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[SIREN]
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Narrator: CAPTAIN'S LOG.
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STARDATE 11601.29.
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00:00:09,906 --> 00:00:14,014
ASSIGNMENT EARTH.
5
00:00:14,048 --> 00:00:15,429
A MYSTERIOUS OBJECT
6
00:00:15,463 --> 00:00:18,121
FROM A CLASS-M PLANET
IN THE ALPHA QUADRANT
7
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IS BEING TRANSPORTED
BY SHUTTLECRAFT.
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00:00:22,988 --> 00:00:25,784
AN INTERSTELLAR TIME-TRAVELER,
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IT BRINGS A MESSAGE OF HOPE
TO ALL HUMANOID SPECIES.
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00:00:30,513 --> 00:00:31,479
[POWER DRILL WHIRRING]
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WHAT'S INSIDE THIS CRATE
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00:00:33,343 --> 00:00:37,692
IS TAKING US WHERE NO MAN
OR WOMAN HAS GONE BEFORE.
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BECAUSE THIS IS CAPTAIN KIRK'S
COMMAND CHAIR.
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THAT'S RIGHT--
THE ORIGINAL PROP CHAIR
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FROM THE BRIDGE OF THE ORIGINAL
GROUNDBREAKING SERIES.
16
00:00:51,223 --> 00:00:53,846
Captain Kirk: MR. CHEKOV, RESUME
ORIGINAL COURSE, WARP FACTOR 2.
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00:00:53,881 --> 00:00:56,677
Chekov: WARP FACTOR 2, SIR.
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Kirk: ENERGIZE.
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Narrator: 50 YEARS
AFTER THE FIRST VOYAGE
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OF THE STARSHIP ENTERPRISE,
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STAR TREK IS
A POP CULTURE PHENOMENON
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00:01:06,066 --> 00:01:08,482
THAT CHANGED THE COURSE
OF HISTORY.
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Nichelle Nichols:
IT WAS JUST A KISSING SCENE.
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Kirk: PHASERS ON STUN.
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[GROWLING]
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Simon Pegg: STAR TREK IS PART
OF OUR CULTURAL DNA.
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Narrator:
WITH THE COOLEST PROPS...
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Man: THIS IS A TRICORDER.
29
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Narrator:
AND MIND-BLOWING SCIENCE.
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Man: OUR PLAYBOOK IS BASICALLY
THE FIRST SEASON OF STAR TREK.
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Kirk: KIRK TO ENTERPRISE.
32
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Narrator: IT INVENTED THE WORLD
IN WHICH WE LIVE.
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Man: WE'RE MAKING
THE STAR TREK UNIVERSE HAPPEN.
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Narrator: AND 50 YEARS ON,
35
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STAR TREK IS STILL
INVENTING THE FUTURE.
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Man: EXPLORE STRANGE NEW WORLDS.
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Spock: FASCINATING.
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♪
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Narrator: IT BEGAN
ON SEPTEMBER 8, 1966.
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CREATED BY GENE RODDENBERRY,
THE ORIGINAL SERIES OF STAR TREK
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HAS INSPIRED
ANOTHER SIX TV SERIES
42
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AND 13 FEATURE FILMS...
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[ZAP]
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INCLUDING THE LATEST
IN THE REBOOTED FRANCHISE.
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♪
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McCoy: YOU REALLY WANT TO HEAD
BACK OUT THERE, HUH?
47
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Narrator: KARL URBAN PLAYS
THE NEW BONES McCOY.
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Karl Urban: PART OF WHAT
WAS SO APPEALING
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ABOUT STAR TREK BACK THEN
50
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IS WHAT IS APPEALING
ABOUT IT TODAY.
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Spock: DAZZLING DISPLAY
OF LOGIC.
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Kirk: YOU DIDN'T THINK
I HAD IT IN ME, DID YOU, SPOCK?
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Spock: NO, SIR.
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Karl: IT'S ABOUT THIS FAMILY,
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THIS DYSFUNCTIONAL FAMILY
IN SPACE
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THAT DON'T ALWAYS GET ON,
BUT HAVE TO WORK TOGETHER.
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McCoy: I LIKE THEM.
BETTER THAN I LIKE YOU.
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[CROWD CHEERING]
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Narrator: SIMON PEGG IS
CO-WRITER OF "STAR TREK BEYOND"
60
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AND THE NEW SCOTTY.
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Simon Pegg: STAR TREK IS
THE ONE SHINING LIGHT
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WHICH SAYS NO, WE'RE NOT
GONNA DESTROY OURSELVES,
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WE'RE GONNA CONTINUE
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AND WE'RE GONNA MOVE OUT
INTO THE GALAXY
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AND BE REALLY HANDSOME.
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[KIRK GROANS]
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[LAUGHS]
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[GROWLING]
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00:03:14,677 --> 00:03:17,266
Narrator: FOR THE SCRIPTWRITERS
OF THE ORIGINAL SERIES,
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IT BEGAN AS A SCI-FI FANTASY.
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[GROWLING]
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David Gerrold: WE WERE
MAKING IT UP AS WE WENT ALONG.
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[GROWLING]
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DC Fontana: I THINK IT WAS JUST
IMAGINATION AT THE TIME
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AND CONJECTURE, JUST,
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"WELL, THIS COULD HAPPEN,
THIS COULD BE A GOOD IDEA."
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Spock: ENERGIZE.
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David: AND EVERYBODY WAS SAYING,
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WELL, WHAT WILL WE DO
IN THE 23rd CENTURY?
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HOW WILL IT LOOK?
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AND SO THEY WERE,
THEY WERE HAVING THIS GREAT TIME
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INVENTING THE 23rd CENTURY.
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Kirk: AND THIS INSANE
TORTURE CHAMBER.
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Narrator: BUT FOR A GENERATION
OF SCIENTISTS
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WHO GREW UP WATCHING
THE RERUNS,
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IT'S PROVIDED A BLUEPRINT
FOR THE FUTURE...
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AS THEY UNLOCK THE SECRETS
OF WARP SPACE AND TELEPORTATION,
88
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REVEAL THE MYSTERIES
OF THE INVISIBILITY CLOAK,
89
00:04:06,798 --> 00:04:10,871
AND SOLVE THE RIDDLE
OF THE PHASER AND TRICORDER.
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00:04:10,905 --> 00:04:12,113
Peter Diamandis:
AND IT'S REALLY ABOUT
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00:04:12,148 --> 00:04:14,495
SORT OF NOT JUST HOPING
FOR THE FUTURE,
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00:04:14,530 --> 00:04:18,499
BUT MAKING THE FUTURE HAPPEN.
93
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Narrator: WHAT INSPIRED
THESE SCIENTIFIC BREAKTHROUGHS
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00:04:21,156 --> 00:04:23,021
CAN BE FOUND HERE,
95
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AT THE EMP MUSEUM OF POP CULTURE
IN SEATTLE.
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00:04:26,473 --> 00:04:29,269
♪
97
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Woman: WOW.
98
00:04:32,272 --> 00:04:33,445
Narrator:
FANS ARE GETTING THE CHANCE
99
00:04:33,480 --> 00:04:35,308
TO GET UP CLOSE AND PERSONAL
100
00:04:35,344 --> 00:04:38,899
WITH AUTHENTIC PROPS
FROM THE ORIGINAL SERIES,
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GATHERED TOGETHER
IN THE SAME PLACE
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FOR THE FIRST TIME
IN NEARLY HALF A CENTURY.
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Woman: OH, THIS IS FABULOUS!
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Brooks Peck:
THE OBJECTS IN STAR TREK
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ARE NATIONAL TREASURES NOW,
THEY ARE CULTURAL ICONS.
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Man: THIS IS AMAZING!
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Narrator: THE NAVIGATION CONSOLE
OF MR. SULU AND MR. CHEKOV,
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LIEUTENANT UHURA'S EARPIECE,
DR. McCOY'S TRICORDER,
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00:05:06,306 --> 00:05:10,586
MR. SPOCK'S TUNIC,
THE PHASER, THE COMMUNICATOR...
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[CHIRPING]
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00:05:12,139 --> 00:05:19,319
AND AT THE HEART OF IT ALL,
THE MOTHER OF ALL ICONIC PROPS.
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Brooks: THIS IS CAPTAIN KIRK'S
COMMAND CHAIR.
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Kirk: THIS IS CAPTAIN JAMES KIRK
OF THE USS ENTERPRISE.
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Brooks: THIS IS THE HEART
OF IT ALL.
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THIS IS WHERE KIRK SITS
AND GUIDES HIS SHIP,
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GUIDES HIS CREW...
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Kirk: STAYING WITH US.
118
00:05:33,263 --> 00:05:35,265
Brooks: FACES DOWN
EVIL ALIENS...
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[EXPLOSION]
120
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SEDUCES PRETTY WOMEN.
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♪
122
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[LAUGHS]
123
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Aprille Ericsson:
HIS RELATIONSHIP WITH WOMEN
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WAS SOMETHING THAT I
WOULDN'T ALWAYS EXPECT
125
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TO BE WHAT HAPPENS
WITH A CAPTAIN.
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Simon: THIS SUPER BRASH,
SUPER CONFIDENT, COCKY...
127
00:05:54,940 --> 00:05:56,494
Kirk: I WANT SOME ANSWERS
TO ALL THIS.
128
00:05:56,528 --> 00:05:58,116
Simon: REBEL WHO EVERYONE
JUST LOVES
129
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'CAUSE HE'S JUST
A LITTLE BIT NAUGHTY.
130
00:06:00,152 --> 00:06:01,913
Peter: SUAVE, BRILLIANT...
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00:06:01,947 --> 00:06:04,364
Kirk: NOT ONLY DO WE HAVE
YOUR PSYCHOKINETIC ABILITY,
132
00:06:04,398 --> 00:06:06,469
BUT AT TWICE YOUR POWER LEVEL.
133
00:06:06,504 --> 00:06:08,298
Peter: GO WITH HIS GUT...
134
00:06:08,333 --> 00:06:09,161
[ZAP]
135
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Kirk: WELL, THAT SETTLES THAT.
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00:06:10,611 --> 00:06:11,578
Peter: GREAT LEADER...
137
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Kirk: YOU WON'T GET IT
THROUGH TORTURE.
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00:06:13,545 --> 00:06:15,305
Peter: DRIVEN BEYOND BELIEF.
139
00:06:15,340 --> 00:06:19,240
Kirk: I WANT
THAT THIRD ALTERNATIVE.
140
00:06:19,275 --> 00:06:21,760
Adam Schneider: MOST PEOPLE
WHO WANT TO PLAY STAR TREK
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00:06:21,795 --> 00:06:24,314
WHEN THEY'RE 10 YEARS OLD
WANT TO BE CAPTAIN KIRK.
142
00:06:24,349 --> 00:06:26,593
IT JUST SEEMS LIKE THE BEST JOB.
143
00:06:26,627 --> 00:06:29,043
[SQUEAK]
144
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Narrator: KIRK'S CHAIR
IS YOUR TYPICAL PIECE
145
00:06:31,149 --> 00:06:33,738
OF 1950s OFFICE FURNITURE,
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00:06:33,772 --> 00:06:36,465
WITH A FEW ADDED LIGHTS
AND BUTTONS.
147
00:06:36,499 --> 00:06:42,850
BUT IT SOLD AT AUCTION IN 2002
FOR MORE THAN $300,000.
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00:06:42,885 --> 00:06:44,093
Brooks: OF COURSE
THAT 11-YEAR-OLD BROOKS
149
00:06:44,127 --> 00:06:45,508
THAT WATCHED STAR TREK AS A KID,
150
00:06:45,543 --> 00:06:48,200
I WOULD LOVE TO SEE
WHAT IT FEELS LIKE
151
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TO REALLY SIT IN THAT CHAIR.
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Narrator: TEMPTING, ISN'T IT?
153
00:06:54,759 --> 00:06:57,555
Brooks: I NEVER, EVER WILL.
154
00:06:57,589 --> 00:07:00,316
IT'S AN OBJECT
THAT WE HAVE TO PROTECT.
155
00:07:00,350 --> 00:07:02,905
WE ARE THE STEWARDS
OF THIS CHAIR.
156
00:07:02,939 --> 00:07:07,219
AND SO, NO SITTING.
157
00:07:07,254 --> 00:07:09,394
Narrator: FROM THE COMFORT
OF THIS COMMAND CHAIR,
158
00:07:09,429 --> 00:07:12,052
CAPTAIN KIRK
CAN GIVE AN ORDER LIKE...
159
00:07:12,086 --> 00:07:15,020
Kirk: LIEUTENANT SULU,
ACTIVATE TRACTOR BEAMS.
160
00:07:15,055 --> 00:07:16,366
Narrator: ...AND HEY, PRESTO,
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AN INVISIBLE BEAM OF ENERGY
CALLED A TRACTOR BEAM
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GRABS HOLD OF ANY PASSING OBJECT
IN SPACE
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00:07:23,132 --> 00:07:26,998
AND PULLS IT ALONG
LIKE AN INTERSTELLAR TOW TRUCK.
164
00:07:27,032 --> 00:07:28,378
Adam: WE LOVE TRACTOR BEAMS,
165
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ALTHOUGH YOU NEVER SAW A BEAM
IN THE ORIGINAL SHOW,
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00:07:31,174 --> 00:07:32,624
BECAUSE THEY COULDN'T AFFORD
TO PUT A BEAM.
