Original subtitles

(suspenseful music)

- [Colm] Red Square, a place of power and piety,

and at its heart, a museum with secrets dark and strange.

A terrible Ivan,

(weapon explodes)

a revolutionary Rolls Royce,

Napoleon's most shameful dishonor,

(cannons booming)

and the lost art of winning a lethal game.

(gun blasts)

Secrets hidden in plain sight

inside Moscow's State Historical Museum.

(suspenseful music)

(mysterious music)

From the Stone Age to the modern day,

the State Historical Museum of Moscow

tells the story of Russia and her people.

The 19th century gallery is filled with artifacts

that speak of wealth, nobility, and sudden death.

This is the museum's collection of dueling pistols.

It's one of the largest of its kind in the world

and is never seen by the public.

(speaks in foreign language)

The pistols are ornate, almost works of art.

That's because they were made only for a select few.

In 19th century Russia, pistol duels were the preferred

method of settling disputes among the noble class.

(gun cracks and man grunts and thuds on the ground)

By 1715, dueling had become so popular,

it was killing off many members of Russian aristocracy.

The tsar outlawed the practice, declaring it foolish.

But not all duelists were fools.

The brilliant writer and poet Alexander Pushkin

is considered to be the father of Russian literature.

But in his own time, Pushkin

was notorious for fighting duels.

(people talking)

A nobleman with a sharp tongue (glove slaps),

he was often challenged by other nobles

who claimed he had offended their honor. (glove slaps)

(speaks in foreign language)

The offended nobles came to the dueling field angry,

while Pushkin maintained his cool.

(gun cracks, man grunts)

28 times he faced a hotheaded opponent,

and 28 times he survived.

(gun cracks, man gasps)

But his 29th duel cost him his life.

What went wrong?

That is our museum secret.

Our investigation starts here,

on a gun range just outside Moscow.

Russian historian and author Alexei Vostrokov

is eager to reenact Pushkin's last duel.

But before he can do that, he'll need to learn to shoot.

(speaks in foreign language)

- [Andrey] Okay, this is our pistol.

- [Colm] Military historian Andrey Schildbach

has brought a replica of the type of dueling pistol

that Pushkin would have used.

- [Andrey] Now we start loading it.

(powder rattles)

We make sure that the powder is compact enough.

We are ready to shoot, but first don't forget to put--

- [Colm] Of course, the best way

to survive a duel is not to fight one.

But in a society where honor was paramount,

that wasn't always an option.

(old-style Russian music)

A nobleman's honor was in the greatest

danger at social occasions.

Fancy dress balls were rife with sexual tension,

often instigated by men, but sometimes the flames

of jealousy were fanned by women.

Pushkin's wife Natalia was a notorious flirt.

At a public function, he caught her enjoying the attention

of a handsome French officer, George D'Anthes.

Hurt and enraged, Pushkin challenged D'Anthes to a duel.

(glove slaps and man gasps)

Back at the gun range, Alexei is making slow progress.

- [Andrey] And the recoil will be quite strong.

(drum roll)

(gun blasts)

(speaking in foreign language)

- [Colm] Determined to channel Pushkin's cool,

Alexei collects his nerves and steadies his hand.

(hammer clicks)

(speaks in foreign language)

(gun blasts)

(blows)

Andrey has brought along an opponent for Alexei,

champion marksman Alexander Lebedev.

(speaking in foreign language)

Like the duelists of Pushkin's era,

Alexei and Alexander will face each other

in a secluded area.

(speaks in foreign language)

But for the purposes of our demonstration,

they will not fire lead balls at each other.

Instead, they are each equipped

with a modern air gun that shoots a single paintball.

(speaking in foreign language)

In accordance with 19th century rules,

the opponents will begin 20 paces apart.

At five paces, there is a line

that neither man is allowed to cross.

(speaks in foreign language)

Lowering a handkerchief will signal

the beginning of the duel.

The duelists then have a choice.

They can take their shot immediately

or wait until they move closer to their opponent.

(suspenseful music)

When Pushkin dueled with D'Anthes, he was filled with rage.

He charged the line,

hoping to score a kill shot at close range. (gun cracks)

But his anger-fueled plan failed.

D'Anthes fired first, scoring a direct hit

to Pushkin's midsection. (man groans)

On the modern gun range,

Alexei and Alexander take their positions.

