Original subtitles

(wind blowing softly)

YOu NG wOMAN : There 'S a meadow

in my perfect world...

where wind dances the branches of a tree,

casting leopard spots of 1ight across the face of a pond.

The tree stands tall

and grand and alone,

shading the world beneath it.

(crying , yelling)

(wind rushes)

(gasping breath)

(panting)

1t is here, in the cradle of all I hold dear,

-1 guard every memory of you. -(sobbing )

And when l find myself frozen in the mud of the real,

far from your loving eyes...

1 will return to this place, close mine,

and take solace in the simple perfection of knowing you.

(yells)

(grunting)

(bleating)

(bleating continues)

(gunshot)

(bleating)

(gunshot)

♪ ♪

(bleating)

♪ ♪

(thunder booming)

(knocking)

(bird squawking)

(dead bolt clacks)

Hey.

(wind whistling softly)

You got blood on your shirt.

Uh, yeah , l just came from work.

Who was the victim today?

Looks l ike it's gonna be me.

Want some coffee?

Sure.

(wiping shoes on mat)

(sighs)

(TV playing indistinctly in distance)

(hissing inhale)

(exhales slowly)

(sn iffs)

(cu pboard opens, cups clack)

(cu pboard closes)

So, l gotta go to the rez tomorrow.

Figure l'd take Casey by to see your folks.

Hmm .

Somethi ng kil led a yearl ing i n the pasture behi nd their house.

Yeah, that's why l'm going .

Don't let Casey out of your sight on the rez.

-Okay? -No, like l said ,

l'm gonna leave hi m with your folks while l scout.

You know, it's too cold to d rag him through the snow,

-so. . . -You know what l mean .

Yep.

Yeah .

Case!

-(calls): Dad? -Come on , bud .

-Okay. l'm coming . -Time to go.

Whoa, whoa, whoa, whoa, whoa whoa.

What's your BB gu n pointed at right now?

Come here. Come down here.

Sorry, Dad .

Hey. What's the rule, bud?

Okay? Gun's always loaded , even if it ain't.

Right?

-(quietly): Yes. -Okay. Come on , buddy.

Put that in the truck. Hurry up.

-Okay. -Don't ru n .

(chuckles softly)

I'll be back Monday afternoon .

Just be careful on the road, okay?

This won't be my first snowstorm in a car.

Okay.

Is this it?

Yeah .

Here you go, buddy.

You know, it's a good town , Wilma.

They got good schools there.

If l get the job, we're gonna have to talk

about his child support.

Jackson's a lot more expensive.

Wel l , you go get that job,

and we'll figure it out from there.

Don't you worry about it.

Take Togwotee Pass.

And don't go through Pinedale, okay?

This, u h, this storm's comin' from the south , so...

Yeah, you couldn't drag me through Pinedale with a rope.

(voice breaks): l'll never set foot in that town again .

Wel l , good Iuck, okay?

Better hurry it u p-- it's hungry.

(horse snorting)

(birds chirpi ng)

Chow time, boys.

(huffs Ioudly)

(Casey groans)

You okay?

CASEY: Fine.

(panting)

You gotta push his nose back

when he rubs up on you like that.

-Okay? -'Kay.

Yuck.

Told you l'd get that hat dirty.

He's got the height advantage on me is the deal .

Is that right?

Wel l , let's fix that.

Come on .

You're gonna earn his respect, buddy.

You know how you do that?

By standing your own ground .

So, let's get you up on there.

So, l ike I showed you , right?

Up.

Who's got the height advantage now?

Huh? Who's got the height advantage?

Let's back him up.

-(neighs) -Be gentle.

Til l he tells you not to be.

-(horse huffs) -Take him around .

That's it.

Pass right by his food .

Keep on goi ng , keep on going .

There you go. You show him who's boss.

Want to sidepass him over this way?

-Whoa. -(huffs)

♪ ♪

There you go.

That's it, son .

(horse grunting)

Keep coming .

Back him up.

He wants the food . Back him up.

-(grunti ng) -Look at that.

All right, come on in .

-How about that! -(Casey laug hs)

Good job. Come over here.

Put your hand up on his nose.

Let him smell you , let him breathe you ,

let him know you .

He'll Iove you forever.

Okay?

♪ ♪

(nickers)

Hey.

So, what do you thi nk of that, son?

(chuckles): That was pretty cowboy, huh?

(Cory chuckles)

No, son .

That was all Arapaho.

(vehicle approaching)

♪ ♪

Hey, grandson ! Hey!

Grandma's making you fry bread .

-Did you have breakfast? -Just eggs.

Wel l , go ahead , get you some!

(horse neighing excitedly)

-Horses sense the storm , huh? -Yeah.

So, u h, police chief call you to hunt the lion , eh?

Well, he called me to hunt somethi ng.

-Yeah. -Heard you lost a steer.

Yeah. l'll show you where.

-It's a lion . -ls that right?

Come on .

-(geese hon king) -How's Wilma?

CORY: She got a job interview in Jackson .

Some hotel, l th ink.

-(chuckles): Jackson Hole. -Yeah .

Going to live with the millionaires, eh?

(chuckles) Wel l , l don't know about that.

I think the billionaires

chased out the millionai res years ago.

Wel l , save you r money.

When the wolves start eating their golden retrievers,

that land's gonna go for pennies on the dol lar.

(wind whistl ing)

Yes, sir.

DAN : Tell me what that is.

(bird squawking)

♪ ♪

(wind whistl ing)

Yeah .

Wel l , it's a lion , all right.

DAN : There's two.

CORY: Three of 'em .

She's got both of last year's kits with her.

They chased your steer around for a while, it seems.

That's what the tracks say.

CORY: Mama's teaching her kids how to hunt.

(thunder rumbl ing)

(wind whistl ing)

(exhales)

She's teaching them on livestock.

Mama just got her whole family killed .

You got gas in your sled?

♪ ♪

(d istant thunder rolling)

♪ ♪

♪ ♪

(engine shuts off)

(wind whistling softly)

♪ ♪

(bird squawking)

♪ ♪

♪ ♪

(pistol clicks)

(wind whistl ing)

(u ncocks hammer)

(grunts)

(Cory exhales)

(Cory groans)

(breathing deeply)

(radio beeps)

Hey. l need emergency assistance.

Repeat, emergency assistance requested .

Come back.

DEPUTY (over radio): Fremont County Sheris Office.

What's your Iocation?

(sighs) The Wind River lndian Reservation ,

east of Boulder FIats.

(radio clicks)

FBI taking a while, eh?

BEN : Yeah , the road out of Riverton's bad .

I don't want to move her until they have a look,

but l'm not gonna try to pull her out after dark.

We gotta get this show on the road .

We're losing the tracks, Ben .

