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1
00:00:15,166 --> 00:00:18,900
‐ [ SIREN WAILING IN DISTANCE ]
‐ [ CHATTERING ]
2
00:00:18,966 --> 00:00:21,966
COME ON, COME ON, DON'T PUSH ME.
I'M GOING INTO
MAJOR BACK SPASMS HERE.
3
00:00:22,033 --> 00:00:24,633
OH, OH, THE PAIN'S
SHOOTING DOWN MY LEG NOW.
MORNING, SARGE.
4
00:00:24,700 --> 00:00:27,766
WELL, MAYBE YOU SHOULDN'T HAVE
JUMPED THROUGH THAT MOTEL ROOM
TRANSOM, HUH, NICK?
5
00:00:27,833 --> 00:00:29,633
THAT COULD BE HARD
ON THE SCIATIC.
6
00:00:29,700 --> 00:00:32,000
DON'T TAKE THE BAG
OFF OF MY HEAD!
HEY, HEY, OKAY.
7
00:00:32,066 --> 00:00:33,966
WE'RE IN THE STATION HOUSE.YOU'RE SAFE.
8
00:00:34,033 --> 00:00:37,266
OH, I'M SAFE?
OH, THAT'S A GOOD ONE.
9
00:00:37,333 --> 00:00:39,533
THAT'S RICH.
I'M A DEAD MAN.
10
00:00:39,600 --> 00:00:42,600
THIS IS THE ESCAPEDMATERIAL WITNESS,AND I NEED SOME ASPIRIN.
11
00:00:42,666 --> 00:00:45,733
‐ HE'S GOT A BAD BACK, OKAY?
‐ TYLENOL 3!
12
00:00:45,800 --> 00:00:48,366
D.A.'S OFFICE CALLED.
THEIR DETECTIVES ARE ON
THEIR WAY TO PICK HIM UP.
13
00:00:48,433 --> 00:00:50,366
I HOPE YOU GAVE THOSE MOPES
GOOD DIRECTIONS.
14
00:00:50,433 --> 00:00:52,533
UPSTAIRS, NICK.
UP YOU GO.
15
00:00:52,600 --> 00:00:55,466
THAT BITCH KIMMY GAVE ME UP.
SHE DROPPED THE DIME ON ME,
DIDN'T SHE?
16
00:00:55,533 --> 00:00:57,533
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
17
00:00:57,600 --> 00:00:59,666
YEAH, RIGHT, KELLY.
TELL ME ANOTHER ONE.
SHE GAVE ME UP...
18
00:00:59,733 --> 00:01:02,700
AND NOW YOU'RE
SENDING ME TO MY DEATH,
MAKING ME TESTIFY.
19
00:01:02,766 --> 00:01:05,066
NICK, DIDN'T YOU
PLAY THE ELEPHANT MAN
IN THAT SCHOOL PLAY?
20
00:01:05,133 --> 00:01:07,366
LET ME HEAR YOU SAY THIS
WITH YOUR NOSE ALL CLOGGED,
21
00:01:07,433 --> 00:01:11,266
"I'M NOT AN ANIMAL.
I'M A HUMAN BEING."
OH, MY GOD! OH!
22
00:01:11,333 --> 00:01:13,966
HEY, WHY DON'T YOU JUST
SHOOT ME IN THE HEAD, HUH?
23
00:01:14,033 --> 00:01:17,766
HUH? COME ON, JUST GO AHEAD.
JUST SHOOT ME IN THE HEAD
RIGHT NOW. NO?
24
00:01:17,833 --> 00:01:20,800
OKAY, HOW ABOUT THE MOUTH
THEN, HUH? COME ON. COME ON.
RIGHT THROUGH THE BRAIN.
25
00:01:20,866 --> 00:01:24,500
AT LEAST THAT WAY
I KNOW WHEN IT'S COMING.
I MEAN, THE OTHER WAY,
26
00:01:24,566 --> 00:01:26,666
NEVER KNOWIN' WHEN IT'S COMING,
THAT SCARES ME.
27
00:01:26,733 --> 00:01:29,400
THAT'S IT, NICKY.
JUST, UH, KEEP WORKING
YOURSELF UP.
28
00:01:29,466 --> 00:01:31,533
TRY FOR
A HEART ATTACK, HUH?
29
00:01:31,600 --> 00:01:34,933
THE OLIVAS ARE IN CUSTODY, NICK.
THEY CANNOT HURT YOU.
30
00:01:35,000 --> 00:01:39,000
[ CHUCKLES ] SO WHAT‐‐
SO WHAT ARE YOU TRYING TO DO,
INSULT ME NOW, KELLY?
31
00:01:39,066 --> 00:01:42,066
AFTER EVERYTHING ELSE,
YOU TRY TO INSULT ME?
"THEY CAN'T GET TO ME"?
32
00:01:42,133 --> 00:01:46,733
WHO ARE YOU KIDDING?
YOU CALLED IN THE TIP, NICK.
SEEING THEM DO THAT WHACK.
33
00:01:46,800 --> 00:01:50,733
I WAS PISSED OFF!
YOU DON'T‐‐ YOU DON'T KILL
A GUY IN FRONT OF HIS KID.
34
00:01:50,800 --> 00:01:53,666
A‐ANIMALS DID IT
RIGHT IN FRONT OF
THE GUY'S LITTLE KID.
35
00:01:53,733 --> 00:01:56,233
THAT'S RIGHT,
AND YOU DID THE RIGHT THING
BY CALLIN' IT IN.
36
00:01:56,300 --> 00:01:59,033
YEAH, AND I CALLED IT IN
ANONYMOUS. ANONYMOUS.
37
00:01:59,100 --> 00:02:01,333
TH‐THAT WORD IS NOT
IN YOUR VOCABULARY?
38
00:02:01,400 --> 00:02:04,266
HEY, BRIGHT EYES,
YOU WANT ANONYMOUS,
DON'T USE YOUR OWN PHONE.
39
00:02:04,333 --> 00:02:06,566
YOU KNOW WE TRACE
INCOMING CALLS HERE, HUH.
40
00:02:06,633 --> 00:02:09,700
YEAH, GREAT.
SO‐‐ SO I DO A GOOD THING.
I HAVE TO DIE FOR IT.
41
00:02:09,766 --> 00:02:13,300
YOU ARE NOT GONNA DIE.YOU ARE GONNA TESTIFYAND THAT IS IT.
42
00:02:15,566 --> 00:02:17,500
I DON'T BELIEVE A WORD
OUT OF YOUR MOUTH, KELLY.
43
00:02:17,566 --> 00:02:20,933
"OH, JUST COME IN
AND I. D. THE MAN, NICKY.
44
00:02:21,000 --> 00:02:23,733
PICK HIM OUT OF A LINEUP.
YOU DON'T GOTTA GO
TO THE GRAND JURY."
45
00:02:23,800 --> 00:02:27,600
I COME IN.
I MAKE THE I.D.
TWO DAYS LATER‐‐ BOOM!
46
00:02:27,666 --> 00:02:31,766
"OH, NICKY. OUR OTHER EVIDENCE
FELL THROUGH. YOU GOTTA COME IN
AND TESTIFY."
47
00:02:31,833 --> 00:02:36,033
AND WHEN I SAY I WON'T DO THAT,
YOU GUYS MAKE ME
A MATERIAL WITNESS...
48
00:02:36,100 --> 00:02:38,000
AND THROW ME
IN A CIVIL JAIL.
49
00:02:38,066 --> 00:02:41,933
AND THAT‐‐ THAT WAS‐‐
THAT WAS REALLY CUTE.
THAT WAS NICE, YOU KNOW.
50
00:02:42,000 --> 00:02:43,933
IN THERE W‐WITH THE ANIMALS.
51
00:02:44,000 --> 00:02:46,233
WHICH IS WHY
WE PUT YOU IN A MOTEL.
52
00:02:46,300 --> 00:02:49,533
IT'S CALLED PROTECTIVE CUSTODY,
NICK. WE PUT YOU IN THERE
TO PROTECT YOU.
53
00:02:49,600 --> 00:02:52,766
BUT YOU‐‐
DEEP THINKER THAT YOU ARE‐‐
YOU ESCAPE.
54
00:02:52,833 --> 00:02:54,800
OF COURSE I ESCAPED!
55
00:02:54,866 --> 00:02:59,000
I‐I HAVE THIS THOUGHT,
YOU KNOW, THAT‐‐ THAT MAYBE...
56
00:02:59,066 --> 00:03:03,600
MY LIFE IS STILL
WORTH SOMETHING, YOU KNOW.
57
00:03:03,666 --> 00:03:06,733
I MEAN, I COULD STILL
DO SOMETHING WITH MY LIFE.
58
00:03:08,200 --> 00:03:11,433
I MEAN, FELLAS...
COME ON NOW.
59
00:03:11,500 --> 00:03:15,800
IF I STAY IN THIS TOWN
AND I TESTIFY...
60
00:03:15,866 --> 00:03:18,733
I'M A DEAD MAN.
61
00:03:18,800 --> 00:03:22,700
NOW YOU LOOK ME IN THE EYE
AND YOU TELL ME THAT AIN'T TRUE.
62
00:03:22,766 --> 00:03:26,366
NICKY, IF YOU STOP
ACTING LIKE A FLAKE,
THAT WON'T BE TRUE.
63
00:03:29,500 --> 00:03:31,966
YEAH. YEAH, SURE.
64
00:03:32,033 --> 00:03:36,300
YEAH, AND ROSE KENNEDY SHOULDN'T
KEEP HER BLACK DRESS PRESSED.
SCREW YOU GUYS.
65
00:04:50,970 --> 00:04:54,637
HEY. HE'S GOT A BAD BACK.
YOU MIGHT WANNA BE AWARE OF IT.
66
00:04:54,704 --> 00:04:56,970
HEY, GUYS, HERE'S
A LITTLE TIP, YOU KNOW.
67
00:04:57,037 --> 00:05:01,137
OKAY.
WE TRY TO ALTERNATETHE GUYS WHO ARE ASLEEP.
68
00:05:01,204 --> 00:05:05,116
WE TRY NOT TO HAVE BOTH COPS
ASLEEP IN A MOTEL ROOM
AT THE SAME TIME.
69
00:05:05,183 --> 00:05:10,483
THAT WAY THE GUY CAN'T VAULT
OVER YOUR SHOULDERS
OUT THE TRANSOM.
70
00:05:10,550 --> 00:05:12,816
THAT'S NOT THE WAY
IT HAPPENED, SIPOWICZ.
DON'T PUSH.
71
00:05:12,883 --> 00:05:14,983
OKAY, OKAY.
72
00:05:15,050 --> 00:05:17,183
HE HAS 48 HOURSBEFORE HE HAS TO TESTIFY.
73
00:05:17,250 --> 00:05:19,583
IF WE COULD KEEP HIM
IN CUSTODY UNTIL THEN,
THAT'D BE IDEAL.
74
00:05:19,650 --> 00:05:24,850
HEY, YOU TELL KIMMY
I HOPE SHE GOT WELL
RATTIN' ME OUT TO YOU GUYS.
75
00:05:24,916 --> 00:05:26,783
COME ON!
STAY COOL, NICKY.
YOU'LL BE ALL RIGHT.
76
00:05:26,850 --> 00:05:30,250
SERIOUSLY, NICK. DEEP DOWN,
DON'T YOU FEEL PRETTY GOOD
ABOUT THIS, HUH?
77
00:05:30,316 --> 00:05:32,983
WHATEVER HAPPENS TO ME
IS ON YOUR HEADS, YOU PRICKS!
78
00:05:33,050 --> 00:05:34,983
COME ON, LET'S GO.
AAH! OH, MY NECK.
79
00:05:37,016 --> 00:05:40,383
HERE'S YOUR MESSAGE.
CALLIN' THAT TIP IN IS
PROBABLY THE ONLY GOOD THING...
80
00:05:40,450 --> 00:05:43,216
THE GUY'S EVER DONE IN HIS LIFE,
AND IT WINDS UP JAMMIN' HIM UP.
81
00:05:43,283 --> 00:05:45,883
IT'S NOT LIKE HE HAD
MUCH OF A LIFE TO RUIN.
82
00:05:45,950 --> 00:05:47,883
YOU GUYS BETTER GET
YOUR UNIFORMS IN SHAPE.
83
00:05:47,950 --> 00:05:49,850
YOU GOT A UNIFORM DETAIL
THE DAY AFTER TOMORROW.
84
00:05:49,916 --> 00:05:52,383
‐ YOU'RE KIDDING.
‐ DIVISION COMMANDER'S REQUEST.
85
00:05:52,450 --> 00:05:55,883
WHAT'S THE DETAIL?
A PARADE.
BROADWAY ON BROADWAY.
86
00:05:55,950 --> 00:05:59,883
PEOPLE FROM THE BROADWAY
MUSICALS PERFORMING THEIR SONGS
ON THE STREET.
87
00:05:59,950 --> 00:06:03,283
WE'RE GONNA BE HIP‐DEEPIN LEOTARDS.
