Original subtitles

¶ OH ¶

[ORGAN MUSIC PLAYING]

Man: DON'T B. OR CGHT UNAWARE

BECAUSE IN THAT HOUR DON'T BE SURPRISED

WHEN 2 MEN ARE WALKING

YES, AND ONE DISAPPEARS.

YEAH, AND ONE JUST WOKE UP TO MEET JESUS,

AND THE OTHER GETS LEFT BEHIND.

WELL, WHEN A BAD HUSBAND...

STANLEY, STOP WIGGLING.

HOW MU LONR, MAMA?

THE A's T A HOME GAM

GET YOUR MIND OFF BASEBALL AND BACK ON JE LIKESTOUR BROTHER.

WHEN WE ALL SHALL SEE JESUS.

[CHEERING]

...WATCHES OVER US

JUST LIKE HE SAID HE WOULD.

HE'S COMING AGAIN TO SEPARATE THE WEAK

JUST LIKE THE BIBLE SAID.

DO YOU BELIEVE IT?

DO YOU BELIEVE IT?

SO LIVE LIKE YOU BELIEVE.

I SAID LIVE LIKE YOU BELIEVE.

DO YOU BELIEVE IT?

DO YOU BELIEVE IT?

DO YOU BELIEVE IT? DO YOU BELIEVE IT?

¶ 1, 2, 3... HIT ME! ¶

¶ PEOPLE, GET READY ¶

¶ FOR THE BRAND NEW THING ¶

¶ I GOT SOMETHING ¶

¶ GONNA MAKE YOU JUMP AND SING ¶

¶ GET ON THE GOOD TIP ¶

¶ JUST ONE MORE TIME ¶

¶ BETTER GET YOURS ¶

¶ I'M GONNA GET MINE, HUH ¶

¶ WORK IT NOW ¶

GET IT NOW ¶

PEOPLE, GET READY ¶

¶ IT'A AND NEW DAY ¶

¶ GONNA BUMP THAT NEW THING ¶

¶ GONNA MAKE THAT CHANGE TODAY ¶

¶ GONNA WORK IT ON UP NOW ¶

¶ IF IT TAKES ALL NIGHT ¶

¶ DON'T YOU WORRY ¶

¶ GONNA GET AT GROOVE THING TIGHT ¶

OH, YEAH. GO, MAN.

¶ GONNA BUST A MOVE ¶

¶ GONNA LET IT ALL HANG OUT ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA SHOW THE WORLD WHAT IT'S ALL ABOUT ¶

¶ GONNA BUST A MOVE

¶ FROM THE BOTTOM UP TO THE TOP ¶

¶ GONNA BUST A MOVE ¶

¶ AIN'T NOBODY GONNA MAKE IT STOP ¶

¶ HEY! ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA TURN IT ON ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA STR TILL THE VERY NEXT MORNIN' ¶

¶ GONNA BUST A MO ¶

¶ FROM THE BOTTOM UP TO THE TOP ¶

¶ GONNA BUST A MOVE ¶

¶ AIN'T NOTHING GONNA MAKE THIS BOOGIE STOP ¶

DIG DEEP, Y'ALL.

LOOKING FOR A LITTLE TICKET MONEY. COME ON.

THAT'S IT, COME ON.

WHOO!

MAN!

HAVE A NICE DAY, SIR.

BOX S?! YOU GUYS ARE ALL RIGHT.

Y'ALL GO ON IN.

YEAH, WE'LL CATCYOU INSIDE.

DON'T COME BACK WITH LESS THAN 10 A POP FOR THESE.

YEAH, ALL RIGHT.

39...40...41...

AND A NICKEL?

FREDDY, MAN, I SAID 10 A PIECE.

IT AIN'T THE YANKEES, MAN. IT'S THE RANGERS.

I WAS LUCKY TO GET 2.

MAN, AIN'T THAT CHARLIE FINLEY?

YEAH, THE OWNER. IF HE CATCHES US,

HE'LL HAND OUR BUTTS TO THE COPS.

MY MAMA'S GONNA KILL ME! HURRY UP!

I'M TRYING!

HOW'S IT GOING, MR. FINLEY?

SURE LIKE THE TEAM THIS YEAR.

YES, SIR! GO A's!

YOU...COME WITH ME.

WHAT'S YOUR NAME, SON?

STANLEY RK BURRELL.

STANLEY KIRK BURRELL. WHAT IS THAT? SCOTTISH

IT'S JUST OAKLAND.

MAN, HOW COME YOU DIDN'T BUST THEM OTHER 2?

DOES YOUR MOTHER KNOW YOU'RE HUSTLING CUSTOMERS

AT MY BASEBALL PARK?

IT'S NOT YOUR BASEBALL PARK.

PARK BELONGS TO THE CITY.

YOU'RE JUST PAYING RENT.

Man: YOU DA MAN, CHARLIE!

HEY, HOW YOU DOING?

YOU'RE NOT GONNA CALL HER, ARE YOU?

MIGHT.

DEPENDS ON WHAT I FIND OUT DOWN IN THE BASEMENT.

WHAT DO YOU KEEP IN THAT BASEMENT?

SO NOW THAT CHANGES AND ADSTMENTS ARE MADE,

W DO YOU FEEL ABOUT IT?

WELLOA. REALLY BELEDVE...

I KNEW IT. I'VE BEEN TRADED FOR A MIDGET.

PETE, SAY HELLO TO STANLEY KIRK BURRELL.

WHOA, IF HE DON'T LOOK LIKE THE HAMMER.

TELL ME HEON'T LOOK LIKE HANK AARON.

YEAH, I'M THINKING ABOUT PUTTING HIM TO WORK.

MAYBE BAT BOY OR SOMETHING.

BAT Y?!

Pete: I DON'T KNOW.

HE LOOKS PRETTY SOFT.

BATS MAY BE TOO HEAVY.

YOU DON'T WANT HIM DYING OF A HEART ATTACK IN FRONT OF THE FANS.

AIN'T NOTHING WRONG WITH ME.

I'VE GOT POWER.

MAYBE WE CAN START A LITTLE LOW. LIMIT THE DOWNSIDE.

HOW ABOUT 5 BUCKS A GAME?

NOT AS GOOD AS 15. I MAKE THAT DANCING IN THE PARKING LOT.

7.50 ANDITLE,

EXECUTIVE VICE PRESIDENT.

7.50, THE TLE, PLUS TICKETS FOR MY BOYS TO THE GAME TODAY.

GO GET YOUR BUDDIES AND COME BACK AND PUT A UNIFORM ON.

YES, SIR.

Announcer: NOW BATTING, NUMBER 24...

HOT DOG! HEY, HOT DOG!

HEY, DON'T MESS WITH ME, MAN.

I'M TIGHT WITH THE ECUTIVE V.P.

YEAH, COME ON. YOU CAN DO IT.

[SIRENS]

SIRENSAKE YOU UP?

I DN'T HEAR NOTHING.

BUSTED ON THE CRACK HOUSE AGAIN.

WHATCHA READING?

SAME TNG I READ EVERY GHT BEFORE I GO TO BED.

YOU READ THAT BIBLE A LOT.

YOU GOA BE A PREACHER OR SOMETHING?

AIN'T NO MONEY IN THAT.

WHAT PART YOU READING?

YOU THINK GOD TEVERKS TE IN OAKTOWN

ND LIKE HE DID BACK THEN?

MAYBE IN A BURNING CAR OR SOMETHING.

YOU THINK GO COULD TALK TO ME IN A 3-RUN HOMER

TODAY, AT THE GAME,

IT WAS LIKE GOD WAS TELLING ME I'M GONNA BE SOMEBODY.

LL OF FAME,E ALL THAT.

YOU AND A BILLION OTHER BLACK KIDS.

I'M GONNA BE SOMEBODY,

OH, SO YOUONNA BE LIKE MOS

AND TAKE ALL THEM BASEBALL SNAPE OUA THE HOOD?

YEAH, THAT'S RIGHT.

GO BACK TO BED, STANLEY.

I DON'T GO BY STANLEY NO MORE.

OM NOW ON, CALL ME HAMM.

Charlie: COME ON, HAMMER, COME ON.

KEEP YOUR EYE ON THE BALL.

Man: LOOKING GOOD THERE, HAMMER!

COME ON, SON.

COME ON. COME ON. KEEP YOUR EYE ON THE BALL, HAMMER.

COME O CHARLIE

NO, GIVE HIM A FEW MORE PITCHES.

WHAT HAPPENED, MAN?

I AIN'T NEVER SEEN YOU FALL APART LIKE THAT.

MAN, T. SHUT UP, MAN. NO BIG, HAMMER.

I MEAN, NOT EVEN GOD KNOWS HOW TO HIT BIG-LEAGUE PITCHING.

ALL RIGHT, YOU HAVE MY BUSINESS CARD.

I'M AVAILABLE ANY TIME.

GIVE ME A CALL. I'D APPRECIATE IT, OK?

HAVE A GOOD AFTERNOON. THANK YOU.

GOOD AFTERNOON.

I TAKE IT THEY DIDN'T WANT THE HOUSE?

OH, THEY WANTED IT.

AIN'T GOT NOTHING BUT FOOD STAMPS TO PAY FOR IT,

BUT THEY WAND IT.

ESHANG IN THLIE, BABY BRO. IT'LL PICK UP.

WHAT YOU DOING, MONEY? CHECKING UP ON ME?

NO. POPS BEEN LOOKING R YOU.

DAD? WHAT'S WANT WITH ME?

DON'T KNOW PROBLY GAMBLING MONEY.

YOU DIDNTU TALK TO HIM?

GOT NOTHING TO SAY TO A MAN WHO QUITS ON HIS FAMILY.

HE'S WAITING FOR YOU OUTSIDE MY OFFICE.

HOW ARE YOUR BROTHERS AND SISTERS?

WHY DON'T YOU DROP BY SOMETIME AND SEE FOR YOURSELF.

I HEAR YOU'RE HANGING WITH BAD PEOPLE.

ERE'D YOU HEARIRHAT?

PEOPLE TELL ME THINGS.

THEY SAY YOU SPEND ALL YOUR TIME WITH T AND FREDDY.

AIN'T NOTHING WRONG WITH T AND FREDDY.

NOTHING BUT THEM SLINGING DOPE.

YOU SLINGING, TOO?

LOOK, I BROKE YOUR MAMA'S HEART ENOUGH.

SHE DON'T NEED IT FROM YOU, O.

I'M NOT DEALING, ALL RIGHT? AND YOU KNOW WHAT?

DON'BE CING ROUND HERE TRYING TO PLAY BIG DADDY ALL OF A SUDDEN.

YOU MAY THINK I'VE GOT NO BUSINESS MEDDLING IN YOUR LIFE, SON,

BUT I BROUGHT YOU INTO THIS WORLD, AND THAT GIVES ME A SAY.

STANLEY, YOU'VE BEEN TOUCHED. YOU GOT GIFTS.

MORE THAN WESLEY, MORE TN ANY YOUR BROTHERS AND SISTERS,

MORE THAN ANYBODY I KNOW.

DON'T THROW THAT AWAY.

GO ON WHERE YOU BELONG.

LAVEE.

THAT'S THE WAY YOU PLAN ON PLAYING THAT SONG ONUNDAY?

YEAH, ME AND THE CHOIR. THAT ALL RIGHT?

I'VE BEEN WAITING FOA LONG TIME FOR A SH ALASOME PREACHING.

THAT'S RHT. TOMORROW'S THE BIG DAY FOR YOU.

YES, IT IS. GOD IS GOOD. ALL THTIME.

I'M FEELING GOOD ABOUT IT, TOO. I FEEL LIKE I MIGHT DOK.

OH, I KNOW YOU WILL.

BUT NOATTER HOW GOOD I DO,

NO MATTER HOW GOOD OF A PREACH I TURN OUTO BE,

I'M PR SURE THAT I CAN'T RAISE PPLE FROM THE DEAD,

WHICH IS WHAT I WOULD HAVEO DO,

IF YOU CONTINUE TO KILSKINOPLE

WI THAT GOD-AWFUL FUNERAL MUSIC.

WELL, I'M JUST PLAYING WHAT THE MUSIC SAYS.

FORGET WHAT THE MUSIC SAYS. WE IN THE SOUL BUSINESS, NOW.

GIVE IT SOME...

YOU N'T DO THAT STUFF IN HERE.

YOU GOT A DRUM BOX BACK THERE, RIGHT?

GIMME AN [IMITATING DRUM MACHINE]

[IMITATING DRUM MACHINE RHYTHM]

HEY!

