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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,246 --> 00:00:14,515 HIYA, DANNY. 2 00:00:14,548 --> 00:00:15,882 HOW’S IT GOIN’? 3 00:00:15,916 --> 00:00:16,883 GOOD. 4 00:00:16,917 --> 00:00:19,219 [PAGER BEEPS] 5 00:00:19,252 --> 00:00:20,253 EXCUSE ME. 6 00:00:31,097 --> 00:00:32,098 REBECCA? 7 00:00:35,301 --> 00:00:36,570 HOW’S IT GOIN’? 8 00:00:36,603 --> 00:00:37,571 GOOD MORNIN’, ANDY. 9 00:00:37,604 --> 00:00:39,339 YEAH. WHERE? 10 00:00:39,372 --> 00:00:40,774 MORNING, GREG. 11 00:00:40,807 --> 00:00:42,042 Kirkendall: OK, UH... 12 00:00:42,075 --> 00:00:43,443 HEY. HOW’S IT GOING, DANNY? 13 00:00:43,476 --> 00:00:46,780 SLOW DOWN, SLOW DOWN. WAIT A MINUTE. 14 00:00:46,813 --> 00:00:48,248 OKAY, UH... 15 00:00:48,281 --> 00:00:50,183 HOW’S THE TANK? 16 00:00:50,216 --> 00:00:52,452 MY NEONS ARE A LITTLE LISTLESS. 17 00:00:52,485 --> 00:00:54,020 Fancy: GOT IT. THANKS. 18 00:00:54,054 --> 00:00:56,089 TELL KYLE MOMMY’S ON THE WAY. 19 00:00:56,122 --> 00:00:58,892 A STABBING VICTIM AT A CONVENIENCE STORE 20 00:00:58,925 --> 00:01:00,126 AT SECOND AVENUE AND THIRD STREET. 21 00:01:00,160 --> 00:01:01,061 ANDY, YOU’RE UP. 22 00:01:03,129 --> 00:01:05,632 KYLE SAW IT. 23 00:01:05,666 --> 00:01:08,268 HE SAW THE STABBING. HE WAS IN THE STORE WHEN IT HAPPENED. 24 00:01:08,301 --> 00:01:09,703 HER 9‐YEAR‐OLD. 25 00:01:09,736 --> 00:01:11,037 EVERYONE ON BACKUP. 26 00:01:11,071 --> 00:01:13,740 COME ON, JILL. I’VE GOT THE KEYS. 27 00:01:13,774 --> 00:01:16,577 IF YOU NEED TO BANG OUT FOR THE REST OF THE SHIFT, THAT’S FINE. 28 00:01:16,610 --> 00:01:18,311 WHAT? 29 00:01:18,344 --> 00:01:19,913 DO WHAT YOU GOTTA DO. 30 00:01:19,946 --> 00:01:22,015 I’M GOING TO. 31 00:01:37,664 --> 00:01:39,766 [WOMAN CRYING] 32 00:01:39,800 --> 00:01:43,469 MIGUEL! OH, MIGUEL! 33 00:01:51,377 --> 00:01:52,345 MOM! 34 00:01:52,378 --> 00:01:53,346 ARE YOU OK? 35 00:01:53,379 --> 00:01:56,617 OH! OK, KYLE. IT’S OK. 36 00:01:58,552 --> 00:02:00,821 Danny: HEY, COME HERE AND TALK TO ME. 37 00:02:00,854 --> 00:02:02,122 WHAT HAPPENED? 38 00:02:02,155 --> 00:02:03,857 KID’S IN THE STORE WITH THE SITTER. 39 00:02:03,890 --> 00:02:05,091 SHE’S IN THE JOHN. 40 00:02:05,125 --> 00:02:06,927 PERP ROBS AND STABS THE CLERK. 41 00:02:06,960 --> 00:02:07,794 ANYBODY ELSE IN THE STORE? 42 00:02:07,828 --> 00:02:08,829 NAH. JUST THE KID. 43 00:02:08,862 --> 00:02:10,964 YOU’RE NOT HURT? 44 00:02:10,997 --> 00:02:12,032 OK. 45 00:02:12,065 --> 00:02:13,800 ALL RIGHT, BABY. 46 00:02:13,834 --> 00:02:15,168 WHAT’S THE PROBLEM? 47 00:02:15,201 --> 00:02:16,637 WHO ARE YOU WORKING FOR, GARY? I FREELANCE. 48 00:02:16,670 --> 00:02:18,639 MY NAME’S DANNY SORENSON, I’M WITH THE 15th SQUAD, 49 00:02:18,672 --> 00:02:20,440 AND I’M GONNA NEED THE LAST FILM YOU JUST SHOT. 50 00:02:20,473 --> 00:02:22,042 WHAT DO YOU MEAN? WELL, WHAT PART? 51 00:02:22,075 --> 00:02:22,976 WITH THE MOTHER AND HER BOY. 52 00:02:23,009 --> 00:02:24,978 THAT’S GREAT STUFF. 53 00:02:25,011 --> 00:02:26,647 I DON’T WANT THAT PART CIRCULATING, GARY. 54 00:02:26,680 --> 00:02:29,182 YOU DO ME THIS SOLID, I’LL GET YOU SOME EXCLUSIVES 55 00:02:29,215 --> 00:02:30,316 ON WALKOUTS FROM MY STATION HOUSE. 56 00:02:30,350 --> 00:02:31,885 I DON’T KNOW. 57 00:02:31,918 --> 00:02:34,054 SURE, YOU DO, GARY. 58 00:02:34,087 --> 00:02:35,889 I’LL TAKE REAL GOOD CARE OF YA, 59 00:02:35,922 --> 00:02:38,058 AND I’M GONNA BE ON THIS JOB A LONG TIME. 60 00:02:38,091 --> 00:02:39,526 ALL RIGHT. 61 00:02:39,560 --> 00:02:41,194 LET ME REWIND. 62 00:02:43,063 --> 00:02:45,065 THE MAN IN THE STORE’S DEAD. 63 00:02:45,098 --> 00:02:48,468 AND THE OTHER MAN STABBED HIM WITH A KNIFE. 64 00:02:48,502 --> 00:02:51,137 A D.O.A. AT THAT HOMELESS CAMP OVER ON FOURTH STREET. 65 00:02:51,171 --> 00:02:52,138 YOU’RE CATCHIN’? 66 00:02:52,172 --> 00:02:53,373 YEAH, WE’RE THE LUCKY TEAM. 67 00:02:53,406 --> 00:02:54,340 YEAH. 68 00:02:57,544 --> 00:03:00,013 AAAH! AAH! 69 00:03:00,046 --> 00:03:02,348 [SCREAMING AND CRYING] 70 00:03:03,884 --> 00:03:05,418 LET’S GET HIM OUTTA HERE. 71 00:03:05,451 --> 00:03:08,722 Woman: NO! NO! NO! 72 00:03:08,755 --> 00:03:09,690 [SOBS] 73 00:03:09,723 --> 00:03:11,391 iPOR QUĂ©! 74 00:03:11,424 --> 00:03:14,995 [CRYING AND SCREAMING IN SPANISH] 75 00:03:15,028 --> 00:03:18,398 ÂżPOR QUĂ©? NO! ÂżPOR QUĂ©? 76 00:04:58,331 --> 00:05:00,867 HOW LONG YOU BEEN MARRIED TO SIPOWICZ? 77 00:05:02,168 --> 00:05:04,237 A LITTLE OVER 3 YEARS. 78 00:05:06,039 --> 00:05:08,642 LET ME TELL YOU ONCE, SERGEANT, 79 00:05:08,675 --> 00:05:10,476 HOW GRATEFUL I AM FOR WHAT YOU’RE DOING‐‐ 80 00:05:10,511 --> 00:05:13,146 JERMAINE SLUNG DOPE ON THAT CORNER. 81 00:05:13,179 --> 00:05:14,881 IF THIS MURDER’S DRUG‐RELATED 82 00:05:14,915 --> 00:05:16,550 AND SUAREZ WAS A BOUGHT PATSY, 83 00:05:16,583 --> 00:05:18,284 JERMAINE OUGHT TO KNOW ABOUT IT. 84 00:05:18,318 --> 00:05:20,320 LISTEN, ABOUT JERMAINE BEING SISSIFIED, 85 00:05:20,353 --> 00:05:22,388 DON’T LET THAT FOOL YOU. 86 00:05:22,422 --> 00:05:23,824 NO. 87 00:05:23,857 --> 00:05:25,959 HE CAN HANDLE HIMSELF ON THE STREET. 88 00:05:25,992 --> 00:05:28,529 Man: I SEE YOU IN THERE, DETECTIVE DORNAN. 89 00:05:28,562 --> 00:05:31,865 HERE I AM, JERMAINE, AND IT’S SERGEANT DORNAN. 90 00:05:31,898 --> 00:05:35,035 CONGRATULATIONS. 91 00:05:35,068 --> 00:05:36,670 ASSISTANT DISTRICT ATTORNEY COSTAS. 92 00:05:36,703 --> 00:05:37,704 HOW DO YOU DO. 93 00:05:37,738 --> 00:05:39,640 HOW DO YOU DO? 94 00:05:39,673 --> 00:05:40,841 [PUSHES CHAIR] 95 00:05:40,874 --> 00:05:43,544 ASSISTANT DISTRICT ATTORNEY. 96 00:05:43,577 --> 00:05:47,213 YES, WELL, I’M AFRAID I CAN’T SPEAK TO YOU JUST NOW 97 00:05:47,247 --> 00:05:50,083 BECAUSE OF AN URGENT DENTURE PROBLEM. 98 00:05:50,116 --> 00:05:52,185 WHAT’S THIS, NOW? 99 00:05:52,218 --> 00:05:55,722 IT’S GETTIN’ ON 16 DAYS I’VE BEEN ASKIN’ TO SEE THE DENTIST 100 00:05:55,756 --> 00:05:58,759 TO HAVE MY UPPER PLATE ADJUSTED. 101 00:05:58,792 --> 00:06:02,062 AND I’M AFRAID THAT WHATEVER COOPERATION YOU’RE LOOKING FOR 102 00:06:02,095 --> 00:06:04,497 I CAN’T PROVIDE UNTIL THAT HAPPENS. 103 00:06:04,531 --> 00:06:05,398 LET’S TAKE CARE OF THAT RIGHT AFTER THIS. 104 00:06:05,431 --> 00:06:07,901 NO, NO, NO. 105 00:06:07,934 --> 00:06:10,704 IT WILL NOT TAKE LONG. 106 00:06:10,737 --> 00:06:13,740 MY MOUTH IS VERY IMPORTANT TO ME. 107 00:06:13,774 --> 00:06:15,909 ALL RIGHT. CAN WE GET HIM IN 108 00:06:15,942 --> 00:06:18,712 FOR A DENTURE ADJUSTMENT NOW? 109 00:06:18,745 --> 00:06:21,414 THANK YOU VERY MUCH. 110 00:06:21,447 --> 00:06:24,885 I EXPECT YOU TO COOPERATE WHEN YOU GET BACK HERE. 111 00:06:24,918 --> 00:06:27,821 OH, I’LL BE VERY COOPERATIVE WITH MY PLATE REPAIRED. 