167
00:07:32,659 --> 00:07:34,246
[LAUGHS]
168
00:07:34,281 --> 00:07:35,489
TURN ON THE TRACTOR BEAM,
169
00:07:35,524 --> 00:07:40,632
AND THEN THE THING
WOULD SOMEHOW FOLLOW ALONG.
170
00:07:40,667 --> 00:07:42,772
Narrator:
PHYSICS PROFESSOR DAVID GRIER
171
00:07:42,807 --> 00:07:44,567
IS MAKING HIS OWN TRACTOR BEAM
172
00:07:44,602 --> 00:07:47,328
IN HIS LAB AT
NEW YORK UNIVERSITY
173
00:07:47,363 --> 00:07:51,609
USING BEAMS OF LIGHT IN
THE FORM OF HIGH-ENERGY LASERS.
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00:07:51,643 --> 00:07:53,749
David Grier:
WE'VE SEEN IT ON TV, RIGHT?
175
00:07:53,783 --> 00:07:56,027
BUT CAN YOU IMAGINE
DOING IT FOR REAL?
176
00:07:56,061 --> 00:08:00,272
OK, SO, HERE'S THE WAVE.
177
00:08:00,307 --> 00:08:02,896
THEN YOU HAVE A TRACTOR BEAM.
178
00:08:02,930 --> 00:08:06,416
Narrator: HAVING FIGURED OUT THE
EQUATION FOR A TRACTOR BEAM...
179
00:08:10,938 --> 00:08:14,459
DAVID CAN GO BACK TO THE LAB
AND USE HIS LASERS
180
00:08:14,494 --> 00:08:19,119
TO GRAB HOLD OF TINY PARTICLES
OF MATTER.
181
00:08:19,153 --> 00:08:20,638
David:
WHAT YOU'RE SEEING RIGHT HERE
182
00:08:20,672 --> 00:08:23,364
IS GOING ON IN THE OPTICAL TABLE
RIGHT NOW.
183
00:08:23,399 --> 00:08:24,642
IT'S HAPPENING LIVE.
184
00:08:24,676 --> 00:08:27,679
WE ARE ACTUALLY
MANIPULATING OBJECTS.
185
00:08:27,714 --> 00:08:31,096
WE'RE MOVING THEM AROUND WITH
THE FORCES EXERTED BY LIGHT.
186
00:08:31,131 --> 00:08:32,995
Narrator: WHAT YOU'RE SEEING
ON THE SCREEN
187
00:08:33,029 --> 00:08:35,273
IS JUST A MILLIONTH OF A METER--
188
00:08:35,307 --> 00:08:38,414
WAY SMALLER THAN
A STAR TREK SHUTTLECRAFT.
189
00:08:38,448 --> 00:08:40,105
David: TO GIVE YOU
A SENSE OF THE SCALE,
190
00:08:40,140 --> 00:08:42,073
THIS TV SCREEN HERE
191
00:08:42,107 --> 00:08:46,974
IS ABOUT ONE QUARTER THE SIZE
OF A HUMAN HAIR.
192
00:08:47,009 --> 00:08:53,015
Narrator: IT MAY BE TINY,
BUT THIS IS A SCIENTIFIC FIRST.
193
00:08:53,049 --> 00:08:55,949
David: IT'S JUST AMAZING
THAT IT WORKS.
194
00:08:55,983 --> 00:09:01,989
FROM THE, UH, FROM THE EQUATIONS
TO THE TV SCREEN.
195
00:09:02,024 --> 00:09:03,957
Narrator: AND IN TEN YEARS' TIME
196
00:09:03,991 --> 00:09:08,720
DAVID WANTS TO PUT HIS
TRACTOR BEAM INTO OUTER SPACE.
197
00:09:08,755 --> 00:09:11,620
David: ONE APPLICATION, EARLY
APPLICATION FOR TRACTOR BEAMS,
198
00:09:11,654 --> 00:09:13,725
WOULD BE TO PUT IT
ON THE SPACE STATION,
199
00:09:13,760 --> 00:09:16,901
BEAM IT INTO SPACE, AND JUST
KEEP PULLING BACK THE MATERIAL--
200
00:09:16,935 --> 00:09:18,799
KEEP ANALYZING IT,
KEEP PULLING BACK.
201
00:09:18,834 --> 00:09:25,357
IT'S A FISHING NET OF LIGHT--
IT'S A TRACTOR BEAM.
202
00:09:25,392 --> 00:09:27,256
Narrator: BUT STAR TREK
WASN'T JUST PUSHING
203
00:09:27,290 --> 00:09:29,948
THE BOUNDARIES OF SCIENCE.
204
00:09:29,983 --> 00:09:31,294
David Gerrold:
THE CHALLENGE WITH STAR TREK
205
00:09:31,329 --> 00:09:33,642
WAS TO RATTLE THE BARS
OF THE CAGE,
206
00:09:33,676 --> 00:09:36,092
WAS TO PUSH THE LIMIT.
207
00:09:36,127 --> 00:09:39,026
Narrator: AND IT WOULD CHANGE
THE COURSE OF HISTORY
208
00:09:39,061 --> 00:09:42,616
WITH A KISS.
209
00:09:42,651 --> 00:09:46,033
Narrator: BUT COMING UP FIRST--
SET PHASERS TO STUN.
210
00:09:46,068 --> 00:09:49,554
STAR TREK ON A BATTLEFIELD
NEAR YOU.
211
00:09:49,589 --> 00:09:50,762
[EXPLOSION]
212
00:09:56,423 --> 00:09:58,356
AT THE OFFICIAL
STAR TREK CONVENTION
213
00:09:58,390 --> 00:10:01,117
IN LAS VEGAS,
214
00:10:01,152 --> 00:10:06,088
THE FANS ARE GETTING EXCITED
FOR THE 50th ANNIVERSARY.
215
00:10:06,122 --> 00:10:07,710
John Van Citters:
THEY LOVE THE SHOW,
216
00:10:07,745 --> 00:10:09,816
AND THEY JUST CAN'T GET ENOUGH.
217
00:10:09,850 --> 00:10:13,371
Narrator: BUT THERE'S
NO BIGGER FAN THAN THIS GUY.
218
00:10:13,405 --> 00:10:16,995
MEET GERALD GURIAN,
WHO'S BUILT THE BRIDGE
219
00:10:17,030 --> 00:10:21,206
OF THE STARSHIP ENTERPRISE
IN HIS LIVING ROOM!
220
00:10:21,241 --> 00:10:23,933
Gerald Gurian:
STEP RIGHT THIS WAY, BROOKS.
221
00:10:23,968 --> 00:10:25,935
Brooks: LOOK AT THIS.
THIS IS FANTASTIC.
222
00:10:25,970 --> 00:10:28,110
Gerald: OH, THANK YOU SO MUCH.
223
00:10:28,144 --> 00:10:29,387
Brooks: VERY COOL.
224
00:10:29,421 --> 00:10:32,010
Narrator: AND GUESS WHAT
GERALD'S GOT.
225
00:10:32,045 --> 00:10:34,703
IT'S ONE OF THE RAREST PROPS
OF THEM ALL--
226
00:10:34,737 --> 00:10:37,913
AN ORIGINAL PHASER
FROM THE ORIGINAL SERIES.
227
00:10:37,947 --> 00:10:39,569
Brooks: IT'S LIGHT.
Gerald: YES.
228
00:10:39,604 --> 00:10:41,295
Brooks: YOU KNOW,
AS A KID YOU ALWAYS IMAGINE
229
00:10:41,330 --> 00:10:42,642
IT'S GOT THIS WEIGHT TO IT.
230
00:10:42,676 --> 00:10:45,092
Gerald: IT'S HOLLOW FIBERGLASS.
231
00:10:45,127 --> 00:10:46,853
Brooks:
THIS IS REALLY MIND-BLOWING,
232
00:10:46,887 --> 00:10:48,475
BECAUSE AS FAR AS WE KNOW
233
00:10:48,509 --> 00:10:51,340
THERE ARE ONLY TWO PHASERS
IN EXISTENCE.
234
00:10:51,374 --> 00:10:54,343
IT'S SOMETHING I WANTED TO DO
SINCE I WAS TEN, YOU KNOW,
235
00:10:54,377 --> 00:10:56,172
IS LIKE HOLD A PHASER.
236
00:10:56,207 --> 00:10:57,311
THAT WAS REALLY HARD
237
00:10:57,346 --> 00:10:59,831
TO LIKE KEEP IT COOL
AND BE ALL PROFESSIONAL,
238
00:10:59,866 --> 00:11:01,108
YOU KNOW, LIKE YEAH, YEAH,
239
00:11:01,143 --> 00:11:02,938
WHEN JUST THERE'S THIS
NINE-YEAR-OLD KID IN ME
240
00:11:02,972 --> 00:11:05,492
GOING "OH, MY GOODNESS,
THE PHASER."
241
00:11:05,526 --> 00:11:09,530
♪
242
00:11:09,565 --> 00:11:12,430
Narrator: STAR TREK'S PHASER
IS LIKE A SOUPED-UP VERSION
243
00:11:12,464 --> 00:11:14,225
OF THE ORDINARY LASER,
244
00:11:14,259 --> 00:11:19,264
WHICH WAS INVENTED IN THE 1960s.
245
00:11:19,299 --> 00:11:21,715
TODAY IN LOCKHEED MARTIN'S
RESEARCH LAB
246
00:11:21,750 --> 00:11:23,613
IN BOTHELL, WASHINGTON,
247
00:11:23,648 --> 00:11:28,066
SCIENTISTS ARE DEVELOPING LASERS
MORE POWERFUL THAN EVER BEFORE,
248
00:11:28,101 --> 00:11:32,968
AND THEIR GOAL IS TO CREATE
A PHASER FOR REAL.
249
00:11:33,002 --> 00:11:35,798
Rob Afzal: SO HOW COULD WE
ACTUALLY MAKE A PHASER?
250
00:11:35,833 --> 00:11:37,731
WELL, WHEN I LOOK AT A DEVICE
LIKE THIS,
251
00:11:37,766 --> 00:11:40,216
THE FIRST THING I THINK ABOUT
IS THE ENERGY,
252
00:11:40,251 --> 00:11:44,842
THE POWER THAT'S REQUIRED
TO GET THE PHASER EFFECT.
253
00:11:44,876 --> 00:11:46,290
[BANG]
254
00:11:46,326 --> 00:11:47,741
THE NEXT BREAKTHROUGH WOULD COME
255
00:11:47,776 --> 00:11:53,782
FROM BEING ABLE TO STORE ENOUGH
ENERGY IN A DEVICE LIKE THIS
256
00:11:53,816 --> 00:11:59,165
SO THAT YOU COULD PROJECT
THAT BEAM AND GET YOUR EFFECT.
257
00:11:59,201 --> 00:12:01,168
Narrator: AND HOW CLOSE
IS LOCKHEED MARTIN
258
00:12:01,203 --> 00:12:02,618
TO ACHIEVING THIS?
259
00:12:02,652 --> 00:12:06,726
WELL, TAKE A SNEAK PEAK.
260
00:12:06,760 --> 00:12:09,073
Rob: YOU SEE THE ROCKET LAUNCH.
261
00:12:09,107 --> 00:12:10,868
AT THIS POINT
THE LASER WEAPON SYSTEM
262
00:12:10,902 --> 00:12:14,009
HAS TO ACQUIRE THE ROCKET,
TRACK IT,
263
00:12:14,043 --> 00:12:17,219
PUT THE HIGH ENERGY LASER BEAM
ONTO IT,
264
00:12:17,253 --> 00:12:19,773
AND THAT WHITE SPOT THERE
IS AN ACTUAL REFLECTION
265
00:12:19,808 --> 00:12:22,258
OF THE HIGH ENERGY LASER BEAM
ON THE ROCKET,
266
00:12:22,293 --> 00:12:25,158
OVERHEATING THE WARHEAD,
CAUSING IT TO EXPLODE.
267
00:12:25,192 --> 00:12:29,300
[EXPLOSION]
268
00:12:29,334 --> 00:12:34,615
Narrator: BEFORE ROB CAME ALONG,
THE ENERGY REQUIRED TO DO THIS
269
00:12:34,650 --> 00:12:37,687
REQUIRED A GENERATOR
THE SIZE OF THIS...
270
00:12:37,722 --> 00:12:39,897
OR EVEN THIS...
271
00:12:39,931 --> 00:12:43,314
MAKING IT AS NIMBLE
AS YOUR AVERAGE STAR TREK ALIEN.
272
00:12:43,348 --> 00:12:46,144
[GROWLING]
273
00:12:46,179 --> 00:12:51,046
AND NOW ROB'S LASERS
ARE HOW BIG?
274
00:12:51,080 --> 00:12:53,911
Rob: AS YOU CAN SEE,
THE COMPLETE LASER WEAPON SYSTEM
275
00:12:53,945 --> 00:12:57,880
IS ABLE TO BE CARRIED
ON THE BACK OF A FLATBED TRUCK.
276
00:12:57,915 --> 00:13:00,572
Narrator: BUT DO SCIENTISTS
BELIEVE THERE COULD ONE DAY BE
277
00:13:00,607 --> 00:13:04,369
A HANDHELD PHASER
LIKE IN THE TV SERIES?
278
00:13:04,404 --> 00:13:05,750
Rob: AND OF COURSE
IT'S VERY DIFFICULT
279
00:13:05,785 --> 00:13:07,269
TO PREDICT THE FUTURE,
280
00:13:07,303 --> 00:13:10,306
BUT I WOULD NEVER BET
AGAINST SCIENCE.
