Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
- [Narrator] Cairo.
A city of faith and ancient stone.
And at its heart a museum filled
with secrets dark and strange.
Tales of golden treasures.
Shadowy crypts.
Unexplained murder.
And the quest for eternal life.
Secrets hidden in plain sight
inside the Egyptian Museum.
(suspenseful music)
Egypt.
Here the towering monuments of the pharaohs stand silent
amid the roar of a modern city.
Cairo is the largest metropolis in Africa,
home to more than 20 million people.
But at it's center is a refuge from urban chaos.
This is the Museum of Egyptian Antiquities.
The treasure chest of an ancient civilization.
And one of the most spectacular museums in the world.
Visitors flock here by the millions
to gaze into the eyes of long-dead pharaohs,
and marvel at their dazzling sarcophagi of silver and gold.
This wooden sarcophagus looks dull and plain by comparison.
You might think it was made for a commoner.
But you can't always tell a coffin by it's cover.
- This coffin, it has the cartouche of Ramesses II.
And the two cartouches are the given name
of Ramesses II and the throne name.
Ramesses II was the great pharaoh of ancient Egypt.
As a family man he married eight wives.
And he had 100 children.
As a military man he was a great man.
- [Narrator] Why would such a great man
choose a coffin made of wood?
You might suspect he was frugal or modest.
In fact, he was anything but.
Ramesses the Great built grand structures all over Egypt
on an unprecedented scale.
Here at Thebes he spared no expense on his Ramesseum,
a temple dedicated to his own greatness.
It seems strange for such an egotistical pharaoh
to be buried in a simple casket.
- This just cannot be the coffin
of a great builder like Ramesses II.
And instead of him building temples everywhere
the first thing that he will care for,
building his tomb and his coffin and his burial chamber.
And that's why I don't think
that this great king Ramesses II
could really leave to us a coffin like this.
If you go to the Valley of the Kings
and you look at his tomb,
I really believe this mystery is hidden
in the Valley of the Kings.
(dramatic music)
- [Narrator] In this sun-baked valley 650 kilometers
south of the Egyptian Museum,
we hope to uncover the mystery
with the help of Egyptologist Nigel Strudwick.
- The Valley of the Kings is probably the most
famous archeological site in the world.
It's probably after the Great Pyramid and the Cairo Museum
the most visited destination in the whole of Egypt.
Because it has this magic,
this wonderful atmosphere.
If you could imagine, could see an x-ray
of the whole Valley of the Kings,
it is honeycombed with passages and chambers everywhere.
Where we're gonna go now is to one of
the biggest of all of them.
It's the tomb of Ramesses II.
This tomb is probably about the biggest
or the second biggest in the valley.
Probably after that his father, Seti I,
and it goes into the rock no less than 180 meters.
- [Narrator] Historians believe that after Ramesses' death,
his mummy was placed in this underground chamber
surrounded by a treasure of gold and precious objects.
But when European archeologists
entered the tomb in 1817, it was empty.
- So we've got now to think about
why was he not found in it.
Some people say was the tomb damaged by flooding?
(thunder booming)
So it's possible that the tomb was flooded
and they may have had to move the king out,
but I somehow I don't believe it.
I'm sure in the New Kingdom they made
some sort of precaution to try and prevent these floods.
So what other possibilities we've got?
A really good possibility is tomb robbery.
- [Narrator] Not long after Ramesses death,
thieves plundered the tombs of several lesser pharaohs,
stealing treasure and desecrating crypts.
Many historians believe that the high priests of Thebes
responded by evacuating all royal mummies from the valley,
including Ramesses the Great.
To thwart tomb raiders they were moved
to a secret location.
The final resting place of the royal mummies
would remain a mystery for 3,000 years.
In the mid 19th century some archeologists
began to suspect the mummies might be hidden here,
not far from the Valley of the Kings,
in the cliffs surrounding Dayr al-Bahri.
- There's no water.
We're about 70 meters or so above the ground level here.
It's hot, it's June.
I was guessing we're in sort of 50 degrees Centigrade,
something like that.
And it's only sort of, you know,
mad people and archeologists who like
wandering around up here.
There is a lot of evidence that the ancient
Theban priests were coming up here
looking for places to bury people.
To make hidden tombs where they could hide
various important burials for eternity.
- [Narrator] Dayr al-Bahri continued to guard its secret,
until one day a local herder watched one of his goats
disappear into a hole in the ground.
He followed it down a vertical shaft
to discover much more than a wounded animal.
