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(man) WELCOME BACK
TO THE SEASON PREMIERE OF...
NEXT CONTESTANTS--
VALENTINA DELGADO
AND JAMES VAN DER BEEK!
(June) SOONER OR LATER,
WE ALL HAVE TO FACE
OUR OWN MOMENT OF TRUTH.
AFTER ALL THE HARD WORK,
THE COUNTLESS HOURS OF SWEAT,
TEARS, AND PREPARATION,
JAMES WAS ABOUT TO FACE HIS.
IT MADE ME WONDER, WHEN I WAS
FACED WITH MY MOMENT OF TRUTH,
WHEN THE SPOTLIGHT WAS ON ME,
HOW WOULD I RESPOND?
I CAN'T COME IN TO WORK TODAY.
I'M IN THE HOSPITAL.
I BURNED MY FINGERTIPS OFF
SAVING A BUNCH OF CUBANS
FROM A BAKERY FIRE.
TURNS OUT--NOT WELL.
ALSO, I HAVE BLACK LUNG.
(imitates wheezing)
NOT WELL AT ALL.
(Katie Hampton) ♪ I'M NOT
PERFECT, I'M NO SNITCH ♪
♪ BUT I CAN TELL YOU ♪
(whispers) ♪ SHE'S A... ♪
(buzzer)
♪ BA-DA-DA-DA-DA-BA, BA-DA-BA ♪
♪ BA-DA-DA-DA-DA-BA, BA-DA-BA ♪
(cheers and applause)
(amplified voice) ALL RIGHT,
EVERYBODY, THANK YOU SO MUCH
FOR COMING
TO MY GOING AWAY PARTY.
LET ME MAKE A PROMISE
RIGHT HERE AND NOW.
VALENTINA AND I ARE GONNA WIN
"DANCING WITH THE STARS."
(both) WHOO!
(cheers and applause)
(microphone feedback whines)
(amplified voice) I WOULD
TAKE A BULLET FOR THIS MAN.
(clenched teeth)
LUTHER, TIGHTEN IT UP.
MY AGENT'S HERE.
DID YOU HEAR THAT, MOM?
(Connie) So exciting.
YEAH, JAMES AND LUTHER
ARE LEAVING FOR L.A. TOMORROW.
What's James doing now?
UH, RIGHT NOW
JAMES AND LUTHER ARE...
ARM WRESTLING OVER
A GLASS OF WHITE WINE.
(stammering)
(murmuring indistinctly)
OH, I'M SO EXCITED FOR YOU
TO COME HERE!
ME, TOO. I'VE NEVER
BEEN TO NEW YORK.
It'll be so much fun watching
the premiere with you.
WAIT WAIT. IS THAT
MY FAVORITE M.I.L.T.T.T.?
"MOTHER I LIKE TO TALK TO"?
COME HERE.
CONNIE, MY DANCE GURU.
I WOULD NOT BE HERE
WITHOUT YOU.
I FEEL SO READY,
AND BY THE WAY,
YOU WERE SO RIGHT
ABOUT THE RAISINS.
THEY DID THE TRICK.
(chuckles) L.A.
I ACTUALLY KNOW A LOT
ABOUT THE BUSINESS.
I WAS A FAMOUS BABY ACTOR.
I WAS IN A MOVIE--
YOU'VE PROBABLY HEARD OF IT--
CALLED, UM,
"THREE MEN AND A BABY."
CHLOE, THAT IS NOT TRUE.
YOU CAN'T JUST TELL PEOPLE
ANYTHING YOU WANT.
WHAT? I'M JUST HAVING
SOME FUN.
YEAH, SO THERE ARE
SEVERAL FRAMED PHOTOGRAPHS
OF ME CURLED UP
IN TED DANSON'S WIG.
IT'S ADORABLE.
WAIT. DANSON HAD
HIS REAL HAIR BACK THEN.
WHAT DO YOU THINK
ABOUT JIMMY FALLON?
I LOVE HOW FALLON LAUGHS
AT HIS OWN JOKES.
YOU'RE WATCHING
AND YOU'RE THINKING,
"HE'S LAUGHING,
SO IT MUST BE FUNNY."
RIGHT. (laughs)
YOU ARE SO LUCKY
THAT EVERYONE HAS AN OPINION
ON JIMMY FALLON.
OTHERWISE, YOU'D BE
TOTALLY BUSTED.
RELAX. THEY'RE JUST
SILLY LITTLE BAR LIES.
