GIVE A DAMN.

I WON'T TOLERATE YOUR BEING IN JAIL.

I HAD TO SAY SOMETHING TO THE COPS.

YOU KNOW, I HAD TO REPRESENT.

WHO THE HELL ARE YOU REPRESENTING,

FIGHTING WITH THE POLICE?

HUH?

ARE YOU PAYING FOR THAT?

IT'S JUST GUM, MAN.

IT COSTS MONEY.

FLIP, DO I LOOK LIKE I'M RICH TO YOU?

LIKE I CAN JUST PULL MONEY OUT OF THE AIR?

NO. I HAVE TO PAY WITH THESE.

AND THESE DON'T BUY GUM,

SO PUT IT BACK UNLESS YOU'RE PAYING FOR IT.

Y'ALL FUCKIN' LOSE SOMETHING OVER HERE, MAN?!

[KNOCKS ON DOOR]

SARA, YOUR BOYFRIEND IS HERE!

WHAT HAPPENED?

IT'S COOL.

I MEAN, I'M FREE.

HOW'S YOUR ARM?

IT'S ALL RIGHT.

I CAN'T BELIEVE YOU DID THAT.

COME ON. YOU KNOW I HAD TO REPRESENT.

YOU'RE MY WOMAN.

SARA, HONEY, YOU'RE NOT GOING OUT TONIGHT.

WE'RE JUST TALKING.

YOUR MOTHER AND I WANT YOU TO COME INSIDE.

WHY?

SARA! WHAT?

THEY DON'T LIKE ME, HUH?

YOU DON'T TRY SO HARD.

YOU KNOW, I GOTTA KEEP IT REAL.

FLIP.

HONEY, I MISSED MY PERIOD.

WHAT?

I MEAN...

I THINK THAT...

[SCREEN DOOR OPENS]

HONEY, COME INSIDE.

CALL ME TOMORROW.

YEAH, LIKE THIS!

UHH!

PUT THAT SHIT AWAY, DOGG.

WHAT YOU WORRIED ABOUT, TREV?

AIN'T NOBODY GONNA HEAR US.

WE LIVE IN FUCKIN' IOWA.

YEAH, WHAT? BREAK YOURSELF, NIGGER!

YOUR ASS IS A REAL BITCH, MAN.

I'LL TAKE YOUR SHIT RIGHT NOW.

WHAT? OH, YEAH? SAY SOMETHING.

SAY SOMETHING, FUCKER, WHAT?

YEAH.

YEAH.

SHIT.

YO, MAN, WHAT THE FUCK IS UP

WITH THIS NEXT JOINT, DOGG?

WHAT'S UP WITH THIS HERB, MAN?

I DON'T KNOW.

[DOG BARKS]

YO, THINK ABOUT WHERE

WE GET OUR INDO FROM, RIGHT?

OUR WEED, MAN! OUR FUCKIN' SMOKE!

GEORGE TATE GROWS THAT SHIT ON HIS FARM.

HE'S PAID LIKE A MOTHERFUCKER.

Trevor: WE AIN'T GROWIN' NOTHIN', MAN.

FUCK GROWIN' WEED, MAN.

I'M SAYIN' WE GOTTA GET SOME OTHER SHIT.

BUT WE DON'T KNOW NOBODY

WITH NO OTHER SHIT, DOGG.

YES, WE DO.

WE KNOW SOMEBODY IN CHICAGO.

WE DO?

[CLICK CLICK CLICK]

WHO WE KNOW IN CHICAGO, DOGG?

[DOG BARKS]

YO, WHAT'S UP, PLAYER?

WHAT'S UP, DOGG? WHAT'S GOING ON?

WHAT'S UP, Y'ALL?

YOU DIDN'T TELL ME YOU WERE BRINGIN' THE WHOLE CREW.

AW, YOU KNOW HOW I ROLL.

IS ANYONE CHEWING GUM?

Flip: NO. ALL RIGHT,

BUT THIS IS HOW IT'S GONNA GO DOWN, Y'ALL.

YOU GOTTA TAKE OFF YOUR HATS AND YOUR SHOES,

'CAUSE MY MOMS AIN'T HAVIN' NOBODY

STEP ON HER RUG, ALL RIGHT?

Sara: OHH.

Flip: ALL RIGHT. CHECK THIS OUT.

STATUES. KHALID, YOU LIVIN' LARGE.

OH, SNAP. YO, WHAT'S THIS, YO?

YOUR MOM. THEY GOT A STATUE OF YOUR MOM.

THAT'S YOUR MOMS, YO.

YO, PUT ON B.E.T. RAP CITY IS ON, MAN.

I WANNA SEE THAT WUTANG VIDEO. WORD.

THAT AIN'T THE ONE, MAN. THAT'S NOT FOR THE TV.

WHICH FUCKIN' ONE IS IT, DOGG?

YO. WHAT'S UP?

YOU TRYING TO START THE STEREO?

YO, IT'S THAT ONE, DOGG.

YO, RAP CITY IS ON RIGHT NOW.

NO, NO, IT'S THE O--

RAP CITY. Mom: KHALID.

YEAH?

Mom: KHALID.

LET ME TALK TO YOU FOR A MINUTE.

Flip: IT'S THIS ONE RIGHT HERE.

YEAH?

YOU DIDN'T TELL ME YOU WERE HAVING COMPANY.

WHO ARE THESE WHITE KIDS?

THEY'RE JUST SOME OF MY FRIENDS, MA.

NOT THE FRIENDS THAT GOT YOU IN TROUBLE WITH THE POLICE?

HEY, Y'ALL, THIS IS MY MOM.

MOM, THIS IS FLIP, SARA, JAMES, AND TREVOR.

THIS IS MY MOM.

HOW YOU DOING, MRS. ROBERTSON?

I'M GLAD TO SEE YOU ALL HAVE YOUR SHOES OFF.

OH, YEAH, YOU KNOW, KHALID TOLD US

YOU AIN'T HAVIN' NO SHOES UP IN YOUR HOUSE.