¶ I JUST DON'T WANT Y TO PASS ME BY ¶

¶ PASS ME NOT, O GENTLE SAVIOR ¶

¶ HEAR MY HUMBLE CRY ¶

¶ WHILE ON OTHERS THOU ART CALLING ¶

¶ DO NOT PASS ME BY ¶

¶ COME ON ¶

¶ DO NOT PASS ME BY ¶

¶ DON'T PASS ME BY ¶

¶ IT'S SOMETHING SPECIAL ABOUT THE WAY THAT YOU HOLD ME ¶

¶ MAKE ME, SHAPE ME, YOU TAKE ME, AND YOU MOLD ME ¶

¶ AND IN MY HEART AND IN MY SOUL AND IN MY SPIRIT ¶

¶ THE LOVE OF GOD EVERYDAY I GOTTA BE NEAR IT ¶

¶ TAKES ME--TAKE ME TO THE WATER, I WON'T DOUBT IN YOUR NAME ¶

¶ I'VE REPENTED OF ALL MY SINS ¶

¶ AND I HAVEN'T BEEN THE SAME ¶

¶Y FEET STARTIN' TO SHAKE ¶

¶ AND MY LEGS WANT TO RUN ¶

¶ 'CAUSE LOVE TURNED MY HEART AND MADE FEAR REPEAL MY TONGUE ¶

¶ I'M LOVING MY LORD UNTIL THE DAY THAT I DIE ¶

¶ SO PLEA PLEASE, OHPLEASE ¶

¶ DON'T PASS ME BY ¶ SING!

Choir: ¶ WHILE ON OTHERS THOU ART CALLING ¶

Soloist: ¶ THOU ART CALLING ¶

¶ OH, LORD ¶

¶ DO NOT PASS ME BY ¶

¶ NO, NO, NO ¶

¶ DO NOT PASS ME BY ¶

¶ HEY ¶

¶ I DON'T WANT THE LORD TO PASS ME BY ¶

¶ I DON'T WANT THE LORD TO PASS ME BY ¶

¶ I KNOW YOU NEED HIM ¶ ¶ YEAH ¶

¶ DO YOU NEED HIM? ¶ ¶ NEED HIM ¶

¶ I KNOW YOU NEED HIM ¶ ¶ NEED HIM ¶

¶ I KNOW YOU NEED HIM ¶ SING!

All: ¶ WHILE ON OTHERS THOU ART CALLING ¶

¶ DO NOPASS ME BY ¶

¶ DO NOT PASS ME BY ¶

[LAUGHING]

TURNS THAT I COULDN'T HIT A BEACH BALL,

MUCH LESS A CURVE BA.

CHARLIE'S ROLLING S EYES, AND...

I JUST LICKED MY WOUNDS AND STUMBLED UP IN HER

GOT TO THINKING TO MYSELF,

"WELL, GOD, MAYBE I DIDN'T HEAR YOU RIGHT.

MAYBE YOU SAIDBPREAER NOTPITCHER."

I DOUBT THAT.

I'VE NEVER SEEN PREACHING QUITE LIKE THAYO

YEAH, THEY DON DO CHURCH LIKE THAT BACK IN MIISSII.

NO, THEY DON'T. I WISH.

MY KIDS-- TH WOULDO CRAZY.

YOU GOT KIDS?

MY SUNDAY SCHOOL KIDS.

OH.

WHEW! I TEACH.

I'M--I'M JUST VISITING WHILE I'M TAKING A BREAK FOR THE SUMMER.

OH, THEY DIDN'T TELL YOU?

AIN'T NO GOING BACK.

NO, NO, NO. GOD'S GONNA HAVE TO RAE UP ANOTHER TEACHER TO TAKE YOUR ILACE.

D WHAT'S GONNA KEEP ME OUT HERE?

I DON'T KNOW, BUT I'LL THINK OF SOMETHING.

YOKNOW, MAYBE I COULD FIND SOMEBODY FOR YOU TO MAR.

MARRY?

WELL, UM, DO YOU HAVE ANYONE IN MIND?

I MIGHT. WHAT DO YOU LIKE IN A MAN?

[LAUGHING]

I MIGHT. WHATANUM, WELL, UM... MAN?

HE'S GOTTA BE NDSOME.

BOOM. I ALREADY KNOW SOMEBODY LIKE THAT.

AT ELSE?

HE'S GOTTA HAVE A GOOD HEART.

OK.

DID I TELL YOU I WAS PARTIAL TO PREACHERS?

DON'T YOU WANT TO WRITE THIS DOWN?

[LAUGHING]

[ORGAN PLAYSWEDDING MARCH]

Hammer: HE

[IMITATES DRUM MACHINE RHYTHM]

HEY!

HEY! HEH-HEH-HEY!

U HAVE A SERMO SHOULDWIT YOU BE STUDYING?

WE GOT OURSELVES A DANCER HERE.

YEAH. COME ON, AKEIBA, SHOW MOMMY

GIVE HER TO ME. GIVE HER TO ME.

COME ON, SWEETIE.

HEY, SWEETIE.

YEAH.

[LAUGHING]

UM, I WANT YOU TO READ SOMETHING.

OH, IT'S RIGHT HERE.

"I WILL MAKE YOUR FEET AS NIMBLE AS A DEER'S ON HIGH PLACES."

IF YOU WANT TO MAKE MUSIC,

IF YOU WANT TO DANCE,

DO THAT.

YEAH, BUT I MADE A PROMISE YOU KNOW, TO THE CHURCH,

TO GOD, TO YOU.

BUT YOU'RE NO GOOD TO ANY OF US IF YOU'RE NOT HAPPY.

I MEAN, THERE'S ALL KINDS OF PREACHERS,

AND NONE OF THEM MOVE LIKE YOU DO.

YOU GOTTA TRY THIS.

IF FOR NO OTHER ASON TH TO GET IT OUT OF YOUR SYSTEM.

YOU KNOW, TO START SOMETHING LIKE WHAT YOU'RE TALNG ABOUT IS GNA TAKE MONEY.

WHERE WILL WE GET THAT?

A LITTLE BIT MORE, BROTHER-IN-LAW?

THIS IS YOUR FAVORITE.

NO. I'M NOT DOING THIS.

OHCOME ON. WE DON WANT YOU TO WASTE AWAY.

HAVE A LITTLE BIT OF CHICKEN.

I DO REAL ESTATE, NOT RAP.

I JUST NEED A LITTLE STAKE--

EVEN IF I WANTED TO BE IN THE MUSIC BUSINESS, WHICH I DON'T,

I WOULDN'T HAVE NOTHING DO WITH WHAT YOU'RE LOOKING TO DO.

NO OFFENSE. IT'S PARTY MUSIC, NOT SELLING MUSIC.

OH, COME ON, NOW. DON'T BE DOING THIS.

YOU'VE GOT THE BIG FANCY OFFICE.

THE BIG OAK DESK, SITTING THERE DROWNING IN ALL THAT REAL ESTATE MOY.

DROWNING IN IT? YEAH.

YOU MIGHT AS WELL INVEST IT IN SOMETHING. WHNOT ME?

OR YOUR NIECE. CONSIDER IT LIKE A COLLEGE FUND.

COLLEGE?

I MADE PIES.

I HAVE CHERRY AND CHOCOLATE.

NOW, YOU KNOW THAT'S YOUR FAVORITE.

ALL RIGHT. HOW MUCH ARE WE TALKING?

40,000. 40 THOU?!

I DON'T NEED IT AKL FROM YOU.

YOU CRAZY, YOU KNOW THAT?

THOSE MEAN THINGS HE SAID ABOUT YOUR DADDY

WHAT?!

IF I GIVYOU $1,000 WILL YOU LET ME OUTTA HERE?

DANCERS, RAPPERS, WE NEED THEM ALL.

WE GONNA TEAR THE ROOF OFF.

AND, UH, WHERE WE GONNA DO THIS SHOW?

IN YOUR LIVING ROOM?

MAN, YOU IN OR YOU OUT?

LOOK, I GOT A JOB...

AND MINE PAYS.

¶ LET'S GET IT STARTED ¶

HAMMER, WAIT UP!

LOOK, MAN, I CAN'T DANCE. I CAN'T RHYME.

I GOT NO SKILLS WHATSOEVER...

BUT I'M DOWN WITH YOU.

¶ MAN, YOUR PARTY MUST BE JUMPING ¶

¶ AND YOUR DJ BE TWEAKED ¶

¶ IS THAT A DE BEAT ¶

¶ HE WILL SPIN IN BETWEEN ¶

WHAT'SAPPENIN', SISTERS? HAMME

HOW YOU DOIN'?

WHAT'S GOIN' ON, DOG? MY NAME'S FREDDY.

MAN HAMMER RIGHT THERE.

¶ DANCE IN THE HOLE ¶

ALL YOU GOTTA DO IS STICK, STICK,

HOOP, HOOP...

WOP, WOP.

BRO...

¶ LET'S GET IT STARTED! ¶

¶ AH AH AH ¶

¶ AH AH OH OH ¶

¶ LET'S GET IT STARTED ¶

¶ OH OH AH AH ¶

¶ AH AH AH AH ¶

¶ LET'S GET IT STARTED ¶

WOP--

YOU JUST DO THIS.

¶ HERE WE ARE, COOL, COOL ¶

WOP, WOP,

BOOM, BOOM, BOOM.

AH!

¶ THEY SAID IT COULDN'T HAPPEN ¶

¶ THAT RAP WOULDN'T LAST ¶

¶ THE BEAT IS IN EFFECT ¶

¶ LIKE YOUR OIL IN YOUR GAS ¶

¶ HIT IT, AH AH ¶

SO, ARE YOU A SINGER?

NO.

YOU DON'T LOOK LIKE A DANCER.

NOPE.

WHAT DO YOU DO?

MAN, IT'S CHILLY IN HERE.

¶ OH OH OH OH ¶

¶ AH AH OH OH ¶

SEE THAT RIGHT THERE?

LIKE THIS.

1, 2, AH, AH!

¶ MAN, YOUR PARTY MUST BE JUMPIN' ¶

¶ AND YOUR DJ BE TWEAKED ¶

¶ INSTEAD OF DOPE BEATS ¶

¶ HE WAS SPINNING UP Z'S ¶

COME ON, MAN. YOU KNOW I'M GOOD FOR THE MONEY.

THE STUDIO WILL STILL BE HERE

WHEN YOU COME BACK WITH IT.

MAN, WHERE ARE WE GONNA GET THIS KINDA CASH?

¶ NOW, A LOT OF PEOPLE GET THE GAME ¶

¶ THOUGH THEY FAKIN' THE BEAT ¶

¶ THEY GET HOT ON THE OUTSIDE ¶

¶ BUT ROCK UNDERNEATH ¶

¶ BEFORE THE SHOW GETS STARTED ¶

¶ THEY SHAKE IN THEIR BOOTS ¶

¶ MY POSSE IS IN HERE ¶

¶ 'CAUSE IT'S PLAYIN' THE TROOPS ¶

¶ LIKE A TUBA, I'M DOWN ¶

¶ DON'T WANT NO CONTROL ¶

¶ EIGHT ON EIGHT, SB12 ¶

¶ INSPIRING AFRICA ¶

¶ PUT ON THE HAMMER, AND YOU WILL BE REWARDED ¶

¶ MY BEAT IS EVER MOVIN' ¶

¶ AND YOU KNOW I GET IT STARTED ¶

¶ GO ¶

¶ LET'S GET IT STARTED ¶

HERE YOU GO.

¶ LET'S GET IT STARTED ¶

¶ AH AH OH OH ¶

¶ AH AH OH OH, LET'S GET IT STARTED ¶

¶ AH OH OH ¶

¶ OH OH OH OH ¶

¶ THEY GETTIN' UP, YOU'LL SEE BECAUSE ¶

¶ MY BEAT IS COMPLETE ¶

¶ I'M MOVIN' EVERYBODY ¶

¶ FROM A TO Z ¶

¶ AND WHEN IT COMES TO STAY A-ROCKIN' ¶

¶ I'M SECOND TO NONE ¶

¶ 1, 2 ¶

¶ DJ ¶

¶ HAMMER, HOW YOU DO IT? ¶

¶ I GOT IT LIKE THAT ¶

¶ MY POSSE'S ROLLIN' ¶

¶ WE KEEP IT INTACT ¶

¶ THUMP ON THE HAMMER ¶

¶ AND YOU WILL BE REWARDED ¶

¶ MY BEAT IS HOW I'M ROLLIN' ¶

¶ AND YOU KNOW I GET IT STARTED ¶

¶ AH AH AH AH ¶

¶ AH AH OH OH ¶

¶ LET'S GET IT STARTED ¶

¶ AH AH OH OH ¶

¶ AH AH OH OH ¶

¶ LET'S GET IT STARTED ¶

OK, BABY, HOLD STILL.