IT DOESN'T HURT ANYBODY,
AND WE GET ATTENTION
AND FREE DRINKS.
WHEN MY MOTHER COMES HERE,
I'M GONNA HAVE HER
TALK TO YOU ABOUT
THE IMPORTANCE OF BEING HONEST.
WE ARE DESCENDANTS OF
"HONEST ABE" LINCOLN HIMSELF.
WE ARE KNOWN
AS THE "HONEST COLBURNS."
JOCELYN?
JOCELYN HOLMES, IS THAT YOU?
IT'S JAMES VAN DER BEEK!
I'M JUST IN TOWN VISITING
MY COUSIN, KATIE HOLMES.
(laughs) I HAVEN'T SEEN YOU
SINCE OUR THREE-WAY.
KATIE HOLMES' COUSIN?
LET ME BUY YOU A DRINK.
JAMES IS DOING
MY FAVORITE BAR LIE
AS A GOING-AWAY PRESENT.
I'M GONNA MISS HIM SO MUCH.
SO, YEAH, KATIE HOLMES AND I
ARE ONLY COUSINS,
BUT WE'RE AS FLIRTY
AS SISTERS.
THAT'S WEIRD.
(June) AND THEN I'M GONNA TAKE
MY MOM TO TIMES SQUARE,
AND THEN I'M GONNA HAVE
AN OLIVE OIL TASTING.
(squeals)
(laughs)
I LOVE OLIVE OIL!
I HATE MAYONNAISE.
I HATE IT.
(cell phone rings and beeps)
JUNE, I'M AT THE JAR BAR.
YOU HAVE TO GET DOWN HERE.
I TOLD MY BAR LIE
ABOUT HOW I INVENTED
THAT SUPERIMPOSED YELLOW LINE
FOR FOOTBALL GAMES ON TV,
AND I'M GETTING
A THOUSAND FREE DRINKS.
THANKS TO YOU, MY GIRLFRIEND
LOVES AND UNDERSTANDS FOOTBALL.
GO, SPORTS TEAM.
AS A HONEST COLBURN,
IT IS MY OBLIGATION
TO COME BAIL YOU OUT.
IN RETURN, YOU ARE GOING TO GET
MY SARAH McLACHLAN CD
FROM THE CRACK BETWEEN
THE COUNTER AND THE OVEN.
(door opens, bells jingle)
IT IS MY COOKING MUSIC.
Get your ass down here--
(beep)
WAS THAT
JAMES VAN DER BEEK?
NO, PEPPER. NOT EVERYONE
THAT CALLS ME
IS JAMES VAN DER BEEK.
I MEAN, DO I ASK YOU
IF EVERY MALE CUSTOMER
IS YOUR OLD SWIM COACH THAT
TRIED TO GRAB YOUR BOOB?
(horn blares in distance)
SO I WAS DATING
THE GUY FROM FOX SPORTS,
AND I WAS LIKE,
"YOU SHOULD REALLY SEE
WHERE THE BALL'S
SUPPOSED TO BE," YOU KNOW?
ESPN WAS THE FIRST NETWORK
TO USE THAT TECHNOLOGY.
WHAT DO YOU THINK
OF JIMMY FALLON?
(scoffs) LOVE HIM!
I HEARD HE MARRIED
DREW BARRYMORE'S
BUSINESS PARTNER.
MM. (giggles)
OH, FALLON. GOD.
ONE DAY YOU ARE GONNA FALL
SO DEEP DOWN YOUR LIE HOLE,
YOU'RE NOT GONNA BE ABLE
TO GET OUT.
UNLESS I FALL DOWN
YOUR PIE HOLE FIRST,
BECAUSE YOU KEEP YAPPIN'.
(cell phone rings)
(beep)
HI, MOM!
OH, MY GOSH.
I WAS JUST GONNA CALL YOU.
I WANTED TO TALK TO YOU
ABOUT OUR OLIVE OIL TASTING.
HONEY, I'M NOT GONNA BE ABLE
TO VISIT YOU IN NEW YORK.
OH, NO. WHY?
YOUR FATHER'S
NOT FEELING WELL,
and, oh, I'm so sorry.
IT'S OKAY. IT'S OKAY.
I-I UNDERSTAND.
I GOTTA GET BACK
TO YOUR FATHER.
HE'S ON COLD MEDICINE,
AND I'M AFRAID
HE'S GONNA USE THE STOVE.
DONALD!
AND THIS LITTLE GUY PLAYED
THE DOG IN "ANNIE" ON BROADWAY
FOR EIGHT YEARS.
