Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,434 --> 00:00:04,402
( theme music playing )
2
00:00:23,956 --> 00:00:25,557
YOU MAY WONDER
WHAT I AM DOING
3
00:00:25,559 --> 00:00:27,325
IN AN UNDERGROUND BUNKER,
4
00:00:27,327 --> 00:00:29,394
SITTING NEXT
TO A DEAD ELK.
5
00:00:29,396 --> 00:00:31,963
THERE IS OF COURSE
A SIMPLE EXPLANATION FOR THIS.
6
00:00:31,965 --> 00:00:33,698
I HAVE BEEN
TAKEN PRISONER
7
00:00:33,700 --> 00:00:36,034
BY LOUISE
OF THE COMMUNIST RESISTANCE
8
00:00:36,036 --> 00:00:39,103
WHO HAS ANNOUNCED THAT I AM
TO BE HER LOVE SLAVE.
9
00:00:41,140 --> 00:00:44,242
NATURALLY MY QUICK
THINKING HAS SAVED THE DAY.
10
00:00:44,244 --> 00:00:45,943
FOR THE PAST 24 HOURS
11
00:00:45,945 --> 00:00:49,013
I HAVE BEEN EXCUSING MYSELF
WITH A HEADACHE.
12
00:00:50,183 --> 00:00:53,117
I HAD CONTEMPLATED
TAKING HER SLEEPING PILLS
13
00:00:53,119 --> 00:00:54,386
TO END IT ALL,
14
00:00:54,388 --> 00:00:56,120
BUT WITH MY LUCK
I WOULD PROBABLY
15
00:00:56,122 --> 00:00:58,856
JUST END UP
WITH A REAL HEADACHE.
16
00:00:58,858 --> 00:01:00,091
HANG ON.
17
00:01:00,093 --> 00:01:02,994
I CAN HEAR THE RATTLE
OF HER GRENADES.
18
00:01:02,996 --> 00:01:05,530
EXCUSE ME WHILE
I HAVE A RELAPSE.
19
00:01:08,501 --> 00:01:10,001
OH, RENE,
20
00:01:10,003 --> 00:01:11,703
THERE IS BAD NEWS.
21
00:01:11,705 --> 00:01:13,238
YOU HAVE FOUND
SOME ASPIRINS?
22
00:01:13,240 --> 00:01:15,707
NO. COME WITH ME.
23
00:01:15,709 --> 00:01:16,808
THERE IS
A PARTY MEETING.
24
00:01:16,810 --> 00:01:18,109
IS IT IMPORTANT?
25
00:01:18,111 --> 00:01:19,877
THEY WILL NOT
ALLOW ME TO KEEP YOU
26
00:01:19,879 --> 00:01:21,012
AS MY LOVE SLAVE.
27
00:01:21,014 --> 00:01:22,814
AAAW,
28
00:01:22,816 --> 00:01:24,949
AND JUST WHEN
MY HEADACHE HAD GONE.
29
00:01:24,951 --> 00:01:26,218
FOLLOW ME.
30
00:01:27,320 --> 00:01:29,987
...AND SO I SAY
TO YOU, COMRADES,
31
00:01:29,989 --> 00:01:33,358
THERE WILL BE
NO PRIVILEGED
PARTY MEMBERS.
32
00:01:33,360 --> 00:01:36,628
WE ARE ALL FOR ONE
AND ONE FOR ALL.
33
00:01:36,630 --> 00:01:37,929
I SECOND THAT.
34
00:01:37,931 --> 00:01:41,199
WHY SHOULD LOUISE
HAVE THIS MAN TO HERSELF?
35
00:01:41,201 --> 00:01:43,235
HANDS UP,
THOSE WHO AGREE.
36
00:01:46,405 --> 00:01:48,473
HIS SERVICES
SHOULD BE SHARED
37
00:01:48,475 --> 00:01:51,343
- AMONGST ALL OF US.
- WHAT?
38
00:01:51,345 --> 00:01:53,811
I SUGGEST...
39
00:01:53,813 --> 00:01:56,581
WE SHARE HIM MORNINGS,
AFTERNOONS,
40
00:01:56,583 --> 00:01:59,684
AND HAVE A LUCKY DIP
TO SEE WHO GETS HIM AT NIGHT.
41
00:02:00,720 --> 00:02:02,820
MAY I PUT
A MOTION ON THE TABLE?
42
00:02:02,822 --> 00:02:04,789
I HOPE THAT IS
THE CORRECT EXPRESSION.
43
00:02:04,791 --> 00:02:07,925
IT IS.
CARRY ON.
44
00:02:07,927 --> 00:02:10,262
I DO NOT WISH
TO BE IMMODEST.
45
00:02:10,264 --> 00:02:12,997
BUT AS A WELL KNOWN
RESISTANCE HERO,
46
00:02:12,999 --> 00:02:15,300
SHOULD I NOT BE OUT ALL DAY
BLOWING THINGS UP,
47
00:02:15,302 --> 00:02:17,135
AND RESTING PEACEFULLY
AT NIGHT?
48
00:02:17,137 --> 00:02:19,471
IT IS BECAUSE YOU
ARE A HERO
49
00:02:19,473 --> 00:02:21,139
THAT YOU MUST STAY HERE.
50
00:02:21,141 --> 00:02:22,440
WHEN THE WAR ENDS,
51
00:02:22,442 --> 00:02:24,809
YOU WILL LEAD
OUR PARTY TO VICTORY.
52
00:02:24,811 --> 00:02:26,878
I GIVE YOU
COMRADE ARTOIS,
53
00:02:26,880 --> 00:02:28,713
AND POSSIBLY
THE NEW LEADER
54
00:02:28,715 --> 00:02:30,782
OF THE FRENCH
COMMUNIST PARTY.
55
00:02:30,784 --> 00:02:32,250
COMRADE ARTOIS.
56
00:02:32,252 --> 00:02:33,951
COMRADE ARTOIS!
57
00:02:37,390 --> 00:02:39,557
All:
SPEECH! SPEECH!
58
00:02:39,559 --> 00:02:40,925
THANK YOU, COMRADES.
59
00:02:40,927 --> 00:02:43,328
MY FIRST TASK
WILL BE
60
00:02:43,330 --> 00:02:45,764
GETTING A SHORTER
WORKING WEEK,
61
00:02:45,766 --> 00:02:47,699
WHICH I THINK
I SHOULD START NOW.
62
00:02:47,701 --> 00:02:48,700
OVERRULED.
63
00:02:48,702 --> 00:02:49,801
- WHAT?
- RIGHT.
64
00:02:49,803 --> 00:02:51,436
LET'S PUT ALL
OUR NAMES INTO THE HAT
65
00:02:51,438 --> 00:02:53,070
AND SEE WHO GETS
HIS SERVICES FIRST.
66
00:02:56,008 --> 00:02:57,241
PASS IT AROUND.
67
00:02:59,044 --> 00:03:01,179
I HOPE YOU ARE NOT
EXPECTING TOO MUCH.
68
00:03:01,181 --> 00:03:03,281
AND DON'T FORGET
THE LUCKY DIP.
69
00:03:03,283 --> 00:03:07,552
KEEP CALM,
YOU KEEN COMMIE.
70
00:03:07,554 --> 00:03:08,687
NOW LET US SEE.
71
00:03:08,689 --> 00:03:10,588
FOR THE REST
OF THE MORNING,
72
00:03:10,590 --> 00:03:13,090
- HE BELONGS TO NOLA.
- GOOD.
73
00:03:13,092 --> 00:03:15,259
HE CAN HELP WITH
THE COOKING AND WASHING.
74
00:03:15,261 --> 00:03:17,329
YOU WILL FIND ME WILLING.
75
00:03:18,664 --> 00:03:21,733
THE AFTERNOON,
HE BELONGS TO CLAUDETTE.
76
00:03:21,735 --> 00:03:23,000
GOOD, HE CAN HELP
77
00:03:23,002 --> 00:03:24,569
WITH THE MENDING
AND IRONING.
78
00:03:24,571 --> 00:03:26,571
YOU TOO WILL
FIND ME WILLING.