THERE YOU GO.

HONEY, THESE PANTS ARE TOO TIGHT.

I NEED MORE ROOM IN THEM TO MOVE.

OH, I GOT AN IDEA. TAKE 'EM OFF.

JUST TAKE 'EM OFF.

Woman: HA HA HA HA!

Man: HEY, DROOPY DRAWERS!

Woman: HA HA! LOOK AT THOSE PANTS!

THOSE PANTS!

Man: HEY, WHAT YOU GOT ON YOUR LEGS?

WHOO! HA HA HA HA!

Woman: LOOK WHAT HE'S WEARIN'!

Man: I THINK YOU GOT SOMETHIN' UP THERE!

SPIN THIS RECORD FOR ME.

I NEED A REASON.

IT'S GOOD.

I NEED MORE OF A REASON.

I GUESS THAT MAKES YOU THE NEW M.C. OF THIS PARTY.

CUT NUMBER 2.

YOU GOT IT.

[MUSIC STOPS] [CROWD GROANS]

Club D.J.: GIVE IT UP FOR THE NEW MAN OF THE HOUSE...

MC HAMMER.

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ MAN, YOUR PARTY WASN'T JUMPIN' ¶

¶ AND YOUR DJ WAS WEAK ¶

¶ INSTEAD OF DOPE BEATS, HE WAS SPINNIN' UP Z's ¶

¶ ALL THOSE FLY GIRLS WHO DANCE WITH THE BEAT IN COMMAND ¶

¶ ARE UP AGAINST THE WALL LIKE A BUTTERFLY ¶

¶ DO YOU THINK FOR ONE MINUTE ¶

¶ THAT THIS IS IT? ¶

¶ YOUR PARTY IS BUGGIN', NO, IT AIN'T LEGIT ¶

¶ YOU'D BETTER THUMP ON THE HAMMER ¶

¶ AND YOU WILL BE REWARDED ¶

¶ MY BEAT IS EVER MOVIN' ¶

¶ AND YOU KNOW I GET IT STARTED ¶

¶ GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ UP OUT YOUR SEAT ¶

¶ BECAUSE MY BEAT HAS COME COMPLETE ¶

¶ I'M MOVIN' EVERYBODY FROM A TO Z ¶

¶ AND WHEN IT GOES... ¶

$5. $5 GONNA GET YOU-- $5 GONNA GET YOU THE WORLD.

BOOM. WHO ELSE? WHO ELSE? HOW--HOW MUCH YOU GOT?

HOW MUCH YOU GOT? I'M GONNA LET YOU SLIDE.

COME ON. WHO ELSE? WHO ELSE? WHAT YOU GOT?

$5, BOOM.

¶ GOT IT LIKE THAT ¶

¶ MY POSSE'S EVER ROLLIN' ¶

¶ WE KEEP IT INTACT ¶

¶ JUST PUT ON THE HAMMER ¶

¶ AND YOU WILL BE REWARDED ¶

¶ HIP-HOP BEAT IS EVER MOVIN' ¶

$10. THAT'S RIGHT. $10, YOU CAN HAVE A RECORD.

$10, MC HAMMER. $10, $10. HOW MUCH YOU GOT?

$10. THERE YOU GO.

I GOT A WIFE AND KID TO FEED.

THAT'S RIGHT. $10. $10.

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

¶ LET'S GET IT STARTED ¶

[CHEERING AND APPLAUSE]

OH, BABY, YOU WERE SO GOOD. YOU WERE GREAT.

HEY, YOU NEED ANYTHING, HAMMER?

NO, I'M OK.

Woman: OH, YOU'RE A LOT BETTER THAN OK.

SARAH JACKSON, CAPITOL RECORDS.

MC HAMMER.

I KNOW. I'VE BEEN FOLLOWING YOU.

LISTEN, WE'VE BEEN TRYING

TO GET INTO RAP FOR A LONG TIME.

WE JUST NEEDED THE RIGHT ARTIST TO DO IT,

AND WE THINK YOU'RE THE GUY...

THAT IS, IF WE CAN CONVINCE YOU

WITH $100,000 SIGNING BONUS.

HEY! $100,000.

YEAH. THAT'S A WHOLE LOT OF MONEY.

IT IS UNHEARD OF IN RAP,

BUT I TOLD MY BOSS YOU'RE WORTH IT,

Hammer: YOU KNOW WHAT?

I APPRECIATE THAT, BUT EVEN SO,

I'M AFRAID I'LL HAVE TO PASS.

I'M SORRY?

YEAH, THE MOVES THAT YOU LIKE SO MUCH,

I'M SURE YOUR BOSS WILL UNDERSTAND.

CAN I GET YOU SOMETHIN' TO DRINK?

DO YOU KNOW HOW MANY PEOPLE

SPEND THEIR WHOLE LIVES DREAMIN' ABOUT $100,000?

THEY'LL GO HIGHER. I KNOW IT.

I JUST NEED YOU TO HELP ME NEGOTIATE.

I'LL TELL YOU WHAT YOU NEED.

I--I DON'T EVEN KNOW WHAT YOU NEED. YOU'RE THAT STUPID.

I CAN MAKE TWICE WHAT THEY OFFER ME ON MY OWN.

I GOT THE NUMBERS TO PROVE IT.

GIMME THAT. "I'VE GOT NUMBERS."

YOU DO THIS MUCH ON YOUR OWN?

THAT'S JUST OUT THE TRUNK. NO AIRPL, NOTHIN'.

YOU'RE NOT LYING TO ME?

NO COOKIN' E BOOKS.

CAPITOL RECORDS GONNA HAVE TO DO

A WHOLE LOT BETTER THAN 100 GRAND,

THAT'S FOR DAMN SURE.

I'VE BEEN DOING THIS SINCE YOU WERE A BABY, STANLEY,

AND FOR A HELL OF A LOT MORE MONEY THAN YOU'RE TALKIN' ABOUT.

I--I KNOW, MR. FINLEY. I JUST DON'T WANT TO CHASE 'EM AWAY.

Charlie: LOOK, YOU WANT MY ADVICE OR NOT?

YOU ASKED FOR IT. YOU WANT IT?

YEAH, YEAH. THEN GO BACK TO USING YOUR HEAD.

YOU GOT THE NUMBERS. THEY KNOW IT.

ANYTHING LESS THAN 1/2 MILLN, HANG UP.

YOU SURE ABOUT THIS?

YEAH, LOOK, I GOTTA GO TO WORK, STANLEY.

TALK TO YOU LATER.

IF I HEAR ANYTHING THAT MAKES ME WANNA...

THANK YOU, MRS. WHATLEY. I'M SO SORRY.

PLEASE LET ME KNOW IF I GET ANY MORE CALLS, OK?

ALL RIGHT.

I THINK WE'RE MOVIN' IN THE RIGHT DIRECTION.

HE'S GOT HIM TO 350,000.

HANG UP. CHARLIE SAYS WE CAN GET 5.

HANG UP? WHAT ARE YOU... HANG UP.

WHY DON'T YOU FELLAS SEE WHAT ELSE YOU CAN COME BACK WITH.

LOOKS LIKE WE'RE STILL A LONG WAY APART.

DON'T WORRY. CHARLIE KNOWS WHAT HE'S DOIN'.

[RING]

BUST-IT RECORDS.

MM-HMM...

OF COURSE, I'LL HAVE TO RUN IT PAST MY CLIENT.

[GASPS] OH, MY GOD.

HA! [SCREAMS]

YOU DON'T NEED ALL THAT RECORDING STUFF BACK THERE. WHAT YOU NEED IS A BED.

NO TIME TO REST, MAMA. CAPITOL WANTS ANOTHER RECORD FAST.

THIS WAY, I CAN DO IT WHILE ON THE ROAD.

BUT WHAT IF YOU GOTTA GO TO THE BATHROOM?

SAW YOU TOOK THAT OUT, TOO.

MAMA, JUST GIVE ME A SECOND, ALL RIGHT?

ALL RIGHT. I'LL TALK TO YOU.

ALL RIGHT.

YOU KNOW, IT AIN'T TOO LATE TO COME WITH US.

NAH, I STILL GOT A LITTLE BUSINESS, NO THANKS TO YOU.

HALF MY CUSTOMERS ARE ON THEM BUSES OF YOURS.

WHATEVER THE DEVIL'S PAYIN' YOU,

I'M GONNA DOUBLE IT.

TO DO WHAT?

STAND AROUND LIKE FREDDY

SUCKIN' MONEY OUT YOUR POCKET?

[CHUCKLES]

YOU'RE DOIN' IT, MAN...

DOIN' JUST WHAT YOU SAID YOU'D DO.

THEN COME WITH ME. PLEASE.

YOU GOT SOME BUSES WAITIN'.

I GOT YOUR BACK, HAMMER.

CIRCLE UP, EVERYBODY. [CLAPS]

WE GONNA BATHE THESE BUSES IN PRAYER, Y'ALL. COME ON.

LET'S TAKE IT TO THE LORD, Y'ALL. COME ON.

AS WE BEGIN OUR ADVENTURES TOGETHER,

IT IS GOD THAT GIVES US STRENGTH

AND MAKES OUR WAY PERFECT.

HE HAS SECURED OUR STEPS SO WE WILL NOT SLIP.

NOW...

LET OUR FEET BE SWIFT

AND OUR LIPS FILLED WITH PRAISE, AMEN.

All: AMEN. LET'S DO IT.

All: WHOO! [APPLAUSE]

Announcer: ALL RIGHT.

LET'S GIVE IT UP FOR MC...

CHILL. IT'LL JUST BE THE OPENING ACT.

WE AIN'T HEARD HIM ANYWAYS.

[CROWD CHEERS]

¶ GIRLS FROM ALL AROUND ¶

¶ CAME TO GET DOWN WITH THE HAMMER ¶

¶ CAN YOU PUMP IT? ¶

¶ YOU HAVE TO PUMP IT ¶

¶ FOR THE HAMMER ¶

[CROWD CHEERS]

YES, FOR YOU. MC HAMMER BACK AGAIN,

READY TO STIR YOU UP AND TAKE IT TO THE FLOOR.

I'M BUSY!

¶ HOT LIKE FIRE, THE PEOPLE'S DESIRE ¶

¶ MC HAMMER'S GONNA MAKE YOU RETIRE ¶

¶ STAND ON THE SIDE ¶

¶ DON'T SWEAT, DID YOU WANNA TRY ME, BOY? ¶

¶ DON'T BET 'CAUSE YOU MIGHT LOSE YOUR SHIRT, YOUR DOG, YOUR HOUSE ¶

¶ AND EVEN YOUR GIRL MIGHT PUT YOU OUT ¶

OH, SNAP! FORGET ABOUT THEM DRINKS.

THIS BROTHER'S BAD.

¶ WHAT MORE COULD I SAY? ¶

¶ I'M MC HAMMER, ARE YOU DOWN TO PLAY? ¶

¶ HAMMER, HAMMER ¶

¶ I AM ¶ ¶ HAMMER ¶

¶ THEY PUT ME IN THE MIX ¶

¶ HAMMER, HAMMER ¶ ¶ I AM ¶

¶ HAMMER ¶ ¶ THEY PUT ME IN THE MIX ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH ¶

¶ FEET GOTTA TOUCH, I'M TOO MUCH ¶

¶ MC HAMMER, I GOT IT ALL WRAPPED UP

¶ MAKE NO MISTAKE, I KNOW ¶

¶ THAT THE PEOPLE GET TIGHT AT THE MC HAMMER SHOW ¶

¶ EVERYBODY UP, NOBODY DOWN ¶

¶ I'LL TAKE CONTROL LIKE A PITCHER ON THE MOUND ¶

¶ I GOTTA HIT, I WON'T QUIT ¶

SO, WHO'S OPENIN'?

KID NAMED MC HAMMER.

SUCK IT UP, FELLAS. YOU GOT WORK TO DO.