88
00:06:05,183 --> 00:06:08,316
THIS IS A DIVISION COMMANDER
BUSTING FANCY'S BALLS.
89
00:06:08,383 --> 00:06:12,850
I GOTTA GO SEE ROBERTS
FOR BREAKFAST. HE DIDN'T SOUND
TOO GOOD ON THE PHONE.
90
00:06:12,916 --> 00:06:14,983
HOW'S THAT YOUR PROBLEM?
I DON'T KNOW.
91
00:06:15,050 --> 00:06:18,183
I'LL SEE YOU LATER.
I GOTTA CALL
THE DRY CLEANER.
92
00:06:18,250 --> 00:06:20,983
DOES YOUR UNIFORM
NEED ANY ALTERATIONS, ANDY?
93
00:06:21,050 --> 00:06:23,550
WHAT'S THAT
SUPPOSED TO MEAN, MEDAVOY?
94
00:06:23,616 --> 00:06:27,816
NO, ALL'S I'M SAYING IS,
YOU KNOW, IF IT WAS NECESSARY,
95
00:06:27,883 --> 00:06:30,983
MY, UH, MY DRY CLEANER
DOES ALTERATIONS,
96
00:06:31,050 --> 00:06:33,050
UH, IS ALL I MEANT.
97
00:06:36,583 --> 00:06:38,483
EXCUSE ME.
98
00:06:52,816 --> 00:06:54,883
HEY.
HEY.
99
00:06:56,683 --> 00:06:58,650
HI, MIKE.
100
00:06:58,716 --> 00:07:00,816
NICE TO SEE YA.
YEAH, YOU TOO.
101
00:07:00,883 --> 00:07:04,150
THANKS FOR MEETING ME.
SURE.
102
00:07:04,216 --> 00:07:07,183
HOW YOU BEEN?
I'VE BEEN BETTER, JOHN.
103
00:07:07,250 --> 00:07:09,883
WHAT'S GOING ON?
WELL, YOU KNOW.
104
00:07:09,950 --> 00:07:13,316
CONNIE'S GOT ME
SLEEPING ON THE COUCH.
105
00:07:13,383 --> 00:07:18,650
SHE WANTS A DIVORCE,
ONLY WE CAN'T AFFORD ONE.
106
00:07:18,716 --> 00:07:21,450
SHE CAN'T FORGIVE ME,
JOHN, YOU KNOW.
107
00:07:21,516 --> 00:07:23,950
ALL THAT STUFF WITH DEE DEE,
SHE CAN'T GET PAST IT.
108
00:07:24,016 --> 00:07:26,050
GIVE HER SOME TIME, MIKE.
GIVE HER SOME TIME.
109
00:07:26,116 --> 00:07:30,083
IT'S NOT GONNA HAPPEN.
SHE LOOKS OVER AT ME
SOMETIMES,
110
00:07:30,150 --> 00:07:32,616
GOING TO GET A GLASS OF WATER,
I'M ON THE COUCH LIKE A DOG.
111
00:07:32,683 --> 00:07:36,516
SHE LOOKS OVER AT ME
WITH ABSOLUTELY NO RESPECT.
[ CHUCKLES ]
112
00:07:36,583 --> 00:07:39,883
AND MY KIDS?
YOU KNOW, USED TO BE THEY'D
ASK ME HOW THE DAY WENT.
113
00:07:39,950 --> 00:07:41,950
NOW THEY ASK ME, YOU KNOW,
"SEEN ANYTHING ON TV?"
114
00:07:42,016 --> 00:07:44,150
"ANYTHING GOOD ON TV?"
THEY SAY.
115
00:07:44,216 --> 00:07:46,383
I MEAN, I HAD
DECORATIONS, JOHN.
116
00:07:46,450 --> 00:07:49,350
I HAD TWO SEPARATE CITATIONS
FOR VALOR, RIGHT?
117
00:07:49,416 --> 00:07:53,483
[ MAN ]
GLORIA, PICK UP.
118
00:07:53,550 --> 00:07:56,116
ANYWAYS, ENOUGH
BITCHIN' AND MOANIN'
FROM ME, HUH?
119
00:07:56,183 --> 00:07:58,183
YOU GOT ENOUGH PROBLEMS
OF YOUR OWN.
120
00:08:00,183 --> 00:08:03,650
I WANTED TO TELL YOU
I TOOK OUT A P.I. LICENSE.
121
00:08:03,716 --> 00:08:05,950
HEY, GOOD, GOOD.
YEAH.
122
00:08:06,016 --> 00:08:09,350
AND, UH, 100% CANDID,
123
00:08:09,416 --> 00:08:12,916
I HEARD YOU WERE MOONLIGHTIN',
BODYGUARDIN' FOR JIMMY WEXLER.
124
00:08:12,983 --> 00:08:14,950
I THOUGHT YOU HAD
SOME SHIFT WORK
YOU COULD THROW ME.
125
00:08:15,016 --> 00:08:18,250
YEAH, WELL, YOU KNOW HE'S BEEN
SO SICK LATELY, I HAVEN'T BEEN
WORKIN' FOR HIM.
126
00:08:18,316 --> 00:08:21,883
OH, NO KIDDIN', HUH? OH.
SORRY HE'S SO SICK.
YEAH.
127
00:08:21,950 --> 00:08:25,283
BUT I WILL DEFINITELY
THINK OF YOU IF I GET
THAT KIND OF WORK, OKAY?
128
00:08:25,350 --> 00:08:27,250
YEAH, I APPRECIATE THAT.
129
00:08:29,183 --> 00:08:31,483
YOU THOUGHT I WAS
AN OKAY COP, RIGHT, JOHN?
130
00:08:33,550 --> 00:08:37,083
I MEAN, UH,
I KNOW I CROSSED
THE LINE THAT ONE TIME‐‐
131
00:08:37,150 --> 00:08:39,150
MY RELATIONSHIP
WITH DEE DEE‐‐
132
00:08:39,216 --> 00:08:41,783
BUT IN GENERAL,
YOU HAD RESPECT
FOR ME AS A COP?
133
00:08:41,850 --> 00:08:44,916
IN GENERAL, MIKE, I DID.
134
00:08:47,516 --> 00:08:50,016
YOU KNOW WHAT?
HOLD ON TO A FEW DOLLARS,
WILL YOU?
135
00:08:50,083 --> 00:08:53,916
ABSOLUTELY NOT.
ABSOLUTELY NOT.
PUT THAT AWAY.
136
00:08:53,983 --> 00:08:57,216
I'M LOOKIN' TO EARN HERE, JOHN.
I'M NOT LOOKIN' TO
GLAM ON TO ANYBODY.
137
00:09:03,550 --> 00:09:07,316
THANKS FOR MEETING ME.
US GUYS HAVE GOTTA
STICK TOGETHER, AM I RIGHT?
138
00:09:07,383 --> 00:09:10,250
THAT'S RIGHT.
WE GOTTA STICK TOGETHER.
139
00:09:10,316 --> 00:09:13,416
AND I WILL DEFINITELY
CALL YOU IF I HAVE
THAT KIND OF WORK, OKAY?
140
00:09:13,483 --> 00:09:15,950
THANKS.
141
00:09:16,016 --> 00:09:18,883
YOU KNOW, I NEVER THOUGHT
I'D MISS THE JOB THIS MUCH.
[ PAGER BEEPS ]
142
00:09:18,950 --> 00:09:21,650
CRAZY.
[ MAN ] I THINK
SHE'S HAVING A HEART ATTACK.
143
00:09:21,716 --> 00:09:24,416
WHAT, YOU GOTTA TAKE THAT?
144
00:09:24,483 --> 00:09:27,316
YEAH. YEAH.
145
00:09:27,383 --> 00:09:31,116
UH‐‐
NO, GO AHEAD.
I UNDERSTAND.
146
00:09:31,183 --> 00:09:34,850
THANKS FOR MEETING ME.
YOU BET. YOU KEEP
YOUR CHIN UP, ALL RIGHT?
147
00:09:34,916 --> 00:09:37,316
OKAY.
ALL RIGHT.
I'LL TALK TO YOU.
148
00:09:38,716 --> 00:09:41,483
[ CASH REGISTER DINGS ]
149
00:09:46,350 --> 00:09:48,450
[ SIREN WAILS ]
150
00:10:02,183 --> 00:10:04,616
HOW DID THIS HAPPEN?
AH, NICKY JUMPED OUT
OF THE CAR...
151
00:10:04,683 --> 00:10:07,683
WHILE THE D. A. COPS
WERE TAKING HIM BACK
TO THE MOTEL.
152
00:10:07,750 --> 00:10:11,883
HE GOT LOST THROUGH
THE SIDE STREETS. SO, I GUESS
HIS BACK SPASMS LET UP, HUH?
153
00:10:11,950 --> 00:10:15,216
WHY DIDN'T WE HEAR ABOUT IT?
'CAUSE THE D. A. COPS
NEVER CALLED IN THE ALARM.
154
00:10:15,283 --> 00:10:19,183
THEY DECIDED TO GO LOOKIN'
FOR HIM THEMSELVES. THIS GUY'S
BEEN RUNNING AROUND FOR AN HOUR.
155
00:10:19,250 --> 00:10:21,150
THEY SHOT HIM COMIN' OUT OF
HERE ABOUT 20 MINUTES AGO.
156
00:10:21,216 --> 00:10:23,416
THOSE ASSHOLES
LET HIM ESCAPE.
WHAT DO YOU GOT?
157
00:10:23,483 --> 00:10:27,283
NO WITNESSES TO THE SHOOTING
ITSELF. THAT GUY SAW
A BLUE PONTIAC DRIVING AWAY...
158
00:10:27,350 --> 00:10:29,516
AND A GIRL RUNNING AWAY
FROM WHERE THE GUY GOT SHOT.
159
00:10:29,583 --> 00:10:33,316
GET A DESCRIPTION
ON THE GIRL?
WHITE, LATE‐20'S, BLOND HAIR.
160
00:10:33,383 --> 00:10:36,283
THAT'S KIMMY.
HE SAID SHE RAN AWAY
SCREAMING.
161
00:10:36,350 --> 00:10:39,216
[ MAN ]
STAY BACK.
YOU CAN'T BE IN HERE.
162
00:10:39,283 --> 00:10:42,616
I WANNA TALK TO YOU A MINUTE.
YOU WORK IN THE BAR, RIGHT?
163
00:10:42,683 --> 00:10:44,450
YEAH, THAT'S RIGHT.
YOU KNOW THIS GUY?
164
00:10:44,516 --> 00:10:46,683
YEAH, HE CAME IN SOMETIME.NICKY CONSTANTINO, RIGHT?
165
00:10:46,750 --> 00:10:49,716
YOU KNOW THE GIRL HE WAS WITH?
I SAW HER
WITH HIM A FEW TIMES.
166
00:10:49,783 --> 00:10:51,650
DID SHE COME IN
WITH HIM TODAY?
167
00:10:51,716 --> 00:10:54,750
NO, SHE MET HIM.
HE'D BEEN IN HERE
MAYBE HALF AN HOUR.
168
00:10:54,816 --> 00:10:58,216
HE'S HITTIN' IT PRETTY GOOD.
SHE CAME IN.
SHE MADE A PHONE CALL.
169
00:10:58,283 --> 00:11:02,150
I THINK THEY HAD A DRINK.
THEY LEAVE, HE GETS SHOT
OUT FRONT.
170
00:11:02,216 --> 00:11:05,583
HOW COME YOU REMEMBER
SHE MADE THE PHONE CALL?
171
00:11:05,650 --> 00:11:09,016
'CAUSE I BROKE DOWN A TWENTY
FOR HER. SHE DIDN'T HAVE
ANY CHANGE.
172
00:11:09,083 --> 00:11:11,283
ALL RIGHT, LET ME‐‐
HEY, JOHN, WHERE ARE THEY GOIN'?
173
00:11:11,350 --> 00:11:14,416
[ KELLY ]
I DON'T KNOW. THEY SAID
THEY DIDN'T SEE ANYTHING.
174
00:11:14,483 --> 00:11:17,850
THEY'RE GOING BACK
TO THE STATION.
HEY, FORGET ABOUT YOU...
175
00:11:17,916 --> 00:11:20,816
BEING BAD ENOUGH AT YOUR JOB,
YOU LET THIS GUY BOOGIE
TWICE IN 24 HOURS.
176
00:11:20,883 --> 00:11:22,950
FORGET YOU UNCUFFED HIM IN
THE BACK OF THE CAR.
177
00:11:23,016 --> 00:11:26,383
THE GUY'S BACK WAS KILLING HIM.
WHAT I WANNA KNOW IS HOW YOU
ASSHOLES COULD BE SO GUTLESS...
178
00:11:26,450 --> 00:11:28,550
‐ AS TO NOT CALL IT IN.
‐ GET AWAY FROM US, SIPOWICZ!
179
00:11:28,616 --> 00:11:31,383
YOU GOT THIS GUY KILLED!
I THINK YOU GOT HIM KILLED!