Word of an amazing find reached
German egyptologist Emil Brugsch.
Nigel intends to retrace his journey.
- It's absolutely a sheer funnel of rock
going down to the bottom,
and this shaft is something about 15 meters,
50 plus feet deep.
The royal mummies have always been
a fantastic fascination for me.
To get to see where they came from
is just to me, amazing.
(hammer clanging)
- [Narrator] At the bottom of the shaft is an obstacle,
but not an ancient one.
This wall was built recently
to thwart 21st century tomb robbers.
We are now only steps away
from the find that rocked the world of Egyptology.
- Now at this point, Brugsch and Kamal,
they'd already been in that entrance corridor there,
they'd already found a load of coffins lying there,
various old bits and pieces.
They turned this corner to where I am now,
and then as far as they could see down this corridor
there would have been more and more mummies.
(dramatic music)
And they were stopping and looking at the names
on the coffins and seeing royal cartouches
and all sorts of other things.
Yet they turned out to be the bodies
of the great pharaohs of Egypt.
- [Narrator] The discovery of what became known
as the Royal Cache was an international sensation.
It marked the first time Egyptologists
had discovered a royal mummy.
And here, incredibly, were 50 kings and queens.
- [Nigel] There's a small niche on the left,
just in front of me,
that contained loads of mummies
of the kings of the New Kingdom.
But particularly also the famous mummy of Ramesses II.
- [Narrator] The royal mummies were arranged haphazardly,
suggesting they were transported here in haste
to avoid drawing the attention of tomb raiders.
- Their burials consisted of their body and a coffin.
And the coffin may not even have been theirs originally.
It might have just been reused from somebody else's.
Just throw the king in it and get it in here.
It was done very, very hurriedly.
- [Narrator] There is evidence that Ramesses coffin
went on more than one hurried journey.
These inscriptions list several locations
with a final entry for the high place.
And perhaps that's why this great pharaoh was found
in a wooden coffin and not a gold sarcophagus.
His bearers required a coffin sturdy enough
to survive several moves,
yet light enough to haul up these steep cliffs
and down into this dark shaft.
And as for Ramesses' empty tomb in the Valley of the Kings,
the treasures that may have once surrounded him
have never been found.
Or perhaps we should say not yet.
Coming up next,
the secret of a mighty pharaoh's violent death.
(dramatic music)
At Cairo's Egyptian Museum, the secrets
of the pharaohs are etched in stone.
And sometimes in human flesh.
- This is the Royal Mummy Room.
This is one of the most popular rooms
in the Egyptian Museum.
It's constantly full of people
and general they try to keep a certain level of respect.
(mysterious music)
One of the great things about Egyptology
that you can walk into a room like this,
having read the great exploits or read the history books
and actually see the faces of these pharaohs.
- [Narrator] If you observe their faces closely
you may notice that one of these mummies
is not like the others.
- So many of these great pharaohs that we can look at today
are great warriors.
But none of them at all show any signs
of scratches and cuts that could be
attributed to war wounds.
- [Narrator] King Seqenenre Tao II was not so lucky.
- No one knows for sure how Seqenenre died.
But one thing that is sure is that he lived
in violent times, a period of great warfare
between Hyksos in the north and the Thebans in the south.
- [Narrator] The Hyksos were an Asiatic tribe
that swept into Egypt and settled around the Nile Delta.
Around 1560 B.C. tensions between the Hyksos
and the Egyptians erupted into war.
And King Seqenenre died violently.
- So there are no wounds whatsoever
upon the body of Seqenenre,
apart from these very obvious ones of the head.
Very clearly at the top here
you have a very long upper frontal wound
that has clearly smashed the skull.
Below that we have a further wound
caused by apparently another ax.
You can see that the center of the face here
is quite depressed.
The right eye socket has completely been destroyed.
And this appears to have been inflicted
by either a mace or perhaps the handle
of one of the axes that formed
one of the other wounds to the head.
- [Narrator] We know this king was brutally killed,
but the unresolved question is how?
With the help of combat expert Rob Mason
and some exact replicas of Hyksos weaponry,
Gary Shaw will explore three possible scenarios.
Theory number one, Seqenenre died a warriors death
fighting bravely on the battlefield with his troops.
- So in theory, Seqenenre was standing on a chariot
and the first blow came to the left hand side of his face.
(weapon thudding)
- Well, I can certainly hit him there,
but it's a very uncomfortable position.
- The actual way you're wielding the weapon,
the way that you're having to stretch
you arm. - Very difficult, yeah.