I CAN RESPECT THAT. YOU KNOW WHAT I'M SAYING?

ARE YOU CREOLE, FLIP?

AM I WHAT?

YOUR ACCENT.

IT SOUNDS LIKE YOU'RE FROM LOUISIANA.

OH, NAH. I'M FROM HERE.

YOU KNOW, THAT'S JUST STRAIGHT-UP GHETTO SLANG.

YOU KNOW WHAT I'M SAYING?

IF YOU ALL WOULD LIKE SOMETHING TO EAT OR DRINK,

THERE'S CHIPS AND POP IN THE KITCHEN.

[DOOR CLOSES]

YO, KHALID, YOUR MOM'S KIND OF COOL, MAN.

YEAH, YEAH, DUDE.

YO, WE GOIN' TO CHICAGO RIGHT NOW. YOU DOWN?

CHICAGO? NO, DOGG, I CAN'T DO THAT.

I GOT COLLEGE NEXT WEEK, MAN.

I GOT A LOT OF STUFF I GOTTA DO.

THAT'S WHAT I'M SAYING.

YOU WANT TO PARTY BEFORE YOU GO?

JUST HOOK US UP, MAN. YOU PROMISED.

BUT I GOTTA PICK UP MY COMPUTER, I GOTTA GET STUFF DONE,

AND MY MOMS AND ME GOTTA SHOP, DOGG.

LOOK, KHALID, I DON'T MEAN TO BUST ON YOU, MAN,

BUT SOME PEOPLE MIGHT SAY YOU'RE A BITCH.

WHAT? I AIN'T NO BITCH.

FLIP, YOU KNOW THAT, DOGG.

I AIN'T SAYING YOU ARE.

I'M JUST SAYING YOU ALWAYS BE STUDYING

AND STUFF LIKE THAT, MAN.

YOU NEVER SEEM TO REALLY GET DOWN FOR YOURS.

I MEAN, IF YOU WASN'T A BITCH,

YOU'D BE UP THERE IN A MINUTE.

ALL THEM HONEYS UP THERE?

RIGHT.

MAD HONEYS, YO.

ALL RIGHT.

ALL RIGHT? THAT'S WHAT I'M SAYING, MAN!

SHH! THAT'S MY MOM UP THERE, MAN.

I DON'T WANT HER TO KNOW WHAT WE'RE DOING.

NO DOUBT, NO DOUBT, ALL RIGHT.

SO, LOOK, I'LL GO CHANGE.

ALL RIGHT. IT'S ALL GOOD.

MAKE SURE THEY DON'T TEAR UP MY PLACE.

YO, MAN, GET YOUR FEET OFF MY TABLE, DOGG!

...FUCKERS IN THAT FUCKING RACK, DUDE.

YO, AND IT'S THE THIRD ONE.

WHICH THIRD ONE?

WHAT THE FUCK IS THE THIRD ONE, DOGG?

DON'T CURSE IN HIS HOUSE, BITCH.

ALL RIGHT, DOGGS, WE OUT.

YO, OUT? WHERE WE GOIN'?

UPTOWN, BABY. CHICAGO.

YO, FLIP.

YO, FLIP.

CAN I JUST TALK TO YOU FOR A SECOND,

LIKE IN PRIVATE?

WHAT'S UP?

WE NEED TO TALK.

KICK IT. I'M LISTENING.

WHAT DO YOU WANT ME TO DO, FLIP?

I'M SAYING COME WITH US, YO.

THAT'S NOT WHAT I'M TALKING ABOUT.

WHAT, THEN?

WHAT THE HELL DO YOU THINK?

WHAT ARE YOU GONNA DO IN CHICAGO?

I'M SAYING KHALID'S GONNA HOOK US UP.

YOU JUST DON'T GET IT, DO YOU?

GET WHAT?

THIS! I TOLD YOU

ABOUT WHAT IS HAPPENING HERE.

COME ON. DON'T EVEN PLAY ME LIKE THAT.

YOU THINK I DIDN'T THINK ABOUT THINGS?

I FIGURED, YOU KNOW, WE SHOULD GET MARRIED,

GET OUT OF IOWA.

I WANNA BE MY KID'S FATHER.

I'M HAVING AN ABORTION.

OHH.

WHAT?

YOU HEARD ME.

WHAT KIND OF FATHER YOU GONNA BE?

A WANNABE DRUG DEALER?

I THINK YOU NEED TO LOWER YOUR VOICE.

I THINK YOU NEED TO STOP ACTING LIKE AN ASSHOLE.

YOU AND YOUR CREW ARE JUST A BUNCH OF WHITEBOYS

RUNNING AROUND PRETENDING YOU'RE BLACK.

YOU DON'T EVEN KNOW WHAT BLACK IS.

YOU NEED TO STOP TALKIN' SHIT, BITCH!

I AM BLACK!

YEAH, GO AHEAD, GANGSTA MAN.

THAT'S ALL YOU GOT.

WHAT'S UP?

LET'S GO!

LET'S GO, Y'ALL!

Trevor: CHILL, MAN. LET EVERYBODY GET IN THE TRUCK.

[STARTS ENGINE]

[RAP MUSIC PLAYING]

* YO, FOR ALL THE PALE WHITE HORSES *

* ON THE DEFFEST COURSE

* BEEN WATCHING MTV

* READING ARTICLES IN THE SOUR CE *

* LOST ON THE OTHER SIDE OF THE RIVER *

* WHERE DEATH APPROACHES THE LIVEST NIGGER *

* I WONDER WHY THIS WIGGER

* WOULD EVEN COME AROUND MY TILL *

* WHERE GRANDMOTHERS CRY, UNCLES GET HIGH *

* AND CAPS GET FILLED, YO, YO, YO *

James: WHAT THE FUCK?

BLUNT, PLEASE.

YO, THEY GOT THE REAL SHIT UP HERE.

YOU KNOW WHAT I'M SAYING?

HELL FUCKIN' YEAH, DOGG.

I SAY WE JUST GET IT

AND THEN FIND A PARTY, ALL RIGHT?