180
00:11:31,450 --> 00:11:34,283
OH, I GOT HIM KILLED?
YOU PRICK. I GOT HIM KILLED?
181
00:11:34,350 --> 00:11:38,383
ALL HE COULD TALK ABOUT
WAS HOW YOU AND KELLY LIED
TO HIM. MADE HIM TESTIFY.
182
00:11:38,450 --> 00:11:40,450
HE KNEW HE WAS
GONNA BE TAKEN OUT.
SHUT YOUR MOUTH.
183
00:11:40,516 --> 00:11:43,216
WHICH IT LOOKS TO ME
IS WHAT HAPPENED.
SHUT UP AND GET IN YOUR CAR.
184
00:11:43,283 --> 00:11:45,716
YOU HEAR ME?
I DON'T LIKE THE WAY
HE'S TALKIN' TO ME.
185
00:11:45,783 --> 00:11:47,816
THIS IS YOUR SCREWUP.
THIS IS YOUR MESS.
186
00:11:47,883 --> 00:11:49,983
IF YOU KNOW
WHAT'S GOOD FOR YOU,
GET IN THE CAR.
187
00:11:50,050 --> 00:11:53,083
AND DON'T GET LOST ON THE WAY.
WE DIDN'T KILL NOBODY, PAL.
188
00:11:53,150 --> 00:11:56,050
WE'RE NOT THE ONES
WHO LET HIM ESCAPE, ALL RIGHT?
189
00:12:13,883 --> 00:12:15,916
YOU'VE GOT NO REASON
TO HOLD ME.
190
00:12:15,983 --> 00:12:17,850
DON'T WANNA HOLD YOU,
JUST WANNA TALK TO YOU.
191
00:12:17,916 --> 00:12:21,083
I ALREADY TOLD YOU
WHAT HAPPENED. WE WERE COMIN'
OUT OF KERNER'S, NICKY GOT SHOT.
192
00:12:21,150 --> 00:12:25,550
I DIDN'T SEE ANYTHING.
OKAY, RIGHT IN HERE.
COME ON. COME ON.
193
00:12:25,616 --> 00:12:27,916
RIGHT DOWN ON THE END.
GO AHEAD.
194
00:12:35,550 --> 00:12:38,583
I NEED SOMETHING TO DRINK.
CAN I GET A DIET SODA?
195
00:12:38,650 --> 00:12:42,150
‐ IN A LITTLE WHILE.
‐ [ CHUCKLES ]
196
00:12:42,216 --> 00:12:46,316
WHAT'S THIS GONNA BE NOW, HUH?
YOU GUYS GONNA BEAT ME UP?
197
00:12:48,147 --> 00:12:50,380
NICKY WAS BLOWN AWAY
IN THE STREET, KIMMY.
198
00:12:50,447 --> 00:12:52,547
YOU GOT HIS BLOOD
ON YOUR SHIRT, DON'T YOU?
199
00:12:53,847 --> 00:12:57,514
WE WANNA CATCH THESE GUYS.
WE NEED YOUR COOPERATION.
200
00:12:58,980 --> 00:13:00,780
I TOLD YOU
I DIDN'T SEE ANYTHING.
201
00:13:00,847 --> 00:13:04,247
YOU KNOW WHAT
"THEORY OF THE CASE"
MEANS, KIMMY?
202
00:13:04,314 --> 00:13:06,914
YOU WANNA HEAR
ONE THEORY OF THE CASE?
203
00:13:06,980 --> 00:13:10,480
THE OLIVAS BOUGHT NICKY
GETTING HIT, AND YOU DROPPED
THE DIME TO FINGER HIM,
204
00:13:10,547 --> 00:13:12,480
WHICH WOULD ACCOUNT
FOR YOUR TRAVEL PLANS.
205
00:13:12,547 --> 00:13:15,147
YOU KNOW, I CALLEDYOU GUYS LAST NIGHT.
206
00:13:15,214 --> 00:13:18,847
I TOLD YOU WHERE NICKY
WAS SO YOU'D GET HIM BACK
INTO CUSTODY AND HE'D BE SAFE.
207
00:13:18,914 --> 00:13:23,214
YOU ALSO HIT US FOR $200.
AND MAYBE TODAY YOU FIGURED
YOU'D LOOK FOR A HIGHER BID.
208
00:13:23,280 --> 00:13:25,214
DID YOU CALL THE OLIVAS
FROM THE BAR?
209
00:13:25,280 --> 00:13:29,347
‐ THEY REACH OUT TO YOU,
TELL YOU HOW TO GET IN TOUCH?
‐ SONS OF BITCHES!
210
00:13:29,414 --> 00:13:31,980
I LOVED NICKY.
I CARED ABOUT
WHAT HAPPENED TO HIM.
211
00:13:32,047 --> 00:13:37,214
THE ONLY CALL I MADE
FROM THAT BAR WAS THE PORT
AUTHORITY FOR BUSES TO MIAMI.
212
00:13:37,280 --> 00:13:40,347
‐ WHAT HAPPENED IN THE STREET?
‐ I DIDN'T SEE ANYTHING.
213
00:13:40,414 --> 00:13:42,747
‐ I DON'T BELIEVE YOU, KIMMY.
‐ LEAVE ME ALONE.
214
00:13:42,814 --> 00:13:45,880
YOU WANNA GET OUT OF TOWN?
YOU WANNA GET TO MIAMI?
WE COULD ARRANGE THAT.
215
00:13:45,947 --> 00:13:47,880
YEAH? AFTER WHAT?
216
00:13:47,947 --> 00:13:51,847
YOU I. D. THE GUY WHO SHOT NICKY.
WE PICK HIM UP.
WE TAKE THE BALL FROM THERE.
217
00:13:53,380 --> 00:13:55,914
IS THIS WHAT
YOU TOLD NICKY, HUH?
218
00:13:55,980 --> 00:14:00,414
IS THIS HOW YOU LIED TO HIM?
"JUST MAKE THE I. D.
WE'LL TAKE IT FROM THERE."
219
00:14:00,480 --> 00:14:02,780
TELL US WHAT YOU SAW, KIMMY.
WE'LL GET YOU OUT OF TOWN.
220
00:14:02,847 --> 00:14:06,180
WE CAN DO THAT,
BUT YOU GOTTA LISTEN TO ME.
221
00:14:06,247 --> 00:14:09,014
SO, LOOK AT ME.
LOOK AT ME.
222
00:14:09,080 --> 00:14:14,580
NOW, SOMETIMES IN LIFE
THINGS GO FAR FROM WHAT
WE DREAM FOR OURSELVES.
223
00:14:14,647 --> 00:14:16,847
AND WHEN THAT HAPPENS,
IT'S A DRAG.
224
00:14:16,914 --> 00:14:21,247
BUT WE MUST BE WILLING
TO BE RESILIENT
AND MAKE CHANGES FOR OURSELF.
225
00:14:21,314 --> 00:14:23,714
MAKE A NEW PLAN FOR OURSELF.
DO YOU UNDERSTAND?
226
00:14:23,780 --> 00:14:26,380
NOW, I THINK IF YOU PUT
SOME THOUGHT INTO THAT,
227
00:14:26,447 --> 00:14:29,147
YOU COULD COME UP WITH
SOMETHING GOOD FOR YOURSELF.
228
00:14:29,214 --> 00:14:31,380
[ INHALES DEEPLY ]
229
00:14:31,447 --> 00:14:33,480
I WANNA GO TO FLORIDA.
230
00:14:35,614 --> 00:14:39,314
‐ SWIM WITH THE DOLPHINS.
‐ WE COULD MAKE THAT HAPPEN.
231
00:14:39,380 --> 00:14:43,280
UNDERSTAND SOMETHING, KIMMY.
NICKY NOT BEING ABLE TO TESTIFY,
232
00:14:43,347 --> 00:14:46,847
THE GUYS HE WAS GONNA I.D.
ARE GONNA WALK OUT OF RIKERS
IN A FEW DAYS.
233
00:14:46,914 --> 00:14:50,614
OUR PEOPLE DON'T WANT THAT.
YOU HELP US MAKE A CASE
AGAINST HIM,
234
00:14:50,680 --> 00:14:52,814
AND WE'RE NOT TALKIN'
ABOUT JUST A COUPLE
HUNDRED OF DOLLARS.
235
00:14:52,880 --> 00:14:56,180
HOW MUCH DO YOU THINK YOU NEED
TO GET DOWN TO FLORIDA?
TWO, THREE THOUSAND?
236
00:14:56,247 --> 00:14:58,347
WE CAN GET THAT FOR YOU.
IT'S A BIG CASE.
237
00:14:58,414 --> 00:15:01,280
BUT YOU'VE GOT TO GIVE US
THE SHOOTER WHO KILLED NICKY.
238
00:15:03,747 --> 00:15:05,680
I'M SCARED.
239
00:15:05,747 --> 00:15:10,480
I THINK NICKY WOULD WANT YOU
TO GET OUTTA HERE, KIMMY.
I REALLY DO.
240
00:15:11,980 --> 00:15:16,380
I KNOW HE WOULD.
OH, I KNOW THAT.
241
00:15:17,880 --> 00:15:19,714
[ SIREN WAILING IN DISTANCE ]
242
00:15:22,714 --> 00:15:26,280
YEAH. OKAY.
243
00:15:26,347 --> 00:15:30,147
SIX MONTHS AGO,
THE OLIVA BROTHERS PUT OUT
A HIT ON ONE OF THEIR DEALERS.
244
00:15:30,214 --> 00:15:32,280
A MAN NAMED NICKY CONSTANTINO
WITNESSED THE HIT...
245
00:15:32,347 --> 00:15:35,647
AND WAS GOING TO BE
A MATERIAL WITNESS IN THE OLIVA
TRIAL THREE DAYS FROM NOW.
246
00:15:35,714 --> 00:15:38,114
TILL YOU GUYS LOST HIM
IN CUSTODY AND THE OLIVAS
SLAUGHTERED HIM.
247
00:15:38,180 --> 00:15:41,647
‐ THAT'S NOT HOW IT HAPPENED.
‐ THE D. A. SQUAD DETECTIVES
HAD HIM IN CUSTODY.
248
00:15:41,714 --> 00:15:43,980
I DON'T GIVE A DAMN
WHO HAD HIM IN CUSTODY.
249
00:15:44,047 --> 00:15:46,180
HE WAS YOUR WITNESS,
AND YOU WERE RESPONSIBLE
FOR HIM.
250
00:15:46,247 --> 00:15:49,814
THE POINT IS THE GIRLFRIEND
SAW HIM GET HIT. SHE CAN I.D.
THE GUY WHO HIT HIM.
251
00:15:49,880 --> 00:15:52,580
WE'RE GONNA SHOW HER
SOME PICTURES, BUT SHE'S NOT
GONNA OPEN HER MOUTH...
252
00:15:52,647 --> 00:15:54,880
UNLESS WE AUTHORIZE
SOME MONEY FOR HER
TO GET OUT OF TOWN.
253
00:15:57,214 --> 00:15:59,514
‐ HOW MUCH?
‐ $3,000.
254
00:15:59,580 --> 00:16:01,914
YOU TOLD HER ALL SHE'D
HAVE TO DO WAS I. D. THE GUY?
255
00:16:01,980 --> 00:16:04,547
THAT'S RIGHT. SO, EITHER
WE GET HER THE MONEY
AND POP THIS GUY...
256
00:16:04,614 --> 00:16:07,314
OR THE OLIVAS WALK AWAY
AND WE ALL LOOK BAD.
257
00:16:10,514 --> 00:16:14,514
I'LL GET YOU TWO THOUSAND.
258
00:16:14,580 --> 00:16:16,680
IS THAT THE BEST
YOU CAN DO?
259
00:16:16,747 --> 00:16:19,714
WHAT, ARE YOU WORKING
OFF COMMISSION?
260
00:16:21,614 --> 00:16:24,647
[ SIGHS ]
TWENTY‐FIVE HUNDRED.
261
00:16:24,714 --> 00:16:26,947
BUT IF YOU BRING THIS GUY
IN OFF HER I. D...
262
00:16:27,014 --> 00:16:30,180
AND HE WON'T FLIPON THE OTHER GUYSTHAT HIRED HIM,
263
00:16:30,247 --> 00:16:32,414
I DON'T CARE WHAT PROMISES
YOU MADE THIS GIRL,
264
00:16:32,480 --> 00:16:36,314
IT'S UNDERSTOOD BETWEEN US,
SHE'S GONNA TESTIFY.
265
00:16:38,014 --> 00:16:39,880
OKAY.
266
00:16:45,947 --> 00:16:48,947
YOU WANNA GO BACK AND THANK HIM
FOR THE UNIFORM DETAIL?
YEAH.
267
00:16:49,014 --> 00:16:51,414
LISTEN TO THIS.
YOU READY FOR THIS?
268
00:16:51,480 --> 00:16:53,547
THE DRY CLEANERS
CAN'T FIND MY UNIFORM.
