All language subtitles for 6. Remove Channels

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,200 --> 00:00:05,170 [Autogenerated] in this clip, we're going to be looking at the remove note. 2 00:00:05,710 --> 00:00:06,690 Remove channels. 3 00:00:06,690 --> 00:00:11,890 Node allows us to very quickly get rid of other channels 4 00:00:12,090 --> 00:00:14,750 that we do not need for a particular task. 5 00:00:15,440 --> 00:00:19,760 This image has a lot of image layers. 6 00:00:20,130 --> 00:00:28,510 We have ale, multi diffuse body direct spec U V s. 7 00:00:28,590 --> 00:00:31,000 I mean, we have lots and lots of different layers, 8 00:00:31,000 --> 00:00:34,710 but we may not need those, so let's get rid of everything. 9 00:00:35,530 --> 00:00:42,230 Let's select remove and its default will remove all channels so you 10 00:00:42,230 --> 00:00:45,600 can see all channels are now empty for go back. 11 00:00:45,840 --> 00:00:47,430 You can see that on Lee. 12 00:00:47,430 --> 00:00:50,150 The default three are there now. 13 00:00:51,640 --> 00:00:55,100 So what we're gonna do is we're going to remove not but 14 00:00:55,110 --> 00:00:58,730 all but will remove just the oil multi. 15 00:00:59,050 --> 00:01:03,550 So you can see now that is no longer there and will remove 16 00:01:03,670 --> 00:01:08,900 body diffuse and you ve depth and multi Matt. 17 00:01:10,100 --> 00:01:13,380 And you can see as I get rid of those different layers, 18 00:01:13,390 --> 00:01:15,810 they're gone from the primary list. 19 00:01:16,080 --> 00:01:20,250 They're still in the secondary list, but they're no longer here, 20 00:01:20,260 --> 00:01:22,470 and you cannot select them or see them. 21 00:01:23,540 --> 00:01:27,640 Now let's go back to default and switch our operation not from remove, 22 00:01:27,930 --> 00:01:30,900 but to keep What are we going to keep? 23 00:01:31,320 --> 00:01:33,720 We can keep all or weaken. 24 00:01:33,720 --> 00:01:37,200 Just keep the UV depth. 25 00:01:37,590 --> 00:01:40,780 So now everything is gone except UV depth, 26 00:01:40,970 --> 00:01:45,940 which weaken select, but it's not in the RGB. 27 00:01:46,620 --> 00:01:51,480 So if we want to, just keep the UV depth, but copy it to the RGB A. 28 00:01:51,740 --> 00:01:58,380 We could use a shuffle or a copy note to move those channels around. 29 00:01:58,820 --> 00:02:03,050 The removed node is a really great way to remove data 30 00:02:03,540 --> 00:02:08,110 quickly from our image layers so we can composite with 31 00:02:08,110 --> 00:02:10,500 better workflow and better efficiency. 32 00:02:12,480 --> 00:02:13,430 To recap, 33 00:02:13,440 --> 00:02:20,870 I want to talk about how channels are the foundation of all good compositing. 34 00:02:21,640 --> 00:02:25,200 The shuffle node lets you rearrange your channels. 35 00:02:25,600 --> 00:02:29,550 Shuffle copy adds another input. 36 00:02:30,510 --> 00:02:35,090 The copy node moves and copies channel sets. 37 00:02:36,010 --> 00:02:42,390 Add channels will create empty channel sets and remove channels. 38 00:02:42,680 --> 00:02:48,060 Lets you easily delete large amounts of channels for optimization ins. 39 00:02:48,740 --> 00:02:50,940 Don't be afraid of these powerful notes. 40 00:02:51,340 --> 00:02:56,090 These nodes will help you define your greatest composites. 41 00:02:56,580 --> 00:02:59,350 I'm Daniel Smith and thank you so much 3540

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