James: NO. WE GET THAT SHIT,

AND WE GET THE FUCK OUT OF DODGE, DOGG.

G-G-GET WHAT?

WHAT THE HELL ARE Y'ALL TALKING ABOUT?

YO, MAN, WE GONNA GET SOME BLOW

AND SHIT LIKE THAT, KNOW WHAT I MEAN?

WHAT?

Y'ALL CAME TO-- WHOA, WHOA, WHOA!

Y'ALL CAME TO BUY DRUGS UP IN THIS MOTHERFUCKER?

NO. FUCK THAT. YO, I AIN'T WITH THAT.

FUCK IT. YO, OPEN THE DOOR, MOTHERFUCKER. LET ME OUT.

YO, KHALID, MAN, COME ON.

YOU DON'T GOT TO DO NOTHIN' OR SAY NOTHIN'.

JUST COME WITH US. JUST BE THERE.

I DON'T NEED THIS SHIT!

YOU'RE LIKE A LITTLE FUCKIN' BITCH.

JAMES, SHUT THE FUCK UP, MAN.

KHALID, LOOK, MAN, WE CAME ALL THE WAY UP HERE.

COME ON, MAN.

ALL RIGHT, BUT YOU MAKE THIS SHIT QUICK.

DAMN!

* IN MY VEINS *

* I FEEL THE DAY

* THINGS DON'T CHANGE

OH, SHIT.

YO, YOU SEE THAT SHIT, MAN?

James: I TOLD YOU, MAN. DICKHEAD, MAN.

THAT'S CABRINI GREEN. WORD UP, MAN.

Khalid: OH, SHIT.

* OH, NO *

* THINGS DON'T CHANGE

Flip: YO, KHALID, THIS IS THE SPOT, RIGHT?

* NO, NO, NO, NO, NO

[DISTANT SIRENS]

Woman: Y'ALL BEEN PLAYIN'?

Boy: YEAH.

WHAT Y'ALL BEEN DOIN'?

SOME GIRLS WERE CHASING US.

BEEN DOING WHAT?

CHASING US.

Y'ALL BEEN PLAYING BALL?

EXCUSE ME.

WHAT'S GOING ON?

FUCK, DOGG.

YO, MAN, STRAIGHT UP, MAN,

ANYBODY COMES AT US,

I'M GONNA FUCKIN' BLAST THEIR ASS, DOGG.

YO, STRAIGHT UP, MAN.

THAT'S MY WORD, DOGG. FUCK THAT, MAN.

I AIN'T TRYIN' TO GET FUCKED UP, MAN.

YEAH?

YO, MAN, WE LOOKIN' FOR DARIUS.

WHO THE FUCK ARE YOU?

I'M FLIP, AND THIS IS MY NIGGER KHALID RIGHT HERE--

I MEAN MY HOMEY.

OH, YEAH?

FLIP.

AND KHALID.

SO?

WHAT DO YOU WANT?

WE WAS WONDERING IF, YOU KNOW, LIKE,

YOU COULD HOOK US UP WITH SOME COKE--

WHAT?!

CAINE?

YEAH.

SOME COKE-CAINE?

NO, MAN. JUST CHILL FOR ONE MINUTE.

HOLD UP, MAN. JUST CHILL.

WHY DON'T YOU JUST SLAP THE CUFFS ON ME?

WANT TO COME IN AND SEARCH MY SPOT?

I ALREADY SEEN MY P.O. THIS MORNING,

YOU UNDERSTAND?

I BEEN GOIN' STRAIGHT, MAN.

WE AIN'T COPS, MAN. SEE, CHECK IT.

WE FROM HOLY OAK.

HOLY ROAD?

NO, MAN.

IN IOWA.

I GOT THIS WHOLE BUSINESS--

KEEP YOUR VOICE DOWN, MAN.

YO, JUST GET IN HERE, MAN.

GET THE FUCK IN HERE. MOVE SLOW.

MOVE SLOW, MOVE SLOW.

HOW YOU DOIN'?

Darius: GRANDMA, WE'LL JUST BE A MINUTE RIGHT HERE.

YO, MAN, YOU FROM IOWA?

YEAH.

ARE YOU FROM IOWA?

YEAH, YEAH.

I DIDN'T KNOW THEY HAD BROTHERS IN IOWA.

OH, YEAH, MAN, THEY GOT A LOT--

WELL, NOT A LOT OF 'EM, BUT--

YOU DON'T LIVE IN NO TRAILER PARK. OH, HELL NO.

'CAUSE BLACK PEOPLE AIN'T SUPPOSED TO BE

IN NO GODDAMN TRAILER PARK.

Flip: NO, MAN. HE GOT A STATUE IN HIS HOUSE.

THAT'S WORD.

YO, WHAT YOU BRING THIS WHITEBOY HERE FOR, MAN?

I DIDN'T--

THAT SHIT IS NOT COOL, MAN.

YO, MAN, I KNOW WHAT YOU'RE THINKING, RIGHT?

BUT I AIN'T ONE OF THEM VANILLA ICE FOOLS.

I KNOW WHAT'S THE DEAL, YOU KNOW?

I KNOW WHAT'S UP.

[CLEARS THROAT]

JUST STEP INSIDE FOR A MINUTE.

STEP INSIDE.

Y'ALL ARE COPS.

WHAT?

YOU'RE COPS!

YO, MAN, WE AIN'T COPS, MAN. WE HATE COPS, MAN.

OH, YEAH?

I JUST CAME OUT OF JAIL, MAN, A MONTH AGO.

YOU THINK I NEED THAT AGAIN?

NAW, MAN. WE WAS LOCKED DOWN, TOO.

WORD UP. THAT SHIT WAS PHAT.

YO, MAN, CHECK THIS, MAN.

THIS IS WHAT I'M SAYING, RIGHT?

I GOT THIS OPERATION DOWN IN IOWA, MAN,

AND I'M JUST TRYING TO EXPAND, MAN.

NOT EXPAND, BUT JUST GET MY HANDS

ON SOME MORE SHIT, YOU KNOW?

