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These are the user uploaded subtitles that are being translated: 1 00:00:07,260 --> 00:00:09,910 Stand by two, mix through, cue on two. 2 00:00:10,010 --> 00:00:12,560 The BBC's announced the appointment of 3 00:00:12,660 --> 00:00:16,140 ex Head Of Olympic Delivery, Ian Fletcher, as its new Head Of Values. 4 00:00:22,460 --> 00:00:24,220 Time now for the shipping forecast. 5 00:00:26,740 --> 00:00:29,550 Superimpose. 6 00:00:34,300 --> 00:00:35,760 Move Panorama to Twitter? 7 00:00:35,860 --> 00:00:37,310 Right, OK - Yes, no, brilliant. 8 00:00:37,410 --> 00:00:38,760 Blimey, how's that going to work? 9 00:00:38,860 --> 00:00:42,700 It's Monday morning at the BBC's New Broadcasting House headquarters, 10 00:00:42,800 --> 00:00:44,480 and Head of Values, Ian Fletcher, 11 00:00:44,580 --> 00:00:46,760 is chairing another meeting of the renewal group. 12 00:00:46,860 --> 00:00:49,460 I think this might be a good time to remind ourselves what this is 13 00:00:49,560 --> 00:00:51,260 actually about. - Oh, yes, please sir. 14 00:00:51,360 --> 00:00:52,240 Brilliant. - Right. 15 00:00:52,340 --> 00:00:53,920 So, essentially, this DCMS thing... 16 00:00:54,020 --> 00:00:57,040 Following a broadly successful visit to New Broadcasting House 17 00:00:57,140 --> 00:01:01,180 by a delegation from the Department Of Culture, Media And Also Sport, 18 00:01:01,280 --> 00:01:04,500 Ian has been tasked with the opportunity to represent the BBC 19 00:01:04,600 --> 00:01:06,760 in what will be, in one way or another, 20 00:01:06,860 --> 00:01:09,280 a decisive series of meetings at Westminster, 21 00:01:09,380 --> 00:01:12,420 as it negotiates the renewal of its Royal Charter, 22 00:01:12,520 --> 00:01:14,680 and therefore, its permission to exist. 23 00:01:14,780 --> 00:01:17,540 ..to really set out our stall at the start of the process. 24 00:01:17,640 --> 00:01:18,640 Hurrah! - Yeah, great. 25 00:01:18,740 --> 00:01:21,320 And maybe even a chance to set the tone of the whole conversation 26 00:01:21,420 --> 00:01:24,660 by being really confident about our aspirations for the future up front. 27 00:01:24,760 --> 00:01:28,620 Christ! - With this in mind, the BBC has recently launched its 28 00:01:28,720 --> 00:01:32,080 high profile More Of Less initiative, as a flagship policy 29 00:01:32,180 --> 00:01:35,340 designed to demonstrate that they understand what they're doing. 30 00:01:35,440 --> 00:01:37,520 I mean, for what it's worth, the mood music at breakfast 31 00:01:37,620 --> 00:01:40,220 with Tony these days is all about ways of showing that we get it. 32 00:01:40,320 --> 00:01:41,640 Right. - Breakfast with Tony? 33 00:01:41,740 --> 00:01:44,040 No, I mean, really, these days, it's just a matter of a bit of 34 00:01:44,140 --> 00:01:46,980 kiwi fruit and some frankly rather tired looking almond croissants. 35 00:01:47,080 --> 00:01:49,160 Jesus! - Yes. - I mean, isn't it? - Yes, exactly, yes. 36 00:01:49,260 --> 00:01:52,460 Right. - Sorry, can I just ask? I mean, this probably isn't my... - No. 37 00:01:52,560 --> 00:01:54,080 ..but when you say, "Get it..." - Yes. 38 00:01:54,180 --> 00:01:56,190 ..get what, exactly? - Oh, yes, no, brilliant, Lucy. 39 00:01:56,290 --> 00:01:58,300 I mean, I might be being stupid... - Yes, exactly. 40 00:01:58,400 --> 00:02:00,320 No, the fact is, this is about establishing 41 00:02:00,420 --> 00:02:03,220 what we do most of best and finding fewer ways of doing more of it less. 42 00:02:03,320 --> 00:02:05,740 Right. - Yes. - Yes. - Brilliant. - Yeah, bollocks. 43 00:02:05,840 --> 00:02:07,220 So, what is this, Jerry? This is...? 44 00:02:07,320 --> 00:02:09,040 Ben. - So what is this, Ben? 45 00:02:09,140 --> 00:02:11,820 Yeah, I mean, listen, I don't know how this stuff works, but, er.. 46 00:02:11,920 --> 00:02:13,840 With Ian's first trip to Westminster due next week, 47 00:02:13,940 --> 00:02:17,340 it's become clear that Ben has been invited to have some thoughts about 48 00:02:17,440 --> 00:02:20,260 what More Of Less might look like in his new role 49 00:02:20,360 --> 00:02:23,080 as someone about to apply for the same job as Jerry. 50 00:02:23,180 --> 00:02:25,840 These are basically just some squeaky toys to push around 51 00:02:25,940 --> 00:02:28,860 the floor, Ben, aren't they? - Yep. - Right. - Squeaky toys? - Yep. 52 00:02:28,960 --> 00:02:30,940 Ugh! - Yes, now, feel free to ignore them. 53 00:02:31,040 --> 00:02:33,020 Right, well... - OK, fine, done. - Yep. 54 00:02:33,120 --> 00:02:35,040 Oh, I dunno, erm... Gardening? 55 00:02:35,140 --> 00:02:37,400 Gardening?! - OK, right... - Yep. 56 00:02:37,500 --> 00:02:39,860 I mean, would anybody miss that if we didn't do it? - I would! 57 00:02:39,960 --> 00:02:42,080 Yes, I mean... - No. - ..surely if isn't it more...? 58 00:02:42,180 --> 00:02:44,370 No, I'm sorry. No, the fact is that's not the point. 59 00:02:44,470 --> 00:02:46,660 In fact, can we close that for the moment? - Yes. 60 00:02:46,760 --> 00:02:48,580 If that's all right, Ben? - Sure. 61 00:02:48,680 --> 00:02:50,400 Yes, of course, yes, no, very good. 62 00:02:50,500 --> 00:02:52,440 Yes, cos I'm sorry, guys, I AM going to say this - 63 00:02:52,540 --> 00:02:55,900 as a woman, I have got a bit of a soft spot for Monty Don. 64 00:02:56,000 --> 00:02:57,120 Really? - Brilliant. 65 00:02:57,220 --> 00:02:58,840 Really?! - Yes, no, who hasn't? 66 00:02:58,940 --> 00:03:00,760 I've got to say, I would miss him. - OK. 67 00:03:00,860 --> 00:03:04,670 And I know there are a lot of other women out there like me. 68 00:03:04,770 --> 00:03:08,480 Yes. I mean, obviously I'm grateful to Ben for all the... 69 00:03:08,580 --> 00:03:10,760 thing that you've put into this. - Oh, no, really. - Hey... 70 00:03:10,860 --> 00:03:13,820 ..but we seem to have got off on the wrong foot here somehow. - Yes. 71 00:03:13,920 --> 00:03:16,380 And the idea of us spending our energy on actively looking 72 00:03:16,480 --> 00:03:18,200 for things not to do... - I agree completely. 73 00:03:18,300 --> 00:03:21,340 ..I mean, that is absolutely not what renewal is about. 74 00:03:21,440 --> 00:03:22,920 Yes, no, very good. 75 00:03:23,020 --> 00:03:25,610 No, the challenge is to... Hang on, what's this? 76 00:03:25,710 --> 00:03:28,300 Ah, now, yes. - Another squeaky toy, presumably? 