281
00:13:10,341 --> 00:13:12,757
Narrator: AND IT WON'T BE LONG
BEFORE ROB'S PHASER
282
00:13:12,792 --> 00:13:16,726
WILL GO FROM THE TEST RANGE
TO THE BATTLEFIELD.
283
00:13:16,761 --> 00:13:21,386
[EXPLOSIONS]
284
00:13:21,421 --> 00:13:23,181
THE PHASER, LIKE ALL THE PROPS
285
00:13:23,216 --> 00:13:25,356
IN THE ORIGINAL SERIES
OF STAR TREK,
286
00:13:25,390 --> 00:13:28,221
WAS DESIGNED TO BE CHEAP
AND CHEERFUL.
287
00:13:28,255 --> 00:13:30,119
Kirk: CLOSE THAT DOOR.
288
00:13:30,154 --> 00:13:32,639
David Gerrold: THE PROPS
WERE ALWAYS A PROBLEM.
289
00:13:32,673 --> 00:13:34,814
MOST OF THEM WERE JUST
WOODEN THINGS SLAPPED TOGETHER
290
00:13:34,848 --> 00:13:36,885
AT THE LAST MINUTE.
291
00:13:36,919 --> 00:13:39,128
DC: PLASTIC,
LITTLE BITS OF METAL,
292
00:13:39,163 --> 00:13:41,855
WHATEVER, THAT COULD LOOK GOOD
ON SCREEN
293
00:13:41,890 --> 00:13:43,961
AND FUNCTION IN A CERTAIN WAY.
294
00:13:43,995 --> 00:13:45,583
Spock: INTERNAL INJURIES.
295
00:13:45,617 --> 00:13:47,688
Narrator: AND BECAUSE IT WAS
A CHEAP SHOW,
296
00:13:47,723 --> 00:13:50,036
THE SCRIPTWRITERS HAD TO COME UP
WITH INGENIOUS WAYS
297
00:13:50,070 --> 00:13:52,452
OF MAKING IT LOOK
LIKE COOL SCIENCE.
298
00:13:52,486 --> 00:13:54,661
Spock: 70% KIDNEY FAILURE.
299
00:13:54,695 --> 00:13:56,939
ENERGIZE.
300
00:13:56,974 --> 00:13:58,872
Narrator:
INCLUDING THE MOST OUTRAGEOUS
301
00:13:58,907 --> 00:14:02,013
SCIENCE FICTION INVENTION
OF THEM ALL--
302
00:14:02,048 --> 00:14:03,670
THE TRANSPORTER.
303
00:14:03,704 --> 00:14:05,845
Brooks: A LITTLE SCARY
WHEN YOU THINK ABOUT IT,
304
00:14:05,879 --> 00:14:08,157
HAVING ALL YOUR MOLECULES
TURNED TO INTO ENERGY
305
00:14:08,192 --> 00:14:11,505
AND SHOT DOWN THIS RAY
TO MILLIONS OF MILES AWAY,
306
00:14:11,540 --> 00:14:13,231
AND YOU'VE GOT TO TRUST
THAT THAT'S GOING TO WORK.
307
00:14:13,266 --> 00:14:14,854
I MEAN, WE PUT OUR TRUST
IN SOMETHING
308
00:14:14,888 --> 00:14:18,133
WHICH BASICALLY MINCES YOU.
309
00:14:18,167 --> 00:14:20,204
Simon: AS A NARRATIVE DEVICE
IT'S BRILLIANT
310
00:14:20,238 --> 00:14:22,171
BECAUSE YOU CAN GO
FROM ONE PLACE TO THE NEXT
311
00:14:22,206 --> 00:14:23,517
VERY, VERY QUICKLY,
312
00:14:23,552 --> 00:14:27,142
AND IT'S A GENIUS PIECE
OF INVENTIVE WRITING
313
00:14:27,176 --> 00:14:29,523
AND ALSO FEELS
VERY SCIENCE FICTION, YOU KNOW,
314
00:14:29,558 --> 00:14:31,180
LIKE A MATTER TRANSFER.
315
00:14:31,215 --> 00:14:33,631
BUT IN STAR TREK YOU BUY IT
BECAUSE IT'S THE FUTURE,
316
00:14:33,665 --> 00:14:37,255
AND THINGS LIKE THAT
EXIST IN THE FUTURE.
317
00:14:37,290 --> 00:14:40,741
Narrator:
ACTUALLY THE FUTURE IS NOW--
318
00:14:40,776 --> 00:14:43,744
BECAUSE NASA ALREADY HAS
A TRANSPORTER,
319
00:14:43,779 --> 00:14:46,023
THANKS TO ITS VERY OWN
SCIENCE OFFICER,
320
00:14:46,057 --> 00:14:48,335
FRANCESCO MARSILI.
321
00:14:52,029 --> 00:14:57,068
BUT THERE'S ONE BIG DIFFERENCE
FROM STAR TREK.
322
00:14:57,103 --> 00:14:59,208
Francesco Marsili: WE'RE NOT
TELEPORTING CAPTAIN KIRK,
323
00:14:59,243 --> 00:15:07,320
BECAUSE THE TELEPORTATION SHOWN
IN STAR TREK TRANSFERS MATTER.
324
00:15:07,354 --> 00:15:09,425
WHEN THE DETECTOR SWITCHES...
325
00:15:09,460 --> 00:15:11,911
Narrator: WHAT FRANCESCO
CAN TELEPORT
326
00:15:11,945 --> 00:15:14,327
IS THE STATE OF A PHOTON,
327
00:15:14,361 --> 00:15:19,953
USING ONE OF THESE--
A PHOTON DETECTOR.
328
00:15:19,988 --> 00:15:23,370
A PHOTON IS A SUBATOMIC
PARTICLE OF LIGHT.
329
00:15:23,405 --> 00:15:26,166
IF YOU CAN CHANGE THE STATE
OF ONE PHOTON,
330
00:15:26,201 --> 00:15:28,444
YOU CAN CHANGE THE STATE
OF ANOTHER,
331
00:15:28,479 --> 00:15:30,860
EVEN IF IT'S MILES AWAY.
332
00:15:30,895 --> 00:15:34,105
Francesco: EINSTEIN CALLED IT
"SPOOKY ACTION AT A DISTANCE,"
333
00:15:34,140 --> 00:15:37,626
WHICH IS WHAT IT ACTUALLY IS.
334
00:15:37,660 --> 00:15:40,008
Narrator:
THINK OF IT LIKE A COLOR.
335
00:15:40,042 --> 00:15:44,012
FRANCESCO CAN TELEPORT THE COLOR
OF ONE PHOTON TO ANOTHER
336
00:15:44,046 --> 00:15:46,635
WITHOUT ANY TRANSFER OF MATTER.
337
00:15:46,669 --> 00:15:49,120
IT'S CALLED
QUANTUM TELEPORTATION--
338
00:15:49,155 --> 00:15:51,605
AND IN FUTURE MISSIONS,
NASA PLANS TO USE IT
339
00:15:51,640 --> 00:15:54,505
TO COMMUNICATE IN DEEP SPACE.
340
00:15:57,094 --> 00:15:59,234
Spock: FASCINATING.
341
00:15:59,268 --> 00:16:01,339
Narrator: AND, YES,
FRANCESCO DOES HAVE
342
00:16:01,374 --> 00:16:05,792
A LITTLE SCIENTIFIC CRUSH
ON YOU KNOW WHO.
343
00:16:05,826 --> 00:16:07,207
Francesco: SPOCK.
344
00:16:07,242 --> 00:16:09,209
Spock: I HAVE A BLIP
ON THE MOTION SENSOR, CAPTAIN.
345
00:16:09,244 --> 00:16:11,729
Francesco:
THE REASON WHY I LIKE HIM
346
00:16:11,763 --> 00:16:13,869
IS BECAUSE OF THE VULCANS.
347
00:16:13,903 --> 00:16:16,320
THEY ARE ADVANCED,
THEY ARE LOGICAL MIND.
348
00:16:16,354 --> 00:16:17,838
Spock: WE'VE LOST THEM, CAPTAIN.
349
00:16:17,873 --> 00:16:24,638
THE ODDS AGAINST YOU AND I BOTH
BEING KILLED ARE 2,228.7 TO 1.
350
00:16:24,673 --> 00:16:27,469
Francesco:
HE'S LIKE THE PERFECT SCIENTIST.
351
00:16:27,503 --> 00:16:28,711
Kirk: SPEED, MR. CHEKOV?
352
00:16:28,746 --> 00:16:31,335
Chekov: WE'RE MOVING AT WARP 8.
Kirk: NEW COURSE.
353
00:16:31,369 --> 00:16:34,959
Narrator: WE LOVE THE SHOW
BECAUSE WE LOVE THE CHARACTERS.
354
00:16:34,994 --> 00:16:36,029
Chekov: AYE, SIR.
355
00:16:36,064 --> 00:16:37,479
Karl: THE MORE TIME THAT,
YOU KNOW,
356
00:16:37,513 --> 00:16:41,517
YOU SPEND WITH THESE CHARACTERS,
THE MORE YOU CARE FOR THEM.
357
00:16:41,552 --> 00:16:45,314
Narrator: EVEN THE BREATHTAKING
ENTERPRISE HERSELF!
358
00:16:45,349 --> 00:16:49,146
EVER WONDER WHERE SHE ENDED UP
AFTER ALL THESE YEARS?
359
00:16:49,180 --> 00:16:52,218
WE'LL GET UP CLOSE AND PERSONAL
WITH HER LATER ON.
360
00:16:52,252 --> 00:16:56,877
BUT COMING UP NEXT,
STAR TREK'S UNIVERSAL TRANSLATOR
361
00:16:56,912 --> 00:16:59,846
ON YOUR VERY OWN SMART PHONE!
362
00:16:59,880 --> 00:17:01,986
Man: EXPLORE STRANGE NEW WORLDS.
363
00:17:05,609 --> 00:17:08,510
Narrator: IT MAY HAVE HAD
SHAKY SPECIAL EFFECTS,
364
00:17:08,544 --> 00:17:11,616
AND IT MAY HAVE HAD
MAKESHIFT PROPS,
365
00:17:11,651 --> 00:17:14,343
BUT THE WORLD CREATED
BY STAR TREK
366
00:17:14,377 --> 00:17:16,587
WAS UTTERLY CONVINCING.
367
00:17:16,621 --> 00:17:19,210
Uhura: CAPTAIN, WE'RE GETTING
A SIGNAL FROM THE SPACECRAFT.
368
00:17:19,244 --> 00:17:20,521
Simon: WHEN YOU WATCHED IT,
369
00:17:20,556 --> 00:17:22,109
AS A FAN YOU NEVER
QUESTIONED IT,
370
00:17:22,144 --> 00:17:23,594
YOU JUST--YOU BOUGHT IT,
371
00:17:23,627 --> 00:17:25,733
YOUR SUSPENSION OF DISBELIEF
WAS COMPLETE,
372
00:17:25,768 --> 00:17:27,701
YOU WERE LIKE "YEAH, FINE."
373
00:17:27,736 --> 00:17:30,601
Brooks:
SO THIS IS A COMMUNICATOR.
374
00:17:30,635 --> 00:17:32,499
THIS IS ONE OF THE ACTUAL PROPS,
IT WAS PROBABLY USED
375
00:17:32,534 --> 00:17:35,709
BY EVERYONE ON THE SHOW
AT ONE POINT OR ANOTHER.
376
00:17:35,744 --> 00:17:37,884
Scotty: ENTERPRISE TO
CAPTAIN KIRK, COME IN, PLEASE.
377
00:17:37,918 --> 00:17:40,128
Kirk: KIRK HERE.
WHAT IS IT, ENTERPRISE?
378
00:17:40,162 --> 00:17:43,683
Karl: THESE GUYS ARE USING,
LITTLE COMMUNICATOR DEVICES,
379
00:17:43,717 --> 00:17:45,581
AND YOU KNOW,
YOU HAVE A LOOK AT TODAY,
380
00:17:45,616 --> 00:17:46,927
AND MOST OF US
ARE WALKING AROUND
381
00:17:46,962 --> 00:17:49,723
WITH THESE SMART PHONES
THAT CAN DO ALL OF THAT.
382
00:17:49,758 --> 00:17:52,933
Kirk: KIRK TO ENTERPRISE.
Uhura: ENTERPRISE HERE.
383
00:17:52,968 --> 00:17:55,798
Narrator: BUT STAR TREK DIDN'T
ONLY INVENT THE FLIP-PHONE--
384
00:17:55,833 --> 00:17:59,595
IT IMAGINED A WORLD OF
WIRELESS BLUETOOTH TECHNOLOGY.
385
00:17:59,630 --> 00:18:02,219
Uhura: I'M GETTING
NO SIGNAL FROM IT, SIR.
386
00:18:02,253 --> 00:18:04,152
Brooks: THIS IS ONE
OF THE FUNKIER PIECES
387
00:18:04,186 --> 00:18:05,670
OF STAR TREK DESIGN.
388
00:18:05,705 --> 00:18:09,018
IT HAS A REAL '60s LOOK
ABOUT IT.
389
00:18:09,053 --> 00:18:10,468
Uhura: CONTACT ESTABLISHED,
CAPTAIN.
