Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:29,897 --> 00:00:32,992
Starring tonight,
James Farentino,
2
00:00:34,234 --> 00:00:35,793
John Astin,
3
00:00:37,237 --> 00:00:40,867
and Joanna Pettet as The
Girl with the Hungry Eyes.
4
00:00:41,808 --> 00:00:45,472
Good evening, let me welcome
you to this parlor of paintings.
5
00:00:46,613 --> 00:00:49,606
We offer them to you, for
your enjoyment and edification.
6
00:00:50,350 --> 00:00:52,615
Feel free to dwell on
them at your leisure
7
00:00:52,686 --> 00:00:54,552
and in your own good fashion.
8
00:00:54,788 --> 00:00:59,317
But, kindly don't touch, because
here, they frequently touch back.
9
00:00:59,927 --> 00:01:01,953
Our number one
painting in tonight's exhibit,
10
00:01:02,429 --> 00:01:04,762
this intriguing portrait
of a young lady,
11
00:01:05,499 --> 00:01:08,799
curiously photogenic
and hauntingly familiar.
12
00:01:09,369 --> 00:01:12,134
Recall seeing this
face? You've seen it.
13
00:01:12,205 --> 00:01:15,175
On billboards and magazine
ads and television commercials.
14
00:01:15,909 --> 00:01:18,432
Oh, yes, you've
seen it, but there are
15
00:01:18,456 --> 00:01:21,405
people who having
seen it, wish they hadn't.
16
00:01:22,015 --> 00:01:24,917
Our painting is called The
Girl with the Hungry Eyes.
17
00:01:25,252 --> 00:01:29,690
And should I have failed to
mention it, this is the Night Gallery.
18
00:01:39,633 --> 00:01:41,932
A dillar, a dollar, a
10 o' clock scholar.
19
00:01:42,002 --> 00:01:44,597
What makes you come so
soon? You used to come at 10:00,
20
00:01:44,671 --> 00:01:47,266
and now you don't
even call, baby.
21
00:02:29,149 --> 00:02:30,412
Faulkner Studios.
22
00:02:30,984 --> 00:02:32,885
Oh, Harry, you know
you're really something.
23
00:02:32,953 --> 00:02:35,473
How many times have I told you
to keep your hands off my camera?
24
00:02:35,522 --> 00:02:37,855
Now, don't tell me you don't
know what I'm talking about.
25
00:02:37,924 --> 00:02:41,053
I shot a test roll with this chick
and I must've stopped at number 11.
26
00:02:41,128 --> 00:02:44,292
You came up here and clicked off
the last one on some broad who...
27
00:02:45,532 --> 00:02:48,024
All right. Forget about
it. What about the 50?
28
00:02:48,568 --> 00:02:50,799
You're hurting?
Harry, I'm hurting.
29
00:02:51,271 --> 00:02:55,265
Overhead to you is available light. To
me, it's this whole cockamamie studio...
30
00:02:58,111 --> 00:03:00,376
Hold on a minute. What?
31
00:03:07,854 --> 00:03:09,447
You. Us.
32
00:03:10,424 --> 00:03:11,585
What?
33
00:03:12,325 --> 00:03:14,021
You need a model.
I want to be a model.
34
00:03:14,761 --> 00:03:16,059
Well, what've you done?
35
00:03:16,129 --> 00:03:17,757
Why don't you hang
up the phone, David?
36
00:03:19,900 --> 00:03:21,926
Harry Krell shot
this, didn't he?
37
00:03:22,436 --> 00:03:23,836
She's rather pretty.
38
00:03:24,404 --> 00:03:26,168
Who's Harry Krell? I see.
39
00:03:27,074 --> 00:03:29,100
Now, you're gonna
stand there and tell me
40
00:03:29,176 --> 00:03:32,510
that you and Harry Krell weren't
up here this afternoon and...
41
00:03:33,013 --> 00:03:34,879
He didn't take this...
42
00:03:38,919 --> 00:03:40,581
Are you all right?
