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1
00:00:19,085 --> 00:00:20,621
[KNOCK ON DOOR]
2
00:00:37,403 --> 00:00:38,371
HEY.
3
00:00:38,404 --> 00:00:39,372
HI, JOHNNY.
4
00:00:39,405 --> 00:00:41,074
COME ON IN.
5
00:00:42,543 --> 00:00:44,210
I SQUARED THE BLOCK TWICE.
6
00:00:44,244 --> 00:00:45,712
NOBODY FOLLOWED ME.
7
00:00:45,746 --> 00:00:47,147
COME IN. SIT DOWN.
8
00:00:51,417 --> 00:00:53,253
WHAT'S UP?
9
00:00:55,288 --> 00:00:57,257
I'M WORRIED ABOUT
YOU TESTIFYING TOMORROW.
10
00:00:57,290 --> 00:00:58,725
IT'S GONNA GO O. K.
11
00:00:58,759 --> 00:01:01,227
HOW?
IF YOU SAY ANYTHING,
YOU'LL HAVE TO LIE.
12
00:01:01,261 --> 00:01:02,929
THEN THEY'LL COME
AFTER YOU.
13
00:01:02,963 --> 00:01:05,465
JANICE, I'M GOING
TO TAKE CARE OF MYSELF.
14
00:01:05,498 --> 00:01:07,233
YOU TALK TO SINCLAIR?
15
00:01:07,267 --> 00:01:09,235
YEAH.
HE LIKES THE JURY.
16
00:01:09,269 --> 00:01:12,372
HE THINKS
THE FIRST TWO DAYS
WENT O. K.
17
00:01:12,405 --> 00:01:17,277
HE GIVE ANY REASON
WHY THIS GINA ZARONE
IS GOING TO TESTIFY?
18
00:01:17,310 --> 00:01:19,513
HE THINKS IT'S ABOUT
MARINO'S LEDGER.
19
00:01:22,148 --> 00:01:24,618
JOHNNY, I DID
WHAT I DID,
20
00:01:24,651 --> 00:01:27,053
AND I'M READY
TO GO AWAY FOR IT.
21
00:01:27,087 --> 00:01:28,555
THAT'S NOT RIGHT.
22
00:01:28,589 --> 00:01:31,558
IF YOU WEREN'T A COP,
THIS WOULDN'T BE HAPPENING.
23
00:01:31,592 --> 00:01:33,794
THE D. A. WOULD
LET YOU PLEAD.
24
00:01:33,827 --> 00:01:35,395
I COULDN'T LIVE
WITH MYSELF
25
00:01:35,428 --> 00:01:38,264
IF IT BRINGS YOU
DOWN, TOO.
26
00:01:41,367 --> 00:01:43,303
COME HERE.
27
00:01:43,336 --> 00:01:44,771
COME HERE.
28
00:01:46,006 --> 00:01:47,674
NOW, LISTEN TO ME, O. K.?
29
00:01:47,708 --> 00:01:50,176
WE ARE GOING
TO GET THROUGH THIS.
30
00:01:50,210 --> 00:01:51,778
DID YOU HEAR ME?
31
00:01:55,115 --> 00:01:56,750
I LOVE YOU.
32
00:01:56,783 --> 00:01:59,720
I'M ALWAYS
GOING TO LOVE YOU.
33
00:02:15,135 --> 00:02:17,137
NO. NO.
34
00:02:17,170 --> 00:02:18,639
WE'RE MAKING THISââRIGHT?
35
00:02:18,672 --> 00:02:22,142
WE DON'T NEED
TO CONFUSE THIS NOW.
36
00:02:22,175 --> 00:02:24,645
I'M NOT GOING TO SAY
I'M SORRY.
37
00:02:24,678 --> 00:02:27,714
I DON'T WANT YOU
TO SAY YOU'RE SORRY.
38
00:02:29,049 --> 00:02:33,019
I THINK YOU SHOULD GO.
WE DON'T WANT TO CONFUSE THIS.
39
00:02:33,053 --> 00:02:35,055
AM I RIGHT? O. K.
40
00:02:39,225 --> 00:02:41,695
I WILL SEE YOU
TOMORROW IN COURT, RIGHT?
41
00:02:45,231 --> 00:02:47,534
SEE YOU TOMORROW.
42
00:04:05,145 --> 00:04:08,448
DETECTIVE KELLY,
YOU WERE THE ORIGINAL
INVESTIGATING OFFICER
43
00:04:08,481 --> 00:04:11,284
IN THE SHOOTING DEATHS
OF ANGELO MARINO AND HIS
BODYGUARD ANTHONY CAPELLO?
44
00:04:11,317 --> 00:04:12,218
THAT'S RIGHT.
45
00:04:12,252 --> 00:04:13,920
ACCORDING TO
HER STATEMENT,
46
00:04:13,954 --> 00:04:16,990
YOU ALSO HAD
A PERSONAL INVOLVEMENT
WITH JANICE LICALSI,
47
00:04:17,023 --> 00:04:19,392
WHO HAS CONFESSED
TO COMMITTING
THOSE MURDERS.
48
00:04:19,425 --> 00:04:22,729
YOU WERE SLEEPING
WITH HER BEFORE AND
AFTER THE SHOOTINGS.
49
00:04:22,763 --> 00:04:24,130
DETECTIVE,
IS IT YOUR TESTIMONY
50
00:04:24,164 --> 00:04:26,099
THAT DESPITE THIS
INTIMATE RELATIONSHIP,
51
00:04:26,132 --> 00:04:29,970
YOU NEVER SUSPECTED
MISS LICALSI MIGHT HAVE
COMMITTED THESE CRIMES?
52
00:04:30,003 --> 00:04:31,071
THAT'S RIGHT.
53
00:04:31,104 --> 00:04:33,106
I NOW CALL YOUR
ATTENTION TO A MURDER
54
00:04:33,139 --> 00:04:35,241
THAT OCCURRED
TWO MONTHS AFTER
THE MARINO SHOOTING.
55
00:04:35,275 --> 00:04:37,644
YOU WERE ALSO THE
INVESTIGATING OFFICER
56
00:04:37,678 --> 00:04:39,980
IN THE DEATH OF THOMAS
LINARDI. CORRECT?
57
00:04:40,013 --> 00:04:41,347
I WAS ONE.
58
00:04:41,381 --> 00:04:43,249
DID THERE COME
INTO YOUR POSSESSION
59
00:04:43,283 --> 00:04:45,251
IN THE COURSE
OF THAT INVESTIGATION
60
00:04:45,285 --> 00:04:47,621
A LEDGER
WHICH HAD BELONGED
TO ANGELO MARINO
61
00:04:47,654 --> 00:04:50,524
AND WHICH
LISTED OFFICERS
IN THE POLICE DEPARTMENT
62
00:04:50,557 --> 00:04:51,925
WHO'D BEEN
ON MARINO'S PAYROLL?
63
00:04:51,958 --> 00:04:54,427
I COLLECTED THE LEDGER
AT THE CRIME SCENE.
64
00:04:54,460 --> 00:04:57,263
DOES JANICE LICALSI'S
NAME APPEAR
IN THIS DOCUMENT?
65
00:04:57,297 --> 00:04:58,164
NO.
66
00:04:58,198 --> 00:04:59,766
THE ACCOUNT BOOK
LISTS OFFICERS
67
00:04:59,800 --> 00:05:01,635
WHO WERE ON
MARINO'S PAYROLL.
68
00:05:01,668 --> 00:05:03,303
BY HER OWN ADMISSION,
69
00:05:03,336 --> 00:05:05,706
JANICE LICALSI
WAS WORKING FOR
ANGELO MARINO,
70
00:05:05,739 --> 00:05:07,508
YET HER NAME
DOES NOT APPEAR.
71
00:05:07,541 --> 00:05:09,275
WHAT'S YOUR QUESTION?
72
00:05:09,309 --> 00:05:11,678
THE INTELLIGENCE
DIVISION OF
THE POLICE DEPARTMENT
73
00:05:11,712 --> 00:05:14,515
BELIEVES PAGES
HAVE BEEN TORN
FROM THE LEDGER.
74
00:05:14,548 --> 00:05:16,783
DO YOU KNOW HOW
THAT COULD'VE HAPPENED?
75
00:05:16,817 --> 00:05:17,684
NO.
76
00:05:17,718 --> 00:05:19,653
HOW LONG DID YOU
HAVE THE LEDGER?
77
00:05:19,686 --> 00:05:20,954
TWO DAYS.
78
00:05:20,987 --> 00:05:23,456
NO FOUNDATION
THAT THE PAGES
WERE REMOVED
79
00:05:23,489 --> 00:05:24,958
DURING THAT TIME FRAME.
80
00:05:24,991 --> 00:05:27,861
HE DIDN'T MAKE
THAT ALLEGATION.
81
00:05:27,894 --> 00:05:29,495
I'LL PUT IT
MORE DIRECTLY.
82
00:05:29,530 --> 00:05:32,966
DID THERE COME A POINT
DURING THE LINARDI
INVESTIGATION
83
00:05:32,999 --> 00:05:35,368
AT WHICH YOU DISCOVERED
MISS LICALSI'S
COMPLICITY
84
00:05:35,401 --> 00:05:37,203
IN THE MARINO MURDERS?
85
00:05:37,237 --> 00:05:38,639
NO.
86
00:05:38,672 --> 00:05:40,907
DID YOU NOT CONFRONT HER
WITH YOUR DISCOVERY?
87
00:05:40,941 --> 00:05:41,808
NO.
88
00:05:41,842 --> 00:05:43,810
DID YOU
NOT SUPPRESS EVIDENCE
89
00:05:43,844 --> 00:05:46,980
SO SHE COULD COME
FORWARD AND PUT HERSELF
IN A BETTER LIGHT?
90
00:05:47,013 --> 00:05:48,582
I DID NOT
SUPPRESS ANY EVIDENCE
91
00:05:48,615 --> 00:05:51,685
AND HAD NOTHING TO DO
WITH HER COMING FORWARD.
92
00:05:51,718 --> 00:05:53,920
I WANT TO RECALL
DETECTIVE KELLY
FOLLOWING TESTIMONY
93
00:05:53,954 --> 00:05:55,155
FROM A SUBSEQUENT
WITNESS.
94
00:05:55,188 --> 00:05:57,090
NOTHING MORE
AT THIS TIME.
95
00:05:57,123 --> 00:05:59,159
SHE CAME FORWARD
ON HER OWN.
96
00:05:59,192 --> 00:06:01,494
STAND DOWN.
97
00:06:01,528 --> 00:06:04,464
YOU'RE TO BE AVAILABLE
FOR RECALL.
98
00:06:10,036 --> 00:06:12,372
DO YOU KNOW
WHEN YOU'LL BE BACK?
99
00:06:12,405 --> 00:06:14,040
I'M ON A FIRING RANGE.
100
00:06:14,074 --> 00:06:16,376
AS LONG AS IT TAKES
TO QUALIFY.
101
00:06:16,409 --> 00:06:18,879
ARE YOU SURE
I CAN'T GET YOU
ANYTHING?
102
00:06:18,912 --> 00:06:20,013
NO, THANK YOU.
103
00:06:20,046 --> 00:06:21,582
HERE'S THE DETECTIVE.
104
00:06:21,615 --> 00:06:24,284
HOW YOU DOING,
MRS. CARLIN?
105
00:06:24,317 --> 00:06:25,285
ANDY.
106
00:06:25,318 --> 00:06:26,352
YEAH.
107
00:06:26,386 --> 00:06:29,756
I'D LIKE TO GET
MY HUSBAND RELEASED.
108
00:06:29,790 --> 00:06:31,725
HERE. STEP OVER
TO MY DESK.
109
00:06:31,758 --> 00:06:34,728
HE'S MISSING WORK,
AND I'D LIKE YOU
TO GET HIM OUT.
110
00:06:34,761 --> 00:06:37,731
THE CHARGE CAN'T
BE DROPPED TILL
THE HEARING TOMORROW.
111
00:06:37,764 --> 00:06:40,233
I'M NOT GOING
TO PRESS THE CHARGES,
112
00:06:40,266 --> 00:06:43,937
AND HE'S IN JAIL,
AND HE'S GETTING
REALLY ANGRY.
113
00:06:43,970 --> 00:06:46,472
I WANT TO
SHOW YOU SOMETHING.
114
00:06:46,507 --> 00:06:47,941
WHAT?
115
00:06:47,974 --> 00:06:49,943
COME HERE WITH ME.
ANYBODY?
116
00:06:49,976 --> 00:06:51,978
COME ON IN HERE.
117
00:06:55,315 --> 00:06:56,482
COME HERE.