CHLOE, WHERE DID YOU
GET THAT?
I FOUND HIM OUTSIDE
WHEN YOU WERE ON THE PHONE.
HILARIOUS, RIGHT?
(whimpers)
(Luther, singsongy)
LOS ANGELES.
LOOK AT US.
WE'RE LIKE LUCY AND DESI.
WHOO! ALL RIGHT. OH!
OKAY, SO WE'RE SUPPOSED
TO GET A TOUR OF THE STAGE
AND THE GREEN ROOM.
FINAL DRESS IS TOMORROW
AT 4:00.
LIVE SHOW, THE DAY AFTER.
WAIT A MINUTE. LUTHER,
I JUST REMEMBERED SOMETHING.
DID WE LEAVE A CHECK
FOR YOLANDA?
WELL, NO, YOU'RE NOT
GONNA BE AT YOUR PLACE.
WHY WOULD THE MAID COME?
WHY DO YOU HATE YOLANDA?
(scoffs)
I DO NOT HATE YOLANDA.
IT'S JUST...
IF YOU'RE EL SALVADORIAN,
DON'T PRETEND
TO BE GUATEMALAN, YOU KNOW?
(cell phone beeps)
(cell phone rings)
(door bells jingle,
cell phone beeps)
HI, JAMES...
VAN DER BEEK.
LISTEN, CAN YOU DO ME
A HUGE FAVOR?
I THINK I FORGOT TO LEAVE
A CHECK FOR MY MAID.
CAN YOU GO TO MY PLACE
AND WRITE ONE FOR HER?
OH, OF COURSE.
NO PROBLEM.
OHH. THANK YOU.
THE DOORMAN'S NAME IS...
MARTIN. HE HAS A KEY.
ALARM CODE IS 74,
THE NUMBER OF TIMES
JAMES HAS CRIED ON FILM.
CHECKBOOK AND SIGNATURE STAMP
ARE IN THE TOP DESK DRAWER.
MAKE THE CHECK OUT
TO YOLANDA MARTINEZ.
OH, AND IN THE MEMO SECTION,
WRITE "FOR BOOB JOB."
IT'S A PRIVATE JOKE.
SHE'LL KNOW WHAT IT MEANS.
I AM ON IT, JAMES.
DON'T YOU WORRY.
MY MOTHER RAISED ME
TO BE AN HONEST COLBURN.
I WILL NOT LET YOU DOWN.
THANK YOU, JUNE.
I KNEW I COULD COUNT ON YOU.
OBVIOUSLY, YOU KNOW, I CAN'T
TRUST CHLOE TO DO IT, SO...
(honks horn)
WELL, THAT'S NOT TRUE.
I MEAN, SHE TELLS BAR LIES
TO GET FREE DRINKS,
BUT DEEP DOWN,
SHE IS A GOOD PERSON.
IS THAT JOHN GOODMAN?
GO. GO, GO, GO, GO,
GO, GO, GO.
(whirring)
(beep)
HE HAD TO GO.
HE SAW JOHN GOODMAN.
(gasps) "NORM!"
(door bells jingle)
AS YOU CAN SEE,
GREAT LIGHT, CITY VIEWS.
WAIT TILL YOU SEE
THE MASTER BATH.
CHLOE,
WHAT ARE YOU DOING?
OH, HI.
I'M BEING A REALTOR.
I'M RENTING OUT JAMES' PLACE
WHILE HE'S GONE.
ANY QUESTIONS,
DON'T HESITATE TO CALL.
I'M ALL ABOUT PUTTING SOMEONE
IN JAMES' HOME.
(door slams)
YOU'RE PRETENDING
TO BE A REALTOR?
CHLOE, THIS IS WAY WORSE
THAN HARMLESS BAR LIES.
YOU CAN'T DO THIS.
YES, I CAN. I ALWAYS
RENT JAMES' APARTMENT
WHEN HE GOES ON LOCATION
FOR CHUNKS OF TIME.
I MAKE EXTRA INCOME,
SOME LUCKY FAMILY HAS
AN AWESOME PLACE TO STAY,
AND NO ONE'S THE WISER.
YOU HAVE FALLEN DOWN
YOUR LIE HOLE.
YOU ARE TAKING ADVANTAGE
OF JAMES.
I HAVE TO TELL HIM.
OH, DON'T TELL HIM. HI.
SEE THAT VIEW?
ICONIC MANHATTAN.
YOU DON'T HAVE TO LIE.
JUST DON'T SAY ANYTHING.
