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1
00:00:03,005 --> 00:00:04,847
CRYSILDA: I see it now.
2
00:00:04,847 --> 00:00:05,853
‐ What?
3
00:00:05,853 --> 00:00:07,609
‐ How to make it right.
4
00:00:08,488 --> 00:00:10,582
How to get away clean.
5
00:00:10,582 --> 00:00:12,718
‐ [screaming]
6
00:00:16,441 --> 00:00:18,284
RITA: I'm looking for a girl.
7
00:00:18,284 --> 00:00:19,874
This is 16 years old,
8
00:00:19,874 --> 00:00:21,591
so she would be in her 30s now.
9
00:00:22,427 --> 00:00:23,726
Her name is Annie.
10
00:00:25,107 --> 00:00:26,740
JOY: What were you gonna do
with me?
11
00:00:26,740 --> 00:00:28,539
‐ Joy...
12
00:00:28,539 --> 00:00:31,009
‐ You were gonna kill us both,
weren't you?
13
00:00:31,009 --> 00:00:32,641
JOY: You need to go.
14
00:00:32,641 --> 00:00:35,195
‐ Joy, I'm not going anywhere
without you.
15
00:00:36,911 --> 00:00:38,125
[gunshot]
16
00:00:38,125 --> 00:00:39,758
DEPUTY: Hands up!
17
00:00:39,758 --> 00:00:42,101
‐ I did it!
18
00:00:42,101 --> 00:00:43,735
AUGUSTIN: She brought me back.
19
00:00:43,735 --> 00:00:46,287
The Wilkes woman brought
all of us back.
20
00:00:46,287 --> 00:00:48,046
‐ You're seeing signs
where there are none.
21
00:00:48,046 --> 00:00:51,100
‐ What vessel is suitable?
Show us the proper vessel.
22
00:00:51,100 --> 00:00:53,446
SHERIFF BOUCHER: Her head's
swimming with antipsychotics.
23
00:00:53,446 --> 00:00:54,994
AUGUSTIN:
What was the problem?
24
00:00:54,994 --> 00:00:57,296
‐ The medicine they use, it...
25
00:00:57,296 --> 00:00:58,762
confuses them.
26
00:00:58,762 --> 00:01:00,981
AUGUSTIN: And the vessel?
27
00:01:00,981 --> 00:01:03,240
For Amity?
28
00:01:03,240 --> 00:01:05,125
You chose her?
‐ No.
29
00:01:05,125 --> 00:01:07,134
She chose us.
30
00:01:07,134 --> 00:01:10,189
It's all happening exactly
as Amity said it would.
31
00:01:10,189 --> 00:01:12,742
[dark music]
32
00:01:19,440 --> 00:01:22,454
[door creaks]
33
00:01:29,822 --> 00:01:31,662
ACE: Hello, Anne.
34
00:01:31,662 --> 00:01:33,798
[eerie music]
35
00:01:33,798 --> 00:01:35,430
‐ Ace?
36
00:01:35,430 --> 00:01:36,435
[door slams]
37
00:01:36,435 --> 00:01:37,984
What's happening?
38
00:01:37,984 --> 00:01:40,787
They questioned me,
but they brought us here.
39
00:01:40,787 --> 00:01:42,923
Am I under arrest?
40
00:01:42,923 --> 00:01:45,518
‐ He's with us now.
41
00:01:45,518 --> 00:01:49,955
♪ ♪
42
00:01:49,955 --> 00:01:51,964
Let's find you a place
to clean up.
43
00:01:51,964 --> 00:01:55,313
♪ ♪
44
00:01:55,313 --> 00:01:58,327
[strange echoing whistling]
45
00:02:00,923 --> 00:02:03,936
[Leonard Cohen's "Avalanche"]
46
00:02:03,936 --> 00:02:10,927
♪ ♪
47
00:02:25,075 --> 00:02:27,544
[bell jingles]
48
00:02:27,544 --> 00:02:31,605
♪ ♪
49
00:02:31,605 --> 00:02:37,758
COHEN: ♪ I stepped
into an avalanche ♪
50
00:02:37,758 --> 00:02:40,479
♪ It covered up my soul ♪
51
00:02:40,479 --> 00:02:42,280
♪ ♪
52
00:02:42,280 --> 00:02:48,222
♪ When I am not
this hunchback that you see ♪
53
00:02:48,222 --> 00:02:51,488
♪ I sleep
beneath the golden hill ♪
54
00:02:51,488 --> 00:02:53,916
♪ ♪
55
00:02:53,916 --> 00:02:57,767
♪ You who wish
to conquer pain ♪
56
00:02:57,767 --> 00:03:03,878
♪ You must learn,
learn to serve me well ♪
57
00:03:03,878 --> 00:03:10,910
♪ ♪
58
00:03:14,385 --> 00:03:18,446
♪ You strike my side
by accident ♪
59
00:03:18,446 --> 00:03:19,910
♪ ♪
60
00:03:19,910 --> 00:03:23,594
♪ As you go down
for your gold ♪
61
00:03:23,594 --> 00:03:25,520
♪ ♪
62
00:03:25,520 --> 00:03:30,501
♪ The cripple here
that you clothe and feed ♪
63
00:03:30,501 --> 00:03:33,933
♪ Is neither starved
nor cold ♪
64
00:03:33,933 --> 00:03:40,965
♪ ♪
65
00:03:43,937 --> 00:03:46,951
[ominous music]
66
00:03:46,951 --> 00:03:53,983
♪ ♪
67
00:04:13,867 --> 00:04:15,917
‐ What have you found?
