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[BLANK_AUDIO]
Estabros.
[BLANK_AUDIO]
[MUSIC]
[Spanish]
Good night, and good evening to the special part of the video of one of the most beautiful and beautiful and beautiful planet.
It's time for us to meet.
The history of Italian Italian history in the last few months, in a very positive way,
in the same way that one of the most familiar and most important families in Grego,
has never been created by the biographers and occupied the rest of the world.
Some of the mysterious planets in the origin of the economic fabulos of the economic grand magnate Italian.
and, as historically as in the description, do not contribute to the regular and original.
This is the third time.
Estabros bibes total mente is the world's largest and most explained in the eenal camp of the Pacific,
where they were able to control their own personal patrimony,
which surprised over a million dollars.
To give you a clear and extraordinary view of the estabros,
I would like to make a very complicated and complicated investigation,
[Spanish]
[Music]
[Spanish]
[Music]
(speaking in foreign language)
I have been in the military for a long time,
I have been in the military for a long time,
and I have been in the military for a long time.
I have been in the military for a long time,
and I have been in the military for a long time,
and I have been in the military for a long time,
and I have been in the military for a long time,
and the centroid with the front of the city.
The people of this park, of the city of Normandy,
in the state of American mayor,
we have the ability to deliver a very special gift to the city,
from the people of the city of Manes, the various places of France,
and from the city of Sèle Transporters, to the city of Mania, to the city of Ferthi, to the city of Todilada.
The Nazis, and the pre-dayers of this capital, and the people of the city of Páis,
The total of the body at the head of one ball or a beast to go to.
It's to be most orders as come.
Deidos in Elgorsk.
Spiran block.
Edigaro.
Not yet.
Equals the whole moment.
Okay.
You are.
[MUSIC]
[MUSIC]
[MUSIC]
and the people who are here to help us with this, and to the people who are here to help us.
When, in the end, the whole of the world, the whole of the world,
has been here for the economic growth of Paris.
I think that we are very happy to be here.
I invite you to a fantastic class in Rome,
but let's take a look at the big news of the day.
We have been here for a long time,
and I think that it's very interesting to have a lot of people
(speaking in foreign language)
(speaking in foreign language)
in the way that I have been told, that I have been instructed by the Secretary, but I don't know why, because I know that, because I have been told that I have been able to be the person who is the person who is the one who, in the spirit of the spirit, has been told that I have been told that I have been told.
Because I think that the world is in the midst of this very sad and sad, that I have been told for the rest of the world.
[Music]
(speaking in foreign language)
[Spanish]
(speaking in foreign language)
[Spanish]
- You don't speak Spanish? - No.
- You don't speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- Do you speak Spanish? - No.
- You don't speak Spanish?
- No.
If you have a chance to get to the place where you want to go, you'll be better.
No, I don't think so. We are the producers of the public, and we are going to have to do an observation.
The observation is that the people who are going to be left behind are not going to be there, and they are not going to be there.
But, no, I don't think that there are many things to do, that are important, that are not going to be there, and that are going to be the problem.
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(audience applauding)
[Laughter]
[speaking Spanish]
[Please don't turn back the glit thumb. If you black out of my body...]
[MEA]
[Em Notice the
original Phillip blows his Why did we get for sure... but...]
the exit of popularity. Recuerto que un día degua nuestro pueblo una gente de castinque
busca va chicas atrítres para el rodache de una pericula de epoca. Monica escocho a
que la núnfeo y me conventio para como estos con tesros.
(speaking in foreign language)
The condition recuried at the maximum of 95 and 1% of the people interested in the presentation of the new chapter of September.
Hey Magina, I know that we are very significant, but we have to accept that we are going to be here,
which means that we will be here in Hollywood, in a very long time, don't forget.
Well, let's see what we have to say.
The day that we were here, we were very happy to be here.
Thank you.
We have been in our house for over 20 years and we are very happy to have you here.
But we are very happy that you are here to help us to get the food ready.
I'm going to go for a break.
Thank you, my love.
I'm going to have a chance, senorita.
What is this?
Whiskey, a cup of tea, whiskey and a cup of champagne?
Uh, no, thank you.
And what do you think about the intention of participating in this project?
My point is that we are not going to be able to do anything. We are going to be able to do anything.
Of course not.
But we will be able to do something in the future.
Well, what do you think about it?
But what do you think about it? Do you have any idea of the interpretation of the project?
