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[music playing]
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JONATHAN HALPERN: As you
come up the mountain,
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you come through those
turns and you just
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start to get into the
trees and the environment
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starts to change.
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You can see the
sky over your head.
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You're on your way
home, and it's just
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a great way to
start to decompress,
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relax, and get ready
for what's ahead.
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My name is Jonathan Halpern.
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We're at the Spider House in the
San Bernardino National Forest.
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[music playing]
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The house got the name
the Spider House based
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on these legs that come
down all around the patio,
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and when you look
at it from below,
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it kind of looks like
spider legs coming down.
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A friend of mine had moved
out here several years ago.
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I went online, I did a
search of his community,
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I saw a picture of this
house, and I said that's it.
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I need it.
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I was on a flight a couple of
weeks later to come see it.
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A few months later,
I was the owner.
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When you pull into the carport,
the first thing you see
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are two very large
ancient pinyon
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trees right in front of you.
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When you get out of the car,
you walk onto the patio,
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you come around
to the front door.
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The front door is
made of Douglas fir.
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It was made here on
site back in 1964,
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and it really has a feel
of almost a castle door.
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Once you walk to the
front door, you just--
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you're like Wow.
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What waits behind this?
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What's inside?
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When you open the door, the
ceilings are soaring inside.
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The light is pouring in
through the large windows.
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You look down the hallway,
you can see all the way
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into the master bedroom.
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And then it just opens up into
the kitchen and dining area.
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Some of the walls are rough sawn
Douglas fir and the ceilings
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are rough sawn Redwood
and all the beams
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are Redwood going
through the house.
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And they also have that
just textured rough.
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You put your hand on it,
and you can just feel where
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the blade cut through the wood.
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And it just feels natural
and not factory polished.
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The chandelier in the living
room comes from Mexico.
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It was made around 1970.
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[music playing]
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And I found it here locally
in Southern California
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and just knew that was the one I
had to hang in the living room.
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The rugs were hand
hooked in Mexico.
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They were made in the
late '60s, and they also
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have this kind of nubby texture
that to me just reminds me
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of the surrounding environment
and the decomposed granite
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on the ground outside.
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I selected the couch
and the seating
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in here to really build a wrap
around and face different parts
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of the environment
out the windows
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and also to go to sit in
front of the fireplace
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on a cold winter evening.
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And the colors in here, I picked
everything that was earth tone,
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warm, felt like a blend
with the environment,
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wasn't harsh or startling.
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It just makes you
feel relaxed and one
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with nature out the window.
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You're just looking beyond
everything in the room
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and out the windows.
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The house has two
bathrooms, two bedrooms,
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and when you open the
bedroom door in the morning
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and you look down the hallway,
the first thing you see
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is the grand entryway.
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And it kind of calls you.
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[music playing]
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Come outside.
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Come experience nature.
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So as you step off the patio and
go down the stone stairs down
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to the pool area,
you kind of descend
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down into the environment.
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Instead of looking down upon
the greenery from the patio,
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you're in the greenery.
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You're in the nature rather
than an observer of the nature.
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Then you turn around
and if you come back up,
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you ascend up to this cabin.
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It's just looming above
you in a graceful way.
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And I would describe this
cabin as one with nature.
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Half of it is glass.
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You're directly connected
to the exterior.
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If you're inside, primarily
you're looking right
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out the window at the outside.
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Even though it's
a smaller cabin,
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with the floor to
ceiling windows,
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it feels like the whole world
is part of your living room.
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So it really gives
a great feeling.
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You're in this small
efficient home,
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but it feels as big as
the largest mansion.
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[music playing]
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When I decorate the space and I
buy any objects for the space,
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I try to keep a connection
to the original design
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concept, which is this kind
of Mexican meets mid-century.
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So I may love an object, but it
may not be right for the space.
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So I feel like I always have to
keep it rooted in the origins,
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how it was originally decorated,
what the intention was.
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The architect John Moyer,
he was very influenced
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by Mexican and Spanish
culture and design.
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The story goes that he
was a prisoner of War
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during World War II.
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While he was in prison there,
they gave him books to read,
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and he got a book
on architecture.
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And when he came
back to the US, he
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became a builder
and an architect,
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and then he built this
as a summer getaway
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from the very hot desert floor.
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So we're up at 4,300 feet.
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[music playing]
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This property is unique
because of its views,
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and it's also built
into a hillside, which
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gives a protection
from the winds
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that you can get here
in the mountains.
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So you can really enjoy
nature in almost any weather.
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So I live here full time,
and typical day, I wake up
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when the sun rises, head right
outside with my coffee cup,
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and start to take in the sounds
of the day, the lighting,
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watching the sun come
up as the colors change.
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Weather permitting,
which is probably
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350 days out of the year, I stay
outside almost the entire day.
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I just love to be
out in nature, walk
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through the property,
landscape a little bit,
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snip some dead things off.
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It's just so nice to be
climbing on the boulders.
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I feel like I'm
camping all the time.
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When I sit in the den area,
that's no computer, no phone,
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records of being played, I close
my eyes, it's about the music,
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and the whole world
has to just go away.
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I use a very vintage
style stereo system.
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And that to me communicates
the music so much better
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than anything modern can.
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One of the interesting
things about living
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here is that you have
all your solitude.
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You're completely at peace
and alone when you want to be.
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At the same time, we have
neighbors that are just
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varied and all interesting.
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We have this common bond
that we just love living here
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in this beautiful wilderness.
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Sitting out on the patio in the
rocking chairs in the evening
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is just so quiet other than
occasional coyote howling.
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And then in the
distance, you can just
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see the city lights sparkling.
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And it's so far removed,
you hear nothing.
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It's like a silent movie.
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So the cabin in
the evenings, you
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can almost see the
soul of the home
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glowing through the windows.
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And then you just stand back
and you see this warm glow
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with the stars all
around it above,
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and it just feels almost
at one with the universe,
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like not something made.
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It seems almost surreal.
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[music playing]
12787
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