68
00:04:15,917 --> 00:04:17,425
‐ Her pills.
69
00:04:22,197 --> 00:04:25,211
[suspenseful music]
70
00:04:25,211 --> 00:04:28,684
♪ ♪
71
00:04:31,991 --> 00:04:39,023
♪ ♪
72
00:04:41,744 --> 00:04:44,759
[disjointed, tense music]
73
00:04:44,759 --> 00:04:51,246
♪ ♪
74
00:04:51,246 --> 00:04:53,884
ANNIE: I saw this a week ago,
75
00:04:53,884 --> 00:04:56,187
and it was kind of
a flop house.
76
00:04:56,187 --> 00:04:58,991
‐ We figure if we can
fix a place like this,
77
00:04:58,991 --> 00:05:01,209
we can fix anything.
78
00:05:01,209 --> 00:05:02,549
Anyone.
79
00:05:04,180 --> 00:05:06,147
As long as you're here,
you have sanctuary.
80
00:05:06,147 --> 00:05:08,494
ANNIE: No, no,
we are not staying here.
81
00:05:08,494 --> 00:05:11,214
‐ If you leave now,
you'd be taking your chances...
82
00:05:11,214 --> 00:05:12,637
♪ ♪
83
00:05:12,637 --> 00:05:14,689
With the state.
84
00:05:14,689 --> 00:05:17,702
Child Protective Services.
85
00:05:17,702 --> 00:05:20,255
Everyone needs help sometimes.
86
00:05:20,255 --> 00:05:22,600
No shame in it.
87
00:05:22,600 --> 00:05:24,356
Stay the night.
88
00:05:24,356 --> 00:05:26,786
Until it's safe out there
for you and Joy.
89
00:05:26,786 --> 00:05:29,840
JOY: [weeping]
90
00:05:48,636 --> 00:05:51,315
‐ Little love...
91
00:05:51,315 --> 00:05:53,700
[sighs]
I wanna fix it...
92
00:05:55,375 --> 00:05:58,222
But I don't know how.
93
00:05:58,222 --> 00:06:00,439
I just know we can't stay here.
94
00:06:00,439 --> 00:06:02,240
[door opens]
95
00:06:02,240 --> 00:06:05,505
[approaching footsteps]
96
00:06:05,505 --> 00:06:07,640
As soon as it's safe,
we'll leave.
97
00:06:07,640 --> 00:06:09,398
I promise.
98
00:06:11,239 --> 00:06:13,081
EERIE VOICE: [whispering]
Annie...
99
00:06:19,109 --> 00:06:21,579
ANNIE: Sweetheart...
100
00:06:21,579 --> 00:06:23,211
EERIE VOICE: [whispering]
Annie...
101
00:06:23,211 --> 00:06:27,104
[tense music]
102
00:06:27,104 --> 00:06:28,988
Annie.
103
00:06:30,160 --> 00:06:32,545
‐ What are you doing?
104
00:06:32,545 --> 00:06:34,848
Have you been
taking your pills?
105
00:06:34,848 --> 00:06:37,359
ANNIE:
Yes, they gave them back to me.
106
00:06:37,359 --> 00:06:44,392
♪ ♪
107
00:07:03,689 --> 00:07:06,451
CHRIS: I understand
Amity's vessel is here now.
108
00:07:06,451 --> 00:07:10,051
‐ Yes, she'll be back
with us soon.
109
00:07:12,521 --> 00:07:14,153
‐ And the doctor?
110
00:07:14,153 --> 00:07:17,501
VALERIE: Augustin says
it's time for her too.
111
00:07:17,501 --> 00:07:19,636
She's your affair now.
112
00:07:19,636 --> 00:07:25,790
♪ ♪
113
00:07:25,790 --> 00:07:27,968
[knocks on door]
114
00:07:32,487 --> 00:07:34,832
‐ Hey, what are you doing here?
115
00:07:36,716 --> 00:07:39,646
I've gotta get to work.
‐ I just need to talk to you.
116
00:07:42,242 --> 00:07:44,334
‐ So, where have you been?
117
00:07:46,218 --> 00:07:49,650
‐ If your brother's sleeping
at the office now...
118
00:07:49,650 --> 00:07:52,119
that means you've got the place
all to yourself.