YOU CAN'T BE DISHONEST
WITH YOUR MOUTH SHUT.
OH, YOU KNOW WHAT I MEAN.
OMISSION IS NOT
THE SAME AS LYING.
NOW JAMES NEEDS TO FOCUS
ON ONE THING,
AND THAT'S DANCING.
DON'T YOU THINK IT'S
A LITTLE SELFISH AND UNFAIR
TO SPRING THIS ON HIM NOW?
I GUESS
THIS ISN'T THE BEST TIME.
NOT IF YOU WANT HIM TO WIN.
SO YOU WON'T TELL HIM?
(sighs) MAYBE IT IS BETTER
THAT HE DOESN'T KNOW RIGHT NOW.
(man over P.A.)
FINAL DRESS REHEARSAL.
DEAN CAIN AND KARINA SMIRNOFF.
(tango music playing)
OKAY, LOOK, THIS IS JUST
REHEARSAL, PAPI, OKAY?
LET'S SEE IF THEY
CAN DO THIS TOMORROW
WHEN THIS PLACE IS PACKED
WITH SCREAMING FANS
AND BROADCAST TO MILLIONS
OF PEOPLE AROUND THE WORLD.
I LET DEAN BORROW
SOME OF YOUR BRONZER.
YOU WHAT?!
RELAX. FOCUS.
AH-AH. AH-AH.
FOCUS.
(song ends)
(amplified voice) GREAT. OKAY.
DEAN AND KARINA WILL EXIT...
ALL RIGHT, LOOK,
IT DOESN'T MATTER.
JAMES AND VALENTINA ARE NEXT.
(woman) 5, 6, 7, 8...
(Joss Stone's
"Put Your Hands On Me" playing)
(man) ♪ ONE, TWO, THREE, FOUR ♪
(Joss Stone) ♪ I GUESS
I'M PICKY WITH LOVE ♪
♪ WELL, BABY, I GIVE UP,
IT'S YOU I CHOOSE ♪
♪ AND DON'T KEEP ME WAITING ♪
♪ THIS GIRL'S GOT THINGS
SHE NEEDS TO DO ♪
♪ OH, IF I WAS BLIND,
YOU'D HELP ME SEE ♪
♪ IF I LOST MY MIND... ♪
WELL, WE CAN ALWAYS GO
FOR SECOND PLACE.
SECOND IS JUST
THE FIRST LOSER.
♪ BECAUSE ALL I NEED ♪
♪ IS FOR YOU TO LOVE ME, BABY ♪
♪ PUT YOUR HANDS ON ME, BABY ♪
(horn honks)
(sighs)
TELL ROSIE
THAT FILTHY SCRUBBA,
HER FISH 'N' CHIPS
WERE THE BEST. I MURDERED...
JAMES, CAN'T THINK OF YOU
RIGHT NOW.
DAWSON IS THE MOON!
(remote control clicks)
WE LET LIARS DIE
ON THE TABLE IN MY I.C.U.
(click)
IF THERE'S ONE THING
GRAMS TAUGHT ME,
IT'S NEVER TO TELL A LIE.
SO, YEAH, I MIGHT HAVE
CHEATED ON THAT TEST.
BUT I'D NEVER NOT TELL
A GOOD FRIEND WHO TRUSTED ME
THAT STRANGERS WERE STAYING
IN MY KICK-ASS SoHo LOFT.
AAH! NO!
ACCIDENTALLY FLIPPED
TO A C-SECTION ON TLC?
I DO THAT ALL THE TIME.
IT'S JAMES.
HE'S ON EVERY CHANNEL.
I THINK IT'S JUST MY GUILT.
MAYBE HE'S JUST ON YOUR MIND.
IT'S LIKE WHEN YOU WANNA MAKE
LOVE TO A BOWLING PIN, RIGHT?
AND THEN SUDDENLY, EVERYBODY
LOOKS LIKE A BOWLING PIN.
(cell phone alert chimes)
TEXT FROM CHLOE.
OH. "I THOUGHT ABOUT
WHAT YOU SAID.
COME OVER TO JAMES' PLACE.
I THINK YOU'LL BE HAPPY."
I BET SHE DECIDED NOT
TO RENT OUT HIS PLACE!
IF YOU'RE LOOKING
FOR A GOOD C-SECTION SHOW,
"SLICE OF LIFE"
IS THE BEST ONE!
(door opens and closes)
(horn honks in distance)
CHLOE!
I KNOW WHY I'M HERE.