79
00:03:26,573 --> 00:03:28,105
AND NOW,
80
00:03:28,107 --> 00:03:30,274
THE WINNER
OF THE LUCKY DIP IS--
81
00:03:30,276 --> 00:03:32,711
DESIREE.
82
00:03:38,150 --> 00:03:40,785
AND WILL I FIND
YOU WILLING?
83
00:03:40,787 --> 00:03:45,089
YOU WILL FIND ME
HIDING UNDER THE BED.
84
00:03:45,091 --> 00:03:47,559
I THINK MY HEADACHE
HAS COME BACK.
85
00:03:48,994 --> 00:03:51,563
IT IS SO SAD,
COLONEL.
86
00:03:51,565 --> 00:03:54,399
POOR RENE
SACRIFICED HIMSELF
87
00:03:54,401 --> 00:03:56,234
TO SAVE US.
88
00:03:56,236 --> 00:03:58,503
HE DIED A HERO'S DEATH.
89
00:03:58,505 --> 00:04:01,005
DON'T BE SUCH
A NINNY, GRUBER.
90
00:04:01,007 --> 00:04:03,575
IT WASN'T OUR FAULT
HE WAS BLOWN TO BITS.
91
00:04:03,577 --> 00:04:05,977
IT WAS A GERMAN SHELL
THAT HIT THE WINDMILL.
92
00:04:05,979 --> 00:04:07,746
HE SHOULD HAVE
RUN AWAY FASTER.
93
00:04:09,214 --> 00:04:11,616
WHAT CONCERNS ME NOW
IS GETTING BACK
THE PAINTING
94
00:04:11,618 --> 00:04:14,819
OF THE FALLEN MADONNA
WITH THE MISSING BOOBY
FROM MADAME EDITH.
95
00:04:14,821 --> 00:04:16,254
WE MUST GO
TO THE CAFE AT ONCE.
96
00:04:16,256 --> 00:04:19,223
THAT IS VERY
CALLOUS, COLONEL.
97
00:04:19,225 --> 00:04:22,727
SHE'S ONLY BEEN
A WIDOW SINCE YESTERDAY.
98
00:04:22,729 --> 00:04:23,795
OH, ALL RIGHT.
99
00:04:23,797 --> 00:04:25,430
WE'LL GO
IN HALF AN HOUR.
100
00:04:26,465 --> 00:04:27,932
NOW PULL YOURSELF
TOGETHER,
101
00:04:27,934 --> 00:04:29,534
AND GET HELGA
IN HERE.
102
00:04:31,737 --> 00:04:32,970
( blows nose )
103
00:04:39,645 --> 00:04:41,780
COULD WE HAVE A WORD,
PLEASE, HELGA?
( sobs )
104
00:04:45,418 --> 00:04:46,885
WHAT DO YOU
WANT, COLONEL?
105
00:04:46,887 --> 00:04:48,920
WE LEFT THE PAINTING
OF THE FALLEN MADONNA
106
00:04:48,922 --> 00:04:50,555
AT CAFE RENE
FOR SAFEKEEPING.
107
00:04:50,557 --> 00:04:53,357
YOU MUST HELP US RECOVER
THE MISSING BOOBY
FROM HERR FLICK.
108
00:04:53,359 --> 00:04:55,293
ONLY IF I GET A CUT
OF THE PROCEEDS.
109
00:04:55,295 --> 00:04:57,896
YOU'RE IN NO POSITION
TO MAKE DEMANDS, HELGA.
110
00:04:57,898 --> 00:04:59,697
THEN THE BOOBY
WILL STAY MISSING.
111
00:04:59,699 --> 00:05:01,933
AND I MAY EVEN EXPOSE
THAT COCK-AND-BULL STORY
112
00:05:01,935 --> 00:05:04,702
YOU TOLD THE GENERAL
ABOUT BEING CAPTURED
BY THE RESISTANCE.
113
00:05:04,704 --> 00:05:07,138
IT WAS NOT
A COCK-AND-BULL STORY.
114
00:05:07,140 --> 00:05:09,908
NO, IT WAS ALMOST
ENTIRELY BULL.
115
00:05:09,910 --> 00:05:11,309
GRUBER!
116
00:05:11,311 --> 00:05:14,278
SHE KNOWS WE WERE
REALLY DESERTING, COLONEL.
117
00:05:14,280 --> 00:05:16,047
WE HAVE NO CHOICE
BUT TO CUT HER IN.
118
00:05:16,049 --> 00:05:18,215
OH, VERY WELL.
119
00:05:18,217 --> 00:05:20,785
BUT YOU ARE A DEVIOUS,
UNDERHAND,
120
00:05:20,787 --> 00:05:22,654
SCHEMING
BLACKMAILER, HELGA.
121
00:05:22,656 --> 00:05:24,556
YOU FORGET, COLONEL,
122
00:05:24,558 --> 00:05:26,958
I AM A WOMAN.
123
00:05:29,328 --> 00:05:31,262
GENERAL
VON KLINKERHOFFEN!
124
00:05:33,532 --> 00:05:35,100
HEIL HITLER.
125
00:05:35,102 --> 00:05:36,400
HEIL HITLER.
126
00:05:36,402 --> 00:05:39,337
AFTER YOUR INCARCERATION
BY THOSE RESISTANCE PEOPLE,
127
00:05:39,339 --> 00:05:42,040
WHAT WE ALL NEED
IS A LITTLE RELAXATION
AROUND HERE.
128
00:05:42,042 --> 00:05:43,808
YOU ARE BOTH INVITED
TO JOIN ME
129
00:05:43,810 --> 00:05:46,144
FOR MY SHOOTING PARTY
IN THE FOREST THIS AFTERNOON.
130
00:05:46,146 --> 00:05:47,912
WE SHALL BE DELIGHTED.
131
00:05:47,914 --> 00:05:49,514
THAT'LL BE
AN HONOR, GENERAL.
132
00:05:49,516 --> 00:05:51,716
WILL THERE BE
ANY WILD BOAR?
133
00:05:51,718 --> 00:05:53,885
APART FROM YOU, NO.
134
00:05:53,887 --> 00:05:55,053
A FEW RABBITS,
135
00:05:55,055 --> 00:05:56,721
PERHAPS A DEER,
IF WE ARE LUCKY.
136
00:05:56,723 --> 00:05:59,423
- REPORT TO THE CHATEAU
AFTER LUNCH.
- YES, GENERAL.
137
00:05:59,425 --> 00:06:01,159
AND, UH--
138
00:06:01,161 --> 00:06:03,628
ABOUT THE PEASANT
WHO WAS BLOWN TO BITS
139
00:06:03,630 --> 00:06:06,164
- AT THE WINDMILL
DURING TARGET PRACTICE--
- ( sobs )
140
00:06:06,166 --> 00:06:08,199
GO AND SEE THE WIDOW.
141
00:06:08,201 --> 00:06:09,634
EXPRESS OUR REGRETS.
142
00:06:09,636 --> 00:06:12,336
SHOULD WE NOT
APOLOGIZE, GENERAL?
143
00:06:12,338 --> 00:06:14,338
AFTER ALL,
HE DID SAVE US.
144
00:06:14,340 --> 00:06:16,207
NO NEED TO GO
QUITE THAT FAR.
145
00:06:16,209 --> 00:06:17,742
BUT PERHAPS
A SMALL OFFER
146
00:06:17,744 --> 00:06:19,510
OF COMPENSATION
MIGHT NOT GO AMISS.
147
00:06:19,512 --> 00:06:21,780
WE DON'T WANT TO ANSWER
ANY AWKWARD QUESTIONS
148
00:06:21,782 --> 00:06:23,014
WHEN WE LOSE THE WAR.
149
00:06:23,016 --> 00:06:25,750
DO YOU NOT MEAN
IF WE LOSE THE WAR?
150
00:06:25,752 --> 00:06:29,788
NO. I AM RAPIDLY
LOSING CONFIDENCE
IN THE GERMAN ARMY.
151
00:06:29,790 --> 00:06:33,491
BUT, GENERAL, YOU STILL HAVE MEN
LIKE ME AND GRUBER BEHIND YOU.