LIKE SUPPLIES, AND BLOW UP

THE WHOLE MOTHERFUCKIN' SHIT.

NIGGER, YOU CAME TO MY CRIB.

I GOT A SICK GRANDMOTHER IN HERE, MAN.

NO OFFENSE, DOGG. SHE LOOKED GOOD.

WHAT, DO I LOOK LIKE SCARFACE?

NO, MAN, I'M JUST SAYING, YOU KNOW,

LIKE, I'M TRYING TO NETWORK, THAT'S ALL.

AW, MAN, DUDE.

THAT'S OLD, MAN.

NO, DOGG, I'M NOT THAT KIND OF PLAYER NO MORE.

KILLIN' MY PEOPLE, MAN.

BLACK MAN, THAT SOUND GOOD TO YOU?

NO, MAN.

SHIT. IF YOU WANT ME TO POISON SOME PEOPLE

OUT IN IOWA, SOME WHITE FOLKS...

WELL...

FUCK IT.

BUT LISTEN, I'M NOT GONNA PROMISE YOU NOTHIN'.

IF WE DON'T SEE 'EM, YOU LEAVE.

YOU UNDERSTAND?

IT'S ALL GOOD.

LISTEN, ONE MORE THING, MAN.

YOU SEE THIS? THIS IS CHICAGO.

I KNOW THAT.

YO, THIS AIN'T KANSAS. I'M NOT THE WIZARD.

YO, MAN.

YOU UNDERSTAND?

WHAT DO I LOOK LIKE?

ALL RIGHT, ALL RIGHT.

WE'RE GONNA SEE WHAT YOU MADE OF NOW.

WHAT'S UP, MAN?

YOU GOT THE CHEESE?

CHEESE?

SCRATCH, MOTHERFUCKER!

DINERO, MONEY, CASH.

YOU GOT IT?

YEAH, MAN, I GOT MONEY, MAN.

GIMME $20, MAN.

WE WANT MORE THAN 20.

GIVE ME $20, MOTHERFUCKER!

NOW...

WHERE YOUR FRIEND AT?

RIGHT THERE, MAN.

THEM WHITE KIDS IN THAT TRUCK?

YEAH, MAN.

OH, MY GOD, MAN.

YEAH, DOGG, I GOTTA SETTLE DOWN, KID.

GIRLS ARE STEALIN' MY RINGS NOW.

I WOKE UP, MAN. I SAW 7 INSTEAD OF 8.

WAIT TILL I CATCH HER.

THAT SHIT IS CRAZY.

YOU AIN'T GONNA GET INTO THAT SHIT OVER NO RING.

PEACE.

WHAT'S UP, BABY?

WHAT'S GOING ON, MAN?

SHOW SOME LOVE HERE, MAN. YOU ALL RIGHT?

YEAH, EVERYTHING'S ALL RIGHT.

I NEED TO BORROW THE PHONE FOR A MINUTE.

WHO YOU CALLING?

MACE.

YO, YOU A STUPID MOTHERFUCKER, MAN.

YOU GONNA GO WITH MACE AGAIN?

YOU KNOW YOU AIN'T GOT TO GO OVER THERE.

YO, WHY YOU GIVE HIM IT FOR FUCKIN' MACE?

LET THE MAN MAKE HIS MONEY.

REMEMBER HOW FLY HE USED TO BE?

WHAT'S UP, OFFICER?

WHAT'S GOIN' ON?

I AIN'T NO COP, MAN.

NO, MAN, I'M STRAIGHT-UP THUG, YOU KNOW?

NIGGER, DID I FUCKING STUTTER, MAN?

I SAID BIG MONEY, MAN.

BIG MONEY, MAN. THESE NIGGERS IS WHITE, CUZ.

WHERE YOU FROM, MAN?

I'M FROM IOWA, YOU KNOW?

REPRESENTIN'.

I LIKE THAT BIG-ASS CHAIN YOU GOT ON.

OH, YO, I'M TRYIN' TO GET MY STACK LIKE THAT.

JUST BE THERE. YOU GOT SOME STUFF THERE?

BE THERE, MAN, PLEASE. I'M IN AND OUT.

YOU KNOW WHERE YOU AT, MAN?

I KNOW WHERE I'M AT. I'M AN ENTREPRENEUR.

COME HERE. I NEED TO TALK TO YOU.

THIS SHIT IS OUT OF ORDER. YOU'RE SPEAKING

LIKE YOU KNOW WHAT THE FUCK IS GOIN' ON.

I KNOW WHAT'S GOIN' ON. YOU KNOW WHAT THE FUCK HAPPENS AROUND HERE.

YOU KNOW THE RULES.

GO TAKE CARE OF YOUR BUSINESS, KID,

BEFORE YOU BE BROKE LIKE HIM.

YO, YO!

WHY YOU LOSIN' IT, MAN?

WHAT DO YOU MEAN WHY AM I LOSIN' IT, NIGGER?

YOU GOT CLOTHES ON, MAN.

YOU GOT CLOTHES ON, TOO.

MAN, YOU GOT CLOTHES ON, ALL RIGHT?

THANKS, PREACHER.

HEY, YO, YO, YO, Y'ALL FUCKIN' UP.

[RAP MUSIC PLAYING]

UHH!

WANT SOME OF THIS, DOGG?

NO.

* BLACK MAN

* IN THE BLACK LAND

* SELL WHITE ROCKS AND BLACK COPS GET RICH *

YOU'RE GONNA GO DOWN A COUPLE OF BLOCKS,

AND YOU'RE GONNA TAKE ANOTHER LEFT.

YO, MAN, JUST TELL ME, LIKE--

WHAT'S THAT OVER THERE, MAN?

THAT'S SOME, LIKE-- WHAT'S THAT?

WOULD YOU STOP FUCKIN'--

YO, THIS SHIT'S KIND OF BUGGED OUT.

YO, MAN, WHAT'S THE MATTER WITH YOU, MAN?

WHAT'S THE MATTER WITH YOU, MAN?

