Original subtitles

[Ticking]

[Speaking German]

[Crowd Chatter]

[Crowd Chatter]

[Speaking German]

[Grunting]

[Grunting]

[Grunting]

[Speaking German]

[Grunting]

[Grunting]

[Speaking German]

[Grunting]

[Speaking German]

[Grunting]

[Grunting]

[Grunting]

[Doorbell]

[Grunting]

[Grunting]

[Grunting]

[Screaming]

[Grunting]

[Speaking German]

[Speaking German]

[Speaking German]

[Music]

You were alone?

Spy.

You were alone?

I like to be alone.

Where did you come from?

We got a lot of nice stuff.

Other people's stuff.

To the Victor, I pronounce the spoilers.

To the Victor?

Berlin's in rubble.

The Fuhrer's in hiding.

You lost.

I'll turn that woman.

What? No, hey!

Hey, wait a second, guys.

Women, hide with guys.

I don't want to see you.

I don't want to see you.

I don't want to.

I want to see you.

I don't want to see you.

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Barking]

[Music]

[Barking]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

Looks like they're leaving without you guys.

Tell us your story.

Or die.

Story?

Okay, okay.

Okay, okay.

Well, it all started once upon a time when this village of stupid blue-eyed boys

decided to join hands together and follow this sweaty little pied Piper named Adolf.

No!

[Music]

[Music]

[Music]

[Music]

[J recruiter is at a plants house]

[The remains of a man are approaching the house]

[Cougar's cell phone is exiting]

[The man is following the spokesperson of the house]

[The man is trying to call the secretary of the house]

[The door is opened]

[The man is heading out of the house]

[The man is walking around the house]

[The man looks at the door]

[A computer screen is blocked]

[The guy is legs are locked]

[The two men are at theeter]

[The man is looking around, staring at the door]

[The manager looks around and looks at the back door]

[The guy is standing outside]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man looks at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

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[The man is looking at the door]

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[The man is looking at the door].

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[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

I wasn't sure.

I'm a professor at Oxford, an archaeologist.

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

I guarantee you will never see your child again, Mr. Shaw.

Unless you explain why your accomplice had this.

Sikaé!

[The man is looking at the door]

We were told that the Lance of Longinus could be found at the fortress.

We were looking for it.

Why?

Because of its power.

It has, sir.

Power?

My friend and I were trying to save history.

No, no.

Stop that!

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door].

[The man is looking at the door]

[The man is looking at the door]

I have to go to the office.

I have to go to the office.

I have to go to the office.

I have to go to the office.

What is this?

The Lance of Longinus.

It's a fake.

Is it a fake?

A fake.

The King is a real one.

A fake.

And he's a coward.

I'm sure he's not going to be able to do anything.

He's a idiot.

12th century.

13th century.

Wait a second.

None of this stuff is fake.

I'm going to stop this train.

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door]

[The man is looking at the door].

[The man is looking at the door]

Too many Nazis.

[Yelling in German]

[Speaking German].

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German]

[Speaking German].

What the hell?

Indy?

Baz?

Your life!

So far.

I thought I told you to stay in the woods, Baz.

What sort of a man hides in the hedge while his friend is facing death?

[Speaking German].

This lot are carting off half the world's activities.

I was gonna stop them, but now I've got to rescue you.

Did you at least find the larch?

At least.

What? Have you got it?

It's a fake.

What?

A reproduction.

Where is he?

Indy?

[Speaking German]

Bring it.

[Speaking German]

[Speaking German]

Hurry up, Baz.

You mean Baz?

Come on.

[Speaking German]

[Speaking German]

Get up, Baz.

Follow me.

Towards the gun!

Away from the Nazis!

No job, arty!

Get down! Down!

[Explosion]

[Explosion]

[Grunting]

[Grunting]

[Grunting].

[Grunting]

[Groaning]

This way. Come on!

I can't do that!

You wanna stop for a little while now?

[Speaking German]

[Speaking German]

[Screaming]

[Screaming]

[Screaming]

[Screaming]

[Music]

[Music].

Channel!

[Speaking German]

[Screaming].

[Music]

[Speaking German]

[Music]

Get the gun!

Shoot him!

Not me!

Sorry!

[Music]

To the Victor go the spoils!

[Music]

Find him!

Find him!

Find him!

[Speaking German]

[Screaming]

[Music]

[Music]

[Screaming]

We can't hear you, Baz!

We gotta jump!

What about my Dickie Lee?

[Screaming]

Baz!

Baz!

Baz!

Hey Dick!

Baz!

Bit rum to go home empty handed after all that.

Empty handed?

Not exactly.

How come he's dying?

Half of it.

Come on Baz, let's get home.

[Music]

[Speaking Hindi]

[Speaking Hindi]

[Music]

[Music]

Hurry!

Put it down!

Put it down!

Hey!

Hey!

[Music]

Larry!

Larry!

Hi!

Where's Larry?

Who is this?

So we're going next door.

Larry, it's 8 o'clock in the morning.

I said 8 o'clock in the morning.

We talked about this Larry.

Yeah, but that was a work day.

This is a work day too Larry!

Turn on the news.

It's moving day Mr. Jones.

Come on.

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music].

[Music]

[Music]

[Music].

[Music]

(spoon clanking).

(spoon clanking).

(spoon clanking)

(spoon clanking)

(soft music)

(soft music)

(soft music)

(soft music)

(soft music)

(soft music).

(soft music)

(soft music).

(people chattering)

- All you really need to remember is that Assyrian ceramics of this period

are characterized by this complex blue line pattern, okay?

I assign pages 131 through 171 in Winford for today.

Anybody do the reading?

Anyone?

This is on the test, okay?

I'll spoon feed it to you then.

In 213 BC, Roman forces led by Marcellus lay siege to the city of Syracuse.

- Syracuse?

- Not the Syracuse in New York, Tanya, but the one in Sicily.

Amongst the defenders of the city was its most famous resident, who was...

Come on guys, this is on the final.

- Archimedes.

- Archimedes.

Archimedes, who was a?

- A mathematician.

- A mathematician.

But more than that, an inventor, a brilliant engineer,

who conceived of a way to harness the energy

of the Mediterranean sun on concave mirrors and focuses on attacking Roman warships

and set them on fire, who devised giant iron claws.

that could snatch hostiles from the sea.

But how do we know it really happened?