269
00:16:53,614 --> 00:16:56,480
I HAD IT IN THE DRY CLEANERS.
THEY'RE HAVING TROUBLE
TRACKING IT DOWN.
270
00:16:56,547 --> 00:16:58,880
YOU GOT THE CLAIM TICKET?
I LOST THE TICKET!
271
00:16:58,947 --> 00:17:02,614
IT'S THREE‐AND‐A‐HALF YEARS.
THEY'RE REQUIRED TO BY LAW.
272
00:17:02,680 --> 00:17:06,180
I'D GO ARREST THEM, MEDAVOY.
I MEAN, I MAY HAVE TO
BUY A WHOLE NEW UNIFORM.
273
00:17:10,214 --> 00:17:13,580
I DON'T WANNA WIND UP
A LIAR WITH THIS GIRL, ANDY.
274
00:17:13,647 --> 00:17:18,314
YEAH, I LIKE TO KEEP A PROMISE
TO A WITNESS ONCE A YEAR,
JUST TO REMEMBER THE FEELING.
275
00:17:18,380 --> 00:17:20,180
LET'S GET HER STARTED
ON THE PHOTOGRAPHS.
276
00:17:20,247 --> 00:17:23,080
‐ YOU WANNA HANDLE THAT
FOR A WHILE?
‐ YEAH, WHAT'S UP?
277
00:17:23,147 --> 00:17:25,447
I WANNA GO TALK
TO THAT BARTENDER AGAIN.
278
00:17:25,514 --> 00:17:27,580
ALL RIGHT.
I'LL SEE YOU LATER.
HI, ANDY.
279
00:17:27,647 --> 00:17:30,080
HI. SURE YOU CAN.
CAN I TALK
TO YOU FOR A MINUTE?
280
00:17:30,147 --> 00:17:32,647
JAMES, WILL YOU GET THIS GIRL
STARTED ON THE CONSTANTINO
PHOTOGRAPHS, PLEASE?
281
00:17:32,714 --> 00:17:35,447
‐ SURE, JOHN. NO PROBLEM.
‐ WHAT'S GOING ON?
282
00:17:35,514 --> 00:17:38,047
WELL, I UNDERSTAND
MY TRIAL CALENDAR
HAD A HOLE PUT IN IT.
283
00:17:38,114 --> 00:17:41,947
YEAH, THE OLIVA PROSECUTION'S
IN TROUBLE NOW 'CAUSE OF
CONSTANTINO'S DEATH.
284
00:17:42,014 --> 00:17:45,780
I DON'T KNOW, BUT WHAT DIDYOU WANNA TALK ABOUT?
285
00:17:45,847 --> 00:17:49,247
MAYBE I'M CRAZY,
BUT I'VE HAD THE FEELING LATELY
THAT I'M BEING FOLLOWED.
286
00:17:51,414 --> 00:17:54,614
TELL ME ABOUT IT.
WELL, IT'S NOTHING CONCRETE.
287
00:17:54,680 --> 00:17:56,580
JUST THREE OR FOUR TIMES
OVER THE LAST WEEK.
288
00:17:56,647 --> 00:17:58,880
IT'S MORE LIKE A FEELING
THAN ANYTHING.
289
00:17:58,947 --> 00:18:02,547
IT'S LIKE I COME OUT OF A PLACE,
I FEEL LIKE SOMEONE'S
WATCHING ME OR FOLLOWING ME,
290
00:18:02,614 --> 00:18:04,480
AND I TURN AROUND,
IT'S PEOPLE IN THE STREET.
291
00:18:04,547 --> 00:18:06,480
I'M PROBABLY
JUST BEING NEUROTIC.
292
00:18:06,547 --> 00:18:10,514
IT'S PROBABLY JUST SOME SORT
OF A POST‐STRESS SYNDROME
FROM THE GIARDELLA THING.
293
00:18:10,580 --> 00:18:12,680
YEAH. NO, I WANNA
LOOK INTO THIS.
YEAH?
294
00:18:12,747 --> 00:18:16,080
WHAT ARE YOU GONNA DO?
I'LL CALL YOUR SUPER
AND SEND A SECTOR CAR OVER.
295
00:18:16,147 --> 00:18:19,347
OKAY. YEAH, THANKS.
296
00:18:20,514 --> 00:18:22,547
HEY, LAURIE.
YEAH.
297
00:18:24,814 --> 00:18:27,880
THE GUY YOU'RE SEEING,
DOES HE HAVE THIS FEELING TOO?
298
00:18:27,947 --> 00:18:30,147
WHAT DOES HE
HAVE TO DO WITH THIS?
299
00:18:30,214 --> 00:18:33,347
WELL, I KNOW YOU GUYS
ARE SERIOUS, SPENDIN'
A LOT OF HOURS TOGETHER.
300
00:18:33,414 --> 00:18:36,814
YEAH?
WELL, DOES HE FEEL
THIS WAY TOO?
301
00:18:36,880 --> 00:18:39,247
NO, HE DOESN'T.
ANYTHING ELSE?
302
00:18:39,314 --> 00:18:41,780
NO. I'LL SEND A CAR OVER.
YOU GONNA BE AROUND?
303
00:18:41,847 --> 00:18:44,647
WHAT ARE YOU GETTING AT?
YOU WANT TO KNOW
WHERE I'M SLEEPING?
304
00:18:47,347 --> 00:18:49,514
I AM NOT TRYING TO GET INTO
YOUR PRIVATE LIFE,
305
00:18:49,580 --> 00:18:52,347
BUT IF I'M GONNA CHECK THIS OUT,
I NEED TO KNOW WHERE YOU ARE.
306
00:18:53,647 --> 00:18:55,980
I SLEEP AT HIS PLACE
ABOUT HALF THE TIME.
307
00:18:56,047 --> 00:18:59,080
IN MANHATTAN? OKAY.
YEAH.
308
00:18:59,147 --> 00:19:01,647
I FINALLY MADE IT
OVER THE BRIDGE.
309
00:19:03,906 --> 00:19:06,806
HERE'S HIS NAME
AND NUMBER.
310
00:19:08,006 --> 00:19:10,339
ANYTHING ELSE?
NO, THAT'S IT.
311
00:19:10,406 --> 00:19:12,206
OKAY. THANK YOU.
YEAH.
312
00:19:13,872 --> 00:19:15,872
YOU OKAY. COME ON.
YEAH.
313
00:19:35,772 --> 00:19:37,806
[ BARTENDER ]
WHAT'S UP?
314
00:19:38,939 --> 00:19:40,939
YOU REMEMBER ME, RIGHT?
YEAH.
315
00:19:42,572 --> 00:19:44,972
I'M FOLLOWING UP
ON THIS SHOOTING.
316
00:19:45,039 --> 00:19:47,506
I DON'T KNOW WHAT ELSE
I CAN TELL YOU.
[ SIGHS ]
317
00:19:47,572 --> 00:19:50,272
WELL, I'LL ASK YOU
SOME QUESTIONS, AND THAT'LL
GIVE YOU A HINT...
318
00:19:50,339 --> 00:19:53,272
ABOUT WHAT I'M INTERESTED
IN FINDING OUT.
SURE.
319
00:19:54,906 --> 00:19:56,939
ALL RIGHT.
SO, THIS GIRL COMES IN,
AND SHE MEETS NICKY.
320
00:19:57,006 --> 00:19:59,072
NOW LET'S GO OVER
THIS NEXT PART AGAIN.
321
00:19:59,139 --> 00:20:03,706
OKAY. SHE MADE A PHONE CALL,
THEY HAD A DRINK, THEY LEFT.
322
00:20:05,072 --> 00:20:08,639
HE WAS PAYING
FOR HIS DRINKS, HUH?
YEAH.
323
00:20:08,706 --> 00:20:12,406
AND SHE, UH, SHE BROKEA TWENTY WITH YOUSO SHE COULD MAKE THE CALL.
324
00:20:12,472 --> 00:20:15,406
YEAH, THAT'S RIGHT.
AND, UH,
325
00:20:15,472 --> 00:20:19,072
THAT'S HOW YOU REMEMBER
HER MAKING THE CALL, 'CAUSE
SHE ASKED FOR CHANGE, RIGHT?
326
00:20:19,139 --> 00:20:22,039
YEAH. WE TALKED ABOUT
ALL THIS.
327
00:20:22,106 --> 00:20:25,772
SO, NICKY'S PAYING FORHIS DRINKS,
328
00:20:25,839 --> 00:20:29,206
HE'S GOT MONEY ON THE BAR,
AND SHE GOES INTO HER POCKET...
329
00:20:29,272 --> 00:20:32,272
AND SHE ASKS FOR CHANGE
FOR A $20 BILL.
330
00:20:32,339 --> 00:20:36,406
NOW, THAT DOESN'T
MAKE SENSE TO ME.
I‐I DON'T THINK SHE DID THAT.
331
00:20:36,472 --> 00:20:38,439
LOOK. WHAT'S
YOUR PROBLEM HERE?
332
00:20:38,506 --> 00:20:41,006
I GOT NO PROBLEM.
333
00:20:41,072 --> 00:20:43,906
I JUST, UH, I JUST
GET THE FEELING THAT...
334
00:20:43,972 --> 00:20:46,572
YOU REALLY WANT ME TO KNOW
THAT SHE MADE A PHONE CALL,
335
00:20:46,639 --> 00:20:48,706
AND SO YOU LIED
ABOUT HER ASKING FOR CHANGE.
336
00:20:48,772 --> 00:20:51,006
NOW WHY WOULD THAT BE,
I WONDER?
YOU SEE,
337
00:20:51,072 --> 00:20:53,106
THIS IS WHY PEOPLE
HATE COPS.
338
00:20:53,172 --> 00:20:55,339
YOU TRY AND COOPERATE
AND YOU GET THE THIRD DEGREE.
339
00:20:57,772 --> 00:21:00,106
HEY, SIT DOWN.
340
00:21:00,172 --> 00:21:02,072
I SAID SIT DOWN.
341
00:21:06,639 --> 00:21:09,239
YOU DIDN'T MAKE
A PHONE CALL TOO, DID YOU?
WHAT'S YOUR NAME?
342
00:21:09,306 --> 00:21:12,706
LENNY.
LENNY, DID YOU MAKE
A PHONE CALL TOO?
343
00:21:12,772 --> 00:21:16,639
'CAUSE HER CALL
WAS TO THE PORT AUTHORITY.
344
00:21:16,706 --> 00:21:21,739
AND‐AND I'M WONDERING
WHO ELSE MIGHT HAVE MADE A CALL
THAT GOT NICKY WHACKED?
345
00:21:21,806 --> 00:21:24,306
HEY, I DON'T NEED THIS,
AND I SAID ALL I'M GONNA SAY.
346
00:21:24,372 --> 00:21:28,272
LISTEN. THIS GIRL
IS COOPERATING.
SHE SAW THE HITTER.
347
00:21:28,339 --> 00:21:31,772
AND AS SOON AS WE POP THAT GUY,
I AM GOING TO MAKE IT
MY SPECIAL BUSINESS...
348
00:21:31,839 --> 00:21:33,706
FINDING OUT
DID YOU MAKE THAT CALL.
349
00:21:33,772 --> 00:21:36,072
IF YOU DON'T COOPERATE
RIGHT THIS MINUTE,
I'M GONNA MAKE IT WORTH...
350
00:21:36,139 --> 00:21:39,739
SOME TIME OFF TO THAT GUY
GIVING YOU UP.
351
00:21:39,806 --> 00:21:42,272
ALL RIGHT, COME ON, LENNY!
ALL RIGHT!
352
00:21:42,339 --> 00:21:45,506
BUT I DIDN'T KNOW ANYTHING
ABOUT ANY WHACKS. ZEPPO SAID
NICKY OWED HIM SOME MONEY.
353
00:21:45,572 --> 00:21:48,072
YEAH, RIGHT,
AND I'M AN INDIAN PRINCESS.
354
00:21:49,939 --> 00:21:54,072
ALL RIGHT. THIS ZEPPO
GOT A LAST NAME, HMM?
355
00:21:57,672 --> 00:21:59,639
YEAH, YOU KNOW,
ANYBODY DOESN'T LOOK RIGHT.
356
00:21:59,706 --> 00:22:02,772
YOU KNOW, YOU KEEP AN EYE
ON THE PLACE GENERALLY,
AND, UH, TALK TO THE SUPER,
357
00:22:02,839 --> 00:22:06,406
SEE IF ANY FRONT DOOR LOCKS
ARE BROKEN, MISSING KEYS,
STUFF LIKE THAT.
358
00:22:06,472 --> 00:22:10,606
YEAH. HEY, YOU KNOW WHAT?
UH, YOU DON'T NEED TO
BOTHER HER EITHER, ALL RIGHT?
359
00:22:10,672 --> 00:22:13,506
GOOD. THAT'S BE GREAT.
YEAH.
360
00:22:13,572 --> 00:22:16,706
SHE'S ALL UPSET, JOHN.