(speaking in foreign language)

(footsteps crunching)

(gun pops)

(suspenseful music)

- Are you wounded?

(speaking in foreign language)

(groaning)

As Pushkin lay wounded, he struggled to take his shot.

D'Anthes did the honorable thing

by standing still while Pushkin fired.

(gun cracks)

He received only a flesh wound.

Two days later, Pushkin would die of his injuries.

The greatest writer in Russia,

killed because he lost his cool in his 29th duel.

(speaks in foreign language)

Up next, the secret of a Stone Age grave.

(dramatic music)

(gentle, mysterious music)

In Moscow's State Historical Museum,

one can stroll back through time,

all the way to the Stone Age.

Here in a gallery dedicated to Russia's earliest

inhabitants, there is something haunting and strange.

The skeletons of a boy and a girl

that were buried head-to-head in a single grave.

Their remains were unearthed not far from Moscow,

where they had laid undisturbed for over 20,000 years.

Both children were covered with beads

that numbered in the thousands.

Why they were buried this way,

and why they died so young, is a museum secret.

Our investigation begins the town of Zaraysk,

160 kilometers south of Moscow,

in the region where the children lived their brief lives.

In the shadow of a 500-year-old castle,

there is a 23,000-year-old Stone Age settlement.

Here, archeologist Sergey Lev leads a team

that has uncovered a wealth of evidence

about how early humans lived and died.

- In prehistoric times, they were hunting.

That was a perfect view on a valley,

and they can see animals walking there.

And the site is rich, very much, in artifacts.

Very, very many.

Now the collection is coming to one million pieces.

- [Colm] Along with flint tools and knives,

the team has discovered a fertility goddess

and a talisman of the natural world.

- We see the most impressive object is here.

It is the bison figurine.

From the other side, there is traces

of red ochre, symbolizing blood.

And we think it is a real magic ritual linked with hunting.

- [Colm] The bison is carved from the same material

as the beads from the children's grave.

Ivory from the tusk of a wooly mammoth.

During the Stone Age, wooly mammoths

were by far the biggest game, as heavy as a bus,

with tusks five meters long.

In the museum, above the children's bones,

a panorama depicts the long-held theory

that hunters killed mammoths

by driving them into giant pits.

(tribal music)

(people shouting)

(mammoth roaring)

Sergey believes the illustration

is out of step with recent discoveries.

- From modern point of view, it looks a little bit fantastic

because first, if it is permafrost,

it is quite hard to dig in it.

And you can imagine the size of mammoth

and what size of pit it should be.

So maybe after one year of work (chuckles),

they will succeed, but how they will put mammoth inside?

(laughs)

So summary, this theory doesn't work.

- [Colm] Sergey has found evidence

that the pits were actually dwellings,

roofed with mammoth bones and hides.

- It means that it was very, very, very much

important in their life.

They used them for constructions, they used them

for producing tools, and probably for food.

- [Colm] The latest research suggests

that mammoths were brought down with spears.

In the treeless tundra, some spears were made

from mammoth tusks that were straightened over a flame.

Such spears were found in the children's grave.

This could mean that the children took part in a hunt

and were killed by misadventure,

(mammoth roars)

crushed or gored by a wounded beast.

If so, their bones may tell the story.

Recently at Moscow's archeological forensic laboratory,

Dr. Maria Mednikova ran a battery of tests.

- Concerning these remains, we haven't found

indications of trauma in this case.

- [Colm] But while none of the children's bones

were broken, their teeth show something unexpected.

- We can notice such transversal lines

on the anterior teeth.

Here and over here they are visible.

That means that growth of those children

was interrupted by some

strong hunger, starvation.

- [Colm] This suggests that in the region

where the children lived, game was becoming scarce.

As hunger and desperation grew,

their tribe may have appealed to a higher power for help.

That brings us back to the thousands

of beads in the children's grave.

Researchers have determined

that each bead took at least an hour to make.

The enormous effort suggests an extraordinary purpose.

- They were decorated in special, rich manner

to send some message to another world, to God.

- [Colm] Maria can't say how the children died,

but she believes she knows why.

- Such young people, they were very important

for their society because they were just close to be adult,

and they were hope of society.

They could be a gift for some gods,

so they could be sacrificed.