What physical, irrefutable archeological evidence is there of these inventions?

- The Antikythera.

- The Antikythera.

- The Staunton's.

- They're here, they're here, help!

(muffled speaking)

The astronauts.

- Giant parade this morning, he's seen by about two and a half many people.

(muffled speaking)

- Surprise.

- Surprise.

(audience laughing)

(bell ringing)

- For over a decade now, our colleague,

Dr. Jones, has been a loyal servant of Hunter.

A token of our gratitude.

(gentle music).

- Wow.

Thanks for putting up with me.

(audience laughing)

(audience applauding).

(gentle music)

(muffled speaking)

- And what would the ancients say?

- Then you mean, walk on the moon?

- Speaking as an ancient, going to the moon is like

going to Reno, middle of nowhere, and no Blackjack.

- You don't recognize me, do you?

- I already did, I apologize.

- It's Helena.

Helena Shaw.

- Well, I'm bad.

- Well, I haven't heard that in a while.

- You got tall.

- I did, it's first day.

- Celebrating.

Retiring.

- Oh, well in that case, what are we drinking?

- Room service for Mr. Smith.

(speaking in foreign language).

- Put that away.

- I was asking how you broke your right tool, Al Dortch.

- None of your business.

Are you Mr. Smith?

- Doctor, Smith is in there.

He don't need anything on wheels, put it on a table.

- Quite a celebration out there.

- The man you're serving, he's the one who put those astronauts on the moon.

- No to rockets, they wrote.

Congratulations.

- Where are you from?

- The Bronx, sir.

- No, no, I mean originally your people.

Do you know them?

- I was born by Yankee Stadium, sir.

- And you fought for your country?

- 320th Battalion, set up balloons to stop the planes bombing Normandy.

- And are you enjoying your victory?

- Will there be anything else?

- You didn't win the war.

Hitler lost it.

(dramatic music)

- Yeah, my field agent.

Chief Roushaw.

- Yeah, I'm coming, let's go, Hawk.

Where are we in?

- Oxford, in the garden.

- He was an original.

- I just graduated in archaeology.

- Archaeology, wow.

Apple didn't fall far.

- Well now I'm researching a doctorate.

- What's your subject?

- The Archimedes Dial.

The Antikythera.

- What do you know about that?

- Well, for starters, in 1902,

Greek sponge divers found a wrecked Roman warship huge off the coast of Greece.

Below deck, sealed in wax, was a clock-like mechanism, finely tooled,

purpose unknown.

Nothing approximating its complexity appears in the world for a thousand years.

- You've done your homework.

- Well, not me, Dad.

He had all these journals, reams of notes about it.

He was obsessed till the end.

He told me you found it on a Nazi plunder train.

And then lost it in a river in the French Alps.

- Well, that was a long time ago.

and it was only half the dial.

- Archimedes broke the dial in two.

- Disassembled it.

- Then hid the two halves from the Romans during the siege of Syracuse, I know.

Look.

- You don't remember the last time I saw you, do you?

- Remember what?

These are the Alps.

- Yeah, I see.

- And this is the route that your train took from the Nazi stronghold in '44.

- Right.

- Went through this mountain pass and then here,

here, it's the only river on the route under a bridge.

It's down there, it's got to be, and nobody knows except us.

- Us.

- Well, I mean, you and me, so yeah, us.

- Us.

What were you thinking exactly?

- Well, that maybe we could go there.

- And?

- And find it.

And I'd-- - But you were thinking of going there.

- And I'd become.

famous.

Well, not famous, renowned, fated.

Fated archaeologist.

And you, a final triumph.

Indiana Jones, out with a band, back in the saddle.

I'm not selling this, am I?

- Well, man,

why are you chasing the thing.

that drove your father crazy?

- Wouldn't you?

I got it.

- The parade's coming soon.

So, what we got?

- She's in there, third floor, with an old guy.

- Who is he, a Russian?

- Professor Dr. Henry Jones.

- Clayton!

Clayton, get back here!

You're not an agent!

Damn it, go!

I'll get support up here and pull a file on Jones.

(suspenseful music).

This way.

(suspenseful music)

(suspenseful music)

(suspenseful music)

(suspenseful music).

Basil became obsessed by this German theory.

Objection, really.

Our committee said, figured out that the

movements of the moon and planets weren't perfect.

There were irregularities in the rotations.

We thought these irregularities might explain fluctuations in temperature, tides,

storms even.

So we set about building a device to predict them.

But then we stumbled upon a method to predict even larger disturbances.

- Larger disturbances?

- Your father thought this thing could predict fissures in time.

(suspenseful music)

(suspenseful music)

- Oh, come on.

- I don't know.

- Hello.

How are you looking for Mr. Jones?

Excuse me, can I help you?

- No, thank you.

- Just a routine investigation, ma'am.

- Are you the police?

- It'll just be a few moments.

- Professor Plimpton?

- Ma'am?

- Professor Plimpton?

- Ma'am?

(suspenseful music)

- Dr. Whimpton, what the hell are you doing?

- Um, what the doctor tells me, Miss Mason.

- Me?

(suspenseful music)

- No, no witnesses.

(suspenseful music)

- Jesus, what the hell?

- Your father wrote so many letters about the dial, I stopped reading them.

You really don't remember the last time I was at your house?

- I took that from him, ma'am.

I thought he'd stopped thinking about you.

Your father was gonna listen to you.

He was... He was... He was terrified.

Somebody found this legendary tablet, the graphicos.

- The tablet containing directions to the rest of the dial?

- Of course they found the graphicos.

They might acquire the other half of the dial and put the two together.

- I knew you wouldn't destroy it.

- How did you know he asked me to destroy it?

- What?

- You do remember that night.

- I was 12 years old.

- You knew he didn't drop you from the river.

- Bess didn't tell you that.

- He's here to split this.

- He never lied?

- No.

- What was all that crap about the matter?

- You've had too many whiskeys.

- What are you doing in Walmart?

- Stay where you are.

Don't move.

- Who are these people?

- We need to get out of here.

- Are they with you?

- Not an inch, Miss Sharpe.

Miss Sharpe, stop!

(dramatic music)

- Helena!

- John!

Sorry.

- Helena!

- Dr. Jones, it's over.

- Who are you people?

What do you want?

- Stop!

- Helena, stop!

- She's on the roof, find another way out.

- Dr. Jones!