119
00:07:52,119 --> 00:07:54,171
NADIA: So?
120
00:07:54,171 --> 00:07:56,221
‐ So maybe we can
find some virtue
121
00:07:56,221 --> 00:07:58,985
in the circumstances.
122
00:07:58,985 --> 00:08:01,287
‐ It's not a joke.
123
00:08:01,287 --> 00:08:03,296
CHRIS: [sighs]
124
00:08:05,976 --> 00:08:07,859
You two will work it out.
125
00:08:09,282 --> 00:08:10,579
It's time.
126
00:08:10,579 --> 00:08:12,673
‐ No, it's not.
127
00:08:12,673 --> 00:08:15,226
[gags]
128
00:08:15,226 --> 00:08:18,240
‐ [grunts softly]
‐ [gagging]
129
00:08:19,621 --> 00:08:22,886
‐ [grunting]
130
00:08:22,886 --> 00:08:24,435
‐ [grunts]
‐ [hollers]
131
00:08:24,435 --> 00:08:26,110
Bitch!
132
00:08:26,110 --> 00:08:28,454
[dramatic music]
133
00:08:28,454 --> 00:08:29,792
NADIA: [screams]
134
00:08:29,792 --> 00:08:31,593
CHRIS: [grunts, hollers]
135
00:08:31,593 --> 00:08:33,979
‐ What's wrong with you?!
‐ Kill you, bitch!
136
00:08:33,979 --> 00:08:35,360
NADIA: Chris, get off!
137
00:08:35,360 --> 00:08:36,866
‐ Chris is dead
and you're next.
138
00:08:36,866 --> 00:08:38,625
‐ What are you doing?!
139
00:08:38,625 --> 00:08:41,513
‐ Four fuckin' years
and you think you can get away?
140
00:08:41,513 --> 00:08:43,941
[both grunting]
141
00:08:50,430 --> 00:08:52,188
NADIA: [yelps]
142
00:08:54,406 --> 00:08:56,415
[panting]
143
00:09:00,643 --> 00:09:02,067
‐ It is time.
144
00:09:02,067 --> 00:09:06,044
Cell network,
phone lines, power.
145
00:09:07,424 --> 00:09:09,350
Once we cut off
communication...
146
00:09:11,317 --> 00:09:13,786
[lights clang]
147
00:09:13,786 --> 00:09:15,753
Kill anyone that's left.
148
00:09:15,753 --> 00:09:17,428
‐ [panting]
149
00:09:29,192 --> 00:09:31,284
[heavy thud]
150
00:09:31,284 --> 00:09:34,298
[wheels clattering]
151
00:09:44,302 --> 00:09:46,436
Hello?
152
00:09:46,436 --> 00:09:50,163
What the fuck?
[sighs]
153
00:09:50,163 --> 00:09:53,176
[tense music]
154
00:09:53,176 --> 00:09:59,078
♪ ♪
155
00:09:59,078 --> 00:10:01,339
[phone dock clicking]
156
00:10:01,339 --> 00:10:07,868
♪ ♪
157
00:10:07,868 --> 00:10:09,836
Is anybody here?
158
00:10:11,762 --> 00:10:13,603
Hello?
159
00:10:26,537 --> 00:10:29,510
[melancholy music]
160
00:10:29,510 --> 00:10:36,542
♪ ♪
161
00:11:38,912 --> 00:11:41,926
[foreboding music]
162
00:11:41,926 --> 00:11:48,959
♪ ♪
163
00:12:10,138 --> 00:12:12,651
VALERIE: There is something
you need to see.
164
00:12:12,651 --> 00:12:19,684
♪ ♪
165
00:12:23,995 --> 00:12:26,045
‐ Whose hand is this?
166
00:12:26,045 --> 00:12:28,263
‐ The girl's.
167
00:12:28,263 --> 00:12:31,278
What if the daughter
is the vessel?
168
00:12:31,278 --> 00:12:33,789
‐ [speaking French]
169
00:12:44,421 --> 00:12:47,394
[tense music rises,
crescendos]
170
00:13:11,882 --> 00:13:18,872
♪ ♪
171
00:13:34,526 --> 00:13:36,578
Is this your daughter's?
172
00:13:36,578 --> 00:13:37,876
‐ Yeah.
173
00:13:37,876 --> 00:13:39,466
Did she leave it out?
174
00:13:39,466 --> 00:13:42,940
ACE:
She has a very unique style.
175
00:13:42,940 --> 00:13:44,866
Has she always been an artist?
176
00:13:44,866 --> 00:13:46,917
Joy.
177
00:13:46,917 --> 00:13:49,220
‐ Steady hand, that girl.
178
00:13:51,104 --> 00:13:54,283
ACE: Is she... doing better?
179
00:13:58,177 --> 00:14:00,436
If there's anything at all
that she needs‐‐
180
00:14:00,436 --> 00:14:03,954
a favorite meal, new clothes...