YOU WANNA TELL ME
THAT YOU DECIDED
NOT TO RENT OUT JAMES' PLACE
BECAUSE YOU REALIZED
THAT LIES EAT YOUR HEART!
OR SURPRISE
OLIVE OIL TASTING!
LOOK, I KNOW YOU WERE
DISAPPOINTED
THAT YOU COULDN'T DO THIS
WITH YOUR MOM,
SO I THREW YOU ONE HERE!
THIS IS WAY NICER
THAN OUR PLACE,
AND I EVEN INVITED
YOUR SISTER.
PEPPER IS NOT MY SISTER.
SHE IS MY CO-WORKER.
(mouth full) MMM. JUNE,
GET THIS IN YOUR MOUTH NOW!
(gags)
MMM! DAMN! YOU TASTE
THAT DAMN ROSEMARY?
NO.
MMM!
ALL I TASTE ARE THE LIES!
OOH! SOSERIOUS.
JUNE, I JUST WANTED TO THANK YOU
FOR NOT TELLING JAMES
ABOUT THIS NICE FAMILY
FROM MINNESOTA
SUBLETTING HIS PLACE.
I'M SORRY, BUT IS IT NORMAL
FOR THE REALTOR
TO JUST COME IN WITH FRIENDS?
I AM THIS CLOSE TO CHARGING YOU
FOR UTILITIES, BOB.
CHLOE! THIS IS NOT HOW
HONEST COLBURNS BEHAVE.
JUNE, RELAX. IF YOU DIDN'T WANNA
BE A PART OF THE SECRET,
THEN MAYBE YOU SHOULDN'T
HAVE HAD
YOUR OLIVE OIL TASTING PARTY
HERE.
YOU'RE RUINING THIS
FOR YOUR SISTER.
YOU REALLY ARE, JUNE.
♪♪♪
I NEED GUIDANCE,
PASTOR JIN.
I DON'T WANNA BURDEN JAMES
WITH THIS RIGHT NOW,
BUT I FEEL LIKE I'M FALLING
DOWN HER LIE HOLE WITH HER.
THAT'S BECAUSE YOU ARE.
AN OMISSION IS THE SAME
AS A LIE.
(bell dings)
OH.
ARE YOU... LIVING
IN... YOUR OFFICE?
I AM. MR. PASTOR JIN AND I
HAVE HAD A PARTING OF THE WAYS.
I AM SO SORRY.
I AM, TOO. THE MARRIAGE
ENDED BECAUSE OF ME,
BECAUSE OF OMISSION.
EVERY TIME MY HUSBAND
ASKED ME WHERE I'D BEEN,
AND I SIMPLY SAID "OUT"
INSTEAD OF
"OUT WITH RICK WILKINS,
THE MAN THAT MAKE ME
FEEL ALIVE AGAIN,"
I WAS LYING.
I SEE THAT NOW.
TELL THE TRUTH
TO THE PEOPLE YOU LOVE,
OR YOU WILL LOSE THEM.
SO... SHOULD I TELL JAMES
THE TRUTH NOW,
OR SHOULD I WAIT?
'CAUSE IT'S KIND OF LIKE
WHEN YOU BORROW SOMEONE'S CAR
AND YOU ACCIDENTALLY
SPILL COFFEE DOWN THE GEARSHIFT
AND YOU DON'T REALLY WANNA
TELL THEM BECAUSE THEY
JUST HAD SURGERY--
OKAY, I DON'T HAVE TIME
FOR METAPHORS, JUNE.
I CHEATED ON MY HUSBAND,
OKAY? AHH!
(sighs)
OKAY, TELL THE TRUTH.
BETTER TO START SMALL.
(chimes)
June.
MOM, I HAVE A CONFESSION
TO MAKE.
I HAD THE OLIVE OIL TASTING
WITHOUT YOU.
IT WAS SPRUNG ON ME.
I'M SO SORRY.
Okay.
WOW. THAT WASN'T SO BAD.
THE NEXT CALL I HAVE TO MAKE
IS MUCH HARDER.
SEE, I HAD
THE OLIVE OIL TASTING
AT JAMES VAN DER BEEK'S PLACE.
CHLOE IS SUBLETTING IT OUT
TO STRANGERS
WHILE JAMES IS
IN LOS ANGELES, AND--
June, what--what the hell?
My place is being sublet?
JAMES? WH-WHAT ARE YOU
DOING IN INDIANA?
Indiana? I'm not in Indiana.
YOUR MOM'S IN LOS ANGELES.