152
00:06:33,493 --> 00:06:35,694
THAT'S WHY
I'M LOSING CONFIDENCE.
153
00:06:35,696 --> 00:06:36,861
HEIL HITLER.
154
00:06:44,070 --> 00:06:46,637
HAVE YOU DONE ALL
YOUR CHORES YET, COMRADE?
155
00:06:46,639 --> 00:06:50,008
WELL, THE SNAKE STEW IS
COMING ALONG VERY NICELY,
156
00:06:50,010 --> 00:06:53,044
AND I HAVE ALMOST FINISHED
BOILING YOUR UNDERWEAR.
157
00:06:53,046 --> 00:06:54,913
YOU HAVE DONE WELL.
158
00:06:54,915 --> 00:06:57,615
I WILL REWARD YOU
WHEN I WIN THE LUCKY DIP.
159
00:06:57,617 --> 00:06:59,650
THE "WELL DONE"
IS ENOUGH FOR ME,
160
00:06:59,652 --> 00:07:01,452
IF IT IS ALL
THE SAME TO YOU, COMRADE.
161
00:07:01,454 --> 00:07:03,487
OH MY GOD.
162
00:07:03,489 --> 00:07:04,956
WHAT IS IT,
COMRADE?
163
00:07:04,958 --> 00:07:07,525
I HAVE PUT YOUR KNICKERS
IN THE STEW.
164
00:07:07,527 --> 00:07:10,661
BUT YOU HAVE
RUINED THEM.
165
00:07:10,663 --> 00:07:11,796
I DO NOT SUPPOSE
166
00:07:11,798 --> 00:07:13,765
THEY HAVE DONE MUCH
FOR THE STEW EITHER.
167
00:07:13,767 --> 00:07:16,067
WHAT IS THE MATTER
WITH YOU?
168
00:07:16,069 --> 00:07:17,635
I AM NOT USED
TO BEING UNDERGROUND
169
00:07:17,637 --> 00:07:19,104
WITH A BUNCH
OF DESPERATE WOMEN.
170
00:07:19,106 --> 00:07:21,973
WE ARE NOT USED
TO LIVING UNDERGROUND
171
00:07:21,975 --> 00:07:24,475
WITH SUCH
AN ATTRACTIVE MAN.
172
00:07:24,477 --> 00:07:27,678
I CANNOT WAIT
FOR THE LUCKY DIP,
HOLD ME NOW.
173
00:07:27,680 --> 00:07:29,848
NO NO, PLEASE.
CONTROL YOURSELF, COMRADE.
174
00:07:29,850 --> 00:07:30,849
CONTROL YOURSELF.
175
00:07:30,851 --> 00:07:32,717
THINK OF LENIN.
176
00:07:33,853 --> 00:07:35,519
WOMEN LOVED HIM
AS WELL.
177
00:07:35,521 --> 00:07:38,556
HE HAD CRUMPET ALL
OVER THE KREMLIN.
178
00:07:38,558 --> 00:07:41,359
PLEASE PLEASE, LOOK--
STOP STOP!
179
00:07:41,361 --> 00:07:43,161
YOUR KNICKERS
ARE BOILING OVER.
180
00:07:43,163 --> 00:07:44,829
OH, YOU CAN
SAY THAT AGAIN.
181
00:07:46,932 --> 00:07:49,300
I HAVE JUST BEEN
SORTING THROUGH SOME
182
00:07:49,302 --> 00:07:51,702
OF RENE'S BELONGINGS.
183
00:07:51,704 --> 00:07:53,471
POOR RENE.
184
00:07:53,473 --> 00:07:55,006
HOW I MISS HIM.
185
00:07:55,008 --> 00:07:57,175
I MISS HIM ALSO.
186
00:07:57,177 --> 00:07:59,244
OH, HE IS A GREAT LOSS
TO US ALL.
187
00:07:59,246 --> 00:08:01,445
TAKE SOMETHING OF HIS
188
00:08:01,447 --> 00:08:03,514
FROM THIS BOX
TO REMEMBER HIM BY.
189
00:08:03,516 --> 00:08:04,749
HE WOULD HAVE
WANTED IT.
190
00:08:06,518 --> 00:08:09,154
I SHALL HAVE
HIS MOUSTACHE STIFFENER.
191
00:08:09,156 --> 00:08:11,589
IT WILL
REMIND ME OF HIM.
192
00:08:11,591 --> 00:08:15,894
AND I WILL HAVE
THIS LUCKY RABBIT'S FOOT.
193
00:08:15,896 --> 00:08:17,595
WHAT A PITY HE
WAS NOT WEARING IT
194
00:08:17,597 --> 00:08:18,897
WHEN HE WAS BLOWN UP.
195
00:08:19,965 --> 00:08:21,266
MADAME EDITH,
196
00:08:21,268 --> 00:08:23,134
I MUST SPEAK
WITH YOU URGENTLY.
197
00:08:23,136 --> 00:08:24,568
WHAT IS IT, MICHELLE?
198
00:08:24,570 --> 00:08:26,104
LISTEN VERY CAREFULLY,
199
00:08:26,106 --> 00:08:28,639
I SHALL SAY THIS
ONLY ONCE.
200
00:08:28,641 --> 00:08:31,242
I HAVE SPOKEN
WITH THE PARISH PRIEST,
201
00:08:31,244 --> 00:08:34,112
AND HE HAS AGREED TO HOLD
A SPECIAL MEMORIAL SERVICE
202
00:08:34,114 --> 00:08:35,413
FOR RENE THIS EVENING.
203
00:08:35,415 --> 00:08:37,481
OH, THANK YOU,
MICHELLE.
204
00:08:37,483 --> 00:08:40,118
EVERYONE IS
BEING SO KIND.
205
00:08:40,120 --> 00:08:43,487
WELL, RENE WAS A TRUE
HERO OF FRANCE.
206
00:08:43,489 --> 00:08:45,456
A PAIN IN THE BUM
SOMETIMES,
207
00:08:45,458 --> 00:08:47,125
BUT STILL A HERO.
208
00:08:48,260 --> 00:08:49,460
GOOD MOANING.
209
00:08:50,762 --> 00:08:52,596
GOOD MORNING,
OFFICER CRABTREE,
210
00:08:52,598 --> 00:08:54,398
MONSIEUR ALPHONSE.
211
00:08:54,400 --> 00:08:56,201
I HAVE HERE
SOME THINGS OF RENE'S.
212
00:08:56,203 --> 00:08:58,136
PLEASE TAKE SOMETHING.
213
00:08:58,138 --> 00:08:59,737
HOW VERY KIND.
214
00:08:59,739 --> 00:09:01,239
I AM MOVED.
215
00:09:01,241 --> 00:09:02,473
THINK YOU.
216
00:09:02,475 --> 00:09:05,409
I WILL TAKE THESE
BURCYCLE CLAPS.
217
00:09:05,411 --> 00:09:09,380
THEY WILL STOP MY TROOSERS
FLIPPING IN THE WOND.
218
00:09:09,382 --> 00:09:12,650
AND I WILL HAVE
THIS BOTTLE OF HAIR POMADE.
219
00:09:14,286 --> 00:09:18,356
OH, THAT SMELL
WE REMEMBER SO WELL.
220
00:09:20,092 --> 00:09:21,993
NO, HE WAS MORE
GARLICY THAN THAT.
221
00:09:21,995 --> 00:09:24,695
ANYWAY, HE HAS NOT
USED MUCH.
222
00:09:24,697 --> 00:09:27,131
HE DID NOT HAVE
MUCH HAIR TO USE IT ON.
223
00:09:27,133 --> 00:09:28,366
MADAME EDITH,
224
00:09:28,368 --> 00:09:30,668
I WILL NOT BEAT
ABOUT THE BUSH.
225
00:09:30,670 --> 00:09:33,238
I WANT TO PRESS
MY SUIT.
226
00:09:33,240 --> 00:09:35,539
I WILL PLUG IN
THE IRON.