We're going to interview the other two theatres who accompanied us, and we'll see what they consider us.
What is different between the two theatres? How do you know them?
I'm very happy that they prepared me for it, but I'm very happy that they're going to complete it.
What is it that, in the case of the approximately 13,000 people, we have to do this, because we know that it is not necessary to do it.
Because, for example, we are going to do it, and we will do it as we want.
But, as long as we have a good movement to do it, we will do it.
That is the thing.
You can't do this to anyone else.
You have to do a complete complete job.
A little bit of a mess, but you have to do it.
You have to do it, right?
Hmm?
Yes, I do.
(footsteps)
(speaking in foreign language)
Yes, it's perfect. Do you want to send me the letter for you?
Yes, I'd like to send you the letter.
We must be able to find the place to be very careful.
It's a very simple way to do it, and I'll just call the letter to you.
The letter with Napoleon?
Yes, I'd like to see the letter to you.
(speaking in Spanish)
(speaking in foreign language)
(speaking in foreign language)
We were perfect, but you were supposed to be a bit of a mess.
No, I'm not.
Calm down, you're drunk. Come, let's go.
[MUSIC PLAYING]
[SPEAKING SPANISH]
- Pámos? - Siloáthe is te conbertiré una estrella te ropromiento. - Pámos. - Ben.
[music]
[music playing]
[music]
♪ ♪
(dramatic music)
(footsteps clacking)
(light music)
[MUSIC]
♪♪♪
♪♪♪
(soft music)
[Music]
[music playing]
(dramatic music)
[music]
[music]
[music]
[music]
(somber music)
[music]
[music]
[music]
[music]
(soft music)
(soft music)
(soft music)
(soft music)
(soft music)
( is
(soft music)
(slow dramatic music)
(soft music)
(soft music)
(soft music)
(soft music)
(soft music)
(soft music)
(soft music)
(soft music)
(sobbing)
(dramatic music)
(sobbing)
[sobbing]
(dramatic music)
(dramatic music)
(dramatic music)
(soft music)
(dramatic music)
(dramatic music)
(dramatic music)
[whimpering]
[SOBBING]
(dramatic music)
[whimpering]
(dramatic music)
(dramatic music)
(soft music)
(soft music)
(dramatic music)
(speaking foreign language)
(soft music)
(dramatic music)
(dramatic music)
(soft music)
[Music]
[Music]
(soft music)
[music]
(somber music)
[music]
I am very happy with what you did. We didn't expect to see any more of us in the last few weeks. We are not going to be able to do this.
Of course, I am not going to be able to do this. I think we will be able to get out of the world of the world.
I am very happy that we did not have any election. I am very happy with the result.
I have a good chance of having a good time, because I have to do something with you.
[speaking in foreign language]
(speaking in foreign language)
[Spanish]
[Spanish]
[Spanish]
(soft music)
(soft music)
(soft music)
[Music]
(speaking foreign language)
(dramatic music)
( career music points)
(ileged temporal nervous breathing)
[SOBBING]
(sobbing)
(sobbing)
(crying)
[whimpering]
♪
[sniffles]
[gasping]
(gasps)
(dramatic music)
(dramatic music)
[Music]
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(crying)
(crying)
[crying]
[sobbing]
(dramatic music)
(crying)
(crying)
(dramatic music)
[sobbing]
(dramatic music)
[crying]
(dramatic music)
(sobbing)
[crying]
(crying)
[crying]
(dramatic music)
(dramatic music)
(dramatic music)
(crying)
(crying)
[crying]
(dramatic music)
(dramatic music)
(crying)
(crying)
I'm not going to be able to do anything with you.
(crying)
[SOBBING]
[SOBBING]
(dramatic music)
- Let me go.
(sobbing)
(speaking in foreign language)
(speaking in foreign language)
Daniel!
(sobbing)
(crying)
(crying)
(crying)
[crying]
[crying]
[crying]
(dramatic music)
(crying)
(dramatic music)
(crying)
(crying)
(crying)
(crying)
(crying)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
[Music]
(panting)
(heavy breathing)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
A man who is a great character, but he is a man, and he is not the one who has a heart.
But he is the one who has the power to denounce him.
That is why he is the one who is the one who has the right to do it.
This point of discussion with Monika is what we have to do before we have to start.
All of us have a lot of trouble, but how can we deal with the power of the police?
[Spanish]
And the only thing that is possible is that Monica is in the midst of my intentions.