Dr. Jones, I'm not gonna hurt you.

(dramatic music).

- I'm gonna fire you, okay?

- Get out!

- Whoa, whoa, whoa, whoa, whoa, whoa, I'm gonna give you a second to open.

- No, you're not.

(dramatic music)

- Oliver.

- My name is Please, Hunter Pellet.

People are dead.

- Hang on, Pella.

- Stand up.

Okay, okay.

- There.

(dramatic music)

- She's gone, you blew it.

You're a trigger, happy cracker.

She hit, and now he-- - She forgot the professor.

- You file on Jones. - Yes.

(engine revving)

- Who are you?

- That's my question.

(dramatic music)

- You're CIA.

- Not me, ma'am.

I don't take it over with jobs.

- Okay.

How are you acquainted with Miss Shaw?

- She's my god daughter.

I haven't seen her in 18 years.

- Why did you meet with her today?

To give her the dial?

- Lady, it's an ancient hunk of gears.

Half a hunk.

It's a lot more than that.

- Whoa, whoa, where do you think you're going?

I got a parade going on, and a demonstration coming down here.

- Hey, hey, hey, hey.

- Shut up.

- I can't go this way.

Gotta go back.

- Hell no.

What is wrong with you, man?

- Damn it.

Let's go home and fight.

- You heard her.

- What the hell were you thinking?

- Walk, come on.

- What are your problems?

You look when you back it up?

- I hear that guy.

- Who's gonna pick that?

- Let me see.

- Get moving.

- Can't you see my canvas?

Yellow.

You wouldn't have to pick it.

Nobody would have.

I don't know who's gonna pick the stars.

- Let me see her.

(crowd chanting)

- Where are we going, Mason?

- This way.

- Hell no, we won't go.

- Shut up.

- Hell no, we won't go.

Hell no, we won't go.

- Shut up.

- Tell her.

- We won't go.

Tell her not to shut up.

- Tell her not to shut up.

(crowd chanting)

- Hey.

Officer.

Help me.

Officer, there was a shooting this morning at Hunter.

People are dead.

God damn it.

From the rope maintenance.

Soaking and locking down.

Please, listen to me.

There was a shooting this morning and they, they're not.

Call an advance.

Right around the corner.

(gunshot).

(dramatic music)

- Watch out.

(screaming)

(dramatic music)

(gunshots)

(dramatic music)

(grunting)

(dramatic music).

- Get out of the way.

(dramatic music)

Watch out.

Move, move, move.

(dramatic music)

- Move, move.

(dramatic music)

- Go, go.

(dramatic music)

(dramatic music)

(gunshots)

(dramatic music)

(yelling)

- Hey, just hold my horse.

- Move, move.

(gunshots)

(dramatic music)

- Sub-Boy's faster.

People tend to romanticize science when it is in fact quite cold.

- So what's next after Schmidt?

Mars?

- No, we've conquered space.

I'm moving to the next frontier.

- What's beyond space?

You might want to get that suit pressed, Dr. Schmidt.

We leave the airport in an hour.

He's gonna make the president.

- If the president objects to a few creases,

perhaps you should find yourself another physicist.

- Can I use that?

- No.

- Yes.

Baxter.

It's for you, Doctor.

- Now you wanna leave a bit late for Los Angeles.

I'm expecting a delivery shortly.

- Speak.

- Your bones made a mess.

- Did they?

- Miss Shaw met with a professor, Jones.

She acquired the device from him, then lost her.

Dr. Jones got away as well.

- Is that so?

I must go to the whole jet.

- We gotta clean things up here, Doctor.

And as a representative of the United States government,

I urge you to cooperate, get on that plane to Los

Angeles, and get your medal from the president.

Hello?

- Call our friends and secure private charter.

To Morocco.

- Yes, sir.

- The university verdict took place at the height of the parade.

Release is shooting for retired professor, Dr. Henry Ngo.

A political magazine in Cali recently lost

his son and was in the middle of a divorce.

- This guy, he looks like you.

- I missed you.

- No, no, no, go home, pal.

- This is the guy!

It's the killer!

(grunting)

- Sorry I'm late, Indy.

Bridge traffic.

- Why am I glad to see you, sir?

- I wish I could see the sea wall further.

- Quickly, Indy.

Inside.

(dramatic music)

- Your God-torter, Helena, was arrested in 10th

year, last year, for auctioning contraband.

There's more.

She was bailed out by Aziz Raheem.

Aziz Raheem is the son of Big Raheem,

a well-known Moroccan mobster.

Big Raheem owns the Hotel Atlantique in Tangier,

and this week, the hotel is hosting its annual auction of stolen antiquities.

All the big players are already there.

Alia, Jabari, this is the great man who brought our family to America during the war.

Quick, when was the Swiss crisis?

- 1956.

- Very impressive, Jabari.

My grandchildren watch too much TV, but they know their history.

They understand what it is to be American and Egyptian.

- I need a ride to the airport, Sala.

- If you run, the police will assume that you're guilty.

- Without Helena or the dial, I'm gonna get framed for murder.

- What have you thought about calling Marion?

- She doesn't wanna talk to me.

(car engine revving)

- I took something else from your apartment.

It was under the bed.

- Thanks, Sala.

- I also bought my passport.

I could help you.

- In Tangier?

- Wherever chance takes us.

Indeed, I miss the desert.

I miss the sea.

And I miss waking up every morning wondering what

wonderful adventure the new day will bring to us.

- This is not an adventure, Sala.

Those days have come and gone.

- Perhaps, perhaps not.

- Give 'em hell, Indianadels!

(screaming).

- Jimmy, we've got four more hours of danger.

- Yes, stop, she's so... - Thanks.

(suspenseful music)

- Come on, man, open the door.

- No!

(knocking)

- Open the door.

- The Germans were right.

- What?

- What?

- It's too big, it's too much.

- Hey, hey, hey!

- Hey, there!

- It's nothing.

- What are you... - Do you listen to nothing that I said?

- I don't understand it, Paz.

- Well, I was trying to explain it to you downstairs.

You just ignored everything.

- You're terrifying your daughter.

- But Archimedes discovered a temporal meteorology.

- Archimedes was a mathematician, Paz, not a magician.

- You could predict visions in time.

- Visions in time?

Paz, you can't prove that.

- No, not yet.

- Proving it is what makes it science.

(suspenseful music).