BEN : Well , it is coming down pretty good .

You shou ld let me follow 'em whi le l stil l can .

BEN : Can't let you do that,

until it's okayed by the FBl , Cory.

You call her folks yet?

No. l want to take the body to Lander.

I know it looks li ke Natal ie...

lt's Natalie.

There's your Feds.

DAN : Where are these fools going?

-They can't see the road . -We don't have time for this.

L'll get 'em .

FEMALE GPS VOICE: You r destination is on the left.

-(snowmobile approaches) -Turn left.

(engine idli ng)

-You FBl? -Are you tribal pol ice?

No, l'm here to take you to them .

Look, they're very close. Just follow me, okay?

Yeah .

(neighing)

L'm Jane Ban ner. (sniffs)

You by yourself?

Yeah. lt's just me.

L'm Ben Shoyo-- l'm the tribal police chief.

That's Cory Lambert, with Fish and Wildl ife.

He's the one who found the body.

And this is his, uh , father-in-law, Dan .

He don't do nothin'.

We got the same job, eh?

Wel l , um, l'm sorry to meet under these circumstances.

(sniffs) So, do you want to show me the body?

I don't mean to be rude-- l'm just freezing

my ass off here, so. . . the quicker, the-the better.

BEN : Yeah? Well , that's gon na get a lot worse

if you go out there dressed like that.

The body's five miles on snowmobile.

L'm afraid you'd be dead by the time we got there.

Okay. l-l got the call when l was at a weapons cou rse

in Riverton, so th is is. . . this is what l've got.

BEN : Well , you should have a winter gear bag

-in that truck. -Well, um , no,

that's not a government vehicle, it's a rental .

I flew in from Vegas.

So l'm just the closest agent to the scene.

You don't. . . you don't think l can ...

I can make it?

-Oh , you're from Vegas? -No, l'm not. . . l'm not

from Vegas; l'm stationed there.

I'm from Fort Lauderdale.

I'm sorry, if we're gonna keep

-having this conversation . . . -Let's get you fixed up i nside.

-It's gonna be great. -Thanks.

Sorry. Excuse me.

Thanks.

-See what they send us? -(quietly): Yeah .

Thermals can make underwear wedge up your bottom .

But l guess yours are already there.

Here, these should fit.

You're skinny.

Thank you .

Do you have gloves?

No.

Goodness. What were they thinking sending you here?

Thank you .

And you bring them back the minute you're done.

They were my granddaughter's.

They ain't a gift.

You hear me?

Yeah, of course.

(door opens)

JAN E: Okay.

'Kay.

Hey, buddy.

(sighs): Um . . . l'm gonna need

a couple more hours, for work.

A cou ple.

This is our day.

I promise. Okay?

(q uietly): Okay.

-Hang with Grand pa. -lt's letting up. Let's go.

♪ ♪

♪ ♪

God , it was a blizzard 20 min utes ago.

BEN : Wel l , it comes in waves.

Cou ld be su nny for an hour,

then you're right back in hell again .

The storm'll be back.

-That's somethi ng to look forward to. -Yeah. Over here.

JAN E: You got a positive l D?

Not positive, no.

Natalie Hanson .

We'll call that positive for now.

(sniffs) Does she live close by?

BEN : Yeah. Fort Wakashie.

It's to the north a ways.

What's "a ways"?

About a 30-minute d rive.

Okay, well , she didn't run from home, then .

No one reported her missi ng? Her parents. . .?

Nope.

(wind whistl ing)

Yeah. That's why we called you .

How experienced is you r medical examiner? (sniffs)

Let's just say he. . . he stays busy.

Uh, order a rape kit.

When he's done with the preli m ,

l want her body sent to Loveland .

And make sure her belongings go with her,

'cause they need to get tested , too.

L'm l isting this as a homicide.

How well do you know th is Iand?

Like it's my job.

'Cause it is.

Wel l, is there anywhere she could be running from?

Is there anything close by?

Nearest house is three and a half miles from here.

-Southeast. -Sam Littlefeather's place

is over there.

Yep.

Those boys could use some serious looking into.

There are no structures closer?

There's a drill rig five miles from here.

They got trailers for the workers, but...

-that's closed for the winter. -JAN E: Okay, so why wou ld

a teenage girl be out here?

Wel l , kids come out here on their snow mach ines,

and , uh , have a big party in the snow.

Not barefoot, they don't.

What do you thin k?

I only know what the tracks say.

Okay, well , that's all we got.

Wel l , come here, l'l l show you .

Over here. See this one? See how the toes turned out,

the front is much deeper than the back?

That says she was run ning.

Come here. I'II show you .

She ran until she dropped here.

See the pool of blood where her face hit the snow.

Now, it gets 20 below here at night,

so if you fill your lungs u p with that cold air

when you're running, you could freeze 'em up.

You r lungs fill up with blood , you start coughing it u p.

So wherever she came from ...

...she ran all the way here.

Her lungs burst here.

And she curled u p in that tree line

and d rowned in her own blood .

Wel l , how far do you th ink

someone could run barefoot out here?

Oh , l don't know, l ...

How do you gauge someone's will to live?

Especially in these conditions.

But I knew that gi rl .

She's a fighter.

So no matter how far you think she ran ,

l can guarantee you she ran further.

(wind whistl ing)

I got to get back to my son .

(wind whistl ing)

Hey, um. . . would you be willing to help me?

(ind istinct police rad io transmission)

Hey, can he assist on this investigation?

What?

He doesn't work for me.

And you got a lion to ki ll , don't forget.

There's three of 'em-- and l did n't.

Sorry, what is it. . . what is it that you do agai n?

L'm a hunter.

You're a Iion hunter?

I hu nt predators.

Good . So why don't you come hu nt one for me, then?

Okay.

(engine starts)

(high-pitched wh irring)

("Diamonds and Gasoline" by Turnpike Troubadours playing)

(blows out sharply)

(whirring)

(metallic clin k)

(whirring)

(two beeps)

(two beeps)

CASEY: Dad?

Hey, bud .

What happened? You can't sleep?

Had a nightmare.

That right? What about?

Who was she?

Come here, buddy.

-Want some milk? -No.

Well ...

she was a girl that just lost her way in the snow.

That's all . Okay?

What's all this?

That's work, buddy.

Did she die Iike Emily?

She died from the cold .

So she died Iike Emily.

Yeah, son .

I'm afraid she d id .

(wolves howling)

Hi. Sorry.

(Ben chuckles)

Yeah .

See you found town okay.

Yeah, barely.

Did the family identify the body?

-Yeah . -(Jane sighs)

Did they give you a reason for not reporting her missi ng?

Well, she stayed with a boytriend some.

They didn't think anything of it.