227
00:09:35,541 --> 00:09:39,143
NO NO, I MEAN
MY PROPOSAL OF MARRIAGE,
228
00:09:39,145 --> 00:09:41,512
NOW THAT YOU
ARE A WIDOW.
229
00:09:41,514 --> 00:09:42,780
OH, MONSIEUR ALPHONSE,
230
00:09:42,782 --> 00:09:44,582
IT IS TOO SOON.
231
00:09:44,584 --> 00:09:48,019
ANOTHER DAY PERHAPS?
232
00:09:48,021 --> 00:09:51,455
BUT NOW RENE IS STILL
FRESH IN MY MEMORY.
233
00:09:51,457 --> 00:09:54,458
HE IS FROSH
IN ALL OUR MAMMARIES.
234
00:09:55,594 --> 00:09:57,462
PERHAPS WE SHOULD
PUT UP SOMETHING
235
00:09:57,464 --> 00:09:59,029
THAT WILL REMIND
US OF HIM.
236
00:09:59,031 --> 00:10:00,197
BUT WHAT?
237
00:10:00,199 --> 00:10:02,533
NOTHING SPRINGS TO MIND.
238
00:10:02,535 --> 00:10:05,770
WHAT ABOUT A PLAQUE
WITH A KNIFE AND FORK
239
00:10:05,772 --> 00:10:07,672
MOUNTED ON
A BREAD ROLL?
240
00:10:07,674 --> 00:10:09,374
HE DESERVED MORE
THAN THAT.
241
00:10:09,376 --> 00:10:12,076
TWO BREAD ROLLS.
242
00:10:12,078 --> 00:10:14,144
WHAT ABOUT A STITUE?
243
00:10:14,146 --> 00:10:16,581
THAT IS
A GOOD IDEA.
244
00:10:16,583 --> 00:10:18,182
MONSIEUR ALPHONSE,
245
00:10:18,184 --> 00:10:20,951
DO YOU THINK YOU COULD
MAKE A STATUE OF RENE
FOR THE SQUARE?
246
00:10:20,953 --> 00:10:22,553
I WOULD NEED
A PHOTOGRAPH OF HIM.
247
00:10:22,555 --> 00:10:25,690
HAVE YOU FORGOTTEN ALREADY
WHAT HE LOOKED LIKE?
248
00:10:25,692 --> 00:10:28,158
MY SHORT TERM MEMORY
IS NOT TOO GOOD.
249
00:10:28,160 --> 00:10:30,395
WELL, HE WAS...
250
00:10:30,397 --> 00:10:31,396
TALL.
251
00:10:31,398 --> 00:10:33,264
YES, TALL.
252
00:10:33,266 --> 00:10:34,465
THINNING ON TOP.
253
00:10:34,467 --> 00:10:35,933
YES.
254
00:10:35,935 --> 00:10:38,703
AND RATHER PLIMP
WITH A BIG BIM.
255
00:10:38,705 --> 00:10:41,406
YES YES,
THAT WAS HIM.
256
00:10:41,408 --> 00:10:45,510
TALL, BALDING AND FAT.
257
00:10:45,512 --> 00:10:47,912
WHATEVER DID YOU
SEE IN HIM?
258
00:10:47,914 --> 00:10:49,747
I AM BEGINNING
TO WONDER.
259
00:10:50,783 --> 00:10:52,517
( tires squealing )
260
00:10:52,519 --> 00:10:55,486
IT IS THE COLONEL
AND LIEUTENANT GRUBER
IN HIS LITTLE TANK.
261
00:10:55,488 --> 00:10:57,522
THEY ARE GETTING OUT
AND COMING THIS WAY.
262
00:10:57,524 --> 00:10:59,557
I WILL DISAPPEAR
UP YOUR BACK PASSAGE.
263
00:10:59,559 --> 00:11:00,691
YVETTE--
264
00:11:02,761 --> 00:11:05,663
GIRLS, GO UPSTAIRS
AND GET ON WITH
THE CLEANING.
265
00:11:05,665 --> 00:11:07,298
I WILL HANDLE THIS.
266
00:11:07,300 --> 00:11:09,467
AND I MUST BE
ABOUT MY BOSSNESS.
267
00:11:12,237 --> 00:11:14,672
GOOD MOANING,
COLONEL VON STREAM,
268
00:11:14,674 --> 00:11:16,273
LIEUTENANT GREEBER.
269
00:11:16,275 --> 00:11:19,911
YOU LITTLE TONK
IS BADLY POCKED.
270
00:11:19,913 --> 00:11:21,879
DO NOT LEAVE IT
TOO LUNG,
271
00:11:21,881 --> 00:11:24,549
OR I SHALL
PUT A TOCKET
ON YOUR TIRRIT.
272
00:11:29,020 --> 00:11:30,321
GOOD MORNING,
COLONEL,
273
00:11:30,323 --> 00:11:31,556
LIEUTENANT GRUBER.
274
00:11:31,558 --> 00:11:33,458
WHAT CAN I DO
FOR YOU?
275
00:11:33,460 --> 00:11:34,792
WE HAVE COME
FOR THE PAINTING
276
00:11:34,794 --> 00:11:36,694
OF THE FALLEN MADONNA
WE LEFT WITH RENE.
277
00:11:36,696 --> 00:11:38,262
I'M SORRY, COLONEL,
278
00:11:38,264 --> 00:11:40,197
I DO NOT KNOW
WHERE IT IS.
279
00:11:40,199 --> 00:11:41,466
RENE HID IT
SOMEWHERE
280
00:11:41,468 --> 00:11:42,600
BEFORE HE DIED.
281
00:11:42,602 --> 00:11:44,268
LOOK AROUND FOR IT.
282
00:11:44,270 --> 00:11:45,670
WE MUST HAVE IT.
283
00:11:45,672 --> 00:11:47,004
OF COURSE, COLONEL.
284
00:11:47,006 --> 00:11:48,473
AND, MADAME EDITH,
285
00:11:48,475 --> 00:11:52,376
WE DEEPLY REGRET
WHAT HAPPENED TO RENE.
286
00:11:52,378 --> 00:11:53,945
PERHAPS WE COULD
OFFER YOU
287
00:11:53,947 --> 00:11:56,113
SOME SMALL SUM
BY WAY OF COMPENSATION?
288
00:11:56,115 --> 00:11:57,982
OH, LIEUTENANT GRUBER,
289
00:11:57,984 --> 00:12:00,050
NO AMOUNT OF MONEY
COULD POSSIBLY
290
00:12:00,052 --> 00:12:02,653
COMPENSATE ME FOR THE LOSS
OF A MAN LIKE RENE.
291
00:12:02,655 --> 00:12:04,121
HOW MUCH?
292
00:12:04,123 --> 00:12:05,590
MONSIEUR ALPHONSE, PLEASE.
293
00:12:05,592 --> 00:12:08,258
WE WISH TO HELP YOU,
MADAME EDITH.
294
00:12:08,260 --> 00:12:11,128
WELL, PERHAPS THERE IS
SOMETHING YOU COULD DO.
295
00:12:11,130 --> 00:12:13,297
WOULD YOU PAY
FOR A STATUE OF RENE
296
00:12:13,299 --> 00:12:14,765
TO BE ERECTED
IN THE SQUARE?
297
00:12:14,767 --> 00:12:17,234
WHAT A SPLENDID IDEA.
298
00:12:17,236 --> 00:12:19,103
DEPENDS HOW MUCH
IT WOULD COST.
299
00:12:19,105 --> 00:12:22,006
HERE IS A LIST
OF MY CHARGES.
300
00:12:23,141 --> 00:12:26,043
THAT ONE IS FOR A LIFE-SIZED
STATUE IN MARBLE,
301
00:12:26,045 --> 00:12:28,112
THAT ONE IS
FOR SANDSTONE,
302
00:12:28,114 --> 00:12:31,115
AND THAT ONE
IS FOR CONCRETE.
303
00:12:32,684 --> 00:12:36,120
AND THAT ONE IS
FOR A WATERPROOF
CARDBOARD CUTOUT.
304
00:12:38,023 --> 00:12:40,057
WE'LL PAY FOR
THE CONCRETE ONE.