(suspenseful music).

- Oh, Paz.

I never should have given you anything.

It belongs in a museum, so give it to me, please.

- If I give you this, it must be destroyed.

- I will.

I'll destroy it, Paz.

- Promise.

- I'm sorry about this.

It's all my fault.

Are you gonna be here?

- Yes, sir.

- Okay, I've gotta get you here for a minute.

- If anyone finds the gravitas, they'll have both halves.

Something should stay buried.

- I know, Paz.

- It's vital that you destroy it.

- We'll Bury it.

- I'll be right back.

- It's vital that you destroy it, Will, Paz.

Do you understand?

- I'll destroy it.

- Will.

- Yes.

- Promise.

- Remember that.

- I promise.

There's a reason.

A reason that Archimedes broke it in two.

I know, Paz.

- Indeed.

- Thanks, Wongas.

He's gonna be all right in a few days.

I'll call you as soon as I land.

- Ladies and gentlemen, we are 20 minutes from landing in Tanchir.

(dramatic music)

(dramatic music)

(dramatic music).

(speaking in foreign language)

- She's here.

(dramatic music)

- It is an astrological clock,

dating third century BC and built by Archimedes himself.

All right, let's start at 20,000.

20,000, phone Mark, 30,000, 30,000.

- It is green, powerful, and when I reach 85, I rotate.

What next?

- Lily, help me, he's so cute.

- Pull back on the yoke.

- I didn't mean, I'm airborne.

- Yeah, he's airborne.

- Do I pick up the flaps?

- Don't touch the flaps under 400 feet.

Decrease your pitch to get to 120.

- All right.

Private talks are on time.

- I've gotta get in there.

- No password, no entry.

I don't make the rules.

- And what is the current bid?

- Bid is 50,000.

- I'm gonna bid 55.

- Partish, who'll give me 60?

- 60. - 60, 65?

- 65, 70? - 75.

- 75, 80? - 80.

- 85. - How about 90?

- 90.

- This auction's private.

- This auction's over.

- Au contraire, it's hardly begun.

- 100. - It's 100,000.

I like the hat, by the way.

Makes you look at least two years younger.

- Nice. - And yet she-- - I told you that this auction is over.

- Excuse me, who is this man?

- I'm her godfather. - He's mildly related.

- And she's a pastor bedtime.

Come on, mom. - I wouldn't do that.

- You want to explain it to the cops at the bar?

- The ones I paid off.

- You're out of your depth, Jonesy.

- Jonesy? - He thinks I'm a criminal.

He's the one wanted for murder.

Nice big picture of the New York Herald.

130.

- I didn't kill anyone, and you know it helped her.

What whoever did was looking for this

and checked out here as Pandora's boss.

- No, actually, it's my box.

- You.

- Have we met?

- No.

- My memory's a little fuzzy, but your face rings a bell.

Are you still a Nazi?

- You're confused.

My name is Schmidt.

Professor Schmidt of Alabama University.

- Professor Schmidt.

How nice to meet you in person.

- Sup, ma?

- 150.

- After our conversation with you, I thought we'd come to an agreement about the--

- Funny, the last time I saw the other guy who looks like you, he was also after this.

- Your numbers were light, Professor Schmidt, but good news is you're here now.

The bid is 160.

- You don't seem to understand, Michelle.

The Israeli is my property.

- It's not yours.

You stole it.

- Then you stole it.

- And then I stole it.

It's called capitalism.

The bid is 160.

- 160.

- 170.

- You should have stayed in New York.

- 170.

- You should have stayed out of Poland.

- 170.

Anyone? Anyone?

Going. Going.

- Gone.

- No, wait.

- Get the dial.

- Get off.

- Get away.

Stay away.

- You should not have come back, Helena.

- Get back.

(suspenseful music)

- Get in.

- What means is you stayed?

(yelling)

- Thank you.

- See you in the past, Dr. Joven.

(suspenseful music)

- That's my cab.

(yelling).

- Time to back off.

- I just told him to shoot you.

- All right, guys.

Put the guns down.

Put them down.

All right.

That's better.

- Oh, dear.

(suspenseful music)

- Rahim.

You're in for Thomas.

- I was sleeping, Helena.

Peacefully.

My father woke me up.

He told me he'd returned to our hotel.

And he handed me this scimitar.

and told me to come home with your head.

- Does it have to be that bitch?

- I thought maybe you returned because you loved me.

- Rahim.

I had an item to sell.

- Excuse me.

The item she's talking about actually belongs to me.

- You do not need to do it.

- And some very best conversation.

- You don't need to get involved.

- And run off because it's your new man.

No.

- Okay, dude.

- What exactly do you do with this guy?

- Just some bail money and my kind of happiness.

- I presume you stole the ring?

- It didn't go up as much as I thought it would.

- I'll do it!

- What do you mean?

- Hey!

(screaming)

- Let go!

Let go!

(suspenseful music)

- You just got me killed!

- Well, I'm not the one that's engaged to a monster!

- I don't need morality lessons or an aging grave robber.

- I'm not a grave robber.

Your father and I get important work together.

(screaming)

- What's wrong?

What's wrong?

- Don't tell me all your escapades are noble selfless quests.

You're gonna get a buzz.

(growling)

- Good one, Jenny!

- Come on, give me that.

- Hey!

(growling)

- No, no, no!

- Back up, back up!

(growling)

- Hey!

(growling)

- Go this way!

- You don't know where you're going!

You've been listening to any notes you know!

- I'm no change here!

(growling)

- There he is!

- Faster!

- Faster!

(speaking in foreign language)

- I'm not sure Professor Schmidt is an actual professor, but he's a Nazi!

- Turn left, turn left, turn left!

- No!

(growling)

- Let her out!

Don't do this!

- What?

(growling)

- This way!

- Hey!

- No!

(growling)

- What the hell?

(horn honking)

- Come on!

- Hey!

(growling)

- Come on, come on!

(growling)

(screaming)

(shouting)

- Hey, somebody, where you at?

- I'm down there!

(growling)

(dramatic music)

- You thinking you'd be proud of this?

- No!

- Your father, his only daughter, selling her soul for bail money!

- Sounds like good, but like that!

- It's not all bail money, some of it's gambling debt!

- That's not funny!

- Helena, no!

(gun firing)

Helena!

- How did you end up like this?

- I'm leaving with almost very beautiful justifications!