- [Colm] Covered in beads of ivory,

a boy and girl were sent into the hereafter

so that their tribe could continue to walk the earth.

(somber music)

Next on Museum Secrets, the secret of a winged horseman.

(dramatic music)

(marching band music)

Today, just outside the State Historical Museum

in Red Square, Russia and Poland will meet in battle.

In this annual military band competition,

Poland and Russia vie for top honors.

Today their rivalry is all good fun,

but in the 17th century, Poland and Russia

were at each other's throats

(cannon booms)

in a bloody struggle for supremacy in Eastern Europe.

(soldiers shouting)

And at the forefront of this conflict,

a warrior both dark and strange.

(speaks in foreign language)

For nearly two centuries, Poland's Winged Hussars

were undefeated across the battlefields of Europe

and the most feared army in the land.

The reason why is our museum secret.

(ominous music)

(buckles clicking)

To investigate, we've come to the ranch

of Hussar enthusiast and proud Polish-American Rik Fox.

The purpose of the wings has baffled

and divided historians for centuries.

Some believe that the wings made a hissing sound

and that the hissing of a thousand wings

would've terrified the enemy.

Did a frightening sound give Polish Hussars the edge?

- There's lots of legends about the wings.

Some say that they made noise.

Some say they vibrated.

My wings have, on rare occasions, have made a buzzing sound.

They've scared horses that were nearby,

so we know that to be true.

I've never actually had myself mic'ed.

We've never done a setup like this before

to try and see if we can replicate it.

(reverberation distorts speech)

- [Colm] With the aid of a sensitive sound recorder,

- [Man] Recording now.

- [Colm] Rik hopes to capture any sound

the wings might make and put the age-old debate to rest.

(horse whinnies)

(quiet, suspenseful music)

(horse's hooves crunch)

- [Rik] Okay, so, we got the recording here.

I'm gonna take a listen and see what we got.

- Couldn't really hear anything.

Why don't you take...

Do you hear anything?

- I hear a lot of wind, just ambient noise,

wind, flags, horse, and armor.

- Yeah.

- I can't hear the wings.

And of course I'm sitting in front of the feathers,

and I didn't hear anything today, so.

- No.

It's unfortunate.

Would've liked to hear it.

- Hate to put a pin in the romantic balloon of the legend,

but there's more going on on the battlefield

by real sounds of war that are gonna overshadow

any sounds that the wings may have made.

- [Colm] If it wasn't sound

that terrified their enemies, then what could it have been?

Rik thinks the answer lies in something

that every Hussar carried into battle.

- The signature weapon of the Hussars was the lance,

in Polish called (speaks in foreign language).

They were hollowed out for lightness.

They were designed to impale and shatter on impact.

And it was, it's a terrifying weapon.

- [Colm] While Russian infantrymen had pikes

that were 15 feet long, the Hussars' lances measured 20.

So in a battle with a Russian adversary,

a Polish Hussar could impale his target

five feet before his enemy could reach him.

(suspenseful music)

(lance crashing into target)

As lances go, the Hussars' weapon was highly effective.

But by the 17th century, both Russia and Poland

were fielding regiments of armored musketeers.

(guns blasting)

You might think that muskets

would've stopped the Hussars in their tracks.

But they didn't.

- Those weapons were not rifled.

They weren't accurate.

It was a ball, didn't always fit perfectly.

Powder consistency wasn't always right on.

It was hit and miss.

- [Colm] Unlike the plodding Russian infantry,

the Winged Hussars were lightning fast.

- The Hussars would start at a walk,

then they would work their way to a trot,

the enemy would fire a salvo,

and within that moment of going from trot to canter

to gallop, Hussars would pretty much cross the field

in moments before the muskets could actually hit them.

- [Colm] With speed, precision, and sheer force,

the Hussars easily smashed through Russian infantry columns.

And there was one more thing

that assured their victory in battle.

- To see a charge coming at you,

several hundred or several thousand,

the ground shook like an earthquake,

and through the smoke and musket,

the powder burning and clouds of gunsmoke in front of you,

and you would start to see the tops of the lance pennants

coming towards you, and the wings, those spectacular wings,

you knew there was not gonna be too many guys with dry pants

because to receive a charge from the Hussars is death.

- [Colm] And that's why every Russian soldier

feared the angels of death of the battlefield,

the Polish Winged Hussars.