She was 1 8, free to do what she wanted .

Okay, Randy, you're on the clock.

I got about five minutes of this i n me, so let's go.

RAN DY: l'll be quick. Morni ng .

Randy Whitehurst. l'm the medical exami ner.

L'm-I'm Jane Banner, FBl .

Uh, as you can see here,

she suffered a deep laceration along her brow line.

Two separated ribs.

Frostbite in both feet up through her ankles,

frostbite on her nose and on her left hand .

Uh, the frostbite on her feet is stage four.

You can tell by the blu ing here.

You see that?

Yeah .

Uh, vagi nal wall is torn in different depths.

You think there are mu ltiple assailants?

Can't determine that.

Cou ld be one assailant who assau lted her multiple ti mes.

Uh, l swabbed her and sent the sample by courier

to the FBl crime lab in Loveland, Colorado

per your request.

We should have the DNA results in six weeks.

Uh, those findings might help us make that determi nation .

What are you listi ng as the cause of death?

Wel l , you're not gonna l ike it.

She died from a pulmonary hemorrhage.

When. . . subzero ai r is drawn into the lu ngs,

it can cause the alveoli--

The tiny sacs in the lu ngs-- to burst.

Flu id builds in the lu ngs, and if the air is cold enough,

the liquid in the lungs will crystallize.

Ultimately, the victim either...

Sorry, you're not listi ng this as a homicide?

Can't.

Uh, s. . . You have to take

into consideration the circumstances.

She was raped repeatedly, beaten ...

Look, uh , circumstances is your field, not mi ne.

-Now, let me. . . let me show you . -No.

I don't need it explained .

This is very prosecutable as a murder.

I mean, clearly, she wouldn't have been

ru nning through the snow if she hadn't been attacked ,

but l can't list the cause of death as homicide.

And l can't get an FBl team to the reservation

unless it's listed as a homicide.

Look, l'm not here to solve this.

L'm-l'm just here to obtain a cause of death

-and send a team here that can . -RAN DY: Look, present

the rape, present the assault, and l'm ...

Those don't fall to the jurisdiction of the FBl .

They fall to the Bureau of l ndian Affairs.

Huh . Hey, don't look at me. l'm used to no help.

You have six officers on your entire force

to cover an area the size of Rhode lsland .

BEN : Yes, l know that.

No offense, but this will have to curl u p

in your lap in order for you to solve it.

-(scoffs) l know that, too. -RAN DY: We all know

it's a murder.

All right, have a U .S. Attorney sign off on it,

l'm happy to corroborate that, but l just can't put it

on the death certificate.

Okay.

Thank you .

(sighs)

(doors close)

(doors close)

I appreciate your passion .

It's not the Feds' usual response,

but Randy is on our side.

When my supervisor sees his report,

he's gonna want me back in Vegas.

Not that. . . l'm much hel p or anything, but...

(scoffs) . . . l'm all you've got.

(Ben sighs)

(phone ringing)

Yeah .

BEN : So you never met him .

MARTl N : No.

BEN : And she never talked about him?

MARTl N : Not to me.

JAN E: So why would you let your daughter stay

with a guy you've never met whose name you don't even know?

She was an adu lt.

Barely.

-(speaking Arapaho) -B EN : Oh .

L'm sorry. What does that mean?

It ain't good .

Ah. U m, look...

I don't mean to offend you .

I am just trying to understand the dynamic here, Mr. Hanson .

L'm trying to help.

Why is it whenever you people try to help,

it starts with insults?

I don't know why she didn't tel l me,

but she was 1 8, and l chose to trust her.

I chose wrong.

Okay, well , um , how about. . . you r wife?

Did your daughter talk to her?

Do you talk to your mother?

Her name is An nie? ls she here?

She's in the bedroom .

Good. l'd like to speak to her.

Be my guest.

Thank you .

-Bedroom's just this way? -That way.

-Jane? -Yeah.

You don't mind , right?

Hey, you don't need my permission .

You're an adu lt.

Barely.

(sighs)

(crying)

BEN : Jane?

(crying continues)

L'm-I'm really sorry.

(clears throat)

(knocking at door)

(exhales)

Hey.

(sobbing)

(sighs)

(clears throat)

(sobbing continues outside)

(dog barking)

L'd like to tell you it gets easier.

It doesn't.

If there's any...

comfort, it's...

getting used to the pain , l suppose.

(bird singi ng)

Went to a grief seminar in Casper.

Did you know that?

I don't know why.

Just wanted the bad to go away.

Wanted answers. . . to questions that could n't be answered .

The counselor come up to me after the seminar

and sat down next to me.

And he said someth ing that stuck with me.

I don't know if it's what he said ,

or it's how he said it.

He says, "l got some good news, and l got some bad news."

"Bad news is you're never gonna be the same.

"You're never gonna be whole, not ever again .

"Your lost your daughter.

"Nothing's ever going to replace that.

"Now the good news is,

"as soon as you accept that, and you let yourself suffer...

". . .you allow yourself to visit her in your mi nd ,

"and you'll remember all the love she gave,

all the joy she knew."

Point is, Martin , you can't steer from the pain .

If you do, you'll rob yourself...

You'll rob yourself of every memory of her.

Every last one.

From her fi rst step

to her last smile.

Kill 'em all .

Just take the pain , Martin .

You hear me?

You take it.

It's the only way you'll keep her with you .

I'm just tired , Cory.

You know, l just...

l'm so tired of fighting this l ife.

What you do now is for your boy.

MARTl N : Hmph .

Drugs is his family now.

He's gone, too.

Lives right down the damn road , but he's...

he's gone.

I expect they'll find out he's involved in this somehow.

He's staying with the Littlefeather boys.

Is that it?

-MARTl N : Yeah . -(Cory grunts)

You're driving this Fed arou nd so she don't

get lost? ls that it?

That's what they asked me to do.

It's not what l'm doing.

Then what are you doing?

L'm a hunter, Marti n .

What do you think I'm doing?

If you find out who d id this,

l don't care who it is.

You understand me?

Right where they stand .

Then get off my porch and go do it.

(door opens)

(door closes)

("See You in Hell" by Joey Stylez plays from inside shack)

(vehicle doors closi ng)

BEN : Natalie's brother

lives here with Stan and Bart Littlefeather

and a real piece of work named Frank Wal ker.

Hanson kid's bad , but the others are just...

stone evil , so watch yourself.

Shou ldn't we just maybe wait for some backup?

Wel l . . . this isn't the land of backup, Jane.

This is a land of you're on your own .

(knocki ng on door)

Listen to that shit.

♪ ♪

Yeah?

Yeah, we're looking for Chip Hanson . He arou nd?

Not here, bro.

Who are you?

Who the fuck are you?