- You wouldn't think that would be the best position
to actually attack someone from.
So by this point, Seqenenre would certainly be on the floor.
He's been hit twice, he's fallen off his chariot,
he's lying on his back.
(weapons thudding)
So that certainly would have penetrated the brain.
I think it's a little overdramatic.
I can't really see this being how it happened.
The first thing you would do
if you were actually under attack
is try to defend yourself, if it was like the last moment.
There's nothing on the arms here.
In fact, there are no wounds whatsoever to the body
apart from to the head.
- [Narrator] Theory number two, Seqenenre was nowhere
near the battlefield, and was assassinated
while sleeping in his palace.
- We don't know how many assailants attacked him,
we don't know the order of blows,
so it's completely up to you
how you want to go about doing this.
Well, that would have killed him.
(weapons thudding)
- Well, I'd have to say he's thoroughly dead again.
- But it's just such a violent attack on his head.
When it's unnecessary, it just seems overkill.
You only need one person with one of these weapons.
You don't need multiple people.
You could have just smacked him with the mace,
straight over the side of the head.
- He'd be dead.
- [Gary] He would be dead immediately.
(weapons thudding)
- [Narrator] But if he wasn't assassinated,
or slain in battle,
how did Seqenenre die?
We need a third theory.
One that not only explains the multiple head wounds,
but also the lack of defensive injuries.
- So our third hypothesis is yours.
- That's right, we've created a scenario in which
the king was captured.
And so there's gonna be a spectacle.
The Hyksos commander is gonna show off.
Show his dominance in power over the Egyptians.
He's gonna do this, first of all in my opinion,
with a blow above the right eye, here.
That's great, this wound really does match
what we see on the body of Seqenenre,
it's really quite perfect.
We can imagine that this probably didn't kill him,
but it certainly would have knocked him back.
The Hyksos king certainly hadn't finished his work yet.
He was going to dispatch him to the afterlife
in front of his troops.
Okay, that's great.
So again, these two wounds now
match up with the mummy really well.
They are actually quite perfect.
These are the two wounds that were certainly inflicted
by this type of Asiatic weapon
that the Hyksos king might have used.
This is the point where I see him making
a coup de gras, the blunt blow
to the right side of the face
that destroyed the right eye and the nose.
Yet again you've done a fantastic job.
- I'd have to say it is a very effective use
of the butt of a weapon like this,
so that is perfectly plausible
to just smack him in the face with it.
- And you can see, it's very consistent
with the mummy, the right eye socket has been
completely demolished, the nose is damaged,
just as we see on the actual body
of Seqenenre. - Absolutely.
- [Narrator] Defeated in battle, forced onto his knees,
and brutally executed.
The best evidence suggests that's what happened.
And the facial wounds tell us something else.
At the moment of death, Seqenenre did not look away.
Perhaps that's why even though he lost in battle
he became known as Seqenenre the Brave.
His son, perhaps inspired by his example,
would one day vanquish the Hyksos forever.
Next, a lost city, and the secret of a pharaoh's gold.
(suspenseful music)
The Egyptian Museum in Cairo.
Millions flock here to discover the secrets
of an ancient civilization.
But let's face it, some come for the gold.
The gleam of King Tut's gold sarcophagus
whispers of untold wealth and power.
Visitors to his treasure room can't get enough.
Many come here without realizing
that just down the hall is another room
they won't want to miss.
These are the treasures of a lesser known pharaoh.
King Psusennes.
His gold harbors a museum secret.
The secret of how he got it.
For while King Tut's empire was rich,
Psusennes ruled during a period of economic collapse.
So, where did his gold come from?
We hope to unearth the secret here,
amidst the ruins of Tanis, the city where Psusennes ruled.
And if the name Tanis rings a bell,
there's a reason for that.
Tanis briefly entered the popular imagination
in 1981 as the place where Indiana Jones
fights the Nazis in "Raiders of the Lost Ark".
- Nazis have discovered Tanis.
- [Maj. Eaton] Just what does that mean to you, uh, Tanis?
- Well, its-- - The city of Tanis
is one of the possible resting places of the lost ark.
- The lost ark?
- [Narrator] As it turns out, Indiana had it wrong.
No real egyptologist believes
the Ark of the Covenant is here.
And Tanis was not discovered by the Germans,
but by French archeologists who'd been
digging here since the 1860s.
Dr. Phillipe Brousseau has been team leader
of the French dig at Tanis for over 30 years.