¶ THAT'S ME ¶ ¶ HAMMER, HAMMER ¶

¶ I AM ¶ ¶ HAMMER ¶

¶ THEY PUT ME IN THE MIX ¶

¶ HAMMER, HAMMER ¶ ¶ I AM ¶

¶ HAMMER ¶ ¶ THEY PUT ME IN THE MIX ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH, OH, OH ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH ¶

¶ THE HAMMER GETS DOWN LIKE MY BOY B. BROWN ¶

¶ MY PREROGATIVE, MC's GETTIN' CLOWNED ¶

¶ SO, THERE IT IS, THERE YOU GO ¶

¶ THE HAMMER GONNA KEEP GIVIN' UP THE SHOW ¶

¶ I'LL SWEAT UNTIL I CAN'T SWEAT NO MORE ¶

¶ AND TO ALL THE BROKE PLAYERS ¶

¶ YOU BETTER GET BUSY! ¶

¶ I AM ¶ ¶ HAMMER, HAMMER ¶

¶ I AM ¶ ¶ HAMMER ¶

¶ THEY PUT ME IN THE MIX ¶

¶ HAMMER, HAMMER ¶ ¶ TOO LOOSE ¶

¶ HAMMER ¶ ¶ THEY PUT ME IN THE MIX! ¶

[ALL CHEER]

WHOO! BAD, HAMMER! BROTHER!

THIS IS NOTHIN', MAN.

WE JUST GETTIN' STARTED, Y'ALL!

IT'S JUST GONNA BE BIG.

AT'S RIGHT. ALL RIGHT. ALL RIGHT.

THANK YOU TO THE MAN ABOVE.

THANK YOU TO THE MAN ABOVE. THE MAN ABOVE.

MAN, I AIN'T NEVER SEEN NO $12 EGG.

NOW, WHEN YOU GONNA STOP IN' THAT, FREDDY?

[CHULES]

"MAN, I AIN'T NEVER SEEN NO $12 EGG."

"MAN, I AIN'T NEVER SEEN NO $15 EGG."

DUDE, YOU GOT MONEY NOW. SPEND IT.

GO CRAZY. MATTER OF FACT, YOU NEED TO...

GET YOU SOME OF THIS $20 BACON RIGHT HERE,

AND--AND GET IT TO GO.

Chris: YOUR REVIEW...

YOU OUGHT TAKE A LOOK, SINCE YOU'RE ABOUT THE ONLYHING IT MENTIONS.

AND IT JUST KEEPS ON GETTIN' BETTER.

YOU KNOW MY BODY MAN, FREDDY, RIGHT?

YEAH. FREDDY, THAT'S CHRIS.

3 HE'S THE MANAGER FOR SOULIXER.

YOU'RE THE OPENING ACT, HAMMER, NOT THE ENTIRE ACT.

DUDE, I'M JUST DANCIN' AND HAVIN' FUN. WE JUST DOIN' A JOB.

YOUR JOB IS TO SET UP MY BOYS AND THE OTHER BAND,

BUT YOU SUCK T LIFE OUT OF THE AUDIENCE

BEFORE THEY HAVE A CHANCE TO DO THEIR THING.

IF THEY CRt.D AIN'T FEELIN' WHATHEY DOIN'...

U'RE BURN' 'EM OUT, MAN.

NOT TO MENTION, YOU TICKIN' F

SOULIXER AND 2-B-SMOOTH.

Wesley: THERE'S AN EASY FIX.

LET MY MAN CLOSE.

WHY DON'T YOU BE A GOOD MANAGER

AND TELL BABY BROTHER TO DIAL IT BACK?

LISTEN, IF I TELL HIM ANYTHING, I'LL TELL HIM TO PUMP IT UP,

AND DON'T EVER TALK TO HIM AGAIN WITHOUT COMIN' TO ME FIRST.

Chris: I'M TELLIN' YOU, MAN. YOU'RE STARTIN' SOMETHIN' THAT NONE OF US WANT.

I CAN'T DO IT 1/2 SPEED, BRO.

I DON'T KNOW HOW.

THEN THAT'S A PROBLEM.

¶ THEY PUT ME IN THE MIX ¶

¶ OH ¶ ¶ OH ¶

¶ OH, OH, OH ¶

¶ OH ¶ ¶ OH ¶

¶ OH ¶ ¶ OH ¶

¶ THE HAMMER IS DOWN LIKE MY BOY, B.BROWN ¶

¶ MY PREROGATIVE, MC's GETTIN' CLOWNED ¶

¶ SO, THERE IT IS, AND YOU KNOW ¶

¶ THAT HAMMER'S GONNA KEEP GIVIN' UP THE SHOW ¶

¶ I'M GONNA SWEAT UNTIL I CAN'T SWEAT NO MORE ¶

¶ AND TO ALL THE BROKE PLAYERS ¶

¶ YOU'D BETTER GET BUSY! ¶

¶ I AM ¶ ¶ HAMMER, HAMMER ¶

¶ I AM ¶ ¶ HAMMER ¶

¶ THEY PUT ME IN THE MIX ¶

¶ HAMMER, HAMMER ¶ ¶ TOO LOOSE ¶

¶ HAMMER ¶ ¶ THEY PUT ME IN THE MIX! ¶

[ALL CHEER, APPLAUD]

THANKS, MAN.

HAMMER'S DOWN, BABY. SEND IN THE SACRIFICIAL LAMB.

Man on radio: YO, THESE GUYS REALLY HATE FOLLOWING HAMMER.

Stagehand: YEAH, MAN, I DON'T BLAME 'EM.

SOULIXER, YOU'RE UP.

MAYBE YOU DIDN'T GET THE MEMO, BROTHER.

WE DON'T DO MIDDLE. WE CLOSE THE SHOW.

Man: NO WAY, MAN. THAT AIN'T THE DEAL.

WE TRADE OFF. WE FLIP-FLOP.

THAT'S RIGHT. WE FLIP AND YOU FLOP,

SO GET YOUR ASS ON THE STAGE AND GET TO FLOPPIN'.

HEY, MAN. LUTHAIN.

WHO'S FIRST. WHO'S LAST. IT DON'T MATTER.

WELL, IF IT DON'T MATTER, TELL YOUR BOYS

TO GET ON STAGE AFTER HAMMER.

IT'S ONLY MUSIC, BABY.

ALL RIGHT. OK.

ALL RIGHT.

TRY NOT TO PUT 'EM IN A COMA THIS TIME.

WHAT Y'ALL...HEY!

HEY!

UNH!

HAMMER, COME ON.

LET'S GET YOU OUTTA HERE.

Man: CHRIS. YOU BETTER WATCH YOUR BACK.

Announcer: LET'S HAVE A BIG HAND FOR SOULIXER.

[APPLAUSE]

GOT 'EM ALL WOUND UP FOR YOU, HEADLINER.

Announcer: LADIES AND GENTLEMEN,

IT'S THE MOMENT YOU'VE BEEN WAITING FOR.

IT'S HAMMER TIME.

[CROWD CHEERS, APPLAUDS]

[LAUGHTER]

Sara Jackson: DON'T WORRY.

NEITHER THE RECORD COMPANY NOR YOUR PARENTS

SENT ME HERE TO CHECK UP ON YOU,

BUT I DID BRING A MESSAGE

FROM THE PRESIDENT OF CAPITOL RECORDS,

AND IT READS,

"CONGRATULATIONS, HAMMER, AND TO ALL OF YOU,

"NOT ONLY ARE WE PROUD

"TO CALL YOU OUR FIRST RAP ARTIST,

"TODAY, WE ARE DOUBLY PROUD TO CALL YOU

THE BEST SELLING ARTIST ON THE CAPITOL LABEL."

[ALL CHEER, APPLAUD]

"AS YOUR RECORD..."

WAIT A MINUTE. WAIT A MINUTE.

"AS YOUR RECORD HAS NOW SOLD

MORE THAN A MILLION AND 1/2 PIES."

[ALL CHEER, APPLAUD]

COME ON. TIME TO CRASH THE PARTY.

"AGAIN, CONGRATULATIONS, AND WE ARE HONORED

TO HAVE YOU AS PART OF OUR CAPITOL FAMILY."

[APPLAUSE]

[CELL PHONE RINGS]

[RING]

WE AIN'T BEEN ON TOP 10 SECONDS,

AND MY BROTHER'S ALREADY FIELDING BETTER OFFERS.

[ALL LAUGH]

YEAH, OK. YEAH.

UH-HUH.

OH, AND BY THE WAY,

IT CAME WITH A LITTLE SOMETHING.

All: OOH.

LOOK, WE AIN'T THE PROBLEM HERE.

2-B-SMOOTH, SOULIXER,

THEY'RE THE ONES BITIN' EACH OTHER'S HEADS OFF.

I MEAN, IF HAMMER'S TOO HOT FOR 'EM, FINE.

SEND 'EM HOME, AND WE CAN CARRY THE TOUR ON OUR OWN.

I GOT THE NUMBERS TO PROVE IT.

EXCUSE ME. I'LL BE RIGHT BACK.

Woman: OH!

I SELL A MILLION RECORDS,

AND THE DUDE SENDS ME ONE OF THESE.

[ALL LAUGH, APPLAUD]

THE REAL ONE'S WAITING IN YOUR DRIVEWAY BACK HOME.

[ALL GASP]

HAMMER, YOU BETTER HURRY HOME

BEFORE YOUR WIFE TAKE OFF WITH THAT CAR.

[LAUGHS]

WELL, I'LL BE IN MY ROOM IN 2 MINUTES,

SO WHAT I'LL DO IS I'LL CALL YOU BACK WITH THE BOX OFFICE NUMBERS.

WESLEY! WESLEY, MAN,

Wesley: WHAT'S UP, CHRIS? WE NEED TO TALK, MAN.

I KNOW WE'VE BEEN HAVIN' A LITTLE PROBLEM...

[GUNSHOTS] [APPLAUSE]

I HEARD GUNSHOTS IN THE HALL.

WESLEY, NO.

BABY. HAMMER.

CHRIS. OH, MY GOD.

THEY JUST SHOT HIM.

I THOUGHT WE'D LEFT ALL THIS BACK IN OAKLAND.

LD TOUR PROMOS. TAKE ONE.

AND ACTION!

WATCH OUT, MIAMI. THIS IS M.C. HAMMER AND I'M COMIN' AT YOU!

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

¶ MY, MY, MY, MY MUSIC HITS ME SO HARD ¶

¶ MAKES ME SAY, OH MY LORD ¶

¶ THANK YOU FOR BLESSING ME ¶

¶ WITH A MIND TO RHYME AND TWO FLY FEET ¶

¶ AND IT'S GOOD WHEN YOU KNOW YOU'RE DOWN ¶

¶ A SUPERBOWL HOMEBOY FROM THE OAKTOWN ¶

¶ AND I'M KNOWN AS SUCH ¶

¶ AND THIS IS A BEAT YOU CAN'T TOUCH ¶

I TOLD YA, HOMEBOY.

¶ U CAN'T TOUCH THIS ¶

YEAH, THAT'S HOW WE LIVIN', AND YOU KNOW...

¶ U CAN'T TOUCH THIS ¶

LOOK IN MY EYES. MAN...

¶ U CAN'T TOUCH THIS ¶

HOWDY, DALLAS. THIS IS M.C.--

COME ON, MAN. LET ME WEAR IT.

NO.

[MEN LAUGHING]

¶ NOW YOU KNOW YOU WANNA DANCE ¶

¶ SO MOVE OUT OF YOUR SEAT ¶

¶ AND GET A FLY GIRL AND CATCH THIS BEAT ¶

¶ WHILE IT'S ROLLIN', HOLD ON ¶

¶ PUMP A LITTLE BIT AND LET ME KNOW WHAT'S GOIN' ON ¶

¶ LIKE THAT, LIKE THAT ¶

¶ COLD ON A MISSION, SO PULL ON BACK ¶

¶ LET 'EM KNOW THAT YOU'RE TOO MUCH ¶

¶ AND THIS IS A BEAT THEY CAN'T TOUCH ¶

AREGATO, TOKYO.

iBUENOS DIAS, MEXICO!

¶ U CAN'T TOUCH THIS ¶

YO, SOUND THE BELLS. SCHOOL'S IN, SUCKER.

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

BREAK IT DOWN!

STOP! HAMMER TIME.

ALOHA, HONOLULU.

THIS IS M.C. HAMMER AND I'M COMIN' AT YOU SOON!

HA HA HA!

¶ BUST TO THE BEAT, RUN YOUR FINGER'S THROUGH YOUR HAIR ¶

¶ THIS IS IT, FOR A WINNER ¶

¶ DANCE TO THIS AND YOU'RE GONNA GET THINNER ¶

¶ MOVE, SLIDE YOUR RUMP ¶

¶ JUST FOR ME, LET'S ALL DO THE BUMP ¶

¶ BUMP, BUMP, BUMP ¶

YEAH...

¶ U CAN'T TOUCH THIS ¶

WATCH OUT, DETWOIT!

DET-DETWOIT.

YOU WANNA TWY THAT AGAIN?

WATCH OUT, DETWOIT! THIS--

[MEN LAUGHING]

NOW I'M STUCK ON DETWOIT.