YOU WANT TO DO SHIT LIKE THAT?

KEEP YOUR HANDS IN THE TRUCK, MAN.

DON'T POINT AT NOBODY.

ALL RIGHT, DOGG.

YOU DON'T KNOW WHO THE FUCK IS DOWN HERE.

YOU WILL GET SHOT IN YOUR FACE.

WHATEVER, DUDE.

* IF YOU SELL COKE OR CRACK, I RELATE TO THAT *

* IF YOU DO STICKS AND STATS, I CAN RELATE TO THAT *

* I DON'T GIVE A FUCK IF YOU'RE WHITE OR BLACK *

* IF YOU BUST YOUR GAT, I CAN RELATE TO THAT *

* IF YOU SELL COKE OR CRACK, I CAN RELATE TO THAT *

* IT'S YOUR TURN TO BLOW AWAY, NO TURNING BACK *

* SEEM LIKE ANOTHER LIFETIME

WHAT THE FUCK?

WHAT'S GOIN' DOWN?

JUST CHILLIN', MAN. WHAT'S GOIN' DOWN?

ALL RIGHT. WE GOT SOME VERY THIRSTY CUSTOMERS HERE.

WHAT'S UP, DOGG?

Darius: YO.

MACE IS IN THE BACK, MAN.

LITTLE NIGGER.

FUCK YOU UP, LITTLE NIGGER.

[RAP MUSIC PLAYING]

W'SUP?

W'SUP?

YO, YO.

WHAT UP, BABY?

I JUST WANT MY FINDER'S FEE, MAN.

THEN DISAPPEAR.

WHAT'S GOIN' ON?

YO, D, WHERE YOU GET THIS WHITE MOTHERFUCKER FROM, YO?

THIS WHITE TRASH JUST SHOWED UP ON MY DOORSTEP.

WHAT THE FUCK WAS I SUPPOSED TO DO?

I DON'T FEEL GOOD ABOUT THIS, MAN.

CHILL, MAN.

HEY, BLACK MAN,

GO OUTSIDE, WAIT FOR YOUR FRIEND, A'IGHT?

IT'S ALL GOOD.

A'IGHT?

IT'S ALL GOOD.

SO WHAT'S UP, MAN?

SHIT.

FUCK, MAN.

WHERE'S FLIP?

HE'S INSIDE, DOGG.

SO WHY THE FUCK ARE YOU HERE, MAN?

I DON'T KNOW, MAN. THEY TOLD ME TO LEAVE.

WE SHOULD KILL THIS WHITE MOTHERFUCKER RIGHT NOW,

TAKE ALL OF HIS MONEY.

SO WHAT'S UP, YO?

WHERE THE MONEY?

HA HA, CHILL, MAN, YOU KNOW WHAT I'M SAYIN'.

WHERE'S THE SHIT?

SHOW US THE GREENS, SON.

WHY THE FUCK DID THEY TELL YOU TO FUCKIN' LEAVE, MAN?

WHY THE FUCK DIDN'T YOU STAY THERE, MAN?

OH, MAN, THIS SHIT IS CRAZY, MAN.

WE GOT TO GET THE FUCK OUT OF HERE.

WHAT ARE YOU TALKING ABOUT, MAN?

THAT'S OUR FUCKIN' DOGG IN THERE, MAN.

I'M NOT TALKIN' ABOUT LEAVIN',

BUT WHAT ARE WE GONNA DO RIGHT NOW?

UH...

WELL, I GOT, LIKE, 160 BUCKS.

WHAT?!

WHAT THE FUCK DID YOU JUST SAY?

THIS MOTHERFUCKER SAY HE GOT 160 BUCKS, D.

WHAT THE FUCK DID YOU JUST SAY?

I ALREADY GAVE YOU 20.

NIGGER, YOU BROUGHT ME DOWN HERE FOR $160?

WHAT THE FUCK ARE YOU DOING?

YO, JAY, CHILL, MAN, DON'T--

JAY. JAY, JAY, WHAT THE FUCK ARE YOU DOIN'?

I'M GONNA GO GET MY MOTHERFUCKIN' DOGG

THAT'S IN THERE RIGHT NOW.

YOU THINK I'M SOME SUCKA?

WHAT YOU THINK?

MAYBE YOU COULD FRONT ME FOR THE NATION, RIGHT?

Darius: FRONT YOU?

NAH, LIKE, FOR THE NATION OR WHATEVER, MAN.

HA HA HA!

NAH, MAN, I GOT THIS WHOLE SHIT SET UP

DOWN IN IOWA, MAN.

AND I COULD JUST COME BACK IN A WEEK.

COME BACK WITH, LIKE, MAD LOOT,

WE COULD MAKE, LIKE, JUST MAD LOOT,

YOU AND ME, YOU KNOW WHAT I'M SAYIN'?

GET THE FUCK OUT OF HERE WITH THAT SHIT.

[SIGHS]

DUDE, HE'S BEEN UP THERE

FOR, LIKE, A FUCKIN' HALF HOUR, MAN.

TAKE A LOOK AT THAT SHIT.

James: WHAT THE FUCK DO YOU WANT, DOGG?

I'M SAYIN' WHAT THE FUCK.

I'M NOT TRYIN' TO-- MAN, FUCK YOU, MAN.

WHAT DO YOU MEAN, WHAT THE FUCK?

I'M NOT TRYIN' TO FUCKIN' STAND HERE, MAN.

WHAT THE FUCK?

113, MARK US OUT ON INVESTIGATION

AT PERSHING AND COTTAGE GROVE.

Mace: LET'S JUST KILL THIS MOTHERFUCKER

RIGHT NOW LIKE I SAID, SON.

Man: WHAT THE FUCK IS THIS SHIT, MAN?

IOWA PORK-ASS NIGGER.

GET HIM OUT OF HERE. GET HIS ASS OUT OF HERE.

BOY, COME HERE.

MOTHERFUCKER!

TAKE THAT SHIT TO THE NATION!

TAKE SOME OF THAT SHIT BACK TO THE NATION!