He's hoping to make a discovery
to rival that of his predecessor, Dr. Pierre Montet.
- [Narrator] When he ventured into the darkness,
Montet encountered a web of deceit and misdirection.
- [Narrator] This discovery now resides
in the Egyptian Museum.
A dazzling coffin of the finest silver.
But when Montet opened it,
he found the remains of a lesser king.
So where was the mummy of Psusennes?
Inscriptions identified this chamber as his tomb.
But as Montet would soon discover,
there was another secret chamber.
(dramatic music)
- [Narrator] A treasure of gold now on display
in the Egyptian Museum.
Which brings us back to our question.
How did King Psusennes amass so much gold
during a period of economic collapse?
A clue to this riddle was discovered in a secret chamber.
- [Narrator] Psusennes' name is inscribed on the coffin.
But a portion of the stone has been scraped away.
Analysis reveals this was originally
the coffin of an earlier pharaoh,
Merneptah, son of Ramesses the Great.
- [Narrator] The name Merneptah is also visible
on items of Psusennes' gold.
Evidence that his treasure was taken
from the tombs of earlier, richer kings.
So perhaps Psusennes was not only a great pharaoh,
but the greatest tomb raider of all time.
(suspenseful music)
Today, Brousseau continues to dig in the ruins of Tanis,
patiently sifting through the sands of time.
His excavations have unearthed buried buildings
and passageways, but he has yet to find
what he's looking for.
The lost tomb of Psusennes' queen.
- [Narrator] Next, we discover that mummies
come in two varieties;
human, and not.
(suspenseful music)
In the Egyptian Museum, every mummy has a story to tell.
And when a coffin is opened and wrappings are unwound,
we marvel at the Egyptians astounding ability
to preserve human remains.
But not all mummies began their existence
as human beings.
In fact, millions of animals;
birds, dogs, baboons, and falcons
were mummified in ancient Egypt.
- Animal mummies were very common in ancient Egypt,
and they progressively over time
became increasingly more common.
It probably started out quite gently with pet mummies,
because people who loved their pets
wanted their pets with them in the afterlife.
And so you wind up saying, okay when I die,
or after I die, bury my pet with me.
And of course, the pet has to be mummified
in the same way as the person does.
And so we have these pet mummies being made,
and they were often made in
as fine a way as the human beings,
and sometimes even more care and attention
was lavished upon them.
And what's extraordinary is the amount of fur
that is still visible on them.
Because, especially with the dog,
with his tail that curls up,
it looks as if he's about to open up his eyes
and start wagging and barking.
So he is really a very lively looking creature.
And the quality of mummification is superb.
- [Narrator] The ancient Egyptians loved their pets.
So it isn't surprising that a pharaoh
might take a four-legged companion into the afterlife.
But pets represent only a small fraction
of all mummified animals.
Millions of wild creatures were mummified
for another more powerful purposes.
The valley of Saqqara is home to Egypt's oldest pyramids,
and a colossal underground animal necropolis.
Ashraf Mohedan of the Supreme Council of Antiquities
has been entrusted with the key to the sacred tombs.
- Over there, you can see the entrance of the temple.
It was built in front of baboons galleries.
But there's a new wall was built over there
to protect from robbers.
We have to seal the entrance by some seals,
and we have to build a wall like this
to be hard for robbers to break,
to go inside there.
So we are going to remove these blocks
and to break the seals to go together
to see the galleries.
And to see some skeletons, mummies of baboons.
(door creaking)
- [Narrator] This dark passageway is the beginning
of a maze of tunnels that stretches for miles
beneath the desert sand.
The crumbling corridors are lined with crypts,
and lead to countless burial chambers.
- We have here a burial of a baboon.
Baboon is a sacred animal
because he representing the god Jhoti.
We have a piece of wood here, it was for the coffin.
So the mummy was placed in the coffin
and the coffin was placed inside the sarcophagus there.
You can see the mummy it was wrapped with linen
and you can see the bones of the baboon over there.
So we found lots of skeletons here,
lots of mummies of baboons, okay.
Can you believe all these numbers of baboons
were in Egypt, of course not.
- [Narrator] Hunters traveled throughout Africa
to bring back species that represented Egyptian gods.
Animal importation and mummification
became a big business, with profits going to the priests.
Millions of creatures were slaughtered
so that pious Egyptians could make
sacred offerings to the gods.
- We are inside a sacred place.
We are inside the falcon galleries.
We have millions of pottery jars
and loads of mummies of falcons.