181
00:14:03,954 --> 00:14:06,214
art supplies.
182
00:14:06,214 --> 00:14:08,851
Even‐‐I hope
you'll forgive me‐‐
183
00:14:08,851 --> 00:14:10,903
uh...
184
00:14:10,903 --> 00:14:12,033
any medication.
185
00:14:12,033 --> 00:14:14,168
‐ No, nothing like that.
186
00:14:14,168 --> 00:14:16,135
She's not like‐‐
‐ Of course.
187
00:14:16,135 --> 00:14:17,724
I just wondered.
188
00:14:23,125 --> 00:14:24,547
[muffled thud]
189
00:14:29,027 --> 00:14:31,915
‐ That door...
190
00:14:31,915 --> 00:14:34,093
‐ Yes?
191
00:14:34,093 --> 00:14:35,934
‐ What's down there?
192
00:14:41,962 --> 00:14:43,761
‐ The basement.
193
00:14:43,761 --> 00:14:46,398
ANNIE: You keep it locked.
194
00:14:46,398 --> 00:14:47,907
‐ I do.
195
00:14:47,907 --> 00:14:49,371
We're finishing it.
196
00:14:49,371 --> 00:14:51,631
I don't want someone
to get hurt.
197
00:14:51,631 --> 00:14:54,645
[sinister music]
198
00:14:54,645 --> 00:15:01,677
♪ ♪
199
00:15:01,677 --> 00:15:04,774
EERIE VOICE: [whispering]
Annie.
200
00:15:17,249 --> 00:15:20,262
[metal clanging]
201
00:15:24,741 --> 00:15:26,584
NADIA: Hello?
202
00:15:32,696 --> 00:15:34,746
Miss Davis?
203
00:15:34,746 --> 00:15:36,545
What happened?
Where is everyone?
204
00:15:36,545 --> 00:15:38,138
‐ The parade came by.
205
00:15:38,138 --> 00:15:41,652
They went out to look,
and they never came back.
206
00:15:41,652 --> 00:15:44,498
They all kept talking
about a noise,
207
00:15:44,498 --> 00:15:45,713
but I couldn't hear it.
208
00:15:45,713 --> 00:15:48,601
‐ [grunting]
209
00:15:48,601 --> 00:15:51,616
[coughing, gasping]
210
00:15:51,616 --> 00:15:54,420
♪ ♪
211
00:15:54,420 --> 00:15:56,680
It hurts.
Jesus.
212
00:15:56,680 --> 00:15:58,523
‐ What hurts?
213
00:15:58,523 --> 00:16:00,238
‐ Get him out of me.
Get him away.
214
00:16:00,238 --> 00:16:02,582
I don't know what's happening.
215
00:16:02,582 --> 00:16:03,713
There's something inside of me!
‐ Chris, it's Nadia.
216
00:16:03,713 --> 00:16:04,883
There's no one here but us.
217
00:16:04,883 --> 00:16:07,229
‐ [gasping]
218
00:16:07,229 --> 00:16:08,484
What happened?
219
00:16:08,484 --> 00:16:10,828
‐ You attacked me
is what happened.
220
00:16:10,828 --> 00:16:12,963
‐ There's someone‐‐
221
00:16:12,963 --> 00:16:15,266
someone inside of me.
222
00:16:15,266 --> 00:16:17,860
[panting]
223
00:16:17,860 --> 00:16:19,494
[groans]
224
00:16:19,494 --> 00:16:21,168
‐ Listen, you're having
a psychotic break.
225
00:16:21,168 --> 00:16:24,308
I'm treating you with Haldol
to stabilize you.
226
00:16:24,308 --> 00:16:26,609
I know what you're feeling
feels very real right now‐‐
227
00:16:26,609 --> 00:16:29,120
‐ It is real.
It's all‐‐it's all real.
228
00:16:29,120 --> 00:16:31,422
They're coming for you, Nadia.
229
00:16:31,422 --> 00:16:33,851
They're coming for everyone.
230
00:16:33,851 --> 00:16:36,446
‐ Chris? Chris?
231
00:16:39,083 --> 00:16:41,428
EERIE VOICE: [whispering]
Annie.
232
00:16:42,600 --> 00:16:44,400
Can't you see
233
00:16:44,400 --> 00:16:47,581
what these dirty birds want?
234
00:16:47,581 --> 00:16:48,794
Can't you see
235
00:16:48,794 --> 00:16:51,850
how you're giving in to them?
236
00:16:51,850 --> 00:16:54,445
Giving her to them.
237
00:16:55,911 --> 00:16:58,882
Dirty words in a dirty book...
238
00:17:00,263 --> 00:17:03,445
Blind you
to what's really going on,
239
00:17:03,445 --> 00:17:06,543
just like they did
with your father.
240
00:17:06,543 --> 00:17:08,260
[no audible dialogue]
241
00:17:08,260 --> 00:17:09,975
[echoing] Annie...