ALL RIGHT, THAT'S ENOUGH. THAT'S ENOUGH!

CHILL OUT, MAN. CHILL OUT, MAN.

DAMN, YOU ALREADY FUCKIN' ROBBED HIM,

YOU TOOK HIS MONEY AND ALL THAT SHIT, MAN.

WHAT THE FUCK ARE YOU GONNA DO, KILL HIM?

AM I IN?

WHAT THE FUCK ARE YOU TALKIN' ABOUT, YO?

YEAH, YOU IN DEEP SHIT.

YO, D, WHAT THE FUCK YOU DOIN', MAN?

YOU BROUGHT THIS BULLSHIT IN HERE, A'IGHT?

I'M FUCKIN' THIS MOTHERFUCKER UP. WHAT?

WHAT THE FUCK YOU MEAN, WHAT, MAN?

NIGGER, YOU BETTER HAVE SOME RESPECT FOR ME, YOUNG BLOOD.

DON'T DO THAT SHIT, A'IGHT?

I'M TELLING YOU RIGHT NOW.

MAN, HAVE SOME FUCKIN' RESPECT FOR ME!

NIGGER, FUCK RESPECT, MAN!

OH, WORD?

YEAH. FUCK.

COME ON. GET THE FUCK OUT, MAN.

GET THE FUCK OUT OF HERE.

GET THE FUCK OUT OF HERE.

ARE YOU OK, MAN?

[SHOTGUN COCKS]

FREEZE!

AAH!

James: HOLY SHIT!

OH, SHIT.

Trevor: HURRY UP, MAN!

James: GET THE FUCK IN THIS CAR, MAN!

GET UP, DARIUS.

AAH!

WAIT UP. SHIT!

WHAT?! WHAT?!

Khalid: COME ON! COME ON!

HE'S DEAD! HE'S DEAD!

Flip: WE CAN'T LEAVE HIM.

GET IN THE CAR, MAN!

YEAH, MOTHERFUCKER, COME ON!

[SIREN]

Trevor: YOU GOTTA GET IN THE TRUCK, MAN!

COME ON, MAN!

GET OUT OF HERE, MAN!

OH, SHIT!

MOTHERFUCKER, WHAT THE FUCK, DOGG?

OH, SHIT!

THAT SHIT WAS FUCKING CRAZY, MAN!

WHAT THE FUCK JUST FUCKIN' HAPPENED, DOGG?

WHAT THE FUCK HAPPENED IN THERE, DOGG?

ARE YOU FUCKING STUPID, MOTHERFUCKER?!

ARE YOU FUCKING STUPID, NIGGER?!

YOU LEFT MOTHERFUCKING FLIP INSIDE ALONE, DOGG!

I TOLD YOU NOT TO CALL ME A NIGGER, MOTHERFUCKER!

FUCK! NIGGER! NIGGER! NIGGER!

FUCK YOU! FUCK YOU!

SHUT THE FUCK UP!

GET THE FUCK OUT OF THE CAR, NIGGER.

GET THAT FUCKIN' GUN OUT OF MY FACE, MAN.

GET THE FUCK OUT OF THE CAR

RIGHT THE FUCK NOW, DOGG.

YOU SET US UP, DOGG.

I SET YOU UP?! WHAT?!

IS THAT WHAT YOU FUCKING THINK I DID, PUSSY?!

YOU AIN'T NO DIFFERENT THAN THE FUCKIN' KLAN

OR THE FUCKIN' POLICE!

THE ONLY THING IS

YOU MOTHERFUCKERS LISTEN TO RAP!

SO PULL THE FUCKING TRIGGER, BITCH!

COME ON!

DRIVE, MAN.

HOME! NOW!

YO, WHY DON'T YOU PUT THAT FUCKIN' GUN DOWN, DOGG?

I AIN'T FUCKIN' WITH YOU, MAN.

DRIVE THE FUCKIN' DUALLY NOW, MAN!

I CAN'T BELIEVE YOU GET UP

WITH THESE MOTHERFUCKIN' NIGGERS, DOGG.

DON'T SAY THAT WORD, JAMES!

I'LL FUCKIN' PULL IT, MAN! I SWEAR TO GOD!

DON'T SAY A WORD, MAN.

[CRYING] WE'RE GONNA GET FUCKING LOCKED UP, MAN.

MY FUCKING MOM'S GONNA KILL ME, MAN.

Khalid: SHUT THE FUCK UP, TREVOR.

PULL OVER, MAN.

PULL OVER!

RIGHT HERE. LET ME OUT.

OPEN THE DOOR. LET ME OUT, MAN.

[HORN HONKS]

[HORN HONKS]

WHAT HAPPENED TO YOU? NOTHIN'.

LET ME SEE THIS.

NOTHIN' HAPPENED.

HOW WAS CHICAGO?

BAD.

I JUST WANTED TO SAY...SORRY.

SO SAY IT.

I'M SORRY.

YOU KNOW, I'M SORRY, SARA.

I WAS ALL STRESSED OUT, YOU KNOW, AND...

ON TOP OF THAT, YOU'RE PREGNANT.

HOW'S JUNIOR?

GONE.

WHAT?

WHAT WAS I SUPPOSED TO DO, FLIP?

I DON'T KNOW.

I MEAN, YOU WERE RIGHT.

WHAT KINDA FATHER AM I GONNA BE ANYWAY?

YOU WANNA BE A GANGSTER RAPPER?

[GUNFIRE, YELLING]

James: WHAT THE FUCK, DOGG?!

Khalid: I TOLD YOU NOT TO CALL ME A NIGGER!

YOU READY?

WHAT'S HAPPENING, BABY?

ALL RIGHT, I'M BRINGING THE MAN IN.

BRINGING THE MAN IN.

WATCH YOUR BACK, DUDE.

YEAH, YEAH, LADIES AND GENTLEMEN,

I BROUGHT HIM. HE'S HERE.

HE IS HERE.

THE NEW SHIT NAMED FLIP.

FLIP, FLIP, COME ON.