390
00:18:10,503 --> 00:18:13,092
Brooks: UNLIKE SO MANY TV PROPS
WHICH, WHEN YOU LOOK UP CLOSE,
391
00:18:13,126 --> 00:18:16,164
YOU SAY "OH, I CAN TELL
THIS IS A PROP,"
392
00:18:16,198 --> 00:18:18,925
THIS IS COOL TECHNOLOGY
ALL THE WAY DOWN.
393
00:18:18,959 --> 00:18:21,238
IT NEVER STOPS LOOKING
COMPLETELY REAL
394
00:18:21,272 --> 00:18:23,757
AND COMPLETELY CONVINCING.
395
00:18:23,792 --> 00:18:25,621
Uhura: HAILING FREQUENCIES
OPEN, SIR.
396
00:18:25,656 --> 00:18:29,487
Nichelle: HAILING FREQUENCIES
OPEN, CAPTAIN.
397
00:18:29,522 --> 00:18:31,006
I'M NICHELLE NICHOLS,
398
00:18:31,040 --> 00:18:35,493
AND I PLAYED LIEUTENANT UHURA
IN STAR TREK.
399
00:18:35,528 --> 00:18:38,496
David: WELL, SHE'S THE MOST
IMPORTANT PERSON ON THE BRIDGE.
400
00:18:38,531 --> 00:18:41,154
WHEN LIEUTENANT UHURA
SAYS "CAPTAIN,"
401
00:18:41,189 --> 00:18:45,227
EVERYBODY TURNS AROUND TO LOOK.
402
00:18:45,262 --> 00:18:47,885
YOU CANNOT HELP
BUT FALL IN LOVE WITH HER.
403
00:18:47,919 --> 00:18:49,300
[DING]
404
00:18:49,335 --> 00:18:51,509
[LAUGHS]
405
00:18:51,544 --> 00:18:54,063
Uhura: STARFLEET COMMAND EXTENDS
GREETINGS TO COMMISSIONER...
406
00:18:54,098 --> 00:18:56,859
Narrator: SHE EVEN HAD
A GROUNDBREAKING LOVE SCENE
407
00:18:56,894 --> 00:18:59,862
WITH NONE OTHER
THAN CAPTAIN KIRK HIMSELF!
408
00:18:59,897 --> 00:19:02,693
Uhura: I WOULD SEE YOU SO BUSY
AT YOUR COMMAND.
409
00:19:02,727 --> 00:19:04,177
Brooks: THIS IS
A VERY IMPORTANT EPISODE
410
00:19:04,212 --> 00:19:07,318
IN BOTH STAR TREK HISTORY
AND TELEVISION HISTORY,
411
00:19:07,353 --> 00:19:10,494
BECAUSE IN IT, CAPTAIN KIRK,
WILLIAM SHATNER,
412
00:19:10,528 --> 00:19:12,634
KISSES LIEUTENANT UHURA.
413
00:19:12,668 --> 00:19:16,845
AND THIS IS ONE OF THE FIRST,
MOST FAMOUS INTERRACIAL KISSES
414
00:19:16,879 --> 00:19:18,191
ON TV.
415
00:19:18,226 --> 00:19:20,020
AND AT THE TIME IN THE '60s,
416
00:19:20,055 --> 00:19:22,264
THIS WAS CONSIDERED
A VERY BIG DEAL.
417
00:19:22,299 --> 00:19:27,096
Nichelle:
IT WAS JUST A KISSING SCENE.
418
00:19:27,131 --> 00:19:29,789
Narrator: IN FACT,
SOME U.S. TELEVISION AFFILIATES
419
00:19:29,823 --> 00:19:33,033
EVEN REFUSED TO AIR THIS EPISODE
AT THE TIME!
420
00:19:33,068 --> 00:19:36,589
♪
421
00:19:36,623 --> 00:19:40,455
REMEMBER, THIS WASN'T REALLY
THE 23rd CENTURY--
422
00:19:40,489 --> 00:19:44,010
IT WAS THE 1960s AT THE HEIGHT
OF THE CIVIL RIGHTS MOVEMENT
423
00:19:44,044 --> 00:19:47,634
AND THE STRUGGLE
FOR RACIAL EQUALITY.
424
00:19:47,669 --> 00:19:49,049
Uhura: SECURITY SWEEPS
OF ALL DECKS
425
00:19:49,084 --> 00:19:51,604
ARE NEGATIVE, MR. SPOCK.
NO EVIDENCE...
426
00:19:51,638 --> 00:19:55,021
Nichelle: AFRICAN AMERICANS
SAW THE SHOW AND WENT,
427
00:19:55,055 --> 00:19:59,336
"WHAT?" YOU KNOW,
LIKE "WE'RE ON TV!"
428
00:19:59,370 --> 00:20:01,441
Aprille:
SHE PRESENTED A TOTALLY,
429
00:20:01,476 --> 00:20:05,618
A SORT OF OUT OF THE BOX
OPPORTUNITY FOR US TO THINK
430
00:20:05,652 --> 00:20:08,552
"HEY, THAT MIGHT BE POSSIBLE."
431
00:20:08,586 --> 00:20:10,830
Uhura: ANALYSIS SECTOR,
CHANNEL ONE...
432
00:20:10,864 --> 00:20:13,281
Narrator:
ROMANCE, POLITICS AND SCIENCE--
433
00:20:13,315 --> 00:20:15,317
STAR TREK HAD IT ALL--
434
00:20:15,352 --> 00:20:19,356
PLUS ITS FAIR SHARE
OF INTERSTELLAR CONFLICT.
435
00:20:19,390 --> 00:20:20,357
[ZAP]
436
00:20:20,391 --> 00:20:22,462
Kirk: WE ARE ON
A PEACEFUL MISSION
437
00:20:22,497 --> 00:20:24,430
IN THIS PART OF THE GALAXY.
438
00:20:24,464 --> 00:20:28,088
WE HAVE NO HOSTILE INTENTIONS.
439
00:20:28,123 --> 00:20:30,781
Narrator: RESOLVING CONFLICT
THROUGH COMMUNICATION
440
00:20:30,815 --> 00:20:33,749
WAS AT THE HEART
OF THE STAR TREK VISION.
441
00:20:33,784 --> 00:20:37,236
Spock: AND IT SIMPLY TRANSLATES
ITS FINDINGS INTO ENGLISH.
442
00:20:37,270 --> 00:20:40,860
Narrator: AND THEY DID THIS
USING THE UNIVERSAL TRANSLATOR--
443
00:20:40,894 --> 00:20:42,275
A HANDY DEVICE,
444
00:20:42,310 --> 00:20:45,934
ESPECIALLY IF YOU DON'T LIKE
READING SUBTITLES.
445
00:20:45,968 --> 00:20:47,625
Kirk: WE WISH TO TALK TO YOU.
446
00:20:47,660 --> 00:20:49,351
Simon: YOU CAN SPEAK TO ANYBODY
IN THE GALAXY
447
00:20:49,386 --> 00:20:51,042
BECAUSE YOU HAVE THIS THING,
448
00:20:51,077 --> 00:20:52,975
AND YOU DON'T REALLY QUESTION
HOW IT WORKS,
449
00:20:53,010 --> 00:20:55,840
AND IT'S NOT YOUR POSITION
NOR PLACE TO KNOW HOW IT WORKS.
450
00:20:55,875 --> 00:21:00,569
YOU'RE NOT A SCIENTIST;
YOU'RE A TELEVISION WATCHER.
451
00:21:00,604 --> 00:21:04,504
Narrator: BEHIND THE SHINY
PLATE GLASS WINDOWS OF GOOGLE HQ
452
00:21:04,539 --> 00:21:07,887
IS TODAY'S UNIVERSAL TRANSLATOR.
453
00:21:10,648 --> 00:21:12,650
IN ORDER TO TRANSLATE THIS...
454
00:21:12,685 --> 00:21:16,482
Barak Turovsky: COFFEE
WITH SUGAR, BUT NO MILK, PLEASE.
455
00:21:16,516 --> 00:21:19,070
Narrator: GOOGLE'S COMPUTERS
HAVE BEEN SCANNING THE WEB
456
00:21:19,105 --> 00:21:22,315
FOR EVERY DOCUMENT
THAT HAS BEEN TRANSLATED,
457
00:21:22,350 --> 00:21:24,662
LEARNING OVER
A HUNDRED LANGUAGES
458
00:21:24,697 --> 00:21:29,253
SO YOU CAN ORDER A SKINNY SHOT
LATTE IN RUSSIAN.
459
00:21:29,288 --> 00:21:34,189
[PHONE SPEAKING RUSSIAN]
460
00:21:34,223 --> 00:21:37,123
Kirk: COMPANION,
TRY TO UNDERSTAND...
461
00:21:37,157 --> 00:21:39,712
Barak: OUR GOAL IS TO JUST,
LIKE IN STAR TREK,
462
00:21:39,746 --> 00:21:43,647
JUST SPEAK FREELY
AND, UH, THE MOBILE PHONE,
463
00:21:43,681 --> 00:21:45,407
GOOGLE TRANSLATE, IDENTIFIES,
464
00:21:45,442 --> 00:21:48,479
AUTOMATICALLY IDENTIFIES
THE LANGUAGE YOU SPEAK.
465
00:21:48,514 --> 00:21:50,309
Computer: WORKING.
466
00:21:50,343 --> 00:21:51,724
Narrator:
BUT GOOGLE CAN NOW DO MORE
467
00:21:51,758 --> 00:21:54,036
THAN JUST VOICE RECOGNITION.
468
00:21:54,071 --> 00:21:58,144
IT CAN ENABLE YOUR SMART PHONE
TO READ DIFFERENT LANGUAGES.
469
00:21:58,178 --> 00:22:00,560
Otavio Good:
EXPLORE STRANGE NEW WORLDS.
470
00:22:00,595 --> 00:22:01,975
WHAT I REALLY WANT TO DO
471
00:22:02,010 --> 00:22:05,151
IS I WANT TO MAKE A WINDOW INTO
A WORLD THAT'S IN YOUR LANGUAGE.
472
00:22:05,185 --> 00:22:08,085
SO YOU CAN TAKE YOUR PHONE,
YOU CAN HOLD IT UP
473
00:22:08,119 --> 00:22:10,743
AND JUST WHEREVER YOU POINT IT,
EVERYTHING IS IN YOUR LANGUAGE.
474
00:22:10,777 --> 00:22:14,229
I'LL FIRST CHOOSE A LANGUAGE,
CHOOSE "RUSSIAN TO ENGLISH."
475
00:22:14,263 --> 00:22:18,060
CLICK THE CAMERA
AND SEE WHAT THIS SAYS.
476
00:22:18,095 --> 00:22:21,478
"FIVE-YEAR MISSION."
477
00:22:21,512 --> 00:22:24,688
Narrator: OVER 100 BILLION WORDS
A DAY ARE BEING TRANSLATED
478
00:22:24,722 --> 00:22:27,553
IN THE BLINK OF AN EYE.
479
00:22:27,587 --> 00:22:31,039
Otavio: THAT TAKES
A COUPLE MILLISECONDS.
480
00:22:31,073 --> 00:22:35,871
Narrator: BUT NOT AS FAST
AS WARP SPEED, JUST YET.
481
00:22:35,906 --> 00:22:39,185
[SPEAKING RUSSIAN]
482
00:22:39,219 --> 00:22:42,430
Translator: TO BOLDLY GO WHERE
BEFORE WAS NOT A SINGLE PERSON.
483
00:22:42,464 --> 00:22:44,604
[CHUCKLES]
484
00:22:44,639 --> 00:22:47,400
Narrator: AND IT SEEMS THAT
WHETHER YOU'RE ON ALPHA CENTAURI
485
00:22:47,435 --> 00:22:52,336
OR PLANET EARTH, THERE IS
JUST ONE UNIVERSAL LANGUAGE.
486
00:22:52,371 --> 00:22:56,478
Barak: ACROSS ALL LANGUAGES,
THE TOP THREE TRANSLATED PHRASES
487
00:22:56,513 --> 00:23:01,414
ARE "THANK YOU," "HOW ARE YOU,"
AND "I LOVE YOU."
488
00:23:01,449 --> 00:23:03,520
Nichelle: WE CAN SPEAK
THE SAME LANGUAGE
489
00:23:03,554 --> 00:23:06,937
OR A DIFFERENT LANGUAGE
WITH ONE ANOTHER.
490
00:23:06,971 --> 00:23:10,872
WE'RE HUMAN BEINGS,
AND WE'RE PROUD OF IT.
491
00:23:10,906 --> 00:23:14,323
I KNOW I AM.
492
00:23:14,358 --> 00:23:16,291
Narrator:
STAR TREK'S VISION OF HOPE
493
00:23:16,325 --> 00:23:19,501
IS PART OF ITS ENDURING APPEAL.
494
00:23:19,536 --> 00:23:24,057
Karl: IT WAS BRIGHT AND VIBRANT
AND SEXY AND FULL OF ACTION
495
00:23:24,092 --> 00:23:27,958
AND HAD AN INSTANT APPEAL TO IT.
496
00:23:27,992 --> 00:23:30,788
Narrator: NOT LEAST,
SEX APPEAL...
497
00:23:30,823 --> 00:23:32,652
Kirk: UM, MR. CHEKOV.
498
00:23:35,483 --> 00:23:37,795
Narrator: COMING UP,
THE SECRET ARCHIVE
499
00:23:37,830 --> 00:23:42,455
THAT REVEALS MR. SPOCK THE MAN,
NOT THE VULCAN.
500
00:23:42,490 --> 00:23:47,460
BUT FIRST, THE HOLY GRAIL
FOR TRUE STAR TREK FANS.