WHAT?!
(door slams)
I'M SO SORRY, HONEY.
JAMES ASKED ME TO COME
BE IN THE LIVE STUDIO AUDIENCE,
AND YOU KNOW HOW HARD
WE WORKED ON THIS--
BUT YOU LIED TO ME!
PARENTS LIE TO THEIR CHILDREN
ALL THE TIME.
SO THAT STUFF ABOUT BEING
DESCENDANTS OF HONEST ABE?
YOU HAD TO WRITE A SCHOOL PAPER.
I WANTED TO MAKE IT
SOUND INTERESTING.
WHAT ELSE WAS A LIE?
RUFF RUFF WENT TO GO LIVE
ON A FARM.
GRANDMA WOULD HAVE WANTED ME
TO HAVE HER RINGS
IF SHE WERE LUCID.
MOMMY AND DADDY WERE
IN THE SAME SLEEPING BAG
BECAUSE IT WAS COLD.
MOMMY'S HEAD WAS BY DADDY'S FEET
BECAUSE HE HAD A SPLINTER.
EW.
MRS. COLBURN, I'M SO RELIEVED
TO HEAR YOU'RE A NORMAL PERSON
INSTEAD OF SOME WEIRD
HONESTY FREAK.
James, I know
YOU'RE PROBABLY MAD
THAT I SUBLET YOUR PLACE.
"PROBABLY"?
BUT I WAS GOING TO USE
THE MONEY
TO FLY OUT THERE
AND SEE YOU PERFORM.
AND? WHAT HAPPENED
WITH THAT?
WHAT DID HAPPEN WITH THAT?
TAKE THAT ANGER AND CHANNEL IT
TOWARDS YOUR DANCE.
COME ON. LET'S GET YOU
INTO YOUR COSTUME.
JUNE, HONEY, I AM SO SORRY.
I'M GONNA HAVE TO GO HELP JAMES
WITH THIS BOMB YOU DROPPED.
ALL THE LIES ALL THIS TIME?
I'll call you later,
and we will talk this all out.
WAIT. WHATEVER HAPPENED
TO RUFF RUFF?
We left
the garage door open,
and your father
backed over him.
(gasps)
He's buried under the arbor.
We'll talk it all out later!
(singsongy) Bye!
(June) MOM WAS LYING
TO ME,
MY DAD RAN OVER
MY DOG--
SO MUCH FOR
THE HONEST COLBURNS.
(salsa music playing)
GOD, I MEAN,
I'M NERVOUS ENOUGH AS IT IS,
AND NOW CHLOE HAS STRANGERS
STAYING IN MY PLACE.
I NEED TO GET HOME.
(stammers) THOSE ARE JUST
THINGS, JAMES.
RIGHT NOW YOU ARE HERE
WITH PEOPLE WHO LOVE YOU
AND MILLIONS OF AMERICANS
WHO ARE ROOTING FOR YOU
TO KILL THE CHA-CHA TONIGHT.
THAT IS WHAT MATTERS, JAMES.
THINGS DON'T MATTER.
PEOPLE MATTER.
NO, THINGS MATTER. I-I--
WHY DID I TAKE MY PEOPLE
AND LEAVE MY THINGS?
I SHOULD'VE TAKEN MY THINGS!
I NEED TO BE WITH MY THINGS!
OKAY, WHAT YOU NEED TO DO
IS CALM DOWN!
I CAN'T CALM DOWN!
ALL I CAN THINK ABOUT
ARE LOOSE MIDWESTERN HAIRS...
(whispers) IN MY SHOWER.
JAMES!
SIT DOWN. I MADE YOU
A NICE CUP OF TEA.
AND JUST GET YOUR HEAD RIGHT.
(slurps)
MOMS ALWAYS KNOW
WHAT TO DO.
IT'S SOMETHING I PICKED UP
IN CHINATOWN.
WARM TEA IS LIKE A HUG
FOR YOUR INSIDES.
(dish clatters)
HOW ABOUT A HUG
FOR MY OUTSIDES?
(laughs)
YOU'RE DOING IT WRONG.
ARMS GO UNDER HIS LIKE THAT.
THERE YOU GO, BABY.
(siren wailing in distance)
(June) I HAD IT
WITH HONESTY.
I'M GONNA START LYING
LIKE EVERYONE ELSE.
I APPRECIATE THE FACT
THAT YOU NEED A DONATION,
AND I WOULD LOVE TO GIVE
TO SAVE THE CHILDREN,
BUT I HAVE
SEVEN CHILDREN OF MY OWN,
AND I'M MORBIDLY OBESE
AND UNABLE TO WORK.