(growling)

(screaming).

- Hold on!

(growling)

- Go this way!

- There he is.

(horn honking)

- Dude, stop!

(screaming)

(gun firing)

- On the left!

- Take the wheel, Teddy!

- What are you doing?

- Forgetting what's mine.

- No!

- Damn it, you crazy?

(screaming)

- Let's go!

(grunting).

(screaming)

- Come on, give me the tile!

- Helena!

(gun firing)

- Turn back, see what's happening!

- He's gone!

- Move over!

- Hey!

(growling)

- I didn't come here to rescue you from your fiancee!

- Rescue me?

- I just want the tile back!

(screaming)

(dramatic music)

- How did we do that?

- This is my last block of head.

- Not the smoothest break I've ever had.

- Your father was still alive.

- Well, he's not, isn't he?

- Something's wrong with the engine.

- I think there's been someone there for me, some father

figure, someone specifically anointed for the job.

- You have no idea.

- Don't beat yourself up about it.

I mean, what even is a godfather?

Anyway, family never was your slum suit.

What is the time, by the way?

- It's... - Hey, look here.

- Give me that back.

That was my father's watch.

- Give me that.

You don't have to be talented.

But I hear you'll be looking for me too.

We'll go to Tangier Airport first, so we'll need

to catch a train and get a paint and cast of light.

Whoa, what was that?

(engine revving)

- Damn.

- Yeah, I know something.

Yes?

Copy.

They pulled the plug.

You got them scared.

- Because they don't understand.

- No, because your associates killed three American

civilians and blew up a nationally televised parade.

Because you stood up the President of the United States,

ran to Morocco, and created an incident that required military extraction.

- Then take me to DC and I will explain it.

- They want you to vanish.

- We have half the time now.

- They were just trying to keep you happy.

Let you chase that thing.

They never cared about it.

- They will, Miss Mason, when they understand what it can do.

- You put them on the moon.

They got what they wanted.

- All right, buckle up.

We're landing in Spain.

C9 transport will take you from there to Maxwell.

- I'm not going back to Alabama.

All we need is a vessel to take us to the Mediterranean.

The Grafacos will take us to the other... Please, Miss Mason, please.

- Let go of me, Schmidt.

- I'm asking you personally.

- You're a piece of work, Doc.

Hey!

(dramatic music).

(dramatic music)

- My name is Falla.

You're being falla.

(dramatic music)

- That's C-Stom.

American helicopter.

Did you know the Wright brothers?

- What?

- The Wright brothers are Vilna and Wilbur.

They invented the airplane and they lived in Indiana.

Wilbur was born in Indiana.

- I'm not from Indiana, Teddy.

- And the Wright brothers were born during the Civil War.

- Oh, I thought maybe you went to school with them.

(laughs)

- Oh, come on, Indy.

That was funny.

- Funny.

I'm stuck in Tangier with a broken tuk-tuk and two thieves.

I'm wanted for murder.

Nazis have half of Archimedes' dial

and your father's notebooks.

- I have a copy.

Dad's notebooks.

I made a copy.

- Where?

- Hmm.

- You memorized five notebooks.

Seven and of course not half of them were as dull as ditch water.

Just a really important bit.

- Like what?

- The location of the graphicals.

- Nobody knows where the graphicals is.

- Dad did.

- No, he didn't.

- Yes, he did.

- No, he didn't.

- Yes, he did.

- What's a graphicals?

- It's directed to the rest of the dial.

- Ask her if she knows what language to say.

- It is an inner language.

It's in a code.

- What code?

- Archimedes used two codes.

Linear B and Bolivia Square.

- So even if you find the graphicals without me, you can't read it.

- Please.

Dad taught me in Bolivia when I was nine.

He used to leave little notes around the house.

Tidy your room.

Stay away from my branding.

- What if it's linear B?

- 50 quid, it's Bolivia's.

- Give me that.

- Hey, that won't work.

- Moroccan chew comes made from the sap of the Malacara.

Heat resistant.

Try and start.

- I am.

(engine revving)

- Hey, do you want to hold?

- Give us to the train station.

- Us?

You going home?

- No, I'm going to Casablanca.

Then I'm gonna hop a plane to the Aegean, just like you.

- What makes you think we're going to the Aegean?

- You gotta get to the graphicals before the Nazis.

Archimedes was surrounded by Romans.

Where else would it be?

- The Aegean is huge indeed.

You don't have coordinates.

And you don't have a boat.

I've got an old friend in Greece, an expert diver with a

big beautiful boat that'll get us there before they will.

You need me and you know it.

(engine revving)

(dramatic music)

(engine revving)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

- Hey!

(dramatic music)

- Indy!

Indy!

- So that's the expert diver?

- Spain's greatest frogman.

- So Spain's greatest frogman has a shit boat and only one good frog leg?

- Stop it.

- You got a different boat.

- That's not the end.

(dramatic music)

- We're going here.

Where they found the first part of the Antikythera.

But we're going deeper.

Dad tracked down the old sponge diver who found the diver.

He told him that the wrecked Roman ship broke up under the sea, 70 feet below,

filled with the skeletons of over 100 centurions.

That's where they found it.

But he said that most of the ship had broken off

and sunk to the ocean floor.

- Too deep for sponge divers.

- So Dad started wondering why a Roman warship

would sail out of Syracuse with 100 centurions on board.

They weren't taking half a dial for a joyride.

- They had the graph of us.

And we were looking for the rest of the dial.

Your dad was a genius.

- Yeah.

He was.

(dramatic music)

- Bye.

- Take a nap.

- Seven of spades.

(laughing)

- How did you do that?

I looked at this.

Do it again.

(dramatic music)

- Pick a card, Dr. Jones.

- Seven of spades.

(laughing)

- It's not just magic.

- Trick deck.

- No.

I force the card.

I offer the Mark, you, the feeling of a choice,

but ultimately I make you pick the card I want.

- The Mark.

- The Mark.

- Well, yeah.

Tomorrow is a big day.

I have to check my, whatever it is.

(speaking in foreign language).

- Good night.

- Good night.

- You remember seeing any dates in your father's notebooks?

- Dates?

What dates?

- These dates.

Written over and over again in this letter.

August 20th, 1969, that's three days from now.

And the same date in 1939,

two weeks before Hitler invades Poland.

- Oh, wait.