112 00:06:34,260 --> 00:06:36,096 [SIGHS] 113 00:06:56,116 --> 00:06:57,050 D.O.A.’s HEAD’S CAVED IN. 114 00:06:57,083 --> 00:07:00,053 BLOODY 2 X 4 NEXT TO THE BODY. 115 00:07:00,086 --> 00:07:01,588 THEY SAID HIS NAME’S VIC. 116 00:07:01,622 --> 00:07:02,923 HE LIVED IN THE LOT. 117 00:07:02,956 --> 00:07:04,925 APPARENTLY, HE WAS THE CAMPUS ASSHOLE. 118 00:07:04,958 --> 00:07:07,661 YEAH? NO ONE’S TOO SORRY TO SEE HIM DEAD? 119 00:07:07,694 --> 00:07:08,862 NOPE. 120 00:07:11,431 --> 00:07:12,933 HE’S BANGED UP GOOD, 121 00:07:12,966 --> 00:07:15,435 BUT NOT A LOT OF BLOOD IN THE CART. 122 00:07:15,468 --> 00:07:18,004 HIS HANDS ARE TORN UP LIKE HE WAS IN A FIGHT. 123 00:07:18,038 --> 00:07:21,007 VIC LEARNED THE LESSON OF SADDAM HUSSEIN IN KUWAIT. 124 00:07:21,041 --> 00:07:22,909 EXPAND UPON YOUR NEIGHBORS, 125 00:07:22,943 --> 00:07:24,578 THE EAGLE OF DEATH SWOOPS ON YOUR SHOULDER 126 00:07:24,611 --> 00:07:26,346 AND TAKES A HUGE DUMP. 127 00:07:26,379 --> 00:07:30,350 WE MAPPED OUT CAN TERRITORY‐‐ PICKING UP CANS. 128 00:07:30,383 --> 00:07:31,618 VIC DIDN’T STICK TO IT. 129 00:07:31,652 --> 00:07:32,986 RAT BASTARD WAS A POACHER 130 00:07:33,019 --> 00:07:34,320 WITH AN ENEMIES LIST THE LENGTH OF YOUR ARM. 131 00:07:34,354 --> 00:07:36,089 DID THAT INCLUDE YOU? 132 00:07:36,122 --> 00:07:38,391 HEY, I ONLY FOUND HIS BODY. 133 00:07:39,693 --> 00:07:41,862 PSST! PSST! 134 00:07:41,895 --> 00:07:44,297 I CAN GIVE YOU A SUSPECT, 135 00:07:44,330 --> 00:07:47,768 BUT, UH, MONEY‐WISE, IT’S A HARD WORLD. 136 00:07:47,801 --> 00:07:49,903 THANKS A LOT. 137 00:07:52,973 --> 00:07:55,175 HERE. 138 00:07:55,208 --> 00:07:58,011 ANOTHER 20 IF YOU’RE RIGHT. 139 00:07:58,044 --> 00:08:01,882 VIC BEAT THE CRAP OUT OF HIM A COUPLE OF NIGHTS AGO, 140 00:08:01,915 --> 00:08:03,116 AND ED SWORE VENGEANCE. 141 00:08:03,149 --> 00:08:04,685 ED’S THE GUY THAT’S PASSED OUT? 142 00:08:04,718 --> 00:08:06,653 HE’S NOT AS PASSED OUT AS HE LOOKS. 143 00:08:06,687 --> 00:08:10,691 HE’S, UH, PARTWAY PLAYING POSSUM. 144 00:08:10,724 --> 00:08:13,326 HE SAYS THIS GUY’S WORTH A CONVERSATION. 145 00:08:13,359 --> 00:08:14,094 WHAT, THE ONE PASSED OUT? YEAH. 146 00:08:18,765 --> 00:08:20,701 YOU STAY HERE. 147 00:08:21,868 --> 00:08:22,869 UGH. 148 00:08:28,875 --> 00:08:32,178 THAT BODEGA SHOOTING THAT NEVER CLEARED, 149 00:08:32,212 --> 00:08:34,380 THIS IS THE COUGH SYRUP JUNKIE THAT WE TALKED TO OUTSIDE. 150 00:08:34,414 --> 00:08:36,216 OH, YEAH. HE TOLD US ABOUT THE CRACKHEAD HOOKER 151 00:08:36,249 --> 00:08:38,384 GOING DOWN ON GUYS IN THE BASEMENT. 152 00:08:38,418 --> 00:08:39,920 YEAH, HE WAS STRAIGHT WITH US ABOUT HER, AS FAR AS THAT GOES. 153 00:08:39,953 --> 00:08:41,021 HEY! [KICKING] 154 00:08:41,054 --> 00:08:41,988 WAKE UP! 155 00:08:42,022 --> 00:08:43,757 WHAT’S GOIN’ ON? 156 00:08:43,790 --> 00:08:45,559 THERE WAS A GUY MURDERED OVER HERE. 157 00:08:45,592 --> 00:08:46,860 WHAT DO YOU KNOW ABOUT THAT? 158 00:08:46,893 --> 00:08:49,062 NEXT TO NOTHIN’. 159 00:08:49,095 --> 00:08:50,897 HE’S GOT BLOOD ON HIS SWEATSHIRT. 160 00:08:50,931 --> 00:08:54,000 YEAH. THIS VIC THAT’S DEAD, YOU HAVE HARD FEELINGS WITH HIM? 161 00:08:54,034 --> 00:08:56,036 NO MORE THAN THE NEXT FELLA. 162 00:08:56,069 --> 00:08:57,437 BUT YOU MAY HAVE HAD SOME? 163 00:08:57,470 --> 00:09:00,006 MAYBE SOME SMALL AMOUNT. 164 00:09:00,040 --> 00:09:01,742 ALL RIGHT, YA GOTTA COME WITH US. 165 00:09:01,775 --> 00:09:02,709 LET’S GO. 166 00:09:02,743 --> 00:09:04,077 AH, JEEZ! 167 00:09:04,110 --> 00:09:06,547 MAYBE YOU WON’T BE GONE LONG. 168 00:09:06,580 --> 00:09:09,449 HEY, I GOT A NICE BUZZ GOIN’. COME ON. 169 00:09:09,482 --> 00:09:10,350 YEAH, THAT’S THE BREAKS. [SQUISH] 170 00:09:10,383 --> 00:09:12,018 OH! 171 00:09:12,052 --> 00:09:14,588 GUM AND DOG CRAP. 172 00:09:14,621 --> 00:09:18,424 YEAH, THE DOG CRAP HERE IS TERRIBLE. 173 00:09:26,166 --> 00:09:28,134 WE CAME INTO THE STORE 174 00:09:28,168 --> 00:09:29,736 COMING FROM DR. KENDALL’S. 175 00:09:29,770 --> 00:09:31,404 YOU AND REBECCA. 176 00:09:31,437 --> 00:09:33,406 SHE TOOK ME FOR MY EAR INFECTION, 177 00:09:33,439 --> 00:09:37,310 AND COMING HOME, WE WENT IN TO GET A SUPER CONE 178 00:09:37,343 --> 00:09:40,313 AND FOR REBECCA TO USE THE LAVATORY. 179 00:09:40,346 --> 00:09:42,415 WHO WAS IN THE STORE THEN? 180 00:09:42,448 --> 00:09:45,285 FIRST, IT WAS JUST THE MAN BEHIND THE COUNTER. 181 00:09:47,921 --> 00:09:49,956 BUT WHEN I WAS OVER AT THE MACHINE, 182 00:09:49,990 --> 00:09:51,958 THE OTHER MAN CAME IN. 183 00:09:51,992 --> 00:09:55,629 THIS WAS THE MAN WHO WOUND UP HURTING THE MAN BEHIND THE COUNTER? 184 00:09:55,662 --> 00:09:56,897 YES. 185 00:09:56,930 --> 00:09:58,665 WHAT DID THAT MAN LOOK LIKE? 186 00:10:00,500 --> 00:10:03,403 HE...HE WAS WHITE 187 00:10:03,436 --> 00:10:05,839 AND ABOUT MY DAD’S SIZE. 188 00:10:05,872 --> 00:10:08,108 OH. HOW TALL IS YOUR DAD? 189 00:10:09,843 --> 00:10:12,679 5’10". 190 00:10:12,713 --> 00:10:16,182 AND HE WAS, LIKE, MAYBE 5 YEARS YOUNGER THAN MY DAD. 191 00:10:16,216 --> 00:10:17,450 MAYBE 30. 192 00:10:17,483 --> 00:10:20,420 AND HE TOLD THE MAN BEHIND THE COUNTER 193 00:10:20,453 --> 00:10:22,923 HE WANTED ALL THE MONEY FROM THE CASH REGISTER 194 00:10:22,956 --> 00:10:25,158 AND ALL THE LOTTERY TICKETS. 195 00:10:25,191 --> 00:10:26,492 AND THE MAN BEHIND THE COUNTER 196 00:10:26,527 --> 00:10:29,195 DIDN’T EVEN REALLY GET A CHANCE TO ANSWER HIM. 197 00:10:29,229 --> 00:10:30,731 AND THEN THE OTHER MAN STABBED HIM. 198 00:10:32,365 --> 00:10:37,337 KYLE, DID THE MAN WHO STABBED THE OTHER MAN SEE YOU? 199 00:10:37,370 --> 00:10:40,874 HE SAW ME, AND HE SORT OF POINTED AT ME 200 00:10:40,907 --> 00:10:42,709 WHEN HE WAS RUNNING OUT. 201 00:10:42,743 --> 00:10:47,147 HE HAD A BUNCH OF LOTTERY TICKETS 202 00:10:47,180 --> 00:10:49,983 AND...SOME MONEY. 203 00:10:50,016 --> 00:10:52,786 AND THE OTHER MAN, WHO WAS STABBED, 204 00:10:52,819 --> 00:10:55,155 HE WAS TRYING TO FOLLOW HIM, BUT HE COULDN’T 205 00:10:55,188 --> 00:10:57,057 BECAUSE HE WAS BLEEDING. 206 00:10:59,159 --> 00:11:02,195 AND THEN HE FELL TO THE FLOOR. 207 00:11:02,228 --> 00:11:04,464 AND AFTER HE RAN OUT, 208 00:11:04,497 --> 00:11:08,468 THE OTHER MAN SORT OF REACHED HIS HAND OUT, 209 00:11:08,502 --> 00:11:12,038 AND THEN HE LAID HIS HEAD DOWN. 210 00:11:12,072 --> 00:11:15,041 AND THAT’S WHEN I GOT REBECCA. 