BREAK IT DOWN!

STOP!

HAMMER TIME.

[AUSTRALIAN ACCENT] G'DAY, MATE!

M.C. HAMMER'S COMIN' TO SYDNEY!

[BEAT BOXES]

SHALOM.

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

YEAH...

¶ U CAN'T TOUCH THIS ¶

¶ U CAN'T TOUCH THIS ¶

Reporter: 3 AWARDS IN ONE NIGHT.

HOW DO YOU FEEL, HAMMER?

I FEEL GREAT. I FEEL REALLY GOOD. UM, I'M TRULY BLESSED.

Second Reporter: YOU'VE HAD A GREAT YEAR! WHAT'S NEXT?

WELL, WE JUST CAME OFF A WORLD TOUR,

SO I'M GONNA WORK IN A LITTLE R & R,

SPEND SOME TIME WITH MY FAMILY.

I'M SURE YOU ALL KNOW MY BEAUTIFUL WIFE STEPHANIE.

[PEOPLE CHEERING]

SHE'S VERY SHY.

HEY, HAMMER! WHEN IS YOUR NEW ALBUM COMING OUT?

I'M IN THE STUDIO RIT NOW, WE'RE BOOKIN' THE NEXT TOUR.

YOU LOOK FOR IT!

DADDY! DADDY! YOU WON! YOU WON!

IT 3 AWARDS I WON. T ME HEAR YOU SAY "DADDY'S BAD"!

DADDY'S BAD!

SAY "DADDY'S THE BEST"!

DADDY'S THE BEST!

HURRY UP AND FINISH, OK, BABY?

YOU TWO ARE UP EARLY.

WE'RE GOING TO T MOVIES.

IT'S SATURDAY. YOU KNOW HOW CROWDED IT'S GONNA BE?

WE DON'T MIND WAITINOMIN LINE

FOR A MOE, DO WE, AKIEBA?

THAT'S NOT WHAT I'M TALKING ABOUT AND YOU KNOW IT.

WELL, AT LEAST HAVE FREDDY WITH YS JUST IN CASE SOMEINHAPPS.

IT'S MY LAST DAY HOME. I'M WITHY BY,I

NOT WITH FREDDY.

YOU LIKE TSTT?

I'LL HOOK YOU UP.

CAN I HAVE SOME PCORN?

SU YOU CANBA.

DADDY, ARE YOU LEAVING TONIGHT?

YEAH, AND I'M BE GONE FOR AWHILE.

BUT YOU KNOWHAT I'M NNA CALL YOUVE NIGHT, RIGHT?

HAMMER?

I'M A HUGE FAN. WOULD YOU MIND?

NOT AT ALL.

DADDY?

AKIEBA?

DADDY? AKIEBA?

DADDY?

AKIEBA?

WHERE ARE YOU? I CAN'T SEE YOU? DADDY, I'M SCARED.

COME ON, BABY.

IT NEEDS MORE WATER. I WANT TO SEE IT

THE MINUTE THAT I WALK IN THROUGH THITFRONT DOOR.

WHEN I SAY EVERYWHERE, I MEAN EVERYWHERE.

AND THIS GARAGE IS GONNA HAVE TO BE BIGGER, MAN.

I GOT 8 CARS NOW.

THE GARAGE IS NO PROBLEM.

YOU GOT OUTDOOR POOL, AN INDOOR POOL,

A WATERFL, A GROTTO, AND ANQUARIUM THE SIZE OF A DRUGSTORE.

NO, THIS IS TOO MUCH.

THANK YOU.

HAMMER, THE MAYOR OF L.A. WANTS 5 MINUTES.

DO I HAVE 5 MINUTES?

JUST.

STANLEY, WE DON'T NEED ALL THIS.

WE DON'T NEED ANOF IT, BABY, BUT WE EARNED IT.

IT'S ONLY MONEY.

IFE DON'T SPEND IT,

Hammer and Wesley: WE JUST MIGHT DROWN IN IT.

OK, NO MORE WATER. FE.

HAMMER! THEY'RE AT THE STARTIN' GATE.

I'VE G A TV IN THE OTHER ROOM FOR YOU.

YA'LL KEEP TALKIN'. I'VE GOT A HORSE RUNNIN' IN FLORIDA.

SHE'S IN CHARGE. TAKE CARE OF ME.

I WANT A RECORDING STUDIO,AK

RACEHORSES JUST A FEW.

IT'S OK TO TELL HIM NO SOMETIMES.

[HEAVY BEAT FROM DOWNSTAIRS]

STOMP IT OUT!

YEAH! FUNKY!

OK, MY TWO LITTLE DANCING MACHINES.

IT'S WAY PAST AKIEBA'S BEDTIME.

OH, WE WE'RE FINALLY HAVING FUN.

LISTEN TO YOUR MAMA, BABY.

DADDY'S GOT A LOT OF WORK TO DO. SAY OD NIGHT, OK?

OK, DADDY.

I'LL BE BACK FOR YOU LATER.

IS DADDY WORKING LATE AGAIN?

I'M GONNA SEE IF I CAN GET HIM TO QUIT EARLY TONIGHT.

OK, I WANT YOU TO GO UP TO BED.

BRUSH YOUR TEETH.

OK.

WHAT YOU THINK?

I THINK YOU OUGHT TO COME TO BED.

OH, U DO.

MM-HMM.

IS THERE ANY WAY THAT I COULD TALK MY WORKAHOLIC HUSBAND

INTO COMING INTO ANOTHER PART OF OUR BIG OLD HOUSE?

THERE ARE A LOT OF ROOMS WE HAVEN'T TRIED.

I THINK THAT WE CAN MAKE THAT WORK.

I'LL MAKE WORTH YOUR WHILE.

I BET YOU WILL.

LET ME LOCK DOWNTHI.

MAYBE NEXT TIME I'LL DRESS UP LIKE A RECORD EXECUTIVE.

MAYBE THAT'S A FANTASY YOU'LL RESPOND TO.

HAVE A JOB, STEPHANIE.

YOU THINK I'M DOING THIS JUST FOR ME?

DON'T PLAYACRIFICIAL HUSBAND WI ME.

I KNOW BETTER.

IF I DON'T STAY ON TOP,

DO YOU KNOW HOW MANY PEOPLE LOSE THEIR JOBS?

JOBS THAT THEY NEED?

EY DEPEND ON ME.

WE DEPD ONAYOU. WHAT DO WE GET?

A LIFESTYLE TH PEOPLE LIKE US UT. ONLY DREAM A

I DIDN'T DREAM THIS. THIS HAS NOTHING T WITHE.

I DON'T EVEN CARE ABOUT THIS STUPID HOE.

THE ONLY THING THAT'S GOOD ABOUT IT,

IS THAT IT'S BIG ENOUGH TO HOLD YOUR BLOATED EGO.

I HELP A LOT OF PEOPLE.

WHY?

CAN U EV REMEMBER WHY?

OR A YOU TOO BUSY WITH YOUR RACEHORSES,

AND YOUR HOUSES, AND YOUR TACO ERCIAL

AND GOD KNOWS WHAT EE TO EVEN REMEMB WHO U USED TO BE?

IT WAS A CALLING, ANLEY.

A HOLY CALLING

AND NOIT'S JUST A PART OF THE "HAMMERIME" SLICK.

AND THAT BRES MY HEART.

TOO LEGIT TO QUIT! BOOM!

1, 2, 3, 4, 5, POSE!

[GIRLS GIGGLING]

GOD ALMIGHTY! CAN WE NOT KEEP PEOPLE OUT OF HERE, FREDDY?!

FREDDY!

FREDDY!

WHERE THE HECK IS FREDDY? I PAY HIM TO STAND AROUND.

THE LEAST HE COULD DO IS KEEP THE DANG DOOR SHUT!

SORRY, GIRLS. YOU GOTTA GO.

THIS IS A CLOSED REHEARSAL, LADIES.

NOBODY KNOWS WHERE FREDDY IS?

WHAT'S GOIN' ON, BRO?

YOU KNOW, SAME OL'.

STILL WANNA DO THIS?

I NEED THE MONEY, MAN.

BE QUICK, DON'T DRAW NO LOOKS, YOU'LL BE FINE.

THIS AIN'T MY HOUSE, YOU KNOW WHAT I'M SAYIN'?

GOT YOUR BACK, T.

Hammer: HEAD UP! HEAD UP! HEAD UP!

DO IT!

STOP LOOKING AT HIM.

FULL EXTENSIONS!

OK, I SEE SOME OF US TIRED. ALL RIGHT.

SHOULDN'T BE BREATHING HEAVY ALREADY.

GET THAT PAUSE IN THE AIR.

THESE ARE ARMS. USE YOUR ARMS.

I'M NOT GONNA TELL YOU THIS AGAIN.

STRONG ARMS!

ARE YOU TIRED?

DO YOU MIND ACTING ENTHUSED?

SLEEP ON YOUR TIME! SLEEP ON YOUR TIME! YES!

WHAT'S SO HARD ABOUT LEFT FOOT, LEFT HAND?

5, 6, 7, 8!

WASTE 'EM!

YEAH, HE OVER THERE, MAN.

FREDDY.

I'SOY, HAMMER.

I'M SO SORRY.

Y?

WANNA BE ANY TROUBLE, MAN

.

I JUST NEEDED THE MONEY.

T'S DEAD.

HE'S DEAD. T'S DEAD.

THEY WERE ALL SUPPOSED TO BE ON THE PAYROLL.

EY ARE ON PAYROLL, WHENEVER THEY' WORKING.

THE MAN IS WITH ME DAY AND NIGHT.

COURSE HE IS. HE'S YOUR BEST FRIEND.

T WE DON'T PAY HIM FOR THAT.

TH START! AND NOT JUST FREDDY! EVERYBODY!

YOU CAN'T DO THAT.

IT NOT YOUR JOB TO TELL ME WT I CAN AND CANNOT DO.

YOU WOULDN'T LISTEN TO ME IF I DID.

YOU KNOW HOW MUCH MONEY WE'RE TALKING ABOU

OUT THE DO, EVERY MONTH,

WHETHER YOU'RE BRINGING IT IN OR T?

HALF A MILLION DOLLARS. A MONTH!

YOU THINK ABOUT THAT.

LISTEN, IT'S D BUSINESS.

ESPECIALLY WITH TOO LEGIT NOT SELLIN'.

CAPIL SENTUMBERS THIS MORNING.

IT'S ONLY BEEN A WEEK.

WE HEN'T E STARTED TOURING YET.

FIRST WEEK'S IMPORTANT SHOULD'VE DONE BETTER.

WE SHOULD HAVEAKEN MORE TIME WITH IT.

LL, I DON'T RECALL HEARING YOU ON THE MIC,

SO I'M ASSING YOU MEAN ME.

YOKNOW WHAT BAD BUSINESS IS, WESLEY?

A BIG FAT HEADLINE THAT SAYS "HAMMER'S HOMEBOY OT DEAD. RAPP OUT OF TOH."

YOU THINK RECORDS AIN'T SELLING NOW?

YOU WRITE THE CHECKS GIVE 'EM THE MONEY.

OTHERWISE WE MIGHT JUST DROWN IN I

[KNOCK ON DOOR]

LORD, IS THIS A CONCERT OR A W?

HA HA HA!

MR. FINLEY, I'M GLAD YOU MADE IT.

GOOD TO SEE YA.

LOOKIN' GOOD.

STANLEY, I'M HEARING SOME THINGS IN THE CLUBHOUSE.

WHAT KIND OF THINGS?

A FEW OF THE PLAYERS

SAID THEY MADE INVESTMENTS, HELPED YOU GET STARTED.

THAT'S RIGHT.

DON'T YOU THINK AN INVESTMENT DESERVES A RETURN?

BELIEVE ME, MR. FINLEY. THERE'S PLENTY OHEMONEY GO AROUND.

U SUREH ABOUT THAT?

YOU'VE GOT GOOD PEOPLETAKI CARE?

YEAH.

YOU TELL YOUR BOYS NOT TO WORRY.

THEY'RE GONNA GET THEIR RETURN AND THEN SOME.

ALL RIGHT.

Announcer:ARE YOU READY?

HEY, MAN. GOOD LUC

I SAID, ARE YOU READY, OAKTOWN?

WELL, GIVE IT UP FOR MC HAMMER!