She is a very ambitious chick, and she is not going to recognize me as a result of the opportunity of this trip.
I think that's a lot more than when the suffering of the child is made.
But it's also a personal question of the grand sensibility.
The question is, how do we collaborate with each other?
It's important to know that we have a family and that we have to have the intention to identify the polythene.
Yes, that's what we are doing. We're going to be there.
We're going to be there for all the time.
I was very happy, and I was very happy to see that the police were there to make a proposal.
I was working for the country for the first time, and I didn't think that a new state would be there.
I thought that the city would be a part of the country, and I thought that I would make a very good choice.
What I'm saying is that we have to think, millions of years of life, to solve the problem.
For not having a political election, we have to think millions.
Oh, yes, there are many, but there are many things.
I was a little bit worried and I was going to make a big thing.
I thought that I would do it.
And I would make a great deal of it, with all of it.
I was just thinking about the champion's salary for the entire time.
[Music]
[Spanish]
to the audience. In reality, we are not only the directors of the work we do in the department of castings.
At the end of the season, we are also the ones who are working on the work of the band,
and we have a very important role to play in the work of Gloria.
We have a very important role to play, to tell the world the story in a very critical way.
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
[speaking in foreign language]
(speaking in foreign language)
(speaking in foreign language)
(sighs)
(speaking in foreign language)
If you don't know what to do with the film...
The culture of the movie is a mess, the only way to get rid of the scenes, or to get into the movie if you don't know what to do with it.
If Mama is here, what's the matter?
And when the character of the movie is the only way to get rid of the movie, the movie is the only way to get rid of the scenes.
The movie...
(somber music)
(somber music)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
I have to do something for you to get rid of it. And if you want to do the same with me with you, I'm going to do it.
I will do everything I can to explain how to do it. I will do it in front of you.
Very well.
Not that I am wrong, but I think I will do it.
I've been a bit too stupid to tell you that. You're the one who's here. I'm very sorry, Señora. I know that you're a very good teacher.
You're not a good teacher. I'm very happy that you have a very important teacher.
Yes, yes, I'm very happy that you're here, Señora.
You're not, Señora. I'm not the one who's here.
(dramatic music)
(sobbing)
(speaking foreign language)
(speaking foreign language)
(speaking foreign language)
(somber music)
(dramatic music)
(dramatic music)
(somber music)
(
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(speaking foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking foreign language)
(sobbing)
(speaking foreign language)
[crying]
[sobbing]
(sobbing)
(dramatic music)
(soft music)
(dramatic music)
(dramatic music)
(gasping)
[sobbing]
[sobbing]
Oh, Lord.
[sobbing]
[dog barking]
[SOBBING]
No, he's taken.
[SOBBING]
(sobbing)
[SOBBING]
(dramatic music)
(dramatic music)
(sobbing)
[SOBBING]
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(L Wiz Reaper sneezing)
( Rugger wellbeing)
(dramatic music)
(dramatic music)
[panting]
♪
[panting]
♪
[panting]
♪
(crying)
(dramatic music)
(sobbing)
(sobbing)
(speaking in foreign language)
In the beginning, the company was very happy, they had a chance to see the selection of the factory's factory.
And they were like men.
And we were not able to do such a ridiculous thing.
Yes, they were.
We had to continue to find the cost of the company because the ultimate bet was to repeat it.
They created a cinematographic software and now they are going to be a designer.
But in the end, there was no way to help other people.
It was the end of the world.
The incredible economic strength of the new factories.
And the mysterious and tragic thing of society.
The LE
city of Los An
When the first time I was here I was in the office, with the director.
I didn't have the pleasure to be with the people, but I was very glad to see the professor
who had been able to provide the cinematographic product and the most advanced of the studies.
In this case, I worked as a director of a college of many.
(speaking in foreign language)
(speaking in foreign language)
The majority of the country is in the United States.
And...
They're saying that the people who are here, they are giving us the money,
they are giving us the money to collect the money,
but...
They are the master of the future.
Do you think I have three or four messages?
Yes.
Yes.
Three or four messages, and I'll get the card.
Yes, of course.
I don't know what you're going to do, but I think you're going to do it.
- Of course. - Yes.
(speaking in foreign language)
And what do you want to do for a party?
Oh, not much. - Of course.
But what do you want to do for a party?
The director of the show, or one of the executives of the film,
has to do with the fact that there are many people who are in effect
with the number of people in the country.