It would take several centuries for conflict

between Russia and Poland to be reduced

from violence on the battlefield

to a battle of the bands.

(marching band music)

Up next, the secrets of Ivan the Terrible.

(dramatic music)

(lighthearted Russian music)

Just outside Moscow's State Historical Museum,

tourists pose with lookalikes from Russia's past.

Tsar Nicholas II,

Vladimir Lenin,

and Joseph Stalin.

This woman looks unafraid.

Perhaps that's because she doesn't know

that she's posing with Ivan the Terrible.

Inside the museum, Ivan has an entire gallery

all to himself.

(ominous music)

(speaks in foreign language)

- [Colm] The case contains several books

in Ivan's own handwriting, and above them is this.

(speaks in foreign language)

Hair shirts were often worn by monks

who hoped to show remorse for their sins

by suffering extreme pain.

(speaks in foreign language)

(firebomb wooshing)

(people shouting)

Why would Ivan the Terrible, powerful leader

and notorious tyrant, want to wear this?

How did Ivan the Terrible become Ivan the Remorseful?

That is our museum secret.

The story begins in 1547, as a young Ivan

is crowned the first tsar of Russia.

(coins clinking)

He came to power at a time when Russia's noble class,

the boyars, were agitating for a larger share of power.

(speaks in foreign language)

Some may have believed that Ivan would be a pushover.

They were wrong.

The new tsar sought to unify and modernize his nation,

protecting the borders by creating

a people's army, known as the streltsy.

Ivan was a complicated man.

He was an avid chess player who brought

careful calculation into everything he did.

He was also deeply religious.

Like his subjects, he believed

that even the smallest sin could lead to eternal damnation.

He felt that his subjects would be more likely to follow him

if they understood the depth of his religious devotion.

To prove his piety, he built the church

that has become an icon of Russia itself,

St Basil's Cathedral.

(singing in foreign language)

- Ivan the Terrible believed that God was

on his side because he God, as he believed,

gives him a power to rule the country.

That was his mission.

(singing in foreign language)

- [Colm] Believing he should answer to God alone,

Ivan proposed laws that would give him absolute power.

The boyars resisted, insisting that Ivan rule by consensus.

Instead of leading an army against the boyars,

Ivan made an unexpected move.

He left his palace in Moscow to take up residence

in the village of Aleksandrova Sloboda.

Historian Larissa Zaraskaya

believes this was a brilliant tactic.

(speaks in foreign language)

Ivan knew that the boyars would realize

that they couldn't rule Russia without him,

and soon they begged him to come back.

Ivan agreed to return on condition

that the boyars accede to his demand to absolute power

and that he be allowed to command his own secret police.

Ivan ordered them to identify and arrest anyone

who might pose a threat to his rule.

His methods were ruthless and terrifying.

(door clangs and creaks)

And when suspected traitors wouldn't talk,

Ivan had them brought here.

(speaks in foreign language)

Under Ivan's direction, his secret police

extracted information and confessions

through brutality and torture.

(screaming)

Victims were flayed alive and boiled in oil.

(screaming)

Often their agony lasted for days.

Ivan's methods cemented his power,

(cannons boom)

giving him the authority to launch wars

that would expand and unify the Russian state.

He would continue to use torture

to pursue his goals until, in the 37th year of his reign,

he began to reflect on his sins.

He feared no man, but he did fear God.

- He was very religious.

He knew that he would like to enter paradise someday,

and he knew that he was very severe,

and a lot of people were brought into prison

and were killed according to his order,

and as a religious man, he started

to be prepared for this new afterlife.

- [Colm] In an attempt to appease God,

Ivan ordered the creation of this,

a synodic, a Russian book of the dead.

(speaks in foreign language)

For each name, a prayer was to be given

to soothe the souls of those who perished under Ivan.

(speaks in foreign language)

But Ivan worried that it wasn't enough.

He'd forgotten many of his victims' names.

(speaks in foreign language)

And so, tormented still, Ivan turned to the garment

that would make him penitent in the eyes of God.

And legend has it that for the remainder of his days,

Ivan wore only the hair shirt.

And that's because Ivan the Terrible

had become Ivan the Remorseful.

Up next, (cannons boom)

the secret of Napoleon's eagle.

(dramatic music)

(military-style drum music)

The newest wing of the State Historical Museum

is dedicated to Napoleon's invasion of Russia.

Or, as it's known to Russians, the Patriotic War of 1812.

The collection celebrates one of Russia's greatest victories

and one of Napoleon's worst defeats.

(cannons and guns blasting)

Every year, thousands of reenactors come to Russia

to commemorate the Battle of Borodino,

Napoleon's army's bloodiest day.

The reenactors pride themselves on authenticity,

from their uniforms to their weapons

to this, the French Imperial Eagle.

The eagle was a sacred emblem

that every French regiment carried into battle.

(soldiers shouting)

French soldiers swore to defend it to the death.

Inside the State Historical Museum

is an Imperial Eagle of the Third French Regiment,

one of the few surviving examples in the world.

But this eagle should not be here.

The reason why is a museum secret.

The secret has brought Victor Eiser

to Russia from his home in Canada.

Victor is the president of a Montreal-based

reenactment group called (gun cracks) Brigade Napoleon.

He's here as a member of the Imperial Guard,

but he's also a soldier of the Third Regiment.

That gives him a special interest in the museum's eagle.

- The eagle represents our regiment

and has our number on it.

We follow it, and even in a reenactment

when we have a mock battle, the eagle is protected.

If you lost your eagle, it was a terrible disgrace.

(guns blasting)

The interesting thing about reenactors,

when we don the uniforms, we feel younger,

and we feel passionate.

We're proud of our regiment, so just as the eagle

was life and death to the regiments 200 years ago,

we feel very much the same way.

So when I heard that there was an eagle

in Moscow, I was interested,

but when it was described as Third of the Line,

I suddenly questioned how that could be.

As far as we know, we never lost an eagle in battle.

- [Colm] The Third French Infantry was one

of the most illustrious regiments in Napoleon's army.

Its soldiers were often bloodied but never defeated,

and according to the regiment's records,

they never left an eagle behind.

(guns blasting)

- The possibility to go and see the eagle with my own eyes

and try and resolve the discrepancy

between the history I know and whatever background history

they have on their eagle is essential.

I can't go home without that.

(people talking)

- [Colm] Victor's next stop, the 1812 gallery.

He's going to examine the museum's eagle

with the help of curator Dmitry Ozerkov.

- So here is the famous eagle.

- Ah.

- [Dmitry] That's definitely eagle

of the Third Regiment of the Line.

- This is what I've come so far to see.

- I've noticed this button with number three,

so it makes that eagle of your regiment.

- Oh certainly my heart is pounding,

and that's why for me it's of course,

emotionally, looking at it and saying,

"I know my regimental history says we didn't lose it,"

and then when you see it,

then you go, (Dmitry laughs)

(sucks in air) "I don't know."

Some mystery is there.

- [Colm] Victor needs to take a closer look.

Because the eagle is too precious to be removed

from its case, Victor and Dmitry decide

to take some high-definition photographs.

They hope to capture details

that are invisible to the naked eye.

On a computer monitor they examine

the image in a magnified view.

- Maybe on the closeups we can,

there we go.

- [Dmitry] Yeah.

- [Colm] At this point,

the two men make a surprising discovery.

- There was something that was then scratched off.

- With the lighting... - I really see

that there's... - Oh, that's five.

- And I think that's definitely a

one. - One.

- [Victor] That's nice.

- [Dmitry] Definitely a not-authentic number.

- [Colm] The men are stunned.

The original number was not three, but 15.

Dmitry suspects that someone assembled the eagle

and its number from available parts.

- And my guess would be that they had an eagle

with a damaged number for it, 15.

And they had an authentic number three

and put it on the base of the eagle

to make it look more authentic

than with a broken numbers.

- Yeah.

- [Colm] Victor knows that there were several

Napoleonic regiments with the number 15.

One 15th Regiment served in Russia

(gun cracks)

and was decimated during Napoleon's

final defeat at Waterloo.

But when the regiment was disbanded,

its eagle was destroyed.

There is no record that any 15th Regiment

ever lost its eagle.

Victor and Dmitry have solved one mystery,

only to reveal another.

- I'm much relieved that it's not my regiment

that lost its eagle, but still, to be able to see

200 years of history there

is very moving.

If I was someone from the 15th

who happened to be touring through,

I'd like to know where it came from, how it got there,

but with the few eagles still existing in the world,

they now represent all the French armies

that fought during that period.