L'm the FBl .

Are you Sam?

No.

You high right now, Sam?

How many times have l arrested you?

Chief. What's up, bro?

Where's your brother?

He's in prison where you put hi m .

What? No parole?

Well, look at that-- the justice system at work.

That reminds me.

My P.O. told me to give you something.

I . . . l got it. . . l got it right here. Let's see...

Wait. Let me see your hands. Let me see...

(both yelling)

-(yelling ) -(door slams)

(coughs, groans)

-(Ben coughs) -(Jane yells)

BEN : Cory! Watch the back!

(yelling)

(coughing)

(groans)

(both coughi ng)

(grunts)

(coughing)

(panting)

(loud panti ng)

(shrieks, thuds)

(panting)

(floorboard creaks)

(floorboard creaks)

(panting)

(panting)

(coughs, vomits)

(panting)

(wind whistl ing)

(panting)

(gunshot, debris clattering)

(gunfire)

(debris clinking)

(panting)

-(wheezy coug hing) -(Jane panting)

(groans, panting)

(Ben coughi ng)

(Jane panting)

The other two's outside with Cory. Let's go.

JAN E: He's-he's still alive. We need to call the EMS.

EMS is an hour away. Just. . . just

-leave him . -JAN E: Mm-mm .

He's not dead , Ben .

(labored breathi ng)

(Ben coughs)

(exhales)

BEN : Like l said ,

let's go.

(clears throat)

(coughing, sn iffi ng)

-Are you okay? -Yeah .

BEN : The skinny one's Natalie's brother.

-JAN E: Who's the other one? -That...

is a Frank Wal ker.

Won't your daddy be proud?

My dad's i n prison , asshole.

I know. l put him there.

Tell me what happened to your sister, Ch ip.

What?

BEN : Don't play du mb.

About what? What happened to her?

CH l P: Huh?

What'd that cracker do, h uh?

What. . . what cracker?

Was she seeing a wh ite guy?

Do you know hi m? Do you know who he is?

BEN : Do you know his name, Ch ip?

You just said "was."

Why d id you say "was"?

Wh-Why did she say "was"?

She just said "was"!

Because l found her raped and killed

right over there, son .

That's why.

No.

(snies)

(sobbing)

What?!

(continues sobbing)

(echoing shout): What. . .?!

(wind whistl ing)

You go. l'm gonna get Ch ip over to Lander

and see if he'll give me the name of this boyfriend .

L'm telling you , this is how we nd hi m .

(chuckles): No, we go to where he works or where he lives.

Yeah?

All right, well , where does he work?

Where does he Iive?

You think this asshole's gonna tell us anything? l don't.

Look, l know you're looking for clues,

but you're missing all the signs.

Come here. Let me show you .

See this here?

-This is a sled track, right? -Okay.

Okay, you see out here on the ridge?

Here.

Use these.

-Okay. -You see at the end of the ridge here?

Follow my hand . Can you see my hand?

-Yep. -Okay, when l take it away, now look.

-Do you see that? -U h-huh.

-Can you see the shadow there? -l think so.

The snow's starti ng to cover it.

Now look up at the base of the mountain there--

You see it go up the ridge there?

You'll see it a lot easier there.

You see those tracks go up that mountain there?

-Yeah, l see it. -All right.

Natalie's body was found just past there. Right?

And someone unloaded a sled right here,

drove all the way out there.

There's no tracks coming back-- why is that?

L'm telling you . . . the answers are out there.

(snies)

Hey, look, u m ...

l don't know how to do this, okay?

-L'm not a tracker. -That's okay.

That's all l do.

(exhales sharply)

Look...

-you asked me to help you , right? -Yeah .

We should go, while l still can .

Okay.

(tu rns off engine)

Why are we stopping?

Well, we're above the storm now.

The trees are too thick to drive.

Got to walk from here.

Come on .

(clears throat)

-Put these on . -Okay.

Now what?

We walk.

Follow these sled tracks heading south .

-Ready? -Yeah .

-All right, follow me. -Mm. Okay.

♪ ♪

(squawks)

Oh , my God .

(sq uawking)

(hawk shrieks)

Oh , my God .

We were on foot the last half mile of it,

but we blazed a pretty good trail in the snow, so...

l could take the boys back up there if you want.

BEN : Well , l'll talk to the B lA supervisor.

He just might want you to do that.

Security team over at the rig's got cameras

arou nd the perimeter.

L'm gonna head up there in the morning--

We might get lucky and find something on tape.

All right.

Did . . . d id the two we have in custody say anything?

(chuckles softly) They ain't the talking kind , Jane.

These kids, they expect to go to prison .

It's a rite of passage.

Hel l , l think they look forward to it-- you know, u h,

three hots and a cot and free cable.

Anything's better than bei ng here, the way they see it.

Let's just test their DNA against the semen

and see what that tells us.

-Can l talk to them? -JAN E: No, Cory.

Anything they tell you wou ld be inadmissible in court.

And then anything you'd tell us

wou ld render every net result inadmissible as well .

What if I didn't tell you?

What if I just knew it?

(phone ringing)

(sighs)

(clears throat) Yeah. Agent Banner.

Yes, sir. (coughs)

CORY: Ben .

L've known this kid since he could wal k.

I gotta canvass the house.

The, u h, back door only locks from the inside.

(engine idling qu ietly)

-Look at you . -(laughs)

(scoffs) Look at you .

I didn't do sh it.

-(Cory chuckles) -(clears throat)

All you've been doing is shit for the last few years, Chip.

(laughs wryly)

It's this place, man .

Look what it takes from us.

What it took from you .

L'm not gonna stand here and tell you that life's fair,

'cause it ain't.

To either of us.

But, you know,

-what do we do? -(coughing quietly)

This land, land ,

-this land is all we got left. -What's this "we" shit?

Only thing native about you is your ex-wife,

and the daughter you couldn't protect.

Maybe if you'd played detective...

(coughing)

That's not someth ing you get to talk about.

-(continues coughi ng) -You hear me?

Go over there.

(sn iffs)

You're gonna lecture me about protecting people

while you deal the sh it that's killing them?

Unlike most people, you had every chance

to get the hell out of here if that's what you want.

You had the army, you had college--

Whatever, it was you r choice.

Look what you chose.

Look what you chose.

Goddamn you .

I met him .

Yeah?

Yeah, the motherfucker was almost as old as you .

AII right?

I wanted to fight his ass, too.

But Natalie wouldn't let me.

(wry chuckle) Guess love really is blind , huh?

He works security on one of them d rill sites.

Does the boytriend have a name?

Matt. Matt someth ing .

I don't know.

Who does?

Sam knew.

Why don't you ask him?

I think you'll be tal king to Sam long before l do.