305
00:12:40,059 --> 00:12:41,325
COME ON, GRUBER.
306
00:12:42,360 --> 00:12:43,694
CHEAPSKATES.
307
00:12:43,696 --> 00:12:48,699
I AM SO VERY SORRY
ABOUT OUR LOSS.
308
00:12:48,701 --> 00:12:51,301
THANK YOU.
309
00:12:51,303 --> 00:12:53,203
OH, MADAME EDITH,
310
00:12:53,205 --> 00:12:55,239
YOU HAVE ME NOW.
311
00:12:55,241 --> 00:12:57,542
AND SOON YOU WILL
HAVE HIM,
312
00:12:57,544 --> 00:13:00,978
IN TWO OF SAND
AND ONE OF CEMENT.
313
00:13:11,023 --> 00:13:13,691
YOU WILL HAVE
TO PEDAL FASTER
THAN THAT, COMRADE,
314
00:13:13,693 --> 00:13:15,826
OR OUR KNICKERS
WILL NEVER DRY.
315
00:13:15,828 --> 00:13:18,729
I AM DOING
MY BEST, CLAUDETTE.
316
00:13:18,731 --> 00:13:22,199
YOU MAY STOP...
FOR A MOMENT.
317
00:13:24,235 --> 00:13:25,570
AH!
318
00:13:25,572 --> 00:13:27,171
WHAT IS THE MATTER?
319
00:13:27,173 --> 00:13:29,707
I AM SADDLE SORE.
320
00:13:29,709 --> 00:13:31,842
WE ARE GOING OUT
NOW ON PATROL.
321
00:13:31,844 --> 00:13:33,410
OH.
322
00:13:33,412 --> 00:13:36,113
BUT I WILL BE BACK,
IN A SHORT WHILE.
323
00:13:36,115 --> 00:13:37,314
TAKE YOUR TIME.
324
00:13:37,316 --> 00:13:40,250
DO NOT GET IDEAS
ABOUT ESCAPING--
325
00:13:40,252 --> 00:13:42,286
AS IF I WOULD.
326
00:13:42,288 --> 00:13:45,189
--BECAUSE I AM LEAVING
ONE OF MY COMRADES BEHIND,
327
00:13:45,191 --> 00:13:46,323
TO KEEP AN EYE ON YOU.
328
00:13:46,325 --> 00:13:47,959
HOW THOUGHTFUL.
329
00:13:47,961 --> 00:13:49,694
DESIREE?
330
00:13:54,232 --> 00:13:56,467
UNTIL LATER,
COMRADE.
331
00:13:56,469 --> 00:13:58,335
NOW GET BACK
TO YOUR PEDALING
332
00:13:58,337 --> 00:14:00,838
OR OUR KNICKERS
WILL GO MOLDY.
333
00:14:04,175 --> 00:14:05,442
OW!
334
00:14:08,814 --> 00:14:10,581
FASTER, PEASANT,
FASTER.
335
00:14:12,350 --> 00:14:14,852
MY KNICKERS ARE NEXT.
336
00:14:19,491 --> 00:14:22,459
I AM NOT TRAINING
FOR THE TOUR DE FRANCE,
YOU KNOW.
337
00:14:27,265 --> 00:14:29,033
BE VERY CAREFUL
338
00:14:29,035 --> 00:14:31,669
HOW YOU TAKE OFF
THE BANDAGES,
VON SMALLHAUSEN.
339
00:14:31,671 --> 00:14:33,470
MY NEW FEATURES
MAY STILL BE
340
00:14:33,472 --> 00:14:34,705
A LITTLE DELICATE.
341
00:14:34,707 --> 00:14:35,739
YES, HERR FLICK.
342
00:14:38,677 --> 00:14:40,778
GOOD MORNING,
HERR FLICK.
343
00:14:40,780 --> 00:14:42,179
AH, HELGA,
344
00:14:42,181 --> 00:14:43,714
YOU ARE JUST IN TIME
TO WITNESS
345
00:14:43,716 --> 00:14:45,315
THE REMOVAL
OF MY BANDAGES.
346
00:14:45,317 --> 00:14:46,884
I CAN HARDLY WAIT.
347
00:14:46,886 --> 00:14:48,686
VON SMALLHAUSEN,
348
00:14:48,688 --> 00:14:51,655
- GET THE SCISSORS.
- YES, HERR FLICK.
349
00:14:51,657 --> 00:14:54,058
AS SOON AS
THE ALLIES INVADE,
350
00:14:54,060 --> 00:14:55,859
I WILL HEAD
FOR ARGENTINA.
351
00:14:55,861 --> 00:14:57,761
WILL YOU BE TAKING
ME WITH YOU?
352
00:14:57,763 --> 00:15:00,130
ONLY IF YOU
HELP ME RECOVER
353
00:15:00,132 --> 00:15:01,966
THE PAINTING
OF THE FALLEN MADONNA
354
00:15:01,968 --> 00:15:03,901
FROM THE COLONEL
AND LIEUTENANT GRUBER.
355
00:15:03,903 --> 00:15:05,970
- BUT THEY DO NOT HAVE IT.
- WHAT?
356
00:15:05,972 --> 00:15:07,337
THEY GAVE IT
TO RENE ARTOIS,
357
00:15:07,339 --> 00:15:09,539
THE CAFE OWNER
WHO WAS BLOWN UP
AT THE OLD WINDMILL.
358
00:15:09,541 --> 00:15:11,742
THEN WE WILL GET IT
FROM HIS WIDOW.
359
00:15:11,744 --> 00:15:13,944
SURELY SHE WILL NEVER
GIVE IT TO YOU?
360
00:15:13,946 --> 00:15:17,147
MY BRILLIANT MIND
IS EVEN NOW DEVISING
361
00:15:17,149 --> 00:15:19,149
A CUNNING PLAN
TO PERSUADE HER.
362
00:15:19,151 --> 00:15:20,584
BUT FIRST,
363
00:15:20,586 --> 00:15:22,219
VON SMALLHAUSEN,
364
00:15:22,221 --> 00:15:23,988
CUT THE BANDAGES.
365
00:15:23,990 --> 00:15:25,990
YES, HERR FLICK.
366
00:15:25,992 --> 00:15:27,457
I'M AGOG WITH EXPECTATION.
367
00:15:29,661 --> 00:15:30,794
HOLD THE MIRROR.
368
00:15:30,796 --> 00:15:32,029
YES, HERR FLICK.
369
00:15:36,034 --> 00:15:37,034
( ripping )
370
00:15:38,903 --> 00:15:40,004
WHAT A SHOCK!
371
00:15:40,006 --> 00:15:43,573
IS THIS REALLY YOU,
HERR FLICK?
372
00:15:43,575 --> 00:15:46,209
EVEN I AM UNSURE
IF IT IS REALLY ME.
373
00:15:47,278 --> 00:15:49,179
I SHALL CARRY OUT
THE ULTIMATE TEST.
374
00:15:49,181 --> 00:15:50,547
I WILL KISS YOU,
375
00:15:50,549 --> 00:15:53,583
TO SEE IF I STILL
SHUDDER WITH ECSTASY.
#############
376
00:16:01,889 --> 00:16:03,357
WELL?
377
00:16:03,359 --> 00:16:05,459
I STILL SHUDDER,
378
00:16:05,461 --> 00:16:07,294
BUT THE ECSTASY
IS MISSING.
379
00:16:09,698 --> 00:16:11,965
THEN I NEED
A SECOND OPINION.
380
00:16:11,967 --> 00:16:14,301
NOT FROM YOU.
381
00:16:18,873 --> 00:16:21,709
IS THAT DANDELION TEA
READY YET?
382
00:16:21,711 --> 00:16:23,677
IT IS ALMOST COMING,
COMRADE.
383
00:16:25,313 --> 00:16:27,180
( jingling )
384
00:16:31,419 --> 00:16:32,886
HA HA.
385
00:16:38,793 --> 00:16:40,594
HERE IT IS.