Now you believe that Donald has magical powers?

- I don't believe in magic wombat.

A few times in my life I've seen things.

Things I can't explain.

And I've come to believe it's not so much what

you believe, it's how hard you believe it.

- I've seen things too, Andy.

The only thing worth believing in ever is cash.

- Right.

(footsteps approaching).

What if you could go back in time?

What would you do?

Witness the Trojan War?

Check in on Cleopatra?

- I'd stop my son from enlisting.

- Did he sign up to please you?

- No, he signed up to piss me off.

- How would you have stopped him?

- I told him he was gonna die.

I told him that his mother would.

find no end to her grief,

and that his father would be.

helpless to console her,

and that the loss would put an end to their marriage.

- He's still wearing the ring.

- I'm sorry, I'm sorry.

(somber music)

(coughing)

- Come see me?

(speaking in foreign language)

(door opening).

- Oh, promising.

Hello.

- Put your gear on, they're waiting.

- Hey.

Come here.

- Okay.

- I wanna show you something.

- Of course, this looks important.

- Okay.

- Now, we are going deep.

Descend fast and breathe through these hoses, okay?

Stay separated.

No crisscross, all right?

You cannot stay long.

- I have a method.

- Usually prevents the balance.

- Usually?

- Yeah, I call it the balance.

Fast down, three minutes on the button, and then up, three minutes.

No, one more second.

Three minutes.

- Yeah, that's right.

- Where is my lighter?

I don't know, have it done?

- We have to go.

- Quick question, what's that?

- Son, no.

- No, no sharks here, eels.

- Eels?

- Anguinis, most are smell.

Sometimes they are big, two minutes.

If you see them, stay a steal.

They bite you, they block the jaw.

- They look like snakes.

- No, they don't.

- Private Brandy, reporting for duty.

- You're not coming, Terry.

- I can't swim.

- Lucky him.

- Everyone can swim.

- I can't start it either.

Reach and pull, reach and pull.

- No, I stay behind, gracias.

- All right, you stay here in the center and watch our backs.

It is time, come on.

(dramatic music)

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

(dramatic music).

(dramatic music)

(water splashing)

(muffled speaking)

(water splashing)

(dramatic music)

(water splashing).

(dramatic music)

- Two minutes.

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

(water splashing)

(dramatic music)

(water splashing)

(grunting)

(dramatic music)

(dramatic music)

(water splashing)

(dramatic music).

(water splashing)

(dramatic music)

(water splashing)

(dramatic music)

(water splashing)

- Hey.

(dramatic music).

(water splashing)

(dramatic music)

(water splashing)

(grunting)

(water splashing)

(dramatic music)

(water splashing)

(grunting)

(water splashing)

(dramatic music)

(water splashing)

(dramatic music)

- What are these people?

- Nazis.

- First, you returned my car.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- I'm not going to get it.

- Nazis. - First, you returned my dial,

Dr. Jones, and now you bring me the graphicus.

I'm very happy you're not wasting your time.

- I should have returned you when I had the chance.

They're your sponsors.

- I'm on my own now.

Things move forward, Dr. Jones.

And sometimes they go backward.

Now let's get comfortable and have a little talk.

(door creaks).

- What language is that?

- It's not a language.

- The code, Polybius.

- You owe me 50 quid.

- Not familiar with Polybius cipher?

- No.

But it appears you are.

Read it, please.

- No.

(door slams)

(speaking in foreign language)

- Feeling helpful now?

- I am.

I know this stuff backwards.

- No.

- Sorry, I don't do noble there.

Just cold hard mouths.

I'll crack the code, help you find the other half.

100 grand cash.

- How long now?

- Take or leave it.

- You have a deal?

(dramatic music).

- I'll never pay you.

- I think we'll find this is worth more than your esplanade price.

Teddy. - No, Anna.

Don't do this.

- Let's see what we've got here.

My Makana, that's machine,

lies with me in the city I left,

where wolves teach men to walk under one of nine I lie.

Only one thing lies anywhere forever, the dead.

So if the dire lies with him, then this is directions to his tomb.

- The tomb of Archimedes, undiscovered for two millennia.

- City I left.

Archimedes lived two places his entire life, so he only left one.

Anyone?

Out the back?

Come on, Indy, everyone knows this.

Even this clown.

- Alexandra.

Full marks.

Now wolf in Greek is lycos,

root of the word lyceum or school.

The Doric for walking is peripatéo, which also happens to be the word for...

I thought you were a bright spark.

- Peripatéo means walking.

It also means counting.

So where wolves teach men to walk, what could be?

- The school of mathematics.

- Is correct.

Now, the next bit is easy.

Beneath one of nine, there are nine muses.

- The museum.

The Greek word for the great library of Alexander.

- Which, as we all know, has nine statues supporting its roof.

May I?

Thank you.

Nine muses in reverse order are Goliath, Orania, Pelinea, Erato,

and the Meli, what's his name, that other one, Thalia, Utero, but the first is...

- Cleon.

- The muse of history and time.

- The Archimedes.

- What a clever book.

- The entrance to the tomb is by the school of mathematics under a statue of Cleon

in the ruins of the great library of Alexander.

- God stop it, Dr. Brains.

- Tenet!

- The Grappigos, get it!

(dramatic music)

(coughing)

(screaming).

- I have said it before, and I will say it again,

when you're in a tight spot, you die the night.

(laughing)

- My friend's just murdered.

- Sorry.

- You told them everything.

- Word for word, but Archimedes didn't make it that easy.

The tomb isn't in Alexandria.

(laughing)

- Sir, what do you see?

- Olivia's square.

- Made of?

- Wax and wood.

- Anything else?

- It's heavy.

(dramatic music)

- Too heavy.

- Good girl.

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music).

- This is solid gold.

- It's gold.

From the Nile.

- Hold it, Teddy.

(dramatic music)

Sell this thing, and we are out of the hole, and then some.

I'm just the customer of cranky old duchess in Travolta.

- This is going in a museum.

(dramatic music)

Take them with Teddy.

(dramatic music)

What does it say?

- Search where Dionysus hears each whisper like a hurricane.

- Wait, Ian.

- I can't have Dionysus.

- Where is that?

- What's this thing?

- How much fuel do we have?

- It's full.

(dramatic music)

- Mad west, not east.

(dramatic music)

(dramatic music)

- I want the papaya.

- How much is it?