SHE KEEPS GOING BACK
TO THIS ONE PHOTOGRAPH,
361
00:22:16,772 --> 00:22:18,672
BUT SHE'S TOO SPOOKED
TO PICK THE GUY.
362
00:22:18,739 --> 00:22:20,772
WE TALKIN' ABOUT KIMMY?
YEAH.
363
00:22:20,839 --> 00:22:23,706
WOULD THE GUY SHE'S LOOKIN' AT
BE NAMED ZEPPO MARCHANSKY?
364
00:22:26,306 --> 00:22:28,139
HOW'D YOU KNOW THAT?
365
00:23:02,106 --> 00:23:04,372
THE BOILER JUST EXPLODED!
WE HAVE TO GET OUT!
366
00:23:06,806 --> 00:23:09,772
GET UP AGAINST THE WALL!
CHECK INSIDE.
367
00:23:09,839 --> 00:23:12,239
ZEPPO MARCHANSKY?
YOU'RE UNDER ARREST.
YEAH.
368
00:23:12,306 --> 00:23:14,906
WHOA, WHOA, WHOA,
YOU MADE A MISTAKE!
I GOT ONE OF THESE FACES.
369
00:23:14,972 --> 00:23:16,772
PEOPLE THINK I'M SOMEBODY ELSE.
HAPPENS ALL THE TIME.
370
00:23:16,839 --> 00:23:20,072
I GOT THE SAME PROBLEM.
A WOMAN STOPPED ME
ON THE STREET THE OTHER DAY.
371
00:23:20,139 --> 00:23:23,039
SHE SAYS, "BOB, I THOUGHT
YOU WERE JUST MARVELOUS
IN THE STING."
372
00:23:23,106 --> 00:23:25,172
GET THIS ASSHOLE
SOME CLOTHES.
373
00:23:42,306 --> 00:23:44,506
I'M SCARED.
374
00:23:44,572 --> 00:23:48,839
I'M REALLY SCARED.
KIMMY, I PROMISE
HE CANNOT SEE YOU IN HERE.
375
00:23:48,906 --> 00:23:51,306
LISTEN. IF WE CUT
THIS GUY LOOSE,
YOU'RE IN REAL DANGER.
376
00:23:51,372 --> 00:23:53,706
YOU'RE GONNA BE ALL RIGHT.
377
00:24:00,968 --> 00:24:05,102
OKAY.
IT'S NUMBER THREE.
378
00:24:07,435 --> 00:24:09,902
GOOD. THAT'S GOOD.
379
00:24:11,335 --> 00:24:14,335
EVERYBODY BUT NUMBER THREE
CAN LEAVE WITH THE OFFICER.
380
00:24:18,268 --> 00:24:20,135
YOU BITCH, YOU'RE DEAD!
YOU'RE DEAD MEAT!
381
00:24:20,202 --> 00:24:22,202
HE CAN SEE IN?
HE CANNOT SEE IN.
382
00:24:22,268 --> 00:24:24,902
HE'S JUST GUESSIN'.
DON'T WORRY ABOUT IT.
WE GOT YOU COVERED.
383
00:24:24,968 --> 00:24:28,135
YOU'RE GONNA MAKE ME GO
TO THE GRAND JURY LIKE
NICKY AND GET ME KILLED.
384
00:24:28,202 --> 00:24:31,335
YOU GAVE US
WHAT WE NEEDED, DIDN'T YOU?
YOU GAVE US THE I. D., RIGHT?
385
00:24:31,402 --> 00:24:35,735
I'M NOT SURE.
I'D LIKE TO THINK
ABOUT THIS SOME MORE.
386
00:24:35,802 --> 00:24:38,868
CAN I TALK TO YOU
OUTSIDE, PLEASE?
387
00:24:45,968 --> 00:24:49,535
YOU'VE GOTTA SELL THIS GIRL
ON THE FACT SHE'S NOT GONNA HAVE
TO TESTIFY FOR THE GRAND JURY.
388
00:24:49,602 --> 00:24:52,935
AND HOW AM I GONNA DO THAT?
ANY WAY YOU WANT
YOU'RE COMFORTABLE.
389
00:24:53,002 --> 00:24:56,102
BUT I THINK SHE HAS
AN EXCELLENT CHANCE NOT TO GO.
390
00:24:56,168 --> 00:24:59,168
JOHN, I'M NOT GOING TO DO THIS.
IF THIS GUY DOESN'T TESTIFY...
391
00:24:59,235 --> 00:25:01,335
AND HE DOESN'T GIVE YOU
THE OLIVAS, BELIEVE ME,
392
00:25:01,402 --> 00:25:03,668
MY BOSS IS GOING TO MAKE HER
GO TO THE GRAND JURY.
393
00:25:03,735 --> 00:25:06,135
HE'S GONNA GET SOMETHING
OUT OF THIS.
WE CAN'T FLIP THIS GUY...
394
00:25:06,202 --> 00:25:08,335
UNLESS WE GET HIM I. D.'D,
AND WE CAN'T GET HIM I. D.'D...
395
00:25:08,402 --> 00:25:12,168
UNLESS YOU TALK TO THIS GIRL
AND REASSURE HER.
396
00:25:12,235 --> 00:25:15,368
I'M NOT COMFORTABLE
DOING THAT.
OKAY.
397
00:25:15,435 --> 00:25:19,235
[ MAN ]
HE FAILED TO REPORT
TO HIS PROBATION OFFICER.
398
00:25:23,268 --> 00:25:26,202
LISTEN TO ME, UNDERSTAND ME
AND TRUST ME.
399
00:25:26,268 --> 00:25:28,468
I SPEAK WITH THE FULL AUTHORITY
OF THE DISTRICT ATTORNEY'S
OFFICE.
400
00:25:28,535 --> 00:25:31,735
AND ALL WE'RE ASKING
IS FOR YOU TO I.D.
THAT PERPETRATOR.
401
00:25:31,802 --> 00:25:34,535
WHAT ABOUT WHEN IT'S TIME
FOR THE GRAND JURY?
WE WILL EXERT...
402
00:25:34,602 --> 00:25:38,235
EVERY RESOURCE
OF THIS DEPARTMENT TO MAKE
YOUR TESTIMONY UNNECESSARY.
403
00:25:38,302 --> 00:25:41,435
WE'LL PUT OUT A FULL‐COURT
PRESS. AND BETWEEN
THE PRELIMINARY ARRAIGNMENT...
404
00:25:41,502 --> 00:25:43,935
AND THE GRAND JURY,
WE'LL DEVELOP
CORROBORATING EVIDENCE...
405
00:25:44,002 --> 00:25:48,302
AND SIMPLY
NAME YOU ANONYMOUSLY
AS A RELIABLE INFORMANT.
406
00:25:52,168 --> 00:25:54,335
CAN I TALK TO YOU
FOR A MINUTE
WITHOUT THEM HERE?
407
00:25:54,402 --> 00:25:56,335
OF COURSE.
408
00:26:04,135 --> 00:26:06,868
I'M NOT SURE I CAN TRUST THEM,
NOT AFTER WHAT HAPPENED
WITH NICKY.
409
00:26:06,935 --> 00:26:09,902
THIS ISN'T COMING FROM THE COPS,
THIS IS COMING FROM ME.
410
00:26:09,968 --> 00:26:11,968
I WANT YOU
TO TRUST ME ON THIS.
411
00:26:17,602 --> 00:26:19,468
ALL RIGHT.
412
00:26:21,868 --> 00:26:23,902
IT'S NUMBER THREE.
413
00:26:28,068 --> 00:26:30,868
BUT YOU DON'T THINK
I'M GONNA HAVE TO TESTIFY?
414
00:26:30,935 --> 00:26:33,935
YOU HEARD WHAT I SAID.
415
00:26:34,002 --> 00:26:37,568
[ CHATTERING ]
SHE I. D.'D YOUR SUSPECT.
416
00:26:37,635 --> 00:26:39,535
[ CLEARS THROAT ]
417
00:26:39,602 --> 00:26:42,735
HOW COULD YOU DO THAT?
HOW COULD YOU LIE
TO HER LIKE THAT?
418
00:26:42,802 --> 00:26:46,235
I TOLD HER WE'D USE
EVERY RESOURCE TO MAKE SURE
SHE WON'T HAVE TO TESTIFY.
419
00:26:46,302 --> 00:26:50,368
I INTEND TO HONOR THAT.
BUT IF PUSH COMES TO SHOVE,
YOU'LL MAKE HER TESTIFY.
420
00:26:50,435 --> 00:26:54,535
YES, IF PUSH COMES TO SHOVE,
I WILL MAKE HER TESTIFY.
421
00:26:54,602 --> 00:26:56,868
WELCOME TO THE WORLD,
SWEETIE.
422
00:26:59,902 --> 00:27:01,935
RIGHT OVER HERE.
423
00:27:07,135 --> 00:27:10,935
[ MAN ]
FIFTEENTH PRECINCT,
DETECTIVE SHAPIRO.
424
00:27:11,002 --> 00:27:14,868
DETECTIVE,
THERE'S A DR. SCHRAGER
HERE TO SEE YOU.
425
00:27:14,935 --> 00:27:16,935
FOR ME?
YEAH.
426
00:27:17,002 --> 00:27:18,902
OKAY. UH, WOULD YOU
GIVE HER SOME COFFEE.
427
00:27:18,968 --> 00:27:21,435
KEEP AN EYE ON HER.
YEAH, SURE.
428
00:27:21,502 --> 00:27:23,402
COULD I GET YOU
SOME COFFEE?
429
00:27:23,468 --> 00:27:25,402
DR. SCHRAGER?
HMM.
430
00:27:25,468 --> 00:27:27,368
JOHN KELLY.
AH.
431
00:27:27,435 --> 00:27:30,102
YOU DIDN'T HAVE TO COME IN.
THE MESSAGE SAID
GIVE ME A CALL.
432
00:27:30,168 --> 00:27:34,502
WELL, I HOPE
YOU DON'T MIND, DETECTIVE.
NO. COME ON IN.
433
00:27:34,568 --> 00:27:40,435
I JUST, UH, WANTED TO COME DOWN
HERE AND SEE WHERE LAURIE
SPENDS HER TIME.
434
00:27:40,502 --> 00:27:45,868
YOU KNOW, IT'S REALLY‐‐
IT'S, UH, VERY, VERY DIFFERENT
FROM THE WORLD I LIVE IN.
435
00:27:45,935 --> 00:27:50,168
I DON'T KNOW WHAT LAURIE
TOLD YOU ABOUT ME, BUT I'M
A PEDIATRIC CARDIOLOGIST.
436
00:27:50,235 --> 00:27:54,268
I WORK WITH CHILDREN.
YEAH, YEAH, I GOT THAT
FROM THE PEDIATRIC PART.
437
00:27:54,335 --> 00:27:58,035
[ LAUGHS ]
438
00:27:58,102 --> 00:28:01,468
WELL, LAURIE JUST, UH,
JUST RESPECTS THE HELL
OUT OF YOU.
439
00:28:01,535 --> 00:28:04,702
I GUESS YOU DON'T NEED ME
TO TELL YOU THAT, RIGHT?
440
00:28:04,768 --> 00:28:07,035
WELL, SAME GOES FOR YOU.
441
00:28:07,102 --> 00:28:10,302
UH, I DON'T KNOW,
I THINK SHE MENTIONED TO YOU...
442
00:28:10,368 --> 00:28:13,868
THAT SHE FEELS LIKE
SHE'S BEING FOLLOWED.
YEAH, SHE HAS.
443
00:28:13,935 --> 00:28:16,002
DO YOU HAVE
ANY SENSE OF THAT?
444
00:28:16,068 --> 00:28:19,202
WELL, TO BE TRUTHFUL,
I DON'T, JOHN, BUT, UH,
445
00:28:19,268 --> 00:28:22,002
I HAVE TO SAY
I'M THE LEAST PARANOID GUY
IN THE WHOLE WORLD.
446
00:28:22,068 --> 00:28:24,835
HM. OKAY.
447
00:28:24,902 --> 00:28:27,935
YOU HAVE ANY ENEMIES?
ME? NO.
448
00:28:28,002 --> 00:28:31,135
MALPRACTICE SUIT,
SOMETHING LIKE THAT?
449
00:28:31,202 --> 00:28:34,135
NO, NO. I'VE BEEN VERY LUCKY
IN THAT RESPECT.
450
00:28:34,202 --> 00:28:37,968
ALTHOUGH, I HAVE COLLEAGUES
JUST TELL ME SOME, WHOO,
HORROR STORIES.
451
00:28:38,035 --> 00:28:40,202
MM‐HMM. YOU GOT AN EX‐WIFE
THAT'S MAD AT YOU?
452
00:28:40,268 --> 00:28:42,935
HAVEN'T BEEN MARRIED.
FORMER GIRLFRIEND.
453
00:28:44,468 --> 00:28:46,435
NO.
454
00:28:46,502 --> 00:28:49,035
OKAY. UH,
455
00:28:49,102 --> 00:28:52,335
IT SAYS YOU LIVE
AT 842 CENTRAL PARK WEST.