COME ON OVER AND TAKE A PICTURE.

PICTURE OVER THIS WAY. PICTURE.

[PEOPLE CHATTERING]

GIVE ME SOME LOVE, MAN.

[PHOTOGRAPHERS TAKING PICTURES]

Flip: JAMES, MAN.

TREV.

[MAN LAUGHING]

Darius: LET'S KICK SOMETHING RIGHT NOW.

I'M GOING TO INTRODUCE Y'ALL.

YEAH. LET'S GO KICK SOMETHING.

LET'S GO KICK SOMETHING.

Khalid: WE ALL BROTHERS IN HERE.

WE WANT TO KNOW WHEN'S THE NEXT RECORD.

Man: COMING DOWN.

* YO, LIVE IS LIKE POISONOUS SNAKES *

Both: * SLICK AND COLORFUL

* AND THAT'S HOW MOST NIGGERS GET BIT *

* FROM BEING GULLIBLE

* SEE, I BELIEVE A LIAR'S A FUCKING COWARD *

* AND BY THE SAME BATCH OF LIES YOU TELL *

* YOU GET DEVOURED *

* I LOVE WHO I AM, AND THAT MEANS EVERYTHING TO ME *

* 'CAUSE MY LIFE AIN'T WORTH A DAMN *

* UNLESS I'M DEALIN' WITH REALITY *

* WHEN I LOOK MYSELF IN THE EYES, IT'S JUST ME *

* AND I AIN'T GOTTA TELL NOBODY NO LIES *

* I FEEL FREE

* AND I WOULD RATHER DEAL

* WITH THE TRUTH THAN FALSEHOOD *

* THAN BEING FAKE WITH MY PEOPLE *

* AND CLAIMIN' IT'S ALL GOOD *

* YOU CAN'T RUN AWAY FROM YOURSELF *

* SO THAT'S USELESS

* IF YOUR WORD IS BOND

* THEN YOU DON'T HAVE TO MAKE EXCUSES *

* YOU CAN'T FLIP THE SCRIPT, YOU KNOW WHAT I'M SAYIN'? *

* GHETTO ROLLIN', WHAT'S GOIN' ON? *

* YOU KNOW WHAT I'M SAYIN'? *

* COMIN' FOR THAT ASS IN THE 2-G? *

* WHATEVER, VANILLA THUG *

* WHAT'S UP?

[PEOPLE CHATTERING]

CHILL.

FLIP. SHRIMP, FLIP.

WOULD YOU LIKE SOME SHRIMP?

NAW, MAN.

SHRIMP! SHRIMP!

SHRIMP!

Darius: HEY, FLIP, COME BACK THIS WAY!

WHAT ARE YOU DOING?

SHRIMP!

[BREATHING HEAVILY]

YOU KILLED ME, WHITEBOY.

AW, MAN, I'M SORRY.

YOU KILLED ME, MAN.

I'M SORRY, MAN.

YOU KILLED ME, MOTHERFUCKER!

Mother: WHO THE HELL ARE YOU REPRESENTING?

SARA, WHAT ARE YOU DOING?

WHAT ARE YOU DOING?

YO, WHAT THE FUCK?

IS THIS HOW YOU WANT IT, NIGGER?

Flip: TREV.

TREV.

YO, WHAT THE FUCK DO YOU WANT,

YOU FUCKING SELLOUT?

[DIAL TONE BEEPING]

JAMES, MAN.

J DOGG, WHAT'S UP?

WHAT THE FUCK?

Flip: FUCK, MAN!

[PANTING]

I HAD THIS DREAM THAT I WAS ON THIS PLANET...

All: BYE, SARA.

BUT IT WASN'T ANOTHER PLANET.

IT WAS, LIKE, THIS PLANET.

AND I STARTED CRYING.

I DON'T KNOW WHY I WAS CRYING, BUT I KEPT GOING,

AND I KEPT PASSING THESE PEOPLE.

AND THEY SAW ME CRYING, AND I WAS EMBARRASSED--

EMBARRASSED THAT I DIDN'T KNOW SHIT,

THAT I DIDN'T KNOW WHERE I WAS GOING--

EMBARRASSED AT MY HISTORY.

AND I STARTED THINKING ABOUT 50,000 MURDERS A YEAR

AND 2 MILLION PEOPLE IN JAIL,

AND I THINK ABOUT COLUMBUS DAY

AND COLUMBUS CIRCLE AND COLUMBUS, OHIO.

AND I STARTED THINKING ABOUT TRIBES, MAN--

AMERICAN TRIBES--RAPED, MURDERED, AND MOVED.

AND I STARTED THINKING ABOUT TENS OF MILLIONS OF AFRICANS

DYING IN THE SEA

AND MALCOLM X AND CHIEF CHEROKEE

AND COLUMBUS DAY AND COLUMBUS, OHIO,

AND I FELT ASHAMED, MAN--

ASHAMED OF WHAT I WAS REPRESENTING.

* WHITEBOY, WHITEBOY, TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA AIN'T READY FOR THE SOUND *

* FROM THEM WHITEBOYS

* THEY'RE SLITTING YOUR THROAT *

* WITH A DIRTY FUCKING RAZOR *

* THEY DROWN YOU IN MALT LIQUOR *

* CHOKE YOU WITH YOUR PAGER *

* 'CAUSE THEY DON'T REALLY GIVE ONE OUNCE TYPE OF FUCK *

* EVERYBODY STEPS IN THEIR WAY *

* AND THEY MOM'S IS GETTIN' STUCK *

* YEAH, AND YOU DON'T STOP *

* KEEP ON TILL THE BREAK OF DAWN AND *

* WHITEBOY, WHITEBOY

THANK YOU.

I GOT TO PRACTICE THAT SHIT.

* WHITEBOYS, WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS, WHITEBOYS *

[BURPING RHYTHMICALLY]

Flip: MAN, WHAT THE FUCK ARE YOU REPRESENTING, MAN?

MAN, I'M SAYING--

I'M DOING THE HUMAN BURP BOX.