[speaking Spanish]
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
I'm not sure what's going on here.
I'm going to tell you what happened.
It's not that simple.
Not that simple.
I'm going to tell you what happened.
You're not going to tell me, is it?
I'm going to tell you what happened.
I'm going to tell you what happened.
You're going to tell me what happened.
What happened?
(wind blowing)
(speaking in foreign language)
important. The thing is, I work with them. I don't know, but the reason why I work with them is because of the color of the man.
And that's why I work with them. Is that the secret of the work?
Yes, I work with them, but I have to tell you that I work with them.
I work with them, but I don't know why they work with them.
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
(speaking in foreign language)
A person who is not a victim of contact with me.
Pardon me.
I'm a senior who has been in the house with us.
Yes, quite a lot.
Of course.
How are you?
Hello. How are you?
I'm in the house with you.
What are you doing?
I'm doing fine.
I'm going to tell you that you have a great respect for the people who are working for you.
is a good thing for you as a person, but if you have the opportunity,
I want to know if you can do anything to help you.
Is there a factor in humanity?
No, it's not that important.
The amount of money and the necessity of it,
but you insist on doing anything.
And what do you do?
Do you offer to a lot of people?
I was only 33 million people who had been living in the city of Los Angeles, the city of Arstinca, and I was in my home in the day of the day,
and I was in the first day of the day, I was in the third day of the year.
But, of course, I was in the first day of the year, but I didn't want to go to the hospital for a while.
[Music]
(soft music)
[Music]
[Music]
[Music]
(soft music)
(soft music)
(dramatic music)
(soft music)
(soft music)
(dramatic music)
(dramatic music)
♪♪
[Grunting]
♪♪
[Grunting]
♪♪
(dramatic music)
(piano music)
(somber music)
(soft music)
(somber music)
[music]
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(sobbing)
(dramatic music)
(dramatic music)
(crying)
(dramatic music)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(sobbing)
[crying]
(sobbing)
[GASPING]
(dramatic music)
[GASPING]
(dramatic music)
[crying]
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
[SOBBING]
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(gasping)
(gasping)
(sobbing)
(speaking in foreign language)
as we are preparing for the death of the cause of the crime that we have not seen in Paris.
The police have been history and college and they have been told by the director.
We are here, at the Institute, at the University of Canada,
and we are informed in the case of the case that the case is an implication of a constitution
under the law of prostitution controlled by the senior helmet.
Luego, in the course of the year,
mentions that one of the speakers was present in a non-translational society.
The rest is part of the chronic, what are we going to face?
[Music]
In the last few years, there has been a huge number of problems with the case of a big one.
How? To be a big one.
[MUSIC]
[SPEAKING SPANISH]
and during the three years. In the end, the social media is very impressed with the new business.
The market is also a big part of the economic and economic position, and it is a big part of the country.
And it is the only way to get there.
You have to be able to understand everything, and you have to be able to understand the responsibility and discretion.
There is a huge excuse for this, and the value of the market is very high.
(speaking Spanish)
(speaking in foreign language)
I have to be a piece of shit so I can't do this without you.
I have to be a papa in a particular place.
I have to be the company that, if I want to, I can possibly do it, but I have to go to the hospital if I don't have it.
Well, what's the applicant?
We'll ask him a question, but I have to go to the hospital.
[crying]
(coughing)
(speaking in foreign language)
(speaking in foreign language)
(somber music)
(speaking in foreign language)
(sniffling)
(dramatic music)
I'm going to have to go to the hospital.
I'm going to have to go to the hospital.
I'm going to have to go to the hospital.
I'm going to have to go to the hospital.
I am not a human being.
I am a human being.
I am a human being.
I am a human being.
I am a Christian being.
I am a human being.
I am a human being.
I'm going to eat you.
I'm going to eat you.
I'm going to eat you.
I'm going to eat you.
(
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(speaking in foreign language)
I'll see you later.
Bye, boss.
I'll have to go.
I'm going to be a bit of a bitch.
(gasping)
- See where we end.
(coughing)
(suspenseful music)
(soft music)
[SOBBING]
[Music]
[SOBBING]
[SOBBING]
[SOBBING]
[SPEAKING SPANISH]
[SPEAKING SPANISH]
[SOBBING]
[SPEAKING SPANISH]
[SOBBING]
[SOBBING]
[SOBBING]
[SOBBING]
[SOBBING]
[SPEAKING SPANISH]
[SOBBING]
(speaking foreign language)
(gulping)
(gulping)
(gulping)
(speaking foreign language)
(speaking foreign language)
(gulping)
(GASPING)
(gulping)
(gulping)
[panting]
(gurgling)
I'm not going to be able to do this.