- Do you want the papaya?

- Take this.

Look at that cute little straw hat.

This way.

- At least I bought it.

- That's a bit.

- That's a bit.

- Hey.

What do you think?

(dramatic music)

- What are we doing?

- Waiting for closing time in the cage.

- He's calling with tourists.

- Okay, so he's like running the show now?

- He's not running the show, Teddy.

- I just thought we were in this for all the wrong reasons.

- We are.

Nice to see you, I think.

- You know he's never gonna let us sell any of that stuff.

- I'm still in charge, Teddy.

- Come on now, get over here.

Give me a hand.

(dramatic music)

- He's fledged.

- Be your backpack.

- Where's the kid?

(dramatic music)

- Hey, watch out.

- Excuse me.

- What's wrong with you?

(dramatic music)

- Hello.

(dramatic music)

(people shouting)

- Hey, hey, hey.

(dramatic music)

(dramatic music)

- Ellen.

They've got Teddy.

- I took off the heels of that.

(dramatic music)

(dramatic music)

(people shouting)

- What are they gonna do to him?

- He knows about the air, what the graphical says.

They're not gonna hurt him.

They're gonna use him to get the other half of the guy.

They're gonna get there first.

(dramatic music)

(dramatic music)

- Let's go.

- Cave's over there.

(dramatic music)

(dramatic music)

- Could we go a little faster, please?

(dramatic music)

- You're Dionysus.

(dramatic music)

- Wow.

(dramatic music)

(dramatic music)

- Search where Dionysus hears each whisper, like a hurricane.

- That's Flamingo.

- Keep making noise till we find out where it's loudest.

(singing)

(dramatic music).

- This is it.

- Greek pediment at entrance.

- Used to be.

- Crescent.

Just like on the graphicals.

I think there's an opening up there.

(dramatic music)

- You okay up there?

- Yes.

- You're not moving.

- I'm thinking.

- About?

- About what the hell I'm doing up here, 40 feet in the air with cracked shoulders,

crumbling vertebrae, plate in one leg, screws in the other.

- Yeah, I get it, I get it.

- No, you don't get it.

You hurt half my age.

You ever been forced to drink the blood, colleague?

- No, not.

- Or be tortured with voodoo.

And I'm just guessing, but I don't get it shot

nine times, including once by your father.

- That shocked you?

- Don't talk to me, just go ahead.

I'll follow you.

(speaking in foreign language)

- No, no, no, no, we are close.

We are close, look around you.

- Cave of Dionysius.

- No, no, no, no, the cave is close for renovation.

- Let me ask again, where is the cave of Dionysius?

(ominous music)

- What's the matter, you worried about the kid?

- Are you sure they got back?

- He'll be fine, he's smart.

- Where'd you find him?

- He tried to steal my purse outside a casino in Marrakesh when he was 10.

I hit him repeatedly with my car door, but he didn't

let go and neither did I, so been together ever since.

- Thought you were all about the money.

- I am.

- Nobody memorizes every page of their dead father's notebooks for the money.

(ominous music)

- Pia Valor!

- It went that way.

(ominous music)

(ominous music)

- Why?

Come on, come on.

Let's go.

- Come on.

(screaming)

- Oh my God!

(screaming)

- Get him off me, get him off!

- Please.

(coughing)

What is that?

(coughing)

- Athena.

Don't breathe.

- Don't breathe?

- We've gotta get out of here.

(coughing)

Athena, goddess of war.

- For a reason.

Under the moon, life lies at her feet.

Water displacement.

Get in the pool!

- What?

Help me open the door.

- Well then get out the doors, get in the pool.

- Okay, I'm getting in the pool.

- Help me.

- Archimedes was fascinated by water displacement.

(growling)

(explosion)

(dramatic music)

- Hey, get back here, play hard.

(dramatic music)

- Don't need to do that.

- Wait.

(dramatic music)

- Give me that.

- No!

(dramatic music)

(growling)

- Leave them.

I said leave them.

(dramatic music)

(growling)

- French, help me.

French, help me.

French, help me.

(dramatic music).

Archimedes, too.

(dramatic music)

(dramatic music)

- Grab that corner.

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music).

- Indy, this freeze.

- It's a Phoenix, a common icon.

- No, no, it isn't.

This Phoenix has propellors.

(dramatic music)

- What's this doing here?

(dramatic music)

- Clocks won't be invented for a thousand years.

Much of this watches.

- Archimedes used it.

- That was right.

It works.

- Of course it works, Monsieur.

Mathematics works.

As it conquered space, it will conquer time.

(dramatic music)

You've already lost your son, Dr. Jones.

Your wife is gone.

Do you really want to lose your God, Charles?

For what?

A world that no longer cares about men like us?

(dramatic music)

(dramatic music)

Thank you.

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

(dramatic music)

History's greatest moment.

(dramatic music)

It's end.

(dramatic music)

- Throw me the gun!

(gun firing)

- Get him out of here.

Teddy.

Teddy, Teddy!

Come on, come on, Teddy!

This way, come on!

(gun firing)

- Go!

- Hey!

(gun firing)

- Hey, go!

- Come on.

Come on!

- Stop.

(dramatic music)

- Now what?

- Bring him.

(dramatic music)

- Come on, man, come on.

- Teddy, we can't just leave him.

- We're not, follow me.

- Come.

(dramatic music)

- Come on, buddy.

(dramatic music).

(door creaking)

- Teddy, come on, we've gotta go.

(dramatic music)

Stay there.

(dramatic music)

(heavy breathing)

(dramatic music)

- Come on.

(dramatic music)

- The first hemisphere sets the destination.

The second, calculates the location of the fissure.

The Alexandria coordinates.

F method transposes to a longitudinal latitude.

Transmute waypoints to the pilots.

(dramatic music)

- Show cut.

(dramatic music).

- 37.0.

- So who is it?

Churchill?

Ike?

Are we gonna kill to win the war?

- In a few minutes, with the help of Archimedes,

we shall fly into the eye of the storm.

We cross into Sicilian airspace on August 20th, 1939.

We will head north over a discussion of the time of the war in the Soviet Union.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

- We have to find a way to get to the side.

(dramatic music).

- If they lit a fire that could have burned a thousand years,

I saw every mistake, every blunder, and I would correct them all.

History is a long list of losses, Dr. Jones.

It's just a question of whose.