118
00:06:58,685 --> 00:07:00,787
TAKE OFF YOUR GLASSES.
119
00:07:00,821 --> 00:07:02,956
JUST TAKE THEM OFF.
120
00:07:06,827 --> 00:07:07,794
HERE.
121
00:07:07,828 --> 00:07:10,964
TAKE A LOOK
AT YOURSELF.
122
00:07:17,504 --> 00:07:20,541
CAN JUST ABOUT SEE YOU
UNDER THOSE BRUISES.
123
00:07:22,008 --> 00:07:24,310
HE'LL LEARN THIS TIME.
124
00:07:24,344 --> 00:07:27,581
THIS TIME
HE WENT TO JAIL.
125
00:07:27,614 --> 00:07:29,082
YOU'RE KIDDING YOURSELF.
126
00:07:29,115 --> 00:07:31,585
IF YOU DON'T FOLLOW
THIS COMPLAINT OUT,
127
00:07:31,618 --> 00:07:34,320
YOUR HUSBAND'S NOT
GOING TO LEARN ANYTHING.
128
00:07:34,354 --> 00:07:36,823
HE'S GOING TO GET
RELEASED FROM RIKER'S.
129
00:07:36,857 --> 00:07:40,761
HE'S GOING TO BLAME YOU
FOR THE TWO DAYS
HE SPENT INSIDE
130
00:07:40,794 --> 00:07:44,831
AND PROBABLY GIVE YOU
THE WORST BEATING
YOU EVER HAD.
131
00:07:46,800 --> 00:07:50,270
DID YOU CALL
ANY OF THOSE NUMBERS
I GAVE YOU?
132
00:07:50,303 --> 00:07:52,873
I CAN'T MOVE OUT.
133
00:07:52,906 --> 00:07:55,776
HE PAYS ON MY MOTHER
AT THE AGE FACILITY
134
00:07:55,809 --> 00:07:57,511
AND SOME OF HER MEDICINE.
135
00:07:57,544 --> 00:07:58,879
YOU CAN'T WORK?
136
00:07:58,912 --> 00:08:00,981
I LOOK AFTER HER
EVERY DAY.
137
00:08:01,014 --> 00:08:03,483
I'M GOING TO
MAKE SOME CALLS.
138
00:08:03,517 --> 00:08:05,986
I'LL MEET YOU
AT THE HEARING
TOMORROW.
139
00:08:06,019 --> 00:08:08,421
YOU CAN'T
GET HIM OUT NOW?
140
00:08:09,389 --> 00:08:11,224
NO.
141
00:08:11,257 --> 00:08:12,593
NO.
142
00:08:15,596 --> 00:08:19,499
CAN I PLEASE HAVE
MY SUNGLASSES BACK?
143
00:08:20,934 --> 00:08:22,468
YEAH.
144
00:08:22,503 --> 00:08:24,037
THANKS.
145
00:08:26,206 --> 00:08:27,674
HERE. THIS WAY.
146
00:08:33,680 --> 00:08:36,583
I'LL SEE YOU
AT THE HEARING.
147
00:08:36,617 --> 00:08:38,084
HEY. HOW'D IT GO?
148
00:08:38,118 --> 00:08:40,420
PEACHY.
149
00:08:40,453 --> 00:08:41,722
ABRAMS COME AFTER YOU?
150
00:08:41,755 --> 00:08:42,923
YEAH. BIGâTIME.
151
00:08:42,956 --> 00:08:44,825
MAKING IT LOOK
LIKE LICALSI CONFESSED
152
00:08:44,858 --> 00:08:46,192
BECAUSE I FOUND OUT.
153
00:08:46,226 --> 00:08:49,663
I HATE THAT FAT PRICK
WITH HIS WIMPY BEARD.
154
00:08:49,696 --> 00:08:53,166
RICHIE'S BIMBO
IS GOING TO TESTIFY
ON THE MARINO LEDGERS.
155
00:08:53,199 --> 00:08:56,336
YOU SHOULD'VE DONE
WITH THAT LEDGER
156
00:08:56,369 --> 00:08:58,739
WHAT NIXON SHOULD'VE DONE
WITH THE TAPES.
157
00:08:58,772 --> 00:09:00,440
ANOTHER SMACK DEALER
GOT ROBBED.
158
00:09:00,473 --> 00:09:02,509
LET'S RUSH RIGHT OVER.
159
00:09:02,543 --> 00:09:05,278
JOHN, I.A.B.
IS LOOKING AT YOU.
160
00:09:05,311 --> 00:09:07,748
THEY HAD A GUY
ON ME AT COURT.
161
00:09:07,781 --> 00:09:09,382
I GOT THE MESSAGE.
162
00:09:09,415 --> 00:09:10,751
NO MISTAKES.
163
00:09:35,175 --> 00:09:37,477
WHERE'D YOU GET
THAT EYE, SON?
164
00:09:37,511 --> 00:09:40,113
A COUPLE GUYS RAN OUT
THAT DOOR YESTERDAY
165
00:09:40,146 --> 00:09:41,982
WHEN ALEX WAS COMING UP,
PUSHED HIM DOWNSTAIRS.
166
00:09:42,015 --> 00:09:45,051
THEY ROBBED THE GUY
IN THIS APARTMENT?
167
00:09:45,085 --> 00:09:46,119
I THINK SO.
168
00:09:46,152 --> 00:09:47,554
THINK HE'S DEALING DRUGS?
169
00:09:47,588 --> 00:09:49,656
I WOULDN'T KNOW.
I DON'T WANT TROUBLE.
170
00:09:49,690 --> 00:09:51,157
COME ON, SON.
171
00:09:53,026 --> 00:09:53,994
YEAH?
172
00:09:54,027 --> 00:09:56,396
NEW YORK CITY DETECTIVES,
MR. RAMOS.
173
00:09:56,429 --> 00:09:59,299
[SPANISH RADIO PLAYS]
174
00:09:59,332 --> 00:10:01,367
WANT TO OPEN UP, PLEASE?
175
00:10:05,672 --> 00:10:08,141
CAN WE TALK TO YOU
ABOUT GETTING ROBBED?
176
00:10:08,174 --> 00:10:11,645
WHAT I GOT TO SAY
I SAID TO
THE UNIFORMS ALREADY.
177
00:10:11,678 --> 00:10:13,647
COUPLE GUYS
I DIDN'T SEE
178
00:10:13,680 --> 00:10:16,316
CAME IN,
CUFFED MY ANKLE
TO THE RADIATOR,
179
00:10:16,349 --> 00:10:18,118
TOSSED THE PLACE
AND LEFT.
180
00:10:18,151 --> 00:10:20,153
MISTAKE, I FIGURE.
181
00:10:20,186 --> 00:10:22,255
HEY, WHAT
ARE YOU DOING, MAN?
182
00:10:22,288 --> 00:10:24,658
YOU KNOCKED ON THE WALL.
GOT THE NEIGHBOR?
183
00:10:24,691 --> 00:10:26,426
HE CALLED THE COPS.
I DIDN'T.
184
00:10:26,459 --> 00:10:27,794
WHERE'S
THE NEIGHBOR NOW?
185
00:10:27,828 --> 00:10:29,095
HE GOT CHEST PAINS.
186
00:10:29,129 --> 00:10:31,197
HE WENT
TO THE HOSPITAL.
187
00:10:31,231 --> 00:10:32,132
YOU DEALING?
188
00:10:32,165 --> 00:10:34,000
NO. HEY,
WHAT ARE YOU DOING?
189
00:10:34,034 --> 00:10:35,869
THAT'S A PRIVATE
BEDROOM BACK THERE.
190
00:10:35,902 --> 00:10:37,871
THOUGHT I HEARD VOICES,
SINGING.
191
00:10:37,904 --> 00:10:40,674
COOPERATE, IT'LL
GO EASIER ON YOU.
192
00:10:40,707 --> 00:10:42,976
I TOLD YOU
WHAT I KNOW.
193
00:10:43,009 --> 00:10:47,013
YOU'RE NOT DEALING,
SO THESE ARE
THE SCALES OF JUSTICE?
194
00:10:47,047 --> 00:10:49,650
THEY SAY YOU'RE
A LYING TURD.
195
00:10:49,683 --> 00:10:52,052
I'M ASKING YOU GUYS
TO LEAVE.
196
00:10:52,085 --> 00:10:55,288
WE GOTTA COUNSEL YOU
HOW TO HANDLE
A ROBBERY ATTEMPT
197
00:10:55,321 --> 00:10:57,190
SHOULD IT HAPPEN AGAIN.
198
00:10:57,223 --> 00:11:00,026
THE BEST WAY AN ASSHOLE
LIKE YOU SHOULD RESPOND
199
00:11:00,060 --> 00:11:04,130
IS TO SEIZE UP THE BARREL
OF THE INTRUDER'S GUN
IN YOUR MOUTH.
200
00:11:04,164 --> 00:11:06,132
TRY TO JERK IT AWAY.
201
00:11:06,166 --> 00:11:08,969
IF IT GOES OFF
IN YOUR THROAT,
WE'LL ARREST HIM.
202
00:11:09,002 --> 00:11:12,438
REMEMBER THAT IF YOU GET
ANOTHER SCALE, YOU JERK.
203
00:11:16,009 --> 00:11:18,044
I DON'T MIND THEM
ROBBING DRUG DEALERS,
204
00:11:18,078 --> 00:11:19,846
BUT PUSHING KIDS
DOWN THE STAIRSââ
205
00:11:19,880 --> 00:11:22,849
WE SHOULD SET UP
ON ONE OF THESE PLACES.
206
00:11:27,253 --> 00:11:31,157
DETECTIVE KELLY,
WOULD YOU COMMENT, PLEASE?
207
00:11:31,191 --> 00:11:33,994
I TOLD YOU BEFORE,
I HAVE NOTHING TO SAY.
208
00:11:34,027 --> 00:11:37,097
THAT'S TWICE
YOU STEPPED ON MY FOOT.
209
00:11:37,130 --> 00:11:37,998
KELLY!
210
00:11:38,031 --> 00:11:39,232
OH, BOY.
211
00:11:39,265 --> 00:11:41,167
I DON'T WANT TO
HASSLE YOU,
212
00:11:41,201 --> 00:11:43,436
BUT YOU DON'T
RETURN MY CALLS.
213
00:11:43,469 --> 00:11:45,271
WHAT'S HE
TRYING TO TELL YOU?
214
00:11:45,305 --> 00:11:47,107
WOULD YOU GIVE US
30 SECONDS?
215
00:11:47,140 --> 00:11:49,242
NORMAN.
216
00:11:50,476 --> 00:11:53,213
WHAT MAKES YOU THINK
I'D WANT TO TALK TO YOU?
217
00:11:53,246 --> 00:11:55,616
YOU THINK $100,000
MIGHT CHANGE
YOUR ATTITUDE?
218
00:11:55,649 --> 00:11:57,618
THAT'S WHAT I'VE
BEEN CALLING ABOUT.
219
00:11:57,651 --> 00:11:58,619
NOT INTERESTED.
220
00:11:58,652 --> 00:12:01,387
MY PEOPLE WILL
GIVE YOU 100K
221
00:12:01,421 --> 00:12:04,457
FOR AN EXCLUSIVE
INTERVIEW AFTER
THE TRIAL.
222
00:12:04,490 --> 00:12:05,391
NOT INTERESTED.
223
00:12:05,425 --> 00:12:07,894
YOU'RE NOT INTERESTED
IN 100 GRAND?
224
00:12:07,928 --> 00:12:10,597
IS SOMEONE PUTTING
PROZAC IN YOUR GRANOLA?
225
00:12:10,631 --> 00:12:12,065
NO MORE MESSAGES,
226
00:12:12,098 --> 00:12:14,234
NO MORE CALLS.
GOT IT?
227
00:12:14,267 --> 00:12:17,604
YOU ASK ME,
WHAT'S COMING OUT
OF THAT COURTROOM,
228
00:12:17,638 --> 00:12:21,407
YOU SHOULD START
LOOKING AT NEW
SOURCES OF INCOME.
229
00:12:24,778 --> 00:12:27,914
SAME AS THE OTHERS.
TWO GUYS HIT
THE APARTMENT,
230
00:12:27,948 --> 00:12:30,450
THAT LYING
SACKâOFâCRAP DEALER
231
00:12:30,483 --> 00:12:31,985
DIDN'T SEE
EITHER ONE.
232
00:12:32,018 --> 00:12:33,554
YOU CATCH HIM DIRTY?
233
00:12:33,587 --> 00:12:35,455
NO, BUT HE'S
A DEFINITE.