¶ TOO LEGIT TOO GIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QT ¶

TOO LEGIT TOO LET TO QUIT ¶

¶ SWEAT RUNNIN' ALL OVER MY CHEST ¶

¶ I DON'T QUIT NO, I JUST PRESS HARDER THAN I EVER DID BEFORE ¶

¶ BORN WITH THE DREAM THAT I HAVE IN STORE IN MY MIND ¶

¶ AND I KNOW THAT I'M MAKIN' IT ¶

¶ I GOTTA GET MONEY NOBODY'S TAKIN' IT AWAY ¶

¶ NO, 'CAUSE HAMMER DON'T PLAY THAT ¶

¶ YOU TRY TO GET IN MY WALLET? ¶

¶ YOU BETTER STEP BACK, FREEZE ¶

¶ 'CAUSE YOU DON'T WANT NONE I HUSTLE FOR MY MUSCLE ¶

¶ AND YOU LOOWEAK, SON YEAH, I'M GOIN' FOR ALL THAT I CAN GET¶

¶ KICKIN' IT AT THE TOP BECAUSE I'M TOO LEGIT TO QUIT ¶

¶ SING...TOO LEGIT TOO LEGIT TO QUIT ¶

¶ HEY HEY ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ HEY HEY ¶

¶ TOO LEGIT TOO LEGIT TO QUIT th

¶ TOO LEGIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ HEY HEY ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ HEY ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT ¶

¶ TOO LEGIT TO QUIT ¶

MAN, WHY DO I FEEL LIKE WE'RE THE ONLY BROTHERS HEREONIG?

¶ TOO LEGIT TOO LEGITO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ GIVE UP, GIVE UP GIVE UP, GIVE UP, GIVE UP ¶

¶ MY PEOPLE WE DON'T KNOW DEFEAT ¶

¶ WE CRUSH THE STRONG AND PERCOLATE THE WEAK ¶

¶ DAILY, WE MAKE OUR MOVE TO IMPROVE OUR GROOVE 'CAUSE WE LOVE TO MOVE ¶

¶ BUT WE LATE YO, WORK AND PLAY ¶

¶ WE STARTED AT THE BOTTOM NOW WE LEAD THE WAY ¶

¶ AND YEAH, YEAH I'M HAVIN' A FIT ¶

¶ KICKIN' IT AT THE TOP BECAUSE I'M TOO LEGIT TO QUIT, SING ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ TOO LEGIT TOO LEGIT TO QUIT ¶

¶ HEY HEY ¶

¶ HEY HEY ¶

¶ TOO LEGIT ¶

News anchor: NOW, AN UATE ON THE TUPAC SHAKUR STORY.

IN NEW YORK, RAPPER TUPAC SHAKUR IS FREE

PENDING APPE OF HIS 1994 CONVICTION FOR SEXUAL ABUSE...

CHECK HIM OUT. J.C. HAMR WOULD BE A BETTER NAME.

THINKS HE'S GOD.

WE DO THIS DAY AT THE RACES THING THROUGH THE FOUNDATION,

WE BRING ALL THE KIDS OUT TO BAY MEADOWS, YOKNOW,

SHOW 'EM A REAL GOOD T RAISE A WHOLE LOT OF MON.

THERE YOU GO.

MOAPPERS SHY AY FROM THAT KIND OF THING.

IT MIGHT HURT THEIR IMAGE, MAKE 'EM SEEM SOFT.

SOFT, 'CAUSE I'M NOT RHYMIN' ABOUT KILL' AND STEALIN' AND ACK?

WELL, I DIDN'T SAY IT, BUT HOW ABOUT AT?

I MEAN, YOU'RE NOT EXACTLY STREET.

THE HOUS THE ENDOEMENTS, ALL THE MONEY.

UM, LET ME TE YOU SOMETHING, BRO.

I RIDE IN STYL AND I DON'T HIDE THAT.

AND SOME FOLKS IS ALWAYS GONNA

TRY TO KEEP A BROTHER DOWN WHEN HE'S UP.

THAT'S JUST THE WAY THAT IS.

BUT COOL, DMC, ICE, AND ALL THEM OTHER RAPPERS

SETTIN' UP AT THE WALDORF ASTORIA, GIVIN' OUT INTERVIEWS,

SAYIN', "NAH, HAMMER AIN'T LEGIT. NAH, HAMMER'S SOFT.

HAMMER GOT ALL THAT MONEY. HE DON'T KNOW GANGSTA, HE DON'T KNOW STRE."

HOW MANY SNAPS THEY ACTUAY

PUTTIN' BACK INTO THEIR OWN 'HOOD?

HOW MANY PEOPLE THEY TAKEN OUT OF JAIL AND GIVEN JOBS TNA

I DO A SODA SPOT, AND I'M A SELLOUT.

BUT THEN SOME OTHER RAPPER TURN AROUND PUSHIN' MALT LIQUOR,

AND THAT'S STREET.

OPEN YOUR EYES, BRO,

'CAUSE THEIR STREET ROLL RIGHT UP TO THE BACK OF THE BANK,

I COULD PRISE YOU THAT.

NOW, YOU TELL ME WHO AIN'T LEGIT.

UNTIL I PAY MY BILL.

WHAT'S GOIN' ON, WESLEY?

I'M NOT GOIN' IN AFTER NO SKUNK.

HEROBABLY GOT RABIES OR SOMETHING. SKUNKS SHOULDN'T DROWNIN'.

WHAT'S THE POOL GUY TALKIN' ABOUT, WESLEY?

I DON'T HAVE TIME TO MEET, ALL RIGHT? I GOT A SKUNK IN MY POOL.

A'IGHT. YEAH.

AKEIBA, BAHA, DADDY GONNACA.

IT'S GONNA BE A'IGHT.

YOU SURE YOU FELLASG TO DRINK?

NO, NO. WE'RE FINE, THANKS.

[DOOR OPENS]

BUELL, IT'S NICE TO MEET YO

MICHAEL FEIBISH. THIS IS MY COLLEAGUE, NEWT

MY KIDS ARE BIG FANS OF YOURS.

THEY GONNA BE OURORNEYS.

WE ALREADY HAVE ATTORNEYS, DON'T WE?

YOUR BROTHER HIRED MY FIRM. WE SPECIALIZE IN REORGANIZE.IONS.

OK, BACK UP. WHAT DO YOU ROAN, REORGANIZATION?

I TRIETO TELL U, MAN.

NONO, NO. YOU DIDN'T TELL ME ABOUT THIS.

THE OLE YROLL THING, KEEPIN' ALL THOSE PEOPLE ON,

IT WAS TOO MUCH! NO, NO, NO, NO.

DO NOT LAY THIS ON ME. IT'S YOUR JOB TO WATCH OUT. THIS IS YOUR MESS.

I WASN'T THE ONE BURNIN' $1LLION ON A HOUSE.

NO, 'CAUSE YOU'RE TOO BUSY SHIN' RAHORSES DOWN MY THROAT

HE DON'T WANNA LISTEN TO ME.

I'LL LET YOU FELLAS TALK TO HIM.

[DOOR

I TAKE IT YOUR BROTHER

DIDN'T SHARE ANY OF THIS WITH YOU.

WHY DON'T YOU LET ME IN ON THE SECRET?

55 IN STATE TAXES, ANOTHER 750 TO THE FEDS,

68 FOR PROPERTY, 36 F EMPLOYMENT.

THAT'S $1.4 MILLION IN BACK TAXEALONE.

. I MADE $33 MILLION LAST YEAR. I CANNOT BE BANKRUPT.

IT HAPPENS MORE OFTEN THAN YOU THINK.

YOU FIGURE 1/2 THAT'S GONE TO THE FEDS RIGHT OFF THE TOP.

AND THEN, WITH A PAYROLL LIKE YOURS AND THE MONEY YOU SPENT ON THE HOUSE,

AS CRAZY AS IT SOUNDS, 1/2 OF33 MILLION DOESE T GO TOO FAR.

YEAH, BUT WHAT ABOUT ROYALTIES AND ENDORSEMENTS D ALL THAT MONEY?

NOT JUST BY US.

BELIEVE ME, WE'RE A SMALL PIECE OF THE PIE HERE.

YOU'RE BEINGUED BY A LOT OF , HAMMER.

FOR WHAT?

A TOTAL OF $3 MILLION, GIVER TAKE.

I DON'T THINK THAT'SHAT HE MEANT.

LOOK, YOU'RE A BIG TARGET.

RIGHT ORRONG, PEOPLE COME AFTER PEOPLE LIKE YOU.

SOME GUY IN IOWA'S EVEN SUING YOU FOR COPYRIGHT INFRINGEMENT.

CLAIMS TT HE WROTE THE-OH.

YOU KNOW, THE ¶RE UH-OH, UH-OH HAMMER TIME ¶

THAT IS RIDICULOUS. HE'S LYING. EVERYBODY IN THE WORLD SAYS THAT.

IF I GOT THAT FROM ANYBODY, I GOT IT FROM THIS KID IN DALLAS.

A LITTLE HIP-HOP WANNABE. HE'D GO "UH-OH" EVERY TIME HE WAS BUSTIN' A MOVE.

I KNOW. WE TALKED TO HIM ABOUT TESTIFYING,

AND NOW HE'S SUING YOU, TOO.

OK, LOOK, IT'S NOT LIKE EVERYTHING'S ALL OF A SUDDEN DRD UP.

WHAT ABOUT TOO LEGIT? HOW MUCH ARE WE BRINGIN' IN ON THAT?

CAPITOL SAYS THEY'RE STILL IN THE RED.

THAT IS BULL. THE RECORD SOLD 5 MILLION COPIES.

AND THEY SAY IT COST A FORTUNE TO LNCH.

AND YOU KE THEIR WORD FOR IT.

I WANT YOU TO GO AFTER THOSE BUMS

AND TEAR THEIR BOOKS APART!

WHAT?

YOUR BROTHER DID AN AUDIT A FEW MONTHS BACK,

RIGHT BEFORE HE CAME TO SEE ME.

CAPITOL IS AN ENORMOUS COMPANY, HAMMER.

YOU DON'T SEND A REAL ESTATE AGENT

TO BATTLE A GIANT LIKE THAT.

PICK ME APART BONE BY NE IF YOU WANT TO, BUT I STILL PAY YOU,

AND UNTIL I DON'T, YOU WILL RESPECT ME

I'M SORRY.

GOOD.

[MELLOW JAZZ PLAYING]

¶ MM-HMM ¶

¶ MM-MMM ¶

¶ MM-MMM ¶

¶ HEY, YEAH ¶

¶ WHOA-HO ¶ ¶ HEY, YEAH ¶

¶ WHOOOO ¶

¶ HEY, GIRL

I'VE DUG MYSELF OUT OF HOLES BEFORE.

I DON'T KNOW, MAYBE IT'LL TURN AROUND

ON THE NEXT RECORD OR SOMETHING,

BUT UNTIL THEN, I GOTTA CUT BACK.

I KNOW IT'S HARD. IT HURTS. I'M SOY.

HURTS YOU? WHAT ARE WE SUPPOSED TO DO?

GO FLIP BURGERSAT SOMMcDONA?

COME ON, MAN. AT LEAST HEAR THE DUDE OUT. WE OWE HIM THAT.

OK, WE'VE PULLED TOGETHER A PAYROLL FOR ANOTHER WEEK.

SCREW YOU! WE A SOME SAD-EYED,

HELP THE CHILDREN CHARITY CASE.

WELL, WHATEVER YOU ARE IS BECAUSE OF ME.

RIGHT NOW, WHAT I AM IS JUST ANOTHER OUT OF WORK BROTHER.

HEY, HEY. WASSUP?

IT WAS ALL GOOD ON THE GRAVY TRAIN, WASN'T IT, MAN?

FREDDY!

THAT AIN'T GONNA FLY. BROKE HAS-BEEN!

HE NOT GONNA PAY ME. HE THINK HE GONNA INTIMIDATE SOMEBODY?

THAT'S WHAT I TOLD Y'ALL.

WE SHOULD'VE GONE OUT WITH THAT OTHER...

THAT'S ALL RIGHT, WE CAN STAY TOGETHER.

YOU KNOW, HE NEVER GOT TO FINISH WHAT HE STARTED.

WHO?

MOSES. WHEN THE PEOPLE CROSSED THE JORDAN,

GOD MADE HIM STAY BEHIND.

WONDER IF IT MADE HIM BITTER.

HAMMER...

I'VE GOT AN OPPORTUNITY IN NEW YORK TO START MY OWN LABEL.

WELL, TH, IT HASN'T BEEN A TOTAL LOSS.

I SEE SOMEBODY GOT SOMETHING FROM IT.

DON'T DO THIS, HAMMER. I WORKED HARD FOR YOU.

YES, AND I REWARDED YOU.

I DEFENDED YOU. I PUT YOU IN CHARGE. I TRUSTED YOU!