386
00:16:40,596 --> 00:16:42,195
DRINK IT ALL
DOWN IN ONE GO,
387
00:16:42,197 --> 00:16:44,064
IT WILL
DO YOU GOOD.
388
00:16:44,066 --> 00:16:47,067
AH, I NEEDED THAT.
389
00:16:47,069 --> 00:16:49,737
YOU MAKE FINE
DANDELION TEA.
390
00:16:49,739 --> 00:16:51,037
IT IS A KNACK.
391
00:16:51,039 --> 00:16:52,939
I HAVE WAITED
A LONG TIME
392
00:16:52,941 --> 00:16:54,675
FOR THIS MOMENT,
RENE ARTOIS.
393
00:16:54,677 --> 00:16:56,477
AT LAST I HAVE
YOU ALONE.
394
00:16:56,479 --> 00:16:58,512
NO, PLEASE PLEASE PLEASE,
YOU DO NOT GET ME
395
00:16:58,514 --> 00:17:00,046
UNTIL AFTER THE SUN
GOES DOWN.
396
00:17:00,048 --> 00:17:01,147
I DON'T CARE.
397
00:17:01,149 --> 00:17:03,316
COMRADE, I LOVE YOU
PASSIONATELY.
398
00:17:03,318 --> 00:17:06,720
- AND I KNOW YOU
FEEL THE SAME.
- YOU DO?
399
00:17:06,722 --> 00:17:08,889
I'VE SEEN THE WAY YOU'VE
BEEN LOOKING AT ME--
400
00:17:08,891 --> 00:17:11,525
THE HUNGER IN YOUR EYES.
401
00:17:11,527 --> 00:17:12,760
I AM NOT SURPRISED,
402
00:17:12,762 --> 00:17:14,895
I DID NOT FANCY
THAT STEW.
403
00:17:14,897 --> 00:17:17,398
PLEASE, NOW CONTROL
YOURSELF.
404
00:17:17,400 --> 00:17:19,266
DO NOT BLOT
YOUR PARTY CARD.
405
00:17:19,268 --> 00:17:21,835
OH, I FEEL FUNNY.
406
00:17:21,837 --> 00:17:24,371
IT MUST BE
THE AIR IN HERE.
407
00:17:26,040 --> 00:17:27,508
COME BACK.
408
00:17:29,611 --> 00:17:31,144
AH!
409
00:17:33,047 --> 00:17:35,649
FANCY LURING ME
INTO THE BEDROOM,
410
00:17:35,651 --> 00:17:37,484
YOU NAUGHTY BOY.
411
00:17:37,486 --> 00:17:39,553
I ASSURE YOU IT WAS--
412
00:17:39,555 --> 00:17:41,488
IT WAS NOT INTENTIONAL.
413
00:17:41,490 --> 00:17:44,591
AND WHAT DO YOU
SUGGEST WE DO NOW?
414
00:17:44,593 --> 00:17:46,393
HOW ABOUT A NAP?
415
00:17:46,395 --> 00:17:47,895
LATER.
416
00:17:47,897 --> 00:17:50,297
AND NOW MY HERO
OF THE RESISTANCE,
417
00:17:50,299 --> 00:17:53,233
HOLD ME, KISS ME,
418
00:17:53,235 --> 00:17:56,970
MAKE ME FAINT
WITH ECSTASY.
419
00:18:47,221 --> 00:18:48,955
REMEMBER
YOUR PART WELL,
420
00:18:48,957 --> 00:18:50,256
VON SMALLHAUSEN.
421
00:18:50,258 --> 00:18:52,358
SHE IS ONLY
A SIMPLE PEASANT.
422
00:18:52,360 --> 00:18:55,194
SHE WILL BE COMPLETELY
FOOLED BY OUR STORIES.
423
00:18:55,196 --> 00:18:58,197
BUT REMEMBER, SHE WILL
NOT RECOGNIZE ME.
424
00:18:58,199 --> 00:18:59,733
YES, HERR FLICK.
425
00:19:02,937 --> 00:19:04,570
GOOD MORNING,
HERR FLICK.
426
00:19:06,206 --> 00:19:07,841
HERR VON SMALLHAUSEN.
427
00:19:07,843 --> 00:19:10,610
DO YOU NOT NOTICE
ANYTHING DIFFERENT ABOUT ME?
428
00:19:12,013 --> 00:19:13,246
A NEW HAT?
429
00:19:14,915 --> 00:19:16,616
PREPARE YOURSELF
FOR A SURPRISE.
430
00:19:16,618 --> 00:19:18,518
QUITE A BIG ONE.
431
00:19:18,520 --> 00:19:20,820
I AM PREPARED,
I HOPE.
432
00:19:20,822 --> 00:19:23,890
I AM NOT REALLY
OTTO FLICK OF THE GESTAPO.
433
00:19:23,892 --> 00:19:25,125
I AM, IN FACT,
434
00:19:25,127 --> 00:19:27,360
A MEMBER OF THE BRITISH
INTELLIGENCE SERVICE.
435
00:19:27,362 --> 00:19:30,463
MY REAL NAME
IS BASIL DE VERE COURTNEY.
436
00:19:30,465 --> 00:19:33,332
AND I AM GEORGE
MARMADUKE ST. JOHN
437
00:19:33,334 --> 00:19:35,268
FOTHERINGTON SMYTHE.
438
00:19:35,270 --> 00:19:37,503
BUT YOU CAN
CALL ME BUFFY.
439
00:19:37,505 --> 00:19:39,839
BUT THE GERMAN
ACCENTS?
440
00:19:39,841 --> 00:19:41,741
BOTH BORN
IN GERMANY,
441
00:19:41,743 --> 00:19:43,442
BUT WE WERE
TURNED AT CAMBRIDGE.
442
00:19:43,444 --> 00:19:45,679
HE WAS TURNED
A BIT MORE THAN ME.
443
00:19:45,681 --> 00:19:48,214
WELL, THIS IS A SURPRISE.
444
00:19:48,216 --> 00:19:50,216
I HAVE HERE
SOME PHOTOGRAPHS,
445
00:19:50,218 --> 00:19:53,386
TO PROVE TO YOU THAT
WE ARE REALLY BRITISH.
446
00:19:53,388 --> 00:19:55,689
THIS IS ME PLAYING
POLO WITH KING GEORGE.
447
00:19:55,691 --> 00:19:58,391
AND HERE I AM
ON THE CENTER COURT
448
00:19:58,393 --> 00:20:00,794
OF WIMBLEDON IN 1936.
449
00:20:00,796 --> 00:20:03,262
BUT THIS IS
THE LADIES' SINGLES.
450
00:20:04,932 --> 00:20:07,033
EVEN THEN
I WAS IN DISGUISE.
451
00:20:08,368 --> 00:20:10,737
THIS IS THE 1937
452
00:20:10,739 --> 00:20:12,839
CAMBRIDGE UNIVERSITY
ROWING EIGHT.
453
00:20:12,841 --> 00:20:14,908
WHEN YOU LOOK CLOSELY,
454
00:20:14,910 --> 00:20:17,043
YOU MAY RECOGNIZE
THEIR COX.
455
00:20:18,579 --> 00:20:19,946
WILL I?
456
00:20:19,948 --> 00:20:21,480
I WAS THE COX.
457
00:20:21,482 --> 00:20:23,416
HE STEERS THE BOAT.
458
00:20:23,418 --> 00:20:25,518
OH-- OH YES,
OF COURSE.
459
00:20:25,520 --> 00:20:28,922
HAVE WE CONVINCED YOU?
460
00:20:28,924 --> 00:20:31,091
WITH SUCH
OVERWHELMING EVIDENCE,
461
00:20:31,093 --> 00:20:32,658
HOW COULD I DOUBT IT?
462
00:20:32,660 --> 00:20:33,827
GOOD.
463
00:20:33,829 --> 00:20:35,829
NOW I UNDERSTAND
464
00:20:35,831 --> 00:20:37,931
YOU HAVE THE PAINTINGOF THE FALLEN MADONNA.
465
00:20:37,933 --> 00:20:40,600
I HAVE
THE MISSING BOOBY.