234
00:12:35,488 --> 00:12:38,458
THEY RAN OVER
SOME KID GOING
DOWN THE STAIRS.
235
00:12:38,491 --> 00:12:40,460
JOHN AND ME WANT
TO SET UP THERE
236
00:12:40,493 --> 00:12:42,162
BEFORE WE GET
A HOMICIDE.
237
00:12:42,195 --> 00:12:45,832
MARTINEZ POPPED A GUY FOR
CRIMINAL RECEIVING IN ONE.
238
00:12:45,866 --> 00:12:48,268
USE HIM IF HE FITS
WHAT YOU NEED.
239
00:12:48,301 --> 00:12:51,271
UM, I. A. B. WANTS
THE LOG BOOKS AND ROLL CALLS
240
00:12:51,304 --> 00:12:52,773
FROM THE LINARDI
INVESTIGATION.
241
00:12:52,806 --> 00:12:54,340
THEY'RE COMING
AFTER JOHN.
242
00:12:54,374 --> 00:12:56,442
THAT GIRL TESTIFY?
243
00:12:56,476 --> 00:12:59,680
I DON'T THINK
THEY'RE WAITING
TO FIND OUT.
244
00:12:59,713 --> 00:13:02,649
LIEUTENANT SAYS
MARTINEZ GOT A GUY
WE CAN USE
245
00:13:02,683 --> 00:13:04,150
IN INTERVIEW ONE.
246
00:13:04,184 --> 00:13:05,786
GOOD.
247
00:13:07,053 --> 00:13:08,421
SO TALK TO HIM.
248
00:13:08,454 --> 00:13:10,123
I'LL MEET YOU
IN A MINUTE.
249
00:13:10,156 --> 00:13:11,525
SO, HOW'S IT GOING?
250
00:13:11,558 --> 00:13:15,662
I GOT YOUR MESSAGE
ON AMENDING
THE CARLIN COMPLAINT.
251
00:13:15,696 --> 00:13:17,097
CAN WE DO THAT?
252
00:13:17,130 --> 00:13:18,599
ON WHAT BASIS?
253
00:13:18,632 --> 00:13:20,634
THE GUY BIT ME.
254
00:13:20,667 --> 00:13:24,605
AT THAT GIN MILL,
HE LEFT A FULLâDENTAL
IMPRESSION ON MY KNEE.
255
00:13:24,638 --> 00:13:27,007
IS THE WIFE DROPPING
THE BATTERING CHARGES?
256
00:13:27,040 --> 00:13:30,010
I THINK SHE'S GOING
TO DROP THEM. YEAH.
257
00:13:30,043 --> 00:13:32,445
YOU WANT THE HUSBAND
OFF THE STREET?
258
00:13:32,478 --> 00:13:33,947
THIS GUY IS WRONG.
259
00:13:33,980 --> 00:13:37,350
HE'S BEEN USING
THIS WOMAN FOR
A SPEED BAG.
260
00:13:37,383 --> 00:13:39,019
WITH THE UNDERLYING
CHARGE WITHDRAWN,
261
00:13:39,052 --> 00:13:41,655
THE JUDGE WILL NEVER
LET ME AMEND.
262
00:13:41,688 --> 00:13:43,657
GET THE WOMAN
SOME REFERRALS.
263
00:13:43,690 --> 00:13:45,659
THE HUSBAND'S
GOING TO WALK.
264
00:13:45,692 --> 00:13:47,360
YEAH. ALL RIGHT.
265
00:13:49,329 --> 00:13:52,065
SO HOW ARE THINGS
OTHERWISE?
266
00:13:52,098 --> 00:13:54,801
THEY'RE O. K.
267
00:13:54,835 --> 00:13:55,969
AHEM.
268
00:13:56,002 --> 00:13:57,003
Iââ
269
00:13:57,037 --> 00:14:00,974
I HOPE TO HAVE
SOMETHING TO SAY
TO YOU SOON
270
00:14:01,007 --> 00:14:03,476
ON A PERSONAL MATTER.
271
00:14:03,510 --> 00:14:06,513
WHY DON'T YOU
JUST SAY IT?
272
00:14:06,547 --> 00:14:08,915
AT THIS POINT,
273
00:14:08,949 --> 00:14:10,584
I GOT TO WAIT.
274
00:14:12,218 --> 00:14:14,154
ALL RIGHT.
275
00:14:14,187 --> 00:14:16,590
I HOPE IT'LL BE
VERY SOON.
276
00:14:18,191 --> 00:14:20,894
JUST WANTED YOU TO KNOW.
277
00:14:23,864 --> 00:14:26,132
EXCUSE ME.
278
00:14:28,535 --> 00:14:31,505
ALL RIGHT. YOU GOT
A DRUG PROBLEM, TAHIR?
279
00:14:31,538 --> 00:14:34,508
MY ONLY PROBLEM'S
WITH THE POLICE.
280
00:14:34,541 --> 00:14:35,876
YOU DEALING NOW?
281
00:14:35,909 --> 00:14:37,077
DEFINITELY NOT.
282
00:14:37,110 --> 00:14:39,179
WE KNOW YOU'RE MOVING
PRODUCT WITH THIS MARK.
283
00:14:39,212 --> 00:14:42,415
WE FIND DRUGS IN YOUR PLACE,
THAT'S AN EXTRA FELONY.
284
00:14:42,448 --> 00:14:44,184
PLUS A LOST CHANCE
TO HELP YOURSELF.
285
00:14:44,217 --> 00:14:46,186
HOW CAN I
HELP MYSELF?
286
00:14:46,219 --> 00:14:47,854
YOU WANT TO COOPERATE?
287
00:14:47,888 --> 00:14:50,423
THAT'S WHAT
I'M LOOKING FORââ
A FRESH START.
288
00:14:50,456 --> 00:14:53,760
BOOSTING THAT
CD PLAYER WAS A MISTAKE,
289
00:14:53,794 --> 00:14:56,530
BUT I DID THAT
'CAUSE I MOVED
INTO A NEW PLACE.
290
00:14:56,563 --> 00:14:59,032
GAVE YOURSELF
A HOUSEWARMING PRESENT.
291
00:14:59,065 --> 00:15:00,601
GUYS ARE ROBBING DEALERS
IN YOUR NEIGHBORHOOD.
292
00:15:00,634 --> 00:15:02,903
TRIED ME LAST WEEK.
293
00:15:02,936 --> 00:15:05,371
WE WANT TO PUT
A CAMERA IN YOUR PLACE.
294
00:15:05,405 --> 00:15:06,773
THAT GET
THIS BEEF DROPPED?
295
00:15:06,807 --> 00:15:08,141
DEPENDS.
296
00:15:08,174 --> 00:15:10,711
I'M DOWN.
SET IT UP.
297
00:15:10,744 --> 00:15:13,313
YOU'LL BE
WEARING A VEST.
298
00:15:13,346 --> 00:15:14,748
WE'LL BE CLOSE BY.
299
00:15:14,781 --> 00:15:17,483
THERE'S GOING TO BE
SOME RISK TO YOU.
300
00:15:17,518 --> 00:15:19,452
NO MORE THAN USUAL,
MAN.
301
00:15:19,485 --> 00:15:21,555
THAT COMES WITH
THIS LIFESTYLE.
302
00:15:21,588 --> 00:15:24,891
WE DON'T WANNA SEE YOU
DIRTY ON THIS CAMERA, TAHIR.
303
00:15:24,925 --> 00:15:27,894
ALL WE WANT
IS IF YOU GET ROBBED.
304
00:15:27,928 --> 00:15:30,664
COULD YOU SEE
INTO THE CRAPPER?
305
00:15:31,632 --> 00:15:32,733
NO.
306
00:15:32,766 --> 00:15:34,601
NO CAMERA
IN THE CRAPPER.
307
00:15:34,635 --> 00:15:36,002
SO ANYTHING
SELFâINCRIMINATING,
308
00:15:36,036 --> 00:15:38,605
THAT'D BE
THE PLACE TO DO IT.
309
00:15:38,639 --> 00:15:41,975
USE YOUR HEAD
AND KEEP YOUR MOUTH SHUT.
310
00:15:42,008 --> 00:15:44,778
I GOT A REALLY GOOD
FEELING ABOUT THIS.
311
00:15:47,948 --> 00:15:50,917
HEY. HOW'D IT GO
AT THE FIRING RANGE?
312
00:15:50,951 --> 00:15:52,485
HOW'D IT GO, DONNA?
313
00:15:52,519 --> 00:15:55,822
I SPENT AN HOUR
EACH DIRECTION
ON A BRIDGE
314
00:15:55,856 --> 00:15:57,490
BUNGED UP IN TRAFFIC.
315
00:15:57,524 --> 00:16:00,961
I GOT BIT BY GREENFLIES
AT RODMAN'S NECK,
316
00:16:00,994 --> 00:16:03,363
AND THEN I MUTILATED
MY THUMB
317
00:16:03,396 --> 00:16:06,833
ADJUSTING TO
THE SLIDE ACTION
ON THE 9 mm WEAPON.
318
00:16:06,867 --> 00:16:09,836
GREG, STOP A MINUTE
AND TALK TO ME.
319
00:16:09,870 --> 00:16:11,337
WHAT'S THE POINT?
320
00:16:11,371 --> 00:16:12,839
THE POINT IS...
321
00:16:12,873 --> 00:16:14,708
TO STOP AND TALK.
322
00:16:14,741 --> 00:16:17,143
EVER SINCE THESE
SETTLEMENT MEETINGS
WITH YOUR WIFE,
323
00:16:17,177 --> 00:16:19,479
IT'S LIKE YOU'RE IN
ANOTHER SOLAR SYSTEM.
324
00:16:19,513 --> 00:16:22,482
YEAH, WELL, SO LONG
FROM PLANET MEDAVOY.
325
00:16:22,516 --> 00:16:23,884
GREGORY?
326
00:16:23,917 --> 00:16:26,486
IT'S USELESS, DONNA.
327
00:16:26,520 --> 00:16:30,356
IT'S HOPELESS
AND USELESS AND
A WASTE OF YOUR TIME.
328
00:16:30,390 --> 00:16:31,491
[TELEPHONE RINGS]
329
00:16:31,525 --> 00:16:34,194
15th SQUAD.
330
00:16:34,227 --> 00:16:35,629
YEAH.
331
00:16:35,662 --> 00:16:38,565
JAMES SINCLAIR,
DETECTIVE.
332
00:16:38,599 --> 00:16:43,336
AND ROBIN
SAID SHE'D MEET YOU
AT THE JIVE BAR.
333
00:16:43,369 --> 00:16:44,404
KELLY.
334
00:16:46,773 --> 00:16:47,841
MMâHMM.
335
00:16:49,342 --> 00:16:52,646
O.K. I'LL SEE YOU
IN THE MORNING. RIGHT.
336
00:16:52,679 --> 00:16:53,980
THANKS A LOT.
337
00:16:54,014 --> 00:16:54,981
YEAH.
338
00:16:55,015 --> 00:16:57,684
I'M GOING BACK
TOMORROW.
339
00:16:59,385 --> 00:17:02,022
GUESS THIS GIRL
JAMMED ME UP.
340
00:17:02,055 --> 00:17:03,757
SHE SAY WHAT SHE SAW?
341
00:17:03,790 --> 00:17:06,359
I DON'T CARE
WHAT SHE SAID SHE SAW,
342
00:17:06,392 --> 00:17:08,261
SHE WASN'T THERE.
SHE'S LYING.
343
00:17:08,294 --> 00:17:10,997
PROBABLY WENT TO ABRAMS
LOOKING TO EARN
WITH SOMETHING
344
00:17:11,031 --> 00:17:12,332
HER DEAD BOYFRIEND
TOLD HER.
345
00:17:12,365 --> 00:17:15,168
HE GIVES HER A COURSE
IN THE HEARSAY RULE,
346
00:17:15,201 --> 00:17:17,771
AND HER MEMORY
GETS VIVID, HUH?
347
00:17:18,972 --> 00:17:20,206
LOOKS LIKE YOU'RE UP.
348
00:17:20,240 --> 00:17:23,343
YEAH. I GOTTA TALK
TO THIS GUY.
349
00:17:23,376 --> 00:17:25,011
O.K. WE'LL TALK LATER?
350
00:17:25,045 --> 00:17:26,913
CALL ME TONIGHT
IF YOU WANT.
351
00:17:26,947 --> 00:17:27,914
YEAH. THANKS.
352
00:17:27,948 --> 00:17:28,882
HEY, DAN.
353
00:17:28,915 --> 00:17:32,719
A DIFFERENT JOB NOW.