YOU CAN TURN THIS AROUND WITHOUT ME. YOU DON'T NEED ME.

I'M NOT HEARIN' THAT I HAVE A CHOICE.

HAMMER! DON'T KEEP NEW YORK WAITIN'.

[RAP MUSIC PLAYING]

¶ ANYTHING I GET HIGH, TAKE HOLD ¶

¶ COME BACK OR REMAIN TRASHED... ¶

[PARTIERS SHOUTING, LAUGHING]

¶ WITH THE SOUND FROM THE RHYTHM ¶

¶ GETTIN' HIGH ON COCAINE ¶

¶ PLAYIN' WITH THE GIRLS JUST LOADS UP MY VEIN ¶

¶ BOW WOW WOW WOW WOW WOW WOW WOW... ¶

¶ LOSE YOURSELF AND YOUR NAME IS STRANGE DAYS ¶

¶ LIKE DOIN' SLADE ¶

UM, WHY DON'T YOU GO TO YOUR BEDROOM,

AND I'LL BE RIGHT UP THERE, OK?

YOU KNOW WHAT, BABY?

THE MINUTE I SEE THEM KEYS TO THAT FERRARI, I KNEW MY LINE OF WORK.

YEAH. YOU DID A'IGHT, TOO.

YEAH, BUT I BEEN LUCKY, MAN. I GOT GOOD PEOPLE.

YOU GOT IT ALL, THAT'S WHAT YOU GOT.

YEAH, YEAH, I GOT IT ALL.

I GOT THE MONEY, I GOT THE RKETING.

YOU KNOW WHAT? WE CAN TAKE CARE OF YOU, HAMMER.

STANLEY, WHO ARE ALL THOSE PEOPLE IN OUR BACKYARD?

BABY, WHEN DID YOU GET BACK HOME?

MY MOTHER WAS TIRED, SO I CAME HOME A DAY EARLY.

I'M--I'M SORRY.

MY PEOPLE AREN'T GIVING YOU ANY TROUBLE, ARE THEY?

NO, BUT I WOULD APPRECIATE IT

IF THEY LEFT THEIR GUNS IN THE CAR.

WE HAVE A CHILD.

I'M SORRY. I'M GONNA HANDLE THAT.

OK, STEPHANIE--

OH, I SEE. SO THE HAMMER'S GOING GANGSTA.

NOTHING IS FINAL YET.

KNOCK OFF A FEW OF THOSE EAST COAST SISSIES.

KILL 'EM IF YOU HAVE TO.

THAT IS NOT THE CASE.

WHAT AM I SUPPOSED TO DO?

SIT HOME AND WAIT TO HEAR THAT YOU'VE BEEN SHOT

IN SOME STUPID RAP WAR?!

THAT IS ALL HYPE AND YOU KNOW IT--

YOU KNOW WHAT? THERE'S A PART OF ME

THAT WOULD HAVE RATHER COME HOME

AND CAUGHT YOU IN BED WITH ANOTHER WOMAN.

NOW, ISN'T THAT SICK?

WHAT DO YOU WANT ME TOO? SOMEHOW,

THAT WOULD HAVE BEEN EASIER,

BECAUSE THEN IT WOULD HAVE BEEN JUST ME

AND THE BABY THAT YOU'RE TURNING YOUR BACK ON,

BUT THIS--THIS IS SO MANY PEOPLE.

I HAVE NO CHOICE, STEPHANIE.

CAPITOL LET ME GO, AND DEATH ROW RECORDS

IS THE ONLY ONE WILLING TO TAKE ME ON.

AT WHAT COST?

IS THERE NO LIMIT TO WHAT YOU'RE WILLING TO GIVE UP?

HE MAY BE PERFECTLY FINE, OK.

BUT WHAT HE DOES AND WHAT HE STANDS FOR

IS EVERYTHING THAT YOU'RE NOT.

NOW, TELL ME THAT I'M WRONG ABOUT THAT.

HE'S WILLING TO LET ME DO IT MY WAY,

ON MY TERMS.

I'M NOT SURE WHAT YOUR TERMS ARE ANYMORE.

[BEEPS]

MY WATCH.

AIN'T NOTHIN' Y'ALL BROTHERS COULD SAY

THAT I AIN'T ALREADY READ IN THE PAPERS.

[LAUGHTER]

I JUST WANNA MAKE MUSIC, THAT'S ALL.

NO DISRESPECT, BUT THAT AIN'T WHAT WE DO.

NOW, SINCE WHEN DO YOU DECIDE

WHAT'S US AND WHAT'S NOT?

LOOK, I CAME UP WITH THIS BROTHER.

I KNOW HIM, AND I'M NOT GONNA SHOVE HIM

DOWN NOBODY'S THROAT.

WE ALL GOTTA AGREE ON THIS.

NOW, YOU KNOW THERE AIN'T NOTHIN' REAL ABOUT IT.

IT'S PARTY POP.

MAN, I AIN'T TALKIN' ABOUT BUYIN' IT.

BUT IF THAT'S WHAT THAT MAN FEELS,

IT'S NOT OUR PLACE TO CHANGE IT.

AIN'T NOTHIN' REAL ABOUT THAT, EITHER.

I'M DOWN WITH IT, MAN.

IF TUPAC'S IN, THEN I'M IN.

ME, TOO.

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ GIMME THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ JUST WHEN I THOUGHT THAT I HIT ANOTHER SLUMP, SLUMP ¶

¶ UP JUMPS A STIGGITTY WITH THE PUMPS AND A BUMP ¶

¶ ALL STIGGITTY STIGGITTY GIRLS ¶

¶ GETTIN' ON MY GOOD NERVE ¶

¶ LOOKIN' LIKE ICE CREAM READY TO BE SERVED ¶

¶ STRETCH IT, WRECK IT COULD I GET IN IT? ¶

¶ IF YOU WANNA KICK IT WITH A G, BABY SEND IT ¶

¶ 'CAUSE I COME EQUIPPED READ MY LIPS, BABY YOU CAN SLICKITY SLIP ¶

¶ OUT YOU CLOTHES AND TAKE A TRIP ¶

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP PUMPS AND A MP ¶

¶ GIMME THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP NOW MANY SAY A BIG BUTT ¶

¶ BUT IF YOU'RE HIP YOU KNOW THAT THAT'S A PHONE CRUD ¶

¶ IT'S MAKIN' THE BROTHERS GO CRAZY IN THE NIGHT... ¶

HEY, YO, TUPAC. GET UP, MAN. LISTEN TO THIS.

WHAT YOU THINK ABOUT THIS?

NO, NO, NO, NO, NO. HAMMER--HAMMER, MAN,

WE DO NOT HAVE TO FINISH THE SONG ALL IN ONE NIGHT, BABY.

I KNOW. I'M JUST HYPED, MAN.

SIT UP. SIT UP. WHAT DO YOU THINK ABOUT IT?

I KNEW I SHOULD'VE VOTED YOUR ASS OUT!

AIN'T GONNA BE NO REST FOR THE WICKED.

COME ON, WE GOTTA GET YOU PERKY.

WHOA, WHOA, WHOA! CAN YOU PLEASE NOT USE WORDS LIKE PERKY?

MIGHT GET YOUR ASS SHOT OR SOMETHING!

OOH, BABY, THE SUN!

COMES OUT EVERY DAY, MAN.

WHAT YOU SO TIRED FOR?

YOU'RE SUPPOSED TO BE OUT OF CONTROL.

MAN, DON'T BELIEVE EVERYTHING YOU READ.

YOU DO READ, DON'T YOU?

YEAH, ENOUGH TO OW YOU'RE A CRAZY MAN.

UH-UH. USED TO BE.

NOW I'M SERIOUS, MAN.

THINKING ABOUT GIVING UP ALL THAT BAD BOY STUFF.

I'M THINKING ABOUT,

THINKING ABOUT TAKING UP COOKING OR SOMETHING, MAN.

LEARN HOW TO SPEAK ITALIAN.

HELL, I MIGHT EVEN MESS AROUND AND GET MARRIED.

I KNOW WHAT YOU'RE TRYING TO DO.

YOU'RE TRYING TO THROW ME OFF MY GAME.

FROM DOWNTOWN!

UNH! OOH!

SEE YOU CHECK IT.

NOW, LOOK, MAN, YOU KNOW THAT'S IRONICAL COMING FROM YOU, RIGHT?

WHAT YOU TALKING ABOUT?

YOU KNOW WHAT I'M TALKING ABOUT.

UNH!

REVEREND HAMMER AND ALL THAT OLD JESUS STUFF.

I MEAN, LOOK AT YOU NOW.

NOW YOU ¶ DA PUMPS AND DA BUMPS ¶

¶ PUMPS AND DA BUMPS ¶

FUNKY HEADHUNTER NOW.

DON'T EVER TELL ME A MAN CAN'T CHANGE.

I MEAN, YOU DONE STRAYED, BOY.

BACKSLIDER.

COME ON. PLAY BALL.

Director: EVERYBODY! HEY, EVERYBODY!

GET IN YOUR POSITIONS. WE'RE ABOUT READY TO ROLL.

MAN, THIS SELDON DUDE GOT A BIG MOUTH.

MM-HMM. AND MIKE GONNA SHUT IT UP FOR HIM REAL FAST.

YOU'RE COMING WITH US, AIN'T YOU, HAMMER? RINGSIDE, BABY.

MAN, YOU KNOW I'M THERE. YOU KNOW WHAT I'M SAYING?

SOMEBODY GOTTA SHOW TYSON HOW TO POP, POP, POP POP POP!

WILL YOU STOP BOTHERING ME AND GO SHOOT YOUR VIDEO, MAN?

Director: HAMMER, READY WHEN YOU ARE.

AND PLAYBACK.

[RECORDING] ¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

Director: BACKGROUND!

AND ACTION!

¶ GIMME THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ JUST WHEN I THOUGHT I COULD HIT ANOTHER ONE ¶

¶ SO UP JUMPS SEE ME WITH THE PUMPS AND A BUMP ¶

¶ ALL STIGGITY STIGGITY GIRLS ¶

¶ GETTING ON MY GOOD NERVES ¶

¶ LOOKING LIKE ICE CREAM READY TO BE SERVED ¶

¶ STRETCH IT, WRECK IT, CAN I GET IN IT ¶

¶ IF YOU WANNA KICK IT WITH A G BABY HERE'S ME ¶

¶ 'CAUSE I COME EQUIPPED ¶

¶ READ MY LIPS, BABY, TAKE A SLIPPITY SLIP ¶

¶ OUT YOUR CLOTHES AND TAKE A TRIP ¶

¶ PUMPS AND A BUMP ¶ ¶ OHH ¶

¶ PUMPS AND A BUMP ¶ ¶ OHH ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ PUMPS AND A BP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ GIMME THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

GO! GO! GO, NIKKI, GO! GO, GIRL!

GO! GO! GO!

GET THEM OUTTA HERE!

THEY GOTTA GO!

GO, GIRL! GO, GIRL!

OUT! OUT!

¶ JUST STEP RIGHT UP TO THE GIRL WITH THE BIG BUTT ¶

¶ TELL HER WHAT'S UP, YO, THE PUMPS AND A BUMP ¶

Men: ¶ OOH, EVERYONE ¶

¶ FOR THE REST OF YOUR LIFE ¶

¶ THERE'S A GIRL WITH A TIGHT ¶

¶ LADIES ¶

Women: ¶ AAH, EVERYONE ¶

THERE'S A MAN WHO IS RIGHT ¶

¶ WHO CAN HIT IT ALL NIGHT ¶

Men: ¶ WE GOTTA PUMP THE BUMPS ¶

¶ PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ WE LIKE THE GIRLS ¶

¶ WITH THE PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ PUMPS AND A BUMP ¶

¶ GIMME THE GIRLS WITH THE PUMPS AND A BUMP ¶

¶ I DON'T LIKE 'EM STIGGITY FAT ¶ ¶ NO ¶

¶ I LIKE 'EM STIGGITY STACKED¶ ¶ YEAH ¶

¶ YOU WIGGITY WIGGITY WACK IF YOU AIN'T GOT ¶

[HORNS HONKING]

Suge: $5,000 TICKET FOR ONE MINUTE.

WHAT YOU GRUMBLING ABOUT, BABY?

YOU MADE OF MONEY.

YO, MAN,

I'M FITTIN' TO WORK OFF SOME OF THIS HYPE, MAN.

LET'S GO TO THE CLUB TONIGHT.

BABE, I'M GONNA GO HOME AND WATCH REPLAY ON SPORTS CENTER.

IF I WATCH IT ENOUGH,

MAYBE IT'LL FEEL LIKE IT WAS A WHOLE FIGHT.