43
00:03:43,090 --> 00:03:44,114
Who are you?
44
00:03:44,324 --> 00:03:45,656
Don't you know me, David?
45
00:04:08,315 --> 00:04:12,650
You look tired David. We'll do
it in the morning. Say, 10:00?
46
00:04:13,053 --> 00:04:16,717
Just what agency are you
with? What've you been getting?
47
00:04:17,791 --> 00:04:18,952
10:00.
48
00:04:19,893 --> 00:04:21,623
You never modeled in your life.
49
00:04:23,396 --> 00:04:25,865
Well, I don't pay amateurs,
it's strictly on spec.
50
00:04:26,500 --> 00:04:28,811
Hey, and I'm gonna need your
name, address and phone number
51
00:04:28,835 --> 00:04:29,962
on a release form.
52
00:04:30,036 --> 00:04:31,698
It's on the table.
53
00:04:43,350 --> 00:04:45,945
Now, if I can get
just one good one
54
00:04:46,019 --> 00:04:47,681
I'm sure I'll work
it into my rounds.
55
00:04:47,954 --> 00:04:49,422
Now, let's have a big smile.
56
00:04:49,489 --> 00:04:50,752
I am smiling.
57
00:04:52,893 --> 00:04:55,886
If that's the best you can do,
we're gonna be in a lot of trouble.
58
00:04:56,029 --> 00:04:57,588
Look in my eyes, David.
59
00:05:07,107 --> 00:05:10,566
What was that shtick about the
release papers? They were empty.
60
00:05:23,790 --> 00:05:25,053
Are we through, David?
61
00:05:25,826 --> 00:05:27,692
No, just a minute. Be patient.
62
00:05:33,567 --> 00:05:36,366
This time before you go I am
gonna need your name and address.
63
00:05:37,337 --> 00:05:38,635
I'll keep in touch.
64
00:05:38,705 --> 00:05:40,265
What is it with you
anyway? Everybody...
65
00:05:40,307 --> 00:05:41,434
My way, David.
66
00:05:41,675 --> 00:05:44,372
Everything's going to
work out fine my way.
67
00:05:47,614 --> 00:05:51,107
And David, don't
ever try to follow me.
68
00:05:54,888 --> 00:05:59,383
They say it takes all kinds.
Listen, I pay $25 an hour tops.
69
00:05:59,492 --> 00:06:00,653
And I usually pay late.
70
00:06:00,727 --> 00:06:02,127
The money's not important.
71
00:06:06,066 --> 00:06:09,161
Look at me, David. Do
you see the smile now?
72
00:06:10,103 --> 00:06:11,935
No. What do you see?
73
00:06:12,405 --> 00:06:14,101
I see a need.
74
00:06:15,408 --> 00:06:16,408
A hunger.
75
00:06:19,145 --> 00:06:20,511
You'll see.
76
00:06:26,152 --> 00:06:29,384
Uh, look, why don't we
get a couple of bikini shots.
77
00:06:29,489 --> 00:06:32,618
That's always a grabber.
Try the red one over there.
78
00:06:38,965 --> 00:06:40,092
You don't mind, do you?
79
00:06:40,467 --> 00:06:41,799
Why should I?
80
00:06:43,370 --> 00:06:45,703
Simple, unadorned with claptrap.
81
00:06:46,573 --> 00:06:49,543
Simplicity is at the heart of
endurance, David Faulkner
82
00:06:49,609 --> 00:06:52,773
and this campaign will
endure, I promise you that.
83
00:06:53,146 --> 00:06:54,842
That's very
impressive, Mr. Munsch.
84
00:06:55,482 --> 00:06:57,383
Here, in this space,
85
00:06:58,518 --> 00:07:00,419
will be the elusive ingredient.
86
00:07:00,887 --> 00:07:02,355
The girl.
87
00:07:02,422 --> 00:07:04,288
The girl, Miss Munsch.
88
00:07:05,425 --> 00:07:09,920
Been looking for her for seven months,
not gonna do the campaign without her.