77 00:03:28,400 --> 00:03:29,380 Yep. - Yes, no, brilliant. 78 00:03:29,480 --> 00:03:30,520 Orchestras? - Yes. 79 00:03:30,620 --> 00:03:32,040 Right. - Orchestras, yep. 80 00:03:32,140 --> 00:03:34,300 Yes, well, six is probably the perfect number to have 81 00:03:34,400 --> 00:03:35,860 in life anyway, so... - Well, that's... 82 00:03:35,960 --> 00:03:37,320 So, let's not... - No, I'm sorry... 83 00:03:37,420 --> 00:03:39,120 I think that's a different... - Yes. - Six? 84 00:03:39,220 --> 00:03:42,420 It's becoming clear to Ian that so crucial is the More Of Less 85 00:03:42,520 --> 00:03:45,660 initiative deemed to be for the future of the BBC, 86 00:03:45,760 --> 00:03:47,320 that Jerry has also been invited 87 00:03:47,420 --> 00:03:50,540 to have some thoughts about how it might work in his new role 88 00:03:50,640 --> 00:03:53,280 as someone about to apply for the same job as Ben. 89 00:03:53,380 --> 00:03:57,140 The BBC Celtic "Symphonieta"? - Yep. - Right. - Yeah. 90 00:03:57,240 --> 00:03:58,200 Isn't that a bit...? - No. 91 00:03:58,300 --> 00:04:00,160 Yeah, a bit crap, yeah. - Well, no. - Yes. 92 00:04:00,260 --> 00:04:03,060 It just I'm not sure that's how you spell Sinfonietta, anyway, is it? 93 00:04:03,160 --> 00:04:04,200 No, it's not, no. - No. 94 00:04:04,300 --> 00:04:05,920 Really? - No, it is bloody not. 95 00:04:06,020 --> 00:04:09,390 After a, for him, unusually intense period of research, 96 00:04:09,490 --> 00:04:12,760 Jerry has discovered that the BBC currently operates 97 00:04:12,860 --> 00:04:15,950 a total of six major orchestras, and has been looking at ways 98 00:04:16,050 --> 00:04:18,785 of reimagining them as a smaller number of minor orchestras. 99 00:04:18,885 --> 00:04:21,642 I remember being taken to see the Welsh Symphony Orchestra, 100 00:04:21,742 --> 00:04:24,171 as it was then, in St David's Hall, Cardiff, when I was 12. 101 00:04:24,271 --> 00:04:26,700 Right. - Really? - Apart from the musical experience, 102 00:04:26,800 --> 00:04:28,400 which I've got to say was Vaughn Williams, 103 00:04:28,500 --> 00:04:32,180 for me, it was the first time I'd seen more than 30 people 104 00:04:32,280 --> 00:04:33,900 in any kind of room at the same time. 105 00:04:34,000 --> 00:04:35,520 Yes, well, that's... - Brilliant. 106 00:04:35,620 --> 00:04:38,540 For me, as a young woman growing up in Wales, it was seminal. 107 00:04:38,640 --> 00:04:41,580 Right. - That's when I knew I had to get out. 108 00:04:41,680 --> 00:04:42,600 Yes, I mean... - Hurrah! 109 00:04:42,700 --> 00:04:44,800 OK, a couple of things just to throw in at this point. 110 00:04:44,900 --> 00:04:47,300 Brilliant. - Yeah. - Can I just say, I'm with you on this, Ian. 111 00:04:47,400 --> 00:04:49,500 Good, well, that's... Although I haven't said it yet. 112 00:04:49,600 --> 00:04:50,560 No, I know, I'm just saying. 113 00:04:50,660 --> 00:04:53,430 No, I think I should probably say now that this isn't something 114 00:04:53,530 --> 00:04:56,300 I feel comfortable taking to the DCM And Also S next week. - No. 115 00:04:56,400 --> 00:04:58,740 I'm not going to be the guy responsible for axing four major 116 00:04:58,840 --> 00:05:01,000 BBC Orchestras and instigating the launch of the 117 00:05:01,100 --> 00:05:03,160 BBC Celtic "Symphonieta," however you spell it. 118 00:05:03,260 --> 00:05:05,820 Yes, no, very good. - I don't see that as my role as Head Of Values. 119 00:05:05,920 --> 00:05:07,240 Yes, no, fabulous, Ian, very clear. 120 00:05:07,340 --> 00:05:09,510 No, just give it... - No, get off, it's mine. 121 00:05:09,610 --> 00:05:11,780 Yes. - Yes, no, come on, boys, nice big voice. 122 00:05:38,980 --> 00:05:41,820 - This is me on my bike. - This is me on my bike. 123 00:05:41,920 --> 00:05:43,040 This is me on my bike. 124 00:05:43,140 --> 00:05:46,100 Yeah, hey, this is me on my bike. 125 00:05:46,200 --> 00:05:47,280 This is me on my bike. 126 00:05:47,380 --> 00:05:50,840 Meanwhile, across town at Fun Media, Siobhan has asked her team 127 00:05:50,940 --> 00:05:54,580 to gather together and have ideas about using the Cycle Shorts video 128 00:05:54,680 --> 00:05:57,800 sent over to them by Director Of Better, Anna Rampton, as a 129 00:05:57,900 --> 00:06:02,780 possible trail for the launch of the BBC's new online platform, BBC Me. 130 00:06:02,880 --> 00:06:03,800 OK. 131 00:06:03,900 --> 00:06:05,980 This is me on my bike. - This is me on my bike! 132 00:06:06,080 --> 00:06:07,360 OK, OK, it's done now, shut up. - Yep. 133 00:06:07,460 --> 00:06:09,950 So, what are we thinking here, guys? - Pretty cool. - Yeah. 134 00:06:10,050 --> 00:06:12,440 In many ways, it's a perfect example of exactly the sort of 135 00:06:12,540 --> 00:06:15,740 selfie-centred content that will lie at the heart of the new channel, 136 00:06:15,840 --> 00:06:19,020 and that may well be the model for how television will work 137 00:06:19,120 --> 00:06:21,040 in a world where no-one watches it any more. 138 00:06:21,140 --> 00:06:24,350 Plus, when it comes to the actual launch, you can have it playing on, 139 00:06:24,450 --> 00:06:27,660 like, on a permanent loop on a really big screen like a whole wall. 140 00:06:27,760 --> 00:06:29,660 Like, maybe if it was in, like, black and white? 141 00:06:29,760 --> 00:06:31,660 Sure. - Yeah, cool, black and white, yeah. 142 00:06:31,760 --> 00:06:33,080 Yeah, maybe, like, both. 143 00:06:33,180 --> 00:06:34,520 OK, this is so not happening. 144 00:06:34,620 --> 00:06:37,690 We have got one chance to get this launch gig right, OK? - Yep. - Sure. 145 00:06:37,790 --> 00:06:40,860 We get it wrong, we're eating shit soup with no chopsticks here, right? 146 00:06:40,960 --> 00:06:43,260 Yeah. - OK, so what you do is, like, you theme the whole event. 147 00:06:43,360 --> 00:06:44,600 Yeah, yeah, yeah, yeah. - OK. 148 00:06:44,700 --> 00:06:47,140 Yeah, so, maybe, like, everyone's wearing cycling shorts. 149 00:06:47,240 --> 00:06:48,820 Yeah. - Cycling shorts? - Yeah, or like... 150 00:06:48,920 --> 00:06:50,040 Ew. - OK. - Not going to happen. 151 00:06:50,140 --> 00:06:52,400 OK, so everybody has to have a bike. - OK. 152 00:06:52,500 --> 00:06:54,360 Like, if you don't have a bike, you can't come in. 153 00:06:54,460 --> 00:06:56,890 Yeah, so maybe you have it somewhere you can only get to by bike. 154 00:06:56,990 --> 00:06:59,420 Yeah! - OK, like where? - I don't know, maybe more like... 155 00:06:59,520 --> 00:07:00,460 Yeah, France! 