456
00:28:52,402 --> 00:28:55,302
RIGHT, RIGHT.
IT'S A REAL SCHLEPP
FROM THE HOSPITAL,
457
00:28:55,368 --> 00:28:59,502
BUT I TELL YOU SOMETHING,
I WOULDN'T GIVE UP THE VIEW
OF THE PARK FOR ANYTHING.
458
00:28:59,568 --> 00:29:03,735
MM. UH, ANY TROUBLE
IN THE NEIGHBORHOOD
OVER THERE?
459
00:29:05,368 --> 00:29:08,768
WELL, UH, THE CO‐OP BOARD
IS UP IN ARMS...
460
00:29:08,835 --> 00:29:10,935
BECAUSE THERE'S A ROCK STAR...
461
00:29:11,002 --> 00:29:13,168
TRYING TO MOVE
INTO THE BUILDING, YOU KNOW.
462
00:29:13,235 --> 00:29:16,402
THAT'S ABOUT AS BAD
AS IT GETS.
463
00:29:16,468 --> 00:29:18,602
OKAY.
464
00:29:18,668 --> 00:29:21,068
OKAY.
I THINK THAT'S IT.
465
00:29:22,602 --> 00:29:24,568
UH, THANKS FOR COMING IN.
466
00:29:24,635 --> 00:29:29,868
GOOD. I'M HOPING THAT EVENTUALLY
YOU AND I, WE CAN BE FRIENDS.
467
00:29:33,368 --> 00:29:35,168
OH.
YEAH.
468
00:29:35,235 --> 00:29:37,235
THANKS FOR COMING IN.
ALL RIGHT.
469
00:29:44,035 --> 00:29:46,902
WHAT ARE YOU DOING HERE?
470
00:29:48,602 --> 00:29:51,435
JOHN, YOU READY
TO TALK TO ZEPPO?
471
00:29:51,502 --> 00:29:54,235
OH, GEE, ZEPPO.YEP.
472
00:30:03,102 --> 00:30:05,768
YOU WANT A SODA OR A CIGARETTE?
NO, I'M OKAY.
I DON'T SMOKE.
473
00:30:05,835 --> 00:30:08,135
GOOD FOR YOU, ZEPPO.
474
00:30:08,202 --> 00:30:10,402
YOU DON'T HAVE TO BE
A ROCKET SCIENTIST.
SMOKING'S A KILLER.
475
00:30:10,468 --> 00:30:14,168
JAIL'S UNHEALTHY TOO, ZEPPO.
PEOPLE GO WAY DOWNHILL IN JAIL.
476
00:30:14,235 --> 00:30:17,268
YOU'VE BEEN I. D.'DFOR SHOOTINGNICKY CONSTANTINO.
477
00:30:17,335 --> 00:30:19,635
NOW YOU GOTTA KNOW
WE'RE TALKING MAJOR
HARD TIME HERE.
478
00:30:19,702 --> 00:30:21,802
YEAH, JUST 'CAUSE
THAT BITCH I. D.'D ME?
479
00:30:21,868 --> 00:30:23,902
HEY, PEOPLE CHANGE
THEIR MINDS, YOU KNOW.
480
00:30:25,002 --> 00:30:27,868
‐ WHAT BITCH WOULD THAT BE?
‐ THE BITCH.
481
00:30:27,935 --> 00:30:31,335
THE BITCH, SHE THINKS
SHE I. D.'D ME, THAT BITCH.
482
00:30:33,235 --> 00:30:36,768
YOU SHOT THIS GUY
IN PLAIN VIEW IN FRONT OF
A STREET FULL OF PEOPLE.
483
00:30:36,835 --> 00:30:38,735
YOU DON'T THINKWE HAVE OTHER WITNESSES?
484
00:30:38,802 --> 00:30:41,768
YOU GOT TO LOOKUP, ZEPPO.
UP, HMM?
485
00:30:41,835 --> 00:30:43,668
'CAUSE IF YOU'D HAVE TAKEN
THE TIME TO LOOK UP,
486
00:30:43,735 --> 00:30:46,735
YOU'D REALIZE THAT
THAT WASN'T A SMART CHOICE,
WHERE YOU WHACKED HIM.
487
00:30:46,802 --> 00:30:48,768
WHAT DO YOU MEAN LOOK UP?
SOME SEAGULL FLEW BY?
488
00:30:48,835 --> 00:30:51,802
NO, I'M TALKING ABOUTA NEIGHBORHOOD WOMAN.SHE'S GOT ARTHRITIS.
489
00:30:51,868 --> 00:30:53,868
SHE LOOKS OUT THE WINDOW
ALL DAY LONG.
490
00:30:53,935 --> 00:30:56,035
LOOKIN' OUT THE WINDOWIS LIKE GOING TOTHE MOVIES FOR HER.
491
00:30:56,102 --> 00:31:00,202
NOT TO MENTION HER HUSBAND.
SHE CALLS HIM TO THE WINDOW.
THEY BOTH SAW IT ALL.
492
00:31:00,268 --> 00:31:03,668
HEY, PAL, YOU DON'T WANNA
GO TO BAT ON THIS ONE.
WE GOT MULTIPLE WITNESSES.
493
00:31:03,735 --> 00:31:07,868
OKAY, RECESS IS OVER NOW, ZEPPO.
YOU FOLLOW THIS ARITHMETIC.
494
00:31:07,935 --> 00:31:12,268
YOU DO THE 25 YEARS,
THAT MAKES YOU 60 BY THE TIME
YOU EVEN SEE THE BOARD.
495
00:31:12,335 --> 00:31:15,035
THEY'LL TURN YOU DOWN
THE FIRST TIME,
THAT MAKES YOU 63...
496
00:31:15,102 --> 00:31:18,102
BEFORE YOU EVEN GOT A CHANCE
OF GETTIN' OUT, HUH?
497
00:31:18,168 --> 00:31:21,135
NOW YOU THINK ABOUT THAT, ZEPPO.
SIXTY‐THREE YEARS OLD,
498
00:31:21,202 --> 00:31:24,202
WEARIN' A LITTLE PINAFORE,
KEEPIN' HOUSE FOR
SOME BODYBUILDER.
499
00:31:24,268 --> 00:31:26,968
WHO PAID YOU TO KILL
NICKY CONSTANTINO?
500
00:31:28,202 --> 00:31:30,468
WHAT KIND OF DEAL
WE TALKIN' ABOUT HERE?
501
00:31:30,535 --> 00:31:33,168
‐ DEPENDS ON WHAT
YOU HAVE FOR US.
‐ IF I DID THE WHOLE FLIP.
502
00:31:33,235 --> 00:31:35,068
WAS IT THE OLIVAS?
503
00:31:37,668 --> 00:31:39,468
HEY, YOU WORK OUT
A DEAL.
504
00:31:44,102 --> 00:31:46,168
MARCHANSKY'S AGREED
TO COOPERATE.
505
00:31:46,235 --> 00:31:49,302
THEY WANT TO SEND HIM
INTO RIKERS, WIRED.
WITHOUT A POLICE ESCORT.
506
00:31:49,368 --> 00:31:52,135
HE GOES IN THERE WITH AN ESCORT,
SOME TRUSTEE NOTICES,
WE'RE OUT OF BUSINESS.
507
00:31:52,202 --> 00:31:54,802
IT'LL GET TO THE OLIVAS
AND ALL THEY'LL TALK ABOUT
IS THE WEATHER.
508
00:31:54,868 --> 00:31:56,968
I THINK IT'S TOO BIG A RISK
TO HAVE HIM UNACCOMPANIED.
509
00:31:57,035 --> 00:31:59,135
WE'LL ALERT THE GUARDS,
AND WE'LL BE OUTSIDE MONITORING.
510
00:31:59,202 --> 00:32:01,902
THEY COULD CUT HIS THROAT
BEFORE YOU HAVE TIME
TO STAND UP.
511
00:32:01,968 --> 00:32:04,502
LOOK. THOSE GUYS WALKIN LESS THAN 24 HOURS.
512
00:32:04,568 --> 00:32:06,902
THIS IS THE ONLY CHANCE
WE HAVE.
513
00:32:10,635 --> 00:32:12,702
ALL RIGHT.
514
00:32:14,102 --> 00:32:16,568
ANY CHANCE THIS GETS US
OUT OF PARADE DUTY?
515
00:32:16,635 --> 00:32:18,468
SEE HOW IT COMES OUT.
516
00:32:37,502 --> 00:32:40,268
MY NAME IS ZEPPO MARCHANSKY.
517
00:32:40,335 --> 00:32:42,602
[ MAN ]
YOU WANNA SIGN YOUR NAME
RIGHT THERE ON LINE 27.
518
00:32:42,668 --> 00:32:44,768
[ BUZZER BUZZES ]
519
00:32:46,002 --> 00:32:49,102
ALL RIGHT.
RIGHT THROUGH THAT DOOR.
520
00:32:50,335 --> 00:32:52,168
[ BUZZER BUZZES ]
521
00:32:53,302 --> 00:32:55,168
HE'S IN.
522
00:32:58,602 --> 00:33:00,435
[ BUZZER BUZZES ]
523
00:33:03,602 --> 00:33:06,235
I THOUGHT
WHEN THEY SAID VISITOR,
THEY MEANT HUMAN BEING.
524
00:33:06,302 --> 00:33:09,535
[ LAUGHTER ]
525
00:33:09,602 --> 00:33:13,302
WHAT BRINGS YOU HERE?
YOU COME TO PAY YOUR RESPECTS?
526
00:33:13,368 --> 00:33:16,468
NO. I‐I GOT A PROBLEM.
527
00:33:16,535 --> 00:33:19,268
YOU GOT A LOT
OF PROBLEMS, MAN.
528
00:33:19,335 --> 00:33:22,002
[ NANDO ]
SO WHAT'S YOUR PROBLEM?
YOU LONELY? YOU MISS US?
529
00:33:22,068 --> 00:33:25,802
NO, NO, I‐I NEEDANOTHER TEN, NANDO.
530
00:33:25,868 --> 00:33:30,102
I SAY, REALLY? ME TOO.
I NEED ANOTHER TEN TOO.
531
00:33:30,168 --> 00:33:33,335
HOW ABOUT YOU, JESUS?
YOU WANT ANOTHER TEN?
532
00:33:33,402 --> 00:33:35,402
ALWAYS, MAN.
I CAN ALWAYS USE ANOTHER TEN.
533
00:33:35,468 --> 00:33:38,902
[ ZEPPO ]
HEY, LOOK, NANDO,
I GOT MONEY PROBLEMS.
534
00:33:38,968 --> 00:33:41,735
I‐I DID A DEAL,
GOT FRONTED SOME PRODUCT.
535
00:33:41,802 --> 00:33:47,168
THE GUY I MOVED TOSKATED ON ME. I‐I NEEDTEN THOUSAND TO MAKE GOOD.
536
00:33:47,235 --> 00:33:50,702
YOU DOIN' DRUGS, BABY?
YOU'RE TALKIN' ALL CRAZY.
537
00:33:50,768 --> 00:33:55,068
LOOK. YOU TOLD ME
TO TAKE OUT THAT GUY.
538
00:33:55,135 --> 00:33:57,035
I DID IT.I DID GOOD FOR YOU.
539
00:33:57,102 --> 00:33:59,168
YOU DID SO GOOD,
YOU DO WHAT WE SAY,
540
00:33:59,235 --> 00:34:01,168
HOW COME THAT D. A. BROAD'S
STILL WALKIN' AROUND?
541
00:34:01,235 --> 00:34:04,568
[ ZEPPO ]
NO, NO, YOU TOLD ME
IF I COULDN'T HIT THE GUY,
542
00:34:04,635 --> 00:34:09,268
IF YOU NEEDED A MISTRIAL,
HIT HER IF I COULDN'T HIT NICKY.
543
00:34:09,335 --> 00:34:11,268
I HAD HER ALL SET UP.
544
00:34:11,335 --> 00:34:14,402
YOU KNOW WHO THEY'RE TALKIN'
ABOUT, ANDY? YOU KNOW WHO
THAT IS, DON'T YOU?
545
00:34:14,468 --> 00:34:17,102
THAT'S LAURA.
546
00:34:17,168 --> 00:34:19,335
I TOOK NICKY OUT.
I DID GOOD FOR YOU.
547
00:34:19,402 --> 00:34:22,668
I FOLLOWED ORDERS.
YOU GOT TO LOOK OUT
FOR ME NOW.
548
00:34:22,735 --> 00:34:24,835
LOOK OUT FOR YOU HOW?
549
00:34:24,902 --> 00:34:26,935
I NEED ANOTHER TEN THOUSAND.
I OWE PEOPLE.
550
00:34:27,002 --> 00:34:29,268
NO, NO, NO, YOU'RE
HALLUCINATING, BABY.
551
00:34:29,335 --> 00:34:31,235
WHERE ARE WE GONNA GET
THAT KIND OF MONEY?
552
00:34:31,302 --> 00:34:33,268
WE'RE IN JAIL, MAN.