501
00:23:47,495 --> 00:23:51,809
GET READY TO MEET THE
STARSHIP ENTERPRISE HERSELF.
502
00:23:55,503 --> 00:23:58,471
Narrator: IN THE DAYS
BEFORE COMPUTER ANIMATION,
503
00:23:58,506 --> 00:24:02,993
A MODEL OF THE ENTERPRISE WAS
USED TO FILM SHOTS LIKE THESE.
504
00:24:03,027 --> 00:24:07,204
AS IT TURNED ON A GIMBAL,
THE CAMERA PASSED BY ON A TRACK,
505
00:24:07,238 --> 00:24:10,690
AS THOUGH THE MODEL
WAS TRAVELING THROUGH SPACE.
506
00:24:10,725 --> 00:24:12,727
John: IS IT BEAUTIFUL?
IT'S ABSOLUTELY BEAUTIFUL.
507
00:24:12,761 --> 00:24:14,314
IT'S AN AMAZING OBJECT.
508
00:24:14,349 --> 00:24:17,386
I LOVE THE SHIP.
509
00:24:17,421 --> 00:24:19,803
Kirk: FIRE ALL PHASERS!
510
00:24:19,837 --> 00:24:21,011
[THUNDER]
511
00:24:21,045 --> 00:24:22,288
Narrator:
BUT THE SHOW WAS CANCELLED
512
00:24:22,322 --> 00:24:23,634
AFTER JUST THREE SEASONS...
513
00:24:23,669 --> 00:24:24,739
[SLAM]
514
00:24:24,773 --> 00:24:26,050
AND THE MODEL WAS DONATED
515
00:24:26,085 --> 00:24:28,570
TO THE SMITHSONIAN
NATIONAL AIR AND SPACE MUSEUM
516
00:24:28,605 --> 00:24:31,297
IN WASHINGTON, DC,
517
00:24:31,331 --> 00:24:36,302
WHERE IT'S BEEN
ON AND OFF DISPLAY EVER SINCE.
518
00:24:36,336 --> 00:24:39,098
THE MUSEUM ENTRANCE IS ALREADY
PACKED TO THE RAFTERS
519
00:24:39,132 --> 00:24:41,514
WITH ICONIC ARTIFACTS.
520
00:24:41,549 --> 00:24:44,379
THERE'S THE SPIRIT OF ST. LOUIS,
SPUTNIK,
521
00:24:44,413 --> 00:24:46,830
AND THE APOLLO LUNAR MODULE.
522
00:24:46,864 --> 00:24:49,695
BUT SMITHSONIAN CURATOR
MARGARET WEITEKAMP
523
00:24:49,729 --> 00:24:55,355
THINKS IT'S STILL ONE STARSHIP
SHORT OF A STARFLEET.
524
00:24:55,390 --> 00:24:58,842
Margaret Weitekamp:
I'M A FAN. I LOVE STAR TREK.
525
00:24:58,876 --> 00:25:02,155
IF WE COULD HAVE ONE OBJECT
THAT TELLS THE STORY
526
00:25:02,190 --> 00:25:04,192
OF IMAGINATION AND INSPIRATION
527
00:25:04,226 --> 00:25:05,780
THAT'S SO IMPORTANT
TO SPACE FLIGHT,
528
00:25:05,814 --> 00:25:07,575
TO REAL SPACE FLIGHT,
529
00:25:07,609 --> 00:25:10,509
IT'S GOT TO BE
THE STARSHIP ENTERPRISE.
530
00:25:10,543 --> 00:25:12,372
WOW.
531
00:25:12,407 --> 00:25:15,617
Narrator: THE MODEL IS CURRENTLY
IN THE CONSERVATION LAB.
532
00:25:17,308 --> 00:25:19,310
Man: THAT'S BEAUTIFUL.
533
00:25:19,345 --> 00:25:23,729
Narrator: MARGARET HAS RECRUITED
HER OWN STAR TREK BRAIN TRUST--
534
00:25:23,763 --> 00:25:26,490
A TEAM OF TECHNICAL WIZARDS
WHO HAVE WORKED ON DOZENS
535
00:25:26,525 --> 00:25:29,251
OF STAR TREK FEATURE FILMS
AND SERIES--
536
00:25:29,286 --> 00:25:32,531
TO HELP PRESERVE IT
FOR FUTURE GENERATIONS.
537
00:25:32,565 --> 00:25:37,225
♪
538
00:25:37,259 --> 00:25:39,192
Margaret: AS SOON AS WE WALK
INTO THE ROOM
539
00:25:39,227 --> 00:25:42,851
I COULD SEE THAT THIS WAS GOING
TO COME TOGETHER,
540
00:25:42,886 --> 00:25:47,891
AND THE EXCITEMENT IN THE GROUP
WAS REALLY JUST ELECTRIC.
541
00:25:47,925 --> 00:25:49,030
Adam: YOU SEE THE MODEL THERE,
542
00:25:49,064 --> 00:25:52,102
YOU'RE LIKE, "OH MY GOSH,
IT'S BEAUTIFUL,"
543
00:25:52,136 --> 00:25:54,138
BECAUSE REMEMBER, ITS FUNCTION
IS TO BE BEAUTIFUL.
544
00:25:54,173 --> 00:25:55,484
ITS FUNCTION IS NOT TO FLY;
545
00:25:55,519 --> 00:26:00,559
ITS FUNCTION IS TO BE ATTRACTIVE
IN THE MOVIE CONTEXT.
546
00:26:00,593 --> 00:26:03,734
Narrator:
THE MODEL IS 3.5 METERS LONG
547
00:26:03,769 --> 00:26:06,875
AND WEIGHS
AROUND 90 KILOGRAMS.
548
00:26:06,910 --> 00:26:08,152
IT'S MADE OUT OF WOOD,
549
00:26:08,187 --> 00:26:11,397
MOLDED PLASTIC AND SHEET METAL--
550
00:26:11,431 --> 00:26:14,503
ALL OF IT GLUED
AND SCREWED TOGETHER.
551
00:26:14,538 --> 00:26:18,093
Adam: IT'S MADE OUT OF
OLD AUTOMOBILE LIGHTS
552
00:26:18,128 --> 00:26:19,405
DOING THE LIGHTING,
553
00:26:19,439 --> 00:26:23,064
CHRISTMAS TREE LIGHTS
DOING THE BLINKING THING.
554
00:26:23,098 --> 00:26:25,100
Narrator: BUT AFTER 50 YEARS,
555
00:26:25,135 --> 00:26:28,828
IT'S NOW IN DANGER
OF FALLING APART.
556
00:26:28,863 --> 00:26:30,140
[EXPLOSION]
557
00:26:30,174 --> 00:26:31,797
[ALARM]
558
00:26:31,831 --> 00:26:33,695
Malcolm Collum: YOU CAN SEE
THE LOAD FROM THE WEIGHT
559
00:26:33,730 --> 00:26:35,835
OF THE ENGINE NACELLE
DROPPING DOWN
560
00:26:35,870 --> 00:26:39,218
HAS CAUSED THE WOODEN GLUE JOINT
HERE TO SEPARATE.
561
00:26:39,252 --> 00:26:41,600
SO THE FACT THAT THIS CRACK
IS RUNNING ACROSS HERE
562
00:26:41,634 --> 00:26:42,739
IS THE BIGGEST FEAR THAT I HAVE,
563
00:26:42,773 --> 00:26:44,810
IS THAT, YOU KNOW
THIS ENTIRE HULL SECTION
564
00:26:44,844 --> 00:26:46,190
COULD JUST SPLIT OPEN
LIKE AN EGG.
565
00:26:46,225 --> 00:26:47,088
[ALARM]
566
00:26:47,122 --> 00:26:49,331
[EXPLOSION]
567
00:26:49,366 --> 00:26:51,368
IF YOU SEE THIS AREA HERE,
568
00:26:51,402 --> 00:26:53,853
YOU'VE GOT SOME MORE
OF THIS FLAKING PAINT.
569
00:26:53,888 --> 00:26:55,199
THE PAINT THROUGH HERE
570
00:26:55,234 --> 00:26:57,961
IS JUST LITERALLY CLEAVING OFF
IN THESE LARGE CHIPS.
571
00:26:57,995 --> 00:26:59,445
Kirk: RED ALERT!
572
00:26:59,479 --> 00:27:03,069
[ALARM]
573
00:27:03,104 --> 00:27:04,968
Narrator: SO, IN A RACE
TO GET HER READY
574
00:27:05,002 --> 00:27:09,179
IN TIME FOR HER 50th BIRTHDAY,
575
00:27:09,213 --> 00:27:16,565
THE MODEL IS BEING TAKEN APART--
PROBED, PAINTED, AND POLISHED.
576
00:27:16,600 --> 00:27:18,084
Margaret: THE STAR TREK
ENTERPRISE MODEL
577
00:27:18,119 --> 00:27:20,569
IS RECEIVING THE SAME STANDARDS
OF CARE
578
00:27:20,604 --> 00:27:23,055
THAT WE WOULD GIVE
TO ANY ARTIFACT
579
00:27:23,089 --> 00:27:25,126
IN THE MUSEUM'S COLLECTION.
580
00:27:25,160 --> 00:27:28,681
♪
581
00:27:28,716 --> 00:27:30,338
Narrator:
AND WHEN SHE'S FINISHED,
582
00:27:30,372 --> 00:27:34,894
SHE'LL TAKE PRIDE OF PLACE
NEXT TO THE APOLLO LUNAR MODULE.
583
00:27:34,929 --> 00:27:36,206
Ariel O'Connor:
MANY PEOPLE DON'T REALIZE
584
00:27:36,240 --> 00:27:38,518
THAT THE STAR TREK STARSHIP
ENTERPRISE FILMING MODEL
585
00:27:38,553 --> 00:27:41,625
AND THE APOLLO LUNAR MODULE
ARE CONTEMPORANEOUS SPACECRAFT.
586
00:27:41,660 --> 00:27:44,041
SO THEY WERE BOTH BUILT
IN THE 1960s
587
00:27:44,076 --> 00:27:47,596
DURING A PERIOD OF TIME WHERE
FICTIONAL SPACE EXPLORATION
588
00:27:47,631 --> 00:27:50,427
IS BECOMING REALITY.
589
00:27:50,461 --> 00:27:54,086
Neil Armstrong:
IT'S ONE SMALL STEP FOR MAN,
590
00:27:54,120 --> 00:27:57,261
ONE GIANT LEAP FOR MANKIND.
591
00:27:57,296 --> 00:27:58,849
Man: HEY, IS THE LIGHTING
HALFWAY DECENT?
592
00:27:58,884 --> 00:28:00,609
David: STAR TREK WAS THE DREAM,
593
00:28:00,644 --> 00:28:02,473
BUT THE APOLLO MISSION
WAS THE REALITY,
594
00:28:02,508 --> 00:28:05,304
AND WHEN NEIL ARMSTRONG
LANDED ON THE MOON,
595
00:28:05,338 --> 00:28:07,271
I MEAN, I WASN'T THE ONLY ONE,
596
00:28:07,306 --> 00:28:10,033
THERE WERE A LOT OF US
IN TEARS OF JOY.
597
00:28:10,067 --> 00:28:14,727
Announcer:
THREE, TWO, ONE, FIRE.
598
00:28:14,762 --> 00:28:18,351
Announcer: WE HAVE IGNITION OF
NASA'S SPACE LAUNCH SYSTEM...
599
00:28:18,386 --> 00:28:22,666
Narrator: TODAY, NASA'S GOAL IS
TO SEND ASTRONAUTS TO MARS,
600
00:28:22,701 --> 00:28:25,738
AND IT'S TESTING
THE BIGGEST ROCKET EVER BUILT--
601
00:28:25,773 --> 00:28:28,051
THE SPACE LAUNCH SYSTEM--
602
00:28:28,085 --> 00:28:30,467
WHICH IS 34 TIMES MORE POWERFUL
603
00:28:30,501 --> 00:28:34,436
THAN A JUMBO JET
ON FULL THROTTLE.
604
00:28:34,471 --> 00:28:37,198
OF COURSE THE ENTERPRISE
DIDN'T NEED ROCKETS
605
00:28:37,232 --> 00:28:39,441
BECAUSE IT HAD WARP DRIVE.
606
00:28:39,476 --> 00:28:41,685
Kirk: RESUME ORIGINAL COURSE,
WARP FACTOR 2.
607
00:28:41,720 --> 00:28:43,618
Chekov: WARP FACTOR 2, SIR.
608
00:28:43,652 --> 00:28:46,794
Karl: IT'S LIKE WHEN YOU PUT
YOUR CAR INTO SPORT MODE
609
00:28:46,828 --> 00:28:48,796
AND DRIVE REALLY FAST.
610
00:28:48,830 --> 00:28:50,107
Simon: I DON'T PARTICULARLY
UNDERSTAND IT,
611
00:28:50,142 --> 00:28:52,558
AND I'M IN CHARGE OF
THE ENGINE ROOM AT THE MOMENT.
612
00:28:52,592 --> 00:28:55,112
IT JUST MEANS YOU GO FAST,
AND THAT'S ALL YOU NEED TO KNOW.
613
00:28:55,147 --> 00:28:56,873
[LAUGHS]
614
00:28:56,907 --> 00:29:00,083
Kirk: GO TO WARP 6.
615
00:29:00,117 --> 00:29:04,052
Narrator: BUT COULD WE EVER
TRAVEL AT WARP SPEED FOR REAL?