156 00:07:02,060 --> 00:07:04,080 - OK, Michael, what are you thinking here? - Sure. 157 00:07:04,180 --> 00:07:06,620 What have you got upside your head? - Actually, I have an idea. 158 00:07:06,720 --> 00:07:08,600 OK, cool, do you want to go fuzzy felt on this? 159 00:07:08,700 --> 00:07:10,610 Actually, I don't need that. - OK, cool. 160 00:07:10,710 --> 00:07:12,620 So, we don't need the bike. - Say what? 161 00:07:12,720 --> 00:07:13,720 Lose it. - Lose it? 162 00:07:13,820 --> 00:07:16,420 So actually, the cool part of this is freeing the selfie rights, 163 00:07:16,520 --> 00:07:17,880 so we don't need the bike at all. 164 00:07:17,980 --> 00:07:20,580 Even though Michael brings several years' experience with him 165 00:07:20,680 --> 00:07:22,400 from the Fun Media office in New York, 166 00:07:22,500 --> 00:07:25,460 it's become clear that in many ways, he's actually younger than 167 00:07:25,560 --> 00:07:26,960 the rest of the team put together. 168 00:07:27,060 --> 00:07:28,670 ..so you set up, like, a YouTube channel. 169 00:07:28,770 --> 00:07:30,280 Like, you could do it, like, now, right? 170 00:07:30,380 --> 00:07:33,190 And people upload themselves saying "Me," like just saying the word, 171 00:07:33,290 --> 00:07:35,965 "Me," like, right into their phones, like a super selfie, whoever they 172 00:07:36,065 --> 00:07:38,740 are, wherever they are, right now. So, like, anyone can add to it, 173 00:07:38,840 --> 00:07:40,240 right? So, like, it goes viral, right? 174 00:07:40,340 --> 00:07:42,670 So, like, already you've got zillions of people already, 175 00:07:42,770 --> 00:07:45,005 it's, like, a huge thing, like, even before the BBC launch, 176 00:07:45,105 --> 00:07:47,340 you got like, pretty much the whole world saying, "Me". 177 00:07:47,440 --> 00:07:49,120 Which could be pretty cool, right? - Holy shit. 178 00:07:49,220 --> 00:07:51,420 So then maybe for the launch, like, you edit it, right? 179 00:07:51,520 --> 00:07:52,720 So, like, you get some cool music, 180 00:07:52,820 --> 00:07:56,020 and maybe the strapline could be, like, "BBC Me - it's you". 181 00:07:56,120 --> 00:07:57,420 Which actually could be cool. 182 00:08:00,260 --> 00:08:01,940 Yeah. - Yeah. - Yeah. 183 00:08:03,460 --> 00:08:05,210 George! 184 00:08:22,020 --> 00:08:24,060 # Get ready, everybody, cos here we go 185 00:08:24,160 --> 00:08:25,880 # S Club... 186 00:08:25,980 --> 00:08:28,620 ♪ There ain't no party like an S Club party... ♪ 187 00:08:33,460 --> 00:08:36,810 Meanwhile, back in Renewal, one of either Ben or Jerry 188 00:08:36,910 --> 00:08:40,260 has noticed that there is a BBC orchestra on the original 189 00:08:40,360 --> 00:08:42,960 list of six that no-one has so far mentioned. 190 00:08:43,060 --> 00:08:45,620 They sound really rather fabulous, don't they? - Yep. - Yep. 191 00:08:45,720 --> 00:08:47,200 Do they? - Yes, all right. 192 00:08:47,300 --> 00:08:51,220 Originally the BBC Light Fun Orchestra, the BBC Swing Band 193 00:08:51,320 --> 00:08:54,480 started life in 1927, and has had incarnations as 194 00:08:54,580 --> 00:08:58,620 the BBC Home Service Dance Band and the Radio 2 Big Swingers Ensemble 195 00:08:58,720 --> 00:09:00,520 in its nearly 80-year history. 196 00:09:00,620 --> 00:09:02,320 Yes, no, can you stop that now, please? 197 00:09:02,420 --> 00:09:05,500 Brilliant. - Yes, can you stop that now, please? - Yep. 198 00:09:05,600 --> 00:09:07,420 Yes, I mean, it's an interesting one, isn't it? 199 00:09:07,520 --> 00:09:08,480 Is it? - Yes, exactly, yes. 200 00:09:08,580 --> 00:09:10,520 Maybe it's because there's been a lot happening 201 00:09:10,620 --> 00:09:13,420 in the world recently, but hands up who knew we had a big swing band. 202 00:09:13,520 --> 00:09:15,160 Yes, well... - Yes, no, the fact is we have. 203 00:09:15,260 --> 00:09:16,800 OK, so what are we going to do with that? 204 00:09:16,900 --> 00:09:18,720 We going to make it smaller, are we? - Brilliant. 205 00:09:18,820 --> 00:09:21,060 The BBC Little Swing Band. - Brilliant. - Brilliant. 206 00:09:21,160 --> 00:09:22,400 I mean, just out of interest, guys, 207 00:09:22,500 --> 00:09:24,370 do we know what their natural constituency is? 208 00:09:24,470 --> 00:09:26,240 Their natural constituency? - Yes, exactly. 209 00:09:26,340 --> 00:09:29,250 Yeah. - Yep. - I mean, I don't know much about their natural constituency... 210 00:09:29,350 --> 00:09:32,260 No, exactly. - ..but now I think about it, I think my grandparents actually 211 00:09:32,360 --> 00:09:34,820 used to listen to them on the World Service. - Really? - Yes, cos.. 212 00:09:34,920 --> 00:09:37,060 Yeah, no, the fact is this is not about the World Service. 213 00:09:37,160 --> 00:09:39,200 No, no... - It's not about grandparents. - No, I just... 214 00:09:39,300 --> 00:09:41,750 The fact is, orchestras is something that we currently do well. 215 00:09:41,850 --> 00:09:44,300 Hurrah! - In the end, this is about finding more ways of doing 216 00:09:44,400 --> 00:09:46,600 less of what we currently do better. 217 00:09:46,700 --> 00:09:48,320 Well... - About finding better ways... 218 00:09:48,420 --> 00:09:51,300 Finding fewer. - Finding more ways of doing... - Anyway... - Yes, exactly. 219 00:09:51,400 --> 00:09:53,580 Fuck's sake. - Yes, no, brilliant, listen, I completely 220 00:09:53,680 --> 00:09:55,520 get your concerns around this values thing, Ian. 221 00:09:55,620 --> 00:09:58,050 Do you? - Yes, completely. - Completely. - Yep. - Yes, exactly. 222 00:09:58,150 --> 00:10:00,615 I mean, you'll know how you want to feel about this. I have no idea 223 00:10:00,715 --> 00:10:03,080 how this thing works, but I don't know, are we in an area here...? 224 00:10:03,180 --> 00:10:05,900 Yes. - ..where we can make some kind of positive statement of intent? 225 00:10:06,000 --> 00:10:07,720 Yes, exactly. - Positive statement of intent? 226 00:10:07,820 --> 00:10:09,440 All right, OK. - You know, maybe without 227 00:10:09,540 --> 00:10:12,580 quite so much collateral damage as we might get in some other... 228 00:10:12,680 --> 00:10:14,360 Yes, exactly, yes. - "Collateral damage"? 