NO MONEY HERE.
553
00:34:34,302 --> 00:34:37,135
HEY, YOU DIDN'T HAVE
NO PROBLEM...
554
00:34:37,202 --> 00:34:40,602
GETTING ME 25,000
TO KILL CONSTANTINO.
555
00:34:40,668 --> 00:34:43,235
I'M TELLIN' YOU
I NEED ANOTHER TEN.
556
00:34:43,302 --> 00:34:46,768
ARE YOU THREATENING ME?
NO, NO, NO, NO, NO.
557
00:34:46,835 --> 00:34:48,702
I'M JUST TELLING YOU
MY SITUATION.
558
00:34:48,768 --> 00:34:50,802
HEY, ZEPPO, LOOK AT ME!
559
00:34:53,102 --> 00:34:56,902
SCREW YOUR SITUATION, OKAY?
560
00:34:56,968 --> 00:34:59,668
YOU UNDERSTAND? HMM?
561
00:34:59,735 --> 00:35:03,868
THAT'S NOTHING
TO US WHO YOU OWE,
OR WHAT'S GONNA HAPPEN.
562
00:35:05,702 --> 00:35:08,968
WE TOOK OUT NICKY.
563
00:35:09,035 --> 00:35:12,102
YOU CAN DIE TOO, ZEPPO.
564
00:35:12,168 --> 00:35:14,735
HMM?
OKAY.
565
00:35:25,668 --> 00:35:27,735
[ KNOCKING ON DOOR ]
566
00:35:31,068 --> 00:35:33,835
HEY, I GOT WHAT YOU GUYS
WANTED, DIDN'T I?
567
00:35:49,168 --> 00:35:51,935
[ ZEPPO ]
WHOA, WHOA, HEY,
TAKE IT EASY.
568
00:35:52,002 --> 00:35:55,002
HEY, YOU LYIN' PRICKS.
SHUT YOUR MOUTH.
569
00:35:55,068 --> 00:35:57,035
COME ON.
RIGHT DOWN THE STEPS.
570
00:35:57,102 --> 00:35:59,202
ZEPPO AND HIS ATTORNEY
ARE A LITTLE UPSET...
571
00:35:59,268 --> 00:36:01,702
ABOUT THE EXTRA FELONY
FOR STALKING LAURA.
572
00:36:01,768 --> 00:36:04,602
IF YOU THINK YOU CAN VIOLATE
A PLEA AGREEMENT,
573
00:36:04,668 --> 00:36:09,102
SUSTAIN A SEPARATE CHARGEOFF INFORMATION SECUREDWHILE MY CLIENT...
574
00:36:09,168 --> 00:36:12,202
WORE A WIRE
TO ASSIST YOU PEOPLE,
YOU ARE NUTS.
575
00:36:12,268 --> 00:36:14,635
WELL, YOUR CLIENT PROMISED
FULL DISCLOSURE,
576
00:36:14,702 --> 00:36:18,868
BUT HE DID NOT DISCLOSETHE CONTRACT TO STALKMY COLLEAGUE.
577
00:36:18,935 --> 00:36:23,368
I'M ALSO CONSIDERING FILING
CIVIL AND CRIMINAL CHARGES
AGAINST YOU, DETECTIVE,
578
00:36:23,435 --> 00:36:26,002
FOR ASSAULTING MY CLIENT
WHEN HE CAME OUT OF RIKERS.
579
00:36:26,068 --> 00:36:29,635
YOUR CLIENT SLIPPED.
HE FELL ON HIS FACE
ON THE SLIPPERY ICE.
580
00:36:29,702 --> 00:36:32,635
I GUESS IT'S
NO HOLDS BARRED, RIGHT?
581
00:36:32,702 --> 00:36:34,668
AS LONG AS YOU KNOW
YOU'RE THE GOOD GUYS.
582
00:36:34,735 --> 00:36:36,768
[ KELLY ]
SEE YA.
583
00:36:38,902 --> 00:36:40,802
GIVE ME A MINUTE,
WILL YA?
584
00:36:40,868 --> 00:36:43,602
YEAH. UH, COME HERE.
585
00:36:43,668 --> 00:36:45,435
[ COSTAS ]
WHAT CAN I DO FOR YOU?
586
00:36:47,568 --> 00:36:51,202
YOU ALL RIGHT?
YEAH. WELL, IT'S
A LITTLE UPSETTING...
587
00:36:51,268 --> 00:36:53,402
TO BE A CANDIDATE
TO BE MURDERED.
588
00:36:53,468 --> 00:36:55,702
YEAH, WELL,
DON'T WORRY ABOUT IT.
IT'S OVER, OKAY?
589
00:36:55,768 --> 00:36:59,468
I ALSO WANNA TELL YOU
I RESENT YOUR INTRUDING ON
MY RELATIONSHIP WITH DANNY.
590
00:36:59,535 --> 00:37:01,702
HOW DID I DO THAT?
591
00:37:01,768 --> 00:37:04,202
YOU DRAGGED HIM IN HERE
TO INTERROGATE HIM.
592
00:37:04,268 --> 00:37:07,068
I DIDN'T DRAG HIM IN HERE
AND INTERROGATE HIM.
593
00:37:07,135 --> 00:37:11,268
ASKING HIM QUESTIONS, WHETHER
HE'S BEEN MARRIED BEFORE,
WHAT NEIGHBORHOOD HE LIVES IN.
594
00:37:11,335 --> 00:37:14,435
I CALLED HIM ON THE PHONE,
AND HE CAME TO SEE ME
ON HIS OWN.
595
00:37:14,502 --> 00:37:16,702
DID YOU EVER THINK
MAYBE HE'S A LITTLE
CURIOUS ABOUT ME?
596
00:37:16,768 --> 00:37:20,102
DON'T TURN THIS AROUND.
597
00:37:20,168 --> 00:37:22,035
COME HERE.
598
00:37:25,502 --> 00:37:28,068
LAURIE,
YOU'RE UPSET, OKAY?
599
00:37:28,135 --> 00:37:30,602
TWO MINUTES AGO
YOU FOUND OUT YOU WERE
THE SUBJECT OF A HIT,
600
00:37:30,668 --> 00:37:35,268
AND NOW YOU'RE IN MY FACE
ABOUT INVADING YOUR PRIVACY,
OKAY?
601
00:37:35,335 --> 00:37:38,802
YOU CAME TO ME, REMEMBER?
I DID THE BEST I COULD
FOR YOU.
602
00:37:38,868 --> 00:37:43,235
THE NEXT TIME YOU GET INTO
TROUBLE, YOU GO ASK THIS DOCTOR
YOU'RE SEEING FOR HELP.
603
00:37:43,302 --> 00:37:45,768
YOU ARE TOTALLY
OUT OF LINE.
WHY DON'T YOU TAKE OFF?
604
00:37:45,835 --> 00:37:48,068
TAKE OFF AND BEAT
THAT UPTOWN TRAFFIC.
605
00:37:48,135 --> 00:37:50,668
JOHN, KIMMY'S HERE.
YOU GOT THAT CHECK?
606
00:37:50,735 --> 00:37:52,268
YEAH.
607
00:38:09,102 --> 00:38:11,268
[ SOBBING ]
608
00:38:11,335 --> 00:38:13,935
I, UH,
609
00:38:14,002 --> 00:38:16,535
I JUST BURIED NICKY.
610
00:38:16,602 --> 00:38:18,435
HE WAS OKAY‐‐ NICKY.
611
00:38:20,268 --> 00:38:23,368
BE SMART ABOUT
THAT MONEY, KIMMY.
612
00:38:23,435 --> 00:38:27,735
YOU OUGHTA REALLY DO IT, KIMMY.
MAKE SOME CHANGES.
GET OUT OF TOWN.
613
00:38:27,802 --> 00:38:31,735
YEAH, WELL,
I'M THINKIN' ABOUT IT.
I REALLY AM.
614
00:38:37,435 --> 00:38:39,268
CAN I ASK YOU GUYS
SOMETHING?
615
00:38:39,335 --> 00:38:41,235
YEAH.
616
00:38:41,302 --> 00:38:45,768
YOU WERE GONNA MAKE ME
TESTIFY, WEREN'T YOU?
617
00:38:47,135 --> 00:38:49,735
WHY WORRY ABOUT PROBLEMS
YOU DON'T HAVE ANYMORE, KIMMY?
618
00:38:49,802 --> 00:38:52,368
IT'S OUR JOB
TO CLEAR THE CASE.
619
00:38:52,435 --> 00:38:55,135
IF YOU'RE IN A POSITION TO HELP,
WE GOTTA GET YOU TO DO THAT.
620
00:38:55,202 --> 00:38:59,168
BUT TELLING YOU THE TRUTH
IS ALWAYS OUR FIRST CHOICE.
621
00:38:59,235 --> 00:39:02,302
AND IF YOU CAN'T DO THAT,
THEN, UH,
622
00:39:02,368 --> 00:39:05,902
‐ YOU'RE GONNA LIE.
‐ WE GOTTA CLEAR THE CASE.
623
00:39:08,568 --> 00:39:11,102
GO SWIM WITH
THOSE DOLPHINS, KIMMY.
624
00:39:19,135 --> 00:39:21,035
TAKE CARE.
625
00:39:22,268 --> 00:39:24,168
YEAH.
626
00:39:28,702 --> 00:39:31,302
UNIFORM INSPECTION'S
IN HALF AN HOUR.
627
00:39:31,368 --> 00:39:33,935
HEY, GREG, TAKE IT EASY
ON YOURSELF, WILL YA?
TAKE IT EASY?
628
00:39:34,002 --> 00:39:37,168
HOW AM I SUPPOSED TO
TAKE IT EASY? I JUST BOUGHT
THREE PAIRS OF BLACK SOCKS,
629
00:39:37,235 --> 00:39:40,402
AND THEY'RE MISSING, GONE,
VANISHED, POOF!
630
00:39:40,468 --> 00:39:43,168
HOW AM I GONNA
EXPLAIN THIS?
UNBELIEVABLE!
631
00:39:43,235 --> 00:39:45,168
YOU THINK THEY'D BE SAFE
IN A POLICE STATION.
632
00:39:49,302 --> 00:39:51,168
[ PHONE RINGING ]
633
00:40:13,002 --> 00:40:15,002
HEY, MEDAVOY.
YOU THINK I'M SOME KIND
OF SOCK THIEF?
634
00:40:15,068 --> 00:40:17,035
IS THAT WHAT ALL THESE
LITTLE LOOKS ARE ABOUT?
I, UH,
635
00:40:17,102 --> 00:40:19,835
I DIDN'T SAY
A WORD, ANDY.
636
00:40:19,902 --> 00:40:23,035
IT'S JUST THAT, YOU KNOW,
USUALLY YOU WEAR BROWN SOCKS.
637
00:40:23,102 --> 00:40:27,202
AND, YOU KNOW, I COULDN'T
HELP NOTICING ALL OF A SUDDEN
YOU GOT BLACK SOCKS ON.
638
00:40:27,268 --> 00:40:31,035
OH, COME HERE, MEDAVOY.
COME HERE. LET ME
SHOW YOU SOMETHING.
639
00:40:31,102 --> 00:40:34,235
HERE. DO THOSE
LOOK NEW TO YOU?
640
00:40:34,302 --> 00:40:38,635
HEY, GREG, THESE YOURS?
FOUND THEM UNDER MY DESK.
641
00:40:38,702 --> 00:40:40,668
YOU MUST HAVE
MISPLACED THEM.
642
00:40:40,735 --> 00:40:44,968
ANDY, I'M‐‐I'M MORTIFIED.
643
00:40:45,035 --> 00:40:47,668
YEAH, RIGHT. MM‐HMM.
MY DEEPEST APOLOGIES.
644
00:40:47,735 --> 00:40:49,768
HERE. HERE.
NO. NO, THANK YOU.
645
00:40:49,835 --> 00:40:52,302
I‐I GOT THREE PAIRS.
I DON'T WANT THEM,
ALL RIGHT?
646
00:40:54,683 --> 00:40:57,650
PUTTIN' THE BAG BACK ON
FOR PARADE DUTY?
WHAT'S NEXT, HUH?
647
00:40:57,716 --> 00:41:00,716
ESCORTING THE MAYOR
TO TEA PARTY OVER BY THE RITZ?
648
00:41:00,783 --> 00:41:02,716
HEY, JOHN.
649
00:41:04,350 --> 00:41:07,116
‐ HEY, MIKE.
HOW'S IT GOIN'?
‐ HOW YOU DOIN'?
650
00:41:07,183 --> 00:41:09,716
ALL RIGHT.
HEY, DETECTIVE.
651
00:41:09,783 --> 00:41:12,450
HOW'S IT GOIN'?
GOOD.
652
00:41:12,516 --> 00:41:15,150
HEY, ANDY, YOU'RE
PUTTIN' THE BAG BACK ON.
653
00:41:15,216 --> 00:41:17,816
YEAH, I GOT UNIFORM DETAIL
FOR SOME PARADE.