616
00:29:06,089 --> 00:29:07,676
ACCORDING TO EINSTEIN,
617
00:29:07,711 --> 00:29:12,095
NOTHING CAN TRAVEL FASTER
THAN THE SPEED OF LIGHT,
618
00:29:12,129 --> 00:29:16,547
BUT IF YOU COULD WARP
SPACE-TIME,
619
00:29:16,582 --> 00:29:18,273
YOU COULD GET FROM HERE TO THERE
620
00:29:18,308 --> 00:29:23,485
NOT JUST FAST,
BUT INSTANTANEOUSLY.
621
00:29:23,520 --> 00:29:25,142
AND ONE WAY OF DOING THAT
622
00:29:25,177 --> 00:29:28,767
MIGHT BE TO USE
GRAVITATIONAL WAVES.
623
00:29:31,183 --> 00:29:33,564
EINSTEIN HIMSELF
PREDICTED THEIR EXISTENCE
624
00:29:33,599 --> 00:29:36,395
A HUNDRED YEARS AGO--
625
00:29:36,429 --> 00:29:39,916
AND TODAY, AT THE LIGO
OBSERVATORY IN LOUISIANA,
626
00:29:39,950 --> 00:29:43,367
THEY'RE DETECTING THEM
FOR THE VERY FIRST TIME.
627
00:29:46,370 --> 00:29:47,958
IT'S A WORLDWIDE COLLABORATION
628
00:29:47,993 --> 00:29:51,479
OF MORE THAN A THOUSAND
SCIENTISTS AND ENGINEERS--
629
00:29:51,513 --> 00:29:54,068
INCLUDING OPERATIONS MANAGER
RICHARD ORAM,
630
00:29:54,102 --> 00:29:55,414
WHO, WHEN HE'S NOT MAKING
631
00:29:55,448 --> 00:29:58,072
THE SCIENTIFIC DISCOVERY
OF THE CENTURY,
632
00:29:58,106 --> 00:30:00,143
LIKES TO WATCH RERUNS
OF STAR TREK.
633
00:30:00,177 --> 00:30:02,559
Richard Oram: I'VE WATCHED
ALL OF THEM MULTIPLE TIMES,
634
00:30:02,593 --> 00:30:05,631
AT LEAST FOUR OR FIVE TIMES.
635
00:30:05,665 --> 00:30:07,978
BUT I'VE NEVER CONSIDERED MYSELF
TO BE A TREKKIE,
636
00:30:08,013 --> 00:30:13,432
BUT I'M BEGINNING TO REALIZE
PERHAPS I MIGHT BE.
637
00:30:13,466 --> 00:30:15,020
Narrator:
RICHARD IS LIGO'S ANSWER
638
00:30:15,054 --> 00:30:18,368
TO THE ENTERPRISE'S
CHIEF ENGINEER, SCOTTY.
639
00:30:18,402 --> 00:30:20,059
Scotty: THE SHIP'S NOT
STRUCTURED TO TAKE THAT SPEED
640
00:30:20,094 --> 00:30:22,372
FOR ANY LENGTH OF TIME.
641
00:30:22,406 --> 00:30:23,338
Simon:
"OOH, I DON'T KNOW ABOUT THAT,
642
00:30:23,373 --> 00:30:24,443
IT'S GONNA TAKE THIS LONG,"
643
00:30:24,477 --> 00:30:25,720
WHEN REALLY HE CAN DO IT
IN A BIT SHORTER,
644
00:30:25,754 --> 00:30:27,929
BUT HE'S GIVING HIMSELF
THE ROOM TO MAKE MISTAKES.
645
00:30:27,964 --> 00:30:29,379
Scotty:
CAPTAIN, WE CAN'T MAINTAIN
646
00:30:29,413 --> 00:30:30,725
WARP 8 SPEED MUCH LONGER,
647
00:30:30,759 --> 00:30:34,522
PRESSURES ARE APPROACHING
A CRITICAL POINT.
648
00:30:34,556 --> 00:30:38,215
Narrator: RICHARD DOESN'T HAVE
A DILITHIUM CRYSTAL MATRIX,
649
00:30:38,250 --> 00:30:41,805
BUT HE DOES HAVE
TWO 4-KILOMETER LASERS,
650
00:30:41,840 --> 00:30:43,842
AND LIKE A GIANT OBSERVATORY,
651
00:30:43,876 --> 00:30:49,088
THEY CAN DETECT EVENTS
HALFWAY ACROSS THE UNIVERSE.
652
00:30:49,123 --> 00:30:51,677
IN 2015 THEY DETECTED
THE COLLISION
653
00:30:51,711 --> 00:30:56,682
OF TWO MASSIVE BLACK HOLES
1.5 BILLION LIGHT YEARS AWAY,
654
00:30:56,716 --> 00:30:59,409
WHICH CREATED
A GRAVITATIONAL WAVE,
655
00:30:59,443 --> 00:31:01,480
WHICH WARPED SPACE-TIME
656
00:31:01,514 --> 00:31:06,036
AND WAS DETECTED RIGHT HERE
IN LOUISIANA.
657
00:31:06,071 --> 00:31:08,659
Richard: WE'RE ONLY REALLY
AT THE VERY STARTING POINT
658
00:31:08,694 --> 00:31:11,559
OF UNDERSTANDING
GRAVITATIONAL WAVES.
659
00:31:11,593 --> 00:31:12,974
BUT IT'S NOT TOO FAR-FETCHED,
660
00:31:13,009 --> 00:31:14,734
YOU KNOW,
FROM THAT STARTING POINT,
661
00:31:14,769 --> 00:31:16,564
TO THINK, WELL,
IF WE CAN UNDERSTAND THEM,
662
00:31:16,598 --> 00:31:21,396
WE CAN MAYBE LEARN
HOW TO USE THEM.
663
00:31:21,431 --> 00:31:23,295
Narrator:
AND MAYBE ONE DAY USE THEM
664
00:31:23,329 --> 00:31:27,264
TO TRAVEL THROUGH SPACE
AND EVEN TIME.
665
00:31:29,784 --> 00:31:31,337
FOR STAR TREK FANS,
666
00:31:31,372 --> 00:31:36,273
IT'S A DREAM ENCAPSULATED
BY THE STARSHIP ENTERPRISE.
667
00:31:36,308 --> 00:31:39,898
SO WHAT WILL THEY MAKE
OF ITS RESTORATION?
668
00:31:39,932 --> 00:31:42,072
Adam: THERE WILL BE FANS
OUT THERE WHO ARE WATCHING
669
00:31:42,107 --> 00:31:45,420
AND LOVING AND EXPECTING IT
TO LOOK LIKE WHAT THEY SAW,
670
00:31:45,455 --> 00:31:48,285
AND THEY WILL BE VERY PLEASED
AND VERY HAPPY.
671
00:31:48,320 --> 00:31:51,461
AND SOME FANS WILL HATE IT.
672
00:31:51,495 --> 00:31:53,981
Narrator:
COMING UP, THE BIG REVEAL.
673
00:31:54,015 --> 00:31:57,260
BUT FIRST,
THE CLOAK OF INVISIBILITY;
674
00:31:57,294 --> 00:32:01,540
FROM SCIENCE FICTION
TO SCIENCE FACT.
675
00:32:06,027 --> 00:32:08,271
WHEN THE MODEL
OF THE ENTERPRISE IS READY,
676
00:32:08,305 --> 00:32:10,687
IT WILL GO ON DISPLAY
AT THE SMITHSONIAN
677
00:32:10,721 --> 00:32:13,932
BESIDE TWO INTERMEDIATE RANGE
NUCLEAR MISSILES
678
00:32:13,966 --> 00:32:18,557
FROM THE COLD WAR,
679
00:32:18,591 --> 00:32:20,973
WHICH IS THE KIND
OF REAL-LIFE ISSUE
680
00:32:21,008 --> 00:32:25,288
THE SCRIPTWRITERS OF
STAR TREK NEVER SHIED AWAY FROM.
681
00:32:25,322 --> 00:32:27,738
David: WHILE THE ORIGINAL
PREMISE OF THE SHOW
682
00:32:27,773 --> 00:32:28,981
MAY HAVE BEEN LET'S JUST HAVE
683
00:32:29,016 --> 00:32:31,156
SOME ADVENTURES
WITH A SPACESHIP,
684
00:32:31,190 --> 00:32:36,264
VERY QUICKLY IT BECAME
SOCIAL COMMENTARY AS WELL.
685
00:32:36,299 --> 00:32:38,818
Uhura: OUTPOST 4 REPORTED
UNDER ATTACK, SIR.
686
00:32:38,853 --> 00:32:41,338
Narrator: IN THE EPISODE
"A BALANCE OF TERROR,"
687
00:32:41,373 --> 00:32:42,857
THE ENTERPRISE FINDS ITSELF
688
00:32:42,891 --> 00:32:47,275
IN STAR TREK'S VERSION
OF A 1960s COLD WAR STANDOFF.
689
00:32:47,310 --> 00:32:48,725
Kirk: DID OUTPOST 4
GIVE ANYTHING AT ALL
690
00:32:48,759 --> 00:32:50,485
ON THE ATTACKING VESSEL,
LIEUTENANT?
691
00:32:50,520 --> 00:32:52,522
Uhura: NO IDENTIFICATION, SIR.
692
00:32:52,556 --> 00:32:55,904
Narrator: JUST AS THE WEST
DISTRUSTED THE SOVIET UNION,
693
00:32:55,939 --> 00:33:01,565
AT THE FAR END OF THE GALAXY
THE ROMULANS WERE UP TO NO GOOD.
694
00:33:01,600 --> 00:33:03,050
Simon: ALL THE VILLAINS
IN STAR TREK
695
00:33:03,084 --> 00:33:08,227
WERE PROXIES FOR OUR VILLAINS,
THE REAL ENEMIES AT THE TIME.
696
00:33:08,262 --> 00:33:12,024
Narrator: THOSE SHIFTY ROMULANS
HAD A SECRET WEAPON--
697
00:33:12,059 --> 00:33:17,202
THE ROMULAN INVISIBILITY CLOAK.
698
00:33:17,236 --> 00:33:19,238
Kirk: I DON'T SEE ANYTHING.
699
00:33:19,273 --> 00:33:21,413
Spock: INVISIBILITY IS
THEORETICALLY POSSIBLE, CAPTAIN,
700
00:33:21,447 --> 00:33:22,586
THE SELECTIVE BENDING OF LIGHT.
701
00:33:22,621 --> 00:33:27,005
BUT THE POWER COST IS ENORMOUS.
702
00:33:27,039 --> 00:33:30,042
Narrator: INSPIRED BY STAR TREK,
SCIENTISTS HAVE BEEN TRYING
703
00:33:30,077 --> 00:33:33,425
TO MAKE AN INVISIBILITY CLOAK
EVER SINCE.
704
00:33:33,459 --> 00:33:35,530
John Howell:
OBVIOUSLY STAR TREK IS FICTION,
705
00:33:35,565 --> 00:33:37,325
SO WE DON'T--
IT DIDN'T ACTUALLY SPECIFY
706
00:33:37,360 --> 00:33:38,568
HOW THEIR CLOAK OPERATED,
707
00:33:38,602 --> 00:33:41,812
OTHERWISE WE WOULD HAVE
BUILT ONE A LONG TIME AGO.
708
00:33:41,847 --> 00:33:44,022
Narrator: SO PROFESSOR
JOHN HOWELL AND HIS TEAM
709
00:33:44,056 --> 00:33:45,954
AT THE UNIVERSITY
OF ROCHESTER
710
00:33:45,989 --> 00:33:47,887
HAVE MADE THEIR OWN VERSION.
711
00:33:47,922 --> 00:33:53,479
THEY CALL IT
THE ROCHESTER CLOAK.
712
00:33:53,514 --> 00:33:57,069
John: INVISIBILITY
IS TAKING A LIGHT RAY
713
00:33:57,104 --> 00:34:00,107
AND BENDING IT AROUND AN OBJECT
714
00:34:00,141 --> 00:34:06,423
SO THAT IT GETS TO THE OBSERVER
AS IF THE OBJECT WEREN'T THERE.
715
00:34:06,458 --> 00:34:09,563
Narrator: AND YOU CAN DO THIS
USING A SIMPLE CONFIGURATION
716
00:34:09,599 --> 00:34:12,947
OF FOUR OPTICAL LENSES.
717
00:34:12,981 --> 00:34:14,431
Joseph Choi:
WE HAVE THE ROCHESTER CLOAK,
718
00:34:14,466 --> 00:34:17,089
WHICH IS FOUR LENSES,
AND THEY'RE SET APART
719
00:34:17,123 --> 00:34:19,918
SO THAT THE LIGHT THAT COMES IN
720
00:34:19,954 --> 00:34:24,440
FOCUSES, DIVERGES,
COMES THROUGH, FOCUSES,
721
00:34:24,476 --> 00:34:26,373
DIVERGES AND COMES THROUGH.
722
00:34:26,409 --> 00:34:29,101
THE ROCHESTER CLOAK
CAN HIDE AN OBJECT
723
00:34:29,136 --> 00:34:31,344
BUT ALSO MAKE IT
LOOK TRANSPARENT,
724
00:34:31,379 --> 00:34:35,452
SO THAT THE WHOLE THING APPEARS
AS IF IT'S NOT THERE.