466
00:20:40,602 --> 00:20:42,501
YOU MUST GIVE ME
THE PAINTING.
467
00:20:42,503 --> 00:20:44,537
THEN WE WILL
INSERT THE BOOBY
468
00:20:44,539 --> 00:20:46,339
AND SEND THE WHOLE THING
TO ENGLAND
469
00:20:46,341 --> 00:20:48,808
SO THEY CAN SELL IT
TO RAISE MONEY FOR
THE WAR EFFORT.
470
00:20:48,810 --> 00:20:50,409
THEY'RE JOLLY HARD UP.
471
00:20:50,411 --> 00:20:53,546
BUT I DO NOT KNOW
WHERE THE PAINTING IS, BASIL.
472
00:20:53,548 --> 00:20:55,148
RENE HID IT SOMEWHERE.
473
00:20:55,150 --> 00:20:57,751
SEARCH THE BUILDING
FOR IT,
474
00:20:57,753 --> 00:21:00,019
AND BRING IT TO ME
AT MY HEADQUARTERS.
475
00:21:00,021 --> 00:21:01,687
I WILL DO MY BEST.
476
00:21:01,689 --> 00:21:03,757
YOUR LOYALTY
TO THE CAUSE
477
00:21:03,759 --> 00:21:05,191
WILL NOT BE
FORGOTTEN.
478
00:21:05,193 --> 00:21:07,260
AND WHEN THE WAR
IS OVER,
479
00:21:07,262 --> 00:21:09,395
PERHAPS WE CAN GET TO KNOW
EACH OTHER BETTER.
480
00:21:09,397 --> 00:21:11,965
I WOULD LIKE THAT.
481
00:21:11,967 --> 00:21:13,633
I WILL TAKE YOU
TO ENGLAND
482
00:21:13,635 --> 00:21:15,401
AND SHOW YOU
MY COUNTRY SEAT.
483
00:21:15,403 --> 00:21:17,036
THAT SOUNDS INTERESTING.
484
00:21:17,038 --> 00:21:18,905
OH, IT IS.
I'VE SEEN IT.
485
00:21:20,207 --> 00:21:21,841
COME, BUFFY,
486
00:21:21,843 --> 00:21:23,743
WE MUST GET BACK
FOR SOME TIFFIN,
487
00:21:23,745 --> 00:21:24,944
AND A CUP OF CHA.
488
00:21:24,946 --> 00:21:27,747
GOOD DAY,
MADAME EDITH.
489
00:21:31,451 --> 00:21:33,719
WHAT IS CHA,
HERR FLICK?
490
00:21:33,721 --> 00:21:36,122
IT IS ENGLISH FOR TEA.
491
00:21:36,124 --> 00:21:38,758
HOW QUICKLY YOU
FORGET, BUFFY.
492
00:21:40,261 --> 00:21:41,661
OH, SORRY, BASIL.
493
00:21:41,663 --> 00:21:44,097
WHAT A VON TWIT I AM.
494
00:21:49,503 --> 00:21:51,871
THIS LOOKS LIKE
A GOOD SPOT.
495
00:21:51,873 --> 00:21:53,639
LAST ONE
TO BAG A RABBIT
496
00:21:53,641 --> 00:21:54,974
BUYS ALL THE DRINKS.
497
00:21:54,976 --> 00:21:57,210
I AM SLIGHTLY WORRIED.
498
00:21:57,212 --> 00:21:59,979
ISN'T THIS GENERAL
VON BLINKHORN'S ESTATE?
499
00:21:59,981 --> 00:22:01,881
HE IS RENOWNED
FOR BEING RUTHLESS
500
00:22:01,883 --> 00:22:03,516
WITH POACHERS.
501
00:22:03,518 --> 00:22:05,051
TO HELL WITH
VON BLINKHORN,
502
00:22:05,053 --> 00:22:06,452
WE HUNT
WHERE WE LIKE.
503
00:22:25,672 --> 00:22:27,473
AN ELK!
504
00:22:27,475 --> 00:22:29,175
IN THESE WOODS!
505
00:22:29,177 --> 00:22:31,477
QUITE EXTRAORDINARY.
506
00:22:31,479 --> 00:22:33,446
NOT A VERY BIG ONE.
507
00:22:34,748 --> 00:22:36,349
MY SHOT, I THINK.
508
00:22:40,120 --> 00:22:41,687
AAH! OOH!
509
00:22:43,824 --> 00:22:45,658
I THINK YOU
WINGED IT, GENERAL.
510
00:22:45,660 --> 00:22:48,427
I AGREE.
BUT THAT'S THE FIRST
TIME I'VE SEEN ONE
511
00:22:48,429 --> 00:22:50,096
RUN OFF ON TWO LEGS.
512
00:22:51,498 --> 00:22:53,933
Rene:
AH, OOH!
513
00:22:53,935 --> 00:22:55,434
DID YOU JUST
HEAR A SHOT?
514
00:22:55,436 --> 00:22:57,136
LOUISE, LOOK,
515
00:22:57,138 --> 00:22:59,739
THERE ARE GERMANSOVER THERE.
516
00:22:59,741 --> 00:23:01,274
THEY WILL NOT LEAVE
THE WOOD ALIVE.
517
00:23:01,276 --> 00:23:02,242
OPEN UP.
518
00:23:06,213 --> 00:23:08,481
VON BLINKHORN'S
GAMEKEEPERS ARE
RATHER KEEN.
519
00:23:08,483 --> 00:23:10,049
QUICK,
BACK TO THE CAR.
520
00:23:11,485 --> 00:23:13,019
( guns firing )
521
00:23:16,723 --> 00:23:18,024
THERE.
522
00:23:19,293 --> 00:23:22,028
OH, WHAT A WONDERFUL
523
00:23:22,030 --> 00:23:23,930
TOUCHING SERVICE
THAT WAS.
524
00:23:23,932 --> 00:23:25,965
AND WHAT WONDERFUL
THINGS THE PRIEST
525
00:23:25,967 --> 00:23:27,666
SAID ABOUT RENE.
526
00:23:27,668 --> 00:23:29,668
IT IS CUSTOMARY
TO EXAGGERATE
527
00:23:29,670 --> 00:23:31,104
ON THESE OCCASIONS.
528
00:23:31,106 --> 00:23:33,406
DO NOT FEAR,
MADAME EDITH.
529
00:23:33,408 --> 00:23:35,909
RONNIE'S MAMMARY
WILL LIVE ON,
530
00:23:35,911 --> 00:23:39,045
EVEN THOUGH HE HAS
PISSED AWAY.
531
00:23:40,080 --> 00:23:42,015
( sobbing )
532
00:23:43,050 --> 00:23:45,351
OH, DRY YOUR EYES, GIRLS.
533
00:23:45,353 --> 00:23:46,920
IT IS OVER.
534
00:23:49,856 --> 00:23:52,625
COME LET US GO
INTO THE BACK ROOM.
535
00:23:52,627 --> 00:23:55,128
I HAVE PREPARED
SOME SANDWICHES FOR US.
536
00:23:55,130 --> 00:23:56,129
SPLONDID.
537
00:23:56,131 --> 00:23:57,830
I COULD DO
WITH A NOBBLE.
538
00:24:01,636 --> 00:24:04,704
HERE, HELP YOURSELVES.
539
00:24:04,706 --> 00:24:06,839
FOR MY PART,
I COULD NOT
EAT A THING.
540
00:24:06,841 --> 00:24:08,775
I AM TOO UPSET.
541
00:24:08,777 --> 00:24:10,209
NOR ME.
542
00:24:10,211 --> 00:24:12,779
MY APPETITE
HAS VANISHED ALSO.
543
00:24:12,781 --> 00:24:14,648
OH WELL,
ALL THE MORE FOR MOO.
544
00:24:16,350 --> 00:24:18,084
DO NOT WORRY,
MADAME EDITH,
545
00:24:18,086 --> 00:24:19,319
I WILL LOOK AFTER YOU.
546
00:24:19,321 --> 00:24:22,155
NO ONE
WILL EVER FORGET
547
00:24:22,157 --> 00:24:24,023
A MAN SUCH AS
RENE ARTOIS
548
00:24:24,025 --> 00:24:25,525
IN A HURRY.