654
00:41:17,883 --> 00:41:20,916
HOW'S THAT DOG DOIN'?
655
00:41:20,983 --> 00:41:24,250
SHE'S OKAY, ROBERTS.
WANNA COME OVER
AND VISIT HER SOMETIME?
656
00:41:25,583 --> 00:41:28,883
NO, I DON'T THINK
THAT'D BE A GOOD IDEA
RIGHT NOW.
657
00:41:28,950 --> 00:41:30,950
COME ON, MIKE.
YEAH.
658
00:41:32,550 --> 00:41:34,550
WE WERE GONNA MEET
AT THE GREEK'S AT 8:00.
659
00:41:34,616 --> 00:41:37,283
I HAD BUSINESS IN THE AREA.
I THOUGHT I'D DROP BY.
660
00:41:37,350 --> 00:41:39,350
JOHN, I GOT NOTHING
TO BE ASHAMED OF HERE.
661
00:41:39,416 --> 00:41:41,216
I'M SUPPOSED TO
HANG MY HEAD
AND NOT COME HERE?
662
00:41:41,283 --> 00:41:43,283
I'M NOT GONNA DO THAT.
HERE.
663
00:41:45,383 --> 00:41:48,016
I'M SORRY THE JOB DIDN'T LAST
A LITTLE LONGER, YOU KNOW?
YEAH.
664
00:41:48,083 --> 00:41:51,383
I MEAN, I'M GLAD LAURIE'S
OUT OF DANGER, BUT I COULD
HAVE USED THE WORK.
665
00:41:51,450 --> 00:41:54,483
YEAH, I KNOW.
THOSE MUTTS WERE LOOKINGTO WHACK HER, RIGHT?
666
00:41:54,550 --> 00:41:57,816
‐ GET A MISTRIAL.
‐ WELL, IF THEY COULDN'T GET
THE WITNESS, RIGHT?
667
00:41:57,883 --> 00:42:01,350
MM‐HMM.
NOW, IF I HAVE ANYTHING ELSE,
I'M GONNA USE YOU FROM NOW ON.
668
00:42:01,416 --> 00:42:04,316
THANKS. I APPRECIATE THAT.
I WROTE DOWN ALL HER
COMINGS AND GOINGS.
669
00:42:04,383 --> 00:42:07,083
I GOT PHOTOGRAPHS.SHE'S SERIOUSWITH THAT GUY, HUH?
670
00:42:07,150 --> 00:42:09,516
[ KELLY ]
YEAH, SHE IS.
671
00:42:09,583 --> 00:42:12,383
HERE.
WHAT'S THIS?
672
00:42:12,450 --> 00:42:15,283
‐ THAT'S THE LOG AND THE PHOTOS.
‐ WHAT ARE YOU DOING HERE,
ROBERTS?
673
00:42:15,350 --> 00:42:17,916
JOHN AND I
HAD PERSONAL BUSINESS,
LIEUTENANT.
674
00:42:17,983 --> 00:42:20,583
‐ IS IT DONE?
‐ YEAH.
675
00:42:25,816 --> 00:42:28,450
OKAY, I GOTTA GET BACK INSIDE.
GET TO THIS PARADE THING.
676
00:42:28,516 --> 00:42:30,550
YOU TAKE CARE OF YOURSELF,
ALL RIGHT?
YOU TOO.
677
00:42:30,616 --> 00:42:32,416
AND TAKE THOSE WITH YOU.
678
00:42:55,183 --> 00:42:57,583
YOU GOT THE WRONG
COLLAR BRASS ON YOUR LAPEL.
679
00:42:57,650 --> 00:43:00,483
I DIDN'T GET THE NEW BRASS.
I DIDN'T HAVE A MINUTE,
680
00:43:00,550 --> 00:43:04,316
WHAT‐‐ WHAT
WITH MY UNIFORM MISSING
AND‐‐ AND THE‐‐ THE SOCKS.
681
00:43:04,383 --> 00:43:06,316
THE NEW BRASS HAS BEEN OUT
THREE‐AND‐A‐HALF YEARS.
682
00:43:06,383 --> 00:43:08,583
BUT THIS IS THE FIRST OCCASION
I'VE HAD TO REQUIRE THEM.
683
00:43:18,383 --> 00:43:21,483
WHERE'S SIPOWICZ?
HERE.
684
00:43:31,650 --> 00:43:33,550
MM‐MM‐MMM.
685
00:43:35,550 --> 00:43:38,283
CAREFUL WHERE YOU POINT
THAT THING WHILE YOU'RE
ON THE STREET, DETECTIVE.
686
00:43:38,350 --> 00:43:40,383
WHAT ARE YOU TALKIN' ABOUT?
YOUR UNIFORM.
687
00:43:40,450 --> 00:43:43,050
THOSE BUTTONS POPPIN' OFF
COULD BE LETHAL WEAPONS.
688
00:43:46,583 --> 00:43:48,583
ALL RIGHT, EVERYBODY.
LET'S MOVE OUT.
689
00:44:03,050 --> 00:44:05,383
"SO HOW'S THE DOG, ANDY."YOU HEAR THAT, JOHN?YOU HEAR THAT?
690
00:44:05,450 --> 00:44:07,383
YOU HEAR ROBERTS ASK
HOW THE DOG WAS DOING?
691
00:44:07,450 --> 00:44:10,783
GOTTA GIVE THIS GUY CREDIT,
BOY, FOR HAVIN' BALLS.
692
00:44:10,850 --> 00:44:13,783
LEAVES HIS DOG TO DIE
IN HIS SNITCH'S APARTMENT,
THEN HE ASKS ME HOW HE'S DOING.
693
00:44:13,850 --> 00:44:15,983
HE'S TRYING TO PULL
HIS LIFE TOGETHER.
HEY, HEY!
694
00:44:16,050 --> 00:44:20,383
‐ LET'S CUT HIM SOME SLACK.
‐ THE GUY IS A LOUDMOUTH
SCREWUP, IS WHAT HE IS.
695
00:44:20,450 --> 00:44:24,116
‐ HOW MANY MORE FLOATS
YOU THINK THEY GOT TO GO?
‐ I DON'T KNOW.
696
00:44:24,183 --> 00:44:27,016
I GOTTA GET
OUT OF THIS UNIFORM.
697
00:44:27,083 --> 00:44:29,450
LAURA KNOW YOU HAD ROBERTS
LOOKIN' OUT FOR HER?
698
00:44:29,516 --> 00:44:31,783
NO, AND I AM DONE
WITH THAT, OKAY?
I'M FINISHED.
699
00:44:31,850 --> 00:44:35,250
SHE COMES IN, SHE NEEDS HELP,
OUT OF THE BLUE
SHE COMES IN, OKAY.
700
00:44:35,316 --> 00:44:37,716
SHE THINKS
SHE'S BEING FOLLOWED,
SO I LOOK INTO IT.
701
00:44:37,783 --> 00:44:41,216
NOW SHE'S BUSTIN' MY BALLS
ABOUT INVADING HER PRIVACY
WITH THIS DOCTOR, OKAY.
702
00:44:41,283 --> 00:44:44,750
SAYS I'M SNOOPIN' ON THIS GUY.
HE CAME TO SEE ME.
MAKES SENSE.
703
00:44:44,816 --> 00:44:48,683
NOW HE IS EXPLAINING TO ME
THE OTHER DAY WHAT THE WORD
"PEDIATRICS" MEANS, OKAY.
704
00:44:48,750 --> 00:44:51,116
A KID'S DOCTOR.
IT GETS TO A POINT...
YEAH.
705
00:44:51,183 --> 00:44:53,450
YOU GOTTA LET THEM LIVE
THEIR OWN LIFE.
ABSOLUTELY.
706
00:44:53,516 --> 00:44:56,250
OTHERWISE, THE BEST YOU GET
IS THE WORST OF IT.
THAT'S RIGHT!
707
00:44:56,316 --> 00:44:58,350
THAT'S ALL THERE IS.
LOOK AT THIS.
HEY! WHOA!
708
00:44:58,416 --> 00:45:01,050
HEY, HEY, HEY. YOU SEE US
STANDING HERE? NO!
709
00:45:01,116 --> 00:45:04,616
ARE WE STANDING HERE?
IS THIS A SAWHORSE?
YOU SOME KIND OF IDIOT?
710
00:45:04,683 --> 00:45:08,116
‐ I HAVE TO GET THROUGH.
‐ WELL, THIS STREET IS‐‐
YOU'RE NOT GETTING THROUGH.
711
00:45:08,183 --> 00:45:10,450
I AM A PERFORMER IN THE PARADE
AND I MUST GET THROUGH!
712
00:45:10,516 --> 00:45:14,016
‐ WHAT PART OF THE PARADE?
‐ WHAT PART DOES IT
LOOK LIKE I'M IN?
713
00:45:15,283 --> 00:45:18,016
ANYWAY,
THE STREET'S CLOSED.
OFFICER,
714
00:45:18,083 --> 00:45:20,216
THIS HAS BEEN THE MOST
HELLISH DAY OF MY LIFE.
715
00:45:20,283 --> 00:45:22,350
AND I'M SAYING,
IN MORE THAN HALF‐SERIOUSNESS,
716
00:45:22,416 --> 00:45:25,583
THAT IF YOU DON'T LET ME
THROUGH, YOU MAY HAVE
A SUICIDE TO SOLVE.
717
00:45:27,216 --> 00:45:29,316
WE WOULDN'T WANT THAT.
NO, WE WOULDN'T WANT THAT.
718
00:45:29,383 --> 00:45:32,350
ALL RIGHT. COME ON.
LET'S GO.
719
00:45:32,416 --> 00:45:35,816
PULL IT ALL THE WAY UP.ALL THE WAY UP.
720
00:45:35,883 --> 00:45:38,183
[ WHISTLING ]
721
00:45:41,816 --> 00:45:45,216
‐ LOVE YOU GUYS.
‐ LOVE YOU TOO.
722
00:45:48,050 --> 00:45:50,050
[ LAUGHING ]
723
00:45:50,116 --> 00:45:52,083
HE LOVES US?
I THINK SO.
724
00:45:58,450 --> 00:46:01,883
[ BUZZER BUZZES ]
IT MAY GET A LITTLE ACTIVE
INSIDE, BUT I'LL BE OKAY.
725
00:46:01,950 --> 00:46:04,016
ALL RIGHT?
726
00:46:05,950 --> 00:46:08,083
YOU KNOW WHO I AM?
SOME KIND OF COP.
727
00:46:08,150 --> 00:46:10,750
‐ THAT'S RIGHT.
‐ TAKE IT EASY!
728
00:46:10,816 --> 00:46:13,783
I WAS ALSO MARRIED TO THE LADY
YOU PUT THE CONTRACT OUT ON.
729
00:46:13,850 --> 00:46:17,350
THAT'S RIGHT.
THE LADY D. A.
WE KNOW ABOUT THAT.
730
00:46:17,416 --> 00:46:20,950
NOW, YOU BOYS GOT
A COUPLE OF SURPRISES
COMIN' THIS WEEK, OKAY?
731
00:46:21,016 --> 00:46:24,016
YOU BETTER BE IN ORDER
ON YOUR HOUSEKEEPING
ON THIS CONTRACT,
732
00:46:24,083 --> 00:46:27,583
BECAUSE IF I FIND OUT
THAT ANYBODY BUT ZEPPO
WAS OUT TO HURT HER,
733
00:46:27,650 --> 00:46:30,116
I WILL MAKE IT MY CAREER
TO COME AFTER YOU.
734
00:46:30,183 --> 00:46:32,650
‐ DO YOU UNDERSTAND?
‐ HEY, MAN, WE DIDN'T KNOW
SHE WAS YOUR FAMILY, OKAY?
735
00:46:32,716 --> 00:46:36,250
I DON'T CARE
IF SHE STEPS OFF THE CURB
AND TWISTS AN ANKLE.
736
00:46:36,316 --> 00:46:39,416
I DON'T CARE
IF SHE BREAKS A NAIL.
737
00:46:39,483 --> 00:46:41,816
I WILL COME AFTER YOU.
DO YOU UNDERSTAND ME?
738
00:46:41,883 --> 00:46:44,250
NOTHIN' IS GONNA HAPPEN
TO HER, OKAY?
739
00:46:44,316 --> 00:46:46,950
BUT IF IT DOES,
I DON'T CARE WHERE YOU ARE,
INSIDE OR OUT,
740
00:46:47,016 --> 00:46:49,650
I WILL FIND YOU
AND IT WILL BE A BLOODBATH.
741
00:46:49,716 --> 00:46:54,150
OKAY? IT'LL BE WORSE
THAN ANYTHING YOU CAN IMAGINE.
742
00:46:54,216 --> 00:46:56,250
HEY, NO PROBLEM, OKAY?
743
00:46:56,316 --> 00:46:58,983
[ KELLY ]
ON THE GATE.
744
00:46:59,950 --> 00:47:02,516
[ BUZZER BUZZES ]
66056
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