725
00:34:35,487 --> 00:34:40,078
♪
726
00:34:40,112 --> 00:34:42,494
John: PHYSICS IS NOT MAGIC.
727
00:34:42,527 --> 00:34:46,187
IT'S ONLY MAGIC IF YOU DON'T
UNDERSTAND WHAT'S GOING ON.
728
00:34:46,222 --> 00:34:47,982
IT WOULD BE
ABSOLUTELY INCREDIBLE
729
00:34:48,016 --> 00:34:51,123
TO AN 18th CENTURY PERSON
TO SEE AN iPHONE.
730
00:34:51,158 --> 00:34:55,369
IT WOULD BE TOTALLY MAGICAL.
731
00:34:55,402 --> 00:34:57,681
Narrator: AND NO ONE WOULD BE
MORE IMPRESSED
732
00:34:57,716 --> 00:34:59,890
THAN MR. SPOCK HIMSELF.
733
00:34:59,925 --> 00:35:02,928
♪
734
00:35:02,962 --> 00:35:05,033
Brooks: THIS IS SPOCK'S TUNIC.
735
00:35:05,068 --> 00:35:07,691
♪
736
00:35:07,726 --> 00:35:09,659
THIS, LIKE ALL OF THE ORIGINAL
SERIES UNIFORMS,
737
00:35:09,693 --> 00:35:13,180
IT'S SO IMPORTANT AND IT'S
SO EMBLEMATIC OF STAR TREK,
738
00:35:13,214 --> 00:35:18,840
AND IT'S REALLY,
REALLY PRECIOUS.
739
00:35:18,875 --> 00:35:22,603
Narrator: IN THE UCLA LIBRARY'S
SPECIAL COLLECTIONS DEPARTMENT,
740
00:35:22,637 --> 00:35:26,745
PEGGY ALEXANDER IS KEEPER OF
SOME OF THE ORIGINAL FAN LETTERS
741
00:35:26,779 --> 00:35:31,267
SENT TO LEONARD NIMOY,
THE ACTOR WHO PLAYED SPOCK.
742
00:35:31,301 --> 00:35:32,716
Peggy Alexander:
LEONARD NIMOY STARTED GETTING
743
00:35:32,751 --> 00:35:34,270
MUCH MORE FAN MAIL THAN
744
00:35:34,304 --> 00:35:36,168
THE OTHER STARS OF THE SHOW,
745
00:35:36,203 --> 00:35:38,170
INCLUDING WILLIAM SHATNER.
746
00:35:38,205 --> 00:35:39,413
Spock: FASCINATING.
747
00:35:39,447 --> 00:35:42,864
DC: THE FIRST WEEK
WE GOT A BAG OF MAIL. OKAY.
748
00:35:42,899 --> 00:35:44,694
THE SECOND WEEK WE GOT
SEVERAL BAGS OF MAIL.
749
00:35:44,728 --> 00:35:48,284
THIRD AND FOURTH WEEK IT GOT
COMING IN SO FAST AND SO MUCH,
750
00:35:48,318 --> 00:35:51,183
WE HAD TO HIRE A MAIL SERVICE
TO HANDLE IT.
751
00:35:51,218 --> 00:35:52,943
Peggy: "DEAR MR. RODDENBERRY,
752
00:35:52,978 --> 00:35:56,154
SPEAKING FOR MANY TEENAGE GIRLS
HERE IN VIRGINIA,
753
00:35:56,188 --> 00:35:59,191
PLEASE LET LEONARD NIMOY,
MR. SPOCK,
754
00:35:59,226 --> 00:36:01,400
DO MORE LEADING PARTS.
755
00:36:01,435 --> 00:36:03,989
HE'S SEXY."
756
00:36:04,023 --> 00:36:06,854
Brooks: IS SPOCK SEXY?
ABSOLUTELY.
757
00:36:06,888 --> 00:36:09,132
DC: A WHOLE LOT OF YOUNG WOMEN
THOUGHT SO.
758
00:36:09,167 --> 00:36:10,927
Peggy: "I LOVE MR. SPOCK.
759
00:36:10,961 --> 00:36:13,101
HE'S THE GREATEST THING
TO HIT TV."
760
00:36:13,136 --> 00:36:14,275
DC: WHEN YOU CAN'T GET
SOMETHING,
761
00:36:14,310 --> 00:36:15,794
THERE'S AN ATTRACTION THERE.
762
00:36:15,828 --> 00:36:18,555
[LAUGHS]
763
00:36:18,590 --> 00:36:21,213
Peggy: "PLEASE DON'T CHANGE
MR. SPOCK."
764
00:36:21,248 --> 00:36:26,460
Adam: HE'S SIMULTANEOUSLY
COMPELLING AND UNAVAILABLE.
765
00:36:26,494 --> 00:36:28,979
Peggy: "YOU WOULDN'T CHANGE
HIS PERSONALITY, WOULD YOU?
766
00:36:29,014 --> 00:36:30,705
I'D PROBABLY DIE IF YOU DID."
767
00:36:30,740 --> 00:36:32,017
Brooks: DON'T GO
FOR THE UNAVAILABLE GUYS.
768
00:36:32,051 --> 00:36:33,570
THEY'RE GONNA BREAK YOUR HEART.
769
00:36:33,605 --> 00:36:35,848
SPOCK IS ALWAYS BREAKING HEARTS.
770
00:36:39,852 --> 00:36:42,200
Narrator:
TODAY, SPOCK'S ORIGINAL TUNIC
771
00:36:42,234 --> 00:36:44,926
IS ON DISPLAY
AT THE EMP MUSEUM'S
772
00:36:44,961 --> 00:36:48,067
50th ANNIVERSARY
STAR TREK EXHIBITION,
773
00:36:48,102 --> 00:36:51,312
TOGETHER WITH
THE ICONIC PROPS HE USED.
774
00:36:51,347 --> 00:36:54,246
Brooks: THIS IS A TRICORDER
FROM STAR TREK.
775
00:36:54,281 --> 00:36:55,765
THIS IS AN ORIGINAL PROP.
776
00:36:55,799 --> 00:37:00,632
YOU WOULD HAVE SEEN THIS USED
BY SPOCK, ALSO DR. McCOY.
777
00:37:00,666 --> 00:37:03,221
THE TRICORDER
IS A MULTIFUNCTION DEVICE.
778
00:37:03,255 --> 00:37:06,845
IT'S A COMPUTER, IT'S A SCANNER,
IT'S AN ANALYZER, IT'S A SENSOR.
779
00:37:06,879 --> 00:37:08,536
IT'S USED FOR SCIENCE,
FOR MEDICINE,
780
00:37:08,571 --> 00:37:11,263
ALL KINDS OF THINGS.
781
00:37:11,298 --> 00:37:15,750
IT IS LIKE AN iPAD ON STEROIDS.
782
00:37:15,785 --> 00:37:17,752
Simon: IT WAS ANOTHER
BRILLIANT PLOT DEVICE
783
00:37:17,787 --> 00:37:20,790
WHICH ENABLED PEOPLE
TO EXPLAIN THINGS BY LOOKING AT,
784
00:37:20,824 --> 00:37:23,758
"OH, YEAH, THAT'S--
THIS IS THAT."
785
00:37:23,793 --> 00:37:26,589
Narrator:
AND HOW DOES IT WORK EXACTLY?
786
00:37:26,623 --> 00:37:27,590
Simon: NO IDEA.
787
00:37:27,624 --> 00:37:29,592
[LAUGHS]
788
00:37:32,836 --> 00:37:36,150
Narrator: BUT PETER DIAMANDIS
WANTS TO FIND OUT.
789
00:37:36,184 --> 00:37:38,601
HE'S FOUNDER
OF THE XPRIZE FOUNDATION,
790
00:37:38,635 --> 00:37:40,188
WHICH SEEKS TO PUSH THE LIMITS
791
00:37:40,223 --> 00:37:43,675
OF WHAT'S SCIENTIFICALLY
POSSIBLE.
792
00:37:43,709 --> 00:37:46,471
HE'S OFFERING
A $10 MILLION PRIZE
793
00:37:46,505 --> 00:37:50,371
TO THE TEAM THAT CAN INVENT
A WORKING TRICORDER.
794
00:37:50,406 --> 00:37:53,305
Peter: THIS DEVICE NEEDS TO BE
SOMETHING THAT YOU CAN SPEAK TO,
795
00:37:53,340 --> 00:37:55,376
IT'S GOT ARTIFICIAL INTELLIGENCE
ON THE CLOUD,
796
00:37:55,411 --> 00:37:58,793
AND IN SUCCESS
IT CAN DIAGNOSE YOU,
797
00:37:58,828 --> 00:38:01,417
INITIALLY IN ABOUT, YOU KNOW,
15 DIFFERENT DISEASES,
798
00:38:01,451 --> 00:38:04,212
AS GOOD OR BETTER THAN
A BOARD-CERTIFIED DOCTOR.
799
00:38:06,353 --> 00:38:08,493
Narrator:
SONNY KOHLI IS A DOCTOR,
800
00:38:08,527 --> 00:38:13,429
AND HE GREW UP IN THE '70s
WATCHING RERUNS OF STAR TREK.
801
00:38:13,463 --> 00:38:14,982
Sonny Kohli: AS I WALK
INTO THE HOSPITAL,
802
00:38:15,016 --> 00:38:17,640
THE AUTOMATIC DOOR OPENS,
803
00:38:17,674 --> 00:38:19,573
YOU KNOW, A THROWBACK
TO STAR TREK.
804
00:38:19,607 --> 00:38:21,471
I'M WALKING UP THE STAIRS
TO THE ICU,
805
00:38:21,506 --> 00:38:23,887
I'VE BEEN SPEAKING WITH THEM
WITH MY COMMUNICATOR DEVICE,
806
00:38:23,922 --> 00:38:25,820
THINKING TO MYSELF,
LIKE "WE'RE ALREADY HERE."
807
00:38:25,855 --> 00:38:28,892
THESE GUYS SAW IT COMING.
808
00:38:28,927 --> 00:38:31,619
Uhura: A SIGNAL, CAPTAIN.
809
00:38:31,654 --> 00:38:33,725
Narrator: SO WHEN PETER SAYS...
810
00:38:33,759 --> 00:38:39,282
Peter: THAT SHOULD BE POSSIBLE.
WHY DON'T WE HAVE A TRICORDER?
811
00:38:39,317 --> 00:38:41,353
Narrator:
GUESS SONNY'S REACTION.
812
00:38:41,388 --> 00:38:42,699
Sonny: AND I WAS LIKE,
"COME AGAIN?
813
00:38:42,734 --> 00:38:44,839
THERE'S ACTUALLY
A TRICORDER XPRIZE COMPETITION?"
814
00:38:44,874 --> 00:38:47,601
AND I SAID,
SURE, I'D LOVE TO SIGN UP.
815
00:38:47,635 --> 00:38:49,188
Narrator:
BECAUSE WHO WOULDN'T WANT TO BE
816
00:38:49,223 --> 00:38:51,363
THE PHYSICIAN OF THE FUTURE?
817
00:38:51,398 --> 00:38:54,677
McCoy: I'LL DO EVERYTHING
I CAN, JIM, TO SAVE HIM.
818
00:38:54,711 --> 00:38:55,747
Karl: I THINK ONE OF THE THINGS
819
00:38:55,781 --> 00:38:58,888
THAT APPEALS TO ME THE MOST
ABOUT HIM
820
00:38:58,922 --> 00:39:02,270
IS THAT HE HAS GOT THE MOST
APPALLING BEDSIDE MANNER.
821
00:39:02,305 --> 00:39:03,651
Kirk: I DON'T NEED ANY.
822
00:39:03,686 --> 00:39:05,343
McCoy: I'M STILL CHIEF MEDICAL
OFFICER ON THE ENTERPRISE,
823
00:39:05,377 --> 00:39:07,724
I'LL TELL YOU WHAT YOU NEED
AND WHEN YOU NEED IT.
824
00:39:07,759 --> 00:39:09,174
Karl: BUT UNDERNEATH THAT
825
00:39:09,208 --> 00:39:14,213
HE'S ONE OF THE MOST ALTRUISTIC
HUMAN BEINGS THAT YOU CAN FIND,
826
00:39:14,248 --> 00:39:17,147
AND HE LOVES ALL SPECIES.
827
00:39:17,182 --> 00:39:19,115
McCoy: THERE'S NOTHING
DISGUSTING ABOUT IT,
828
00:39:19,149 --> 00:39:22,394
IT'S JUST ANOTHER LIFE FORM,
THAT'S ALL.
829
00:39:22,429 --> 00:39:25,639
Narrator: SONNY,
THE 21st CENTURY DR. McCOY,
830
00:39:25,673 --> 00:39:26,916
NOW HEADS UP A TEAM
831
00:39:26,950 --> 00:39:29,194
COMPETING WITH OTHERS
FROM AROUND THE WORLD
832
00:39:29,228 --> 00:39:32,680
IN A RACE TO INVENT
A WORKING TRICORDER.
833
00:39:38,445 --> 00:39:41,551
SONNY'S TRICORDER
USES AN ARRAY OF SENSORS
834
00:39:41,586 --> 00:39:45,659
TO TRANSMIT YOUR VITAL SIGNS
TO THE CLOUD.
835
00:39:45,693 --> 00:39:47,005
Sonny: THERE'S A FUTURE
FOR THIS,
836
00:39:47,039 --> 00:39:48,109
AND WE'RE NOT GOING TO STOP
837
00:39:48,144 --> 00:39:49,317
UNTIL IT'S OUT THERE
IN THE WORLD
838
00:39:49,352 --> 00:39:52,251
BEING USED AND SAVING LIVES.