(gasping)
(gasping)
(speaking foreign language)
[choking]
[Sneezes]
[crying]
- Speak.
[crying]
♪ ♪
[crying]
♪ ♪
[crying]
- Oh, my God.
(gasping)
(speaking foreign language)
(speaking foreign language)
(speaking foreign language)
[gasping]
[MUSIC]
[sobbing]
[speaking in foreign language]
[speaking in foreign language]
[sobbing]
[panting]
[GASPING]
[GASPING]
[SPEAKING SPANISH]
[MUSIC PLAYING]
(wind blowing)
(speaking in foreign language)
(speaking in foreign language)
This is a particular man's most extraordinary identity.
- Do you know much about me? - Yes, I know what you're talking about.
But if you're not, you can't help me.
I'm the coach of the others.
I don't know what you can do when you're in a place of the best place to spend your time.
(suspenseful music)
[snarling]
[snarling]
[grunting]
(dramatic music)
(dramatic music)
[Music]
(dramatic music)
(dramatic music)
♪♪
[Grunting]
♪♪
[Grunting]
♪♪
[Grunting]
(dramatic music)
(panting)
(dramatic music)
(panting)
(gasps)
(dramatic music)
(dramatic music)
(dramatic music)
[crying]
(gasping)
(dramatic music)
(crying)
[crying]
(crying)
[crying]
(crying)
[crying]
(crying)
(coughing)
No!
[GASPING]
(dramatic music)
(gasping)
(crying)
(gasping)
(dramatic music)
(dramatic music)
(breathing heavily)
(sobbing)
[Panting]
I was the only one who had to be absolutely honest with me, with no particular reason.
I remember that I was in a place like a village, when I was living in a place where a house was not configured.
I was not able to protect it from the situation that was already there.
(sobbing)
(crying)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(sobbing)
(dramatic music)
(soft music)
(soft music)
(dramatic music)
(sobbing)
(soft music)
(soft music)
(soft music)
(breathing heavily)
(breathing heavily)
(breathing heavily)
(breathing heavily)
(breathing heavily)
(heavy breathing)
(heavy breathing)
(heavy breathing)
(heavy breathing)
(heavy breathing)
(crying)
(crying)
(crying)
(crying)
(crying)
(panting)
[GASPING]
(crying)
(crying)
(sobbing)
(sobbing)
(heavy breathing)
(crying)
(crying)
(dramatic music)
(panting)
(breathing heavily)
(breathing heavily)
[panting]
(crying)
(panting)
[SOBBING]
(crying)
(crying)
(crying)
(crying)
(sobbing)
(crying)
(sobbing)
(sobbing)
(sobbing)
[sobbing]
[Crying]
If I had to do a lot of work in the collection of the books, I would have to do it in the same way.
I would have to do it in the same way, but I would have to do it in the same way.
It would be great.
Natural, perfect, and perfect people would have to do it in the same way as in the same way.
For the grandiose, I would have to do everything I could to make the result of a negative pursuit.
And I would have to do it in the same way that in the same way, I would have to do it with the kids,
...so that the sadistic factors are the same.
And if you're a weird-out-robot, you can't tell me that I'm totally out of the party.
(Sneezes)
♪ (soft music)
(groaning)
♪ (soft music)
(crying)
(crying)
(dramatic music)
(breathing heavily)
(dramatic music)
(dramatic music)
(dramatic music)
(panting)
(panting)
(panting)
(panting)
(sniffling)
(panting)
(gasping)
(gasping)
(crying)
(sniffling)
(gasping)
(whimpering)
(panting)
(gasping)
[SOBBING]
(whimpering)
(panting)
(dramatic music)
(breathing heavily)
(gasping)
(breathing heavily)
[breathing heavily]
(dramatic music)
(dramatic music)
(breathing heavily)
(gasping)
- Can you help?