354
00:17:32,753 --> 00:17:33,587
HISPANIC FELLAS,
355
00:17:33,620 --> 00:17:35,589
WOMEN.
356
00:17:38,124 --> 00:17:41,461
AND A PUFF OF SMOKE,
A WORKING LIEUTENANT.
357
00:17:41,494 --> 00:17:43,396
I'VE BEEN WAITING
FOR YOUR CALL.
358
00:17:43,429 --> 00:17:45,532
DID YOU SPEAK
TO HER TODAY?
359
00:17:45,566 --> 00:17:47,534
YOU SAID DON'T
UNTIL YOU CALLED.
360
00:17:47,568 --> 00:17:48,769
I HAD SECOND THOUGHTS.
361
00:17:48,802 --> 00:17:51,572
I DON'T WANT YOU
ASKING HER OUT TODAY.
362
00:17:51,605 --> 00:17:54,407
DAN, YOU'RE
DRIVING ME CRAZY.
363
00:17:54,440 --> 00:17:56,442
WHO'S THE BOSS?
364
00:17:56,476 --> 00:17:58,444
WITH 18 YEARS
OF SOBRIETY?
365
00:17:58,478 --> 00:18:00,914
WHO DID YOU ASK
TO BE YOUR SPONSOR?
366
00:18:00,947 --> 00:18:02,916
YOU'VE BEEN A BIG HELP,
367
00:18:02,949 --> 00:18:05,418
BUT I DISAGREE
WITH YOU ON THIS.
368
00:18:05,451 --> 00:18:08,321
IT'S MY DECISION
TO GIVE THIS MORE THOUGHT.
369
00:18:08,354 --> 00:18:10,323
I'M NOT RISKING
YOUR PROGRESS.
370
00:18:10,356 --> 00:18:13,393
WHEN CAN I ASK HER OUT?
371
00:18:13,426 --> 00:18:17,097
I DON'T KNOW!
YOU'LL WEAR ON YOURSELF
WITH YOUR IMPATIENCE.
372
00:18:18,498 --> 00:18:20,734
THAT'S IT?
373
00:18:20,767 --> 00:18:23,136
REMEMBER, G. R. I. P.
374
00:18:23,169 --> 00:18:26,239
GROWTH, RESOLUTION,
375
00:18:26,272 --> 00:18:27,674
INTENTION,
376
00:18:27,708 --> 00:18:28,575
PURPOSE.
377
00:18:28,609 --> 00:18:30,944
WE'LL SPEAK SOON.
378
00:18:32,879 --> 00:18:34,748
AH.
379
00:18:34,781 --> 00:18:36,449
GRIP THIS.
380
00:18:40,621 --> 00:18:42,956
[MAN ON TV]
THE SOâCALLED
BLUE MURDER TRIAL
381
00:18:42,989 --> 00:18:44,591
OF FORMER POLICE OFFICER
JANICE LICALSI.
382
00:18:44,625 --> 00:18:46,092
AFTERNOON TESTIMONY
383
00:18:46,126 --> 00:18:48,361
SUPPORTED
THE PROSECUTION'S
CONTENTION
384
00:18:48,394 --> 00:18:49,796
THAT DETECTIVE
JOHN KELLY
385
00:18:49,830 --> 00:18:52,432
HAD KNOWN
OF HIS LOVER'S
INVOLVEMENT
386
00:18:52,465 --> 00:18:54,100
WITH ORGANIZED CRIME.
387
00:18:54,134 --> 00:18:57,003
GINA ZARONE, SHOWN LEAVING
THE CENTER STREET COURTHOUSE,
388
00:18:57,037 --> 00:18:59,272
STATED THAT
SHE HAD SEEN KELLY...
389
00:18:59,305 --> 00:19:03,810
HARRY, ANOTHER ONE
FOR THE GENTLEMAN
DOWN THERE.
390
00:19:03,844 --> 00:19:06,479
A SOLDIER IN THE MARINO
CRIME FAMILY,
391
00:19:06,513 --> 00:19:09,015
AT WHICH LICALSI
WAS SHOWN XEROXES
392
00:19:09,049 --> 00:19:10,884
OF THE CONTROVERSIAL
MARINO DIARY.
393
00:19:10,917 --> 00:19:12,018
ANOTHER ONE?
NO, THANKS.
394
00:19:12,052 --> 00:19:13,854
YOU SURE?
395
00:19:13,887 --> 00:19:14,988
YEAH. THANKS.
396
00:19:15,021 --> 00:19:17,691
AS A SURPRISE WITNESS
ON THE GROUNDS
397
00:19:17,724 --> 00:19:20,994
THAT HER LIFE
HAD BEEN THREATENED
ON SEVERAL OCCASIONS...
398
00:19:21,027 --> 00:19:23,697
MIND IF I SAY
THAT I RECOGNIZE YOU?
399
00:19:23,730 --> 00:19:25,566
I'M NOT LOOKING
FOR CONVERSATION.
400
00:19:25,599 --> 00:19:27,167
SORRY.
401
00:19:27,200 --> 00:19:28,802
HEY, JOHNNY.
402
00:19:28,835 --> 00:19:30,070
ABSOLUTELY
NEW YORK'S FINEST.
403
00:19:30,103 --> 00:19:31,371
THAT'S NO PROBLEM.
404
00:19:31,404 --> 00:19:33,306
THIS GIRL SHOOT
ANYBODY YET?
405
00:19:33,339 --> 00:19:34,641
HUH?
406
00:19:34,675 --> 00:19:36,810
HEY, WHY DON'T
YOU GO SIT
407
00:19:36,843 --> 00:19:38,812
AND TALK TO YOUR
NEW FRIEND?
408
00:19:38,845 --> 00:19:41,815
YOU'VE HAD
TOO MUCH TO DRINK.
TAKE IT OUTSIDE.
409
00:19:41,848 --> 00:19:43,817
HEY, THIS AIN'T
RWANDA, PAL.
410
00:19:43,850 --> 00:19:46,887
THE HELL WITH YOU,
JERRY.
411
00:19:46,920 --> 00:19:49,590
THIS ISN'T
A POLICE STATE YET. HEY!
412
00:19:49,623 --> 00:19:51,057
AH!
413
00:19:56,429 --> 00:19:58,164
AH!
414
00:19:58,198 --> 00:19:59,766
YOU'RE A LIAR UP THERE.
415
00:19:59,800 --> 00:20:01,502
HOPE THAT BITCH
GETS LIFE,
416
00:20:01,535 --> 00:20:04,605
AND THEY KICK YOUR ASS
OFF THE FORCE.
417
00:20:04,638 --> 00:20:05,872
DON'T COME BACK.
418
00:20:11,545 --> 00:20:12,879
O.K.?
419
00:20:12,913 --> 00:20:14,380
YEAH.
420
00:20:20,921 --> 00:20:23,289
HOW WAS YOUR DAY?
421
00:20:23,323 --> 00:20:25,125
O.K.
422
00:20:26,560 --> 00:20:28,695
LAST FIVE DAYS
HAVE BEEN O. K.
423
00:20:28,729 --> 00:20:30,964
YEAH. BEEN
A LITTLE HECTIC.
424
00:20:33,266 --> 00:20:35,301
SO HOW IS SHE DOING?
425
00:20:38,805 --> 00:20:40,206
HOW'S WHO DOING?
426
00:20:40,240 --> 00:20:43,409
WHO?
HILLARY CLINTON, WHO.
427
00:20:44,344 --> 00:20:46,246
SHE'S DOING O. K.
428
00:20:46,279 --> 00:20:48,949
SHE JUST WANTS
THIS PART OF IT OVER.
429
00:20:48,982 --> 00:20:50,951
SHE WANTS TO GET
SENTENCED.
430
00:20:54,655 --> 00:20:56,990
LET'S GET SOME MENUS.
COULD WE...
431
00:20:59,259 --> 00:21:00,493
THANK YOU.
432
00:21:16,843 --> 00:21:20,013
I STILL HAVE
FEELINGS FOR HER.
433
00:21:21,114 --> 00:21:22,616
JANICE LICALSI.
434
00:21:22,649 --> 00:21:24,317
YEAH.
435
00:21:26,787 --> 00:21:28,689
YEAH, I GUESS YOU DO.
436
00:21:31,324 --> 00:21:33,660
HAVE YOU, UH...
437
00:21:33,694 --> 00:21:35,495
HAVE YOU
BEEN SEEING HER?
438
00:21:35,529 --> 00:21:37,664
I SAW HER LAST NIGHT.
439
00:21:37,698 --> 00:21:40,033
YOU SLEEP WITH HER?
440
00:21:40,066 --> 00:21:41,167
NO.
441
00:21:41,201 --> 00:21:42,769
NO. IT'S JUSTââ
442
00:21:42,803 --> 00:21:46,507
IT'S LIKE A MESS,
AND SHE'S GOING TO JAIL...
443
00:21:50,376 --> 00:21:53,213
LET ME JUST ASK YOU
A QUESTION, JOHNNY.
444
00:21:53,246 --> 00:21:55,181
WHEN A PERSON'S
IN TROUBLE,
445
00:21:55,215 --> 00:21:56,850
YOU GET VERY
PROTECTIVE.
446
00:21:56,883 --> 00:21:59,185
ANDââLET ME
JUST ASK YOUââ
447
00:21:59,219 --> 00:22:00,654
WHEN YOU SAY
FEELINGS,
448
00:22:00,687 --> 00:22:03,189
COULD IT BE
THOSE OR, UMââ
449
00:22:03,223 --> 00:22:04,190
NO.
450
00:22:07,060 --> 00:22:09,896
I HAVE FEELINGS FOR HER.
451
00:22:13,399 --> 00:22:16,703
I GUESS WE OUGHT TO
STOP SEEING EACH OTHER.
452
00:22:16,737 --> 00:22:18,371
I'M SORRY.
453
00:22:18,404 --> 00:22:20,173
HEY, WE WERE
FRIENDS BEFORE.
454
00:22:20,206 --> 00:22:24,177
WE'RE STILL GOING
TO BE FRIENDS, O. K.?
455
00:22:24,210 --> 00:22:27,247
YOU LOVE
WHO YOU LOVE.
456
00:22:32,018 --> 00:22:34,320
I'M NOT...
I'M NOT HUNGRY.
457
00:22:34,354 --> 00:22:36,156
YEAH.
458
00:22:36,189 --> 00:22:37,257
LET ME GET YOUââ
459
00:22:37,290 --> 00:22:40,326
PLEASE, I CAN GET HOME.
460
00:22:40,360 --> 00:22:42,495
I'LL CALL YOU.
461
00:22:42,529 --> 00:22:43,530
O.K.
462
00:23:03,383 --> 00:23:05,251
THIS IS THE GENTLEMAN,
LIEUTENANT.
463
00:23:05,285 --> 00:23:07,253
ARE YOU JOHN KELLY'S
SUPERIOR?
464
00:23:07,287 --> 00:23:09,255
YEAH.
HOW CAN I HELP YOU?
465
00:23:09,289 --> 00:23:10,757
MY NAME
IS TIMOTHY MILLER,
466
00:23:10,791 --> 00:23:13,627
AND I'D LIKE TO FILE
AN ASSAULT COMPLAINT
AGAINST MR. KELLY.
467
00:23:13,660 --> 00:23:15,095
LET'S GO TO MY OFFICE.
468
00:23:15,128 --> 00:23:17,030
ARE YOU FAMILIAR
WITH THE INCIDENT?
469
00:23:17,063 --> 00:23:18,932
TELL ME YOUR SIDE OF IT.
470
00:23:18,965 --> 00:23:21,768
I'M HAVING A BEER.
I RECOGNIZE HIM FROM TV.
471
00:23:21,802 --> 00:23:22,969
I SAY HI.
472
00:23:23,003 --> 00:23:25,438
HE GETS HYSTERICAL
ABOUT HIS PRIVACY.
473
00:23:25,471 --> 00:23:29,309
NEXT THING, I
GET THE BRASS KNUCKLES
IN THE SOLAR PLEXUS.
474
00:23:29,342 --> 00:23:30,744
I'M STILL BRINGING UP BILE.
475
00:23:30,777 --> 00:23:32,478
SO, YOU WANT TO FILE
A COMPLAINT?
476
00:23:32,513 --> 00:23:33,614
HELL, YES!
477
00:23:33,647 --> 00:23:34,981
AND MAYBE A LAWSUIT.
478
00:23:35,015 --> 00:23:37,450
I'LL GET A DETECTIVE
TO TAKE THE INFORMATION,
479
00:23:37,483 --> 00:23:40,887
BUT KNOW THAT WE'RE
GOING TO LOOK REAL HARD
AT YOUR STORY.