(dramatic music)

- Henry!

Henry, Henry, Henry, Henry!

(dramatic music)

(speaking in foreign language)

(dramatic music)

(dramatic music)

(speaking in foreign language)

(dramatic music)

- Hey.

Think you can fly one of those?

- A Nord?

Sure.

- It's not a ringing response.

- Well, I haven't flown a Nord.

- If they don't fly, they'll be blind.

- I'll get it started.

(dramatic music)

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

- You German valor.

Don't try and be funny.

(dramatic music)

(dramatic music)

- Come on, big talker.

(speaking in foreign language)

(dramatic music).

- The cage is green, powerful, and when it reached A5, I rotate.

(dramatic music)

(engines roaring)

(speaking in foreign language)

(dramatic music)

- Okay, wind's down.

Okay, 84 miles an hour, we'll take.

(dramatic music)

(engines roaring)

(speaking in foreign language)

(dramatic music)

(dramatic music)

(engines roaring)

(speaking in foreign language)

- Continental drift.

- Our committees didn't know about continental drift.

We couldn't have.

(speaking in foreign language)

We haven't been observed yet.

- You're off target.

- Your coordinates are face time markers.

They've been moving for 2000 years.

They could be off by 10 degrees by-- (speaking in foreign language)

- I spit on up the glitter.

(dramatic music).

(engines roaring)

(speaking in foreign language)

- Your calculations are wrong.

- Will you shut up?

I'm sinking.

(speaking in foreign language)

(speaking in foreign language).

(engines roaring)

- I don't know where we're going here.

(speaking in foreign language)

But it sure as hell made G39.

(speaking in foreign language)

(speaking in foreign language)

(engines roaring)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language).

(engines roaring)

(speaking in foreign language)

(engines roaring)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(engines roaring)

(dramatic music)

(speaking in foreign language)

(dramatic music)

- That's Italy, 1939.

(laughing)

I did it, Dr. Jones.

(speaking in foreign language)

(dramatic music)

Yesterday, we lost you, Dr. Jones.

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

- Those are Roman triremes.

(dramatic music)

(speaking in foreign language).

(engines roaring)

- Keep it in the air!

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(dramatic music).

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

- Open the door!

(dramatic music).

What are you doing?

What are you doing, David?

They think we're a monster!

(dramatic music)

(speaking in foreign language)

- You have to turn around.

This is the siege of Syracuse.

- 214 BC, you got the wrong war.

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

- Get out of the way!

(dramatic music)

(speaking in foreign language)

- Sorry, pal, but you're nothing!

(dramatic music).

(screaming)

- What are you doing here?

- Rescuing you!

(dramatic music)

- Get him off!

Easy!

(gun firing)

- I got a parachute!

Hang on!

- Let go!

Give me the parachute!

- Hang on!

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(speaking in foreign language)

(dramatic music).

(speaking in foreign language)

(speaking in foreign language)

(dramatic music)

- Those are my friends!

Those are my friends!

We need to help them!

- What?

- Those are my friends!

(dramatic music)

(dramatic music)

(screaming)

(dramatic music)

(dramatic music).

(speaking in foreign language)

(dramatic music)

(speaking in foreign language)

(dramatic music).

- He's too relaxed.

Come on, Indy!

Help me.

Get up.

We need to get you out of here.

Help me, sit up, okay?

Sit up, you need to help me.

I know it hurts, but we've got to get you back.

- This is incredible, one back here.

Incredible.

- Yeah, it very well is.

We have to get you out of here.

- My God.

- We're witnessing history.

Reverse these numbers.

They'll get you home.

- What?

- You're going to stay.

- No, you're not serious.

Well, you are serious.

(dramatic music)

Indy, you've been shot.

You're bleeding.

You can't stay here.

- Yes, I can.

- But for what?

For a long, painful death with pulses and leeches?

- I've imagined this is what Ben he's done all my life.

- And if you stay here, you will lock it all up and die.

Please, get up.

- Get up.

- Help me out.

I did it.

- Brother, I'm getting twisted.

- Indy, we've got to go.

Get up.

I need to get you into that plane, okay?

We need to.

Get up.

You can't.

Get down.

- No.

(dramatic music).

- Julian.

Julian.

- He gave us peace.

- It's him.

- Pasparo.

He landed us.

- He's asking how far we've come.

(chuckles)

(speaking in foreign language).

(speaking in foreign language).

- That dial is a forced deck.

It doesn't take us anywhere but here.

- He built it to get home.

- Well, we just scared off the entire Roman Navy, so I think we've helped enough.

(speaking in foreign language)

He can't keep that, by the way.

He needs to build his own one.

- Help me out, what did you do?

- Indy, the window is closing.

We cannot get stuck here.

(speaking in foreign language)

No, no, no, do not say yes.

(speaking in foreign language)

This is your time.

(speaking in foreign language)

He needs to be in his.

His work is not done.

He needs to go home.

There is medicine at home.

He cannot die here.

He cannot.

- Eleven, get on the plane.

I'll be all right.

- No, you won't.

- I need to do this.

- Me too.

(door slams)

(ominous music)

(plane engine roars)

(ominous music)

(plane engine roars)

(ominous music).

(plane engine roars)

(ominous music)

(plane engine roars)

(ominous music).

- Good morning.

How's the shoulder?

- Better than my jaw.

- Why?

- You should have let me stay.

- I couldn't do that.

(knocking).

- Why not?

- Well, for starters, he'd have changed the course of history.

- That's supposed to be a bad thing.

- You're meant to be here, indeed.

- Here?

- For who?

(ominous music)

(ominous music).

- Hey.

- Hey.

(ominous music).

- Eddie.

- Mary Ann.

What are you doing?

- Putting groceries away.

There wasn't a scrap of food in this place.

- No, really.

- Someone told me you were back.

Are you back, Indy?

- What was it?

- Indy was running, Mary Ann was running, and suddenly the plane exploded.

Indy, you're up and about.

- Yes, I am.

- Yes.

- Why don't we go and get some ice cream, kids?

- But Mary Ann just bought some, but I know a better place.

- You can never have too much ice cream, can you?

- See you later.

(ominous music)

- It looks bad.

Does it hurt?

- Everything hurts.

- I know how that feels.

(ominous music).

- Well, where does it hurt?

(ominous music)

(ominous music)

(dramatic music)

[BLANK_AUDIO].