You think this is who l wanted to be?

Man ...

l get so mad ,

l want to fight the whole world .

You got any idea what that feels li ke?

I do.

But l decided to fight the feeling instead .

'Cause l figured the world would wi n .

JAN E: What did l tell you?

Did-did he say anythi ng?

No, fuck, l don't. . . l don't. . . l don't want to know.

-You're headed up to the rigs tomorrow, ain'tcha? -Yeah.

Natalie's boyfriend worked there.

What?

No. Fuck, don't tell me.

-This thing's solving itself. -(Jane groans)

Cory.

I want you at the rig with us tomorrow.

You don't catch wolves looking where they might be,

you look where they've been .

They been right here.

♪ ♪

Hey.

You okay?

I been better.

Brings it all back, doesn't it?

Maybe.

So, you and Ben and this little FBl girl

formed your own posse to go solve it all , l hear.

Just trying to help.

You won't get the answers you're looking for.

No matter what you find .

This isn't about Emily.

(soft, trembling breath)

Good night, Cory.

♪ ♪

JAN E: Matt Rayburn .

Do you know hi m?

That the guy we found in the snow?

Yeah. H is fi ngerpri nts are in the database.

He's a security contractor for one of the drill stations.

All right.

That it?

-Am l fired now? -(laughs): No.

-Come on, why don't you come inside. -Okay.

-We'll warm up. -Yeah.

You , uh , want something to dri nk?

Sure.

Got, uh . . . mil k

and coffee and well water.

Water is good .

Okay.

All right, uh ,

just make yourself at home.

(refrigerator door opens)

(refrigerator door shuts)

(chuckles)

(water pouring in distance)

(footsteps approach ing)

Here you go.

Thanks.

That's, u h ...

that's my daughter, Emi ly.

She passed three years ago.

L'm sorry.

You want to know how, don't you?

I do, but...

Makes two of us.

I was, uh , working as, uh , an ouffitter in Pinedale,

and there was a big snow.

So l found myself with a rare night off.

So l go to a motel , call the wife

and say, "Why don't you come u p and stay for the night?"

And when you got two. . . two kids

and you're on the mou ntain half the year, it's...

you don't get much time together.

So we had Emily look after Casey.

He was five at the time. She was 1 6.

I guess word got out

that we were out of town .

So some school friends came over.

Then some more friends.

Then, uh ...

and then some people came over that weren't friends.

So a little gathering turned into qu ite the party, l guess.

Then, uh ...

l don't know.

You know, there's a lot l don't know.

Got that phone call the next morni ng.

(clears throat)

From Natalie.

Saying that Emily was missi ng.

She was worried, natural ly.

They were best friends.

You know, we tried to be very careful with Emily.

Tried to plan for everything.

She was such a good gi rl .

But we let our guard down .

Really, l tell you ,

you know, you may have kids one day.

You cannot blin k.

Not once, not ever. (snies)

There was a guy moving sheep over by the Wind River.

He's the one who found her.

Some 20 miles from our house.

They don't know how she got there or what happened .

Autopsy couldn't tell us much ,

'cause the coyotes got at her pretty good .

You know, l'm-l'm sor...

l'm sorry, it's not...

l'm sorry. (shuddering breath)

Cou ld you point me, um ...

towards your...

uh, the bathroom?

Straight back there.

Thanks.

(exhales, clears throat)

(snies)

(grunts, exhales)

(exhales)

(shuddering breaths)

JAN E: "There is a meadow in my perfect world . . ."

CORY: Emily wrote that.

It's what got her accepted into the summer writing program

at Colorado State.

Did she write it to you?

Mm .

Doesn't matter who it's to.

Just matters who it's from .

Look, l'm sorry about, u m ,

earlier tonight.

I guess...

l'm just trying to do the right thing here.

And l don't really know what the Hanson boy told you , but...

l don't want to stumble into something like today

if I can help it.

So, you know, if he said something that...

l should know, l'd appreciate if you shared .

Wel l , all he said was that

Natalie's boyfriend was named Matt.

And you've already figured out who that is, so...

You could've called for that information , no?

I wanted to know why you're helping me.

Now l do, so...

Tomorrow...

do you thi nk we cou ld not ride the snowmobi les

80 miles an hour?

Yeah, sure.

If you want to end up i n a ditch we could've jumped over,

-but. . . -(chuckles)

Great. (chuckles)

Okay.

You win .

Have a good n ight.

All right.

-See you tomorrow. -See you tomorrow.

(door opens)

(engine shuts off)

You're shaking more than she is.

It's cold enough to freeze a wel l digger's ass out here.

-Yeah. Below zero, l bet. -Yeah, six below.

It's a lot colder u p there.

Hey, bud .

Hey. How are you doi ng?

What are you doing here?

Those tracks that lead from the Littlefeather house

to the body, l'm gonna follow 'em, see where they go.

-How about you? -B EN : Yeah , well ,

Jane's the only one with jurisdiction out there.

Just wanted a few extra badges along.

You want to wal k 'em through this?

Uh, sure, yeah . Um ...

the drill station has cameras all along its perimeter,

so we're hoping one of the cameras caught something.

And , uh, we'll also canvass Matt Rayburn's trailer,

and see if there's anything that l inks him to the assault.

Do you have a warrant?

L'm gonna ask real nice.

Can't get there from the Littlefeather house?

Uh, it's a real tough sled ride through two canyons,

and l ain't looking to dig you out,

-so l wouldn't recommend it. -B EN : We'll take

the refinery road around .

See, you got to drive 50 miles to go five.

-JAN E: Yeah . -Welcome to Wyomi ng.

Did n't you people get the memo that it's-it's spring?

(chuckling)

-Come on , guys. -lf you find anything,

you call me on the rad io...

-Sure will . -. . .we'll come up to you .

♪ ♪

♪ ♪

(engine revving)

♪ ♪

(engine roaring)

♪ ♪

(engine idli ng)

(engine roaring)

♪ ♪

(engines roaring)

(engine ru mbli ng)

(shuts engine off)

(clicks)

(bird chitters)

-Morni n'! -Morni n'.

Can I help you?

Yeah, does, uh , Matt Rayburn work here?

Yeah. Do you know where he is?

I was, uh , about to ask you the same thing .

No, he got in a fight with his girlfriend a couple days ago.

She took off.

He took off after. We haven't seen him si nce.

-When was that? -Three days ago.

Hel l , we-we didn't know what to do.

We've been waiting on corporate ever since to tell us

whether or not to fill out his termination papers

-or call you guys. -D lLLON : Everything okay?

CU RTIS: Yeah, yeah . Here about Matt.

You find him? Is he okay?

-What happened to you two? -D l LLON : What's that?

You look a little torn up.