480
00:23:40,921 --> 00:23:42,756
THE BRASS KNUCKLES
DON'T SOUND RIGHT.
481
00:23:42,789 --> 00:23:45,225
THE UNPROVOKED ASSAULT
DOESN'T SOUND RIGHT
EITHER.
482
00:23:45,258 --> 00:23:48,061
ARE YOU SURE
YOU WEREN'T DRUNK
AND MOUTHING OFF
483
00:23:48,094 --> 00:23:50,230
AND MAYBE HE
HELPED YOU OUTSIDE?
484
00:23:50,263 --> 00:23:52,232
SO THIS IS HOW IT WORKS.
485
00:23:52,265 --> 00:23:53,600
THE BIG BLUE WALL.
486
00:23:53,634 --> 00:23:56,102
HOW IT WORKS IS
YOU FILE A COMPLAINT.
487
00:23:56,136 --> 00:23:57,604
THEN WE ASK
DETECTIVE KELLY
488
00:23:57,638 --> 00:23:59,272
IF HE WANTS
A CROSSâCOMPLAINT.
489
00:23:59,305 --> 00:24:01,842
THEN WE GET STATEMENTS
FROM ANY WITNESSES
490
00:24:01,875 --> 00:24:03,577
ABOUT WHO PROVOKED
THE INCIDENT.
491
00:24:03,610 --> 00:24:06,146
THEN WE DECIDE
WHO GETS LOCKED UP.
492
00:24:06,179 --> 00:24:07,648
SHALL I CALL
A DETECTIVE?
493
00:24:07,681 --> 00:24:11,484
I WANT YOU TO KNOW
WHAT KIND OF PEOPLE
ARE WORKING FOR YOU.
494
00:24:11,518 --> 00:24:15,956
I KNOW WHAT KIND
OF PEOPLE I HAVE
WORKING FOR ME.
495
00:24:20,527 --> 00:24:23,063
THINK YOU CAN FIND
YOUR WAY OUT?
496
00:24:27,167 --> 00:24:29,503
HOW LONG A WAITING LIST?
497
00:24:31,404 --> 00:24:33,173
FORGET ABOUT
THE HOMELESS SHELTER.
498
00:24:33,206 --> 00:24:37,611
SHE'D JUST HAVE
SIX PEOPLE HITTING HER
INSTEAD OF ONE.
499
00:24:37,644 --> 00:24:39,513
ALL RIGHT. YEAH.
THANKS, ANYWAYS.
500
00:24:40,814 --> 00:24:42,549
HEY, JOHN.
501
00:24:42,583 --> 00:24:44,417
COME HERE.
502
00:24:46,386 --> 00:24:47,854
WHAT'S GOING ON?
503
00:24:47,888 --> 00:24:49,856
SOME GUY WAS JUST
IN HERE,
504
00:24:49,890 --> 00:24:52,926
SAYING YOU BEAT HIM
UP IN A BAR FIGHT.
505
00:24:54,661 --> 00:24:57,130
THIS GUY WAS MOUTHING
OFF TO ME.
506
00:24:57,163 --> 00:24:59,365
I ASKED HIM
TO LEAVE THE BAR.
507
00:24:59,399 --> 00:25:02,969
HE THREW AN ELBOW AT ME,
SO I HELPED HIM.
508
00:25:03,003 --> 00:25:04,470
THEN YOU BEAT HIM UP?
509
00:25:04,505 --> 00:25:06,039
I MOVED HIM OUTSIDE.
510
00:25:06,907 --> 00:25:08,374
HE FILE A COMPLAINT?
511
00:25:08,408 --> 00:25:09,442
NO.
512
00:25:10,844 --> 00:25:13,046
HOW'D THAT HAPPEN?
513
00:25:14,848 --> 00:25:16,416
YOU ALL RIGHT, JOHN?
514
00:25:16,449 --> 00:25:17,984
YEAH.
515
00:25:18,018 --> 00:25:19,853
WHAT TIME
YOU TESTIFY?
516
00:25:19,886 --> 00:25:23,524
I SEE SINCLAIR
IN HALF AN HOUR.
517
00:25:23,557 --> 00:25:24,490
ALL RIGHT.
518
00:25:24,525 --> 00:25:27,260
WHY DON'T YOU STAY
AROUND HERE UNTIL THEN?
519
00:25:30,564 --> 00:25:33,499
WON'T GET IN ANY JACKPOTS
IN HERE, WILL YOU?
520
00:25:33,534 --> 00:25:35,368
I DON'T THINK SO.
521
00:25:35,401 --> 00:25:36,703
ALL RIGHT.
522
00:25:56,590 --> 00:25:57,758
DETECTIVE.
523
00:25:57,791 --> 00:25:59,593
HEY.
524
00:26:02,896 --> 00:26:05,365
DO YOU HAVE A DECISION
FOR ME YET?
525
00:26:05,398 --> 00:26:08,368
YOU AND I ARE GOING
TO HAVE A CONTRACT.
526
00:26:08,401 --> 00:26:09,770
ANY SLACKENING
IN YOUR PROGRAM,
527
00:26:09,803 --> 00:26:12,272
ANY LOSING FOCUS,
I'M GOING TO STEP IN.
528
00:26:12,305 --> 00:26:13,774
ARE WE CLEAR ON THAT?
529
00:26:13,807 --> 00:26:14,775
WE'RE CLEAR.
530
00:26:14,808 --> 00:26:17,277
AS LONG AS WE HAVE
THAT CONTRACT,
531
00:26:17,310 --> 00:26:18,879
YOU CAN ASK HER OUT.
532
00:26:18,912 --> 00:26:22,549
LISTEN, SEEING SYLVIA,
IT'S NOT GOING TO GET
IN THE WAY.
533
00:26:22,583 --> 00:26:24,050
IT'S GOING TO BE HELPFUL.
534
00:26:24,084 --> 00:26:25,151
WE'LL SEE.
535
00:26:26,853 --> 00:26:30,657
YOU GOING TO WEAR
THAT TIE WHEN YOU
ASK HER OUT?
536
00:26:30,691 --> 00:26:32,358
YEAH.
537
00:26:33,527 --> 00:26:35,596
THERE'S SOMETHING WRONG
WITH THAT NECKWEAR.
538
00:26:35,629 --> 00:26:37,664
I DON'T HAVE ANOTHER TIE
WITH ME.
539
00:26:37,698 --> 00:26:38,665
EXCUSE ME.
540
00:26:38,699 --> 00:26:41,602
HEY, I NEED TO TALK
WITH YOU AND JOHN.
541
00:26:41,635 --> 00:26:42,603
WHAT'S YOUR NAME?
542
00:26:42,636 --> 00:26:43,504
JAMES MARTINEZ.
543
00:26:43,537 --> 00:26:45,005
DAN BREEN,
JAMES MARTINEZ.
544
00:26:45,038 --> 00:26:46,507
HOW DO YOU DO?
545
00:26:46,540 --> 00:26:49,109
DAN USED TO BE
ON THE JOB.
546
00:26:49,142 --> 00:26:51,512
HOW TALL ARE YOU,
MARTINEZ?
547
00:26:51,545 --> 00:26:52,445
ALMOST 5'8".
548
00:26:52,478 --> 00:26:54,948
WHEN I CAME ON,
YOU HAD TO BE 5'10".
549
00:26:54,981 --> 00:26:56,983
YEAH. GLAD THEY LIFTED
THAT REGULATION.
550
00:26:57,017 --> 00:26:59,485
FELLAS USED TO TRY
ALL SORTS OF RIGS.
551
00:26:59,520 --> 00:27:02,656
WEIGHTS AROUND
THE FEET,
AND SO FORTH,
552
00:27:02,689 --> 00:27:04,090
TRYING TO MAKE
THE LIMIT.
553
00:27:04,124 --> 00:27:05,091
IS THAT SO?
554
00:27:05,125 --> 00:27:07,160
LISTEN, DAN,
I'LL KEEP YOU POSTED.
555
00:27:07,193 --> 00:27:10,764
O.K. GOOD TO MEET YOU,
MARTINEZ.
556
00:27:10,797 --> 00:27:11,798
SAME HERE.
557
00:27:11,832 --> 00:27:15,001
NO. I DO NOT WANT TO
PROLONG THE NEGOTIATIONS.
558
00:27:18,639 --> 00:27:19,840
NO.
559
00:27:20,807 --> 00:27:23,009
NO! GOODâBYE!
560
00:27:28,214 --> 00:27:30,150
YOU'RE RUBBING
YOUR EARS A LOT.
561
00:27:30,183 --> 00:27:32,653
I THINK
I GOT FUNGUS ON IT
562
00:27:32,686 --> 00:27:34,287
AT THE FIRING RANGE
YESTERDAY.
563
00:27:34,320 --> 00:27:36,690
CAN YOU GET A FUNGUS
THAT FAST?
564
00:27:36,723 --> 00:27:37,791
EVIDENTLY.
565
00:27:37,824 --> 00:27:40,627
THOUSANDS OF MEN WEAR
THOSE EAR PROTECTORS.
566
00:27:40,661 --> 00:27:45,298
BESIDES, I DON'T KNOW
WHY FANCY PICKED ME
TO QUALIFY ANYWAY.
567
00:27:45,331 --> 00:27:46,800
I THOUGHT EVERYONE
HAS TO.
568
00:27:46,833 --> 00:27:49,603
I MEAN, BUT HE
PICKED ME FIRST.
569
00:27:51,237 --> 00:27:54,274
DO YOU WANT MY OPINION
ON SOMETHING, GREGORY?
570
00:27:55,676 --> 00:27:56,643
WHAT?
571
00:27:56,677 --> 00:27:59,680
YOU'RE RESISTING
NEW EXPERIENCE.
572
00:28:01,915 --> 00:28:03,550
WHAT ARE YOU
TALKING ABOUT?
573
00:28:03,584 --> 00:28:05,986
I'M TALKING ABOUT
THE END OF YOUR MARRIAGE.
574
00:28:06,019 --> 00:28:10,223
I'M TALKING ABOUT
ETHAN COHEN'S
GRIEF AND RECOVERY.
575
00:28:10,256 --> 00:28:12,726
IT'S AN EMOTIONAL HANDBOOK
FOR DIVORCE.
576
00:28:12,759 --> 00:28:15,228
IT SAYS,
WHEN A MARRIAGE BREAKS UP,
577
00:28:15,261 --> 00:28:16,897
THE COUPLES MOURN,
578
00:28:16,930 --> 00:28:21,968
THEY RESIST NEW EXPERIENCE,
AND THEY HAVE
A GENERAL SOUR OUTLOOK.
579
00:28:23,770 --> 00:28:25,005
MY SOUR OUTLOOK'S
580
00:28:25,038 --> 00:28:26,507
BECAUSE I'M
GETTING SCREWED
581
00:28:26,540 --> 00:28:28,041
IN THESE
SETTLEMENT HEARINGS.
582
00:28:28,074 --> 00:28:32,513
ETHAN COHEN SAYS TO RELAX
AND LET YOUR SITUATION UNFOLD.
583
00:28:32,546 --> 00:28:33,880
I'M GETTING DISMANTLED
584
00:28:33,914 --> 00:28:35,381
POSSESSION
BY POSSESSION...
585
00:28:35,415 --> 00:28:36,750
DOLLAR BY DOLLAR.
586
00:28:36,783 --> 00:28:39,019
THIS, TOO, SHALL PASS,
GREGORY.
587
00:28:39,052 --> 00:28:42,188
THAT'S WHAT HE SAYS,
TO KEEP REMINDING YOURSELF.
588
00:28:42,222 --> 00:28:46,092
DO YOU WANT
TO HEAR MY PLAN
TO HELP THAT HAPPEN?
589
00:28:46,126 --> 00:28:47,528
WHAT?
590
00:28:47,561 --> 00:28:48,695
THIS SUNDAY,
591
00:28:48,729 --> 00:28:51,698
WE GO TO
MADISON SQUARE GARDEN,
592
00:28:51,732 --> 00:28:54,200
WE WATCH THE RANGERS
SKATE ONTO THE ICE,
593
00:28:54,234 --> 00:28:56,937
WE LIFT OUR EYES
TO THE RAFTERS,
594
00:28:56,970 --> 00:28:59,405
AND WE GAZE UPON
THE STANLEY CUP BANNER,
595
00:28:59,439 --> 00:29:01,908
HANGING IN ALL ITS
CHAMPIONSHIP SPLENDOR.