(gasping)
(gasping)
(gasping)
(gasping)
(panting)
(panting)
(breathing heavily)
(dramatic music)
(dramatic music)
(dramatic music)
(whimpering)
(gasping)
(dramatic music)
[gasping]
(dramatic music)
(whispering)
(whimpering)
(whispering)
(dramatic music)
(breathing heavily)
(dramatic music)
(dramatic music)
(dramatic music)
[MUSIC]
(dramatic music)
(dramatic music)
(breathing heavily)
(sniffling)
(dramatic music)
(gasps)
[GASPING]
(dramatic music)
(breathing heavily)
(dramatic music)
(dramatic music)
(dramatic music)
(crying)
(dramatic music)
- Don't, don't.
(dramatic music)
(gasping)
(breathing heavily)
(speaking in foreign language)
(speaking in foreign language)
but I don't work for the senior helmet. If you don't work with them, you will be able to do it.
I don't work for the senior helmet, if you don't work with them, you will be able to do it.
Don't worry, they are just a bit of a problem.
(speaking in foreign language)
(speaking foreign language)
The guarantee though
Told us is that one we content as they visit early is took a mister's if you end up is me extraneous
Then effect on us back up. We've been for no stress herbivious. But you just take on sat at the trap of her
But I'll knock you over better than put
Sabes a put it all over stanted in hero. He'll go over a certain achica commonest of us
Yes, of course. I'm sure you'll be able to do that.
The most important thing is that the center is not there.
It's not a secret that the city is very big for our children,
but it's the place where they are.
This place is where the center is,
but it's not there.
The center of the center of the center is where the people are.
I sent you a letter for the city,
and you've heard it, and you've heard it.
The point of the provocate is that you don't have to imagine what you're doing.
[Music]
(speaking in foreign language)
(speaking in foreign language)
(gasping)
(crying)
(sobbing)
(soft music)
(sobbing)
(dramatic music)
(breathing heavily)
(dramatic music)
[sobbing]
(sobbing)
(breathing heavily)
(breathing heavily)
[Music]
(gasping)
[SOBBING]
(dramatic music)
(breathing heavily)
(gasping)
(breathing heavily)
(panting)
(gasping)
(sobbing)
(crying)
(crying)
(dramatic music)
(sobbing)
[panting]
(sobbing)
(gasping)
(crying)
[SOBBING]
(sobbing)
(crying)
(crying)
(crying)
(crying)
(sobbing)
(sobbing)
(dramatic music)
(sobbing)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
[GASPING]
[SOBBING]
[Music]
I am a man of the same age as you, and I am very happy to be here with you, and I will be in control of the world.
But, of course, in the last few years I have been able to find a person who is a very strong person.
I am very happy to be the director, because I am very happy to be here with you, and I am very happy to be here with you.
I am very happy to be here with you. I am very happy to be here with you.
Please, please, please, please.
Hmm.
The only solution is to solve all the history of the world, to solve it with the policy and the truth.
But what is the real meaning of what this means? What is it?
Well, Michael, what do you think of this place?
Well, no, it's not. It's a good thing to work with a new friend.
And it's a good thing that we're going to do. It's difficult, but we're going to do it.
As I said, the original album was very good at addressing the issues, and it was very good, but it was a good time for us to activate this film.
For me, respect, I had to tell the students, the best of the best of the best, and I had to tell them, that this was a very good time for a very good film.
♪ spike ♪
♪ x
[Music]
[Spanish]
(speaking in foreign language)
in exclusive for new production, me entrusts the spirit of the Esteriadisimo Regreso de
Stabros Italia, de supos de quaranta hanyos de absentia. Como llas avenus tédes, el proximo
quince de de ditiembre se celebran Roma la primera edition de gloria y exito, maratón
confines humanitarios en el que partítí para en grandes nombres del mundo de el spectaculo
el las finantas. Alcoa al sía de dido también Esteros con una dónación de días miñones de dolades,
to reduce the cost of the reconstruction. We are not going to have to invent the historic history of our country.
To create the same identity, we must apply it to the specialness of the estate.
A new effect of the state's state.
That's the list.
Do you have any curious questions?
What is real is that there is a real mode, and how do you do it?
because they are going to be able to carry out the world of the city to be a director of a collective.
All the secretes are going to be sent to the stratus.
And, over the next, how will the city be established to convert one of the most rich and most rich people in the world?
If you want to learn more,
please consider the first vision of Gloria and Xito.
[Music]
[Music]
[Music]
For all of this and for much more,
I hope you will enjoy the second part of this episode,
and I hope that the video-clubs are very important.
Don't forget to like and subscribe!
[MUSIC]
[Music]
[Music]
[Music]
(music)
[Music]
[Music]
[Music]
♪♪♪
[Music]
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