And each one has a mummy of a falcon like this.
The falcon was wrapped with linen,
and you see the mummy of a falcon.
But you believe it, six millions
of mummified falcons found here in this place.
- [Narrator] The numbers suggest that animal mummies
were not just for the rich.
In fact, Egyptians of all social classes
purchased animal mummies as offerings,
much as today Catholics purchase votive candles.
Believers would choose an animal corresponding
to their personal god,
and pay a priest to mummify it.
A process thought to give the animal eternal life,
and thus curry favor with the divine.
- It was very important for everybody
to make a mummy for his god.
But I cannot believe we have all these numbers
of real falcons, because it's not easy to get the falcon.
Sometimes you can see linen
and nothing inside there.
Just an empty linen there,
it's just to wrap it as the shape of a bird,
or an animal, to deceive the people, that's it.
(exotic music)
- [Narrator] In markets everywhere, including here in Egypt,
what you are sold is not always what you get.
And even when the object is holy
and the salesman is a priest, buyer beware.
- Studying mummies, I found sort of a sub-category of mummy
which is ancient fakes.
And we found those by x-rays as well as sometimes
by unwrapping mummies.
And what happens is there's a bundle
that looks absolutely beautiful,
or sometimes it's falling apart,
but inside instead of actually containing an animal,
it holds either a few feathers or a bit of fur
that has been wrapped up
and that looks like the animal it's supposed to be.
For example, falcons and raptors of all sorts
are relatively rare while ibises are more common.
So instead of having a whole raptor
you'd say, ah, I can only make one with this.
But if I divide it into several
and wrap them all up and make them look like real mummies,
or even better than real mummies, they will do.
Because a part can symbolize the whole,
or also you can say that they were just being cheap.
(exotic music)
- [Narrator] To make the real thing required
a trip to the market to purchase an expensive animal,
followed by labor intensive rituals
that might take up to 70 days.
- So it's really no wonder that corners were cut
and fakes were made.
So you could take a piece of stone
or just a random bone and wrap it up.
Put a large piece of cloth around it,
here you have your fake mummy bundle.
And then you can tie it up.
And then depending on what it was,
you could maybe even put a more elaborate exterior on it,
which is in fact quicker to make than a real mummy.
And you have got thousands and thousands
of quick, easily made mummies.
Even the Egyptian Museum, I have x-rayed
all the mummies there, and we have
a substantial percentage of fake mummies.
- [Narrator] Fake or real, the existence of millions
of animal mummies reveals the ancient Egyptian
obsession with death.
And a fervent belief that offerings to the gods
are the path to eternal life.
Coming up next, the secret power of the pyramids.
(suspenseful music)
The Egyptian Museum harbors many secrets of the pharaohs,
but one secret is too big
to be confined within these walls.
It is the secret of the pyramids.
Monuments constructed with the sweat
and toil of ancient Egyptians.
And in our time, restored by their descendants.
The great pharaohs chose these structures
as tombs for their mummified remains.
The question is, why?
To uncover this secret we must start at the beginning,
of everything.
The ancient Egyptians believed the world was created
out of a massive sea of bubbling water called Nu.
Out of this water emerged a hill,
or pyramid shaped mound called the Benben,
which rose out of the ocean to greet the sun god Ra.
Pharaohs reenacted this moment of creation
whenever they built their own pyramids.
But why did they locate their burial chambers inside?
We hope to discover a clue here,
at the pyramid of Amenemhat III
with the help of Egyptologist Ramadan Hussein.
- His pyramid in antiquities used be to called
Amenemhat is mighty, but the fact is
we know it Egyptology right now as the Black Pyramid.
And this name came from the fact that
the core of the pyramid was made entirely of mud brick.
- [Narrator] Amenemhat made the mistake of building with mud
too close to an underground spring.
When seepage caused his pyramid to tilt
something important fell from the top
into the sand below.
The pyramid's capstone,
one of the rarest artifacts in the world,
is now on display in the Egyptian Museum.
- It's made of dark gray granite
with inscriptions on the four sides.
The inscriptions here make clear connection
between the sun and the pyramidion.
And what it talks about is opening the face,
and opening the face is a metaphor
of clearing the vision of somebody.
So clearing the vision of the King
of Upper and Lower Egypt so that he may see
the lord of the horizon, being the sun god,
while he crosses heaven so that he, being the sun,
may cause that, the sun of Ra, Amenemhat appears
as a divine, as a god.