839
00:39:52,286 --> 00:39:55,082
Narrator: LIKE ANY
MEDICAL DIAGNOSTIC DEVICE,
840
00:39:55,116 --> 00:39:58,844
EACH TRICORDER MUST NOW UNDERGO
RIGOROUS CLINICAL TESTING
841
00:39:58,879 --> 00:40:00,708
BEFORE A WINNER CAN BE DECLARED
842
00:40:00,743 --> 00:40:07,301
AND SCIENCE FICTION CAN TAKE
ONE STEP CLOSER TO REALITY.
843
00:40:07,335 --> 00:40:12,306
Peter: WE'RE MAKING
THE STAR TREK UNIVERSE HAPPEN.
844
00:40:12,340 --> 00:40:15,516
IT'S THE MOST EXCITING TIME EVER
TO BE ALIVE.
845
00:40:15,551 --> 00:40:16,552
Kirk: HOW IS HE?
846
00:40:16,586 --> 00:40:18,899
Spock: SEVERE HEART DAMAGE...
847
00:40:18,933 --> 00:40:23,524
Narrator: IN THE SPACE OF JUST
50 YEARS, WE'VE COME A LONG WAY.
848
00:40:23,559 --> 00:40:25,215
David: IF I HAD KNOWN
THAT STAR TREK
849
00:40:25,250 --> 00:40:28,253
WAS GOING TO BE THAT BIG
AND CREATE THAT BIG AN IMPACT,
850
00:40:28,287 --> 00:40:29,703
I THINK IT WOULD HAVE
TERRIFIED ME.
851
00:40:29,737 --> 00:40:33,154
[GROWLING]
852
00:40:33,189 --> 00:40:35,467
[BOOM]
853
00:40:35,502 --> 00:40:36,813
Narrator: COMING UP,
854
00:40:36,848 --> 00:40:41,404
WHERE WILL IT TAKE US
IN THE NEXT 50 YEARS?
855
00:40:41,439 --> 00:40:45,857
AND FIRST, WHATEVER HAPPENED TO
THE STUDIO SET OF THE BRIDGE?
856
00:40:45,891 --> 00:40:47,375
Chekov: 3 HOURS, 4 MINUTES, SIR.
857
00:40:48,894 --> 00:40:50,102
Scotty: BRIDGE TO CAPTAIN,
858
00:40:50,137 --> 00:40:52,346
THAT MECHANICAL BEASTIE
IS UP HERE.
859
00:40:52,380 --> 00:40:54,452
Kirk: ON MY WAY, SCOTTY.
860
00:40:54,486 --> 00:40:57,213
Narrator:
FROM SCIENCE TO POP CULTURE,
861
00:40:57,247 --> 00:41:04,496
SOCIAL PROGRESS TO FUNKY DESIGN,
STAR TREK HAS LED THE WAY,
862
00:41:04,531 --> 00:41:06,947
EVEN THOUGH THE ORIGINAL SERIES
WAS CANCELLED
863
00:41:06,981 --> 00:41:09,501
AFTER JUST THREE SEASONS
864
00:41:09,536 --> 00:41:13,850
AND MOST OF THE PROPS TRASHED.
865
00:41:13,885 --> 00:41:18,890
BACK IN 1969, BILL WARD
WAS A GRAD STUDENT AT UCLA,
866
00:41:18,924 --> 00:41:23,239
AND HE SAW WHAT HAPPENED
TO THE STUDIO SET OF THE BRIDGE.
867
00:41:23,273 --> 00:41:25,275
Bill Ward: WELL, HERE WE ARE
AT THE BACK LOT
868
00:41:25,310 --> 00:41:28,589
OF THE SCHOOL OF THEATER, FILM
AND TELEVISION AT UCLA,
869
00:41:28,624 --> 00:41:31,143
AND I'M RETRACING
THE FINAL VOYAGE
870
00:41:31,178 --> 00:41:33,214
OF THE STARSHIP ENTERPRISE.
871
00:41:33,249 --> 00:41:37,287
THIS IS WHERE FLATBED TRUCKS
DEPOSITED ALL OF THE SETS
872
00:41:37,322 --> 00:41:40,532
FROM THE ORIGINAL STAR TREK.
873
00:41:40,567 --> 00:41:45,192
I REMEMBER
THE TWO SLIDING DOORS.
874
00:41:45,226 --> 00:41:46,814
THEY WERE QUITE MAGICAL
875
00:41:46,849 --> 00:41:49,541
IN THAT THEY SEEMED TO
AUTOMATICALLY OPEN AND CLOSE.
876
00:41:49,576 --> 00:41:50,680
WHEN I LOOKED AT THEM
877
00:41:50,715 --> 00:41:52,199
I FOUND THAT THERE WAS A HANDLE
ON EACH ONE
878
00:41:52,233 --> 00:41:56,168
SO THAT A STAGEHAND COULD PULL
IT OPEN AND CLOSE IT MANUALLY.
879
00:41:56,203 --> 00:41:58,619
Uhura: CAPTAIN, WE'RE GETTING
A SIGNAL FROM THE SPACECRAFT.
880
00:41:58,654 --> 00:42:01,898
Bill:
I REMEMBER LIEUTENANT UHURA'S
COMMUNICATION CENTER
881
00:42:01,933 --> 00:42:03,935
WAS A SHEET
OF QUARTER-INCH PLYWOOD,
882
00:42:03,969 --> 00:42:07,559
ALSO PAINTED GRAY, WITH
SOME LITTLE THINGS GLUED TO IT
883
00:42:07,594 --> 00:42:08,974
THAT DIDN'T REALLY DO ANYTHING.
884
00:42:09,009 --> 00:42:10,735
BUT SHE PRETENDED LIKE IT DID
885
00:42:10,769 --> 00:42:13,738
AND DID QUITE
A GOOD JOB OF THAT.
886
00:42:13,772 --> 00:42:17,983
I THINK IF THEY HAD KNOWN HOW
VALUABLE THIS WOULD HAVE BECOME,
887
00:42:18,018 --> 00:42:19,329
THEY WOULD HAVE HELD ON TO IT
888
00:42:19,364 --> 00:42:23,092
BECAUSE IT WOULD BE WORTH
A TREMENDOUS AMOUNT TODAY.
889
00:42:23,126 --> 00:42:25,439
Narrator: INSTEAD OF WHICH,
THE ENTIRE STRUCTURE
890
00:42:25,473 --> 00:42:27,510
OF QUARTER-INCH PLYWOOD FLATS
891
00:42:27,545 --> 00:42:30,927
WAS TAKEN APART, PIECE BY PIECE,
892
00:42:30,962 --> 00:42:33,033
AND OVER THE NEXT DECADES,
893
00:42:33,067 --> 00:42:35,967
CANNIBALIZED
FOR STUDENT PRODUCTIONS.
894
00:42:36,001 --> 00:42:37,140
Bill: WELL, HERE WE ARE
IN THE SCHOOL
895
00:42:37,175 --> 00:42:39,453
OF THEATER, FILM
AND TELEVISION SCENE SHOP.
896
00:42:39,487 --> 00:42:43,284
THIS IS WHERE THE ENTERPRISE
WAS FINALLY DISMANTLED.
897
00:42:43,319 --> 00:42:44,907
IT TOOK SEVERAL YEARS TO DO IT.
898
00:42:44,941 --> 00:42:48,117
IT WAS USED
IN STUDENT FILM PRODUCTION.
899
00:42:48,151 --> 00:42:50,395
THERE MIGHT BE SOME PIECES
OF IT STILL HERE.
900
00:42:50,429 --> 00:42:52,328
WHO KNOWS?
901
00:42:55,745 --> 00:42:58,196
Narrator: LUCKILY, THE MODEL
OF THE ENTERPRISE
902
00:42:58,230 --> 00:43:01,786
WASN'T THROWN IN THE DUMPSTER.
903
00:43:01,820 --> 00:43:06,480
AND 50 YEARS AFTER IT FIRST FLEW
ACROSS OUR TV SETS,
904
00:43:06,514 --> 00:43:10,104
THE STARSHIP ENTERPRISE
CAN NOW BE REVEALED ONCE MORE
905
00:43:10,139 --> 00:43:13,763
IN ALL ITS RESTORED GLORY.
906
00:43:13,798 --> 00:43:15,938
Margaret:
WE KNOW DOWN TO THE MICRON
907
00:43:15,972 --> 00:43:18,423
THAT WE HAVE THE DECALS
IN THE RIGHT PLACES,
908
00:43:18,457 --> 00:43:20,598
THE WINDOWS ARE EXACTLY RIGHT,
909
00:43:20,632 --> 00:43:24,118
ALL OF THE DETAILING THAT MAKES
THE ENTERPRISE THE ENTERPRISE
910
00:43:24,153 --> 00:43:26,224
WE HAVE IN THE RIGHT PLACE.
911
00:43:26,258 --> 00:43:32,989
♪
912
00:43:33,024 --> 00:43:38,201
THE ENTERPRISE MODEL IS
A GENUINE 1960s TELEVISION STAR.
913
00:43:38,236 --> 00:43:39,858
IT SHOULDN'T SURPRISE ME,
914
00:43:39,893 --> 00:43:43,172
GIVEN THAT THIS IS A MODEL
THAT WAS BUILT FOR TELEVISION,
915
00:43:43,206 --> 00:43:47,107
BUT IT JUST SHOWS UP
SO BEAUTIFULLY ON CAMERA.
916
00:43:47,141 --> 00:43:49,903
Narrator: AND FOR CHIEF
CONSERVATOR MALCOLM COLLUM,
917
00:43:49,937 --> 00:43:52,250
IT'S A JOB WELL DONE.
918
00:43:52,284 --> 00:43:53,907
Malcolm: IT'S NOT GOING
TO FALL APART,
919
00:43:53,941 --> 00:43:55,978
AT LEAST NOT IN MY LIFETIME.
920
00:43:56,012 --> 00:44:00,085
Narrator: STAR TREK
MAY VERY WELL OUTLIVE US ALL.
921
00:44:03,641 --> 00:44:06,678
Kirk: DEFLECTOR SHIELDS ON FULL.
Chekov: DEFLECTORS ON FULL.
922
00:44:06,713 --> 00:44:08,300
Kirk: KIRK HERE.
923
00:44:08,335 --> 00:44:10,371
DC: WHEN WE WERE PROJECTING
THINGS LIKE THE TRICORDER,
924
00:44:10,406 --> 00:44:12,788
THE PHASERS, THE TRANSPORTER,
925
00:44:12,822 --> 00:44:16,446
THERE WAS A BASIS IN SCIENCE
ALREADY THAT COULD SAY,
926
00:44:16,481 --> 00:44:18,241
"YOU KNOW, THIS MIGHT HAPPEN,
927
00:44:18,276 --> 00:44:21,659
THIS COULD HAPPEN
IN THE FUTURE."
928
00:44:21,693 --> 00:44:24,696
David Grier: ALL OF THAT
TECHNOLOGY WHICH WAS BEYOND--
929
00:44:24,731 --> 00:44:27,285
YOU COULDN'T IMAGINE
HOW TO MAKE IT AT THE TIME--
930
00:44:27,319 --> 00:44:28,907
WE HAVE THAT NOW.
931
00:44:28,942 --> 00:44:30,840
AND WHEN YOU REALIZE
THAT THE YEAR
932
00:44:30,875 --> 00:44:33,187
THAT STAR TREK WAS
SUPPOSED TO BE SET IN,
933
00:44:33,222 --> 00:44:36,501
YOU KNOW, WE'RE WAY AHEAD
OF SCHEDULE.
934
00:44:36,535 --> 00:44:38,399
THAT'S PRETTY THRILLING.
[LAUGHS]
935
00:44:40,608 --> 00:44:42,127
Kirk: WARP FACTOR 8.
936
00:44:42,162 --> 00:44:44,405
Peter: SCIENCE FICTION
HAS PLAYED A ROLE
937
00:44:44,440 --> 00:44:46,476
OF GIVING A TARGET TO SHOOT FOR.
938
00:44:46,511 --> 00:44:49,134
Otavio:
EXPLORE STRANGE NEW WORLDS.
939
00:44:49,169 --> 00:44:51,309
David Gerrold:
WITH WHAT WE CAN DO NOW,
940
00:44:51,343 --> 00:44:53,345
WITH 50 YEARS OF TECHNOLOGY NOW,
941
00:44:53,380 --> 00:44:58,074
I WANT TO KNOW
THE REST OF THE STORY.
942
00:44:58,109 --> 00:45:01,284
Simon: THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.
943
00:45:01,319 --> 00:45:03,390
Adam: ITS FIVE-YEAR MISSION...
944
00:45:03,424 --> 00:45:05,564
Brooks: TO EXPLORE
STRANGE NEW WORLDS...
945
00:45:05,599 --> 00:45:07,083
Karl: TO SEEK OUT NEW LIFE...
946
00:45:07,118 --> 00:45:08,671
[SPEAKING RUSSIAN]
947
00:45:08,706 --> 00:45:10,742
Translator:
AND NEW CIVILIZATIONS...
948
00:45:10,777 --> 00:45:12,054
David Grier: TO BOLDLY GO...
949
00:45:12,088 --> 00:45:16,265
Nichelle: ...WHERE NO MAN
OR WOMAN HAS GONE BEFORE.
70289
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