211 00:11:15,075 --> 00:11:17,143 OK, KYLE. 212 00:11:17,177 --> 00:11:21,047 YOU’VE BEEN REALLY BRAVE TALKING TO ME ABOUT THIS. 213 00:11:21,081 --> 00:11:23,316 IF I SAW HIM, I’D RECOGNIZE THE MAN 214 00:11:23,349 --> 00:11:25,619 WHO STABBED THE OTHER MAN WITH THE KNIFE. 215 00:11:27,954 --> 00:11:29,556 WE CAN TALK LATER 216 00:11:29,590 --> 00:11:33,059 IF YOU’RE ACTUALLY REALLY SURE ABOUT THAT. 217 00:11:33,093 --> 00:11:35,195 YOU TAKE A LITTLE TIME WITH YOUR MOM. 218 00:11:35,228 --> 00:11:36,563 OK. 219 00:11:42,536 --> 00:11:44,204 I’M REALLY PROUD OF YOU, SWEETIE. 220 00:11:47,440 --> 00:11:48,041 [DOOR OPENS] 221 00:11:49,810 --> 00:11:51,512 HOW’S HE DOING? 222 00:11:51,545 --> 00:11:53,780 JILL’S RIGHT WITH HIM. 223 00:11:53,814 --> 00:11:56,049 DID HE GIVE YOU ANY SORT OF DESCRIPTION? 224 00:11:56,082 --> 00:11:59,419 HE GAVE ME A DECENT GENERAL DESCRIPTION. 225 00:11:59,452 --> 00:12:01,121 DIDN’T REALLY GET A GOOD SPECIFIC LOOK. 226 00:12:01,154 --> 00:12:04,224 YEAH. I’M NOT SURE IF HE COULD PICK THE GUY OUT. 227 00:12:06,827 --> 00:12:09,630 THE SITTER’S GOT NOTHIN’, THIS REBECCA. 228 00:12:09,663 --> 00:12:11,097 [DOOR OPENS] 229 00:12:11,131 --> 00:12:12,065 Fancy: HI, JILL. 230 00:12:12,098 --> 00:12:13,099 HI. 231 00:12:13,133 --> 00:12:16,637 ANY OTHER WITNESSES ON CANVASS? 232 00:12:16,670 --> 00:12:18,605 NARCOTICS AND ANTI‐CRIME ARE FOLLOWING UP ON THE CORNERS. 233 00:12:18,639 --> 00:12:20,941 THEY MAY VERY WELL COME UP WITH SOMETHING. 234 00:12:20,974 --> 00:12:24,410 IN OTHER WORDS, WE GOT NOTHING EXCEPT FOR KYLE. 235 00:12:28,481 --> 00:12:31,818 DOES KYLE WANT A SODA OR ANYTHING? 236 00:12:31,852 --> 00:12:33,386 I’M GETTING HIM ONE. 237 00:12:33,419 --> 00:12:36,189 I JUST NEED TO USE THE JOHN FOR A SECOND. 238 00:12:40,927 --> 00:12:42,162 CUT THE SITTER LOOSE? 239 00:12:42,195 --> 00:12:43,129 Fancy: YEAH. 240 00:12:44,931 --> 00:12:48,635 DUMB‐ASS D. O. A. DON’T HAVE A SURVEILLANCE CAMERA. 241 00:12:48,669 --> 00:12:50,370 [SIGHS] 242 00:12:58,645 --> 00:13:01,414 KYLE WATCHED THIS EVIL SON OF A BITCH 243 00:13:01,447 --> 00:13:03,817 STAB A MAN IN HIS CHEST 244 00:13:03,850 --> 00:13:06,286 AND THE MAN BLEED OUT IN FRONT OF HIM. 245 00:13:06,319 --> 00:13:11,324 NOW, BAD ENOUGH HE’LL CARRY THOSE MEMORIES THE REST OF HIS LIFE... 246 00:13:11,357 --> 00:13:14,828 WITHOUT HAVING TO RELIVE THEM A WEEK FROM NOW 247 00:13:14,861 --> 00:13:16,663 IN THAT GRAND JURY ROOM 248 00:13:16,697 --> 00:13:18,498 AND THEN IN FRONT OF ANOTHER GROUP OF STRANGERS 249 00:13:18,532 --> 00:13:21,835 IN A COURTROOM HEARING 6 MONTHS FROM NOW. 250 00:13:21,868 --> 00:13:24,104 AND THEN A YEAR LATER, 251 00:13:24,137 --> 00:13:26,540 HAVE TO SIT ON THE WITNESS STAND 252 00:13:26,573 --> 00:13:28,609 WHILE THAT SAME EVIL BASTARD 253 00:13:28,642 --> 00:13:30,844 SCARES HIM WITH HIS HATEFUL LOOKS, 254 00:13:30,877 --> 00:13:33,179 AND HIS ASSHOLE LAWYER 255 00:13:33,213 --> 00:13:37,551 TRIES TO BREAK MY BOY DOWN AND HUMILIATE HIM. 256 00:13:37,584 --> 00:13:39,452 JILL, IF YOU WANT, 257 00:13:39,485 --> 00:13:41,287 WE’LL WALK KYLE OUT THE DOOR, 258 00:13:41,321 --> 00:13:43,456 AND NO ONE WILL EVER SEE HIS NAME 259 00:13:43,489 --> 00:13:44,891 IN A SINGLE PIECE OF PAPERWORK 260 00:13:44,925 --> 00:13:45,992 CONNECTED WITH THIS CASE. 261 00:13:46,026 --> 00:13:48,962 I WANT THE CASE MADE. 262 00:13:48,995 --> 00:13:53,066 I JUST PRAY THAT KYLE DOESN’T HAVE TO GO THROUGH MORE. 263 00:13:54,601 --> 00:13:56,737 ALL RIGHT. 264 00:13:56,770 --> 00:13:59,439 THIS IS GONNA BE ALL RIGHT. 265 00:14:11,918 --> 00:14:13,086 JILL’S ALL UPSET? 266 00:14:13,119 --> 00:14:15,355 SHE’S WORRIED FOR HER BOY. 267 00:14:15,388 --> 00:14:18,124 SHE’S SUPPOSED TO BE WORRIED FOR HIM. 268 00:14:19,860 --> 00:14:22,195 WE NEED A CONFESSION IN THIS CASE. 269 00:14:22,228 --> 00:14:24,698 YEAH, A CONFESSION WOULD BE GOOD. 270 00:14:24,731 --> 00:14:28,201 YEAH. WE NEED TO GET THE ASSHOLE WHO DID THIS TO CONFESS. 271 00:14:53,727 --> 00:14:55,696 I HAVE TO SAY, DOLORES, 272 00:14:55,729 --> 00:14:57,698 WHATEVER BENEFIT YOU’RE GETTING FROM ORGANIZING YOUR THOUGHTS 273 00:14:57,731 --> 00:14:59,032 CANNOT OUTWEIGH THE NEGATIVE IMPRESSION 274 00:14:59,065 --> 00:15:00,400 YOU ARE MAKING BY BEING LATE. 275 00:15:00,433 --> 00:15:02,435 I WANT CERTAIN THINGS UNDERSTOOD DOWNSTAIRS. 276 00:15:02,468 --> 00:15:04,404 THIS IS NOT THE TIME TO BE MAKING CONDITIONS. 277 00:15:04,437 --> 00:15:06,573 IT IS ALSO NOT THE TIME FOR ANYONE IN THAT SQUAD 278 00:15:06,607 --> 00:15:09,910 TO BE LOOKING STRANGE AT ME OR DOWN THEIR NOSE. 279 00:15:09,943 --> 00:15:11,244 LIEUTENANT FANCY WOULD HAVE REPLACED YOU 280 00:15:11,277 --> 00:15:12,779 IF HE DIDN’T WANT THIS TO WORK OUT. 281 00:15:12,813 --> 00:15:16,583 UNLESS HE WANTS ME UNDER A MICROSCOPE LIKE A VIRUS SPECIMEN 282 00:15:16,617 --> 00:15:17,951 TO LOOK DOWN HIS NOSE AT. 283 00:15:17,984 --> 00:15:19,620 OR HIS FEMALE DETECTIVES LOOKIN’ DOWN THEIR NOSE. 284 00:15:19,653 --> 00:15:21,187 UH... 285 00:15:22,823 --> 00:15:26,492 IN FACT, YOU KNOW WHAT? JUST ASK HIM, WRITE YES OR NO. 286 00:15:26,527 --> 00:15:28,461 WHAT ARE YOU TALKING ABOUT?! 287 00:15:28,494 --> 00:15:31,297 TAKE THIS DOWNSTAIRS, HAND IT TO LIEUTENANT FANCY, 288 00:15:31,331 --> 00:15:33,066 AND AT THE BOTTOM OF THE LIST, 289 00:15:33,099 --> 00:15:35,168 ASK HIM TO WRITE YES OR NO. 290 00:15:36,469 --> 00:15:38,204 I’M NOT GOING TO DO THAT, DOLORES. 291 00:15:42,108 --> 00:15:45,111 WELL, SOME FRIEND YOU ARE. 292 00:15:45,145 --> 00:15:46,947 SO WHO’S THE IMPERSONATOR‐‐ 293 00:15:46,980 --> 00:15:49,182 THE GIRL WHO CALLED CRYING 3 DIFFERENT NIGHTS 294 00:15:49,215 --> 00:15:51,317 OR THE...SMART‐ASS IN FRONT OF ME NOW? 295 00:15:51,351 --> 00:15:53,920 SOMEONE CALLED YOU AT HOME, SAID SHE WAS ME? 296 00:15:53,954 --> 00:15:55,421 CALLED, TOLD ME SHE WAS DOING THINGS 297 00:15:55,455 --> 00:15:57,257 SHE DIDN’T WANT TO AND DIDN’T UNDERSTAND, 298 00:15:57,290 --> 00:15:58,992 THAT HER LIFE WAS SPINNING OUT OF CONTROL 299 00:15:59,025 --> 00:16:01,094 AND THAT IF SHE GOT HER JOB BACK, 300 00:16:01,127 --> 00:16:03,129 THAT WOULD MEAN SHE COULD HELP HERSELF. 301 00:16:03,163 --> 00:16:05,666 YOU BETTER GET YOUR NUMBER CHANGED, JOHN. 302 00:16:05,699 --> 00:16:08,168 SOME WACKO’S GOT IT, PRETENDING TO BE ME. 303 00:16:10,070 --> 00:16:12,806 WANT TO MAKE A PAPER PLANE? 304 00:16:12,839 --> 00:16:14,074 NO. 305 00:16:17,678 --> 00:16:18,912 AND I’M NOT GONNA CHANGE MY PHONE NUMBER. 306 00:16:28,154 --> 00:16:30,490 GUY STUCK UP A CONVENIENCE STORE, 307 00:16:30,524 --> 00:16:33,159 PRETTY MUCH FITS THE DESCRIPTION. 308 00:16:33,193 --> 00:16:35,529 VINCENT SHAW. 309 00:16:35,562 --> 00:16:37,063 YEAH. I GOT A VINCE SHAW, TOO. 310 00:16:37,097 --> 00:16:38,965 VINCENT SHAW FROM 23rd STREET. 311 00:16:38,999 --> 00:16:40,133 I CHECKED HIM AN HOUR AGO. 312 00:16:40,166 --> 00:16:42,135 HE’S DOING A POUND UPSTATE. 313 00:16:42,168 --> 00:16:43,970 CRIME SCENE’S GOT NO LIFTS 314 00:16:44,004 --> 00:16:45,405 FROM THE COUNTERS INSIDE THE STORE. 315 00:16:45,438 --> 00:16:47,574 NO DESCRIPTION MATCHES SO FAR 316 00:16:47,608 --> 00:16:49,342 IN SIMILAR‐PATTERN STICKUPS. 317 00:16:49,375 --> 00:16:52,012 A WOMAN CAUGHT THE PLATE ON A SEDAN 318 00:16:52,045 --> 00:16:53,880 THAT SIDESWIPED HER CAR AND KEPT GOING 2 BLOCKS FROM YOUR CRIME SCENE. 319 00:16:53,914 --> 00:16:55,181 THE TIME FITS. 320 00:16:55,215 --> 00:16:58,218 PLATE COMES BACK TO A JOHN FALCONE. 321 00:16:58,251 --> 00:17:00,420 WORKS OVER AT THE FULTON MARKET. 322 00:17:00,453 --> 00:17:03,223 I GOT 7 MINUTES TILL A COMMITMENT WITH SYLVIA. 323 00:17:05,559 --> 00:17:07,360 DIANE AND ME CAN GRAB HIM UP. 324 00:17:10,130 --> 00:17:12,198 YEAH. OK. 325 00:17:28,649 --> 00:17:32,686 SO MUCH THESE DAYS IS CONFUSIN’ TO ME. 326 00:17:32,719 --> 00:17:34,621 THAT COUGH SYRUP WILL BRING YOU TO YOUR KNEES. 327 00:17:34,655 --> 00:17:36,222 I GOT BRONCHITIS. 328 00:17:36,256 --> 00:17:39,025 [COUGHS] CHRONIC. 329 00:17:39,059 --> 00:17:41,962 THAT’S WHAT KNOCKS ME OVER. 330 00:17:41,995 --> 00:17:44,397 ANYWAYS, ED, OUR SPECIFIC CONCERN 331 00:17:44,430 --> 00:17:46,867 IS THE BLOOD ON YOUR SWEATSHIRT. 332 00:17:46,900 --> 00:17:49,536 I OFTEN GET MY BALLS BEAT OFF. 333 00:17:49,570 --> 00:17:51,572 WHAT’S THE CRIME IN THAT? 334 00:17:51,605 --> 00:17:52,639 SO YOU’RE SAYING THAT’S YOUR OWN BLOOD. 335 00:17:52,673 --> 00:17:54,407 SURE. 336 00:17:54,440 --> 00:17:56,376 WHERE WERE YOU LAST NIGHT, ED? 337 00:17:56,409 --> 00:18:00,614 BIG PART OF THE NIGHT AT THAT OIL DRUM FIRE 338 00:18:00,647 --> 00:18:03,650 WE GET GOIN’ OUTSIDE THE GARAGE ON LAFAYETTE. 339 00:18:03,684 --> 00:18:05,619 WHO CAN BACK THAT? BECAUSE OF THE COLD. 340 00:18:05,652 --> 00:18:07,521 YEAH, IT’S GOTTEN VERY CHILLY. 341 00:18:09,422 --> 00:18:10,591 ED! 342 00:18:10,624 --> 00:18:11,625 AAAH... 343 00:18:11,658 --> 00:18:13,226 WHO CAN BACK YOU BEING 344 00:18:13,259 --> 00:18:14,795 OUTSIDE THE GARAGE ON LAFAYETTE? 345 00:18:14,828 --> 00:18:16,563 THE PEOPLE THERE WITH ME! 346 00:18:16,597 --> 00:18:18,498 YEAH, GOOD. 347 00:18:18,532 --> 00:18:20,601 WE’RE GONNA TAKE A RIDE OVER TO LAFAYETTE LATER, ED. 348 00:18:20,634 --> 00:18:22,636 THE FELLAS THERE HAD BETTER BE ABLE TO BACK YOUR STORY. 349 00:18:22,669 --> 00:18:25,305 THEY WILL! 350 00:18:25,338 --> 00:18:28,942 IF THAT WAS THE NIGHT THAT WE HAD THE FIRE. 351 00:18:31,444 --> 00:18:34,080 WHEN DID YOU LAST SEE VIC FRAWLEY? 352 00:18:34,114 --> 00:18:36,249 LOOK, HE TOOK MY CAN ROUTE, 353 00:18:36,282 --> 00:18:38,284 BUT I DIDN’T KILL HIM. 354 00:18:38,318 --> 00:18:40,954 WAS IT VIC THAT BEAT ON YOUR HEAD? 355 00:18:40,987 --> 00:18:43,489 MANY PEOPLE BEAT ON ME. 356 00:18:43,524 --> 00:18:46,827 THE STORY WE’RE HEARING IS VIC BEAT ON YOU TAKIN’ OVER YOUR CAN TERRITORY. 357 00:18:46,860 --> 00:18:49,530 HIM COMING UP DEAD, WE GOTTA LOOK AT YOU AS HAVING A MOTIVE. 358 00:18:49,563 --> 00:18:52,332 IF WE TAKE YOUR SWEATSHIRT TO YOUR LAB, ED, 359 00:18:52,365 --> 00:18:54,134 AND IT COMES UP POSITIVE FOR VIC’S BLOOD, 360 00:18:54,167 --> 00:18:56,136 YOU’RE FACIN’ A MURDER CHARGE. 361 00:18:56,169 --> 00:18:58,271 ED, IF YOU DID SOMETHIN’ TO VIC‐‐ 362 00:18:58,304 --> 00:18:59,773 MAYBE COMPLETELY JUSTIFIABLE‐‐ 363 00:18:59,806 --> 00:19:02,375 OVER HIM BULLYING YOU OFF YOUR CAN ROUTE, 364 00:19:02,408 --> 00:19:05,612 THE TIME TO SAY SO IS NOW, BEFORE THE EVIDENCE PAINTS YOU INTO A CORNER 365 00:19:05,646 --> 00:19:08,181 WHERE YOU DON’T GET NO CREDIT FOR REMORSE! 366 00:19:08,214 --> 00:19:09,716 ED! 367 00:19:09,750 --> 00:19:11,652 [SNORING] 368 00:19:20,561 --> 00:19:21,862 IT’S STUCK. 369 00:19:30,403 --> 00:19:33,173 [SNORING CONTINUES] 370 00:19:39,580 --> 00:19:42,583 HONEY, I NEED TO BE HERE PAYING ATTENTION 371 00:19:42,616 --> 00:19:45,018 SO YOUR BROTHER DOESN’T GET MORE INVOLVED WITH THIS. 372 00:19:45,051 --> 00:19:48,589 AND I WANT KYLE WITH ME SO I CAN KEEP HIM GOOD COMPANY. 373 00:19:48,622 --> 00:19:52,092 NO, NO. BUT THAT’S WHY I WANT TO KEEP HIM COMPANY‐‐ 374 00:19:52,125 --> 00:19:53,827 SO HE DOESN’T GET SCARED. 375 00:19:53,860 --> 00:19:55,562 NOW, WHAT YOU CAN DO FOR MOM IS‐‐ 376 00:19:59,132 --> 00:20:01,868 NO. HONEY, I DON’T WANT YOU DOWN HERE 377 00:20:01,902 --> 00:20:05,105 OR KYLE HERE A MINUTE LONGER THAN HE HAS TO BE. 378 00:20:05,138 --> 00:20:07,273 JUST GIVE MOM A COUPLE OF HOURS 379 00:20:07,307 --> 00:20:09,275 SO I CAN LOOK OUT FOR YOUR BROTHER, 380 00:20:09,309 --> 00:20:12,546 AND THEN ME AND KYLE ARE COMING HOME. 381 00:20:12,579 --> 00:20:14,548 YEAH. 382 00:20:14,581 --> 00:20:18,351 THEN WE’LL ALL TALK ABOUT WHAT HAPPENED, FRANK. 383 00:20:18,384 --> 00:20:22,055 ’CAUSE I’LL BET HEARIN’ WHAT HAPPENED’S BEEN SCARY FOR YOU, TOO. 384 00:20:22,088 --> 00:20:23,156 MM‐HMM. 385 00:20:26,760 --> 00:20:28,494 I LOVE YOU, SON. 386 00:20:30,430 --> 00:20:32,232 YEAH, MOM LOVES YOU. 387 00:20:32,265 --> 00:20:35,068 BIG KISS IN YOUR ACCOUNT. 388 00:20:35,101 --> 00:20:36,069 BYE. 389 00:20:49,616 --> 00:20:50,651 LEO, WHAT ARE YOU DOING? 390 00:20:50,684 --> 00:20:52,719 HE’S SLEEPIN’, HUH? 391 00:20:52,753 --> 00:20:54,420 YEAH. KYLE’S TAKIN’ A NAP. 392 00:20:54,454 --> 00:20:55,956 WHAT A NIGHTMARE FOR HIM. 393 00:20:55,989 --> 00:20:57,123 UH‐HUH. 394 00:20:57,157 --> 00:20:58,792 HE ACTUALLY SAW THE MURDER? 395 00:20:58,825 --> 00:21:00,627 WHY? 396 00:21:00,661 --> 00:21:02,228 WELL, ’CAUSE IT WOULD BE THAT MUCH MORE OF A NIGHTMARE FOR HIM 397 00:21:02,262 --> 00:21:03,463 IF HE ACTUALLY SAW THE MURDER TAKE PLACE. 398 00:21:03,496 --> 00:21:06,600 YEAH, WELL, IT’S NOT REALLY CLEAR WHAT HE SAW. 399 00:21:06,633 --> 00:21:08,569 I’M NOT HERE AS ASSISTANT DISTRICT ATTORNEY, JILL. 400 00:21:08,602 --> 00:21:09,803 I’M NOT EVEN THE RIDING D. A. 401 00:21:09,836 --> 00:21:11,772 OK. 402 00:21:11,805 --> 00:21:14,074 I MEAN...WE DO HAVE A RELATIONSHIP. 403 00:21:14,107 --> 00:21:17,010 LEO, IF YOU’RE HERE FOR SUPPORT, 404 00:21:17,043 --> 00:21:18,612 SHOW IT BY WALKING AWAY. 405 00:21:18,645 --> 00:21:20,013 YOU WORK IN A PART OF THE SYSTEM 406 00:21:20,046 --> 00:21:21,247 I JUST CAN’T TRUST RIGHT NOW. 407 00:21:21,281 --> 00:21:22,683 YOU THINK I WOULD HURT KYLE? 408 00:21:22,716 --> 00:21:25,185 OH, THE SYSTEM NEVER MEANS TO HURT ANYBODY. 409 00:21:27,187 --> 00:21:28,522 I’M SORRY. 410 00:21:28,555 --> 00:21:31,291 I GOTTA COUNT ON MY OWN. 411 00:21:43,704 --> 00:21:47,508 SINCE I WAS THE ONE WHO ACCEPTED MR. SUAREZ’S CONFESSION 412 00:21:47,541 --> 00:21:51,645 AND RECOMMENDED HIS INCARCERATION TO THE JUDGE... 413 00:21:51,678 --> 00:21:55,315 AND IF THAT CONFESSION WAS BOUGHT AND PAID FOR, 414 00:21:55,348 --> 00:21:58,484 AS NOW SEEMS POSSIBLE, OR EVEN LIKELY, 415 00:21:58,519 --> 00:22:03,156 AND WITH MR. SUAREZ NOW HAVING BEEN MURDERED 416 00:22:03,189 --> 00:22:05,225 WHILE SERVING THAT SENTENCE‐‐ 417 00:22:05,258 --> 00:22:07,227 YOU WOULD FEEL BAD. 418 00:22:07,260 --> 00:22:08,895 Dornan: YOU BEING SMART, JERMAINE? 419 00:22:08,929 --> 00:22:10,864 IF I WAS SMART, WOULD I BE LOCKED UP? 420 00:22:10,897 --> 00:22:11,965 YOU WERE ON THAT CORNER. 421 00:22:11,998 --> 00:22:14,535 WHEN THE MURDER HAPPENED, YES. 422 00:22:14,568 --> 00:22:17,203 DID SUAREZ DO IT? 423 00:22:17,237 --> 00:22:21,742 I REALLY APPRECIATED YOUR HELP WITH MY DENTAL PLATE. 424 00:22:24,578 --> 00:22:26,212 $250 IN YOUR COMMISSARY ACCOUNT. 425 00:22:26,246 --> 00:22:28,214 FOR EVERYTHING. 426 00:22:28,248 --> 00:22:31,552 WELL, I WOULD NEED TO KNOW WHAT EVERYTHING MEANS. 427 00:22:31,585 --> 00:22:33,186 $250 IN YOUR COMMISSARY ACCOUNT 428 00:22:33,219 --> 00:22:34,755 FOR WHAT HAPPENED ON THE CORNER 429 00:22:34,788 --> 00:22:36,189 AND HERE INSIDE. 430 00:22:39,225 --> 00:22:42,996 I WORKED THE CORNER FOR FREDDIE ASUNCION. 431 00:22:43,029 --> 00:22:47,333 GENERO LOPEZ USED THE SAME CORNER LATE AT NIGHT, 432 00:22:47,367 --> 00:22:49,202 SELLING TO THE CHRONIC FIENDS. 433 00:22:49,235 --> 00:22:52,105 NOW, GENERO AND FREDDIE COME TO DISAGREE 434 00:22:52,138 --> 00:22:55,341 OVER WHAT EXACTLY WAS LATE AT NIGHT 435 00:22:55,375 --> 00:22:59,079 AND WHAT WAS EARLY THE NEXT MORNING. 436 00:22:59,112 --> 00:23:02,348 WHAT TIME ASUNCION TOOK THE CORNER BACK. 437 00:23:02,382 --> 00:23:05,185 GETTIN’ THE DRIVE‐TIME JUNKIES HEADIN’ FOR WORK. 438 00:23:05,218 --> 00:23:08,021 SEE, THAT’S A LUCRATIVE TRADE... 439 00:23:08,054 --> 00:23:13,594 AND FREDDIE ASUNCION IS A GREEDY PERSON. 440 00:23:13,627 --> 00:23:16,129 AND BEING A GREEDY PERSON, 441 00:23:16,162 --> 00:23:19,600 FREDDIE ASUNCION DID WHAT HE FELT HE HAD TO 442 00:23:19,633 --> 00:23:21,134 TO GENERO LOPEZ. 443 00:23:21,167 --> 00:23:23,136 HE KILLED HIM. 444 00:23:25,138 --> 00:23:27,407 FREDDIE THEN LOOKED TO JUAN SUAREZ, 445 00:23:27,440 --> 00:23:30,443 A TIMID YOUTH, WHO WAS SEARCHING FOR RESPECT 446 00:23:30,476 --> 00:23:33,146 AFTER GENERO BRAINED HIS BROTHER WITH A CROWBAR. 447 00:23:33,179 --> 00:23:35,749 JUAN WAS AFRAID TO TAKE HIS REVENGE, 448 00:23:35,782 --> 00:23:37,984 BUT THEN FREDDIE OFFERED HIM 449 00:23:38,018 --> 00:23:40,420 A MONTHLY AMOUNT OF MONEY FOR HIS WIFE 450 00:23:40,453 --> 00:23:43,156 IF JUAN ADMITTED TO THE KILLING. 451 00:23:43,189 --> 00:23:46,927 AND, BY SEARCHING FOR RESPECT... 452 00:23:46,960 --> 00:23:48,461 JUAN AGREED. 453 00:23:48,494 --> 00:23:53,934 THING ABOUT THE INSIDE, ASSISTANT DISTRICT ATTORNEY, 454 00:23:53,967 --> 00:23:58,505 COP TO A MURDER, YOU BETTER BE CAPABLE OF MURDER TO DEFEND YOURSELF, 455 00:23:58,539 --> 00:24:02,108 OR YOU END UP TREATED WAYS YOU DON’T ENJOY. 456 00:24:02,142 --> 00:24:07,180 AND IF FREDDIE ASUNCION DECIDES, WHILE YOU’RE IN THE SLAM, 457 00:24:07,213 --> 00:24:10,116 HE WANTS TO BANG YOUR WIFE 458 00:24:10,150 --> 00:24:13,286 INSTEAD OF PAYING HER QUIET MONEY, 459 00:24:13,319 --> 00:24:16,790 THEN ONE OF THOSE WAYS YOU DON’T ENJOY... 460 00:24:16,823 --> 00:24:20,527 COULD BE A SHANK IN THE LAUNDRY ROOM. 461 00:24:24,364 --> 00:24:25,966 FREDDIE ASUNCION. 462 00:24:27,701 --> 00:24:30,070 FREDDIE ASUNCION. 463 00:24:31,805 --> 00:24:35,709 UH, GIVE ME SOMEBODY WORKING FOR FREDDIE WE CAN FLIP. 464 00:24:35,742 --> 00:24:37,944 TOMMY IBARRA. 465 00:24:37,978 --> 00:24:42,315 USE SOMEONE PRETTY. TOMMY’LL OFFER HIM DISCOUNT DOPE FOR SEX. 466 00:24:45,719 --> 00:24:47,187 LOVELY SUIT. 467 00:24:56,863 --> 00:24:58,732 HAVE A SEAT IN HERE, JOHN. 468 00:24:58,765 --> 00:25:00,366 FINALLY, SHE SPEAKS TO ME. 469 00:25:00,400 --> 00:25:01,868 THANK YOU. 470 00:25:01,902 --> 00:25:04,004 THANK YOU. 471 00:25:04,037 --> 00:25:06,640 YOU DON’T TELL ME NOTHIN’ ABOUT NOTHIN’. 472 00:25:06,673 --> 00:25:09,409 WE GOTTA TALK ABOUT A SITUATION. WHAT SITUATION? 473 00:25:09,442 --> 00:25:12,312 YOU’RE BEING VERY SECRETIVE, VERY COVERT. 474 00:25:12,345 --> 00:25:13,079 VERY ENIGMATIC. 475 00:25:15,682 --> 00:25:17,417 THE CAR THING? 476 00:25:19,520 --> 00:25:22,989 ALL RIGHT. I GUESS I SHOULDA STOPPED 477 00:25:23,023 --> 00:25:25,158 WHEN I BRUSHED THAT OTHER CAR. 478 00:25:25,191 --> 00:25:27,093 PRESSURE OF THE MOMENT, JOHN. 479 00:25:27,127 --> 00:25:28,595 THAT’S EXACTLY HOW IT HAPPENED. 480 00:25:28,629 --> 00:25:30,531 HEAT OF THE MOMENT, AND I DID SOMETHIN’ STUPID. 481 00:25:34,400 --> 00:25:35,536 I MEAN, NOBODY WAS HURT, RIGHT? 482 00:25:35,569 --> 00:25:36,903 WERE YOU BY YOURSELF IN THE CAR, JOHN? 483 00:25:36,937 --> 00:25:39,105 NO. I WAS WITH A FRIEND. 484 00:25:39,139 --> 00:25:40,941 WHAT’S THE FRIEND’S NAME? VINCE. 485 00:25:40,974 --> 00:25:41,875 VINCE WHAT? 486 00:25:41,908 --> 00:25:44,077 LOOK... 487 00:25:44,110 --> 00:25:46,346 I MEAN, THE WOMAN WASN’T HURT, WAS SHE? 488 00:25:46,379 --> 00:25:48,549 IF SHE’S SAYING SHE’S HURT NOW, 489 00:25:48,582 --> 00:25:50,116 SHE’S SCAMMING YOU. 490 00:25:50,150 --> 00:25:52,118 WHAT DID MY PARTNER ASK YOU? 491 00:25:52,152 --> 00:25:55,689 I’M JUST SAYING THAT THIS IS TURNING INTO SOME MAJOR ATMOSPHERE HERE. 492 00:25:55,722 --> 00:25:57,524 THE ATMOSPHERE’S GONNA GET MAJOR, JOHN, 493 00:25:57,558 --> 00:25:59,626 IF MY PARTNER HAS TO ASK AGAIN THIS VINCE’S LAST NAME. 494 00:26:01,828 --> 00:26:03,029 BARDELLO, ALL RIGHT? 495 00:26:03,063 --> 00:26:04,931 HE’S LIKE KENNETH STARR... 496 00:26:04,965 --> 00:26:07,934 LIKE PERRY MASON WITH THE QUESTIONS. HE DON’T LET UP. 497 00:26:07,968 --> 00:26:09,703 YOU EVER COMMIT A VIOLENT CRIME? 498 00:26:09,736 --> 00:26:10,737 ABSOLUTELY NOT. 499 00:26:10,771 --> 00:26:12,539 ABSOLUTELY NOT. 500 00:26:12,573 --> 00:26:15,408 I NEVER DROVE AWAY FROM A VIOLENT CRIME IN MY LIFE. 501 00:26:15,441 --> 00:26:18,278 WE’RE NOT ASKING YOU ABOUT THE WOMAN NO MORE. 502 00:26:18,311 --> 00:26:20,614 HE ASKIN’ ABOUT A SECOND VIOLENT CRIME? 503 00:26:20,647 --> 00:26:23,283 3 MINUTES BEFORE THE ONE YOU ADMITTED TO, AND 2 BLOCKS AWAY. 504 00:26:23,316 --> 00:26:26,553 3 MINUTES BEFORE, I’M PARKED ON THE STREET. 505 00:26:26,587 --> 00:26:27,954 WHERE WERE YOU PARKED? 506 00:26:27,988 --> 00:26:31,658 AROUND THE CORNER FROM SOMEWHERE VINCE WENT IN TO GET SMOKES. 507 00:26:31,692 --> 00:26:33,059 A CONVENIENCE STORE. 508 00:26:33,093 --> 00:26:35,061 YEAH, HUH? 509 00:26:35,095 --> 00:26:37,764 WHERE DID THIS VIOLENT CRIME TAKE PLACE? 510 00:26:37,798 --> 00:26:39,232 WHERE DO YOU THINK? 511 00:26:39,265 --> 00:26:40,166 OH, MAN. 512 00:26:40,200 --> 00:26:41,134 HOW DID VINCE ACT 513 00:26:41,167 --> 00:26:42,669 WHEN HE CAME BACK FROM THE STORE? 514 00:26:42,703 --> 00:26:44,004 HE WAS ALL RIGHT... 515 00:26:44,037 --> 00:26:47,273 UNTIL, LIKE, A BLOCK LATER. 516 00:26:47,307 --> 00:26:48,842 BLOCK LATER, WE’RE AT A LIGHT, 517 00:26:48,875 --> 00:26:51,277 AND VINCE STARTS GOING, "JUMP IT, JUMP IT!" 518 00:26:51,311 --> 00:26:53,113 HE SAID HE BOOSTED THE SMOKES. 519 00:26:57,483 --> 00:27:00,787 YOU KNOW WHAT "ACTING IN CONCERT" MEANS, JOHN? 520 00:27:00,821 --> 00:27:03,489 BEING WHEEL MAN FOR A STICKUP IS LIKE DOING THE STICKUP. 521 00:27:03,524 --> 00:27:05,526 A MURDER GOES DOWN IN THE COURSE OF THE STICKUP, 522 00:27:05,559 --> 00:27:06,993 YOU’RE GUILTY. 523 00:27:07,027 --> 00:27:09,663 A MURDER? I DIDN’T EVEN KNOW A ROBBERY TOOK PLACE. 524 00:27:09,696 --> 00:27:13,499 I WAS JUST DRIVING THE CRAZY SON OF A BITCH HOME FROM BEING FIRED. 525 00:27:13,534 --> 00:27:15,035 YEAH? WELL, YOU BETTER TELL US ALL ABOUT THAT‐‐ 526 00:27:15,068 --> 00:27:16,670 EVERYTHING YOU GOT ON VINCE. 527 00:27:16,703 --> 00:27:19,806 I WILL... I WILL! 528 00:27:25,579 --> 00:27:29,550 LOOK...WE‐WE’LL TALK ABOUT IT TONIGHT. I GOTTA GO. 529 00:27:32,318 --> 00:27:34,688 HEY, GREG, THE D. O. A.’s BLOOD 530 00:27:34,721 --> 00:27:36,623 DON’T MATCH THE BLOOD ON ED’S SWEATSHIRT. 531 00:27:36,657 --> 00:27:38,725 OH. GOOD. 532 00:27:38,759 --> 00:27:41,494 BECAUSE GOD FORBID WE SHOULD BE SPARED 533 00:27:41,528 --> 00:27:44,665 INTERVIEWING 50 MORE LICE‐INFESTED BUMS. 534 00:27:46,066 --> 00:27:47,200 ANNIE? 535 00:27:47,233 --> 00:27:49,235 ANNIE COULDN’T GIVE HER NOTICE. 536 00:27:49,269 --> 00:27:52,472 HER BOSS IS LAID LOW BY AN ALLERGY ATTACK. 537 00:27:52,506 --> 00:27:55,008 I’D LIKE HIM LAID LOW BY A BUS. 538 00:28:22,402 --> 00:28:24,370 HI, ANDY. 539 00:28:24,404 --> 00:28:25,071 HI. 540 00:28:26,573 --> 00:28:27,908 HOW’S IT GOING, SIPOWICZ? 541 00:28:29,409 --> 00:28:30,911 SORRY WE’RE LATE. 542 00:28:30,944 --> 00:28:33,947 WHAT’D YOU FIND OUT? 543 00:28:36,216 --> 00:28:37,117 FREDDIE ASUNCION. 544 00:28:39,553 --> 00:28:42,188 DID THE MURDER SUAREZ COPPED TO, OR... 545 00:28:42,222 --> 00:28:44,124 HAD SUAREZ KILLED IN PRISON? 546 00:28:44,157 --> 00:28:45,291 BOTH. 547 00:28:47,393 --> 00:28:49,295 THIS IS NOT ABOUT FINGER POINTING. 548 00:28:49,329 --> 00:28:51,598 SUAREZ WAS A CONVICTED MURDERER, 549 00:28:51,632 --> 00:28:55,368 AND NAMING ASUNCION IN A LETTER FROM PRISON WAS NOT ENOUGH TO GO ON. 550 00:28:55,401 --> 00:28:56,803 WE GOT A GUY TO FLIP. 551 00:28:56,837 --> 00:28:58,905 DEALS DOPE FOR ASUNCION? 552 00:28:58,939 --> 00:29:00,206 YEAH. 553 00:29:00,240 --> 00:29:01,374 TOMMY IBARRA. 554 00:29:01,407 --> 00:29:04,210 HE’S IN CUSTODY? 555 00:29:04,244 --> 00:29:07,080 NOPE. WE HAVE TO PUT HIM IN CUSTODY. 556 00:29:10,517 --> 00:29:13,920 I HOPE SHE WASN’T PROPOSING NO VIGILANTE TACTICS 557 00:29:13,954 --> 00:29:15,789 ON THE RIDE BACK FROM RIKERS. 558 00:29:15,822 --> 00:29:17,624 I’LL TAKE CARE OF THE TACTICS. 559 00:29:33,339 --> 00:29:35,976 SO, THIS DOROTHY NATALE 560 00:29:36,009 --> 00:29:38,244 THAT FILED THE COMPLAINT‐‐ 561 00:29:38,278 --> 00:29:39,646 THE WOMAN WHOSE CAR YOU SIDESWIPED‐‐ 562 00:29:39,680 --> 00:29:41,247 I DID NOT SIDESWIPE HER CAR. 563 00:29:41,281 --> 00:29:44,484 THAT YOUR BUDDY JOHN SIDESWIPED HER CAR. 564 00:29:44,518 --> 00:29:46,653 WHAT’S JOHN WANNA INVOLVE ME WITH THAT FOR? 565 00:29:46,687 --> 00:29:48,488 WE ASKED HIM TO INVOLVE YOU, VINCE, 566 00:29:48,522 --> 00:29:50,090 BECAUSE THIS DOROTHY NATALE, WHOSE CAR JOHN HIT, 567 00:29:50,123 --> 00:29:52,793 HAS BEEN BREAKING BALLS ALL DAY. 568 00:29:52,826 --> 00:29:55,996 WE GOT HALF AN IDEA SHE’S BUILDING SOME INSURANCE CASE. 569 00:29:56,029 --> 00:29:58,532 THAT’S ON US, VINCE‐‐ASKING JOHN FOR YOUR NAME. 570 00:29:58,565 --> 00:30:01,702 WE ASKED HIM WAS THERE SOMEONE WHO COULD CORROBORATE 571 00:30:01,735 --> 00:30:03,970 HE ONLY DID MINIMAL DAMAGE. 572 00:30:04,004 --> 00:30:06,540 YEAH...YEAH. MINIMAL DAMAGE. 573 00:30:06,573 --> 00:30:09,042 HE ONLY MINIMALLY DAMAGED HER CAR? 574 00:30:09,075 --> 00:30:12,312 UH...A MINOR SIDESWIPE. 575 00:30:12,345 --> 00:30:14,180 JOHN SAID YOU GOT FIRED TODAY. 576 00:30:14,214 --> 00:30:16,950 I WAS FIRED, YEAH. 577 00:30:16,983 --> 00:30:18,552 WILL THAT JAM UP YOUR PAROLE? 578 00:30:18,585 --> 00:30:22,122 NO. I WOULDN’T ASSUME SO. 579 00:30:22,155 --> 00:30:26,292 WHO’S YOUR P. O., MOTHER TERESA? 580 00:30:26,326 --> 00:30:28,061 MAYBE IT WILL JAM ME UP. I DON’T KNOW. 581 00:30:28,094 --> 00:30:29,495 NOT YOUR PROBLEM, RIGHT? 582 00:30:29,530 --> 00:30:31,131 WHAT? 583 00:30:31,164 --> 00:30:32,498 IF I GET JAMMED UP ON MY PAROLE, 584 00:30:32,533 --> 00:30:34,034 IT’S NOT REALLY YOUR PROBLEM. 585 00:30:34,067 --> 00:30:36,069 ACCOUNT FOR YOUR DAY. 586 00:30:36,102 --> 00:30:37,671 WHAT DOES MY DAY HAVE TO DO 587 00:30:37,704 --> 00:30:40,641 WITH JOHN FALCONE SIDESWIPING SOME BALL‐BREAKING BITCH 588 00:30:40,674 --> 00:30:42,042 LOOKIN’ TO EARN ON A FENDER BENDER? 589 00:30:42,075 --> 00:30:44,044 IF I ASK YOU TO ACCOUNT FOR YOUR DAY, SCUMBAG, 590 00:30:44,077 --> 00:30:46,847 START ACCOUNTING FOR YOUR DAY. 591 00:30:46,880 --> 00:30:48,649 WOKE UP ABOUT 7:15‐‐ 592 00:30:48,682 --> 00:30:50,651 WHAT WERE YOU DOING JUST BEFORE YOU HIT THAT LADY? 593 00:30:50,684 --> 00:30:52,052 HEH, I DIDN’T HIT THAT LADY. 594 00:30:52,085 --> 00:30:54,487 NO. YOU KILLED THAT STORE CLERK. 595 00:30:54,521 --> 00:30:56,857 WHAT? 596 00:30:56,890 --> 00:30:59,325 JUST BEFORE YOUR BUDDY JOHN SIDESWIPED THAT LADY’S CAR, 597 00:30:59,359 --> 00:31:02,095 DRIVING FAST LIKE YOU TOLD HIM TO, 598 00:31:02,128 --> 00:31:03,864 YOU PULLED A KNIFE IN THAT CONVENIENCE STORE 599 00:31:03,897 --> 00:31:05,766 AND PUT IT IN THAT STORE CLERK’S CHEST. 600 00:31:05,799 --> 00:31:07,568 HE WAS NOT THERE. 601 00:31:07,601 --> 00:31:09,369 IF HE TOLD YOU HE WAS, HE LIED. 602 00:31:09,402 --> 00:31:11,404 THE STORE CLERK’S DEAD, VINCE. 603 00:31:11,437 --> 00:31:12,839 WE’RE GONNA LOCK YOU UP FOR MURDER. 604 00:31:12,873 --> 00:31:15,175 JOHN WAS NOT IN THAT STORE. 605 00:31:15,208 --> 00:31:16,276 2 OTHER PEOPLE WERE, VINCE‐‐ 606 00:31:16,309 --> 00:31:17,778 A MAN AND HIS WIFE, 607 00:31:17,811 --> 00:31:19,279 AND AFTER JOHN GAVE US YOUR NAME 608 00:31:19,312 --> 00:31:20,947 AND WE GOT YOUR PHOTO FROM B. C. I., 609 00:31:20,981 --> 00:31:22,783 THEM 2 PEOPLE PICKED YOU OUT. 610 00:31:22,816 --> 00:31:25,118 THERE WAS NOT A MAN AND A WIFE IN THAT STORE. 611 00:31:25,151 --> 00:31:26,953 I GUESS THAT MEANS YOU WERE. 612 00:31:26,987 --> 00:31:28,388 WHO SAID I WASN’T? 613 00:31:28,421 --> 00:31:31,558 LOOK, I PURCHASED MY SMOKES AND THEN WALKED OUT. 614 00:31:31,592 --> 00:31:33,359 JOHN PUTTING ME IN THAT STORE 615 00:31:33,393 --> 00:31:35,962 DOES NOT MAKE ME GUILTY OF MURDER OR ANYTHING. 616 00:31:35,996 --> 00:31:38,298 AND YOU’RE MAKING THEM 2 PEOPLE UP. 617 00:31:38,331 --> 00:31:41,401 WAS THERE A LITTLE BOY IN THAT STORE? 618 00:31:41,434 --> 00:31:42,903 WHAT’S THIS NOW? 619 00:31:42,936 --> 00:31:46,406 WAS THERE A LITTLE BOY SAW YOU STICK THE STORE CLERK 620 00:31:46,439 --> 00:31:47,741 BEFORE THE CLERK EVEN HAD A CHANCE TO GIVE YOU 621 00:31:47,774 --> 00:31:50,911 THE MONEY OR LOTTERY TICKETS YOU WANTED? 622 00:31:50,944 --> 00:31:53,313 DID YOU POINT YOUR FINGER AT THAT LITTLE BOY 623 00:31:53,346 --> 00:31:55,716 TO THREATEN AND INTIMIDATE HIM BEFORE YOU RAN OUT? 624 00:31:55,749 --> 00:31:58,318 HE’S GOT ME CONFUSED WITH SOMEBODY ELSE. 625 00:31:58,351 --> 00:32:01,321 NO. HE SAW YOU, AND YOU’RE GETTING LOCKED UP. 626 00:32:01,354 --> 00:32:04,457 BUT THE BEST LUCK YOU’VE HAD IN YOUR SORRY LIFE, VINCE, 627 00:32:04,490 --> 00:32:07,961 WE DON’T WANT THAT BOY TO HAVE TO TESTIFY... 628 00:32:07,994 --> 00:32:09,329 SO IF YOU COOPERATE 629 00:32:09,362 --> 00:32:11,131 BY GIVING US A STATEMENT, 630 00:32:11,164 --> 00:32:14,100 I’LL PERSONALLY GUARANTEE I’LL GO TO BAT FOR YOU... 631 00:32:14,134 --> 00:32:17,137 AND DETECTIVE RUSSELL WILL ALSO. 632 00:32:17,170 --> 00:32:20,173 IF YOU AND THE CLERK HAD SOME PRIOR BACK‐AND‐FORTH 633 00:32:20,206 --> 00:32:21,942 THAT LITTLE BOY DIDN’T SEE, 634 00:32:21,975 --> 00:32:23,476 WE WILL GO TO BAT FOR THAT. 635 00:32:23,510 --> 00:32:25,311 IF HE PROVOKED YOU SOME WAY, 636 00:32:25,345 --> 00:32:27,681 DISRESPECTED YOUR PURPOSE BEING THERE... 637 00:32:27,714 --> 00:32:28,915 WE KNOW A LOT OF SITUATIONS, 638 00:32:28,949 --> 00:32:30,283 A GUY ONLY SHOWS A KNIFE 639 00:32:30,316 --> 00:32:32,318 TO LET THE CLERK KNOW HE’S SERIOUS. 640 00:32:32,352 --> 00:32:34,320 NOW, THE CLERK INSULTS HIM SOME WAY, 641 00:32:34,354 --> 00:32:36,623 TELLS HIM TO SHOVE THE KNIFE UP HIS ASS... 642 00:32:36,657 --> 00:32:39,960 THE WHOLE PICTURE CHANGES BEHIND THE CLERK’S PROVOCATION. 643 00:32:42,395 --> 00:32:44,965 AND NOW, HERE’S THE ALTERNATIVE, VINCE. 644 00:32:44,998 --> 00:32:46,833 IF YOU DO NOT MAKE A STATEMENT, 645 00:32:46,867 --> 00:32:49,803 KNOWING WE’VE GOT AN EYEWITNESS TO WHAT YOU DID INSIDE, 646 00:32:49,836 --> 00:32:53,273 AND YOUR BUDDY JOHN CORROBORATING YOU WERE THERE, 647 00:32:53,306 --> 00:32:55,542 YOU MAKE US PUT THAT LITTLE BOY ON, 648 00:32:55,576 --> 00:32:57,978 DETECTIVE RUSSELL AND ME, WE’LL TAKE A VOW IN THIS ROOM 649 00:32:58,011 --> 00:32:59,445 THAT WE WILL CRUCIFY YOU. 650 00:32:59,479 --> 00:33:01,047 I GOT A LOT OF FRIENDS 651 00:33:01,081 --> 00:33:02,048 IN THE DISTRICT ATTORNEY’S OFFICE, 652 00:33:02,082 --> 00:33:04,384 AND SO DOES DETECTIVE SORENSON, 653 00:33:04,417 --> 00:33:06,620 AND WE WILL CALL IN EVERY FAVOR WE’RE OWED 654 00:33:06,653 --> 00:33:09,289 TO MAKE THIS A DEATH PENALTY CASE. 655 00:33:09,322 --> 00:33:11,992 GIVE IT UP, VINCE. TELL US YOUR SIDE. 656 00:33:16,830 --> 00:33:19,833 MY LIFE STINKS... 657 00:33:19,866 --> 00:33:21,835 DAY ONE TILL TODAY. 658 00:33:31,778 --> 00:33:33,747 ALL RIGHT, ALL RIGHT. 659 00:33:33,780 --> 00:33:34,748 I’LL TELL. 660 00:33:49,195 --> 00:33:51,164 STAND IN THE DARK... 661 00:33:51,197 --> 00:33:53,567 OUR TOES FROZEN... 662 00:33:53,600 --> 00:33:56,069 TALKING TO A PROCESSION OF WET BRAINS. 663 00:33:56,102 --> 00:33:58,271 THAT’S HOW OUR EVENING’S SHAPING UP, JAMES. 664 00:34:00,273 --> 00:34:02,576 KNOW WHAT I DON’T LIKE? THEM EMBERS... 665 00:34:02,609 --> 00:34:06,212 FROM THEIR BARREL FIRES GETTING IN YOUR EYES. 666 00:34:06,246 --> 00:34:10,116 I CAN HAVE A DARK MOOD COME OVER ME IN THEM ALLEYS. 667 00:34:10,150 --> 00:34:12,953 WE’LL MAKE IT A 2‐HOUR SHOT, MAXIMUM, ALL RIGHT, GREG? 668 00:34:12,986 --> 00:34:15,522 OR 9 P. M. ABSOLUTE MAXIMUM. 669 00:34:15,556 --> 00:34:17,357 YEAH, ALL RIGHT. 670 00:34:17,390 --> 00:34:20,193 ’CAUSE 9 P. M., THE RATS START SCURRYING AROUND. 671 00:34:20,226 --> 00:34:21,762 WHOA! HEY, 672 00:34:21,795 --> 00:34:22,729 YOU WANNA STOP RIGHT THERE FOR US? 673 00:34:22,763 --> 00:34:23,897 YEAH, SURE. 674 00:34:25,331 --> 00:34:26,767 HOW’S IT GOING? 675 00:34:26,800 --> 00:34:28,969 GOOD. 676 00:34:29,002 --> 00:34:30,270 WHAT DO YOU NEED? 677 00:34:31,471 --> 00:34:32,739 KNIFE. 678 00:34:32,773 --> 00:34:35,308 NEED A KNIFE, HUH? 679 00:34:35,341 --> 00:34:36,409 PUT YOUR ARMS UP. 680 00:34:42,148 --> 00:34:43,717 AAH! 681 00:34:43,750 --> 00:34:46,086 [GROANS] 682 00:34:47,521 --> 00:34:50,891 WHAT’S THE MATTER? YOUR HEAD HURT YOU? 683 00:34:50,924 --> 00:34:54,494 COULD YOU SHOW ME THE MAGNET YOU USE FOR THE MIND SALVATION? 684 00:34:54,528 --> 00:34:56,496 WE’RE NOT ALLOWED TO DO THAT. 685 00:34:56,530 --> 00:34:59,099 THEY MAKE US KEEP IT UNDER WRAPS. 686 00:34:59,132 --> 00:35:01,267 VIC JUST THREW IT IN THERE! 687 00:35:01,301 --> 00:35:04,971 VIC TOOK MY KNIFE AND THREW IT IN THE SEWER! 688 00:35:05,005 --> 00:35:06,840 WHAT HAPPENED AFTER THAT? 689 00:35:06,873 --> 00:35:11,244 I LIFTED HIM... IN THE POSTAL CART. 690 00:35:11,277 --> 00:35:14,280 WHICH SHOULDER DID YOU HAVE HIM ON? 691 00:35:16,149 --> 00:35:18,218 YOU GOT SOME... BLOOD ON THERE. 692 00:35:20,821 --> 00:35:24,290 DID YOU HIT VIC BEFORE YOU PUT HIM IN THE CART? 693 00:35:24,324 --> 00:35:26,292 DAMN RIGHT I DID. I CAVED HIS HEAD IN. 694 00:35:26,326 --> 00:35:28,128 REMEMBER WHAT YOU USED TO DO IT? 695 00:35:28,161 --> 00:35:32,365 YEAH. I USED A GOOD, STRONG PIECE OF 2 X 4. 696 00:35:35,368 --> 00:35:37,671 ALL RIGHT, LET’S GET YOU ON YOUR FEET. 697 00:35:37,704 --> 00:35:39,773 YOU ARE GONNA HELP ME WITH THE MIND SALVATION? 698 00:35:39,806 --> 00:35:41,107 YEAH, OH, YEAH. 699 00:35:41,141 --> 00:35:43,009 WAIT. WE’RE GOING IN HERE TO TALK. 700 00:35:43,043 --> 00:35:45,445 THAT’S WHERE WE’LL HELP YOU WITH THE MIND SALVATION. 701 00:35:45,478 --> 00:35:46,379 GOOD. 702 00:36:16,342 --> 00:36:17,310 [KNOCK ON DOOR] 703 00:36:17,343 --> 00:36:18,378 [DOOR OPENS] 704 00:37:03,323 --> 00:37:06,292 I AM SO PROUD OF YOU. 705 00:37:06,326 --> 00:37:08,629 FREE HORS D’OEUVRES IS FREE HORS D’OEUVRES, RIGHT? 706 00:37:08,662 --> 00:37:11,297 NOT JUST FOR THE PEOPLE AT THE BAR. 707 00:37:11,331 --> 00:37:13,900 WE’RE PATRONS, CITIZENS OF THIS COUNTRY. 708 00:37:16,837 --> 00:37:19,740 I TELL YOU, KEEPING KYLE FROM HAVING TO BE INVOLVED, 709 00:37:19,773 --> 00:37:22,576 JILL MUST’VE BEEN SOME KIND OF GRATEFUL TO YOU TWO. 710 00:37:24,678 --> 00:37:27,648 WELL, I AM THE BEARER OF GLAD TIDINGS. 711 00:37:27,681 --> 00:37:29,149 WHAT’S GOING ON? 712 00:37:29,182 --> 00:37:31,451 UH, THE GIRL I’VE BEEN SEEING? 713 00:37:31,484 --> 00:37:34,287 WE’VE HAD A LOT OF STRAIN LATELY 714 00:37:34,320 --> 00:37:36,289 ON THE SUBJECT OF INDECISIVENESS. 715 00:37:36,322 --> 00:37:39,059 DID YOU TELL HER YOU CLEARED A CASE TODAY? 716 00:37:39,092 --> 00:37:42,428 SHE’S THE ONE THAT’S INDECISIVE. 717 00:37:42,462 --> 00:37:45,732 ANY EVENT, UH, THE JOB SHE HATES, 718 00:37:45,766 --> 00:37:48,168 THAT, UH, HAS BEEN A BONE OF CONTENTION, 719 00:37:48,201 --> 00:37:50,971 ANNIE JUST TOLD ME SHE QUIT. 720 00:37:51,004 --> 00:37:52,773 GOOD. GOOD FOR ANN. 721 00:37:52,806 --> 00:37:54,307 THAT’S GREAT, GREG. 722 00:37:54,340 --> 00:37:56,376 YEAH. THAT WAS A BIG HUMP SHE WENT OVER. 723 00:37:58,712 --> 00:38:02,683 ANYWAYS, UH...I’M GONNA GO SEE HER NOW. 724 00:38:02,716 --> 00:38:06,152 ACTUALLY, SHE’S, UH, COMING OVER TO MY PLACE. 725 00:38:08,488 --> 00:38:09,790 WE, UH... 726 00:38:09,823 --> 00:38:11,958 WE DID AN HONEST DAY’S WORK TODAY, DIDN’T WE? 727 00:38:11,992 --> 00:38:14,360 YEAH, WE DID. 728 00:38:14,394 --> 00:38:17,030 WE ALL DID AN HONEST DAY’S WORK. 729 00:38:17,063 --> 00:38:20,300 GOOD NIGHT, DIANE. SEE YA. 730 00:38:26,306 --> 00:38:28,742 I THINK THERE MAY BE A HUMP IN GREG’S FUTURE, TOO. 731 00:38:33,313 --> 00:38:34,548 EXCUSE ME. 732 00:38:47,060 --> 00:38:48,762 THANKS FOR WORKING THAT WITH ME. 733 00:38:50,731 --> 00:38:53,233 YEAH. WE WORKED THAT GOOD. 734 00:38:53,266 --> 00:38:56,036 3 BEERS AND A SODA. 735 00:39:04,210 --> 00:39:06,580 GREG LEFT A SOLDIER IN THE FORT. 736 00:39:18,358 --> 00:39:19,626 WASTE NOT, WANT NOT. 737 00:39:23,296 --> 00:39:25,666 THIS JERK LOCKS THE DOOR. 738 00:39:25,699 --> 00:39:29,169 AND HE DIDN’T HAVE TO. HE WAS ONLY PISSIN’. 739 00:39:29,202 --> 00:39:30,236 I COULD HEAR HIM. 740 00:39:30,270 --> 00:39:31,471 THE NERVE. 741 00:39:52,492 --> 00:39:54,060 HA HA! 742 00:39:54,094 --> 00:39:55,929 OH, I GET IT. 743 00:39:55,962 --> 00:39:57,798 HA! THESE ARE A PAIR. 744 00:39:59,132 --> 00:40:01,234 DIFFERENT VIEWS. 745 00:40:01,267 --> 00:40:03,804 THEY’RE PROBABLY BY THE SAME ARTIST. 746 00:40:08,174 --> 00:40:11,578 HEY, THAT WAS BIG FOR DIANE‐‐ GOING OUT WITH US. 747 00:40:11,612 --> 00:40:13,914 YEAH. I EXPECT SHE HASN’T BEEN SOCIALIZING. 748 00:40:13,947 --> 00:40:16,550 IT’S THE FIRST I’M AWARE SINCE BOBBY PASSED. 749 00:40:16,583 --> 00:40:18,284 UH‐HUH. 750 00:40:18,318 --> 00:40:19,653 AND I’LL TELL YOU SOMETHING ELSE, DANNY. 751 00:40:19,686 --> 00:40:21,154 I WAS GLAD ENOUGH THAT THE TWO OF YOU 752 00:40:21,187 --> 00:40:23,123 WORKED TOGETHER TODAY ON THAT CASE. 753 00:40:23,156 --> 00:40:26,092 MAYBE BROKE THE ICE A LITTLE. 754 00:40:26,126 --> 00:40:27,928 I’LL TELL YOU, STRAIGHT OUT, 755 00:40:27,961 --> 00:40:29,930 DIANE’S BEEN RESERVED TOWARD YOU. 756 00:40:29,963 --> 00:40:31,765 MAKES SENSE, NO? 757 00:40:31,798 --> 00:40:35,602 WELL, I’M GLAD THIS MAY HAVE BEEN THE BREAKING OF THE ICE. 758 00:40:35,636 --> 00:40:38,171 HEY, JAMES, DOES DIANE ENJOY A BEER, DO YOU KNOW? 759 00:40:38,204 --> 00:40:40,006 DIANE? 760 00:40:40,040 --> 00:40:42,008 IS SHE A TEETOTALER, OR WHAT? 761 00:40:42,042 --> 00:40:44,010 I NEVER NOTICED HER DRINK, 762 00:40:44,044 --> 00:40:46,179 BUT IF THAT’S HARD AND FAST OR NOT, I DON’T KNOW. 763 00:40:46,212 --> 00:40:48,014 I NEVER SEEN HER DRINK, 764 00:40:48,048 --> 00:40:50,617 BUT I ALSO NEVER HEARD HER SAY THAT SHE DON’T. 765 00:40:50,651 --> 00:40:51,818 YEAH, WELL, ANYWAYS. 766 00:40:51,852 --> 00:40:53,954 WHY DO YOU ASK, DANNY? 767 00:40:53,987 --> 00:40:57,123 ’CAUSE I’M OUT OF THINGS TO ASK ABOUT, AND I’M FREEZING. 768 00:40:57,157 --> 00:41:00,761 HEY, HEY, DANNY, IT’S 10 P. M.! 769 00:41:00,794 --> 00:41:02,696 AND I FEEL NO URGENCY CATCHING THE TRAIN 770 00:41:02,729 --> 00:41:04,698 ’CAUSE IT’S THE SOFA FOR ME ANYWAYS. 771 00:41:04,731 --> 00:41:06,466 WHAT, HOUSE POLICY? 772 00:41:06,499 --> 00:41:10,370 WELL, 10 P. M., THE IRON CURTAIN TENDS TO DESCEND. 773 00:41:10,403 --> 00:41:12,005 ANYWAYS. 774 00:41:12,038 --> 00:41:13,540 ANYWAYS, LET ME CATCH MY TRAIN. 775 00:41:13,574 --> 00:41:14,541 ALL RIGHT. ALL RIGHT? 776 00:41:14,575 --> 00:41:15,609 HEY, JAMES? YEAH? 777 00:41:15,642 --> 00:41:17,811 YOU GOT THE SQUAD ROSTER ON YOUR CASIO? 778 00:41:17,844 --> 00:41:19,613 YEAH. WHAT NUMBER YOU WANT? 779 00:41:19,646 --> 00:41:22,182 YEAH, LET ME GET ANDY’S NUMBER OFF OF IT, PLEASE. 780 00:41:22,215 --> 00:41:24,350 I’LL DO IT. 781 00:41:24,384 --> 00:41:29,055 WHAT, YOU THINK I’M LOSING MY MANUAL DEXTERITY? HUH? 782 00:41:29,089 --> 00:41:31,457 HEY, I ENJOYED WORKING WITH YOU TODAY... 783 00:41:31,491 --> 00:41:32,859 HEY, THANKS A LOT. 784 00:41:32,893 --> 00:41:34,027 SPENDING TIME AFTERWARDS. 785 00:41:34,060 --> 00:41:35,028 SAME HERE. 786 00:41:35,061 --> 00:41:36,362 ALL RIGHT, DANNY. 787 00:41:38,164 --> 00:41:40,000 DANNY. 788 00:42:02,556 --> 00:42:05,526 YOU SEEMED A LITTLE IFFY AT THE BAR. 789 00:42:05,559 --> 00:42:08,529 NOT THAT IT’S ANY OF MY BUSINESS... 790 00:42:08,562 --> 00:42:10,864 NOT THAT IT’S ANY OF MY BUSINESS... 791 00:42:16,803 --> 00:42:19,239 [TELEPHONE RINGING] 792 00:42:23,777 --> 00:42:26,079 Recording: HI. THIS IS DIANE. I’M NOT IN RIGHT NOW. 793 00:42:26,112 --> 00:42:28,214 PLEASE LEAVE A MESSAGE. [BEEP] 794 00:42:41,962 --> 00:42:43,930 "OH, I SEE. THEY’RE A PAIR. 795 00:42:43,964 --> 00:42:46,633 PROBABLY FROM THE SAME ARTIST." 796 00:42:46,667 --> 00:42:48,602 HA HA... 57525

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