596
00:29:01,942 --> 00:29:03,309
GREGORY,
597
00:29:03,343 --> 00:29:06,446
IF THAT DOESN'T TELL YOU
DREAMS CAN COME TRUE
598
00:29:06,479 --> 00:29:08,882
AND THE FUTURE CAN BE
WHAT YOU MAKE IT,
599
00:29:08,915 --> 00:29:11,417
YOU HAVEN'T GOT A HEART
IN YOUR CHEST.
600
00:29:14,755 --> 00:29:16,790
I GOT A HEART.
601
00:29:16,823 --> 00:29:19,125
AND I GOT BLUE SEATS.
602
00:29:23,496 --> 00:29:25,065
THIS IS FROM LAST NIGHT.
603
00:29:25,098 --> 00:29:27,067
THIS IS TAHIR.
604
00:29:27,100 --> 00:29:30,303
ME IN THE DEPARTMENT...
PERMANENT.
605
00:29:30,336 --> 00:29:33,840
I WOULDN'T HAVE TO GO
TO THE ACADEMY OR NOTHING,
606
00:29:33,874 --> 00:29:36,777
'CAUSE I CAN HANDLE
A PIECE ALREADY,
607
00:29:36,810 --> 00:29:39,112
THROW DOWN WITH ANYONE.
608
00:29:39,145 --> 00:29:41,147
NICE UNIFORM...
609
00:29:41,181 --> 00:29:42,749
AND I'M SMOOTH.
610
00:29:42,783 --> 00:29:43,984
[KNOCK ON DOOR]
611
00:29:44,017 --> 00:29:45,586
WHAT ARE WE
LOOKING AT, JAMES?
612
00:29:45,619 --> 00:29:46,486
WHO IS IT?
613
00:29:46,520 --> 00:29:47,688
SHAKEEM, MAN.
614
00:29:47,721 --> 00:29:48,855
HERE'S THE OTHER GUY.
615
00:29:48,889 --> 00:29:50,290
OPEN THE DOOR.
616
00:29:50,323 --> 00:29:51,758
LOOK AT THIS.
617
00:29:51,792 --> 00:29:53,426
I'M BUBBLIN'
IN IT NOW.
618
00:29:53,459 --> 00:29:55,629
JUST TOOK OFF
TWO DUDES
OVER ON HUDSON.
619
00:29:55,662 --> 00:29:58,164
SOME TOURISTS!
GOT ME $500!
620
00:29:58,198 --> 00:29:59,600
LOOKIT HERE, MAN.
621
00:29:59,633 --> 00:30:04,137
I WANT YOU TO
LET ME GET A COUPLE
OF EIGHTBALLS.
622
00:30:04,170 --> 00:30:06,006
LET'S GO IN THE CAN.
623
00:30:06,039 --> 00:30:08,008
I AIN'T GOING
TO THE CAN.
624
00:30:08,041 --> 00:30:09,510
I WANT TO SHOW
YOU SOMETHING.
625
00:30:09,543 --> 00:30:11,512
I DON'T WANT
TO SEE THAT.
626
00:30:11,545 --> 00:30:13,246
SHAKEEM,
FOR YOUR OWN GOOD...
627
00:30:16,016 --> 00:30:19,886
DO I GRAB SHAKEEM
FOR THE ROBBERY BEFORE
SURVEILLANCE IS OVER?
628
00:30:19,920 --> 00:30:21,387
CAN YOU FIND HIM?
629
00:30:21,421 --> 00:30:23,624
YEAH. TAHIR GAVE UP
HIS USUAL PLACES.
630
00:30:23,657 --> 00:30:25,125
IF THEY FILED
A COMPLAINT,
631
00:30:25,158 --> 00:30:27,628
THEN THE VICTIM
I. D. s SHAKEEM OFF
A PHOTO ARRAY,
632
00:30:27,661 --> 00:30:29,395
YOU GRAB HIM OFF
THAT.
633
00:30:29,429 --> 00:30:31,832
IF HE DOESN'T PICK
THE PHOTO,
634
00:30:31,865 --> 00:30:34,334
THEN YOU HOLD THE POP
TILL SURVEILLANCE FOLDS.
635
00:30:34,367 --> 00:30:36,202
WE'LL WATCH
THE APARTMENT TONIGHT.
636
00:30:36,236 --> 00:30:37,771
O.K. THANKS.
637
00:30:39,239 --> 00:30:40,574
TO TELL YOU THE TRUTH,
638
00:30:40,607 --> 00:30:43,176
TAHIR IS MORE LIKE
AN F.B.I. CANDIDATE.
639
00:30:51,017 --> 00:30:53,554
THERE HE IS!
640
00:30:53,587 --> 00:30:57,123
[SHOUTING QUESTIONS]
641
00:31:03,864 --> 00:31:06,533
HAVE YOU MET
MY COâCOUNSEL?
642
00:31:06,567 --> 00:31:07,834
WHAT'S GOING ON?
643
00:31:07,868 --> 00:31:09,202
THIS IS NOT GOOD, JOHNNY.
644
00:31:09,235 --> 00:31:11,738
IF D. A. ABRAMS
HADN'T GOTTEN
AN ETHICAL SHIVER,
645
00:31:11,772 --> 00:31:14,207
JANICE WOULD'VE
BARGAINED HERSELF
INTO A SIXâYEAR BID.
646
00:31:14,240 --> 00:31:16,176
I DON'T WANT YOU
TESTIFYING ANYMORE.
647
00:31:16,209 --> 00:31:18,679
SHE CALLED THE D.A.
BEHIND MY BACK,
648
00:31:18,712 --> 00:31:21,181
SAID SHE'D
TAKE SIX ON A PLEA.
649
00:31:21,214 --> 00:31:22,082
JANICE.
650
00:31:22,115 --> 00:31:24,518
GINA ZARONE
CAN PUT YOU IN JAIL.
651
00:31:24,551 --> 00:31:26,019
GINA ZARONE
IS A HALFâWHORE,
652
00:31:26,052 --> 00:31:27,521
WHOSE CREDIBILITY
I'M GOING TO DESTROY
653
00:31:27,554 --> 00:31:29,523
BEFORE JOHN
GETS ON THE STAND.
654
00:31:29,556 --> 00:31:32,025
I WANT YOU TO FORGET
ABOUT GINA ZARONE,
655
00:31:32,058 --> 00:31:33,527
TRUST IN JOHN KELLY,
656
00:31:33,560 --> 00:31:35,529
AND LET ME DO MY JOB,
657
00:31:35,562 --> 00:31:37,964
WHICH RIGHT NOW
IS PREPARING HIM
FOR CROSS.
658
00:31:37,998 --> 00:31:39,600
NOW, PLEASE EXCUSE US.
659
00:31:42,503 --> 00:31:44,037
I'LL DO THE SIX.
660
00:31:44,070 --> 00:31:45,872
YOU CAN DO BETTER
THAN THAT.
661
00:31:45,906 --> 00:31:47,741
EXCUSE US, JANICE.
662
00:32:07,493 --> 00:32:10,831
CLIENTS WITH A CONSCIENCE
MAKE FOR COMPLICATED
LAWYERING.
663
00:32:10,864 --> 00:32:13,266
YOU CAN DO BETTER
FOR HER, CAN'T YOU?
664
00:32:13,299 --> 00:32:14,768
I'M GOING TO BE CANDID.
665
00:32:14,801 --> 00:32:17,771
ABRAMS GOT WHAT HE
NEEDED FROM THAT GIRL.
666
00:32:17,804 --> 00:32:20,173
HE'S POSITIONED YOU
FINDING OUT WHAT JANICE DID
667
00:32:20,206 --> 00:32:22,242
AND MAKING HER COME FORWARD.
668
00:32:22,275 --> 00:32:23,476
OFF THAT...
669
00:32:23,510 --> 00:32:26,479
HE'S GOING TO PROJECT
AN EFFORT TO CONCEAL
670
00:32:26,513 --> 00:32:28,481
INTO EVERY ACTION
JANICE TOOK
671
00:32:28,515 --> 00:32:30,483
BEFORE AND AFTER
THE SHOOTINGS.
672
00:32:30,517 --> 00:32:34,688
HE'S COUNTING ON YOU
TO DENY YOU WITNESSED
THE MEETING.
673
00:32:34,721 --> 00:32:36,990
THAT PROTECTS
YOUR LEGAL POSITION,
674
00:32:37,023 --> 00:32:39,826
BUT IT LEAVES JANICE HANGING.
675
00:32:39,860 --> 00:32:43,429
I'M NOT GOING TO TRY
TO PUT WORDS IN YOUR MOUTH.
676
00:32:43,463 --> 00:32:46,432
I NEVER ASKED WHAT YOU SAW
OR DIDN'T SEE,
677
00:32:46,466 --> 00:32:48,334
WHAT YOU KNEW OR DIDN'T KNOW.
678
00:32:48,368 --> 00:32:52,839
ALL I'M SAYING IS
WHEN JANICE WALKS
ONTO THAT WITNESS STAND,
679
00:32:52,873 --> 00:32:54,841
I NEED THOSE 12 PEOPLE BACK
680
00:32:54,875 --> 00:32:56,843
BELIEVING SHE
MADE A FREE CONFESSION.
681
00:32:56,877 --> 00:32:58,278
THAT'S THE TRUTH.
682
00:32:58,311 --> 00:33:00,213
THE TRUTH AND A TRIAL
683
00:33:00,246 --> 00:33:02,716
HAVE AS MUCH TO DO
WITH EACH OTHER
684
00:33:02,749 --> 00:33:05,351
AS A HOT DOG
AND A WARM PUPPY.
685
00:33:05,385 --> 00:33:07,954
I'M ASKING,
CAN YOU SELL THE STORY?
686
00:33:07,988 --> 00:33:09,523
YEAH.
687
00:33:09,556 --> 00:33:11,024
HERE WE GO.
688
00:33:21,668 --> 00:33:23,970
DETECTIVE KELLY, I
DRAW YOUR ATTENTION
689
00:33:24,004 --> 00:33:25,839
TO THE MEETING
LAST DECEMBER 14th
690
00:33:25,872 --> 00:33:28,474
AT WHICH
JANICE LICALSI
WAS SHOWN PAGES
691
00:33:28,509 --> 00:33:29,910
FROM
THE MARINO LEDGER.
692
00:33:29,943 --> 00:33:32,145
I ASK WHETHER
YOU WITNESSED
THAT MEETING.
693
00:33:32,178 --> 00:33:33,479
YES, I DID.
694
00:33:33,514 --> 00:33:36,683
YOU ACKNOWLEDGE
THAT YOU WITNESSED
THE MEETING
695
00:33:36,717 --> 00:33:38,251
ON THE STEPS
OF THE NEW YORK
PUBLIC LIBRARY
696
00:33:38,284 --> 00:33:40,587
BETWEEN MISS LICALSI
AND RICHARD CATENA?
697
00:33:40,621 --> 00:33:43,489
I WITNESSED THE MEETING
FROM ABOUT 200 FEET AWAY.
698
00:33:43,524 --> 00:33:45,358
I SAW NO DOCUMENTS
BEING PASSED.
699
00:33:45,391 --> 00:33:47,761
HOW DID YOU HAPPEN
TO BE PRESENT?
700
00:33:47,794 --> 00:33:51,331
JANICE HAD RECEIVED
A PHONE CALL
AT THE STATION HOUSE.
701
00:33:51,364 --> 00:33:53,433
SHE SAID SHE HAD
TO MEET SOMEONE.
702
00:33:53,466 --> 00:33:55,168
SHE SEEMED UPSET.
I FOLLOWED HER.
703
00:33:55,201 --> 00:33:57,938
SINCE YOU'VE DENIED
ANY SUSPICION
OF MISS LICALSI,
704
00:33:57,971 --> 00:34:00,841
I ASSUME AFTER SEEING
HER CONVERSE
WITH A KNOWN CRIMINAL,
705
00:34:00,874 --> 00:34:02,108
YOUR CONCERNS WERE
ASSUAGED.
706
00:34:02,142 --> 00:34:04,010
WHEN SHE RETURNED
TO THE STATION,
707
00:34:04,044 --> 00:34:05,846
I CONFRONTED HER.
SHE SAID TOMMY LINARDI
708
00:34:05,879 --> 00:34:08,682
HAD APPROACHED HER
A COUPLE DAYS EARLIER.
709
00:34:08,715 --> 00:34:11,585
SHE REPORTED THIS
TO THE ORGANIZED
CRIME UNIT
710
00:34:11,618 --> 00:34:13,253
AND WAS TOLD
TO COOPERATE
711
00:34:13,286 --> 00:34:15,255
AND INFORM THEM
WHAT SHE'D BEEN
ASKED TO DO.
712
00:34:15,288 --> 00:34:17,357
IN THIS CONFRONTATION
WITH MISS LICALSI,
713
00:34:17,390 --> 00:34:19,760
DID YOU DISCUSS
HER PRIOR
CRIMINAL ACTIVITIES?