TYLER! STOP HITTING YOUR SISTER
AND GO GET ME A SNACK PIE!
HI, NANCY. I CAN'T COME
TO OUR SIXTH GRADE REUNION
BECAUSE I'M LIVING IN FRANCE.
I BROKE UP
JOHNNY DEPP'S RELATIONSHIP.
IT'S OKAY. I JUST CAN'T BE
IN THE CHOCOLATERIE
AT THE SAME TIME AS HIS EX,
VANESSA, BUT IT'S COOL.
TYLER! THAT PIE!
AS AN NYC WHISKEY INSPECTOR,
I WILL NEED TO TRY ALL
OF YOUR WHISKEYS FREE OF CHARGE.
IF YOU COULD JUST START
FROM YOUR FINEST
AND WORK YOUR WAY BACK,
THAT'D BE GREAT. THANK YOU.
WHAT ARE YOU DOING?
I'M LYING, LIKE EVERYBODY ELSE.
I TOLD THAT BOOTH
OVER THERE
THAT I WAS THE CHEF HERE,
AND THEN I CAN'T REMEMBER
WHO IT WAS
BUT I TOLD SOMEONE IN HERE
THAT I'M A SURGEON.
AND THEN THOSE HOT GUYS
OVER THERE,
I TOLD THEM
THAT I WAS A JOURNALIST
DOING A STORY ON SEXY.
THAT'LL PAY OFF LATER.
THIS BAR IS A TEAT,
AND I'M MILKING IT.
OKAY,
HERE'S OUR FIRST WHISKEY.
IT'S A SINGLE BARREL
FROM SCOTLAND.
LET'S SEE. OKAY.
THERE'S DEFINITELY
A HINT OF SMOKE.
IT'S ICED TEA.
YOU'RE A TERRIBLE LIAR.
THAT'LL BE $16.
FOR ICED TEA?!
I AM NOT
A TERRIBLE LIAR.
I INHERITED IT FROM MY MOTHER,
AND SHE'S ACTUALLY
REALLY GOOD AT IT.
STOP. WHAT YOUR MOTHER
WAS DOING
HAD NOTHING TO DO
WITH BAR LIES.
BAR LIES ARE SUPPOSED
TO BE FUN AND FLIRTY.
WHAT YOUR MOM WAS DOING
WAS A TOTAL BETRAYAL OF TRUST.
YOU KNOW WHAT,
YOU'RE JUST MAKING EXCUSES.
IT'S ALL ONE BIG
SWEATY BALL OF LIES.
NO, IT'S NOT.
IT'S DIFFERENT
WHEN YOU LIE TO STRANGERS
THAN WHEN YOU LIE
TO SOMEONE WHO TRUSTS YOU.
OH, YOU MEAN LIKE HOW
YOU LIE TO YOUR FRIEND JAMES
AND RENT OUT HIS APARTMENT
EVERY TIME HE GOES OUT OF TOWN?
WELL, HE DID ASK YOU
TO PAY YOLANDA.
BY NOT ASKING ME, HE'S SAYING
THAT I CAN'T BE TRUSTED
WHICH IS PRACTICALLY GIVING ME
PERMISSION TO RENT IT OUT.
HE BEGGED ME TO DO IT.
CRAP! I FORGOT
TO PAY YOLANDA.
SO WE BOTH SCREWED JAMES.
AHA! SO YOU DO ADMIT
THAT YOU SCREWED HIM.
YOU HAVE A CONSCIENCE, CHLOE.
DAMN IT! UGH!
(gags)
ICED TEA.
OH, YEAH, I GOT THAT.
UGH! I FEEL TERRIBLE, JUNE.
OKAY, SO TO RECAP--
YOU LIE TO NO ONE.
I LIE ONLY TO STRANGERS
IN BARS
BUT NOT TO FRIENDS.
NO, NO, NO. NO LIES.
EVER AGAIN.
(laughs)
THANKS, JUNE.
THANKS FOR MAKING ME LAUGH.
WELL, YOU SHOULD AT LEAST
PAY BACK JAMES
FOR ALL THE MONEY THAT YOU MADE
RENTING OUT HIS PLACE.
(laughs)
OH, THANKS FOR MAKING ME
LAUGH AGAIN.
OH, RIGHT, NO.
(man) WELCOME BACK TO...