SHUT UP. YOU GOIN', YOU GOIN'.

MAN, THEY GONNA BE PLING THAT ALL WEEK.

YO, HAMMER, MAN, WHY DON'T YOU GO GET FREDDY?

TELL HIM TO MEET US THERE.

I DON'T KNOW, MAN DON'T SEEM RIGHT.

WE SHOULD JUST LAY LOW TONIGHT, YOU KNOW?

THE CLUB GOING TO BE THERE TOMORROW.

OH, OH, OH, LORD. OH, LORD!

BACK OFF.

PREACHER MAN'S FEELING THAT SPIRIT AGAIN!

HAMMERMAN, SNAP OUT OF IT, BABY.

I DON'T WANT TO HAVE TO GO TYSON ON YOU.

ALL RIGHT. Y'ALL GO AHEAD.

I'M GONNA GET FREDDY. I'LL MEET Y'ALL LATER.

I'LL MEET YOU THERE.

[GUNSHOTS]

[SCREAMING AND YELLING]

[TIRES SQUEALING]

¶ MAYBE DEAD ¶

[CELL PHONE RINGS]

[RING]

FREDDY, WHERE ARE YOU, MAN?

¶ OOH OOH ¶

¶ OOH ¶

¶ NOBODY EVER KNOWS WHAT LIFE HAS IN STORE ¶

¶ ALL YOU CAN DO IS TRY TO LIVE AND ENDURE ¶

¶ WE ALL WANT TO MAKE A COME UP EVERYDAY ¶

¶ IN THIS GAME ¶

¶ TRYIN' TO GET SOME FAME SO PEOPLE KNOW YOUR NAME ¶

¶ AT THE SAME TIME, WE TRY TO CHANGE THIS WORLD ¶

¶ MAKE IT A BETTER PLACE FOR BOYS AND GIRLS ¶

¶ SO THEY DON'T HAVE TO FEAR GUN BLASTS ¶

¶ INTRUPTING THE LIFE, CROSSING THE PATHS ¶

¶ REMEMBER THE LAUGHS ¶

¶ YOU GOTTA KEEP PUSHIN' ON ¶

¶ DON'T FORGET ABOUT TOMORROW ¶

¶ YESTERDAY IS GONE ¶

¶ YOU GOTTA KEEP PUSHIN' ON ¶

¶ 'CAUSE TIME WILL TRY TO BREAK YOU ¶

¶ BUT LOVE WILL KEEP YOU STRONG ¶

¶ REMEMBER THE LAUGHS ¶

¶ AND ALL THE FRIENDS THAT HAVE PASSED ¶

[RINGING] ¶ I FEEL LIKE I'D DO ANYTHING ¶

¶ TO BRING 'EM ALL BACK ¶

¶ WE MUST CHERISH ALL LIVES WHILE THEY'RE HERE ¶

¶ BECAUSE BEFORE YOU KNOW IT, IT JUST MIGHT DISAPPEAR ¶

¶ LOVED ONES HERE TODAY AND GONE TOMORROW ¶

¶ AND ALL YOU'RE LEFT WITH IS A HEART FULL OF SORROW ¶

¶ PLUS A FEELING LIKE ¶

¶ YOU NEVER GOT TO SAY HOW MUCH YOU CARED ¶

TV: POLICE HAVE CONFIRMED THAT MUSIC PROMOTER MARION "SUGE" KNIGHT

AND RAPPER TUPAC SHAKUR AND ENTOURAGE WERE VICTIMS OF A DRIVE-BY SHOOTING

ON THE LAS VEGAS STRIP FOLLOWING TONIGHT'S TYSON-SELDON FIGHT.

POLICE ARE INVESTIGATING WITH THE SUSPECTS STILL AT LARGE.

¶ THAT'S WHERE YOU BELONG ¶ [RINGING]

¶ OOH ¶

¶ I WANT TO GET PERSONAL ¶

¶ LIFE WILL TRY TO BREAK YOU ¶

¶ TIME WILL TAKE YOU ON ¶

¶ I'M TRYIN' TO FIND A SAFE HAVEN IN THE MIND ¶

¶ THE KIND OF SHADE THAT PROTECTS YOU ¶

¶ FROM THE GLAZE THE MAZE DEFINE ¶

¶ AND THESE DAYS AND TIMES AND WAYS AND RHYMES ¶

¶ AND REASONS AND CHANGING THE SEASONS, THE TREASONS ¶

¶ AND TRESPSES AGAINST US ¶

¶ LET'S NOT BE SENSELESS, LET'S NOT ACT DEFENSELESS ¶

¶ WITH US ALWAYS IN MIND ¶

¶ PRESENTIS MENTIS ¶

¶ TO BE RECALLED TO YOUR SENSES ¶

¶ BEARING NO FALSE PRETENSES ¶

¶ BROTHERHOOD IS ENDLESS ¶

¶ I MEANT THIS ¶

¶ OOH ¶

¶ YOU GOTTA KEEP PUSHIN' ON ¶

¶ KEEP PUSHIN' ON ¶

¶ YOU GOT KEEP PUSHIN' ON ¶

¶ KEEP PUSHIN' ON ¶

¶ YEAH, YEAH, YEAH ¶

¶ GOTTA KEEP PUSHIN' ON ¶

¶ 'CAUSE TIME WILL TRY TO BREAK YOU ¶

¶ BUT LOVE WILL KEEP YOU STRONG ¶

¶ GOTTA KEEP PUSHIN' ON ¶

¶ GOTTA PUSH ON ¶

OH, BABY.

I COULDN'T SAVE HIM.

[CRYING]

I COULDN'T SAVE ANY OF THEM.

[KISS]

IT'S OK.

YOU'RE HOME NOW.

I'M SO SORRY.

I'M SO SORRY.

END OF THE SEASON. THAT'S ALLOR ME.

IT'S A RICH MAN'S GAME NOW.

YEAH. LOOKS LIKE TOO MUCH OVERHEAD KICKED BOTH OUR BUTTS.

YEAH. HA HA.

WE'RE A PAIR, CHARLIE.

THERE CANNOT BE 2 MEN IN THE WORLD

THAT HAVE FAILED AS FAST AND AS FAR AS WE DID.

YOU CAN CALL IT FAILURE IF YOU WANT TO.

NOT ME.

3 STRAIGHT PENNANTS, BIGGEST RAP STAR IN THE WORLD

FOR A WHILE.

THE WHOLE WORLD SHOULD FAIL SO BADLY.

YOU DID GOOD, STANLEY.

YOU HELPED A LOT OF PEOPLE.

I DON'T KNOW.

I DON'T SEE IT.

[GIGGLING]

I'M GONNA GET YOU.

[GIGGLING]

OH, I JUST DON'T THINK YOU'RE LOOKING HARD ENOUGH.

OK. ST IT NOW.

[GIGGLING]

SEE DADDY OKING DOWN THERE?

[GIGGLING]

AKIEBA. AKIEBA, HONEY, COME ON.

IT'S TIME TO GO.

BUT IT'S BETTER WITH EVETHING GONE.

HAA HA.

HA HA!

IT IS JUST SFF.

IT'S NOTHING THAT REALLY MATTERS.

IT'S BEEN A WHILE.

IT HAS.

I GIVE YOU A LOT OF TROUBLE.

OH, GOOD TO HAVE YOU. COME ON IN HERE.

GOOD MORNING, BROTHER SUTTON.

GOOD MORNING! HOW YOU DOING?

I'M GOOD. WELL, WEE GOING TO FIND OUR SEATS. OK?

GOOD SEEING YOU AGAIN.

AND WE'RE MIGHTY GLAD TOAVE U BACK.

YEAH, I FEEL LIKE I LET A LOT OF PEOPLE DOWN, ACTUALLY.

SOMETIMES YOU DID.

BUT I THINK I KNOW A WAY YOU MIGHT MAKE IT UP TO THEM.

¶ ALL RIGHT ¶

ALL RIGHT! ALL RIGHT!

[CHEERING]

[CHOIR SINGING]

¶ DON'T PASS ME BY ¶

¶ OH, DON'T YOU PASS ME BY ¶

¶ OH, PLEASE, DON'T PASS ME BY ¶

SHIRLEY ANNE, WHAT'S UP, GIRL? YES!

HEY!

¶ DO NOT PASS ME BY ¶

¶ DO NOT PASS ME BY ¶

¶ IT'S SOMETHING SPECIAL ¶

¶ ABOUT THE WAY THAT YOU HOLD ME ¶

¶ MAKE ME, SHAPE ME, YOU TAKE ME AND YOU MOLD ME ¶

¶ AND IN MY HEART AND IN MY SOUL AND IN MY SPIRIT ¶

¶ THE LOVE OF GOD, EVERY DAY I'VE GOTTA BE NEAR IT ¶

¶ ETERNAL LORD, I GET DOWN IN YOUR NAME ¶

¶ I REPENTED OF ALL MY SINS ¶

¶ AND I HAVEN'T BEEN THE SAME ¶

¶ MY FEET START TO SHAKE AND MY LEGS GOT TO RUN ¶

¶ 'CAUSE LOVE TURNIN' THE HOLY SPIRIT IN MY TONGUE ¶

¶ I'M LOVING MY LORD UNTIL THE DAY THAT I DIE ¶

¶ SO PLEASE, PLEASE, OH, PLEASE DON'T PASS ME BY ¶

SING!

¶ AND WE KNOW THAT THOU ART CALLING ¶

¶ DO NOT PASS ME BY ¶

¶ NO, NO, NO, NO ¶

¶ DO NOT PASS ME BY ¶

¶ HALLELUJAH ¶

¶ I DON'T WANT THE LORD TO PASS ME BY ¶

¶ I DON'T WANT THE LORD TO PASS ME BY ¶

¶ I KNOW YOU NEED HIM ¶

¶ DO YOU NEED HIM? ¶

¶ I KNOW YOU NEED HIM ¶

¶ SING ¶

¶ NOW WE KNOW THAT THOU ART CALLING ¶

¶ DO NOT PASS ME BY ¶

¶ DO NOT PASS ME BY ¶

¶ DO NOT PASS ME BY ¶

¶ DO NOT PASS ME BY ¶

¶ YEAH, YEAH, YEAH, OH, YEAH ¶

¶ SAVIOR ¶

¶ SAVIOR ¶

¶ 1, 2, 3, HIT ME ¶

¶ PEOPLE, GET READY ¶

¶ WITH A BRAND NEW BAG ¶

¶ I GOT SOMETHIN' ¶

¶ GONNA MAKE YOU JUMP AND SING ¶

¶ SO GET ON THE GOOD SHIP ¶

¶ JUST ONE MORE TIME ¶

¶ YOU BETTER GET YOURS ¶

¶ I'M GNA GET MINE ¶

¶ HUH ¶

¶ HIT IT NOW ¶

¶ WORK IT NOW ¶

¶ GIT IT NOW ¶

¶ PEOPLE, GET READY ¶

¶ IT'S A BRAND NEW DAY ¶

¶ GONNA BOP THAT NEW THING ¶

¶ GONNA MAKE THAT CHANGE TODAY ¶

¶ GONNA WHIP IT ON UP NOW ¶

¶ IF IT TAKES ALL NIGHT ¶

¶ DON'T YOU WORRY ¶

¶ GONNA GET THAT GROOVE THING TIGHT ¶

¶ HIT IT ¶

¶ GET IT, Y'ALL, HA ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA LET IT ALL HANG OUT ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA SHOW THE WORLD WHAT IT'S ALL ABOUT ¶

¶ GONNA BUST A MOVE ¶

¶ FROM THE BOTTOM UP TO THE TOP ¶

¶ GONNA BUST A MOVE ¶

¶ AIN'T NOBODY GONNA MAKE ME STOP ¶

¶ HEY ¶

¶ HUH ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA LET IT ALL HANG OUT ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA SHOW THE WORLD WHAT IT'S ALL ABOUT ¶

¶ GONNA BUST A MOVE ¶

¶ FROM THE BOTTOM UP TO THE TOP ¶

¶ GONNA BUST A MOVE ¶

¶ AIN'T NOBODY GONNA MAKE ME STOP ¶

¶ HEY ¶

¶ HUH ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA TURN IT OUT ¶

¶ GONNA BUST A MOVE ¶

¶ GONNA SHOW EVERYBODY, LET IT ALL HANG OUT ¶

¶ GONNA BUST A MOVE ¶

¶ FROM THE BOTTOM UP TO THE TOP ¶

¶ GONNA BUST A MOVE ¶

¶ AND NOTHIN' IN THE WORLD'S GOA MAKE IT STOP ¶