89
00:07:09,996 --> 00:07:13,125
Now, the agency says you've
handled only very small accounts.
90
00:07:13,233 --> 00:07:15,759
Don't worry about that. I
have to turn over every stone.
91
00:07:16,303 --> 00:07:17,464
How's your beer?
92
00:07:17,537 --> 00:07:19,062
Mmm. Fine, thank you.
93
00:07:20,674 --> 00:07:21,972
I'm sure, uh...
94
00:07:22,876 --> 00:07:23,969
My...
95
00:07:25,211 --> 00:07:26,839
I have what your
looking for, Mr. Munsch.
96
00:07:27,347 --> 00:07:29,441
Well, I'll be the judge of that.
97
00:07:29,516 --> 00:07:31,314
But before I look
at your pictures,
98
00:07:31,384 --> 00:07:32,875
I want you to
consider something.
99
00:07:37,090 --> 00:07:39,719
The girl Munsch
Brewery is looking for,
100
00:07:40,093 --> 00:07:43,552
must be the manifestation of
our materialism and our lust.
101
00:07:44,130 --> 00:07:48,192
She must be the mystery that drives
men to victory in whatever arena we enter.
102
00:07:49,169 --> 00:07:50,501
Do you believe in telepathy?
103
00:07:50,570 --> 00:07:52,004
Oh, yes, sir, very much so.
104
00:07:52,205 --> 00:07:56,108
I believe that men have created
collectively in their minds a girl
105
00:07:56,176 --> 00:07:58,839
shaped into a single image.
A composite, so to speak.
106
00:07:59,279 --> 00:08:03,341
Fame, power, sex, immortality.
107
00:08:03,783 --> 00:08:07,550
All these desires common to
every man. They have a look to them.
108
00:08:08,655 --> 00:08:10,021
They have a face.
109
00:08:10,090 --> 00:08:11,524
Oh, yes, sir. They sure do.
110
00:08:11,958 --> 00:08:13,893
I'll know that
face when I see it.
111
00:08:13,960 --> 00:08:15,986
I'll know the eyes in that face.
112
00:08:16,730 --> 00:08:20,167
That face will be Miss Munsch.
113
00:08:23,536 --> 00:08:25,937
Do you have that face
with you, David Faulkner?
114
00:08:26,172 --> 00:08:27,367
Well...
115
00:08:30,243 --> 00:08:32,576
Look, why don't you just flip
through these, Mr. Munsch?
116
00:08:32,645 --> 00:08:33,977
All right.
117
00:09:10,984 --> 00:09:12,384
Miss Munsch.
118
00:09:30,637 --> 00:09:32,799
To your health, Miss Munsch.
119
00:09:32,872 --> 00:09:35,171
Well, you're a
lousy traitor, David.
120
00:09:35,241 --> 00:09:37,301
You could at least
toast her in beer.
121
00:09:37,710 --> 00:09:39,975
Better yet, why
not introduce me?
122
00:09:41,347 --> 00:09:43,859
Oh, that's the most I could do,
Harry and I'm not about to do that.
123
00:09:43,883 --> 00:09:45,579
What? Is she your private stock?
124
00:09:47,987 --> 00:09:50,786
We haven't so much as
shared a cheeseburger.
125
00:09:51,825 --> 00:09:53,502
Oh, forget it, I don't
see her at all, Harry.
126
00:09:53,526 --> 00:09:55,085
Well, I see her all the time.
127
00:09:55,161 --> 00:09:58,529
Bimini swimwear
and Danielle Perfume.
128
00:09:58,998 --> 00:10:01,365
Come on, David I'm a big boy.
129
00:10:02,001 --> 00:10:03,629
You can at least
give me her name.
130
00:10:03,736 --> 00:10:08,834
Well, since you're an old friend,
Harry, you can call her Miss Munsch.
131
00:10:09,242 --> 00:10:11,211
Hey, now cut it out,
David, I'm serious, man.
132
00:10:11,377 --> 00:10:12,970
There's something
about this chick.