549
00:24:25,527 --> 00:24:27,627
DO YOU THINK
HE IS UP THERE,
MONSIEUR ALPHONSE,
550
00:24:27,629 --> 00:24:29,296
WATCHING OVER US?
551
00:24:29,298 --> 00:24:31,130
WHO?
552
00:24:31,132 --> 00:24:34,100
RENE OF COURSE.
553
00:24:34,102 --> 00:24:36,235
SHOULD WE TRY AND GET
IN TOUCH WITH HIM?
554
00:24:36,237 --> 00:24:38,405
IT IS A BIT LATE
FOR THAT, IS IT NOT?
555
00:24:38,407 --> 00:24:39,906
WELL, MAMMA
USED TO DO IT.
556
00:24:39,908 --> 00:24:41,808
PERHAPS SHE HAS
PASSED THE GIFT ON TO ME.
557
00:24:41,810 --> 00:24:44,877
LET US ALL SIT ROUND
THE TABLE AND HOLD HANDS.
558
00:24:44,879 --> 00:24:47,246
MIMI, LIGHT
THE CANDLES,
559
00:24:47,248 --> 00:24:49,182
YVETTE, PUT OUT
THE LIGHT.
560
00:24:51,251 --> 00:24:53,687
ARE YOU SURE YOU KNOW
WHAT YOU ARE DOING?
561
00:24:53,689 --> 00:24:54,721
DO NOT WORRY.
562
00:24:54,723 --> 00:24:57,089
I WILL BE IN CONTROL.
563
00:25:00,027 --> 00:25:01,194
I HOPE SO.
564
00:25:01,196 --> 00:25:04,531
IT IS DANGEROUS
TO ENTER THE SPIRIT WORLD.
565
00:25:04,533 --> 00:25:07,767
OH, I MUST TRY AND GET
IN TOUCH WITH RENE
ONE MORE TIME.
566
00:25:07,769 --> 00:25:10,537
PERHAPS HE COULD TELL US
WHERE HE HAS HIDDEN
567
00:25:10,539 --> 00:25:12,271
THE FALLEN MADONNA
PAINTING.
568
00:25:12,273 --> 00:25:13,673
AND I WOULD NOT MIND
569
00:25:13,675 --> 00:25:15,875
A WORD WITH ONE OR TWO
CLIENTS OF MINE
570
00:25:15,877 --> 00:25:17,477
WHO DID NOT
LEAVE ENOUGH MONEY
571
00:25:17,479 --> 00:25:18,978
TO PAY THEIR BILLS.
572
00:25:20,147 --> 00:25:22,915
HERE, LET US ALL
HOLD HANDS.
573
00:25:24,785 --> 00:25:28,488
OH, IT HAS SUDDENLY
GONE VERY COLD IN HERE.
574
00:25:28,490 --> 00:25:32,024
I CAN FOOL ICY FONGERS
DOWN THE BOCK OF MY NICK.
575
00:25:32,026 --> 00:25:35,061
IT IS VERY CROOPY.
576
00:25:35,063 --> 00:25:38,064
OH, I HOPE WE'RE
DOING THE RIGHT THING.
577
00:25:38,066 --> 00:25:40,032
IS THERE ANYONE THERE
578
00:25:40,034 --> 00:25:42,669
WHO WISHES TO SPEAK
WITH ANYONE HERE?
579
00:25:42,671 --> 00:25:44,504
TWO KNOCKS FOR YES,
580
00:25:44,506 --> 00:25:45,972
ONE KNOCK FOR NO.
581
00:25:55,683 --> 00:25:57,049
( rattling )
582
00:25:57,051 --> 00:25:59,185
OH OH!
I HEARD A RATTLE.
583
00:25:59,187 --> 00:26:01,454
I THINK WE ARE
GETTING THROUGH TO HIM.
584
00:26:06,960 --> 00:26:09,228
- ( rattling )
- I FEEL HIS PRESENCE.
585
00:26:09,230 --> 00:26:10,997
HE CANNOT
BE FAR AWAY.
586
00:26:10,999 --> 00:26:13,700
OOOH!
BE CAREFUL, MADAME EDITH.
587
00:26:13,702 --> 00:26:15,602
I HAD A FRIEND ONCE
588
00:26:15,604 --> 00:26:17,737
WHO DREW A PENTACLE
AND SUMMONED UP
589
00:26:17,739 --> 00:26:19,338
THE DEVIL ACCIDENTALLY--
590
00:26:19,340 --> 00:26:21,741
IN A DESERTED LAUNDRY.
591
00:26:21,743 --> 00:26:24,377
THAT MUST HAVE PUT
THE WOOLIES UP HIM.
592
00:26:24,379 --> 00:26:28,014
RENE, IF YOU ARE HERE
593
00:26:28,016 --> 00:26:30,450
MAKE YOUR PRESENCE
KNOWN.
594
00:26:33,120 --> 00:26:34,287
HE KNOCKED.
595
00:26:34,289 --> 00:26:35,354
OH MY GID.
596
00:26:35,356 --> 00:26:37,457
( knocks )
597
00:26:37,459 --> 00:26:39,559
OH, THERE IS SOMETHING
AT THE WINDOW.
598
00:26:39,561 --> 00:26:40,894
CAN IT BE HIM?
599
00:26:40,896 --> 00:26:42,595
BACK FROM THE GROOVE?
600
00:26:44,398 --> 00:26:47,534
SUDDENLY MY TICKER
IS VERY DICKY.
601
00:26:48,769 --> 00:26:51,604
( knocks )
602
00:26:51,606 --> 00:26:53,072
I AM NOT AFRAID,
603
00:26:53,074 --> 00:26:54,974
FOR I AM PURE IN HEART
604
00:26:54,976 --> 00:26:57,310
AND LOOKED AFTER
BY THE ANGELS.
605
00:27:00,481 --> 00:27:02,749
( screaming )
606
00:27:02,751 --> 00:27:04,551
I THINK THE ANGELS
ARE ON STRIKE.
607
00:27:04,553 --> 00:27:06,352
Edith:
OH MY GOD,
IT IS THE DEVIL.
608
00:27:06,354 --> 00:27:08,455
WE HAVE CONJURED UP
THE DEVIL.
609
00:27:08,457 --> 00:27:09,989
( screaming )
610
00:27:14,762 --> 00:27:17,029
THE KNOB HAS COME OFF
IN MY HAND.
611
00:27:17,031 --> 00:27:18,064
HELP!
612
00:27:18,066 --> 00:27:21,200
SHE IS FIGHTING
WITH THE DEVIL.
613
00:27:21,202 --> 00:27:22,401
WHAT DOES SHE SAY?
614
00:27:22,403 --> 00:27:25,572
THE KNOB HAS COME OFF
IN HER HAND.
615
00:27:27,307 --> 00:27:29,576
HE WILL
NOT LIKE THAT.
616
00:27:31,545 --> 00:27:32,612
RENE!
617
00:27:32,614 --> 00:27:34,313
All:
RENE?
618
00:27:34,315 --> 00:27:36,950
YOU STUPID WOMAN.
619
00:27:36,952 --> 00:27:39,452
OF COURSE IT IS ME,
620
00:27:39,454 --> 00:27:40,553
ALIVE AND WELL
621
00:27:40,555 --> 00:27:43,055
AFTER A WEEK
UNDER THE GROUND.
622
00:27:43,057 --> 00:27:44,591
WELL, WHAT DO YOU SAY?
623
00:27:44,593 --> 00:27:46,893
HOW DARE YOU
COME BACK TO HAUNT ME?
624
00:27:46,895 --> 00:27:49,729
NO NO, EDITH.
I WANT YOU TO LOOK
AT SOMETHING FOR ME.
625
00:27:49,731 --> 00:27:51,531
LOOK, THERE.
626
00:27:51,533 --> 00:27:54,667
BACK! YOU FIEND!
BEGONE!
627
00:27:54,669 --> 00:27:56,168
Yvette:
OH, RENE!
STOP IT!
59425
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese