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1
00:00:06,482 --> 00:00:08,965
FOR EVERY JOYFUL MOMENT
2
00:00:08,965 --> 00:00:11,206
CAPTURED IN FAMILY HOME
VIDEOS LIKE THESE...
3
00:00:11,206 --> 00:00:12,379
MORE CAKE, PLEASE.
4
00:00:12,379 --> 00:00:14,551
NO.
5
00:00:14,551 --> 00:00:18,103
FROM THE OUTSIDE THEY LOOK
LIKE THE PERFECT FAMILY.
6
00:00:18,103 --> 00:00:20,137
EVERYTHING WAS PERFECT
AND IN ORDER.
7
00:00:20,137 --> 00:00:25,689
IT SEEMED LIKE WE NEVER SAW ANY
OF THE SITUATION COMING AT ALL.
8
00:00:25,689 --> 00:00:29,310
...THERE ARE DARKER,
UNSEEN MOMENTS.
9
00:00:29,310 --> 00:00:32,241
IT APPEARED THAT SOMEBODY
BROKE INTO THEIR HOUSE.
10
00:00:32,241 --> 00:00:33,862
HELP!
11
00:00:33,862 --> 00:00:36,344
AND YET,
IT IS USUALLY THOSE MOMENTS
12
00:00:36,344 --> 00:00:40,482
THAT PROPEL A FAMILY
INTO DISASTER.
13
00:00:40,482 --> 00:00:43,758
THERE IS BLOOD SPLATTER
ALL OVER THE WALLS.
14
00:00:43,758 --> 00:00:45,896
THE CARPET IS SATURATED
WITH BLOOD.
15
00:00:45,896 --> 00:00:48,620
WHO CAN STAB
ANOTHER PERSON 92 TIMES?
16
00:00:48,620 --> 00:00:50,000
A MONSTER?
17
00:00:50,000 --> 00:00:51,482
NOT ALL MEMBERS OF
THE WILLIAMS FAMILY
18
00:00:51,482 --> 00:00:53,275
WILL ESCAPE THE DARK FORCES
19
00:00:53,275 --> 00:00:57,000
UNLEASHED BY
AN AMERICAN MONSTER.
20
00:00:57,000 --> 00:01:00,000
Captions by VITAC--
www.vitac.com
21
00:01:00,000 --> 00:01:03,034
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
22
00:01:09,931 --> 00:01:11,310
IAN, WHAT'S THAT?
23
00:01:11,310 --> 00:01:12,931
CAKE!
24
00:01:12,931 --> 00:01:15,931
YEAH! THAT'S CAKE
FOR SOMEONE'S BIRTHDAY.
25
00:01:15,931 --> 00:01:16,758
WHO'S BIRTHDAY?
26
00:01:16,758 --> 00:01:18,310
MAMA, PLEASE.
PLEASE?
27
00:01:18,310 --> 00:01:19,344
WHO'S BIRTHDAY IS IT?
28
00:01:19,344 --> 00:01:20,862
WELL, IT'S NOT
STEVE'S BIRTHDAY.
29
00:01:20,862 --> 00:01:25,068
SO STEVE CAN JUST LICK
THE CHOCOLATE CAKE ALL HE WANTS.
30
00:01:25,068 --> 00:01:27,172
IAN, WHO'S BIRTHDAY IS IT?
31
00:01:27,172 --> 00:01:30,758
MAMA, MAMA, PLEASE.
32
00:01:30,758 --> 00:01:32,517
OH, THERE'S YOUR CAKE.
33
00:01:32,517 --> 00:01:35,034
MINE.
34
00:01:35,034 --> 00:01:36,655
OH, IAN, WAIT.
35
00:01:36,655 --> 00:01:38,241
WAIT FOR MORE.
WAIT, WAIT, WAIT, WAIT.
36
00:01:38,241 --> 00:01:41,448
IT'S AUGUST OF 2005,
AND THE WILLIAMS FAMILY
37
00:01:41,448 --> 00:01:44,413
IS GATHERED FOR A VERY
IMPORTANT OCCASION.
38
00:01:50,034 --> 00:01:51,896
LITTLE IAN IS TURNING 2,
39
00:01:51,896 --> 00:01:57,827
AND TO HIM CAKE IS BOTH A FOOD
AND A FASHION ACCESSORY.
40
00:01:57,827 --> 00:02:01,620
OH, YOU'RE NOT EVEN GOING
TO WAIT FOR THAT SPOON.
41
00:02:01,620 --> 00:02:04,689
25-YEAR-OLD DAD,
NEAL WILLIAMS,
42
00:02:04,689 --> 00:02:10,206
SITS NEXT TO HIM
43
00:02:10,206 --> 00:02:12,413
WHILE HIS MOM, MANLING WILLIAMS,
44
00:02:12,413 --> 00:02:17,137
DISHES UP THE DELICIOUS
TREAT FOR HER FAMILY.
45
00:02:17,137 --> 00:02:21,517
THIS WILL REMEMBER ME
ABOUT THE MOUNTAIN.
46
00:02:21,517 --> 00:02:23,965
I KNOW, WHEN HE GOT ALL
OF THAT CAKE ON HIS FACE...
47
00:02:23,965 --> 00:02:26,241
NEAL'S MOTHER, GRANDMA JAN,
48
00:02:26,241 --> 00:02:30,517
SITS ACROSS THE TABLE WITH IAN'S
5-YEAR-OLD BROTHER, DEVON.
49
00:02:30,517 --> 00:02:32,482
HAVING A GRANDCHILD
IS A WONDERFUL THING.
50
00:02:32,482 --> 00:02:35,172
DEVON WAS AS SWEET
AS SWEET COULD BE,
51
00:02:35,172 --> 00:02:38,931
AND IAN WAS VERY LIVELY
AND SUCH A CUTIE.
52
00:02:38,931 --> 00:02:43,206
NEAL AND MANLING,
ALSO KNOWN AS LING,
53
00:02:43,206 --> 00:02:45,758
MET WHEN THEY WERE BOTH JUST 19.
54
00:02:45,758 --> 00:02:49,103
THEY MET THROUGH
A MUTUAL FRIEND.
55
00:02:49,103 --> 00:02:53,241
ONE OF HIS COWORKERS
PERSUADED HIM TO GO
56
00:02:53,241 --> 00:02:55,206
TO "ROCKY HORROR PICTURE SHOW,"
57
00:02:55,206 --> 00:02:59,551
AND THAT'S WHERE
HE MET LING.
58
00:02:59,551 --> 00:03:03,172
DON'T YOU HAVE A NAPKIN
YOU CAN PUT ON HIM?
59
00:03:03,172 --> 00:03:06,620
HAPPY BIRTHDAY, IAN!
60
00:03:06,620 --> 00:03:12,379
MANLING'S FAMILY WERE
ORIGINALLY FROM TAIWAN.
61
00:03:12,379 --> 00:03:16,275
I THINK THERE WAS
QUITE A CULTURAL DISCONNECT.
62
00:03:16,275 --> 00:03:21,137
SO THAT WAS QUITE A CONFLICT,
I THINK, FOR HER GROWING UP.
63
00:03:21,137 --> 00:03:24,310
♪ YANKEE DOODLE WENT TO TOWN
RIDING ON A PONY ♪
64
00:03:24,310 --> 00:03:27,758
♪ STUCK A FEATHER IN HIS CAP
AND CALLED IT MACARONI ♪
65
00:03:27,758 --> 00:03:30,896
I WAS A SINGLE PARENT,
AND I WAS VERY CLOSE
66
00:03:30,896 --> 00:03:32,586
TO BOTH MY KIDS,
ESPECIALLY TO NEAL
67
00:03:32,586 --> 00:03:34,896
BECAUSE WE HAD
SIMILAR PERSONALITIES,
68
00:03:34,896 --> 00:03:36,724
LIKED THE SAME THINGS.
69
00:03:36,724 --> 00:03:38,517
WE WERE GEEKS.
70
00:03:38,517 --> 00:03:41,310
NEAL WAS VERY EXCITED
ABOUT LING.
71
00:03:41,310 --> 00:03:43,551
HE SAID, "I FINALLY
HAVE A GIRLFRIEND
72
00:03:43,551 --> 00:03:45,275
THAT I CAN TALK TO ABOUT THINGS
73
00:03:45,275 --> 00:03:48,034
AND HAVE INTELLECTUAL
CONVERSATIONS WITH."
74
00:03:48,034 --> 00:03:50,310
HE WAS VERY EXCITED ABOUT IT.
75
00:03:50,310 --> 00:03:53,068
THE COUPLE'S WHIRLWIND
ROMANCE SOON GOT SERIOUS
76
00:03:53,068 --> 00:03:57,724
WHEN DEVON, HERE, WAS BORN
IN JULY OF 2000.
77
00:03:57,724 --> 00:04:03,137
MANLING WAS JUST 20 YEARS OLD,
AND HER FAMILY WAS SCANDALIZED.
78
00:04:03,137 --> 00:04:06,931
BUT THEY SOON TIED THE KNOT
AND MOVED INTO A SMALL CONDO
79
00:04:06,931 --> 00:04:09,137
ON A QUIET STRETCH OF
CAMINO BELLO
80
00:04:09,137 --> 00:04:10,724
HERE IN ROWLAND HEIGHTS,
81
00:04:10,724 --> 00:04:15,310
A SMALL COMMUNITY 20-MILES
EAST OF DOWNTOWN LOS ANGELES.
82
00:04:18,103 --> 00:04:21,620
AND IN AUGUST OF 2003,
LITTLE IAN IS BORN,
83
00:04:21,620 --> 00:04:23,793
COMPLETING THEIR FAMILY.
84
00:04:23,793 --> 00:04:25,931
IT WAS A NICE NEIGHBORHOOD,
85
00:04:25,931 --> 00:04:29,448
LOTS OF KIDS,
SIDEWALK TO PLAY ON.
86
00:04:35,241 --> 00:04:36,482
SAY THANK YOU, DEVON.
87
00:04:36,482 --> 00:04:37,793
THANK YOU, IAN.
88
00:04:37,793 --> 00:04:41,034
THE BOYS, THEY ALL
PLAYED BASEBALL A LOT OUT
89
00:04:41,034 --> 00:04:43,551
ON THE LITTLE SIDE YARD.
90
00:04:47,413 --> 00:04:50,103
DEVON AND IAN WERE VERY CLOSE.
91
00:04:50,103 --> 00:04:53,206
IAN FOLLOWED DEVON
WHEREVER HE WENT,
92
00:04:53,206 --> 00:04:57,655
WANTED TO BE IN THE MIDDLE
OF WHATEVER DEVON DID.
93
00:04:57,655 --> 00:04:59,689
IAN WAS VERY LIVELY,
94
00:04:59,689 --> 00:05:02,448
AND YOU NEVER KNEW
WHAT HE WAS GOING TO DO.
95
00:05:02,448 --> 00:05:05,448
I ALWAYS CALLED HIM
MY COURT JESTER
96
00:05:05,448 --> 00:05:07,068
BECAUSE WHATEVER
CAME INTO HIS HEAD,
97
00:05:07,068 --> 00:05:08,344
THAT'S WHAT HE WOULD DO.
98
00:05:11,172 --> 00:05:13,586
WHEN ARE YOU GOING TO LET
YOUR BROTHER HAVE A TURN?
99
00:05:13,586 --> 00:05:14,724
IF YOU KEEP KNOCKING IT OFF,
100
00:05:14,724 --> 00:05:16,448
YOU'RE NOT LETTING HIM
HAVE A TURN.
101
00:05:22,551 --> 00:05:25,344
MANLING AND NEAL'S
DOOR IS ALSO OPEN TO
102
00:05:25,344 --> 00:05:28,517
THEIR CLOSE FRIENDS,
MELANEY AND MARIO RAMIREZ,
103
00:05:28,517 --> 00:05:30,068
WHO ALSO ENJOY FILMING
104
00:05:30,068 --> 00:05:32,896
WHEN THEIR TWO KIDS
COME TO PLAY.
105
00:05:32,896 --> 00:05:34,034
I ADMIRED THE WAY
106
00:05:34,034 --> 00:05:35,827
THAT THEY WERE RAISING
THEIR CHILDREN.
107
00:05:35,827 --> 00:05:37,931
AND I VIEWED NEAL LIKE
A BROTHER,
108
00:05:37,931 --> 00:05:40,034
AND I VIEWED LING
LIKE A SISTER.
109
00:05:40,034 --> 00:05:42,344
SO THEY WERE MORE
LIKE EXTENDED FAMILY
110
00:05:42,344 --> 00:05:44,310
THAN THEY WERE JUST FRIENDS.
111
00:05:44,310 --> 00:05:45,310
MORE CAKE, PLEASE.
112
00:05:45,310 --> 00:05:47,827
NO.
113
00:05:47,827 --> 00:05:49,379
I WOULD DESCRIBE
THEIR RELATIONSHIP
114
00:05:49,379 --> 00:05:52,448
KIND OF LIKE
TWO BEST FRIENDS IN LOVE.
115
00:05:57,724 --> 00:05:59,413
AT 5 AND 2,
116
00:05:59,413 --> 00:06:03,689
DEVON AND IAN HAVE ALREADY
CAUGHT DAD'S SCI-FI BUG.
117
00:06:03,689 --> 00:06:07,172
NEAL WAS VERY MUCH
INTO "STAR WARS."
118
00:06:11,724 --> 00:06:14,793
MARIO AND NEAL USED TO ALL PLAY
119
00:06:14,793 --> 00:06:16,413
ALL THESE SWORD FIGHTS
WITH THE KIDS.
120
00:06:16,413 --> 00:06:18,344
YOU GOT HIM!
WHOA, WHOA, WHOA, WHOA!
121
00:06:18,344 --> 00:06:21,034
THOSE AREN'T FOR PLAYING
WITH, BUDDY.
122
00:06:21,034 --> 00:06:22,551
HOW ABOUT YOU PLAY
WITH THIS ONE, OKAY?
123
00:06:22,551 --> 00:06:26,931
NEAL USED TO COLLECT SAMURAI
SWORDS THROUGH HIS MOTHER.
124
00:06:26,931 --> 00:06:29,793
SHE USED TO GIVE THEM
AS PRESENTS AND STUFF LIKE THAT.
125
00:06:29,793 --> 00:06:31,689
NEAL, I THOUGHT I TOLD YOU
TO PUT THOSE AWAY.
126
00:06:31,689 --> 00:06:33,896
YEAH, SORRY.
I'LL GET THEM HIGHER.
127
00:06:33,896 --> 00:06:36,793
MANLING DOESN'T SEEM
TO MIND NEAL'S HOBBIES,
128
00:06:36,793 --> 00:06:39,344
HIS SWORDS OR
HIS COMPUTER GAMING.
129
00:06:39,344 --> 00:06:43,862
HE'S LIKE A BIG KID,
AND THE YOUNG ONES ADORE HIM.
130
00:06:43,862 --> 00:06:47,551
FROM THE OUTSIDE, THEY
LOOKED LIKE THE PERFECT FAMILY.
131
00:06:47,551 --> 00:06:49,689
EVERYTHING WAS PERFECT
AND IN ORDER,
132
00:06:49,689 --> 00:06:53,482
AND THAT'S THE IMPRESSION
THAT LING LIKED TO GIVE OFF.
133
00:06:53,482 --> 00:06:57,413
MANLING HAS BIG DREAMS
FOR HER LITTLE FAMILY.
134
00:06:57,413 --> 00:06:59,482
SHE WANTS THEM TO STEP UP
FROM THE CONDO
135
00:06:59,482 --> 00:07:02,103
THEY RENT FROM HER PARENTS.
136
00:07:02,103 --> 00:07:06,034
I THINK SHE WOULD HAVE
LIKED TO HAVE A HOUSE
137
00:07:06,034 --> 00:07:08,241
WITH THREE,
FOUR BEDROOMS.
138
00:07:08,241 --> 00:07:12,965
SHE WAS ALWAYS LOOKING
FOR THE NEXT BIG THING.
139
00:07:14,379 --> 00:07:17,344
THE PROBLEM IS MONEY.
140
00:07:17,344 --> 00:07:19,448
NEAL WORKS AT DISNEYLAND.
141
00:07:19,448 --> 00:07:25,103
IT'S FUN, BUT IT DOESN'T EXACTLY
BRING IN BUCKETS OF MONEY.
142
00:07:25,103 --> 00:07:26,620
I THINK THAT SOME OF
THE PRESSURES
143
00:07:26,620 --> 00:07:30,586
ON THEIR RELATIONSHIP
WERE FINANCIAL.
144
00:07:30,586 --> 00:07:33,551
SHE ALWAYS WANTED MORE,
WANTED TO DO BETTER.
145
00:07:37,862 --> 00:07:40,103
MANLING WORKS
THE BREAKFAST SHIFT
146
00:07:40,103 --> 00:07:44,482
AT A NEARBY RESTAURANT.
147
00:07:44,482 --> 00:07:46,551
HERE WE ARE.
IT'S READY.
148
00:07:46,551 --> 00:07:51,000
TURNS OUT, WAITING TABLES SUITS
HER BRIGHT PERSONALITY WELL.
149
00:07:51,000 --> 00:07:55,482
LING WAS VERY GOOD AT HER
JOB OF BEING A WAITRESS.
150
00:07:55,482 --> 00:07:58,241
HOW ARE YOU GENTLEMEN DOING?OH, VERY NICE. THANKS.
151
00:07:58,241 --> 00:07:59,482
DID YOU ENJOY YOUR FOOD?
152
00:07:59,482 --> 00:08:00,620
GREAT.
ALL RIGHT.
153
00:08:00,620 --> 00:08:01,896
I REMEMBER YOU.
154
00:08:01,896 --> 00:08:03,310
SHE KNEW HOW TO FLIRT
WITH CUSTOMERS
155
00:08:03,310 --> 00:08:05,689
SO THAT THEY SHOULD
GIVE BIGGER TIPS.
156
00:08:05,689 --> 00:08:07,275
THANKS SO MUCH.
KEEP THE CHANGE.
157
00:08:07,275 --> 00:08:10,827
THANK YOU, YOU GUYS.
158
00:08:10,827 --> 00:08:14,241
SHE GOT ENOUGH FROM HER
TIPS FROM WAITRESSING THAT
159
00:08:14,241 --> 00:08:15,724
THEY LIVED OFF OF HER TIPS.
160
00:08:15,724 --> 00:08:18,586
AND HER HOURLY WAGES,
THEY WOULD USE THAT
161
00:08:18,586 --> 00:08:21,655
FOR INVESTMENTS OR SAVINGS.
162
00:08:23,862 --> 00:08:27,551
IN EARLY 2006, MANLING
HAS SAVED ENOUGH TIPS
163
00:08:27,551 --> 00:08:29,793
TO PAY THE LICENSE FEE FOR NEAL
164
00:08:29,793 --> 00:08:33,862
TO BECOME A SALES REP
FOR A LIFE INSURANCE COMPANY.
165
00:08:33,862 --> 00:08:38,448
LING ASKED NEAL TO STOP WORKING
AT DISNEY SO HE COULD FOCUS
166
00:08:38,448 --> 00:08:41,000
AND GET MORE PEOPLE TO BUY
167
00:08:41,000 --> 00:08:44,689
AND INVEST INTO THE COMPANY
UNDER THEM.
168
00:08:44,689 --> 00:08:46,965
INSURANCE IS A NECESSITY.
IT'S NOT A LUXURY.
169
00:08:46,965 --> 00:08:48,482
OKAY.
JUST 1 SECOND.
170
00:08:48,482 --> 00:08:49,758
HEY, GUYS.
171
00:08:49,758 --> 00:08:51,758
GUYS, CAN YOU KEEP IT DOWN?
172
00:08:51,758 --> 00:08:53,827
OKAY.
NO.
173
00:08:53,827 --> 00:08:55,137
I UNDERSTAND.
174
00:08:55,137 --> 00:08:57,931
MAYBE WE CAN TALK ABOUT IT
OVER COFFEE SOME TIME.
175
00:08:57,931 --> 00:08:59,448
ALL RIGHT.
THANKS, MIKE.
176
00:08:59,448 --> 00:09:01,172
YEAH, YOU TOO. BYE.
177
00:09:03,551 --> 00:09:07,068
WHO GETS THE MOST IS
A YUMMY, YUMMY EGG.
178
00:09:07,068 --> 00:09:09,517
IT'S NOT ALWAYS EASY
WORKING FROM HOME.
179
00:09:09,517 --> 00:09:13,379
BUT LIKE HUNGRY HIPPOS,
NEAL AND MANLING ARE GRABBING
180
00:09:13,379 --> 00:09:16,965
AND GRABBING
AT THE AMERICAN DREAM.
181
00:09:16,965 --> 00:09:22,482
YOU'RE TAKING OUT
ALL OF YOUR HIPPOS OUT.
182
00:09:22,482 --> 00:09:23,620
AUNTIE?
183
00:09:23,620 --> 00:09:26,000
HMM?
184
00:09:26,000 --> 00:09:28,344
HE SHOULD PUT THIS THING AWAY.
185
00:09:28,344 --> 00:09:29,551
WHY, DO YOU THINK?
186
00:09:29,551 --> 00:09:33,896
BECAUSE HE IS TAKING OFF
THE HIPPO AND...
187
00:09:33,896 --> 00:09:38,241
NEAL IS PLAYING FOR
HIGH STAKES WITH HIS NEW JOB.
188
00:09:38,241 --> 00:09:42,793
HIS SUCCESS COULD MEAN A BIGGER
HOUSE AND A BRIGHT NEW FUTURE.
189
00:09:42,793 --> 00:09:45,862
HE WANTED TO GIVE HER
EVERYTHING SHE DREAMT OF.
190
00:09:45,862 --> 00:09:47,275
WHO ROCKS?
191
00:09:47,275 --> 00:09:51,310
THE DODGERS ROCK!
DODGERS ROCK!
192
00:09:51,310 --> 00:09:53,172
IT'S APRIL 2006,
193
00:09:53,172 --> 00:09:55,448
AND IT'S
A SPECIAL DAY FOR DEVON.
194
00:09:55,448 --> 00:09:57,689
IT'S HIS FIRST HOME
BASEBALL GAME.
195
00:09:57,689 --> 00:09:59,827
DODGERS ROCK!
196
00:09:59,827 --> 00:10:01,413
DODGERS ROCK!
197
00:10:01,413 --> 00:10:04,275
IT'S 3 MONTHS NOW
SINCE NEAL CHANGED JOBS.
198
00:10:04,275 --> 00:10:08,482
GO DODGERS!
199
00:10:08,482 --> 00:10:10,965
AND WHAT ISN'T CAPTURED IN THIS
200
00:10:10,965 --> 00:10:13,551
NEVER-BEFORE-BROADCAST
VIDEO IS THE FAMILY'S
201
00:10:13,551 --> 00:10:17,172
INCREASINGLY PRECARIOUS
FINANCIAL SITUATION.
202
00:10:21,206 --> 00:10:24,241
NEAL ONLY EARNS DECENT MONEY
ON COMMISSION
203
00:10:24,241 --> 00:10:26,620
IF HE SELLS A LOT OF POLICIES.
204
00:10:26,620 --> 00:10:29,931
BUT HE'S NOT
A NATURAL SALESMAN.
205
00:10:29,931 --> 00:10:32,448
YOU HAVE TO BE VERY PUSHY,
206
00:10:32,448 --> 00:10:35,551
AND THAT WASN'T
NEAL'S PERSONALITY.
207
00:10:35,551 --> 00:10:40,103
HE COULDN'T PRESSURE SOMEBODY
INTO BUYING SOMETHING
208
00:10:40,103 --> 00:10:43,482
THAT THEY DIDN'T REALLY NEED
OR THEY DIDN'T WANT.
209
00:10:43,482 --> 00:10:45,965
THIS TRIP TO
THE STADIUM IS AN EXPENSE
210
00:10:45,965 --> 00:10:48,724
THAT NEAL KNOWS
THEY CAN'T AFFORD.
211
00:10:48,724 --> 00:10:50,241
THEIR MONEY IS RUNNING OUT,
212
00:10:50,241 --> 00:10:53,655
AND EVERYTHING WILL SOON
COME CRASHING DOWN
213
00:10:53,655 --> 00:10:55,931
WITH DEADLY CONSEQUENCES.
214
00:11:05,103 --> 00:11:08,379
♪ LOST MY PARTNER,
WHAT WILL I DO? ♪
215
00:11:08,379 --> 00:11:12,275
♪ LOST MY PARTNER,
WHAT WILL I DO? ♪
216
00:11:12,275 --> 00:11:14,827
AS 2006
DRAWS TO A CLOSE,
217
00:11:14,827 --> 00:11:17,586
THE WILLIAMS FAMILY
ARE ENJOYING CAPTURING
218
00:11:17,586 --> 00:11:18,896
THEIR BOYS
GROWING UP
219
00:11:18,896 --> 00:11:21,793
ON THIS NEVER-BEFORE-BROADCAST
HOME VIDEO FOOTAGE.
220
00:11:21,793 --> 00:11:24,275
♪ SKIP TO MY LOU ♪
221
00:11:24,275 --> 00:11:28,413
DEVON, NOW 6, HAS JUST
STARTED KINDERGARTEN FULL-TIME
222
00:11:28,413 --> 00:11:30,379
AND IS LOVING EVERY SECOND,
223
00:11:30,379 --> 00:11:32,551
LIKE PERFORMING
IN THE SCHOOL CONCERT.
224
00:11:32,551 --> 00:11:35,793
♪ LOST MY PARTNER,
WHAT WILL I DO? ♪
225
00:11:35,793 --> 00:11:39,413
♪ LOST MY PARTNER,
WHAT WILL I DO? ♪
226
00:11:39,413 --> 00:11:41,551
OF COURSE, THIS MEANS
LITTLE BROTHER IAN
227
00:11:41,551 --> 00:11:45,241
IS LEFT AT HOME.
228
00:11:45,241 --> 00:11:49,034
AND IT'S NOT MOM
HE'S SPENDING HIS DAYS WITH.
229
00:11:49,034 --> 00:11:51,068
AT THE TIME THIS FOOTAGE
IS TAKEN,
230
00:11:51,068 --> 00:11:53,344
MANLING HAS STARTED
WAITRESSING FULL-TIME
231
00:11:53,344 --> 00:11:56,379
TO KEEP UP WITH THE BILLS.
232
00:11:56,379 --> 00:11:58,655
I THINK THAT WAS THE LAST ONE.
233
00:11:58,655 --> 00:12:01,172
NO!
234
00:12:01,172 --> 00:12:02,275
YOU READY TO GO IN NOW?
235
00:12:02,275 --> 00:12:04,965
YEAH?
236
00:12:04,965 --> 00:12:08,620
NO?
YOU STILL WANT TO KEEP PLAYING?
237
00:12:08,620 --> 00:12:11,206
IT'S HER
MOTHER-IN-LAW, JAN,
238
00:12:11,206 --> 00:12:14,620
WHO OFTEN NOW LOOKS AFTER
THE BOYS AND NOT BY HERSELF.
239
00:12:16,586 --> 00:12:18,241
HEY, BUDDY!
240
00:12:18,241 --> 00:12:24,034
NEAL HASN'T SOLD ENOUGH
INSURANCE TO KEEP HIS JOB.
241
00:12:24,034 --> 00:12:25,827
IAN AND DEVON
WERE HIS ENTIRE LIFE.
242
00:12:25,827 --> 00:12:28,034
I MEAN, THEY WERE
EVERYTHING TO HIM.
243
00:12:28,034 --> 00:12:31,000
HE COULDN'T THINK
OF ANYTHING BUT THEM.
244
00:12:31,000 --> 00:12:34,103
BUT BEING A STAY-AT-HOME DAD
245
00:12:34,103 --> 00:12:36,206
DOESN'T COME WITH A SALARY.
246
00:12:36,206 --> 00:12:40,448
I LENT THEM MONEY QUITE A BIT.
247
00:12:40,448 --> 00:12:44,517
WELL, "LENT" THEM MONEY--
GAVE THEM MONEY.
248
00:12:44,517 --> 00:12:47,310
HEY, YOU GET A CHANCE TO THINK
249
00:12:47,310 --> 00:12:49,827
ABOUT THAT THING
WE TALKED ABOUT?
250
00:12:52,482 --> 00:12:56,793
YOU KNOW, I JUST DON'T KNOW.
251
00:12:56,793 --> 00:12:58,137
HEY, GUYS!
252
00:12:58,137 --> 00:12:59,586
THERE'S ONLY SO FAR
253
00:12:59,586 --> 00:13:02,620
THE BANK OF MOM CAN STRETCH.
254
00:13:08,931 --> 00:13:12,827
WHAT'S GOING ON?
YOU JUST SEEM SO DOWN LATELY.
255
00:13:12,827 --> 00:13:15,034
THE PRESSURE IS NOW ON LING
256
00:13:15,034 --> 00:13:17,896
TO KEEP THE FAMILY
AFLOAT FINANCIALLY,
257
00:13:17,896 --> 00:13:20,275
AND IT'S TAKING ITS TOLL.
258
00:13:20,275 --> 00:13:23,206
SHE DIDN'T SEEM
ENTIRELY HAPPY WITH HER LIFE.
259
00:13:23,206 --> 00:13:26,413
YOU KNOW, GO TO WORK, COME HOME,
DEAL WITH THE FAMILY,
260
00:13:26,413 --> 00:13:30,482
THAT WASN'T THE WAY
SHE WANTED TO LIVE HER LIFE.
261
00:13:34,758 --> 00:13:36,896
NEAL MAY BE GREAT WITH
THE KIDS,
262
00:13:36,896 --> 00:13:39,206
BUT HE'S NOT MUCH
OF A HOUSEKEEPER,
263
00:13:39,206 --> 00:13:43,551
AND HE SPENDS HOURS
PLAYING COMPUTER GAMES.
264
00:13:43,551 --> 00:13:46,655
NEAL!
265
00:13:54,034 --> 00:13:56,517
DESPITE THE GROWING
TENSIONS AT HOME,
266
00:13:56,517 --> 00:14:00,724
MANLING IS DOING
GREAT AT WORK.
267
00:14:00,724 --> 00:14:03,655
HER WORK WAS SENDING
HER TO A COURSE
268
00:14:03,655 --> 00:14:07,379
TO LEARN TO BE A MANAGER UP
IN SANTA BARBARA,
269
00:14:07,379 --> 00:14:11,448
AND SHE WANTED ME
TO WATCH THE BOYS.
270
00:14:16,758 --> 00:14:20,689
BUT IN TRUTH, THE TRIP
HAS NOTHING TO DO WITH WORK.
271
00:14:20,689 --> 00:14:24,206
MANLING HAS BEEN KEEPING
A SECRET FROM NEAL.
272
00:14:29,586 --> 00:14:34,862
SHE'S RECENTLY RECONNECTED WITH
AN OLD FLAME FROM HIGH SCHOOL.
273
00:14:37,517 --> 00:14:41,241
HE WAS A SINGLE GUY
LIVING BY HIMSELF.
274
00:14:41,241 --> 00:14:45,310
SO I'M SURE HE HAD
NICER THINGS
275
00:14:45,310 --> 00:14:47,724
THAN LING HAD,
276
00:14:47,724 --> 00:14:51,448
AND SHE WAS TIRED
OF THE LIFE THAT SHE HAD.
277
00:14:54,551 --> 00:14:55,655
I'M GOING TO SHOWER.
278
00:14:55,655 --> 00:14:56,931
OKAY.
279
00:14:56,931 --> 00:14:59,206
THERE'S JUST ONE PROBLEM--
280
00:14:59,206 --> 00:15:02,448
HE DOESN'T WANT TO PURSUE
A SERIOUS RELATIONSHIP
281
00:15:02,448 --> 00:15:04,931
WITH A MARRIED MOM.
282
00:15:09,034 --> 00:15:10,965
THAT'S CAKE
FOR SOMEONE'S BIRTHDAY.
283
00:15:10,965 --> 00:15:12,275
WHO'S BIRTHDAY?MAMA, PLEASE.
284
00:15:12,275 --> 00:15:15,517
PLEASE?WHO'S BIRTHDAY IS IT?
285
00:15:15,517 --> 00:15:18,241
THE FAMILY THAT SEEMED
SO STRONG
286
00:15:18,241 --> 00:15:20,241
AT THE TIME THIS MOVE WAS FILMED
287
00:15:20,241 --> 00:15:23,103
IS NOW AT BREAKING POINT.
288
00:15:23,103 --> 00:15:25,896
LING KEEPS QUIET
ABOUT HER AFFAIR,
289
00:15:25,896 --> 00:15:30,034
BUT NEAL HAS HIS SUSPICIONS.
290
00:15:30,034 --> 00:15:33,896
NEAL DID BRING UP HE SAW
PROBLEMS IN THE RELATIONSHIP
291
00:15:33,896 --> 00:15:35,517
WITH MANLING,
292
00:15:35,517 --> 00:15:38,137
BUT HE NEVER REALLY DEFINED
WHAT THE PROBLEMS WERE.
293
00:15:40,517 --> 00:15:42,586
IT LOOKS DELICIOUS NOW.
294
00:15:42,586 --> 00:15:44,241
THE TENSION
BETWEEN THE YOUNG COUPLE
295
00:15:44,241 --> 00:15:45,896
IS TAKING ITS TOLL.
296
00:15:45,896 --> 00:15:49,620
NEAL WAS A LAID-BACK
KIND OF PERSON.
297
00:15:49,620 --> 00:15:52,275
IT TOOK A LOT TO GET HIM UPSET.
298
00:15:52,275 --> 00:15:57,068
BUT WHEN HE DID GET UPSET,
HE HAD A TERRIBLE TEMPER.
299
00:15:59,551 --> 00:16:02,689
MANLING IS SUFFERING
FROM INSOMNIA.
300
00:16:02,689 --> 00:16:05,482
WHEN SHE SNATCHES
A RARE MINUTE OF SLEEP,
301
00:16:05,482 --> 00:16:09,379
A RECURRING NIGHTMARE
ABOUT NEAL PLAGUES HER.
302
00:16:10,620 --> 00:16:12,517
SHE WAS HAVING DREAMS
303
00:16:12,517 --> 00:16:14,896
THAT NEAL WAS GOING TO
HURT THE BOYS
304
00:16:14,896 --> 00:16:17,413
AND THEN KILL HIMSELF.
305
00:16:30,275 --> 00:16:33,620
MANLING SHOWED UP AT OUR HOUSE
ONE DAY AND JUST SAYS...
306
00:16:33,620 --> 00:16:35,689
IT'S NEAL.
307
00:16:35,689 --> 00:16:39,206
I THINK HE'S GOING TO HURT US.
308
00:16:39,206 --> 00:16:40,931
WHAT?
309
00:16:40,931 --> 00:16:42,000
WHAT ARE YOU TALKING ABOUT?
310
00:16:42,000 --> 00:16:43,517
HE'S DIFFERENT.
HE'S CHANGED.
311
00:16:43,517 --> 00:16:46,344
OKAY, I--
312
00:16:46,344 --> 00:16:49,448
I KNOW THAT YOU GUYS
ARE HAVING PROBLEMS.
313
00:16:49,448 --> 00:16:51,931
NO.
YOU DON'T UNDERSTAND.
314
00:16:54,275 --> 00:16:56,206
SHE DID NOT SAY WHAT NEAL WAS
GOING TO DO TO THEM.
315
00:16:56,206 --> 00:16:59,827
SHE JUST SAID,
"NEAL'S GOING TO HURT US."
316
00:16:59,827 --> 00:17:04,379
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
317
00:17:04,379 --> 00:17:06,931
THE CAPTURING OF
LITTLE IAN'S INNOCENCE
318
00:17:06,931 --> 00:17:08,862
CANNOT PREVENT
THE UNKNOWN HORROR
319
00:17:08,862 --> 00:17:11,137
HURTLING OVER THE HORIZON.
320
00:17:11,137 --> 00:17:12,724
AND NOW TAKE A PICTURE!
321
00:17:21,344 --> 00:17:25,103
♪ TWINKLE, LITTLE STAR ♪
322
00:17:25,103 --> 00:17:29,310
♪ HOW I WONDER WHAT YOU ARE ♪
323
00:17:29,310 --> 00:17:34,206
♪ UP ABOVE THE WORLD SO HIGH ♪
324
00:17:34,206 --> 00:17:37,551
IN JUNE 2007,
3-YEAR-OLD IAN WILLIAMS
325
00:17:37,551 --> 00:17:41,482
DOESN'T HAVE A CARE
IN THE WORLD.
326
00:17:41,482 --> 00:17:46,965
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
327
00:17:46,965 --> 00:17:50,758
♪ HOW I WONDER WHAT YOU ARE ♪
328
00:17:50,758 --> 00:17:53,241
AND NOW TAKE A PICTURE!
329
00:18:01,448 --> 00:18:02,896
TWO MONTHS LATER,
330
00:18:02,896 --> 00:18:05,310
DEPUTIES FROM THE LOS ANGELES
COUNTY SHERIFF'S DEPARTMENT
331
00:18:05,310 --> 00:18:06,931
RESPOND TO A 9-1-1 CALL
332
00:18:06,931 --> 00:18:10,586
FROM CAMINO BELLO,
ROWLAND HEIGHTS.
333
00:18:13,827 --> 00:18:15,758
OUTSIDE MANLING AND NEAL'S HOME,
334
00:18:15,758 --> 00:18:18,103
NEIGHBORS START TO GATHER.
335
00:18:18,103 --> 00:18:20,655
I WAS JUST, LIKE, MORE CONFUSED,
THEN I REALIZED
336
00:18:20,655 --> 00:18:22,551
SOMETHING MAJOR
HAD TO HAPPEN.
337
00:18:22,551 --> 00:18:25,758
OFFICER, WHAT'S HAPPENING, MAN?
338
00:18:25,758 --> 00:18:28,517
I KNOW THESE PEOPLE.
I LIVE DOWN THE STREET.
339
00:18:28,517 --> 00:18:30,448
WHAT'S GOING ON?SOMEBODY DIED.
340
00:18:30,448 --> 00:18:32,517
SOMEBODY DIED?
341
00:18:32,517 --> 00:18:34,310
WHAT DO YOU MEAN?
342
00:18:34,310 --> 00:18:36,896
CAN YOU GIVE US
MORE INFORMATION?
343
00:18:36,896 --> 00:18:38,586
NO, SIR.
344
00:18:38,586 --> 00:18:40,482
WORD OF
AN APPALLING ATTACK
345
00:18:40,482 --> 00:18:43,551
SPREADS QUICKLY
THROUGH ROWLAND HEIGHTS.
346
00:18:43,551 --> 00:18:45,310
WHAT'S GOING ON?
347
00:18:45,310 --> 00:18:46,931
I DON'T KNOW.
348
00:18:46,931 --> 00:18:49,758
IT APPEARED THAT SOMEBODY
BROKE INTO THEIR HOUSE.
349
00:18:49,758 --> 00:18:53,172
WE WEREN'T SURE
WHAT HAPPENED TO LING.
350
00:18:53,172 --> 00:18:57,620
WE WEREN'T SURE IF SHE
WAS ATTACKED OR IF SHE WAS HURT,
351
00:18:57,620 --> 00:19:00,586
AND SO WE WERE
WORRIED ABOUT HER.
352
00:19:00,586 --> 00:19:02,758
AS POLICE INVESTIGATE THE SCENE,
353
00:19:02,758 --> 00:19:05,551
IT'S CLEAR MANLING
IS TRAUMATIZED,
354
00:19:05,551 --> 00:19:10,448
CONFUSED,
AND COVERED IN BLOOD.
355
00:19:10,448 --> 00:19:11,551
MANLING!
356
00:19:11,551 --> 00:19:14,103
SHE'S TAKEN AWAY
FOR HER OWN SAFETY.
357
00:19:19,724 --> 00:19:24,793
AT THE POLICE STATION,
MANLING IS UNHARMED.
358
00:19:24,793 --> 00:19:27,551
WOULD YOU SIT WITH HER?
WE'LL BE DONE IN A MINUTE.
359
00:19:30,620 --> 00:19:33,482
BUT AS THIS REAL
POLICE VIDEO SHOWS,
360
00:19:33,482 --> 00:19:35,586
SHE'S IN SHOCK.
361
00:19:55,413 --> 00:19:57,000
IS SHE AWARE OF WHAT HAPPENED?
362
00:20:05,793 --> 00:20:07,551
IF THE DETECTIVES ARE
TO FIGURE OUT
363
00:20:07,551 --> 00:20:11,620
EXACTLY WHAT HAPPENED,
THEY NEED MANLING'S HELP.
364
00:20:21,000 --> 00:20:24,793
SHE NEEDS TO TELL THEM
EVERYTHING FROM THE BEGINNING.
365
00:20:40,827 --> 00:20:42,413
I'LL BE LATE.
366
00:20:42,413 --> 00:20:44,862
HAVE FUN.
367
00:21:03,482 --> 00:21:07,241
MANLING SAYS SHE GOT
HOME AT AROUND 12:30 A.M.
368
00:21:07,241 --> 00:21:09,931
SHE WENT TO BED AND LEFT
NEAL STILL PLAYING
369
00:21:09,931 --> 00:21:11,655
HIS GAME ON THE COMPUTER.
370
00:21:26,517 --> 00:21:29,034
SHE THINKS NEAL JOINED
HER IN BED AROUND 1 A.M.
371
00:21:29,034 --> 00:21:32,137
BUT AFTER A FEW HOURS,
SHE WOKE UP
372
00:21:32,137 --> 00:21:33,931
AND COULDN'T GET BACK TO SLEEP.
373
00:21:52,172 --> 00:21:54,068
AND THEN SHE SLIPPED
ON SOME SANDALS
374
00:21:54,068 --> 00:21:55,931
AND WENT OUT TO THE CAR.
375
00:22:09,586 --> 00:22:13,931
MANLING TELLS DETECTIVES THAT
WHEN SHE CAN'T SLEEP,
376
00:22:13,931 --> 00:22:17,068
SHE LIKES TO DRIVE UP
TO THE TOP OF THE RIDGE
377
00:22:17,068 --> 00:22:18,896
TO WATCH THE SUNRISE.
378
00:22:27,000 --> 00:22:30,724
SHE HAS BEEN DOING IT MORE
AND MORE THESE DAYS
379
00:22:30,724 --> 00:22:32,551
TO CLEAR HER HEAD.
380
00:23:28,482 --> 00:23:34,068
BOYS, TIME TO WAKE UP!
381
00:23:34,068 --> 00:23:35,862
DEVON, IAN.
382
00:24:22,241 --> 00:24:24,379
OH, MY GOD!
383
00:24:24,379 --> 00:24:26,241
HELP, SOMEBODY!
384
00:24:26,241 --> 00:24:28,586
HELP! HELP!
385
00:24:28,586 --> 00:24:30,586
HELP ME!
386
00:24:30,586 --> 00:24:32,965
HELP! SOMEBODY
387
00:24:32,965 --> 00:24:35,931
HELP ME!
388
00:24:57,310 --> 00:24:59,172
IT WAS DEVASTATING
389
00:24:59,172 --> 00:25:01,448
TO FIND OUT
THAT THREE PEOPLE
390
00:25:01,448 --> 00:25:05,344
THAT WERE MOST IMPORTANT TO ME
IN MY LIFE WERE GONE.
391
00:25:07,689 --> 00:25:09,517
AND YOU DON'T...
392
00:25:09,517 --> 00:25:11,827
YOU CAN'T BELIEVE IT.
393
00:25:11,827 --> 00:25:14,758
WHAT DO I DO NOW?
394
00:25:14,758 --> 00:25:16,000
DO I BREATHE?
395
00:25:16,000 --> 00:25:19,103
DO I CRY?
396
00:25:19,103 --> 00:25:21,586
WHAT?
397
00:25:27,862 --> 00:25:30,827
THE MOMENT I REALIZED
398
00:25:30,827 --> 00:25:33,103
THAT THE BOYS
WERE REALLY GONE...
399
00:25:37,758 --> 00:25:39,724
I COLLAPSED,
I DROPPED TO MY KNEES,
400
00:25:39,724 --> 00:25:42,068
AND THIS SCREAM CAME OUT,
401
00:25:42,068 --> 00:25:45,551
AND IT WAS A SCREAM
THAT I'VE NEVER HAD BEFORE.
402
00:25:45,551 --> 00:25:49,482
IT WAS LIKE...
YOU HAVE NO CONTROL OVER IT,
403
00:25:49,482 --> 00:25:52,862
AND IT JUST...
404
00:25:52,862 --> 00:25:55,655
AND IT FILLS
EVERY PART OF NOT
405
00:25:55,655 --> 00:25:59,206
ONLY YOUR BODY,
BUT YOUR SOUL.
406
00:25:59,206 --> 00:26:03,620
♪ MIND THE MUSIC AND THE STEP
AND WITH THE GIRLS BE HANDY ♪
407
00:26:03,620 --> 00:26:06,275
♪ THERE WAS GEORGE WASHINGTON
ALONG WITH... ♪
408
00:26:06,275 --> 00:26:10,793
MANLING'S FAMILY
HAS BEEN UTTERLY DESTROYED.
409
00:26:10,793 --> 00:26:14,758
NEAL AND THE BOYS ARE DEAD,
410
00:26:14,758 --> 00:26:19,344
AND THE MONSTER WHO DID IT
IS OUT THERE SOMEWHERE.
411
00:26:30,448 --> 00:26:31,724
DODGERS ROCK!
412
00:26:31,724 --> 00:26:33,620
DODGERS ROCK!
413
00:26:33,620 --> 00:26:35,827
NEAL WILLIAMS
AND HIS TWO SONS,
414
00:26:35,827 --> 00:26:39,103
DEVON, AGE 7,
AND IAN, AGE 3,
415
00:26:39,103 --> 00:26:43,034
HAVE BEEN MURDERED
IN THEIR OWN HOME.
416
00:26:43,034 --> 00:26:46,482
WIFE AND MOTHER MANLING
DISCOVERED THE BLOODY SCENE
417
00:26:46,482 --> 00:26:49,448
AND IS DESPERATE TO FIND OUT
WHAT HAPPENED TO HER FAMILY.
418
00:26:55,689 --> 00:26:57,620
WHEN I ARRIVED, IT WAS
A MIDDLE-CLASS NEIGHBORHOOD.
419
00:26:57,620 --> 00:26:58,827
SO THERE WAS A LOT
OF YELLOW TAPE,
420
00:26:58,827 --> 00:27:00,448
AND THERE WAS A FEW NEWS VANS.
421
00:27:00,448 --> 00:27:05,137
AND I WENT UP TO THE SCENE,
AND I KNEW I HAD THREE VICTIMS.
422
00:27:05,137 --> 00:27:08,689
L.A. CORONER'S
INVESTIGATOR, DENISE BERTONE,
423
00:27:08,689 --> 00:27:12,000
HAS ONE OF THE TOUGHEST JOBS
IN LOS ANGELES--
424
00:27:12,000 --> 00:27:17,103
SPECIFICALLY LOOKING INTO
THE DEATHS OF CHILDREN.
425
00:27:17,103 --> 00:27:21,620
HER FIRST TASK IS
TO ACCESS THE CRIME SCENE.
426
00:27:21,620 --> 00:27:23,275
I ENTERED THE HOUSE.
427
00:27:23,275 --> 00:27:27,413
IT'S A MESSY HOUSEHOLD
THAT HAS KIDS IN IT.
428
00:27:36,586 --> 00:27:38,965
AS DENISE HEADS UP
THE STAIRS,
429
00:27:38,965 --> 00:27:44,413
THE PICTURE OF DOMESTIC CHAOS
CHANGES TO A HORROR MOVIE.
430
00:27:48,655 --> 00:27:52,000
THERE IS BLOOD SPLATTER
ALL OVER THE WALLS.
431
00:27:52,000 --> 00:27:54,448
THE CARPET IS SATURATED
WITH BLOOD.
432
00:27:54,448 --> 00:27:58,517
YOU CAN SMELL THE BLOOD,
AND THERE'S A SPECIAL TASTE.
433
00:27:58,517 --> 00:28:01,034
MY UNDERSTANDING IS THAT THERE
IS COPPER IN BLOOD,
434
00:28:01,034 --> 00:28:03,931
SO IT GIVES YOU A METALLIC
TASTE IN YOUR MOUTH.
435
00:28:03,931 --> 00:28:06,827
NEAL'S BLOODY BODY
IS DISCOVERED
436
00:28:06,827 --> 00:28:08,793
WITH MULTIPLE STAB WOUNDS.
437
00:28:08,793 --> 00:28:14,103
IT'S NOT JUST THE NUMBER THAT'S
EXTRAORDINARY, IT'S THEIR SIZE.
438
00:28:14,103 --> 00:28:18,448
THIS ATTACK WASN'T COMMITTED
WITH JUST A KITCHEN KNIFE.
439
00:28:18,448 --> 00:28:20,827
HE HAS PARTIAL
AMPUTATIONS OF HIS FINGERS
440
00:28:20,827 --> 00:28:23,034
OF BOTH HANDS
AND HIS FOREARM.
441
00:28:23,034 --> 00:28:25,000
SO HE HAS DEFENSE
WOUNDS CONSISTENT
442
00:28:25,000 --> 00:28:26,724
WITH HAVING FOUGHT BACK.
443
00:28:26,724 --> 00:28:32,275
HIS FACE AND HIS TORSO
HAVE BEEN...
444
00:28:32,275 --> 00:28:34,000
ALL I CAN THINK OF IS,
445
00:28:34,000 --> 00:28:36,275
AS CRUDE AS IT SOUNDS,
IS IT'S BEEN HACKED AT.
446
00:28:36,275 --> 00:28:39,448
THE BLOOD PATTERNS
ON THE FLOOR SUGGEST
447
00:28:39,448 --> 00:28:42,689
NEAL DIDN'T MEET HIS ASSAILANT
ON THE LANDING.
448
00:28:42,689 --> 00:28:46,275
LYING ON THE FLOOR
IS THE MURDER WEAPON.
449
00:28:46,275 --> 00:28:50,068
THERE IS A LARGE SWORD,
A SAMURAI-LIKE SWORD.
450
00:28:50,068 --> 00:28:51,620
IT'S GOING TO BE VERY HEAVY.
451
00:28:51,620 --> 00:28:55,689
AND IT'S... HOW DO YOU GET
THE CLEARANCE TO COME DOWN?
452
00:28:55,689 --> 00:28:58,068
BECAUSE THESE ARE
NOT STAB WOUNDS.
453
00:28:58,068 --> 00:29:00,241
THESE ARE BIG GASHES
454
00:29:00,241 --> 00:29:03,206
LIKE HE'S BEEN HACKED
WITH THE SWORD.
455
00:29:03,206 --> 00:29:06,206
SO IT BEGAN THERE, AND IT LOOKS
LIKE HE COLLAPSES
456
00:29:06,206 --> 00:29:08,827
TO HIS FACE IN THE HALLWAY.
457
00:29:08,827 --> 00:29:11,482
IT LOOKS LIKE NEAL WAS
KILLED WITH A SWORD
458
00:29:11,482 --> 00:29:13,827
FROM HIS OWN COLLECTION.
459
00:29:13,827 --> 00:29:18,379
THE SCENE IN THE CHILDREN'S ROOM
IS MUCH DIFFERENT.
460
00:29:18,379 --> 00:29:20,689
IAN, THE 3-YEAR-OLD,
WAS IN THE LOWER BUNK,
461
00:29:20,689 --> 00:29:22,586
AS ONE WOULD EXPECT.
462
00:29:22,586 --> 00:29:25,103
AND DEVON, THE OLDER CHILD,
WAS IN THE UPPER BUNK.
463
00:29:25,103 --> 00:29:28,275
WHEN I LOOK AT IAN FIRST,
HE LOOKS LIKE A 3-YEAR-OLD
464
00:29:28,275 --> 00:29:31,586
WHO'S JUST GENTLY TUCKED
IN TO GO TO SLEEP.
465
00:29:31,586 --> 00:29:33,620
DEVON IS ALSO LYING IN BED
466
00:29:33,620 --> 00:29:36,689
WITH THE COMFORTER
PULLED UP AROUND HIM.
467
00:29:36,689 --> 00:29:41,137
HE ALSO... JUST NO OBVIOUS
INJURIES ON HIM.
468
00:29:41,137 --> 00:29:44,655
THE BOYS LOOK AS IF
THEY DIED IN THEIR SLEEP,
469
00:29:44,655 --> 00:29:47,896
BUT DENISE BERTONE'S
EXPERIENCE KNOWS BETTER.
470
00:29:47,896 --> 00:29:52,758
SUFFOCATION WAS CONSISTENT
WITH WHAT THE BODIES
471
00:29:52,758 --> 00:29:54,655
SHOWED AT THE SCENE.
472
00:30:01,034 --> 00:30:02,551
HELLO.
473
00:30:02,551 --> 00:30:04,448
IT LOOKS LIKE
THE KILLER KNEW THE FAMILY,
474
00:30:04,448 --> 00:30:06,620
KNEW NEAL HAD A SWORD COLLECTION
475
00:30:06,620 --> 00:30:08,827
AND WANTED HIM DEAD.
476
00:30:08,827 --> 00:30:12,586
KIDS, PROBABLY SUFFOCATION.
477
00:30:18,655 --> 00:30:20,655
AT THE DETECTIVES' PRODDING,
478
00:30:20,655 --> 00:30:23,310
MANLING REVEALS SOMETHING
SHOCKING ABOUT HER QUIET,
479
00:30:23,310 --> 00:30:25,000
RELIABLE,
STAY-AT-HOME HUSBAND.
480
00:31:03,827 --> 00:31:06,137
THIS REVELATION GIVES
THE DETECTIVES
481
00:31:06,137 --> 00:31:08,172
A NEW ANGLE TO EXPLORE.
482
00:31:08,172 --> 00:31:11,206
THEIR KILLER COULD BE
NEAL'S JEALOUS LOVER,
483
00:31:11,206 --> 00:31:14,448
OR, QUITE POSSIBLY,
HER AVENGING HUSBAND.
484
00:31:16,793 --> 00:31:19,413
I'M GOING TO NEED NUMBERS AND
NAMES FOR EVERYONE ON THIS LIST.
485
00:31:19,413 --> 00:31:22,896
SURE.
486
00:31:22,896 --> 00:31:26,689
JAN WILLIAMS HAS JUST
LOST HER SON AND GRANDCHILDREN.
487
00:31:26,689 --> 00:31:32,034
NOW DETECTIVES NEED TO ASK
SOME TOUGH QUESTIONS ABOUT NEAL.
488
00:31:32,034 --> 00:31:34,551
MRS. WILLIAMS?
489
00:31:38,241 --> 00:31:42,551
THEY ASKED ME ABOUT IF I THOUGHT
THAT NEAL WAS HAVING AN AFFAIR.
490
00:31:45,241 --> 00:31:47,793
THEY ASKED ME IF I THOUGHT
IT WAS POSSIBLE THAT
491
00:31:47,793 --> 00:31:49,724
LING WAS HAVING AN AFFAIR.
492
00:31:49,724 --> 00:31:51,931
HOW ABOUT MANLING?
493
00:31:51,931 --> 00:31:54,068
I THOUGHT, WELL, MAYBE SHE WAS
INVOLVED WITH SOMEBODY,
494
00:31:54,068 --> 00:31:58,517
AND THE PERSON DID THIS.
495
00:31:58,517 --> 00:32:01,517
FOR DETECTIVES,
IT'S AN INTERESTING TWIST,
496
00:32:01,517 --> 00:32:04,206
ONE THEY TAKE STRAIGHT
BACK TO MANLING.
497
00:32:15,758 --> 00:32:20,206
MANLING IS LYING
TO THE DETECTIVES.
498
00:32:20,206 --> 00:32:23,517
BACK AT THE CRIME SCENE,
499
00:32:23,517 --> 00:32:24,931
SEARCHING FOR EVIDENCE
500
00:32:24,931 --> 00:32:27,413
THAT MANLING MIGHT HAVE BEEN
HAVING AN AFFAIR.
501
00:32:29,689 --> 00:32:31,000
DENISE?
502
00:32:31,000 --> 00:32:34,517
AND ONE OBVIOUS PLACE
TO START IS HER COMPUTER.
503
00:32:36,517 --> 00:32:38,034
THIS DOESN'T MAKE ANY SENSE.
504
00:32:38,034 --> 00:32:40,172
BUT INSTEAD OF E-MAILS
TO ANY LOVER,
505
00:32:40,172 --> 00:32:43,206
THEY DISCOVER SOMETHING
FAR MORE STARTLING.
506
00:32:43,206 --> 00:32:45,551
THERE'S A COMPUTER
SCREEN THAT'S UP,
507
00:32:45,551 --> 00:32:48,172
AND THERE'S SOME WRITING
ON THE COMPUTER SCREEN.
508
00:32:48,172 --> 00:32:50,551
NEAL MIGHT HAVE LEFT
INVESTIGATORS A CLUE
509
00:32:50,551 --> 00:32:52,586
AS TO WHAT REALLY
HAPPENED THAT NIGHT
510
00:32:52,586 --> 00:32:55,241
FROM BEYOND THE GRAVE.
511
00:33:03,827 --> 00:33:07,724
WOO-HOO!
512
00:33:09,689 --> 00:33:13,482
JUST WEEKS AFTER THIS
HOME MOVIE FOOTAGE WAS FILMED,
513
00:33:13,482 --> 00:33:15,827
NEAL WILLIAMS HAS BEEN
SLASHED TO DEATH
514
00:33:15,827 --> 00:33:17,689
BY HIS OWN SWORD,
515
00:33:17,689 --> 00:33:20,482
AND HIS TWO BOYS SMOTHERED
IN THEIR SUBURBAN HOME.
516
00:33:24,103 --> 00:33:25,896
NOW, INVESTIGATORS FROM
517
00:33:25,896 --> 00:33:28,931
THE LOS ANGELES
COUNTRY SHERIFF'S DEPARTMENT...
518
00:33:28,931 --> 00:33:30,068
DENISE?
519
00:33:30,068 --> 00:33:32,793
HAVE FOUND A NOTE
HE APPARENTLY LEFT
520
00:33:32,793 --> 00:33:34,793
ON HIS WIFE'S COMPUTER.
521
00:33:34,793 --> 00:33:36,241
THE NOTE ON THE COMPUTER
522
00:33:36,241 --> 00:33:41,758
IS SUPPOSEDLY
THE FATHER'S SUICIDE NOTE.
523
00:33:41,758 --> 00:33:45,931
TO INVESTIGATORS,
THIS IS A HUGE RED FLAG.
524
00:33:45,931 --> 00:33:47,551
HIS HANDS ARE TOO MANGLED.
525
00:33:47,551 --> 00:33:51,827
HOW DO YOU HAVE WOUNDS
A FOOT LONG ACROSS YOUR BACK
526
00:33:51,827 --> 00:33:55,275
IN MULTIPLE, AND SEVERAL
DIFFERENT DIRECTIONS
527
00:33:55,275 --> 00:33:58,413
THAT ARE SELF-INFLICTED?
528
00:33:58,413 --> 00:34:00,482
ABSOLUTELY NOT.
529
00:34:00,482 --> 00:34:02,931
THE NOTE ONLY DEEPENS
THE MYSTERY--
530
00:34:02,931 --> 00:34:05,827
A BUNGLED ATTEMPT
TO THROW INVESTIGATORS
531
00:34:05,827 --> 00:34:08,241
OFF THE REAL KILLER'S SCENT.
532
00:34:19,413 --> 00:34:21,344
BACK AT THE CRIME SCENE,
533
00:34:21,344 --> 00:34:26,137
A NEW AND DAMNING
PIECE OF EVIDENCE.
534
00:34:26,137 --> 00:34:29,310
THEY FOUND NEAL'S BLOOD
535
00:34:29,310 --> 00:34:32,827
ON A CIGARETTE BOX
IN THE CAR,
536
00:34:32,827 --> 00:34:35,931
AND THEY CONFRONTED HER
WITH THAT.
537
00:35:15,413 --> 00:35:20,310
THERE'S NO WAY HIS
BLOOD COULD'VE BEEN THERE IF,
538
00:35:20,310 --> 00:35:22,172
AS SHE SAID,
SHE'D GONE OUT FOR A DRIVE
539
00:35:22,172 --> 00:35:26,448
AND COME BACK AND FOUND HIM DEAD
AT THE TOP OF THE STAIRS,
540
00:35:26,448 --> 00:35:29,931
AND THEN WENT RUNNING
OUT SCREAMING.
541
00:35:29,931 --> 00:35:33,965
HOW WOULD HIS BLOOD GET ON
THE BOX?
542
00:35:58,689 --> 00:36:01,724
MANLING WASN'T ANGRY
AT NEAL FOR HAVING AN AFFAIR.
543
00:36:01,724 --> 00:36:04,896
SHE WAS ANGRY BECAUSE
HE AND THE KIDS
544
00:36:04,896 --> 00:36:07,724
WERE PREVENTING HER
FROM HAVING THE LIFE
545
00:36:07,724 --> 00:36:09,758
SHE REALLY WANTED.
546
00:36:19,620 --> 00:36:23,103
IF SHE COULD MAKE IT LOOK
LIKE HE COMMITTED SUICIDE,
547
00:36:23,103 --> 00:36:27,655
SHE'D BE ABLE TO GET RID OF NEAL
AND START A NEW LIFE.
548
00:37:01,310 --> 00:37:03,965
AND SHE TUCKED THEM IN AND MADE
IT LOOK LIKE THEY WERE SLEEPING
549
00:37:03,965 --> 00:37:06,275
AND SHUT THE DOOR.
550
00:37:25,103 --> 00:37:27,482
WE'VE ALL HELD A NEWBORN BABY.
551
00:37:27,482 --> 00:37:32,068
BUT HOLDING A PILLOW OR SHOVING
A CHILD'S FACE INTO THE BEDDING,
552
00:37:32,068 --> 00:37:36,586
AND JUST THE PANIC THAT--
553
00:37:36,586 --> 00:37:38,965
AND THE PAIN,
554
00:37:38,965 --> 00:37:41,724
AND THE FEAR THAT THAT CHILD
WAS GOING THROUGH...
555
00:37:41,724 --> 00:37:43,586
I'LL BE LATE.
556
00:37:43,586 --> 00:37:46,827
HAVE FUN!
557
00:37:46,827 --> 00:37:51,724
AND THEN SHE WENT OUT
WITH HER FRIENDS.
558
00:37:51,724 --> 00:37:54,793
SHE EXPECTED NEAL TO
FIND THEIR DEAD BODIES AND,
559
00:37:54,793 --> 00:37:58,862
UNABLE TO LIVE WITHOUT HIS SONS,
COMMIT SUICIDE.
560
00:38:02,344 --> 00:38:05,310
BUT WHEN MANLING ARRIVES HOME,
561
00:38:05,310 --> 00:38:08,655
SHE FINDS NEAL FAST ASLEEP.
562
00:39:17,206 --> 00:39:18,965
ONCE NEAL STARTED RUNNING,
563
00:39:18,965 --> 00:39:20,689
ALL THOUGHTS
OF STAGING HIS DEATH
564
00:39:20,689 --> 00:39:24,551
AS A SUICIDE
FLEW OUT THE WINDOW.
565
00:39:24,551 --> 00:39:26,000
MANLING CHASED HIM DOWN
THE HALL...
566
00:39:26,000 --> 00:39:29,241
NO! NO!
567
00:39:32,275 --> 00:39:36,103
SLICING AT HIM FROM BEHIND.
568
00:39:36,103 --> 00:39:40,068
THE AUTOPSY RECORDS
92 CUTS TO HIS BODY.
569
00:39:49,724 --> 00:39:52,448
SHE BUNDLED UP HER BLOODY
CLOTHES AND THE GLOVES
570
00:39:52,448 --> 00:39:55,172
AND DROVE TO A NEARBY DUMPSTER
TO DITCH THEM.
571
00:39:58,758 --> 00:40:00,827
AND THEN SHE WENT UP
TO THE RIDGE TOP
572
00:40:00,827 --> 00:40:02,896
TO HAVE THAT SMOKE
573
00:40:02,896 --> 00:40:05,206
AND WATCH
THE SUN COME UP.
574
00:40:13,517 --> 00:40:15,965
AT HER TRIAL IN 2012,
575
00:40:15,965 --> 00:40:18,655
MANLING WILLIAMS
IS FOUND GUILTY
576
00:40:18,655 --> 00:40:23,551
ON FIRST-DEGREE MURDER
ON THREE COUNTS.
577
00:40:23,551 --> 00:40:26,827
WHO CAN STAB
ANOTHER PERSON 92 TIMES?
578
00:40:26,827 --> 00:40:29,103
A MONSTER?
579
00:40:29,103 --> 00:40:31,241
AND IN HER CONFESSION
SHE SAID THE LAST THING
580
00:40:31,241 --> 00:40:33,724
HE SAID WAS, "HELP ME."
581
00:40:37,862 --> 00:40:40,724
THAT WAS HARD TO HEAR.
582
00:40:40,724 --> 00:40:42,758
I WISH I COULD'VE BEEN THERE
TO HELP HIM,
583
00:40:42,758 --> 00:40:48,172
OR...
EASE HIM INTO PASSING,
584
00:40:48,172 --> 00:40:50,620
AND I WASN'T.
585
00:40:57,896 --> 00:41:01,793
SHE IS CURRENTLY
ON DEATH ROW IN CALIFORNIA.
586
00:41:05,137 --> 00:41:09,241
♪ TWINKLE, LITTLE STAR ♪
587
00:41:09,241 --> 00:41:14,241
♪ HOW I WONDER WHAT YOU ARE ♪
588
00:41:14,241 --> 00:41:16,896
♪ UP ABOVE... ♪
589
00:41:16,896 --> 00:41:18,344
♪ ...ABOVE THE WORLD ♪
590
00:41:18,344 --> 00:41:19,482
DO IT.
591
00:41:19,482 --> 00:41:22,103
♪ ABOVE THE WORLD ♪
592
00:41:22,103 --> 00:41:24,413
FOR THE LOVED ONES OF
NEAL, DEVON AND IAN,
593
00:41:24,413 --> 00:41:27,310
THE HORROR HAS BEEN DEVASTATING.
594
00:41:27,310 --> 00:41:31,000
I MISS HAVING SOMEONE
THAT CLOSE TO ME IN MY LIFE.
595
00:41:31,000 --> 00:41:32,931
I DON'T HAVE ANYBODY
THAT CLOSE TO ME ANYMORE
596
00:41:32,931 --> 00:41:37,413
BECAUSE I'M TERRIFIED
OF HAVING SOMEONE THAT CLOSE.
597
00:41:45,827 --> 00:41:49,344
I THINK ABOUT DEVON
AND IAN EVERY DAY.
598
00:41:52,517 --> 00:41:55,965
THEY WERE LIKE MY BOYS, TOO.
599
00:41:55,965 --> 00:41:58,482
I LOVE THEM,
MY KIDS LOVE THEM.
600
00:41:58,482 --> 00:42:00,931
WE DO OUR BEST
TO KEEP THEM ALIVE.
601
00:42:04,896 --> 00:42:06,206
THEY'RE JUST AS
IMPORTANT TO ME
602
00:42:06,206 --> 00:42:07,482
AS EVER THEY WERE.
603
00:42:07,482 --> 00:42:10,793
I DON'T HAVE NEW STORIES
TO TELL, AND MAYBE I BORE PEOPLE
604
00:42:10,793 --> 00:42:13,000
BY TELLING THE SAME STORIES
OVER AND OVER AGAIN,
605
00:42:13,000 --> 00:42:18,758
BUT LOVE DOESN'T
JUST GO AWAY.
606
00:42:18,758 --> 00:42:21,379
AND BECAUSE THE LOVE
FOR YOUR CHILD
607
00:42:21,379 --> 00:42:25,344
AND THE LOVE FOR YOUR GRANDCHILD
IS GREAT...
608
00:42:25,344 --> 00:42:27,862
MY BOYS.
609
00:42:32,034 --> 00:42:34,241
THE PAIN IS ALSO GREAT.
45139
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