242
00:17:09,975 --> 00:17:11,607
‐ [whimpers]
243
00:17:11,607 --> 00:17:12,864
‐ Annie!
244
00:17:12,864 --> 00:17:16,003
‐ [hyperventilating]
245
00:17:16,003 --> 00:17:19,017
[sinister music]
246
00:17:19,017 --> 00:17:26,048
♪ ♪
247
00:17:36,389 --> 00:17:40,072
‐ [gasping]
248
00:17:40,072 --> 00:17:43,085
[screams]
249
00:17:43,085 --> 00:17:45,052
This isn't real.
250
00:17:45,052 --> 00:17:48,151
CRYSILDA: They put filth
inside her.
251
00:17:48,151 --> 00:17:49,782
‐ [whimpering]
You aren't‐‐you aren't real!
252
00:17:49,782 --> 00:17:51,332
CRYSILDA: Get her clean!
253
00:18:12,847 --> 00:18:15,526
‐ Did you get any sleep?
254
00:18:15,526 --> 00:18:17,536
‐ I guess.
255
00:18:17,536 --> 00:18:21,052
‐ Nothing like
a nice, long sleep.
256
00:18:22,265 --> 00:18:25,280
‐ [breathing heavily]
257
00:18:28,377 --> 00:18:30,722
‐ Joy?
258
00:18:34,740 --> 00:18:37,000
‐ Why are you
being so nice to us?
259
00:18:37,000 --> 00:18:38,674
ACE: [chuckles]
260
00:18:38,674 --> 00:18:41,436
‐ You weren't like this
when we first got here.
261
00:18:44,451 --> 00:18:46,000
‐ People change.
262
00:18:46,000 --> 00:18:47,505
ANNIE: Joy?
263
00:18:47,505 --> 00:18:50,520
[eerie music]
264
00:18:50,520 --> 00:18:53,744
♪ ♪
265
00:18:53,744 --> 00:18:56,591
[rapid approaching footsteps]
266
00:18:58,601 --> 00:19:04,292
♪ ♪
267
00:19:04,292 --> 00:19:07,766
ACE:
That appalling man you met,
268
00:19:07,766 --> 00:19:10,613
he was at a funny place
in his life.
269
00:19:10,613 --> 00:19:13,836
Turns out, his time was up,
270
00:19:13,836 --> 00:19:16,766
and now he feels like a...
271
00:19:16,766 --> 00:19:19,780
distant memory.
272
00:19:21,329 --> 00:19:24,176
Think you might
like a change, Joy?
273
00:19:24,176 --> 00:19:26,059
Given what you've been through.
274
00:19:26,059 --> 00:19:33,092
♪ ♪
275
00:19:39,203 --> 00:19:41,547
Terrible thing...
276
00:19:41,547 --> 00:19:44,143
to see someone die like that...
277
00:19:44,143 --> 00:19:46,570
and right in front of you.
278
00:19:46,570 --> 00:19:50,463
And to be responsible
for someone's death.
279
00:19:50,463 --> 00:19:53,518
‐ No, no, it was an accident.
280
00:19:55,193 --> 00:19:57,872
‐ Things happen for a reason.
281
00:19:57,872 --> 00:20:00,341
[insects buzzing]
282
00:20:00,341 --> 00:20:02,560
And you did a bad thing.
283
00:20:02,560 --> 00:20:04,485
A terrible thing, Joy.
284
00:20:04,485 --> 00:20:07,248
Now you feel empty.
285
00:20:07,248 --> 00:20:08,295
A shell.
286
00:20:08,295 --> 00:20:11,518
♪ ♪
287
00:20:11,518 --> 00:20:14,156
‐ [whimpers softly]
288
00:20:14,156 --> 00:20:16,249
[yelps]
289
00:20:16,249 --> 00:20:18,633
[sinister music]
290
00:20:18,633 --> 00:20:20,936
JOY: [muffled screaming]
291
00:20:20,936 --> 00:20:22,778
‐ Shh.
292
00:20:22,778 --> 00:20:23,825
‐ Get off!
293
00:20:23,825 --> 00:20:25,248
ACE: But lucky you.
294
00:20:25,248 --> 00:20:28,011
‐ [muffled] Let me go!
Let me go!
295
00:20:28,011 --> 00:20:29,642
ACE: Not for long.
296
00:20:33,369 --> 00:20:36,382
[dark music]
297
00:20:36,382 --> 00:20:43,415
♪ ♪
298
00:21:01,707 --> 00:21:03,298
‐ [panting]
299
00:21:03,298 --> 00:21:05,641
[groaning]
‐ Just breathe.
300
00:21:05,641 --> 00:21:07,400
You're safe now.
301
00:21:09,659 --> 00:21:12,925
‐ Just give me more
of that stuff.
302
00:21:12,925 --> 00:21:15,227
I can't hold him back
any longer.