133
00:10:14,080 --> 00:10:16,379
She's got me climbing the walls.
134
00:10:17,350 --> 00:10:19,342
The way she makes
me feel, it's almost...
135
00:10:19,419 --> 00:10:20,512
What, Harry?
136
00:10:20,587 --> 00:10:21,864
Well, I never felt
that way before.
137
00:10:21,888 --> 00:10:23,914
Does she scare you,
Harry? Does she?
138
00:10:24,157 --> 00:10:26,649
Yeah. Yeah, she scares me.
139
00:10:27,627 --> 00:10:29,357
And I'd like to know why.
140
00:10:29,429 --> 00:10:31,227
So, help me, man.
When I look at that face...
141
00:10:32,532 --> 00:10:36,230
It's like she's looking
back, right through me.
142
00:10:37,003 --> 00:10:40,496
She knows me, man, she knows
things about me she couldn't possibly...
143
00:10:43,276 --> 00:10:44,471
You're laughing at me.
144
00:10:49,682 --> 00:10:52,208
No it's... Look, I'm gonna
close up shop. It's getting late.
145
00:10:54,220 --> 00:10:56,780
Well, thanks for nothing, pal.
146
00:11:01,427 --> 00:11:03,293
Hey, are you...
David... Harry, please.
147
00:11:11,337 --> 00:11:12,805
He's gone.
148
00:11:18,178 --> 00:11:20,238
Don't ever let that
happen again, David.
149
00:11:20,780 --> 00:11:23,875
I'm sorry. He just dropped in. He
only wanted to know your name.
150
00:11:25,318 --> 00:11:26,911
Why didn't you tell him?
151
00:11:26,986 --> 00:11:28,215
You know it.
152
00:11:28,288 --> 00:11:33,317
Sure. Elizabeth,
Melissa, Catherine, Rose.
153
00:11:33,393 --> 00:11:34,884
Teresa, Nancy...
154
00:11:34,994 --> 00:11:35,994
All of them.
155
00:12:20,506 --> 00:12:22,338
Munsch was right, sweetheart.
156
00:12:22,976 --> 00:12:24,638
You're nothing
157
00:12:26,246 --> 00:12:27,805
but the essence of dreams!
158
00:13:15,395 --> 00:13:17,591
And, David, don't
ever try to follow me.
159
00:13:59,739 --> 00:14:00,739
Faulkner...
160
00:14:00,907 --> 00:14:02,842
Just a minute.
161
00:14:09,148 --> 00:14:10,411
Faulkner Studios.
162
00:14:10,717 --> 00:14:12,777
A little excitement in your
neighborhood last night.
163
00:14:12,852 --> 00:14:15,845
According to the morning paper,
another one of the maybe murders.
164
00:14:16,122 --> 00:14:17,146
What?
165
00:14:17,223 --> 00:14:19,021
I keep forgetting.
Photographers don't read.
166
00:14:19,092 --> 00:14:20,185
They just look at pictures.
167
00:14:20,326 --> 00:14:22,591
The press calls them
"The Maybe Murders",
168
00:14:22,662 --> 00:14:23,902
because the police can't decide
169
00:14:23,963 --> 00:14:26,330
whether they are
homicides or heart attacks.
170
00:14:28,167 --> 00:14:32,161
Mr. Munsch, I'm not
very clear this morning.
171
00:14:33,606 --> 00:14:34,869
In my neighborhood? Where?
172
00:14:34,941 --> 00:14:36,705
In the park. Just
like all the others.
173
00:14:36,776 --> 00:14:39,712
Perfectly healthy man
alone in a quiet place.
174
00:14:39,812 --> 00:14:42,839
But I didn't call you to
discuss obituaries. Listen.
175
00:14:43,549 --> 00:14:46,178
With regard to Miss Munsch,
I think it's time we met.
176
00:14:46,285 --> 00:14:47,285
No!
177
00:14:48,588 --> 00:14:50,523
She's remained
anonymous long enough.