714
00:34:19,793 --> 00:34:21,194
I HAD NO KNOWLEDGE
OF THEM.
715
00:34:21,227 --> 00:34:23,029
DID YOU DISCUSS
THE PAGES
FROM THE JOURNAL?
716
00:34:23,063 --> 00:34:24,931
I'VE NEVER SEEN
THE PAGES.
717
00:34:24,965 --> 00:34:26,767
DETECTIVE KELLY,
IS IT YOUR TESTIMONY
718
00:34:26,800 --> 00:34:28,902
THAT YOU FELT
NO CURIOSITY
719
00:34:28,935 --> 00:34:31,905
AS TO WHY MISS LICALSI
HAD BEEN APPROACHED?
720
00:34:31,938 --> 00:34:35,909
I THOUGHT SHE WAS APPROACHED
BECAUSE HER FATHER
WAS IN THEIR POCKET
721
00:34:35,942 --> 00:34:37,744
UNTIL HE KILLED HIMSELF.
722
00:34:37,778 --> 00:34:40,113
ALL RIGHT.
NOTHING FURTHER,
YOUR HONOR.
723
00:34:40,146 --> 00:34:42,248
MR. SINCLAIR.
724
00:34:42,282 --> 00:34:43,416
LET'S BE CLEAR,
DETECTIVE KELLY.
725
00:34:43,449 --> 00:34:45,051
IN THE AFTERMATH
OF THIS MEETING
726
00:34:45,085 --> 00:34:47,420
MR. ABRAMS
HAS BEEN
IN SUCH PAINS
727
00:34:47,453 --> 00:34:48,789
TO ESTABLISH,
728
00:34:48,822 --> 00:34:51,091
YOU DISCOVERED
JANICE LICALSI
729
00:34:51,124 --> 00:34:52,458
HAD BEEN ACTING
ON ASSIGNMENT.
730
00:34:52,492 --> 00:34:53,627
THAT'S RIGHT.
731
00:34:53,660 --> 00:34:56,262
AS A CONSEQUENCE,
YOU HAD NO REASON
TO SUSPECT HER
732
00:34:56,296 --> 00:34:58,164
OF ANY CRIMINAL
ACTIVITY,
733
00:34:58,198 --> 00:35:00,400
LET ALONE SPECIFIC
IMPLICITY
IN THE MARINO MURDERS.
734
00:35:00,433 --> 00:35:01,401
THAT'S CORRECT.
735
00:35:01,434 --> 00:35:03,069
AS A MATTER OF FACT,
DETECTIVE,
736
00:35:03,103 --> 00:35:05,972
THE SHOOTING
OF ANGELO MARINO
AND HIS DRIVER
737
00:35:06,006 --> 00:35:07,407
WAS A CLEARED CASE.
CORRECT?
738
00:35:07,440 --> 00:35:08,441
ABSOLUTELY.
739
00:35:08,474 --> 00:35:09,910
SOMEONE HAD CONFESSED
TO THOSE MURDERS.
740
00:35:09,943 --> 00:35:12,412
ALPHONSE GIARDELLA
HAD CONFESSED
TO THOSE MURDERS.
741
00:35:12,445 --> 00:35:16,349
MR. ABRAMS
HAS THEREFORE TAKEN
A DAY AND A HALF
742
00:35:16,382 --> 00:35:19,853
TO ESTABLISH
THAT ON THE BASIS
OF A MEETING
743
00:35:19,886 --> 00:35:21,287
YOU SAW FROM SEVERAL
HUNDRED FEET,
744
00:35:21,321 --> 00:35:25,291
A MEETING WHOSE
PARTICULARS YOU'D HAVE
NO WAY OF DIVINING,
745
00:35:25,325 --> 00:35:27,193
A MEETING
YOU SUBSEQUENTLY
ASCERTAINED
746
00:35:27,227 --> 00:35:29,763
JANICE LICALSI
HAD BEEN ASSIGNED
TO ATTEND,
747
00:35:29,796 --> 00:35:31,197
YOU FAILED
TO CONCLUDE
748
00:35:31,231 --> 00:35:32,766
THAT SHE'D
COMMITTED MURDERS
749
00:35:32,799 --> 00:35:34,167
SEVERAL
MONTHS PREVIOUS,
750
00:35:34,200 --> 00:35:37,738
MURDERS TO WHICH
SOMEONE ELSE
HAD PLEADED GUILTY.
751
00:35:40,707 --> 00:35:42,509
[SIGH]
752
00:35:43,710 --> 00:35:45,812
DETECTIVE KELLY,
753
00:35:45,846 --> 00:35:48,281
DID YOU HAVE
ANY CONNECTION
754
00:35:48,314 --> 00:35:50,183
WITH JANICE LICALSI
COMING FORWARD
755
00:35:50,216 --> 00:35:52,118
AND ACKNOWLEDGING
THE ACTS
756
00:35:52,152 --> 00:35:54,354
FOR WHICH SHE'S NOW
ON TRIAL?
757
00:35:54,387 --> 00:35:56,356
THE DAY BEFORE
JANICE CONFESSED,
758
00:35:56,389 --> 00:35:58,525
SHE'D BEEN PROMOTED,
759
00:35:58,559 --> 00:36:02,028
SO WE'D PERIODICALLY
WORK TOGETHER
IN THE SQUAD ROOM.
760
00:36:02,062 --> 00:36:04,531
THAT DAY, SHE INITIATED
A CONVERSATION,
761
00:36:04,565 --> 00:36:06,232
AND SHE SAID SHE WAS
UPSET ABOUT THINGS.
762
00:36:06,266 --> 00:36:07,568
WAS SHE SPECIFIC?
763
00:36:07,601 --> 00:36:10,704
NO, AND I FELT
I WASN'T THE PERSON
TO TALK TO,
764
00:36:10,737 --> 00:36:12,873
SO I GAVE HER THE NAME
OF MY PRIEST.
765
00:36:12,906 --> 00:36:16,309
THEY HAD A CONVERSATION,
THEN SHE CAME FORWARD.
766
00:36:16,342 --> 00:36:18,344
AND WHAT WAS
YOUR REACTION?
767
00:36:18,378 --> 00:36:20,514
I WAS SURPRISED
768
00:36:20,547 --> 00:36:25,018
AND SORRY BECAUSE
I FELT THAT SHE WAS
IN A BAD POSITION.
769
00:36:25,051 --> 00:36:26,486
CRIMINALS
HAD APPROACHED HER,
770
00:36:26,520 --> 00:36:30,490
AND I THINK SHE WAS
TRYING TO PROTECT
HER FATHER.
771
00:36:30,524 --> 00:36:32,358
AS FOR HER
COMING FORWARD,
772
00:36:32,392 --> 00:36:34,661
I BELIEVE THAT CAME
DIRECTLY FROM
HER CONSCIENCE,
773
00:36:34,695 --> 00:36:38,231
AND I HOPED SHE'D
BE ALL RIGHT.
774
00:36:45,872 --> 00:36:49,776
DETECTIVE KELLY,
HAVE YOU NOW DESCRIBED
THE FULL EXTENT
775
00:36:49,810 --> 00:36:54,180
AND CONTEXT
OF YOUR INVOLVEMENT
IN THESE EVENTS?
776
00:36:54,214 --> 00:36:56,182
YES, I HAVE.
777
00:36:56,216 --> 00:36:57,784
NOTHING FURTHER,
YOUR HONOR.
778
00:37:09,830 --> 00:37:11,932
HOW DO YOU FEEL
YOUR TESTIMONY WENT?
779
00:37:11,965 --> 00:37:12,966
I HAVE NO COMMENT.
780
00:37:12,999 --> 00:37:14,267
DID THE JURY
BELIEVE YOU?
781
00:37:14,300 --> 00:37:16,402
TECHNIQUE
AND ARTISTIC IMPRESSION.
782
00:37:16,436 --> 00:37:18,438
CATCH GINA ZARONE
ON MY SHOW TOMORROW.
783
00:37:18,471 --> 00:37:19,773
THAT'S MONEY
YOU MIGHT'VE HAD.
784
00:37:19,806 --> 00:37:21,141
TWO STEPS BACKWARDS,
NORMAN.
785
00:37:21,174 --> 00:37:22,275
ARE YOU READY?
786
00:37:22,308 --> 00:37:23,910
YEAH. MY GUY'S
COMING OUT.
787
00:37:23,944 --> 00:37:25,045
I'LL MEET YOU
AT THE STAKEOUT.
788
00:37:25,078 --> 00:37:26,412
YOU ALL RIGHT?
789
00:37:26,446 --> 00:37:28,181
I DON'T KNOW.
790
00:37:29,182 --> 00:37:30,817
THAT WAS GOOD.
791
00:37:32,252 --> 00:37:35,121
LISTEN, SYLVIA,
LET ME ASK YOU.
792
00:37:35,155 --> 00:37:37,123
DID SHE DROP
THE CHARGES?
793
00:37:37,157 --> 00:37:38,925
SHE DROPPED THEM.
794
00:37:38,959 --> 00:37:41,161
COULD YOU WAIT
FOR ME FOR A SECOND?
795
00:37:41,194 --> 00:37:42,162
YEAH, GREAT.
796
00:37:42,195 --> 00:37:43,396
HEY. HEY.
797
00:37:43,429 --> 00:37:45,498
MRS. CARLIN, LET ME
TALK TO YOUR HUSBAND.
798
00:37:45,532 --> 00:37:46,833
I WAS RELEASED.
799
00:37:47,834 --> 00:37:50,003
I KNOW YOU'VE
BEEN RELEASED.
800
00:37:50,036 --> 00:37:51,404
YOU'RE GOING
TO LISTEN TO ME,
801
00:37:51,437 --> 00:37:53,239
OR I'LL SMASH
YOUR HEAD IN.
802
00:37:53,273 --> 00:37:55,141
YOU KNOW WHO
I AM?
803
00:37:55,175 --> 00:37:56,510
A COP.
804
00:37:56,543 --> 00:37:59,746
THE OTHER NIGHT,
AFTER YOU WENT
TO THE BAR,
805
00:37:59,780 --> 00:38:01,748
AFTER YOU WERE DONE
PUNCHING
YOUR WIFE OUT,
806
00:38:01,782 --> 00:38:04,918
I DRAGGED YOU OUT,
CATCHING CIGARETTE BUTTS
IN YOUR HAIR.
807
00:38:04,951 --> 00:38:07,253
YOU BIT MY KNEE
WHEN I PUT YOU
INTO THE CAR.
808
00:38:07,287 --> 00:38:09,255
IF SOMETHING HAPPENED,
I APOLOGIZE.
809
00:38:09,289 --> 00:38:12,158
LOOK AT ME. YOU WANT
TO WIND UP ON THE PIER?
810
00:38:12,192 --> 00:38:13,426
WHAT DO YOU MEAN?
811
00:38:13,459 --> 00:38:16,763
I'M TALKING ABOUT
GOING OFF THE END
OF A PIER
812
00:38:16,797 --> 00:38:18,699
WITH A ROCK TIED
TO YOUR MIDDLE.
813
00:38:18,732 --> 00:38:21,768
I'M TALKING ABOUT
SUCKING WATER
IN YOUR LUNGS,
814
00:38:21,802 --> 00:38:24,170
AND NOBODY KNOWS
WHAT HAPPENED
TO YOU.
815
00:38:24,204 --> 00:38:25,839
YOU THREATENING ME?
816
00:38:25,872 --> 00:38:28,341
DO NOT BEAT
THIS WOMAN AGAIN.
817
00:38:28,374 --> 00:38:29,976
THIS IS A NEW START
FOR US.
818
00:38:30,010 --> 00:38:31,578
DO NOT BEAT HER.
819
00:38:48,595 --> 00:38:52,666
MRS. CARLIN,
YOU GOT THOSE NUMBERS
AND MY CARD?
820
00:38:52,699 --> 00:38:54,034
YES.
821
00:38:54,067 --> 00:38:55,468
COME ON. LET'S GO.
822
00:38:55,501 --> 00:38:56,537
HEY.
823
00:38:59,873 --> 00:39:03,744
TAKE CARE OF YOURSELF,
MRS. CARLIN.
824
00:39:03,777 --> 00:39:05,211
Thank you.
825
00:39:18,024 --> 00:39:18,992
HI.
826
00:39:19,025 --> 00:39:20,026
HI.
827
00:39:24,064 --> 00:39:28,735
UM, THATââ
THAT PERSONAL MATTER
828
00:39:28,769 --> 00:39:31,738
THAT, UH,
THAT I HAD MENTIONED,
829
00:39:31,772 --> 00:39:34,440
I'D LIKE TO TALK
TO YOU ON THAT.