303
00:21:15,227 --> 00:21:18,324
[inhales hoarsely]
[groaning]
304
00:21:18,324 --> 00:21:20,418
NADIA: Chris? Chris.
305
00:21:21,423 --> 00:21:22,762
‐ [yelps]
306
00:21:22,762 --> 00:21:25,148
NADIA:
I'm getting more medicine.
307
00:21:25,148 --> 00:21:28,162
‐ [groaning, straining]
308
00:21:28,162 --> 00:21:31,176
[suspenseful music]
309
00:21:31,176 --> 00:21:35,570
♪ ♪
310
00:21:35,570 --> 00:21:38,167
[door opens]
311
00:21:38,167 --> 00:21:42,142
BILLY: Just sweep
the building for people
and shoot anyone that's left.
312
00:21:42,142 --> 00:21:49,175
♪ ♪
313
00:21:51,854 --> 00:21:53,570
‐ Chris, there are men here
with guns.
314
00:21:53,570 --> 00:21:56,459
‐ My men, and I'll enjoy
watching what they do to you.
315
00:21:56,459 --> 00:21:59,514
‐ What?
‐ I'm in here, brothers!
316
00:21:59,514 --> 00:22:02,528
[muffled screaming]
‐ [shushes]
317
00:22:03,951 --> 00:22:05,584
‐ Hello, boys!
I'm in here!
318
00:22:05,584 --> 00:22:06,923
NADIA: Shut the fuck up!
319
00:22:06,923 --> 00:22:10,523
‐ [muffled screaming]
320
00:22:10,523 --> 00:22:17,556
♪ ♪
321
00:22:19,439 --> 00:22:22,118
[distant clatter]
322
00:22:22,118 --> 00:22:24,128
[muffled holler]
323
00:22:24,128 --> 00:22:31,160
♪ ♪
324
00:22:35,346 --> 00:22:37,689
[gunfire]
[glass shatters]
325
00:22:37,689 --> 00:22:39,281
[gunfire continues]
326
00:22:39,281 --> 00:22:41,290
‐ [grunting]
327
00:22:44,094 --> 00:22:46,103
‐ [screams]
328
00:22:46,103 --> 00:22:47,402
CHRIS: You're all gonna die!
329
00:22:47,402 --> 00:22:49,369
‐ Fuck!
330
00:22:49,369 --> 00:22:51,838
[panel beeps]
331
00:22:51,838 --> 00:22:54,391
‐ [muffled grunting]
332
00:22:58,452 --> 00:22:59,458
[gunshot]
333
00:23:01,214 --> 00:23:02,220
[gunshot]
334
00:23:06,197 --> 00:23:07,787
BILLY:
Open the fucking door!
335
00:23:07,787 --> 00:23:09,587
‐ [grunts]
336
00:23:09,587 --> 00:23:11,427
[door rattling]
337
00:23:13,144 --> 00:23:14,651
Go around the back!
338
00:23:14,651 --> 00:23:16,536
‐ You're not
getting out of here alive.
339
00:23:16,536 --> 00:23:18,503
Open the door.
340
00:23:21,266 --> 00:23:22,896
[grunts]
341
00:23:22,896 --> 00:23:25,911
[suspenseful music]
342
00:23:25,911 --> 00:23:32,943
♪ ♪
343
00:23:36,962 --> 00:23:39,725
No, don't, don't.
344
00:23:39,725 --> 00:23:41,943
‐ [panting]
‐ Don't, don't‐‐
345
00:23:41,943 --> 00:23:44,161
‐ It's just a little Haldol.
Come on, Chris!
346
00:23:44,161 --> 00:23:45,837
‐ [grunts]
347
00:23:52,367 --> 00:23:55,590
[rattling]
[muffled chatter]
348
00:24:00,488 --> 00:24:02,496
TIMOTHY:
Did you find the Wilkes woman?
349
00:24:02,496 --> 00:24:04,505
VALERIE: No, not yet.
Search the grounds.
350
00:24:04,505 --> 00:24:06,473
Go up to the girl.
351
00:24:06,473 --> 00:24:07,812
No one gets in.
352
00:24:07,812 --> 00:24:10,323
Not until sunset tomorrow.
353
00:24:11,580 --> 00:24:13,714
ANNIE: Joy‐‐no, no.
354
00:24:16,896 --> 00:24:19,909
[water dripping]
355
00:24:21,876 --> 00:24:24,472
‐ Find her.
356
00:24:24,472 --> 00:24:27,109
Get her clean.
357
00:24:27,109 --> 00:24:30,793
Get her out
of this dirty world.
358
00:24:41,132 --> 00:24:43,937
[sinister music]
359
00:24:43,937 --> 00:24:50,969
♪ ♪
360
00:25:11,941 --> 00:25:14,243
[clatter]
361
00:25:14,243 --> 00:25:21,275
♪ ♪
362
00:25:31,237 --> 00:25:32,241
‐ [gasps]
363
00:25:33,916 --> 00:25:36,596
[muffled screaming]
364
00:25:38,981 --> 00:25:41,534
‐ Where's my girl?
365
00:25:41,534 --> 00:25:43,041
‐ [muffled]
I don't know, you bitch!
366
00:25:43,041 --> 00:25:44,967
[muffled screaming]
367
00:25:44,967 --> 00:25:47,354
‐ Look what you're
making me do.
368
00:25:47,354 --> 00:25:49,571
[breathing heavily]
‐ Up in the attic!
369
00:25:49,571 --> 00:25:51,372
Attic!
370
00:25:51,372 --> 00:25:52,459
[muffled screaming]
371
00:25:52,459 --> 00:25:54,593
ANNIE: [grunts]
372
00:25:54,593 --> 00:25:56,520
[screams]
373
00:25:57,651 --> 00:25:59,952
[both screaming]
374
00:26:01,083 --> 00:26:03,846
‐ [gasping]
375
00:26:07,278 --> 00:26:14,309
♪ ♪
376
00:26:21,175 --> 00:26:22,472
[door slams]
377
00:26:25,487 --> 00:26:26,785
[lock clicks]
378
00:26:26,785 --> 00:26:33,775
♪ ♪
379
00:26:42,984 --> 00:26:45,453
[object clatters]
380
00:26:45,453 --> 00:26:47,002
ANNIE: [screams]
381
00:26:47,002 --> 00:26:48,593
‐ Helene?
382
00:26:51,481 --> 00:26:53,490
Helene?
383
00:26:53,490 --> 00:26:55,667
Helene?
What happened?
384
00:26:55,667 --> 00:26:56,923
[object scrapes]
385
00:27:04,666 --> 00:27:07,680
[intense music]
386
00:27:07,680 --> 00:27:14,671
♪ ♪
387
00:27:31,122 --> 00:27:32,419
‐ [gasps]
388
00:27:34,345 --> 00:27:35,516
[board clatters]
389
00:27:35,516 --> 00:27:37,736
JOY: Mom?
‐ Oh, little love.
390
00:27:37,736 --> 00:27:41,754
Oh.
[breathing heavily]
391
00:27:41,754 --> 00:27:43,345
‐ What's happening?
392
00:27:43,345 --> 00:27:46,275
ANNIE: We're getting out,
that's what.
393
00:27:47,991 --> 00:27:49,581
‐ What did they do to you?
394
00:27:49,581 --> 00:27:51,800
CRYSILDA: [whispering]
Annie.
395
00:27:51,800 --> 00:27:54,940
You have to save her...
396
00:27:54,940 --> 00:27:58,414
like I tried to do for you.
397
00:27:58,414 --> 00:28:00,464
CRYSILDA: You know
there's only one way out
398
00:28:00,464 --> 00:28:02,515
of this dirty world.
399
00:28:02,515 --> 00:28:06,200
You know what you have to do.
400
00:28:06,200 --> 00:28:08,418
End your pain.
401
00:28:08,418 --> 00:28:11,264
End her pain.
402
00:28:11,264 --> 00:28:13,441
‐ Joy...
403
00:28:13,441 --> 00:28:14,948
‐ Mom.
‐ We're gonna...
404
00:28:14,948 --> 00:28:16,916
CRYSILDA: Kill her, Annie.
405
00:28:16,916 --> 00:28:18,632
Make her clean.
406
00:28:18,632 --> 00:28:19,804
[baby crying]
407
00:28:19,804 --> 00:28:22,273
Make her clean.
408
00:28:22,273 --> 00:28:23,989
Get her clean.
409
00:28:23,989 --> 00:28:27,046
Make her clean.
410
00:28:27,046 --> 00:28:29,223
‐ [gasps]
411
00:28:29,223 --> 00:28:31,105
‐ Mom, can we go?
412
00:28:31,105 --> 00:28:32,738
‐ [breathing shakily]
413
00:28:32,738 --> 00:28:34,328
‐ Mom?
414
00:28:34,328 --> 00:28:39,269
♪ ♪
415
00:28:39,269 --> 00:28:41,487
‐ Hang on to me, okay?
416
00:28:41,487 --> 00:28:43,203
Don't make a sound.
417
00:28:43,203 --> 00:28:50,237
♪ ♪
418
00:28:53,375 --> 00:28:56,390
[indistinct whispered chatter]
419
00:29:11,291 --> 00:29:18,323
♪ ♪
420
00:29:53,527 --> 00:29:56,541
[birds chirping]
421
00:30:04,703 --> 00:30:07,717
‐ [breathing shallowly]
422
00:30:07,717 --> 00:30:10,731
[tense music]
423
00:30:10,731 --> 00:30:14,540
♪ ♪
424
00:30:14,540 --> 00:30:16,046
[pounding on door]
BILLY: Doctor!
425
00:30:16,046 --> 00:30:18,306
Let's try this again!
426
00:30:18,306 --> 00:30:19,855
NADIA: No!
‐ One life for two!
427
00:30:19,855 --> 00:30:22,828
How does that sound?
428
00:30:22,828 --> 00:30:24,627
CHRIS:
Nadia, don't open the door.
429
00:30:24,627 --> 00:30:27,642
‐ Ten!
‐ Don't open the door.
430
00:30:27,642 --> 00:30:29,859
‐ Nine!
‐ No, no, no, no, no.
431
00:30:29,859 --> 00:30:31,703
CHRIS: Don't open it.
BILLY: Eight!
432
00:30:31,703 --> 00:30:33,837
‐ I can see‐‐
I can see what he's seen.
433
00:30:33,837 --> 00:30:35,929
Don't open the door.
[gasps]
434
00:30:35,929 --> 00:30:38,314
Give me more of that drug.
‐ Six!
435
00:30:38,314 --> 00:30:41,120
CHRIS: Give me more Haldol.
436
00:30:41,120 --> 00:30:43,381
BILLY: Five!
‐ Nadia, I can hold him back.
437
00:30:43,381 --> 00:30:44,762
It has to be now.
438
00:30:44,762 --> 00:30:45,976
[pounding on glass]
439
00:30:45,976 --> 00:30:47,902
BILLY: Three!
440
00:30:47,902 --> 00:30:49,409
Two!
441
00:30:49,409 --> 00:30:50,581
[muffled crash]
[Nadia screams]
442
00:30:50,581 --> 00:30:51,962
[glass shatters]
443
00:30:51,962 --> 00:30:54,599
‐ [whimpering]
444
00:30:57,151 --> 00:30:58,827
[gasps]
445
00:30:58,827 --> 00:31:00,584
[panel beeps]
446
00:31:01,923 --> 00:31:03,766
BILLY: Bertrand?
447
00:31:08,159 --> 00:31:10,547
‐ Thank you.
448
00:31:10,547 --> 00:31:13,142
She's back there.
449
00:31:18,459 --> 00:31:20,299
[both grunt]
450
00:31:21,765 --> 00:31:24,987
[both grunting]
451
00:31:24,987 --> 00:31:26,747
[gunshot]
452
00:31:31,099 --> 00:31:34,114
NADIA: [grunts]
‐ [groaning]
453
00:31:35,998 --> 00:31:37,462
‐ [whimpering]
454
00:31:37,462 --> 00:31:41,774
[repeating]
No, no, no, no, no, no.
455
00:31:41,774 --> 00:31:43,575
‐ It's...
[panting]
456
00:31:43,575 --> 00:31:45,164
It's okay.
457
00:31:45,164 --> 00:31:46,503
‐ I'll get you into surgery.
458
00:31:46,503 --> 00:31:48,555
‐ No, Nadia.
I'm not really here.
459
00:31:49,978 --> 00:31:52,950
I'm already gone.
460
00:31:52,950 --> 00:31:54,583
[groans]
461
00:31:56,173 --> 00:31:58,978
You have to stop them.
462
00:31:58,978 --> 00:32:00,903
‐ Chris...
[weeping]
463
00:32:00,903 --> 00:32:03,624
‐ [grunts]
Just...
464
00:32:04,880 --> 00:32:06,722
Just know...
465
00:32:09,233 --> 00:32:11,577
I alway‐‐I always...
466
00:32:21,958 --> 00:32:25,182
‐ [screams]
467
00:32:25,182 --> 00:32:28,196
[brooding music]
468
00:32:28,196 --> 00:32:35,228
♪ ♪
469
00:33:09,300 --> 00:33:10,892
VALERIE: [whistling]
470
00:33:10,892 --> 00:33:13,068
This way.
471
00:33:13,068 --> 00:33:14,659
There they are.
472
00:33:14,659 --> 00:33:16,167
Over there.
473
00:33:16,167 --> 00:33:22,948
♪ ♪
474
00:33:32,867 --> 00:33:35,882
[crowd murmuring]
475
00:33:42,914 --> 00:33:44,169
‐ [grunts]
476
00:33:47,182 --> 00:33:48,522
Joy?
477
00:33:50,531 --> 00:33:52,291
‐ [grunts]
478
00:33:52,291 --> 00:33:54,006
[both grunting]
479
00:33:54,006 --> 00:33:55,973
Come on!
480
00:33:55,973 --> 00:33:57,523
‐ Joy!
481
00:33:59,238 --> 00:34:01,499
Joy, no!
482
00:34:01,499 --> 00:34:02,880
Joy!
483
00:34:02,880 --> 00:34:05,266
Joy, don't!
484
00:34:05,266 --> 00:34:07,359
Joy!
485
00:34:08,532 --> 00:34:09,830
Joy!
486
00:34:09,830 --> 00:34:12,800
[echoing tone]
487
00:34:12,800 --> 00:34:15,814
[solemn music]
488
00:34:15,814 --> 00:34:22,847
♪ ♪
28735