178
00:14:50,590 --> 00:14:52,855
I plan to be present at
the next shooting session.
179
00:14:53,092 --> 00:14:56,062
Please, Mr. Munsch, you
don't understand. You see...
180
00:14:56,129 --> 00:14:58,724
She's a very strange chick.
181
00:15:01,033 --> 00:15:03,593
She won't work with
anyone else in the studio.
182
00:15:03,870 --> 00:15:05,031
Then we'll chat.
183
00:15:05,104 --> 00:15:06,915
I've learnt over the years
that most models find the
184
00:15:06,939 --> 00:15:08,805
brewery business
utterly fascinating.
185
00:15:09,075 --> 00:15:10,703
Look...
186
00:15:43,042 --> 00:15:44,533
Good morning, David.
187
00:15:44,610 --> 00:15:45,873
What are you doing here?
188
00:15:45,945 --> 00:15:47,277
Where else would I be?
189
00:15:50,283 --> 00:15:51,512
I don't know.
190
00:15:52,118 --> 00:15:54,178
I don't know anything about you.
191
00:15:54,687 --> 00:15:58,454
You know how rich I've made
you. The rest shouldn't matter.
192
00:16:02,295 --> 00:16:05,356
What did you do after
you left here last night?
193
00:16:07,266 --> 00:16:09,861
Well, I was hungry.
What do you think I did?
194
00:16:11,437 --> 00:16:13,406
A man was murdered in the park.
195
00:16:14,307 --> 00:16:15,570
A friend.
196
00:16:16,776 --> 00:16:18,506
A very good friend.
197
00:16:21,848 --> 00:16:23,510
Now, look, I saw
you from the window!
198
00:16:23,583 --> 00:16:25,711
You were talking to him.
You walked off together.
199
00:16:27,720 --> 00:16:30,815
You said this new account was
a big one. Shall we get started?
200
00:16:35,428 --> 00:16:36,987
What do you want, David?
201
00:16:37,597 --> 00:16:39,122
Do you know what you want?
202
00:16:40,700 --> 00:16:44,137
Revenge? Or justice? Or what?
203
00:16:45,338 --> 00:16:46,601
Tell me, David.
204
00:16:47,373 --> 00:16:48,500
I want...
205
00:16:53,212 --> 00:16:54,475
I want you.
206
00:16:54,947 --> 00:16:56,506
You sound surprised.
207
00:16:59,151 --> 00:17:01,780
I never realized
before, but I do.
208
00:17:03,956 --> 00:17:05,447
I want you. I need you.
209
00:17:06,659 --> 00:17:08,184
In time, David. Not yet.
210
00:17:09,662 --> 00:17:12,894
We need each other. We
have from the beginning.
211
00:17:14,166 --> 00:17:16,965
Me, giving you what
you wanted and needed,
212
00:17:18,170 --> 00:17:20,162
and you doing the same for me.
213
00:17:21,374 --> 00:17:23,240
But it's not enough.
I want more.
214
00:17:27,213 --> 00:17:29,739
It either waits or
it ends right now.
215
00:17:31,250 --> 00:17:33,776
I can make it without
you now, David.
216
00:17:35,087 --> 00:17:36,555
Can you say the same?
217
00:17:41,527 --> 00:17:43,087
This new account,
David. What do I wear?
218
00:17:44,363 --> 00:17:46,523
Doesn't matter, they
just want to use your face.
219
00:17:46,566 --> 00:17:48,034
Is my hair all right?
220
00:17:48,634 --> 00:17:51,900
I'm afraid of you.
You really scare me.
221
00:17:53,205 --> 00:17:56,642
Sometimes I think you only
exist because I photograph you.
222
00:17:56,876 --> 00:18:01,780
You're something I alone can see. Through
the camera lens or the lens in my eye.
223
00:18:02,448 --> 00:18:06,249
Everyone else, they see only the
pictures. Never you, not the real you.
224
00:18:07,653 --> 00:18:10,350
Except for Harry,
and the others like him.
225
00:18:11,357 --> 00:18:12,825
"The Maybe Murders."
226
00:18:13,793 --> 00:18:14,954
David Faulkner!
227
00:18:15,294 --> 00:18:17,126
I knocked, you didn't answer.
228
00:18:17,730 --> 00:18:18,891
Sorry.
229
00:18:21,934 --> 00:18:23,527
Can I get you something? Her.
230
00:18:24,937 --> 00:18:27,099
You can get her for
me, David Faulkner.
231
00:18:27,573 --> 00:18:30,975
I have to see her, I
have to know her...
232
00:18:31,043 --> 00:18:32,187
Mr. Munsch, if there
were any way, I would...
233
00:18:32,211 --> 00:18:33,338
Find one.
234
00:18:33,412 --> 00:18:35,574
Arrange it. Manage.
Bring about! Do!
235
00:18:35,648 --> 00:18:37,207
Cause to be, David Faulkner!
236
00:18:37,283 --> 00:18:38,994
Mr. Munsch, I tried to
explain to you on the phone.
237
00:18:39,018 --> 00:18:40,281
You don't seem to understand.
238
00:18:40,353 --> 00:18:41,844
No, no, it's you who
don't understand.
239
00:18:41,921 --> 00:18:43,890
You've seen her,
you've talked to her.
240
00:18:44,824 --> 00:18:45,848
Have you touched her?
241
00:18:46,092 --> 00:18:48,061
Then you know what I mean?
242
00:18:48,361 --> 00:18:51,422
It's different with
her, isn't it? It isn't sex.
243
00:18:52,365 --> 00:18:56,166
It's life or death or
everything in between.
244
00:18:56,969 --> 00:18:58,437
Who is she?
245
00:18:58,537 --> 00:19:00,233
- Who is she?
- I don't know.
246
00:19:00,806 --> 00:19:02,570
Find out! Any way you can.
247
00:19:02,675 --> 00:19:04,906
For all of our sakes, find out.
248
00:19:05,444 --> 00:19:08,107
Follow her home, she
must live somewhere.
249
00:19:08,214 --> 00:19:10,774
Where? Where? Where does
she live? DAVID: I don't know!
250
00:19:12,051 --> 00:19:17,649
Mr. Munsch, do you have any idea what
could happen to you if you do see her?
251
00:19:19,759 --> 00:19:21,352
I can't help that, can I?
252
00:19:45,017 --> 00:19:47,748
Last week Mr. Munsch
wanted me to follow you.
253
00:19:49,188 --> 00:19:50,986
And I thought about
it, but I was afraid.
254
00:19:51,257 --> 00:19:53,886
But last night because his...
255
00:19:55,428 --> 00:19:57,363
Patience gave out, he
followed you, didn't he?
256
00:19:57,430 --> 00:19:59,058
Let go. Didn't he?
257
00:19:59,565 --> 00:20:01,693
He did because he wanted to.
258
00:20:02,902 --> 00:20:04,234
He had to.
259
00:20:05,204 --> 00:20:07,935
And now he's dead just like that
poor joker over there and Harry,
260
00:20:08,007 --> 00:20:09,566
and I don't know
how many others.
261
00:20:10,342 --> 00:20:11,970
And you too, maybe.
262
00:20:12,511 --> 00:20:13,706
Oh, no.
263
00:20:14,914 --> 00:20:16,746
Because I know you now.
264
00:20:17,216 --> 00:20:19,151
But you want me just the same.
265
00:20:20,486 --> 00:20:21,579
Don't you, David?
266
00:20:24,457 --> 00:20:26,221
Tell me how you want me.
267
00:20:28,928 --> 00:20:30,419
Your...
268
00:20:33,265 --> 00:20:34,631
Eyes are...
269
00:20:36,569 --> 00:20:38,162
Are hungry.
270
00:20:42,475 --> 00:20:45,274
It's time, David. Time.
271
00:21:31,657 --> 00:21:32,989
Don't do it, David.