830
00:39:34,474 --> 00:39:35,542
GO AHEAD.
831
00:39:35,576 --> 00:39:36,677
AHEM.
832
00:39:36,710 --> 00:39:40,681
UH, SYLVIA,
IN THE FIVE MONTHS
833
00:39:40,714 --> 00:39:42,816
SINCE WE'VE
GONE OUTââ
834
00:39:45,719 --> 00:39:49,523
LISTEN, I'VE TRIED
TO MAKE SOME CHANGES.
835
00:39:49,556 --> 00:39:51,091
I'VE GONE TO A. A.
836
00:39:51,124 --> 00:39:53,694
I DID 90 MEETINGS
IN 90 DAYS.
837
00:39:53,727 --> 00:39:55,461
I GOT A SPONSOR.
838
00:39:55,495 --> 00:39:57,463
HOW DO YOU FEEL
ABOUT IT?
839
00:39:57,497 --> 00:40:01,602
ALL RIGHT. MY SPONSOR'S
A PAIN IN THE ASS,
BUT HE HELPS.
840
00:40:01,635 --> 00:40:04,470
I'VE BEEN GOING
TO ALâANON.
841
00:40:04,505 --> 00:40:08,108
I HOPE THAT'S
NO TROUBLE.
842
00:40:08,141 --> 00:40:10,877
I THINK YOU'RE WORTH
TAKING SOME TROUBLE OVER.
843
00:40:10,911 --> 00:40:15,716
SO ANYWAYS, UH,
THESE MEETINGS,
844
00:40:15,749 --> 00:40:18,652
THEY WORRY ABOUT
BIG RELATIONSHIP
CHANGES,
845
00:40:18,685 --> 00:40:20,153
FIRST MONTHS
BEING SOBER,
846
00:40:20,186 --> 00:40:22,656
BUT I GOT
THE O. K., SOââ
847
00:40:22,689 --> 00:40:27,160
SO I WOULD LIKE
TO RESUME SEEING YOU.
848
00:40:28,094 --> 00:40:31,064
I'D LIKE TO ASK YOU
OUT TO DINNER.
849
00:40:31,097 --> 00:40:33,466
TONIGHT?
850
00:40:33,499 --> 00:40:35,902
I GOT TO WORK
WITH JOHN.
851
00:40:35,936 --> 00:40:37,303
HOW ABOUT
TOMORROW NIGHT?
852
00:40:37,337 --> 00:40:39,606
I'D LIKE THAT.
853
00:40:39,640 --> 00:40:42,075
GOOD.
854
00:40:42,108 --> 00:40:46,513
I MISS WATCHING YOU
MOP YOUR HEAD
WHEN YOU EAT.
855
00:40:46,547 --> 00:40:49,983
YEAH. I STILL DO THAT.
856
00:40:52,118 --> 00:40:53,353
O.K.
857
00:40:53,386 --> 00:40:54,721
O.K.
858
00:41:08,234 --> 00:41:10,003
[WOMAN]
I DON'T KNOW WHY.
859
00:41:10,036 --> 00:41:12,338
YOU SAYING YOU SURPRISED
HE LEFT.
860
00:41:12,372 --> 00:41:16,777
HOW ARE YOU SURPRISED
WHEN YOU DATING
THE MAN'S OWN BROTHER?
861
00:41:16,810 --> 00:41:18,779
IT'S A GOOD FEELING,
HUH?
862
00:41:18,812 --> 00:41:21,281
A HERO ON
THE CITY'S PAYROLL.
863
00:41:21,314 --> 00:41:23,517
YEAH, I DON'T KNOW.
864
00:41:23,550 --> 00:41:24,951
WHAT AM I SUPPOSED TO SAY?
865
00:41:24,985 --> 00:41:26,452
HE'S MY BROTHER.
866
00:41:26,486 --> 00:41:29,455
I GOT A JOB.
I GO TO WORK.
867
00:41:29,489 --> 00:41:32,458
YOU KEEP THINKING
YOU TOLD YOUR
LAST LIE.
868
00:41:32,492 --> 00:41:34,861
YOU GET QUANDARIES
I DON'T GET.
869
00:41:34,895 --> 00:41:36,863
MY MOUTH IS NOT SHUT!
870
00:41:36,897 --> 00:41:39,533
HE'S A BUM.
HE DRINKS.
871
00:41:39,566 --> 00:41:42,503
ANYWAYS, MAYBE
YOU'RE DONE NOW.
872
00:41:42,536 --> 00:41:44,337
DID HE TRY THAT?
873
00:41:44,370 --> 00:41:46,873
HE NEVER LIED!
874
00:41:46,907 --> 00:41:48,742
YOU NEVER TALKED
TO ME.
875
00:41:48,775 --> 00:41:51,678
YOU KNOW I.A.B.
IS COMING AFTER ME.
876
00:41:51,712 --> 00:41:54,715
TO HAVE AND TO HOLD
TILL DEATH.
877
00:41:54,748 --> 00:41:56,550
REMEMBER THAT,
ANNE MARIE?
878
00:41:56,583 --> 00:41:57,884
WHAT ABOUT YOU?
879
00:41:57,918 --> 00:41:58,985
[KNOCK ON DOOR]
880
00:41:59,019 --> 00:42:01,321
YEAH, WHAT'S UP?
881
00:42:01,354 --> 00:42:02,656
HEY. HERE WE GO.
882
00:42:02,689 --> 00:42:05,692
THAT'S 20 BUCKS.
883
00:42:08,261 --> 00:42:09,996
ON THE FLOOR,
ASSHOLE.
884
00:42:10,030 --> 00:42:11,331
WHAT'S THIS?
885
00:42:11,364 --> 00:42:13,299
THOSE ARE COPS.
886
00:42:14,868 --> 00:42:16,837
THOSE ARE NIGHT
TOUR GUYS.
887
00:42:16,870 --> 00:42:18,338
WHAT DO YOU GOT?
888
00:42:18,371 --> 00:42:21,007
I GOT SOME, BUT
IT AIN'T ENOUGH.
889
00:42:21,041 --> 00:42:22,075
WHERE'S THE REST?
890
00:42:22,108 --> 00:42:24,177
WHAT ARE THEY,
POPPING HIM?
891
00:42:24,210 --> 00:42:26,680
I'D SAY THERE'S
A SMALL CHANCE.
892
00:42:26,713 --> 00:42:28,014
THIS AIN'T EVEN
A GRAND.
893
00:42:28,048 --> 00:42:29,182
YOU WANT TO TALK?
894
00:42:29,215 --> 00:42:30,517
THEY'RE NOT
POPPING HIM.
895
00:42:30,551 --> 00:42:32,018
THEY'RE TAKING HIM OFF.
896
00:42:32,052 --> 00:42:33,019
SON OF A BITCH.
897
00:42:33,053 --> 00:42:34,888
WAIT A MINUTE.
LET THEM HOLSTER.
898
00:42:34,921 --> 00:42:35,956
STUPID BASTARDS.
899
00:42:35,989 --> 00:42:37,390
HERE WE GO.
900
00:42:37,423 --> 00:42:39,392
WHO'S DUMB ENOUGH
TO CLEAN THEM OUT
901
00:42:39,425 --> 00:42:40,460
IN THE COMMISSION
BUT THE 33?
902
00:42:43,597 --> 00:42:44,631
POLICE!
903
00:42:44,665 --> 00:42:46,700
POLICE!
FACE THE WALL!
904
00:42:46,733 --> 00:42:47,601
TURN AROUND!
905
00:42:47,634 --> 00:42:48,769
ALL RIGHT.
906
00:42:48,802 --> 00:42:50,604
WE'RE ON A JOB HERE.
907
00:42:50,637 --> 00:42:52,105
SO ARE WE.
908
00:42:52,138 --> 00:42:53,907
LISTEN, THIS IS
A MISUNDERSTANDING.
909
00:42:53,940 --> 00:42:56,309
LET'S GET ON
THE RIGHT PAGE.
910
00:42:56,342 --> 00:42:58,979
WE'RE ON THE RIGHT
PAGE. FACE THE WALL.
911
00:42:59,012 --> 00:43:01,915
WAIT. WE'RE ALL
ON THE SAME JOB.
912
00:43:01,948 --> 00:43:05,986
YOU SAY THAT TO ME
AGAIN, AND I'LL
KICK YOUR ASS.
913
00:43:06,019 --> 00:43:07,087
LET'S GO.
914
00:43:14,494 --> 00:43:16,897
GIVE ME A BREAK.
WHO ARE WE HURTING?
915
00:43:16,930 --> 00:43:18,064
SCUMS AND DRUG DEALERS.
916
00:43:18,098 --> 00:43:19,232
DON'T WHINE.
917
00:43:19,265 --> 00:43:21,668
I.A.B.'S WAITING
IN YOUR LIEUTENANT'S
OFFICE.
918
00:43:21,702 --> 00:43:23,637
ANDY, BOOK THESE GUYS.
919
00:43:23,670 --> 00:43:25,906
I GOT TO TALK
TO FANCY.
920
00:43:25,939 --> 00:43:28,809
NO ONE'S GONNA BE ABLE
TO PISS IN THIS HOUSE
921
00:43:28,842 --> 00:43:30,744
WITHOUT I. A. B. NEXT TO THEM.
922
00:43:30,777 --> 00:43:33,279
IF YOU WERE IN MY SQUAD,
I'D KICK YOUR ASS.
923
00:43:33,313 --> 00:43:36,149
THIS AIN'T THE 3â3,
YOU PAIR OF TURDS.
924
00:43:40,286 --> 00:43:41,321
O.K., JOHN.
925
00:43:43,957 --> 00:43:44,958
LIEUTENANT RENO.
926
00:43:44,991 --> 00:43:46,092
HOW DO YOU DO,
LIEUTENANT?
927
00:43:46,126 --> 00:43:48,128
SERGEANT MARTIN,
I. A. B.
928
00:43:48,161 --> 00:43:49,362
THEY'LL TAKE OVER
THE INVESTIGATION.
929
00:43:49,395 --> 00:43:50,496
FINE WITH ME.
930
00:43:50,531 --> 00:43:53,366
YOU HAD NO IDEA
THIS WAS COPS, HUH?
931
00:43:53,399 --> 00:43:54,467
NO.
932
00:43:54,500 --> 00:43:56,703
TWO COPS WALK IN
ON A PLACE YOU SET UP,
933
00:43:56,737 --> 00:43:58,004
BUT YOU HAD
NO IDEA?
934
00:43:58,038 --> 00:43:59,506
NO IDEA.
935
00:43:59,540 --> 00:44:02,543
IF YOU WERE SETUP
ON COPS,
936
00:44:02,576 --> 00:44:03,977
WE SHOULD'VE BEEN
NOTIFIED.
937
00:44:04,010 --> 00:44:05,546
I JUST TOLD YOU
WE HAD NO IDEA.
938
00:44:05,579 --> 00:44:08,181
I MEAN, YOU'RE
ALWAYS HOPING
IT'S COPS
939
00:44:08,214 --> 00:44:10,016
'CAUSE YOU LIVE
TO BUST YOUR OWN.
940
00:44:10,050 --> 00:44:11,852
SHUT UP,
SIPOWICZ.
941
00:44:11,885 --> 00:44:14,187
YOU NEED DD5'S
FROM THEM?
942
00:44:14,220 --> 00:44:15,689
YOU KNOW WE DO.
943
00:44:15,722 --> 00:44:17,858
THEY'RE GOING TO TAKE
THE NIGHT INTERVIEWING
THE COLLARS THOUGH.
944
00:44:17,891 --> 00:44:20,026
FIRST THING
IN THE MORNING.
945
00:44:20,060 --> 00:44:22,395
YEAH, ALL RIGHT.
946
00:44:22,428 --> 00:44:24,865
I'LL DO MINE TONIGHT.
I WANT TO GET DONE
WITH THIS.
947
00:44:24,898 --> 00:44:26,600
GET SOME REST.
948
00:44:27,901 --> 00:44:30,103
GOT A LOT
TO TALK ABOUT.
949
00:45:01,902 --> 00:45:03,637
I'M LIKE
A BAD PENNY.
950
00:45:20,954 --> 00:45:22,956
NO WAY.
951
00:45:24,124 --> 00:45:26,560
YOU'RE RIGHT WHERE
YOU BELONG.
952
00:45:29,830 --> 00:45:31,798
COME ON INSIDE.
953
00:45:41,742 --> 00:45:44,010
RIGHT WHERE
YOU BELONG.
65997
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