229 00:10:14,460 --> 00:10:16,580 No offence to your grandparents, obviously, Lucy. 230 00:10:16,680 --> 00:10:18,340 No, exactly. - No. - No. - No. 231 00:10:29,100 --> 00:10:33,180 This is BBC News. These are the top stories developing at 11 - 232 00:10:33,280 --> 00:10:36,560 President Trump promises a big day on national security, 233 00:10:36,660 --> 00:10:40,740 saying "We will build the wall along the border with Mexico". 234 00:10:40,840 --> 00:10:42,860 Yeah, so, basically, we're pretty pleased with it. 235 00:10:42,960 --> 00:10:43,960 Yeah, are you? - Yeah. 236 00:10:44,060 --> 00:10:46,840 A high-ranking North Korean diplomat has told the BBC 237 00:10:46,940 --> 00:10:51,260 he believes Kim Jong-un would be prepared to use nuclear weapons. 238 00:10:51,360 --> 00:10:52,800 It's another day, and Head Of News 239 00:10:52,900 --> 00:10:56,810 And Current Affairs, Neil Read, is down in the in-house IT solutions 240 00:10:56,910 --> 00:11:00,820 control centre with Senior Technical Services Choreographer, Adam Brady. 241 00:11:00,920 --> 00:11:03,600 So its been live for 24 hours now, and basically we're looking at 242 00:11:03,700 --> 00:11:06,580 93% accuracy. - Right. - Except in those one or two areas, obviously. 243 00:11:06,680 --> 00:11:10,580 A new version of the BBC's state of the art in house Syncopatico 244 00:11:10,680 --> 00:11:14,340 operating system has just gone live, including a major upgrade 245 00:11:14,440 --> 00:11:17,400 of its Syncopaticaption automatic live subtitling software. 246 00:11:17,500 --> 00:11:20,460 ..which means that it's actually faster from brain to ear 247 00:11:20,560 --> 00:11:21,800 than the human eye can detect. 248 00:11:21,900 --> 00:11:23,560 Yeah, great, so with the 93% accuracy... 249 00:11:23,660 --> 00:11:26,920 Yeah, OK, so with 1.9, we never got past 90%. - Yeah. 250 00:11:27,020 --> 00:11:29,110 Even on good days. - No. - Which we didn't really have. 251 00:11:29,210 --> 00:11:31,200 So, basically, we're ahead of the game here already. 252 00:11:31,300 --> 00:11:34,900 Yeah, great, so can we talk about the other 7%? - Yep, sure. 253 00:11:35,000 --> 00:11:38,520 Although Syncopaticaption 2.0 is already out-subtitling 254 00:11:38,620 --> 00:11:42,540 its predecessors in many areas, the area where it's least accurate 255 00:11:42,640 --> 00:11:44,080 is that of proper names. 256 00:11:44,180 --> 00:11:46,560 ..like Tweezer May, for instance. - Yeah, although to be fair, 257 00:11:46,660 --> 00:11:49,570 phonetically, that's actually pretty close. - Yeah, but politically, 258 00:11:49,670 --> 00:11:52,395 and in every other way except phonetically, it's a disaster. - Yeah. 259 00:11:52,495 --> 00:11:55,220 Or worse still, Vladimir Puking. - Yeah, that was really bad luck. 260 00:11:55,320 --> 00:11:56,600 Yeah, the problem we've got, Adam - 261 00:11:56,700 --> 00:11:58,920 proper names are, like, a key component of world news. 262 00:11:59,020 --> 00:12:01,460 Yeah. - Now, I don't understand statistics, but you could say 263 00:12:01,560 --> 00:12:03,000 they're the most important 7%. - Yeah. 264 00:12:03,100 --> 00:12:05,580 And that's the 7% that we're getting wrong. - Yeah, not always. 265 00:12:05,680 --> 00:12:07,120 No, not always, no, but enough. 266 00:12:07,220 --> 00:12:10,060 Like I say, we're 24 hours in, but once it's learned a new name, 267 00:12:10,160 --> 00:12:12,220 in theory, it will never forget it again. 268 00:12:12,320 --> 00:12:13,560 Yeah. - It actually can't. 269 00:12:13,660 --> 00:12:16,500 The thing is, Adam, and again, I don't understand the technicalities 270 00:12:16,600 --> 00:12:18,480 of this, but as far as I can see, what's happening is 271 00:12:18,580 --> 00:12:21,370 it's getting names wrong, and then its remembering that wrong version, 272 00:12:21,470 --> 00:12:24,260 and repeating it without fail. - Yeah, so the good thing about that is 273 00:12:24,360 --> 00:12:26,760 once you've got a problem flagged, we can predict with absolute 274 00:12:26,860 --> 00:12:29,820 certainty when it's going to happen again. - Yeah, exactly, and that's why 275 00:12:29,920 --> 00:12:31,680 we're all dreading the next story about Russia. 276 00:12:31,780 --> 00:12:33,890 Yeah, although, to be fair, things have been a bit quieter 277 00:12:33,990 --> 00:12:36,035 with Russia in the last week or so. - Well, yeah... 278 00:12:36,135 --> 00:12:38,180 So, to me, that's, like, a positive already. - What? 279 00:12:38,280 --> 00:12:40,880 Me. - Me. - Me. 280 00:12:40,980 --> 00:12:43,450 Me. - Me. 281 00:12:43,550 --> 00:12:45,920 Me. - Me. 282 00:12:46,020 --> 00:12:48,410 So, this is, like, a try-out we did. - Right. - Yeah, sure. 283 00:12:48,510 --> 00:12:50,900 And this is, like, some fun guys and a bunch of other people, 284 00:12:51,000 --> 00:12:52,000 I don't know who they are. 285 00:12:52,100 --> 00:12:55,050 Meanwhile, elsewhere in the building, Siobhan has come over to 286 00:12:55,150 --> 00:12:58,100 report back to Head Of Output, Matt Tavener, on Fun Media's 287 00:12:58,200 --> 00:13:00,780 creative response to the Cycle Shorts idea, 288 00:13:00,880 --> 00:13:03,360 after Anna Rampton had forwarded it to them 289 00:13:03,460 --> 00:13:06,360 after David Wilks had sent her the link after Jack Patterson 290 00:13:06,460 --> 00:13:09,690 had adapted it from On Your Bike after Izzy Gould had developed it 291 00:13:09,790 --> 00:13:13,020 after Will Humphreys had come to her with the idea originally. 292 00:13:13,120 --> 00:13:15,220 Can I just say, was that just you again there, Siobhan? 293 00:13:15,320 --> 00:13:16,680 Sure was. - Thought so. - Now, watch out, 294 00:13:16,780 --> 00:13:19,020 I'm coming up again in a minute. - No, cos do you know what? 295 00:13:19,120 --> 00:13:20,600 For a minute there.. - Shut up, here I come. 296 00:13:20,700 --> 00:13:23,840 Me. Me. - Right, yes. - So fun. - Yes. 297 00:13:23,940 --> 00:13:27,990 Fun's brainwave is to use the idea to create an interactive online 298 00:13:28,090 --> 00:13:32,140 trail ahead of the launch of the BBC's new online platform, BBC Me. 299 00:13:32,240 --> 00:13:34,740 That's it, OK? - Sure. - Yeah. - "BBC Me, it's you". 