- [Narrator] This inscription once sat atop a pyramid,
which suggest the pyramid itself
plays a part in the divine transformation.
But why does a pharaoh need a pyramid to become a god?
Perhaps this crumbling pyramid can tell us,
if we see it as it looked 4,000 years ago
clad with a layer of smooth stone.
- So when this pyramid finished construction
what you would see is this triangle-shaped structure
that is cased with bright fine white limestone.
The rays of the sun falls on top of it
and reflects back to the universe.
- [Narrator] For the ancient Egyptians, the pyramid was
a kind of solar powered resurrection machine.
Riding on reflected sunbeams,
a pharaoh's spirit would rise straight up
into the celestial realm
to take his place as a god among gods.
- It is the domain of the sun god himself.
The people believed that their king
lives there as a sun god.
So what you seeing here is a mutual relationship
between the people and their king.
They're participating in creating a domain
for the next sun god, and in return
this sun god will constantly repeat creation.
And what they're gaining here
is fertility and continuity for their life.
(dramatic music)
- [Narrator] Coming up next, why is this pharaoh
the biggest and the smallest of them all?
(suspenseful music)
The halls of the Egyptian Museum are filled
with giant statues, intended to convey
the giant stature of the pharaohs.
These were men with huge ambitions and egos to match.
None more so than King Khufu.
A man who thought big and built even bigger.
- The Great Pyramid of Khufu is the largest
pyramid in Egypt.
We have all the evidence that Khufu built this pyramid.
When the Arabs came to in Egypt in the 9th century A.D.
they said that man fear time,
and time fears pyramid.
People thought that the Great Pyramid was immortal,
it cannot be killed.
It's stay all the time to show
the power of Khufu.
- [Narrator] This pyramid reigned as the world's
tallest structure for 4,000 years.
Khufu built it to trumpet his glory.
And so it's surprising that the pharaoh
with the biggest pyramid
has the smallest statue.
- This is the only statuette of this great king.
It's about seven centimeter and a half long,
it's made of ivory, it shows the king seated
with the crown of Lower Egypt.
- [Narrator] This is the only depiction of Khufu ever found.
He appears gentle and kind.
And that's surprising, considering his reputation.
(dramatic music)
When the ancient Greeks came to Egypt
they heard stories about Khufu the tyrant,
a man who worked thousands of slaves to death
building his great monument.
Over the centuries the tyrant label stuck.
So which is true?
The stories passed the down to us
or the impression the statue conveys?
- The face and the art is not the art
of this powerful dynasty, Dynasty IV.
If you go and you look at the statue of his son, Khafre,
you see the powerful king with a powerful face.
It's not the same like this king?
I really believe with this evidence
that this statuette is actually dated to Dynasty XXVI,
which is 500 B.C.
- [Narrator] If Hawass is right, the statue was carved
2,000 years after the death of Khufu.
So while rare and ancient,
this tiny relic isn't a reliable depiction.
The search for the real Khufu continues.
And Hawass thinks he knows where to look.
He has spent years searching the interior
of Khufu's great pyramid for a hidden burial chamber.
Hawass believes such a crypt may contain
a statue of Khufu.
Or perhaps even his long lost mummy.
- This chamber contained the mystery of the pyramid.
These tunnels, this one, and this one,
could be actually the tunnels
of the mystery of Khufu.
- [Narrator] In 2002, during a live television event
broadcast around the globe,
Hawass directed his team to send robots
into these shafts.
Deep inside the pyramid's core they discovered
a concrete block affixed with two copper handles.
- The tomb, to be discovered in front of my eyes,
live in front of the whole world was amazing.
- [Narrator] Hawass has plans to open this mysterious door
using a more powerful robot
capable of prying the stone loose
to reveal what lies beyond.
- To discover anything inside the Great Pyramid, it's big.
The discovery of what is hidden behind these doors
will be big for everyone.
The public, because the public are fascinated
with the Great Pyramid, and Egyptology.
It will rewrite another page
in the history of Khufu and his pyramid.
- [Narrator] Who knows what treasures are still waiting
to be found within these walls,
and what they might reveal about the true nature of Khufu.
History's most infamous tyrant
or perhaps Egypt's greatest king.
(suspenseful music)
Every mummy, every statue, every treasure
in the Egyptian Museum conceals a mystery.
That's what draws people here.
For every secret we reveal, far more remain unspoken.
Because even a vast museum can only contain
a tiny fraction of the history
of a proud and ancient civilization.
In the land of the pharaohs
the secrets are still out there.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.