272
00:21:35,461 --> 00:21:37,123
You almost got to me.
273
00:21:38,030 --> 00:21:39,293
Hungry Eyes.
274
00:21:40,299 --> 00:21:42,165
Hungering for my soul.
275
00:21:45,704 --> 00:21:47,070
Then you understand.
276
00:21:47,807 --> 00:21:49,241
Understand what?
277
00:21:51,010 --> 00:21:54,640
That all a man has to do is look at
the promise of you on a billboard,
278
00:21:54,713 --> 00:21:57,012
in a magazine or a
cover and he's yours?
279
00:21:57,082 --> 00:21:58,242
Oh, I understand, sweetheart.
280
00:21:58,284 --> 00:21:59,946
Because I know you now!
281
00:22:00,019 --> 00:22:01,715
Then have me. Enjoy me.
282
00:22:01,787 --> 00:22:05,087
You're every girl who ever
promised herself to every lonely guy.
283
00:22:07,026 --> 00:22:09,825
You're the smile that
makes us change our brand.
284
00:22:09,929 --> 00:22:13,127
You're the eyes that pick our
pockets and spend our lives.
285
00:22:13,933 --> 00:22:15,834
Are you so sure, David?
286
00:22:16,001 --> 00:22:17,594
You're the lure.
287
00:22:18,938 --> 00:22:20,201
The bait.
288
00:22:20,806 --> 00:22:24,208
We lust for you and
what those eyes hold out.
289
00:22:24,677 --> 00:22:28,170
And you, you suck
the love from us.
290
00:22:29,315 --> 00:22:31,944
Because that's what
feeds you, isn't it?
291
00:22:32,184 --> 00:22:35,245
Our greed is your
nourishment, right, sweetheart?
292
00:22:35,321 --> 00:22:36,448
David, I want you.
293
00:22:36,755 --> 00:22:38,189
It's too late, baby.
294
00:22:38,490 --> 00:22:40,391
I want your wanting me.
295
00:22:40,793 --> 00:22:43,456
You not only want my
wanting you, you require it.
296
00:22:44,496 --> 00:22:47,193
It's your survival
kit, your life force.
297
00:22:47,566 --> 00:22:50,559
And these... These
are what make you tick.
298
00:22:50,636 --> 00:22:53,435
Everything you are exists
right here on these negatives.
299
00:22:53,572 --> 00:22:56,701
It's your seed, your
blood, your heartbeat.
300
00:22:56,809 --> 00:22:58,141
That's murder, David.
301
00:22:58,611 --> 00:23:00,307
That's right, Hungry Eyes.
302
00:23:01,247 --> 00:23:04,843
And I'm going to kill off the
seed that spawned that smile.
303
00:23:06,986 --> 00:23:10,354
The eyes that
promise and betray.
304
00:23:12,424 --> 00:23:16,122
I'm going to destroy you
before you bleed the world dry.
305
00:23:25,838 --> 00:23:29,400
David, stop it, no! No!
306
00:23:29,475 --> 00:23:31,808
No! David!
307
00:23:31,877 --> 00:23:34,574
No, no. No, please,
stop it, David!
308
00:23:34,813 --> 00:23:36,509
No! David!
309
00:23:36,715 --> 00:23:38,047
Stop it, please!
310
00:23:38,117 --> 00:23:41,383
David! No! No! Stop it!
311
00:23:41,854 --> 00:23:43,516
Please, David! Stop it!
312
00:23:43,589 --> 00:23:44,989
I want to look at you now.
313
00:23:45,057 --> 00:23:46,355
Stop it! No!
314
00:23:46,425 --> 00:23:48,587
I want to find the horror
behind those eyes.
315
00:23:48,994 --> 00:23:51,122
Because that's where
it happens isn't it?
316
00:23:51,196 --> 00:23:55,156
Those vampire eyes sucking
out the last shred of desire,
317
00:23:55,234 --> 00:23:58,534
feeding on the curiosity
and passion. The eyes...
23913
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof