Original subtitles

Why are you dressed up like that?

I want you and Alberto to take me seriously.

Listen, Patricia, keep your eye on Ana.

I suspect they're still together.

This new employee needs a uniform.

You can't expect to just turn up here

- and have me treat you like my-- - Son.

How long do you need to gain her trust?

Here...

to settle your debts.

I've done it.

It's a pity you're staying, we could have dinner in Alcalá.

Don Mateo asked you out to dinner and you said yes?

Please, don't tell Pedro.

I promise nothing will happen with Don Mateo.

I'm sorry, Don Mateo.

I was worried about my...

- My girlfriend. - Your girlfriend?

I'd never lied to Pedro or cheated on him before, I swear.

Lucrecia, this is Clara, my secretary.

- Why do you love me? - That's not something you choose.

You just feel it.

I hope you know what you're doing.

I just got a phone call from a clinic in Madrid.

- They've got a place for my husband! - Great!

Your husband has a hospital bed thanks to me.

And I'm grateful.

If you want him to stay there,

meet me at this address the day after tomorrow at 9:00.

I'll set the wedding for next year.

We'll launch the new collection that'll break the mould.

- And I'll cancel the engagement. - How will you do that?

Thank you for coming.

I want you to design Velvet's new collection.

- You want me to lower my fee? - It's a wager.

We bet on you and you bet on us.

If you agree to work with us, Rita will be your assistant.

Gerardo talk to the Bishop to set the date for two months' time.

How did it go?

Raúl, if you don't sign with Alberto, you'll regret it.

Very well, I don't want any regrets. I'll create a collection for Velvet.

Alberto, you're very lucky. You're marrying a great woman.

- What did you discover? - You were right. He's still with Ana.

I saw them kissing.

I knew it.

I'll end this farce when I want.

I love you.

Have I put too much makeup on?

- I think so... - No, you look gorgeous.

- Really? - Yes!

When mother finds out, she's going to be so proud of us!

We have to send at least ten magazines home.

Ten? They're very expensive!

Maybe I'll just send one for her to show around.

Take your positions for the photo, please.

Cristina, come here.

- Me? - Yes you, come on!

No, no, no.

What do you mean, no? You have to be in the photo.

- No, no, no, really. - What do you mean, no?

This dress is perfect for the photo.

No, this is Velvet and Raúl de la Riva's day.

And we're here thanks to who? Cristina, come on.

Please, Raúl! Don't do this to me.

If Cristina's not in the photo, then neither shall I be.

I'm sorry.

You're unbelievable!

This is blackmail!

It's my speciality.

Divine!

A bit more to the left, Miss Otegui.

More.

To the other side.

There. That's perfect.

Remember this shot's for the front page.

I want your best smiles.

Look.

My photo face!

I hope you've been practicing yours too.

Mr. Márquez?

- We're on the front page. - If my father could see this...

- There's interest in De la Riva. - We'll see if also in his collection...

"In between two women"

Cristina looks amazing. You're "the perfect couple".

Her photo face.

She practices it. She told me over dinner one night.

Poor Cristina. Raúl forced her to be in the photo.

But she's happy.

In fact, lately, all she does is smile.

- Isn't that the point? - What's your secret?

What secret?

How to be with two women and make them both happy.

I've been searching for it my whole life.

What about the magazine?

I left it in the office.

Good thing my uncle brought one with the mail.

It's OK, you know.

I'm not happy you're not in the photo.

It's my turn to be in the shadows.

What shadows? No one can hold a candle to you.

It's a good photo of you.

"The perfect couple".

They're referring to me and De la Riva.

No, they're referring to you and Cristina.

"The handsome heir and his beautiful bride to be

pose with the Velvet workers."

So, what's the handsome heir got to say

about appearing on the front page just as he's about to turn 31?

I wish my father was here to see it.

He'd love everything that's going on.

Come here.

I think about him a lot.

Especially with my birthday right around the corner.

He always said the same thing to me, the morning of my birthday.

He'd always make sure he was there to have breakfast with me,

and he'd say, "Alberto,

you're becoming a man. You're the master of your own destiny.

How are you going to celebrate?

I'm not going to celebrate.

But you'll be accepting gifts.

Alright.

I look like a total idiot! I don't really look like that!

Do I?

I look like a sheep!

Patricia is a natural, even dressed up like that.

Of course! She's been posing since she was 15.

Don't you remember the report they did for her coming-out in society?

Hello, ladies. I'm sorry, your face looks familiar to me.

Are you a model?

- No? Are you an actress? - Yes. In Hollywood.

Ah, in Hollywood.

Grace Kelly?

An actress and a princess.

As I said... I knew you.

You're much more handsome than Rainier.

Really?

Bye, princess.

I'm going upstairs. I should be there already.

What? Has my mascara run?

No. I was just a bit surprised to see you so affectionate with Pedro.

Why surprised? He is my boyfriend.

Because lately you'd been having doubts.

All couples have their moments.

I know, I heard you the other day. I think it was Thursday or--

Don't tell me that now you like listening through keyholes!

- I didn't have to try to listen. - I don't have to explain myself to you.

I didn't ask you to.

I've been with Pedro for six years, what do you expect?

I think waiting until you're married is just a bit outdated.

And how was it?

Well, it was like Pedro.

Lots of enthusiasm, but not much delicacy.

Like riding a bumpy horse!

Listen to you! It's not like you've got anyone to compare it to.

What are you trying to say?

The way you talk about it, it doesn't sound very romantic.

Well, it wasn't very romantic. That's the truth.

Maybe it couldn't be.

For God's sake. Stop talking in riddles. What are you trying to say?

Maybe Pedro is not the right man for you.

See you at lunchtime.

What's that face for?

What do you expect, with the life I lead?

- What's the matter? - Nothing.

Out the way!

Things always happen to you, things I wish would happen to me.

I want someone to fall in love with me too,

and go out on dates.

What's up with you today?

It's my sister and Pedro.

- Well, you know. - No, I don't.

They've done it! What do you think about it?

You make it sound like they killed someone!

They love each other, don't they?

I'm sorry. I know you're having hard time.

It's not because of him, at least I don't think...

I understand Pedro. Sometimes it's hard not to think

that my sister doesn't deserve him.

I don't think she loves him enough.

- Definitely not as much as-- - As you?

She's just better than me, whichever way you look at it.

Pedro, well...

It's normal he only has eyes for her.

She's so smart and pretty and open-minded...

She's even got a better job than me.

She's got it all.

Out of my way!

- What's the matter with her? - Man trouble.

- Good morning, Don Emilio. - Good morning.

Do you want to tell me what the matter with you is?

I'm just nervous. I'm not too good at things like this.

What things?

There are times in every young man's life,

when he has to think about the future.

I'm talking about young men in general, but also about myself.

- Sometimes life changes you. - What do you want?

A promotion.

- A promotion? - To sales assistant.

Sales assistant?

All the posts are filled.

I'm sure you understand we can't just fire someone and give you their job.

No, of course not.

Besides, you don't meet the requirements to be a sales assistant.

- I don't? - No, you don't.

If you say so. I'm not really sure what requirements you mean.

No? Your general knowledge for a start.

For example, what is the capital of Belgium?

What is organza?

What is poplin?

What is viscose?

Concentrate on your job as an errand boy. It's all there is for now.

And be grateful. It's a good job.

With a good salary.

I want to build a home, Don Emilio, with Clara.

Have a house...

And children...

You need more than just initiative to get promoted, Pedro.

And now, please, get back to work, we both have a lot to be getting on with.

Please.

And the capital of Belgium is Berlin.

You're not thinking of giving one of those to Alberto?

- It's beautiful, isn't it? - Of course.

He's turning 31 which is how long it'll take you to pay for that watch.

- You really know how to cheer a girl up. - Well, it's true.

- Where will you get the money? - I won't.

I'm just thinking of ideas for a present.

The last time I gave him a present, we were 16.

And what did you give him?

- I don't remember. - Of course you remember.

- It's embarrassing. - Well, forget it then.

I gave him some photos.

- Now I get the embarrassment... - Not that kind of photo, Rita.

- They were photos of empty spaces. - What does that mean?

The places where we'd kissed.

- How sweet! - Don't make fun of me.

I'm not! It sounds like a meaningful gift.

That's not really my thing. Who knows what I'll think of this time.

You'll think of something.

You could give him photos of the places where you've...

- You know... - Rita, I don't know why I bother!

It was the first thing that popped into my head!

It's his first birthday without his father.

If I can't give him an expensive gift, then I'd like it to be the perfect gift.

- From the perfect woman. - I didn't say that.

But you thought it. I know you.

I can't wait for nine o'clock.

I'm not going.

I have no intention of forcing you.

It's your choice.

Luisa, if you don't come,

I promise you'll never see me again.

And I won't come after you.

But you'll have to give up...

everything I've given you.

You decide.

Where's Miss Márquez?

- I don't know, Don Emilio. - She should be dressing the displays.

You take care of it, Carmen.

Again, Don Emilio?

I'm doing her job as well as mine.

That woman doesn't even show up half the time.

- Maximiliano can help you. - No, no. Don't worry.

Weren't you just complaining about having extra work to do?

- Help her. - Really, it's OK--

If you protest anymore, I'll have to assume you're the one with problem.

Do you have anything against Maximiliano?

- No. - Well then get back to work.

Shall we start with that one over there?

I couldn't care less. Start wherever you want.

Someone got out of bed the wrong side this morning.

Why do you care which side of bed I get out of?

Excuse me.

Carmen, I'll see to this gentleman.

What are you doing here?

You shouldn't be so tense.

Relax and smile.

Show me these nice gloves for my girlfriend.

- I don't think you can afford them. - You're right about that.

As of tomorrow, I won't even have enough money to pay my room.

Remember?

I don't want to wait anymore.

- What do you mean? - I want you to do it tomorrow.

- I'll wait for you in the back alley. - It's too soon.

I don't think Blanca trusts me enough to give me all her money.

I can't just go and take it. It's in a bank, remember?

The poor, abandoned son trick has worked for you so far. Use it.

She only gave me 500 pesetas,

not all her savings. We have to wait until--

Wait while you sleep in a warm bed on a full stomach.

It's easy for you to wait, isn't it?

I promise I'll do it, just not tomorrow.

No!

I get it. You like this life.

You've got a good job and a mother.

Except she's not really your mother.

Imagine if she finds out you're just a fraud who's after her money.

And you have to go back to your old life. With no job, no mother, nothing.

Tomorrow.

I was told you wanted to see me.

Have a seat.

Emilio tells me you were an hour late for work.

And that it's not the first time.

It's hard getting up in the morning. Lack of habit, I suppose.

I have your sales report here.

It doesn't take long to read. Not one sale since you started.

I suppose I'm still getting used to the job.

I don't think so, Patricia. I think your motive for working here

was only to fulfil your spoilt brat's sense of pride.

- You haven't understood your place here. - You know what, Alberto?

I couldn't care less what you think.

And all that about not knowing my place, we'll see about that.

Maybe the one who doesn't know is you.

Your unpunctuality will not be excused again.

And you've got three days to make your first sale

or consider yourself fired.

They went on about it for half an hour.

That you look so stylish, but that Alberto!

That you're a peach, but that Alberto!

Look at the way he looks at you.

He's obviously only got eyes for you.

- It's just so beautiful. - This is for Doña Gloria.

And this one for Miss Clara. Thank you.

But I'm not surprised. You look like a film star!

Just so photogenic, darling!

It was Raúl who made me pose, I didn't want to.

It's only right.

If it weren't for you, Raúl would never have signed with Velvet.

Ana, wait.

I wanted to give you this.

It's an invitation to a surprise party I'm organizing for Alberto's birthday.

It's in two days. It's going to be very intimate, very special.

Thank you, but I can't.

Why not?

Ana's right, cousin.

One of your workers at the party?

You're always so generous.

Besides, I'm sure she'd feel out of place, isn't that so?

Yes.

I can't go. I don't have anything to wear.

That's not a problem.

I can lend you one of my dresses. I'm sure I'll have one that suits you.

Thank you.

Well, have you come to try on clothes or be a fairy godmother?

You're hopeless.

What were you thinking inviting a seamstress?

She probably can't even dance a waltz. What's she going to do there?

That girl is worth a lot, so don't undervalue her.

Whatever you say!

What you're going to get Alberto as a gift?

I can't decide.

You can't go wrong with a watch.

- A watch? I'm not sure. - Well not just any watch, obviously.

Have you seen the new Patek Philippe line?

- Where'd you get this record from? - My dad brought from Paris.

- And what's the song about? - It's about a girl called Ana,

who's crazy about this guy called Alberto.

Sure!

Close your eyes.

I'm going to show you Paris.

Ready?

- Are you ready or not? - Yes.

- Can you see it? - Yes.

- Can you see it or not, Ana? - Yes!

What can you see?

- Paris. - You can see it?

Yes!

One day I'm going to take you there.

I promise.

Hello.

Aren't you coming for lunch?

Yes, I'll be right there.

I was just thinking about Alberto's present.

I think I've got it.

But why give him our record player when he's probably got a better one?

What are we going to do without music, Ana?

No, not the record player.

The song.

I'm going to need you to help me get it up to the roof terrace.

And I might need you to help me get some things from here and there.

From there and here, right?

Rita, faithful friend, advisor and petty thief!

This is the limit!

- Are you going to help me or not? - Yes.

- Quickly! - Won't they realize things are missing?

If anyone comes, pretend you're a mannequin.

Come on, quick!

- If Mr. de la Riva gets back early-- - Rita!

- Do you think he'll like it? - Definitely.

Paris is our dream and that's our song.

I can't wait to see his face.

He's here. Let's see how long before he's on my back.

Just relax and focus on what you do well.

What I do well is put my foot in it. I'm the best at that.

Good morning, everyone.

As you know, from now on you will be working under my command

on the production of the new De la Riva line for Velvet.

It may be hard at first to adapt to my way of working

and to my high standards,

but you will manage as long as you don't resist the changes.

Once I have drawn the patterns,

I leave the most important task to you.

Finishing the garment.

If you have any doubts,

speak directly to my personal assistant, Doña Rita.

Then, we are in a mess.

Don't make the mistake of underestimating your colleague

just because she's not up to date

with new trends in world fashion.

That's exactly the error that I made.

I apologize.

I've had a look at some of last year's samples.

I assure you that technically,

Doña Rita's work is simply exceptional.

She's all I need to work well. Believe me.

Let's get to work.

Show me the fabrics, please.

What's the point of creating expectations

if you can meet them?

What do you mean?

No, Rita, please! Take that blue lace away!

Bring me something else.

These fabrics are just very uninspiring.

Truly uninspiring.

Don Rafael and I chose these fabrics in person. One by one.

To date we've made over 3,600 different models with them.

Don Rafael was an admirable businessman.

And Blanca, I'm sure you're an excellent workroom manager.

But there's no way I'm going to work with these fabrics.

Unfortunately, some things just can't be changed.

We have a storeroom full of fabric which we need to use up.

We can't just go out and buy new stock.

I've already said I'm not working with those fabrics.

Raúl, with your talent and those fabrics,

I'm sure you can make an excellent collection.

After all, the secret's in the cut, or am I mistaken?

Listen, Mr. Ruiz,

the way a dress falls doesn't depend solely on its cut.

I need much lighter fabrics and obviously different colours.

It's a tricky situation. What can we do? Throw all the old stock away?

But not everything depends on money!

Buying new materials does.

You're right.

Thank you.

You're right, Mateo.

But we're going to have to do it anyway.

Where can we get the materials you need, Raúl?

In Paris.

- Where else? - Sure let's all go to Paris.

- Let's go to the South Seas! - Well, we'll have to go to Paris.

Tomorrow, Don Alberto and Mr. De la Riva will be travelling to Paris

where they will buy the fabrics

to make the new collection with.

As Mr. De la Riva's assistant, you'll be travelling with them to Paris.

Me? In Paris?

We're off to a bad start if just hearing the news makes you lose your nerves!

Pack two changes of clothes and your wash things.

You're going to Paris to work. Not as a tourist.

You'll have to rise to the occasion.

Only give your opinion when asked for,

and if at all possible,

try not to make a fool of yourself.

Well, now what do you say?

Exciting things only happen to others! You're going to Paris, Rita!

I can't believe it! I'm over the moon!

But I feel bad for you.

You were just talking about you and Paris and Alberto and now--

Don't be silly! You're the designer's assistant.

Besides, it's a work trip. Why would Alberto take me?

- I'm so happy for you. - Paris!

I don't believe it!

I can't concentrate.

How can be I hemming, when I know I'm going to Paris?

With everything that Paris has to offer!

- And what does Paris have? - Cappuccino.

Unless you're talking about monks, for cappuccinos you'd better try Rome.

Parisians, then. Parisians are definitely in Paris!

And I hear they're very handsome.

If you're going to be with Parisians, you'll need to speak French.

- At least the basic greetings. - You're right.

Oh là là is French, right?

Maybe you should get a dictionary.

If you're going to Paris, you're going to need some clothes.

- I can lend you something if you like. - Your stuff won't fit me.

Yes, but--

Well maybe if I really squeeze...

But maybe some shoes or stockings, or how about a nice bag?

- Why don't you come by my room later? - Fine.

I won't wear them.

I'm sure you won't be bored here.

Rita.

OK, that's all. When I have the flight reservations, I'll let you know.

Don Mateo.

- Here are the documents you asked for. - Thank you.

Sorry for ruining your plans for later.

Who said I had any plans later?

That's a shame.

I didn't say I didn't have plans either.

Are you meeting your boyfriend?

- And your little friend? - I asked first.

- It's none of your business. - I wouldn't mind if it was, Clara.

You're more fun than any of the girls I know.

Shame about that boyfriend of yours.

So you're not going to be here to celebrate your birthday?

Raúl asked me. I couldn't say no.

Okay, well...

We'll have to find some other time to celebrate it then, won't we?

I'm going to take these fabrics back.

I'll be right back.

- Ana, I'm sorry. - No, don't worry.

It was nothing.

See you upstairs at midnight.

Good thing I didn't send out many invitations,

now I have to call everyone and tell them the party's off.

What a shame.

- Hello. - Hello, Patricia.

Hello.

I hope I can at least give him his present before he leaves.

You'll have to be quick. He's leaving tomorrow afternoon.

Yes, that's what he said.

I don't know what I'm going to do.

And if I told you where he was going to be at midnight?

Tell me...

The first thing I need is a dictionary, because with my French...

And some sheer stockings, in case we go out for dinner.

If Clara were my size, I'd borrow one of her dresses,

but I can't fit into one of her dresses!

Look at the time! Oh, and I'm still going to help you with Alberto's present.

Don't worry. It's almost ready.

Luisa...

The hospital is on the phone for you.

Thank you.

Tomorrow?

That's so soon.

Yes, I heard it's a very good clinic.

No, of course I'm happy. It's just a bad line, that's all.

Because there are good people out there, Juan.

And we've been very lucky.

Yes, because we're going to be together.

Of course that's what I want.

I have to go.

Yes.

Me too, darling. I love you so much.

I love you.

Turn out the lights.

But this isn't fair, Don Emilio.

- It could have been anyone. - No.

No, it couldn't. It had to be one of you.

The robbery occurred after closing time.

The only people who have keys to the display cases are the sales assistants.

I don't need to know who did it as long as they replace what they stole.

If that happens, I promise I won't pursue the matter any further.

However, if the necklace is not replaced by tomorrow,

you will pay for it between you.

- But-- - Silence, silence.

We'd take a percentage from your wages until the amount stolen is paid off.

And believe me,

it is a tidy sum.

Now...

Go back to your rooms.

May all except one of you, get some sleep.

I hope you think about what you've done.

I don't know who the rat was, but he's got us all in a fine mess.

Don't you mind them taking part of your wages? Because I do.

It takes a lot to earn that money.

And I need it.

What do you need it for?

To rent myself an apartment.

To get out of here.

Or do you think I want to live next door to my mother all my life?

If someone here took it, I'm sure it's because they needed it more than you.

Max.

You wouldn't know anything about what happened?

Clara?

Clarita.

Clara.

- Your man's here, Clara. - Pedro.

Rita, Rita!

Sorry. I didn't know she was here.

- Sorry. - I hope not!

Or were you planning on having both of us?

Clara, how can you say that?

Stop making excuses, get back to your room.

If he thinks he's going to be having a party in here every night...

- Well, I don't know. - What don't you know?

I thought the party was for two.

Well, some like parties more than others.

I'm not sure I did the right thing.

Why do you say that?

If Pedro were the man of my dreams, I should know it by now.

And you don't know it.

Only you could think of such a wonderful present.

When I saw my father there, playing with me...

Where did you get the video?

This isn't my gift, Alberto.

My present is upstairs on the roof terrace.

This must be Cristina's gift.

Pedro says they think it was one of the sales assistants.

Don Emilio's given them the chance to replace it,

before he talks to Don Alberto.

Luisa, a parcel for the beautiful lady.

What is it? A present from your husband?

I wasn't expecting anything.

- Do you mind? - Oh, sorry. Sorry, sorry.

Oh, I'm sorry!

Wear this the next time we meet.

This is a fine way to work.

One with her head in Paris and the other getting presents at work.

Back to work!

The thief won't put back the stolen item.

I'm afraid there's no other alternative than to register all the staff bedrooms.

And when do you want to do it?

I think now would be a good moment,

seeing as everyone is at their work stations.

I am going to need your help.

I think it's more appropriate if a woman

- searches the women's rooms. - Of course.

Give me two minutes and we'll start.

I have to leave the afternoon work-roster ready.

I'm not too sure...

You look fabulous.

Well, then wrap it up. I'll take it.

I'll pick it up later.

They're going to search the rooms.

- What rooms? - All our rooms.

They want to do it now while we're all working,

so whoever stole the necklace won't have time to hide it.

Why are you telling me?

They haven't started yet.

What are you doing?

I'm searching your room as I am everyone else's.

I'm no thief.

Then you have nothing to worry about.

You can't do this.

You'd prefer to get the police involved?

I think it's better behind closed doors.

You've got five minutes to convince me not to turn you in.

Come on, speak!

Fine, I'm sure Don Emilio will be happy to find the culprit.

You're not going to tell Don Emilio.

Oh, really?

And why is that?

Are you going to threaten me?

Of course not.

That's why you took it.

You were scared if I got caught, I'd tell them you're my mother.

You asked me to stay away from Carmen and I did.

You asked me not to say who I really was and I did that too.

What more can I do to make you trust me?

Start behaving like an honourable person instead of a thief.

I had no choice.

I told you I'm in a lot of debt.

I gave you money to pay your debts.

It wasn't enough.

If I don't pay off the whole debt, they're going to have me killed.

Do you understand? What do you expect me to do?

Why didn't you tell me?

You made it clear you weren't going to give me any more money.

I didn't want you to think I was taking advantage of you.

And it's better to be a thief?

Go upstairs now and put this back.

I won't mention anything to Don Emilio, and neither will you.

When are they coming for their money?

Tomorrow.

Fine. I'll take care of it.

I don't want to find you in a ditch tomorrow.

Come on, get moving.

Yes mother, it's a shame it didn't go according to plan.

And if it had? Then what?

Cristina would have caught them, she would have called off her engagement,

- and goodbye Alberto. - Of course.

And goodbye to Cristina's father's money.

And goodbye to our only chance of getting this business back on track.

- Well, if you put it like that... - How would you like me to put it, dear?

Don't you remember what your father used to say to you?

Heads are for more than just putting hats on.

Please, mother. Don't talk to me like that.

What kind of business do you expect to run if we go bankrupt?

I said I was sorry. I didn't think.

That's the problem, dear. You never do.

That's why your father never trusted you.

Too much ambition and too little brains.

- I'm never going to run the store, am I? - Of course not, dear.

The store will be run by your mother, naturally.

And me?

Well, don't worry because you won't want for money.

I'll find something for you to do so you don't get bored.

Ma'am, your visitor is waiting for you.

Thank you.

What can you tell me?

They've never met outside the store, that I can assure you.

Nor have they left together.

I watched the door for hours.

The main door?

- Yes. - Do you really think

they are going to come out of the main door arm in arm?

That they're going to kiss in front of all the customers?

You should be watching the staff entrance.

The one in the alley. There's a street you can see it from.

As you wish, ma'am.

- I'll pay you half what we agreed. - But, ma'am.

You clearly only know how to watch people,

the deductions we have to make ourselves.

Half the work, half the salary.

Good day.

- My father told me... - I wanted to thank you.

My father told me you called several times this morning.

I wanted to thank you for my present. I really loved it.

It was...

It was perfect.

You say that as if it made you sad.

It was so wonderful seeing my father.

Happy birthday!

You should have seen him, Ana.

He loved it.

He was about to cry.

His eyes were welling up.

That's wonderful.

And to think I was going to give him a watch!

- I'm sorry. - No, no, that's OK.

- Hello. - Hello.

- I really like your work, Ana. - Thank you.

Definitely. She's helping me so much.

- She's a real gem. - Yes, I think so too.

But you'll have to do without her until Friday.

- Because I'm taking her to Paris. - What?

Weren't you going to take Rita?

Yes, but I changed my mind.

Rita's wonderful, but I think Ana will help me a lot more on this trip.

No, no, no.

- Raúl, you can't do this to me. - Relax.

It's only for two days. It is a very important trip.

But what about the wedding?

Relax and let Ana do her job.

That's it, stand up straight.

I just wanted you to know.

I'm going, I have a lot of work to do. Very good choice on the French sleeves.

- What am I going to do with him? - I'm so sorry.

No, it's not your fault, Ana.

I'm going to talk to Alberto.

Rita.

Why her?

But what can I do?

The future of the store depends on your friend.

What can I do?

Tell him he can't have what he wants?

But Raúl could take any of the other girls,

- but I can't do without Ana. - He's the one who asked for her.

The collection's the most important thing right now.

I know, but we're really running out of time.

The wedding can wait. The collection can't.

It has to be ready for the start of the season. We can't mess up now.

I know.

But why the sudden change of heart?

Why Ana exactly?

It was you who told him about Ana's talent, wasn't it?

You wanted him to give her more opportunities.

Well that's what he's doing. Giving her more opportunities.

Fine.

Thank you.

What's wrong?

Aren't you happy?

We're going to Paris, Ana.

Just like we always planned.

And now we're really going, Ana.

No explanations.

- Just you and me. - And no Cristina.

I saw how you were kissing her.

I'm sorry.

Sometimes I forget how difficult this must all be for you.

That's why we need this trip, Ana.

To be on our own.

Like a normal couple.

Was it you who told De la Riva to take me on the trip instead of Rita?

I told him I was looking for some special fabric for Cristina in Paris,

and who better to help me than you.

- You're terrible. - The best thing

is that he said yes, and now everyone thinks it was his idea.

I'm out of danger.

Yes, but I know the truth.

- You're not going to tell her, are you? - No.

But I feel bad for Rita, she was so excited.

Miss, what are you doing? Get out of my car this instant.

I assure you you'll find what I have to say interesting.

- I'm working. - Yes, I can see that.

You should listen to me.

This is none of your business. Get out of my car.

You think my mother will pay you good money,

but she won't.

Because she's bankrupt.

She doesn't seem to be.

What's more,

I have no reason to believe you, so please...

No?

If my mother had money

why would I have to work as a sales assistant?

If your mother doesn't pay me,

I'll find someone else to buy the photos.

Don't worry.

You've already found them.

Here's your first payment.

I'll give you the rest when I'm paid my salary.

In exchange for the photos, obviously.

Rita, I've got something really important to tell you.

You've seen how Clara and I are getting along much better?

Well, not last night,

But the other night...

I'm telling you about it because I can tell you everything.

- The other night your sister-- - No, Pedro.

I don't want to hear about my sister. Some things are best kept private.

I'm sorry. I'm just so happy.

Look what I've found...

An apartment to rent.

I've been doing my sums...

It might be a bit tight because with my wages

and the fact Don Emilio won't give me a promotion...

But Clara's earning more than before.

I think between the two of us, we can do it.

How do you plan to live together without getting married first?

Well, now we're as good as married.

What's wrong, Rita?

I'm just upset I can't go to Paris, that's all.

Rita.

Rita, I'm sorry. I know how much you wanted to see Paris.

It wasn't about seeing Paris, Ana.

It was about not seeing Pedro.

I have to get him out of my head once and for all.

Seeing him here every day, it's too hard, Ana.

I can't, I just can't.

I know it sounds silly,

but I thought a few days in Paris

would help me get over him.

But that's that.

Goodbye, Paris.

What's that face for?

It's not me, it's your sister.

What's wrong with my sister?

I was just talking to her,

and she started crying out of nowhere.

I don't know why.

I don't know what came over me.

Poor Pedro was telling me his plans, and I wasn't even listening.

I just kept thinking about Paris. I was so excited about it.

I just started crying.

You deserved it more than her.

I don't know why he's taking her. It's a bit suspicious if you ask me.

No, De la Riva asked her to go.

He told me that I don't have a clue about designers or Paris.

With your talent, you'll be in Paris before you know it.

If you don't get poached by another fashion house first!

You just want to cheer me up.

Yes, but also because I think it could happen.

And what plans was Pedro talking about?

Rita.

He wants to rent an apartment.

He wants you to live together. You know, make a home together.

- Rita, you have to help me. - But, Clara! How?

No, no. You have to get that idea out of his head.

Tell him not to rush.

- Shouldn't that be your job? - He listens to you.

I don't know.

Thanks, you're great.

I didn't say I was going to talk to him. I said I didn't know if I would.

So this was your present for me?

- Goodness! A pair of sinners! - Well, well, well!

Rita, they were looking for you.

Don Alberto wants to see you.

Come in.

If I may...

Rita, I wanted to talk to you about the Paris trip.

There's no need to explain.

You don't understand. You're coming too.

I really appreciate it Don Alberto,

but I don't want to cause any trouble.

What trouble? On the contrary.

You're going to be of great service.

Ana will help you with everything.

I don't know what to say.

Hurry up and get packing.

- We're leaving this afternoon. - Thank you.

What are you taking this for?

- Rita, don't start. - But this is indecent!

- Rita! - I like this one better.

- Give it here. - It's more "old lady"!

And this? This is sexy! So Parisian!

That's a dressing gown!

- Uncle, in the end... - Yes, yes.

I have been informed.

Can I see you for a second?

Of course.

I hope you have a great time,

And that you won't disappoint me.

I'm sure Don Alberto had nothing to do

with you going on this trip.

Rita's coming too.

He's an engaged man.

And you're a decent young lady.

I hope.

Aren't you?

So don't forget it.

Not in Paris, or anywhere.

- Good morning. - Good morning, dear.

But you look terrible.

I'm fine, Doña Cayetana.

Here's your dress. I hope you like the alterations.

I'm sure I will.

I hope you'll keep my secret.

I love taking last year's dresses,

making a few alterations and hey, presto, a whole new garment.

I won't say anything. Don't worry.

It'll be our secret.

If you'd like to try it on...

- I'll leave it here. - Thank you very much.

- Would you like some help? - No.

I'm fine, Luisa, thank you.

You've been thinking about me all day, haven't you?

Not here, Don Francisco. Please not here.

Have you tried on my present?

Let go of me, please. Please! Let go!

Don't make a scene.

It wouldn't be good for your job.

And anyway...

Who's going to believe you if you scream?

The man from the hotel

will confirm that last night

you came to see me.

Doña Blanca.

Tell my wife I'll be waiting for her in the bar.

I can't tell you how much I'm going to miss you.

You know if it wasn't important,

I... I wouldn't be going.

Important, important, important...

I just don't want to leave your side.

You could take me with you.

- I wish I could. - Take me with you.

- You know better this is business. - Take me with you.

Sorry to spoil the moment, but it's time to go.

Let's go.

Hang on!

Well...

What?

Let's go.

What a stroke of luck.

De la Riva wanting to take Ana.

Yes.

- Ana's very talented. - Yes.

I suppose it has nothing to do with you telling De la Riva to take her

so you can buy your fiancée a surprise?

No.

Alberto, you know full well I don't care about the money.

As your friend, all I can say is...

I understand.

What are you running from?

I know it can't be easy being around Cristina,

pretending you love her and not confuse the reality somewhat.

I understand how you want to get away from her.

I'm not running away nor is anyone confusing anything, Mateo.

I want to be with Ana.

If you say so.

Goodbye, Doña Blanca.

You used to be the one who travelled to choose the fabrics.

That's what you were thinking.

Am I mistaken?

By the way, the necklace has been mysteriously returned.

I'm glad.

But you should keep a closer eye on your workers.

- I don't know. - You really think so?

You look gorgeous, Rita.

- Can I talk to you a moment. - Yes, of course.

Come here.

Pedro, I wanted to apologize for what happened this morning.

- Don't worry. - No, really, I'm sorry.

You caught me at a bad time.

You look so happy, anyone would think you were going to Paris.

I've got my own things to be excited about,

- and it's all thanks to you. - I don't know about that.

- I was talking to my sister-- - You didn't tell her, right?

- No, no, no. - Good.

Have you had second thoughts?

You opened my eyes, which is different.

I shouldn't try to run before I can walk.

I'm not going to talk to her about the apartment.

- I'm glad. - I'm going to ask her to marry me.

Tonight. Look, I have the ring and everything.

- Pedro, no. - Yes.

You're going too fast.

No, no. It's been six years. It's the right time.

It's really not. Wait for me to get back from Paris.

Why does it matter if you're here or not?

It does matter, Pedro. Imagine Clara has doubts--

I don't care. I'm going to do it.

I've risked everything for this. I can't wait any longer.

I can't wait for tonight.

- Rita, let's go. - Wait.

- Have a great time in Paris. - Let's go.

- Bye, Ana. - Goodbye.

Come on!

Have a wonderful time.

Alberto, bring me back something expensive.

Hello.

Rita, don't look back.

We're going to Paris!

Don't you have a feeling that nothing bad can happen to us there?

- Hello, Clara. - Good afternoon.

I wanted to ask you a favour. It's for a surprise for Alberto.

Call the travel's agent and buy a ticket for the next flight to Paris.

But don't charge it to the store. I'll pay for it myself.

- Very well. - And if Alberto calls...

Not a word.

Doesn't it feel like it'll be the best weekend ever?

I've booked a table for two at the best restaurant in Paris.

I wish every day could be like this.

- Will you marry me? - Are you praying, Pedro?

I'm sorry. I tripped.

How would you feel about spending more time with me?

Aren't ten hours a day enough?

I meant outside of work.

Everything's set up. I told her I needed the money in the morning,

so I imagine she'll go to the bank first thing.

I'll see you there.

Yesterday I said I'd help you.

Here.

My savings from 20 years of work.

I hope you understand the value of this money.

You didn't tell me,

but I know that someone was blackmailing you.

Someone who knew a lot about your past, and Rafael's.

One has to sell to the highest bidder.

- Pilar turned out to be a good bidder. - How much do you want now?

Double what you paid me last time.

Doña Cayetana and her husband are waiting for you.

I'm not feeling well. Can't you send someone else?

You know full well they always ask for you. Come on, up you go.

Where's Luisa?

Luisa has had an accident. If you want a seamstress, you have one.

If you want something else, you'll have to look elsewhere.

Doña Cayetana.

It's about Don Francisco.

- I was looking for you. We need to talk. - Rosa María?

- Rita! - We weren't expecting you.

I've booked a table at Le Petit Point. You look surprised.

Too surprised,

considering it's not your first time here.

I know enough French to understand what the waiters are saying about you.

They were saying that you keep the same table,

but not the same dinner guest.