So today it really doesn't matter

whether it's the Third or the 15th, whatever.

The respect that the men held for it,

that the men died for it, followed it, is still there.

So it's no less valuable, and anyone seeing the eagle

should be proud of that type of heroic determination.

- [Colm] Next on Museum Secrets,

a revolutionary Rolls Royce.

(dramatic music)

Moscow's State Historical Museum makes no secret

of the opulent lifestyle of the tsars.

Over the centuries that they ruled,

the tsars acquired enormous wealth.

But all this ended with the Communist Revolution of 1917.

After the execution of Tsar Nicholas,

the culture of excess was replaced

by the classless equality of the Soviet state.

And that makes one of the museum's acquisitions

a little strange.

It's the only artifact with fog lamps

and an all-leather interior.

- It's a Rolls Royce car, Silver Ghost model.

- [Colm] This luxury vehicle

was owned by communist leader Vladimir Lenin.

- Lenin used this car for traveling around Moscow,

to the suburbs of Moscow and the surroundings.

Of course it was very convenient for Lenin, I think,

to make speeches and to have some discussions,

maybe with people who gathered around the cars

in the Red Square or in the streets of Moscow.

(male operatic singing in foreign language)

- [Colm] Lenin declared

that revolutionaries must guard

against bourgeois tendencies.

(male operatic singing in foreign language)

So why did Lenin own a Rolls?

That's our museum secret.

The investigation begins at Moscow's

premier Rolls Royce showroom.

Until the fall of the Soviet Union,

there were no dealerships in Russia,

but perhaps a visiting salesperson convinced Lenin

that the Rolls was his kind of car.

- People who buy Rolls Royces

are definitely very successful people.

- [Colm] So far, so good.

Lenin was definitely a successful revolutionary.

- And they don't want any compromises.

- [Colm] That sounds like Lenin too.

When counter-revolutionaries challenged him,

he started a bloody civil war.

Definitely not a compromiser.

(guns fire)

- Of course, these people can afford to buy the best.

- [Colm] That part doesn't sound like Lenin.

He wasn't a rich man.

But early on in the revolution,

his Bolsheviks had liberated the tsar's gold

and the tsar's collection of fine automobiles.

- There were about 40 motorcars in the tsarist garage,

and it seems that even the communist leaders

were not against such cars.

- [Colm] So perhaps Lenin owned this Rolls

because he got it for free.

To be certain, we'll need to prove

that Tsar Nicholas was the original owner.

- Unfortunately, we haven't got the original documents.

But if we speak about our car and about its identity,

we have got the chassis number,

and the chassis number is fixed

to the front of the dashboard, under the bonnet.

- [Colm] 17KG is clearly visible.

But with a car this old, it would be surprising

if the chassis number could be traced.

Or maybe not.

- Rolls Royce keeps records on all the cars

of previous years to track those cars

that have wonderful history behind them.

- [Colm] Incredibly, a request

to head office elicits the original bill of sale.

The purchaser was not Tsar Nicholas,

but an emissary of Vladimir Lenin.

The date is 1922.

(bell crashes)

In the years following the bloody revolution,

all industrial nations imposed an embargo,

forbidding trade with the Russian communist state.

So how did Lenin manage to do business

with a British car maker?

A clue lies not in cars, but planes.

Rolls Royce made the best engines for bomber planes,

and Lenin needed them for his war machine.

Lenin asked the British to break the embargo.

He knew that Britain was mired in depression,

with idle factories and hungry workers.

British leaders held their noses

and allowed Lenin to buy several

of their most advanced airplane engines.

To sweeten the deal, Lenin was given

a 15% discount on something else.

A Rolls Royce automobile.

The Rolls Royce plane engines helped Lenin

and his Bolsheviks win the civil war

and impose a brutal totalitarian state.

But the question remains, should he have kept the car?

- Of course not.

Lenin was our leader of communist party,

and the motto of that party was

that all people have to be equal.

He should've done something that the whole country

is driving Rolls Royces. (laughs)

(male operatic singing in foreign language)

- [Colm] In this place where power and piety meet,

for every mystery we reveal, far more must remain unspoken.

Secrets of sacrifice

and strategy

hidden in plain sight

inside Moscow's State Historical Museum.

(doors bang)

(mysterious instrumental music)