ALL RIGHT. WHAT'S YOUR RHYME, MAN?

* WHITEBOYS, WHITEBOYS

* BOW WOW, WHITEBOYS

* NIGGERS CALLING ME A WHITEBOY *

* WHITEBOYS CALLING ME A NIGGER *

* HOW THE FUCK YOU FIGURE? *

* AND, YES, CHECK THIS, YOU, I BE BIGGER *

* AND, YES, TELL ME, UHH *

* THIS IS HOW WE DOIN' IT FOR THE 9 IRONS *

* WHITEBOYS, WHITEBOYS, WHITEBOYS *

* WE BLOWIN' INDO SMOKE BEHIND THESE BARS *

* LIVIN' LIKE STARS, YOU KNOW WHO WE ARE *

* SNOOP AND FLIP, DON'T TRIP, WE GET GRIP *

* MOTHERFUCKERS CAN'T TOUCH IT *

* 'CAUSE THEY CAN'T FUCK WITH THIS *

YEAH, YOU KNOW WHAT I'M SAYING?

REPRESENTIN'.

Man: BEAUTIFUL, BEAUTIFUL.

* WHITEBOY, WHITEBOY, TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA AIN'T READY FOR THE SOUND *

* FROM THEM WHITEBOYS, WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS, WHITEBOYS *

* HOW YOU LIVIN', MOTHERFUCKER? *

* PERM TO THE CURB *

* FUCKIN' WITH THIS WHITEBOY SLINGIN' MY HERB *

* D.P.G. TO THE FULLEST YOUNG CUZ *

* MY HOMEBOY RICKY SAYS SHOW ME SOME LOVE *

* WE GOT THE CLUB WITH THIS FOOL NAMED T-BONE *

* FROM THE DIRTY STYLE, CLOSIN' HIS MOUTH *

* MY PEOPLE

* ALL OF MY HOMEYS FROM THE L.B.C. *

* ALL MY WHITE HOMEYS WHO SMOKE WITH ME *

* SELL ME BUD ON THE WEEKDAYS, CUZ *

* THIS SHIT'S FOR Y'ALL, FOR ME AND MY DOGG *

* IF YOU DON'T KNOW, YOU DO KNOW *

* T-BONE MY NEW DOG

* FUCK WITH YOU, BUT WE ABOUT TO FUCK IT UP, Y'ALL *

* WHITEBOYS, WHITEBOYS, TURN THAT SHIT DOWN *

* YOU KNOW THAT AMERICA AIN'T READY FOR THE SOUND *

* OF THEM WHITEBOYS, WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS, WHITEBOYS *

* WHITEBOYS, WHITEBOYS

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* BY THE CURB, CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* BY THE CURB, CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL

* YOU TRYIN' TO WEAR MY SUIT *

* YOU TRYIN' TO WEAR MY CLOTHES *

* YOU TRYIN' TO BE LIKE ME

* I'M TRYIN' TO BE LIKE YOU, BRO *

* WHAT I'M REALLY TRYIN' TO SAY *

* YOU GOT TO KEEP IT ALL REAL *

* YOU CAN'T BE FAKIN' NO DEAL *

* YOU GOT TO GET YOU A MEAL *

* SEE, IT'S HARD OUT HERE

* PIMPIN' AIN'T A CAREER

* SEE, IT'S HARD OUT HERE

* PEOPLE PUT YOU IN REAL *

* I'M TRYIN' TO KICK YOU A MEAL *

* I'M TRYIN' TO KEEP IT ALL REAL *

* DO YOU BE FAKIN' A DEAL?

* SO I CAN LET YOU SEE HOW IT FEELS *

* WANNA BE, WANNA BE *

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* AT THE CURB, CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* BY THE CURB, CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL

* THEY'RE ALWAYS BOTHERIN' YOU, BEGGIN' YOU *

* CALLIN' YOU ENDLESSLY

* THE WORST, THAT WAS YOUR LESSON *

* YOU'RE A YUPPIE, SO A.T.V. *

* YOU'RE GREEDY, YOU'RE FIENDIN' TO BE *

* BUT YOU WON'T PICK UP A PENNY UP IN THIS INDUSTRY *

* WANT TO COME IN OUT OF NOWHERE *

* BE THE KING OF THE STREETS, RADIO, AIR *

* YOU ONLY KNOW YOU HAVE SOMETHING TO GAIN *

* THE RECORD LABEL, YOUR MASTER'S STORED THERE *

* I CAN PLAY YOUR ALBUM BACK *

* EVERYBODY CAN BE A RAPPER *

* SAY WHAT, SAY WHAT, SAY WHAT? *

* IN THE GHETTO, WE GOT GHETTO STARS *

* RIDIN' IN THE SCHEMER CARS *

* NICE WITH THE TINTED WINDOWS *

* PUSHIN' DOWN THE BOULEVARD *

* IN THEIR MOUTH, YOU SEE THEM GRILLS *

* SPECIAL PLAYA, CAN'T BE REAL *

* THAT'S BECAUSE HE ROLLIN' *

* WITH A CUZ IDEA FOR THE BILL *

* HUSTLER TRYIN' TO STACK SOME Gs *

* PUSHIN' WITH A QUARTER KEY *

* HEY, LET ME RIDE IN THAT LATEST BUZZ *

* FREAK, YOU BETTER KEEP YOUR NEEDS *

* NEVER WILL I SAVE A BROAD *

* GANGSTA PLAYAS COMIN' HARD *

* CHICK CAN JUST GET OUT MY CAR *

* THE POLICE ARE STRANDED IN THE PARK *

* WANNA BE, WANNA BE *

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* AT THE CURB, CANDY PAINT *

* 20 CRAWL, CHEAP AND ALL GREEN HERB *

* WANNA BE, WANNA BE

* EVERYBODY WANNA BE LIKE A YOUNG G *

* GOLD TEETH, DRINKIN' HENNESSEY'S *

* SLING AN OUNCE TO A BIRD IN THE STREET *

* AT THE CURB, CANDY PAINT... *