Yeah, well , you hit

one of these pine branches doing 60,

see what happens to you .

Dl LLON : Yeah, we run the property line twice dai ly--

Comes with the territory.

You should try using , uh, face shields.

(chuckles) l req uested helmets.

Ou r supervisor said , "Snow's soft, ain't it?"

Corporate's in Texas. What can l tell you?

Does Matt bunk here on the property?

Yeah. Yeah, we all do.

-Can we see his trailer? -CU RTIS: Yeah , sure.

Come on, I'II walk you up.

What's going on , boss?

They're here about Matt.

(bird calls)

(low growl ing)

End of the Iine for you .

(growling continues)

(mountain Iion roars)

(hissi ng)

(growling)

♪ ♪

♪ ♪

CU RTl S: So, d id , uh...

did something happen to h im?

Do you know where he is?

JAN E: That's what we're trying to find out.

His girlfriend filed a Missing Persons Report.

Well, how can that be? l thought you guys found her

in a snowdrift right before the storm .

Excuse me?

I heard her name go out over the radio

-when you guys fou nd her. -l don't remember

using her name.

Well, maybe you weren't listening.

What the fuck are you doing?

What?

Why are you flanking me?

-D lLLON : What are you talki ng about? -EVAN : What the fuck

you think l'm talking about? You got us on three sides...

Get your hand off that weapon . This is private property.

-Put the fucking gun down ! -(overlapping shouting)

-Hold it right there! -Put the fucking gu n

-down right now! -JAN E: Hey!

-Put it down! Do it! -(overlapping shouting)

-Drop to you r knees right now! -Do it!

Turn away from me! Drop to your knees rig ht now!

-Evan! -Fuck you! This is a Department of Energy lease

on reservation land , asshole!

-You're breaking the law by being here! -Hey!

This is leased land on a reservation , Deputy!

-You got no authority! -You think l don't know what

-you're doing?! -Fucking do it, asshole! See what happens!

Hoka hey, white boy, let's go.

GUARD: What are we doing?

Deputy, you've got no authority!

You're in violation of federal law!

-Lower your weapon ! -EVAN : Fuck you !

-You got us in a crossfire! -Talk to me! What do l do?

Hold your ground ! County sheriffs have no authority!

-All right, everybody, just take it easy! -FBl ! Hey!

FBl ! This is federal land , and l am the only authority!

Okay?!

Right now, all of you stand down !

Okay? Everyone.

We're all working towards the same goal here,

and I need you to back down

and take your hands away from your weapons.

Look.

Dillon , holster your weapon .

Fucking decaf, man .

Jesus fucking Christ.

You keep these assholes in check, lady.

We're just doing our fucking job here.

Yeah, when we show up,

-your job is over, asshole. -B EN : Evan !

Holster your weapon , now!

All right. Every one of you step to my left.

-Let's go. -Nobody behind me. Do you u nderstand?

-You got it, asshole. Guys. . . -Yeah .

...step my way!

Everybody take a big , deep breath here, please.

-MAN : Whoa, whoa, whoa. Relax. -JAN E: Deputy,

-holster your weapon . -EVAN : You didn't see it?

Now, or you're under arrest. Do you u nderstand me?

(panting)

You didn't see it.

(exhales)

Take us to Matt's trai ler.

Yes, ma'am .

(bird calls)

(engine roaring)

-(radio beeps) -Ben , you copy?

Ben , do you copy?

Ben .

This is it, right here.

Does he bunk with anybody?

Yeah. Me and Pete Mickens.

Is Pete in there now?

Yeah. He's sleeping .

He's got the night sh ift.

(Jane sighs)

(knocking at door)

(knocking resu mes)

Can I help you?

Uh, yeah , l'm . . . l'm looking for my knight in shi ning armor.

I think this is his trailer.

Wel I, um. . . (Iaughs)

Shit. l'm a little short on armor, you know?

Um , l don't mi nd .

-You don't mind? Yeah? -U h-uh .

Do you have any idea how good it is to see you?

-Like, any idea? Man , oh , man . -(Natalie laughs)

How d id you get here? l didn't hear your carriage pull u p.

Well, my, u h ...

carriage wanted to catch the 8:00 show in Lander...

-(laughing) -. . .so she dropped me off at the turnout.

-What'd you do? You just walked in the snow, huh? -Mm-hmm .

-Like Su perwoman . -Wel l , l think you're worth it.

-You think l'm worth it? Yeah? -Mm-hmm .

Wou ld you get your ass in here?

You're, like, baddest woman on the planet, you know that?

(whispers): Goddamn .

-How about New York? -Oh !

-(Natalie laughs) -You'd hate New York.

You'd hate it. You go a whole month there,

your. . . your feet never touch anything but cement.

Okay, how about Ch icago?

Hmm, shit. Baby, it's the same thing as New York.

-It's just colder, you know? More crime. -Mmm .

-If you're into that kind of thing. -(Natalie laughs)

You think that's funny? Yeah?

All right, how about Los Angeles, h mm?

Hey, listen to me.

Do never, ever say that word arou nd me again .

(laughing): Oh . What? lt's warm there.

Yeah, l'd rather be i n l raq .

Iraq's warm .

Mm .

And l'll tell you what. l got one.

-Mm-hmm . -l got one.

I was, uh . . . l remember l was stationed

-u p at this place called Point Mugu, right? -Mm-hmm .

It's about an hour north of L.A. lt was Christmas.

I woke up, l'm all alone.

You know, l don't have anybody,

and what the Navy does at Christmastime

is they have these du mb little skits in the mess hall ,

you know, for the guys without families.

And l wasn't gonna stick around for that bullshit,

so l just. . . l got in my truck,

and l hightailed it out of there,

and l wound up in this little mountain town called Ojai .

And l get there, and it's l ike...

it's, like, fruit farms and vineyards,

and there's this mountai n surrounding it, you know,

like, protecting the town .

And the people there are, like...

-Everybody smiles at each other, you know? -Yeah?

And they say hello, and it's, like...

l remember thin king that they were all , l ike...

l don't know. They had these looks in their eyes.

Like they were in on some sort of a secret,

like they had al l figured it out.

There's this mission , this Spanish mission

right there in the middle of town .

They're having Christmas Mass.

They're celebrating Christmas

in 70-degree weather, you know, and l just went,

and l picked me up an orange off a tree,

and sat down on a bench and listened

to that choir sing , eating my orange, you know.

It was. . . l don't know.

It was the best Christmas l ever had .

I want to live there.

Okay.

-Let's live in Ojai . -Okay.

-Yeah? -Mmm .

(snowmobile engines approaching )

-(man whooping loud ly) -(man shouting )

What time is it?

I thought they were staying in town tonight.

I did, too.

Shit. I'm sorry, Nat.

(grunts softly)

-Just shut the, uh . . . -(door open ing)

CU RTIS: Shot! Shot! Shot! Shot!

-Shot! Shot! Shot! -Dl LLON : Yo. What do we got? You got...

You got drinks? You got. . . you got vod ka?

-Whoa, hey. -You got. . . What do you got?

-Get me. . . get me a beer. Get me a beer. -(indistinct shout)

-Fucking take one! -You want. . . you want one?

(ind istinct chatter)

-(indistinct chatter) -(inhales loudly throug h nose)

-Man, you want one? -Yo...

Smells Iike sex in here.

(Pete Iaughs)

-What you two been doing? -Well, well , well .

What do you got, the fucking honeymoon suite?

What you two been doing , hu h?

What have they been doing?

-H mm! -(ind istinct chatter)

Well, hello there.

Hi, Pete.

Hel lo. You know, l'm . . . just kind of wondering

what you got on under them big sheets there.

Hey, Curt, you mind getting him , man?

-CU RTIS: Come on . Pete. -PETE: l asked the lady a question .

-Pete. -What does she got underneath them sheets?

It's a fluffy down coat, Pete. lt's not very sexy.

Wel l , fluffy sounds good to me.

-Hey, Curt, you gonna get him or not, man? -PETE: Matty.

Wait a second . Are you naked , too?

Are you . . . are you naked , too?

-What have you two been doi ng?! -Come on !

-Are you naked? -Hey, Cu rt, you mind getting him out of my

-room , please? -Come on , Pete. Let's go! -Are you naked , too?

-What have you two been doi ng? -MATT: Hey, Curt,

-could you get him , man? -H uh? -Pete, come on !

-L'll tell you what. l just want one little peek. -Come on !

-I just want one little. . . j ust a little. . . just a little peek.

Hey, Curt, why don't you come in here and and get him

out of here? l don't understand why you don't do that, man .

-Come on! -Just a little peek. Just a little peek.

-Hey! -What the fuck is you r problem?

-Hey! -Oh , ho! -(laughter)

Bros, whoa, whoa, whoa, he turned all serious

all of a sudden . Why are you doing that?

-CU RTIS: Come on . Pete. -PETE: Huh? Now don't you be

bul lshitting me, girl . You've been showing your little ass

-l ike a flag around here. -(laughter)

And l've been seeing it, and all l want is a little...

-(indistinct chatter) -All l want is a little peek.

What are you gonna do, big boy?

(indistinct, overlapping chatter)

What are you gonna do? Come on .

-What are you gonna do, big boy? -Pete. Sit down , Pete.

-(overlapping chatter) -Hey! Hey, hey, hey, hey!

-Hey. -The fuck's that about?

-CU RTIS: Fucking chi ll . -(indistinct chatter)

-PETE: Oh , yeah , l see that. -Pete, have a seat.

-He don't want to share. -PETE: l don't understand .

Man doesn't want to be friends.

You know what? You know what? We ain't friends.

Friends share.

-Hey! -Hey! Hey, hey, hey, hey!

-Aah! -Whoa, whoa, whoa, whoa!

-Whoa, whoa, whoa, whoa! What the fuck! -(indistinct chatter)

Being such a fucking pussy over this prairie nigger.

-(ind istinct chatter) -Hey!

-Stop! -Hey, hey!

(ind istinct chatter)

-Pete! -(Natalie shrieks) -(indistinct chatter)

-Hey! Hey! -(Matt grunting)

(ind istinct chatter)

-Matty! -(Matt gru nts) -(indistinct chatter)

(ind istinct chatter)

Get him off him !

-Get the fuck off! -Matty, get the fuck off!

Don't fucking turn ...

-(indistinct chatter) -(Pete wheezing deeply)

Hey, guys.

Hey. Come on .

-(muffled groani ng) -(grunting)

Jesus. Aah! (grunts)

-(shouting) -(Natalie panting)

-(Curtis groans) -(blows landing) -(Natalie groans)

-(grunting) -(blows landing)

(grunts)

Get the fuck off!

-(groans) -Hold him !

(grunting , metallic thwacki ng)

(man groani ng)

He hit my head good .

(men panting)

(belt and pants thudding onto floor)

(grunting)

(Natal ie softly groaning)

(Natalie gasps softly)

(grunting)

-You ain't too proud now, are you , bitch? -(whimperi ng)

(grunting)

-PETE: Huh? -Dl LLON : Next one's my turn , you fucking bitch .

-Dude. -(Matt yell ing) -(yelling and gru nting)

-Oh , God ! -(loud wheezing)

-(ind istinct chatter) -(blows landing)

-(blows landing , yelli ng) -(Natalie groani ng)

(blows landing, ind istinct chatter)

-(Matt gasping, Pete yelli ng) -Get his arm .

CU RTIS: Grab h is arm . Pull . . . pull him off.

Pull . Get his arm .

-(blows landing) -(yelling )

-(ind istinct chatter) -Arm. -Grab his arm !

-(men yelling) -(blows landing)

(indistinct chatter, shouting, blows landi ng)

FBl ! Open up!

Are you sure someone's in there?

Hey, Pete, it's Cu rtis.

CO (over walkie-tal kie): Ben, you copy?

FBl is standing in front of the door. Open up!

BEN : Jane!

Get away from the door!

(groans)

Aah !

(rapid gunfire continues)

(panting)

(gunshot)

(grunting)

(grunting)

(yelling)

(men panting , groan ing)

(groans)

(men groaning, panting)

(loud , rattling wheezi ng)

(continues wheezi ng)

Fuck you . Let's go.

(panting)

(man groans, coughs)

CU RTl S: Pete, you okay?

-G UARD: l'm h it! -CU RTIS: Who isn't?

-Pete, you good? -PETE: We're good !

How many we got down?

Two that won't get up.

No. l'm getting u p.

(Jane whimpering)

-(panting) -Goddamn it, the women out here are spu nky.

(panting)

(gasps)

Dl LLON : Anyone see where that came from?

-Can you stand? -M l KE: l don't know.

Wel l , you better figu re it out 'cause we're not done yet.

(two gunshots)

-Where is he? -l don't know.

Curtis?

Mike!

Hey, Curtis!

Behind trailer th ree!

(grunting)

(grunts)

Aah !

(groaning)

(grunts)

-(gun chamber cl icks) -(groans)

(panting)

(groaning)

(panting)

(footsteps approach ing)

(Jane gasps)

-You okay? -Mm. Mm .

Let's get you inside.

(Jane panting)

(Jane groans)

Mind if I have a Iook?

I . . . (groans)

It's...

l see a couple rounds went through here.

It's just pieces. You should be okay.

There. Let's see.

Let's see here.

(Jane inhales sharply)

-Okay. -(Jane groans)

(wind whistl ing)

(Jane groans)

(Jane shiveri ng)

-Yeah, hold that. Press it tight. -(Jane gasps)

-U h, yeah . -Okay.

Okay.

(Cory sighs, Jane groans)

(Cory sig hs)

Okay.

(Jane groans Ioud ly)

(exhales)

(both panting)

Give...

Give me your rad io. (panting)

My best chance out of here...

(clears throat)

... is a hel icopter.

You don't have one of those, do you?

-Nope. -Hey.

Hey, give me your radio.

Go get h im .

I won't bring him back.

You have to know that.

I do.

Go get h im .

PETE: Whoa.

(loud panting, footsteps runn ing)

(grunting and panting)

(panting)

(footsteps runn ing)

(grunting)

(snowmobile engine approaching)

(grunting)

(whimperi ng)

(grunting)

(bird singi ng)

(loud rumbl ing)

(gasps)

(panting)

(gasps)

Come on! Come on !

-(twig snaps) -(whimpers)

(grunting)

-(panting) -(branch creaki ng)

(panting)

(grunts)

(wind whistl ing)

(yelling)

(whimperi ng)

CORY: You know where you are?

(sighs) No.

It's Gannett Peak.

(Pete panti ng)

Highest mountain in Wyoming.

And on the hottest day in August,

shovel a foot of snow.

Today...

too cold to snow.

(groans) Look, man , let's just...

let's just talk for a minute, all right?

Let's just. . . talk. Please.

Sure.

(Pete sighs, pants)

(groaning, whimpering)

What the fuck? ! Where are my boots?!

-Where are my boots?! -You know, l got al l

the time in the world here.

-Can't say the same for you . -(whimpering)

So we gonna tal k, or you gonna keep whin ing?

(panting)

Look, l'm ...

I have made mistakes, okay?

So what'd you do?

(panting) Um ...

Hey, look, l'm . . . l'm not the law here.

L'm just a guy sitting in front of you .

So you can tell me the truth .

If you tell me the truth , l'll give you a chance.

Ah, you just listen to me!

You know what it's like

out here in this frozen hell?

There's no nothing to do. No nothing .

Ain't no women , no fu n !

Just this fucki ng. . . this fucking snow

and the fucking silence.

That's all !

My fami ly's people were forced here,

stuck here for a century.

That snow and silence--

It's the only thing that hasn't been taken from them .

-So what'd you take? -l don't know.

I don't know. l don't know what you ...

l don't know what you mean .

You take something , too?

(cryi ng): No.

-Nothing. -Ah .

Hey.

I need you to be honest with me.

-(cryi ng) -Right?

You get drun k?

Get Ionely?

Then what'd you get?

If you did it, just be a man and say it.

Say, "I raped her."

I raped her.

I raped her! Yeah !

(Pete crying)

And the boytriend?

What, did he get in your way?

Did you beat him to death?

Look, a nod's not gonna cut it, okay?

-Need you to say it. -We beat him .

We made him dead .

Okay.

(Cory sig hs)

Please don't. (panting)

L'm gonna cut you loose.

(panting, whimperi ng)

It's okay.

(Cory grunts)

Free to go.

Where?! Where am I gon na go?!

I'm a man of my word .

You told the truth .

L'm gonna give you a chance.

L'm gonna give you the same chance

that she got.

What. . . what chance did she get?

What. . . what chance did she get?

If you can make it to that highway,

you're a free man .

Where-Where's. . . where-where is the highway?

You know how far that drill camp was

from where l found Natalie's body?

No.

Six miles. Barefoot.

(sighs)

That's a warrior.

That's a warrior.

You? You may make 600 feet, but...

-U h. . . -. . .you better get going.

But. . . (groans)

I don't understand . l don't understand .

What do you want me to do?!

I want you to ru n .

(yells)

(groaning)

(groaning)

(whimperi ng)

(grunts)

(groaning)

(groaning)

(grunts)

(grunting)

(coughs, groans)

(loud wheezing)

(loud wheezing)

(wind whistl ing)

(wind whistl ing)

(monitor beeping steadi ly)

How you feeli ng?

I feel okay.

I got you something.

Thought maybe it'd give you a little taste of home.

(laughs)

(breaths deeply)

Little crocodile.

(weakly): Please don't make me laugh .

It's an alligator.

He'll protect you , better than that bulletproof vest, right?

(chuckles)

I shouldn't joke about that-- it saved your life.

You saved my Iife.

Well ...

Jane, you're a tough woman .

You saved your own l ife.

We should both be honest.

I just...

(exhales)

I got lucky.

Well, you know, luck don't live out here.

Luck lives in the city.

Don't live out here.

You know, that's whether you get,

you know, hit by a bus or not.

Whether your. . . bank is robbed or not,

or whether someone's. . . on their damn cell phone

when they come up to a crosswalk-- that's l uck.

That's winning or losing .

Out here, you survive or you surrender. Period .

That's determined by your strength and by your spirit.

Wolves don't kill unlucky deer.

They kill the weak ones.

You fought for your Iife, Jane.

Now you get to walk away with it.

You get to go home.

(Cory chuckles)

I know what you're doing.

L'm gonna read to you from a magazi ne.

(Cory sniffs)

"Ten Signs That He's I nto You ."

Things that l really want to know.

"He looks you in the eye when he speaks."

Ain't you supposed to do...

(trembling breath)

She ran six miles in the snow.

(Jane cryi ng)

Yes, she did .

(Jane sobs quietly)

(knocking at door)

Hello?

Martin?

Martin?

(knocking)

Hey.

Martin?

♪ ♪

♪ ♪

Annie?

♪ ♪

♪ ♪

(exhales)

♪ ♪

(footsteps approach ing)

(birds chirpi ng, traffic passing by)

MARTl N : Hey.

(Cory sig hs)

-What's with the paint? -(exhales)

It's my death face.

Is that right?

And how would you know what that is?

I don't.

Just made it up.

'Cause there's no one left to teach me.

I was ready to quit.

Then the phone rang .

Which is never good .

But today it was.

First time Chip's called me in over a year.

Where is he?

The station .

I was gonna go pick him up

(laughs): as soon as l washed this shit off my face.

(sn iffs)

Heard about what happened .

Heard there's one still missing.

No.

No one's missi ng.

How'd he go out?

With a whimper.

You better go easy on Chi p.

Suffering's hard on you ng men ; they don't have our practice.

I should go get hi m.

Yeah, but l ...

just need to sit here...

...and miss her for a mi nute.

You got time to sit with me?

Oh , I ain't goin' nowhere.

(takes deep breath )

(exhales)

(wind blowing)

(intro to "Feather" playing)

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

(music ends)