300 00:13:34,840 --> 00:13:37,080 I'm sure that's great, Siobhan, so this.. - Hi. 301 00:13:37,180 --> 00:13:39,420 Hey, Izzy. - Sorry I'm a bit late, I was just... 302 00:13:39,520 --> 00:13:41,060 No, sure, great you could make it. 303 00:13:41,160 --> 00:13:42,580 Yes. - Thanks. - Lovely Izzy. 304 00:13:42,680 --> 00:13:44,000 So Siobhan's just been showing us 305 00:13:44,100 --> 00:13:46,180 a rough of where they are up to with things. - OK. - Yes. 306 00:13:46,280 --> 00:13:47,680 Genius. - Basically, it's... 307 00:13:47,780 --> 00:13:50,500 OK. so I'm going to play it again. - Well, no, that's... - OK, here we go. 308 00:13:50,600 --> 00:13:53,200 Given her loyalty to Will's original concept for On Your Bike, 309 00:13:53,300 --> 00:13:55,900 and given what's happened to it since, Izzy has been uncertain 310 00:13:56,000 --> 00:13:58,020 about whether to come to the meeting or not. 311 00:13:58,120 --> 00:14:00,220 But she has. - Me. 312 00:14:01,380 --> 00:14:04,380 So that's it again. - OK. OK. - Sure. - Do you want to see it...? 313 00:14:04,480 --> 00:14:07,380 No, sure, that's great. So this will be like a YouTube thing. 314 00:14:07,480 --> 00:14:09,040 Excuse me? - Well... - A thing? 315 00:14:09,140 --> 00:14:12,240 Well... - Everybody's got a phone. Everyone's a me. 316 00:14:12,340 --> 00:14:14,820 Right? - Right. - So we go live with this thing before the launch. 317 00:14:14,920 --> 00:14:17,360 Like now, right? So we get a few super mes involved 318 00:14:17,460 --> 00:14:19,800 right at the get go. It's like, "Oh, my God", OK? 319 00:14:19,900 --> 00:14:23,860 Oh, my God! - So this trend is leaving town today. Be on it. 320 00:14:23,960 --> 00:14:26,200 No, sure, that's great Siobhan. - Super mes? 321 00:14:26,300 --> 00:14:29,940 Erm, OK, no, sure. So, like, Taylor Swift does a me, right? 322 00:14:30,040 --> 00:14:32,200 You're pretty much drowning in retweets right away. 323 00:14:32,300 --> 00:14:35,100 Right. - Sure. - Yeah, it's like you're living in a world of mes. 324 00:14:35,200 --> 00:14:37,480 Oh, my God. - Pretty soon, you done break the internet. 325 00:14:37,580 --> 00:14:40,340 Sure, I love where you've gone with this, Siobhan. - Sure. - Genius. 326 00:14:40,440 --> 00:14:42,680 - So, sorry, cos I'm just catching up, 327 00:14:42,780 --> 00:14:45,040 so with the Cycling Shorts idea, Siobhan... - Yes. 328 00:14:45,140 --> 00:14:47,990 Excuse me? - You've just gone past that as an idea, have you? 329 00:14:48,090 --> 00:14:50,940 OK, here's the thing with this, this is BBC Me we're launching, 330 00:14:51,040 --> 00:14:52,840 not BBC Bike. - Right. - Sure. - OK. 331 00:14:52,940 --> 00:14:55,280 OK, like lose the bike. Like, what even is that? Get rid of it. 332 00:14:55,380 --> 00:14:58,130 No, sure. - And the free the selfie idea? - I'm sorry? - Free the selfie! 333 00:14:58,230 --> 00:15:00,980 - Yeah, cos I have to say I was never really sure about that. 334 00:15:01,080 --> 00:15:03,200 No, do you know what, that's really interesting, Izzy. 335 00:15:03,300 --> 00:15:06,420 So, I don't know if this is any use, I don't know about Taylor Swift, 336 00:15:06,520 --> 00:15:09,280 but we get quite a lot of people coming in and out 337 00:15:09,380 --> 00:15:13,100 of here every day. - Sure. - OK. - Would it be an idea to maybe just have 338 00:15:13,200 --> 00:15:15,820 someone, like, down in reception with a phone every day? 339 00:15:15,920 --> 00:15:17,680 No, sure. - Holy shit! 340 00:15:17,780 --> 00:15:20,940 Cos, I mean, you never know, it'll only be a few moments of their time, 341 00:15:21,040 --> 00:15:22,080 who knows who we might get. 342 00:15:22,180 --> 00:15:25,580 Great. - George! - What? 343 00:15:33,580 --> 00:15:36,280 OK, cool. - Right OK. - Genius. 344 00:15:36,380 --> 00:15:39,060 That's great, Izzy, thanks. - Yeah, thanks. 345 00:15:52,540 --> 00:15:56,120 Anna! Anna! Anna! 346 00:15:56,220 --> 00:15:58,760 Eventually, it's the end of another day. 347 00:15:58,860 --> 00:16:01,310 But fortunately for Senior Communications Officer 348 00:16:01,410 --> 00:16:03,860 Tracy Pritchard, Anna Rampton hasn't quite made it 349 00:16:03,960 --> 00:16:05,060 out of the building yet. 350 00:16:05,160 --> 00:16:06,360 Anna! - Yes, hi. 351 00:16:06,460 --> 00:16:07,960 I'm glad I've caught you. I was worried 352 00:16:08,060 --> 00:16:10,330 I was going to run out of road for a minute. - Yes. 353 00:16:10,430 --> 00:16:12,595 I don't know if you saw my e-mail? - Your e-mail? 354 00:16:12,695 --> 00:16:14,760 This thing with the big swing band. - Yes, exactly. 355 00:16:14,860 --> 00:16:17,820 Rumours have somehow started to appear on the BBC Betterness 356 00:16:17,920 --> 00:16:20,940 Twitter feed that the BBC is planning to reimagine 357 00:16:21,040 --> 00:16:23,160 its big swing band as terminally un-swung. 358 00:16:23,260 --> 00:16:25,720 ..so we are starting to take incoming on it already. 359 00:16:25,820 --> 00:16:29,060 Right, incoming. - I've already had to get heavy with some 14-year-old 360 00:16:29,160 --> 00:16:31,320 from the Buzzfeed who's tone I didn't appreciate. 361 00:16:31,420 --> 00:16:34,580 And, as far as I can work out, this is basically your thing. 362 00:16:34,680 --> 00:16:35,740 Yes, exactly, yes. 363 00:16:37,300 --> 00:16:39,280 The fact is this is about identifying what 364 00:16:39,380 --> 00:16:42,900 we do most of best and finding fewer ways of doing more of it less. 365 00:16:43,000 --> 00:16:44,200 Right, OK. - Yes. 366 00:16:44,300 --> 00:16:46,560 That's what you want me to say. - Yes. 367 00:16:46,660 --> 00:16:49,780 OK, fine, if you're sure about that, Anna. - Yes, exactly. 368 00:16:49,880 --> 00:16:51,920 Well, like I say, I'm glad I caught you. 369 00:16:52,020 --> 00:16:54,110 You probably won't believe this but I used to run 370 00:16:54,210 --> 00:16:56,300 the 400m hurdles at school. - Yes, exactly, no. 371 00:17:12,140 --> 00:17:15,560 Meanwhile, it's a new day and it may only be 8 o'clock 372 00:17:15,660 --> 00:17:19,500 but down in reception Will Humphreys is already hard at work. 373 00:17:20,980 --> 00:17:24,400 He's been entrusted with the task of persuading some famous faces 374 00:17:24,500 --> 00:17:29,660 to take part in the new interactive online BBC Me Super Selfie campaign. 375 00:17:29,760 --> 00:17:31,880 Yeah, hi, yeah. - Hi. 376 00:17:31,980 --> 00:17:34,500 Yeah, hi. Yeah, so, I'm Will. - Hi, Will. 377 00:17:34,600 --> 00:17:37,120 Yeah, so, how are you? - How am I? 378 00:17:37,220 --> 00:17:39,740 Yeah. - I'm good, thanks. - Cool. 379 00:17:39,840 --> 00:17:40,920 Yeah, I'm good. 380 00:17:41,020 --> 00:17:43,190 Yeah, so, yeah, I'm doing this thing for BBC Me. 381 00:17:43,290 --> 00:17:45,360 BBC Me? - Yeah. - What the hell is that? 382 00:17:45,460 --> 00:17:47,770 Yeah, I know, yeah, so could you like say "Me" into this? 383 00:17:47,870 --> 00:17:50,180 Say "you"? - Yeah, what? - You want me to say you? 384 00:17:50,280 --> 00:17:51,540 Yeah, no, "Me." - Sorry? 385 00:17:51,640 --> 00:17:54,160 Like... "Me." 386 00:17:54,260 --> 00:17:55,680 Except not "me". "You." 387 00:17:55,780 --> 00:17:58,460 You know, Will, there's a part of me that would like to help you... 388 00:17:58,560 --> 00:18:00,460 I know, yeah, me too. - But I just don't think I can. 389 00:18:00,560 --> 00:18:02,200 OK, cool. - Sorry. - No worries. 390 00:18:02,300 --> 00:18:05,060 But, you know, hey, good luck. - Yeah, no worries, yeah, cool. 391 00:18:10,780 --> 00:18:14,450 No, of course. As I say, I've no idea where that's come from. 392 00:18:14,550 --> 00:18:18,220 And as far as I'm aware, it's probably...it's almost certainly 393 00:18:18,320 --> 00:18:20,320 just a rumour. So, you know? 394 00:18:20,420 --> 00:18:23,560 Erm... But, no, in the meantime we're obviously very aware... 395 00:18:23,660 --> 00:18:27,300 Meanwhile, Lucy has found time to go down to the so-called media cafe 396 00:18:27,400 --> 00:18:29,640 to have some breakfast whilst talking on her phone. 397 00:18:29,740 --> 00:18:31,880 OK. Well, look, thanks for getting in touch with me 398 00:18:31,980 --> 00:18:34,460 and, as I say, I'll do what I can just to clarify the situation 399 00:18:34,560 --> 00:18:37,540 and then I'll get back to you as soon as... 400 00:18:37,640 --> 00:18:39,260 Yes, OK. bye. Bye. 401 00:18:40,300 --> 00:18:41,320 Right. 402 00:18:41,420 --> 00:18:43,160 Hi. - Hi. 403 00:18:43,260 --> 00:18:46,820 Everything OK? - Erm, yeah, no. Actually have you got a minute? 404 00:18:46,920 --> 00:18:48,280 Yes, of course, yes. 405 00:18:48,380 --> 00:18:50,080 Where the hell did she get that from? - I know. 406 00:18:50,180 --> 00:18:53,300 I don't know. Someone told her they'd seen something on Twitter, 407 00:18:53,400 --> 00:18:54,240 or... Yes, I know. 408 00:18:54,340 --> 00:18:57,070 Lucy has been contacted by someone called Donna Fredricks, 409 00:18:57,170 --> 00:18:59,900 who turns out to be the daughter, for the moment anyway, 410 00:19:00,000 --> 00:19:02,400 of the leader of the BBC Big Swing Band. 411 00:19:02,500 --> 00:19:04,680 I mean, I think she's like his manager or something 412 00:19:04,780 --> 00:19:07,130 as well as his daughter. - Also, you know why you? - Yes. 413 00:19:07,230 --> 00:19:09,715 What have you got to do with it? - So she posted a message 414 00:19:09,815 --> 00:19:12,287 in the inclusivity feeling space and it got forwarded to me. 415 00:19:12,387 --> 00:19:14,860 Inclusivity feeling space? - OK, here we go. So this is him. 416 00:19:16,500 --> 00:19:20,060 Right, OK. - He's 74, he's been leader of the band for like forever. 417 00:19:20,160 --> 00:19:21,440 Right, God. - Yes, I know. 418 00:19:21,540 --> 00:19:23,830 And suddenly she's like asking me flat out if we're axing it. 419 00:19:23,930 --> 00:19:26,120 Right, yes. - It's like, what am I supposed to say? - No. 420 00:19:26,220 --> 00:19:28,860 I mean are we axing it? - Well, I mean not unless.. - Cos also... 421 00:19:28,960 --> 00:19:30,540 God, there's an also? - So, apparently, 422 00:19:30,640 --> 00:19:32,120 it's his 75th birthday coming up. - Oh... 423 00:19:32,220 --> 00:19:34,820 They're rehearsing a special concert to celebrate as we speak. 424 00:19:34,920 --> 00:19:36,960 Great, that's pretty much a full house then, isn't it? 425 00:19:37,060 --> 00:19:39,780 This is him with the band. - Right! Looks like he's having a nice time. 426 00:19:39,880 --> 00:19:41,860 Yes. - At the risk of sounding like Tracy Pritchard, 427 00:19:41,960 --> 00:19:43,720 I've got a bad feeling about this. - I know. 428 00:19:43,820 --> 00:19:45,990 I mean, thank God we haven't made a decision yet. - Yes. 429 00:19:46,090 --> 00:19:48,160 Cos that would be... - We haven't made a decision? 430 00:19:48,260 --> 00:19:50,460 Well, no. I mean, have we? - Well, I didn't think so. 431 00:19:50,560 --> 00:19:51,940 Well, I mean, not unless someone... 432 00:19:58,860 --> 00:20:00,240 Right, good. 433 00:20:00,340 --> 00:20:02,400 So this is obviously a screen grab. 434 00:20:02,500 --> 00:20:04,960 Yep. - 10:05 this morning, by the looks of it. - Yeah, whatever. 435 00:20:05,060 --> 00:20:07,900 So the thing is we didn't actually notice it when it went out live. - No. 436 00:20:08,000 --> 00:20:11,280 Meanwhile, current Head of News and Current Affairs, Neil Reid, is 437 00:20:11,380 --> 00:20:14,930 having another in a series of increasingly ongoing conversations 438 00:20:15,030 --> 00:20:18,580 with the BBC's chief technical services choreographer, Adam Brady. 439 00:20:18,680 --> 00:20:21,040 I mean, Dame Baggy Smith, for Christ's sake! 440 00:20:21,140 --> 00:20:23,450 Yeah, I know. - I mean, whatever you think of actors, 441 00:20:23,550 --> 00:20:25,775 this is one of the most respected ones of our generation. 442 00:20:25,875 --> 00:20:28,100 Yeah, she's great, isn't she? - She's 82, she's a dame, 443 00:20:28,200 --> 00:20:29,920 for Christ's sake, she's a national treasure. 444 00:20:30,020 --> 00:20:32,660 And she's now someone, and I say this as someone who's just spent 445 00:20:32,760 --> 00:20:34,640 the last ten minutes being shouted at by her agent, 446 00:20:34,740 --> 00:20:37,110 she's now someone who's never going to work for the BBC again. 447 00:20:37,210 --> 00:20:39,480 OK, so what's happened is, that someone's obviously taken this 448 00:20:39,580 --> 00:20:41,850 and posted it on Twitter. - Yes. - Presumably as some kind of joke. 449 00:20:41,950 --> 00:20:44,120 Yes, I can see what's happened! - I mean, I suppose in a way, 450 00:20:44,220 --> 00:20:46,670 you can't actually blame them. - Well, I don't blame them, Adam, 451 00:20:46,770 --> 00:20:49,220 I blame you! - Yeah, yeah. - So, anyway, once you figure out 452 00:20:49,320 --> 00:20:50,440 how to fix it, let's just go back 453 00:20:50,540 --> 00:20:53,580 to good old 1.9 for a bit shall we? - Yeah... - What? 454 00:20:53,680 --> 00:20:55,620 So the thing with 1.9, it's no longer compatible 455 00:20:55,720 --> 00:20:56,960 with Syncopatico Rolling Thunder. 456 00:20:57,060 --> 00:20:59,860 Great, OK, well, let's just turn the fucking thing off all together. 457 00:20:59,960 --> 00:21:01,760 Well, with that, Neil, we immediately run the risk 458 00:21:01,860 --> 00:21:04,460 of alienating the blind community. - Yeah. - Which, I dunno about you 459 00:21:04,560 --> 00:21:05,600 but I'm not comfortable with. 460 00:21:05,700 --> 00:21:08,660 Deaf. - What? - Deaf! - Yeah, deaf, yeah, deaf. Obviously. - God! 461 00:21:08,760 --> 00:21:10,760 Sorry. - Fucking hell! 462 00:21:10,860 --> 00:21:12,760 Ian. - Yes, hello, yes. 463 00:21:12,860 --> 00:21:14,920 Yes, hello. Good to meet you. - Yes, you too. 464 00:21:15,020 --> 00:21:18,140 Meanwhile, Ian has made the journey to Westminster for his crucial 465 00:21:18,240 --> 00:21:20,860 first charter renewal meeting at the Department Of Culture, 466 00:21:20,960 --> 00:21:22,560 Media And Also Sport. 467 00:21:22,660 --> 00:21:24,870 Fiona is just running a few minutes late, I'm afraid. - OK. 468 00:21:24,970 --> 00:21:27,025 But if you're happy just to take a seat? - Of course. Yes. 469 00:21:27,125 --> 00:21:29,080 Can I get you a coffee or...? - No, I'm fine. Thanks. 470 00:21:29,180 --> 00:21:32,060 Your colleague's already here. - Oh, good, well, that... My colleague? 471 00:21:32,160 --> 00:21:33,440 She's been here a while, actually. 472 00:21:33,540 --> 00:21:35,840 As the first of what could be literally who knows how many 473 00:21:35,940 --> 00:21:39,600 such meetings to come, it's vital that it gets off to a smooth start. 474 00:21:39,700 --> 00:21:42,380 Anna. - Yes, hi yes. - So is this...? Are you...? - Yes, exactly, yes. 475 00:21:42,480 --> 00:21:44,960 Right, I mean, don't take this the wrong way, I mean, it's always 476 00:21:45,060 --> 00:21:47,780 nice to see you, obviously. - Yes. - But I have to say, I didn't realise 477 00:21:47,880 --> 00:21:50,820 you were going to be here for this. - Yes. - Right. 478 00:21:50,920 --> 00:21:53,180 The fact is I came in a taxi. 479 00:21:53,280 --> 00:21:55,380 Right. Yes, me too. 480 00:21:55,480 --> 00:21:57,580 Yes. Exactly, yes. 481 00:22:02,220 --> 00:22:05,650 With Fiona Craig running slightly late, Ian and Anna have got 482 00:22:05,750 --> 00:22:09,180 some time to sit next to each other in the waiting room and wait. 483 00:22:16,980 --> 00:22:20,620 '..and here with us now are the leader of the BBC Big Swing Band 484 00:22:20,720 --> 00:22:23,840 'himself Ray Fredericks and his daughter Donna. 485 00:22:23,940 --> 00:22:26,380 'Yes, and Donna, I think this is actually a picture of them 486 00:22:26,480 --> 00:22:29,020 'rehearsing for that 75th birthday concert.' 487 00:22:29,120 --> 00:22:30,960 'Yes, that was last week, yes.' 488 00:22:31,060 --> 00:22:33,640 'So, Ray, for you, all these rumours around closure, 489 00:22:33,740 --> 00:22:36,990 'it's gotta be really upsetting for you and for everyone, really.' 490 00:22:37,090 --> 00:22:40,340 'At first we thought it was a joke. - Hey, that's life, I guess. 491 00:22:40,440 --> 00:22:41,900 'That's showbusiness.' 492 00:22:48,020 --> 00:22:50,320 Meanwhile, back in New Broadcasting House reception, 493 00:22:50,420 --> 00:22:54,340 Will has spotted a new potential target. - Well, yeah, hi, yeah. 494 00:22:54,440 --> 00:22:56,300 Hi. - Yeah, so can you... - No. - OK. 495 00:22:56,400 --> 00:22:58,340 Sorry. - OK, cool. 496 00:23:03,820 --> 00:23:06,410 Will! - Oh, yeah, hey, Izzy. Hi. - How's it going? 497 00:23:06,510 --> 00:23:09,100 Yeah, no worries, yeah, pretty cool. - Any luck? 498 00:23:09,200 --> 00:23:11,320 What, you mean, like so far? - Yes. 499 00:23:11,420 --> 00:23:13,880 I dunno, there was like this one guy who looked like the guy 500 00:23:13,980 --> 00:23:16,340 with Pudsey the Bear. - Pudsey the Bear? - Yeah. - Terry Wogan? 501 00:23:16,440 --> 00:23:17,720 Yeah, Terry Wogan, yeah. - Right. 502 00:23:17,820 --> 00:23:20,660 I asked him and he wasn't... - But Terry Wogan's dead surely. 503 00:23:20,760 --> 00:23:22,800 Yeah, no, yeah that's what he said, yeah. - Right. 504 00:23:22,900 --> 00:23:24,930 I mean you don't have to be down here all the time, Will. 505 00:23:25,030 --> 00:23:27,055 Yeah, no worries, yeah, I don't mind. - It would be so 506 00:23:27,155 --> 00:23:29,717 cool if you ended up getting a couple of really big names. 507 00:23:29,817 --> 00:23:32,280 Yeah. - Apparently, er, Lenny Henry was in this morning. 508 00:23:32,380 --> 00:23:35,620 Yeah. - It'd be... - No way! - It'd be great if you could get him. 509 00:23:35,720 --> 00:23:37,140 Yeah, I know, yeah me, too. 510 00:23:39,020 --> 00:23:40,840 'So, at what point did you first find out? 511 00:23:40,940 --> 00:23:43,280 'When did you hear? - No-one's said anything to us. - No. 512 00:23:43,380 --> 00:23:45,860 'No-one's told us anything, have they? - I don't believe so, 513 00:23:45,960 --> 00:23:48,680 'I guess not.' - Back over at the DCM and also S, 514 00:23:48,780 --> 00:23:52,100 it's becoming clear that despite the importance of the BBC not dropping 515 00:23:52,200 --> 00:23:55,940 a ball of any size on this morning of all mornings, it's managed 516 00:23:56,040 --> 00:23:59,780 to drop a potentially really big one live on its own breakfast show. 517 00:23:59,880 --> 00:24:01,560 'Every day he comes in. 518 00:24:01,660 --> 00:24:04,280 'He gets up in front of the band, he's 27 again. 519 00:24:04,380 --> 00:24:07,860 'You can see it happening. He's like a father to those guys. 520 00:24:07,960 --> 00:24:10,160 'He literally is a father to me. 521 00:24:10,260 --> 00:24:12,800 'You know, it's like, what more do they want?' 522 00:24:12,900 --> 00:24:16,460 Right, OK. - Yes. - So I don't understand quite how this happ... 523 00:24:16,560 --> 00:24:19,040 Hello. - Yes. Hi. - Yes. - Welcome. - Yes, exactly. 524 00:24:19,140 --> 00:24:22,280 But before they know it, it's time to stand up and be met 525 00:24:22,380 --> 00:24:25,390 by the DCM and also S's executive media director, Fiona Craig. 526 00:24:25,490 --> 00:24:28,500 Don't like to boast, but I have a TV of my own in my office. 527 00:24:28,600 --> 00:24:31,720 Shall we watch it in there? - Yes. - Yes. No, yes. 528 00:24:31,820 --> 00:24:34,860 They're to be joined once again for the meeting by two further DCM 529 00:24:34,960 --> 00:24:36,400 and S junior people. 530 00:24:36,500 --> 00:24:39,180 I'm sure you won't remember Chloe and Zoe but this is them again. 531 00:24:39,280 --> 00:24:41,040 Yes, of course, hi. - Hi. - Yes, hi. 532 00:24:41,140 --> 00:24:43,560 Yes, exactly. - With the introductions over, 533 00:24:43,660 --> 00:24:47,540 perhaps not surprisingly the first item on the agenda is pleasantries. 534 00:24:47,640 --> 00:24:50,280 If there's anything you can do personally to make EastEnders 535 00:24:50,380 --> 00:24:53,020 any less depressing, I strongly advise you to think about it. 536 00:24:53,120 --> 00:24:54,200 Right. - Yes. - Yes. - Yes. 537 00:24:54,300 --> 00:24:57,220 Probably thinking that's a joke, Ian. - Well... - It's not. - Right. No. 538 00:24:57,320 --> 00:24:59,460 No. - Yes. - For Ian, getting off to a good start 539 00:24:59,560 --> 00:25:01,880 in his first-ever meeting with the government 540 00:25:01,980 --> 00:25:05,260 in the charter renewal process hasn't been helped by the item 541 00:25:05,360 --> 00:25:07,880 on this morning's BBC Breakfast programme, about 542 00:25:07,980 --> 00:25:10,660 plans to axe the BBC Big Swing Band without telling them 543 00:25:10,760 --> 00:25:13,100 as they rehearse for a special concert to mark 544 00:25:13,200 --> 00:25:15,420 its leader's 75th birthday celebrations. 545 00:25:15,520 --> 00:25:17,800 ..Ray Fredericks in prime position on what 546 00:25:17,900 --> 00:25:20,080 I can really only call the BBC Breakfast sofa. 547 00:25:20,180 --> 00:25:22,820 Right, yes. - So how should we think about that? - Yes. - Yes. 548 00:25:22,920 --> 00:25:25,320 How should we think about it? - Yes. - Uh-huh. - Yes. 549 00:25:25,420 --> 00:25:27,720 Well, I mean this is just, it's one of those genuinely... 550 00:25:27,820 --> 00:25:31,460 Yes. - ..in the context of some very tough choices. This is... 551 00:25:31,560 --> 00:25:32,960 Exactly, yes. Tough choices, yes. 552 00:25:33,060 --> 00:25:35,980 This is something we found ourselves looking at, isn't it, Anna? 553 00:25:36,080 --> 00:25:37,440 Yes, exactly. Yes. 554 00:25:37,540 --> 00:25:40,360 I mean, obviously in an ideal world... - Well, now, let's not do 555 00:25:40,460 --> 00:25:43,740 ideal worlds, Ian, shall we? - No. - That way madness lies. - Yes. 556 00:25:43,840 --> 00:25:46,260 But what I would say about this, I mean to me, I'm an agnostic 557 00:25:46,360 --> 00:25:47,200 when it comes to music. 558 00:25:47,300 --> 00:25:49,400 It's nothing to me what tune you dance to, 559 00:25:49,500 --> 00:25:51,800 but what I would say, maybe a word to the wise, 560 00:25:51,900 --> 00:25:54,770 you do know that the minister himself is a keen trombonist. 561 00:25:54,870 --> 00:25:57,740 Right. - The he, the what? - Were you not aware of that? 562 00:25:57,840 --> 00:25:59,720 A trombonist? - I have to say I wondered. 563 00:25:59,820 --> 00:26:03,620 Right. When you say... - So if I tell you he's got a picture 564 00:26:03,720 --> 00:26:07,040 of Duke Ellington on the wall of his office, Ian... 565 00:26:07,140 --> 00:26:09,910 Right. - The duke, the Ellington? - If I can just, forgive me Fiona, 566 00:26:10,010 --> 00:26:12,825 is this a joke? - A joke? - Yes. - You can judge for yourself 567 00:26:12,925 --> 00:26:15,740 if you get here early enough. On some mornings, you can hear him 568 00:26:15,840 --> 00:26:17,840 from outside on the street. - Right. - Yes. - Yes. 569 00:26:17,940 --> 00:26:20,590 So what I'd say to you about that, Ian, is from your point of view, 570 00:26:20,690 --> 00:26:23,340 if it's a joke, it's not really a very funny one, is it? - No. 571 00:26:29,540 --> 00:26:31,120 Yes, hi, Tracy, yes. 572 00:26:31,220 --> 00:26:33,140 Yes, I have, just now, yes. 573 00:26:34,140 --> 00:26:35,380 Yes, it is. 574 00:26:36,420 --> 00:26:37,910 Yes, I know. 575 00:26:38,010 --> 00:26:39,400 Yes, I have. 576 00:26:39,500 --> 00:26:42,080 As part of an explosion of reaction on social media 577 00:26:42,180 --> 00:26:45,610 following the big swing band item on BBC Breakfast earlier, 578 00:26:45,710 --> 00:26:49,140 Jules Holland, one of the BBC's biggest-living musical giants, 579 00:26:49,240 --> 00:26:51,600 has tweeted that he will leave the BBC for good 580 00:26:51,700 --> 00:26:54,250 if the planned closure goes ahead. And, worse still, 581 00:26:54,350 --> 00:26:56,900 a lot of people with opinions have already liked that. 582 00:26:57,000 --> 00:26:59,100 Yes, now Anna's here with me. 583 00:26:59,200 --> 00:27:01,260 Yes. Well, but, anyway, she is. 584 00:27:01,360 --> 00:27:03,320 Overall, things are not going well. 585 00:27:03,420 --> 00:27:06,260 We'll see you shortly and in the meantime, let's all stay calm 586 00:27:06,360 --> 00:27:10,220 and try and visualise some positive outcomes here. 587 00:27:10,320 --> 00:27:12,580 No, well, OK, but let's try anyway. 588 00:27:13,980 --> 00:27:16,140 Yes, fine, OK. Bye-bye. 589 00:27:16,240 --> 00:27:17,720 Right, good. 590 00:27:17,820 --> 00:27:21,100 So there's an emergency damage limitation in Nadia Hussain 591 00:27:21,200 --> 00:27:23,380 at 11 o'clock. Tony's suggestion. 592 00:27:25,700 --> 00:27:28,260 He's super calm apparently, but apparently someone heard him 593 00:27:28,360 --> 00:27:29,540 shouting in the toilet. 594 00:27:32,180 --> 00:27:34,720 So, anyway, yes, if you've got any bright ideas, 595 00:27:34,820 --> 00:27:37,270 I mean apart from asking the driver to drive us both to St Pancras, 596 00:27:37,370 --> 00:27:39,820 getting on a train and disappearing to the continent for a while. 597 00:27:39,920 --> 00:27:42,000 I mean obviously the main... That was a joke by the way. 598 00:27:42,100 --> 00:27:46,060 Mm. - Just in case you... - Mm. - Yeah. No, I mean the main thing now is to 599 00:27:46,160 --> 00:27:49,700 before we, you know. Actually, are you OK, Anna? 600 00:27:49,800 --> 00:27:51,500 Anna, are you all right? 601 00:27:53,380 --> 00:27:56,000 Right, OK, erm, actually can we just stop, please? - What? 602 00:27:56,100 --> 00:27:59,060 Yeah, I think... - Are you OK back there? - No, I think she's fine. 603 00:27:59,160 --> 00:28:01,280 I think it's OK, she's just, you know... 604 00:28:01,380 --> 00:28:03,500 Ah, no, I think maybe we'd better stop. 53989

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