EARLIER, SUPERMAN, DEAN CAIN,
FLEW PAST THE COMPETITION,
AND NOW WELCOME
JAMES VAN DER BEEK
AND VALENTINA DELGADO!
(Joss Stone) ♪ I GUESS
I'M PICKY WITH LOVE ♪
(audience gasps)
♪ WELL, BABY, I GIVE UP,
IT'S YOU I CHOOSE ♪
(under breath) JAMES!
WHAT ARE YOU DOING?
(knock on door)
OH, MY GOD, JAMES.
WHAT THE HELL?
(knock)
IS THIS MY HOUSE?
IS THIS PART OF THE SHOW?
NO, THAT'S NOT A PART
OF THE SHOW.
JAMES, JAMES,
GET IT TOGETHER.
THERE ARE 20 MILLION PEOPLE
WATCHING.
THERE'S TOO MANY.
STOP LOOKING AT ME!
(audience gasping)
STOP LOOKING AT ME!
THIS IS A DISASTER
OF BELVEDERIAN PROPORTIONS.
DO YOU THINK
IT HAS ANYTHING TO DO
WITH THAT CHINESE TEA
I GAVE HIM?
I DIDN'T HAVE MY READING GLASSES
WHEN I BOUGHT IT.
BITCH! YOU DOSED HIM!
OHH!
ARE MY HANDS MADE OUT
OF POUND CAKE?
(music stops)
I THINK MY HANDS
ARE MADE OUT OF POUND CAKE.
PEOPLE IN MY BEDROOM!
CUT! CUT!
STOP LOOKING AT ME!
LOOK, VAN DER BEEK'S
BREAKING DOWN.
PULL FRED SAVAGE
OUT OF MAKEUP NOW.
♪♪♪
(rewinding)
...PEOPLE. THERE'S TOO MANY.
STOP LOOKING AT ME!
STOP LOOKING AT ME!
WHY ARE THEY...
OH, MY GOD.
WHY ARE THERE PEOPLE
IN MY BEDROOM?!
THIS IS UNBELIEVABLE.
(turns off TV)
(dials, beep)
(phone rings)
(groans)
JAMES, WHAT HAPPENED?
JUNE'S MOM GAVE ME TEA.
WITH MESSED-UP
RADISH PEOPLE ON THE BOX.
I DIDN'T HAVE
MY READING GLASSES!
HOW BAD WAS IT?
BE HONEST WITH ME.
YOU KNOW, IT'S ACTUALLY
NOT THAT BAD.
IT IS TERRIBLE!
YOUR WHOLE CAREER IS OVER!
(moaning and whimpering)
(whispering)
HONESTY. HONESTY.
(clenches teeth) YEAH.
I HAVE TO BE HONEST.
YEAH.
(door slams)
HELLO. HOPE YOU'VE ENJOYED
THIS EPISODE OF "APARTMENT 23,"
BECAUSE I DIDN'T.
YOU HAVE ANY IDEA HOW HARD
I HAD TO WORK
TO LEARN THAT DANCE ROUTINE?
AND THE PRODUCERS CUT IT DOWN
TO, WHAT, LIKE, 20 SECONDS?
UH-UH. NO WAY.
NOT ON MY WATCH.
YOU'RE WELCOME, AMERICA.
(woman speaks indistinctly)
(beep)
(woman) 5, 6, 5, 6, 7, 8.
(Joss Stone) ♪ I GUESS
I'M PICKY WITH LOVE ♪
♪ WELL, BABY, I GIVE UP,
IT'S YOU I CHOOSE ♪
♪ AND DON'T KEEP ME WAITING ♪
♪ THIS GIRL'S GOT THINGS
SHE NEEDS TO DO ♪
♪ OH, IF I WAS BLIND,
YOU'D HELP ME SEE ♪
♪ ME SEE ♪
♪ IF I LOST MY MIND,
YOU'D FIND IT FOR ME ♪
♪ SPEAK ON IT, BABE,
TELL ME WHAT DO YOU NEED? ♪
♪ NEED IS FOR YOU TO LOVE ME,
BABY ♪
♪ PUT YOUR HANDS ON ME, BABY ♪
♪ OOH OOH OOH OOH ♪
♪ PUT YOUR HANDS ON ME, BABY ♪
♪ YOU GOT ME FLIPPING ♪
♪ PUT YOUR HANDS ON ME, BABY ♪
♪ OOH OOH OOH OOH ♪
♪ PUT YOUR HANDS ON ME, BABY ♪
♪ MMM ♪
THINK THAT'S A GOOD IDEA.
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