All language subtitles for NYPD.Blue.S01E13.WEBRip.x264-ION10

[ TV: Indistinct ]

[ Woman ] Who is it?
Uh, it's me,
Greg Medavoy.

Just a sec.

Hi.

Hi.
What are you doin' here?

Uh, I'm sorry, you know,
if it's a bad time.

Maybe you got company.
Are you kiddin'?
Come in.

I took a chance you'd be home.
The Rangers are playin'
in Toronto.

Yeah, they're on the cable
as we speak.

You want a beer
or somethin'?
Uh, no, I don't think so.

So.
Yeah. So.

So what a nice surprise.

I, uh, I wanted to tell you
that I've moved out
of my house.

I've left my wife.

Oh, my God.
Yeah.

Maybe I will have
that beer after all.
Yeah.

When did all this
happen?
Uh, tonight.

A couple of hours ago.

I, uh, I got a room
over at the Days Inn.

Here.
Oh, thanks.

Mmm. Boy.

You know, uh,
to tell you the truth, Donna,

part of why I did it was
because of these feelings
that I have for you.

This, uh, sense that there's
a certain chemistry between us.

I've been lying awake nights.
I‐‐ I‐‐

All I think about is you.

I think about you too.

Does‐Does your wife
know about me?
No.

I mean, there's nothing to tell.
Nothing's happened.

Donna, I've been dyin' inside.

I'm a 40‐year‐old man.
I've been married since
I was 22 years old.

You know,
m‐m‐maybe I'm at fault,

but it just seems like
my wife's not interested
in me anymore.

Uh, I mean, we don't talk.
There's no romance, no, uh‐‐

No, you know, sex.

And I thought‐‐
I'm no good at lying,
you know.

I don't want
to cheat on her.

So if anything
was gonna happen here,

uh, you know, between‐‐
between you and me,

I‐I‐I had to leave.

Boy.

Look,

I didn't mean to dump
this whole thing
on you like this.

I mean, nothing has
happened between us.

I mean, I should probably go
if, you know‐‐

I mean, uh, maybe you're
not even interested.
Shh.

Gregory,
I'm interested.

I can't‐‐

I can't believe this.

I'm all yours,
Detective.

Oh.

Oh. Ob‐‐
"Ob"?

Oh, boy.

Sarge, I'm Sharon Lasalle.

I'm gonna be working
upstairs in the Squad.

Welcome to the lovely
Lower East Side, Detective.

Upstairs straight ahead.
Thanks.

Good morning.
Yes. Hello.

Excuse me.

Excuse me.

Are you okay?
I'm fine.
How 'bout yourself?

Fine.
Any regrets?

No. No regrets.

Hey, Sharon.

Hey, Johnny.

How you doin'?
Good.

Good to see you.
Yeah.

Guys, Sharon Lasalle.
We went to the academy
together.

Had the gun for
tops in the class.
Hey.

She's gonna be with us.
Comin' over from
Special Victims.

This is my partner,
Andy Sipowicz.

How's it going?
I heard a lot about you.
I heard about you too.

Wanna meet the lieutenant?
Come on. How you doin'?

Good. A little nervous.
Don't be.
You're gonna do great.

Lieutenant,
Sharon Lasalle.

How do you do, Sharon?

Talk to you later.
Welcome to Squad.
Have a seat.

You've got a big fan
in John Kelly.

Well, that's mutual.
You were in
the academy together?

Yeah, and our first detail,
in Public Morals.

Good. I've put you
on the same team with
John and Andy Sipowicz.

Great.
Greg Medavoy
and James Martinez...

are the others on that team.
John will introduce you.

Downside‐‐ we don't have
a female locker room
or dormitory.

We set aside
the restroom outside
of interview two,

and we put a locker
in that interview room
that you can use for now.

Well, that's fine... for now.

My husband was gonna come for
lunch today, if that's okay.

No problem, as long as
nothing comes in.

How's Danny doing?
Oh, he's great.

He's heading security
over at the university?

Yeah, just starting.
I know he's gonna miss the job,
but he seems real happy.

Good.

Well, grab the desk
behind Detective Martinez.

Introduce yourself,
and I'll check with you
during the day.

Thank you.

Hi. Sharon Lasalle.
I'm James Martinez.

She's the goods, huh?
Oh, yeah.

She ought to be.
Danny Deluca's wife.

You worked robbery
with him, didn't ya?

Yeah. He could work a case.
And tough.

Good guy.
Just another in a long line
of successful cop marriages.

‐ Mrs. Forbes here
to see Detective Kelly.
‐ Detective Kelly.

Oh, there you go, John,
your favorite sauce head.

Mrs. Forbes.

It's Paul again.
Come on in. Sit down.

My husband went too far
this time, Det. Kelly,

and I want something
done about it.

Go ahead.

Well, last night,

10:00,
Paul came in polluted.

He started by
attacking me verbally...

and progressed
to smacking me around.

Look at these bruises.

When I told him that
I couldn't tolerate it,

he threw a bottle of vodka
at my head.

Anything else?

What else does he have to do?
What does he have to do,
maybe break my arm?

Beat my head to a pulp
with the heel of a shoe?

What does it take
to move you assholes?

What it's gonna take,
Mrs. Forbes, is for you
to see these things through.

Okay? You can't
withdraw complaints.

You gotta be willing to make
the necessary appearances.
Are you willing to do that?

‐ Absolutely.
‐ Absolutely.

In the last 18 months,
I have taken 11 statements
from you.

You have either dropped
the charges or not shown up
at the arraignments.

This time I want you
to call him up...

and I want you to let him
know exactly what's
gonna happen to him‐‐

Is this in addition to
or instead of arresting him?

He is terrorized
of you people.

If you tell him,
he'll straighten out.

Then I won't have to
drag the messy bastard
through the courts,

and everybody will be
happy, all right?
Here we go. Come on.

Let's go. I don't know
where you're going.
Go where?

I gotta go back to work.
No, you can't do this.

You're gonna go.
Let's go. Come on.

You won't get help
with your alcoholism,

and you won't go through
with the complaint.

How am I gonna help you?
If you don't call
my husband,

I'm gonna start
screaming right here.

If you want to
embarrass yourself,
that's your choice.

I'll call an ambulance,
they'll psycho you,

and you'll spend
the rest of the afternoon
in a straight jacket.

Whatever happens to me
is on your head.

Fine.
Fine.

Get your hands off of me!

These stairs
are not maintained.

Hey, John.
Hey. She's inside.

‐ Incoming civilian for you.
‐ Hey, look who's here.

Danny.
Hey, Andy.
How are you?

Good.
Good to see you, man.

Hey, Art.
How you doing?
There's your lady.

Thanks. Hi, sweetie.

So tell me about the chancellor.
Seems like
a really nice guy.

Says he wants to meet you.
Oh, well.

I'll be sure to wear
my cap and gown.

Don't crack so wise.

They've got a great setup
on employees
accessing the school,

and spouses
and children too.

Well, I don't think I'll be
taking any courses too soon,

and they might look strange
at little boys, six and eight,
applying for college.

I'm saying down the road.

It's a great tuition setup
and so forth, really.

Anyways,
I'm gonna like it.

He liked my ideas
about security down
in the physical plant.

I mean, it's gonna take
a little settling in,

I'm not that crazy
about my sergeant.

He's probably having lunch now
with his wife, complaining
about his new boss.

Hey, I'm a boss now.

[ Laughs ]

And I am gonna audit
some courses.
Good.

‐ Italian art, I'm gonna audit.
‐ Good for you.

I'm gonna take you over
there and we're gonna
see the real paintings.

And then I'm
gettin' fresh with you
in one of those canal boats.

You got any cash on you?

Call in a robbery
in progress to 911.
You got a phone?

Don't jump these guys
till I get out there, Danny.

Yeah, this is Detective Lasalle,
15th Squad, robbery in progress.

Put your hands on
the dashboard! Police!
Check cashing corner.

Ninth and Stiverson.

‐ Drop it! Drop it!
‐ Danny, watch out!

Oh, my God!

Two white males
in ski masks.

[ Tires Screeching ]
[ Man ]
See that?

What happened?

I'm sorry. I‐I thought
you were involved.

That's okay.
That's all right.
I had the wrong getaway car.

See if anybody's hurt inside.
Help! Help!
Please! Somebody!

‐ My boss is dead!
He's dead in there!
‐ Is anyone else inside?

One of the robbers
and my boss.

They shot each other.
They're both dead.

[ Siren Wailing ]
Help! Help!

I'm a detective.
Call an ambulance.

My husband's shot
and there's a victim
and a perp down inside.

This is, 15 Boy Baker Two.
Put a rush on a couple
of ambulances.

We got three people shot,
two apparently D.O.A.
Ninth and Stiverson.

You come with me.
V‐C‐9.

V‐C‐9 is the first‐‐
is all I got
on the plates.

V‐C‐9 is the first three‐‐
three pieces on the plate.

Okay, you're okay.
It's not bad. It's not bad.

Maybe give it
to the radio car,
Sharon, 'cause‐‐

'cause you're all upset.
Yeah, yeah, okay, uh‐‐

V‐C‐9 is the first three digits
on the license plate.
Got it.

You just hold on, okay?
I'm okay.

Just hold on.
Don't give up.
I'm all right.

I'm all right.
I know you are.

I'm okay.
Yeah.

[ Panting ]

Look at me.
Don't let go.
I love you.

I love you.
You don't let go.

You come on.
You don't let go.

Don't let go.

I want no problem
with unmarked cars, Inspector.

I want enough equipment.

No, he was D.O.A.
at the hospital.

He died in the ambulance.
All right.

Hi, Donna.
You want a cup of coffee?
No, thanks.

Anything off crime scene?

Uh, just the shotgun.
We're workin' to get
the prints off that now.

Checking the surveillance tape
at the check cashing place.

Andy's talking to the guy
who was double‐parked.

Says it all happened
too quick for him.

But we're takin' him through it.
Gonna show him some photographs.

What about you?
I've got Robbery Intelligence
checking for similar patterns.

They're gonna bring those cases
over right away.

Auto Crime's working on that
partial plate Danny gave us.

Sharon called.

When she's done at the hospital,
she's comin' back over here.

Let's reach out
to Narcotics and the D. E. A.

Okay. We're already
talkin' to our stools.

James, check with
the radio dispatcher.

Make sure he's
getting the partial
of the getaway car...

over the air citywide
every 30 minutes.

Okay, Lieutenant.
Okay.

He'd been off the force,
what, two weeks?
Two and a half, she said.

How old are his kids?
Six and eight.

All right, let's go to work.

15th Detective Squad.
One moment, please.

Detective Medavoy.

Line two.

Hi. I'm back.

Hi.

Look, this isn't a good time
to talk right now.

We just had an ex‐cop killed
tryin' to stop a robbery.

No, I‐I can't. Not tonight.

Marie, come on.

What, you think I like this?

You think a 40‐year‐old man
likes living in a hotel room?

You think I don't
miss my family?
15th.

Look, I can't have
this conversation now.
I can't do it. I can't‐‐

I'm gonna have to
call you back, okay?

Okay, bye.

Have a seat.

Det. Kelly, Mrs. Forbes.

He'll be
right with you.

Det. Kelly,
if you don't mind,

Paul beat me again,

thanks to your refusal
to even call him
when I asked you to.

I filled out
the whole form for you,
and it's been typed up.

Now, this should make
your job a lot easier,
shouldn't it?

Let me see the form.

Okay. I'll send somebody over
to arrest him right now.

Would you please not
arrest him at his work?
He is on thin ice there.

We are gonna pick him up.
If you're not interested,
take your paperwork back.

No. If that's
the only way you'll do it,
then I have no choice.

Okay. Okay.
Arrest
the son of a bitch.

‐ Work on that, okay?
‐ Are you gonna do it?

Yeah, I'm gonna do it.

Hey, come here.
Come in here with me.

In here.

Come here, come here,
come here, come here.

Come here.

You okay?

A man's gonna be able to see,
they said, with Danny's eyes.

Hey, that's good.
Yeah. That's good.

I wanted to ask you if you
would come home with me.
Sure.

I know you want
to work the case.

No, I'll come home with you.
When do you want to go?

Well, my sister's bringin'
the kids home from school.
Okay.

I'd like to be there
to tell them.
You want to go now?

Yeah, we should.
We should.
Okay.

I don't want them
to hear on the TV.
All right. Come on.

Let's go.
Okay, yeah.

Could you talk to them
for a minute?

I've gotta
pull myself together.
Sure.

Let me talk to you guys
right here.

My name's John,

and you're Peter.

Yeah. He's Jimmy.

My mom says
you're a cop.
Yeah, that's right.

That's how
I know your folks.

Our dad was shot.
I know.

I know.

You know, when I wasn't
much older than you guys,

my dad, who was a cop
just like your dad,
he was shot too.

You know,
and I remember
when it happened.

All these cops came over
to the house, you know,

and they were tellin' me
how my dad died a hero.

You know,
but inside me,

I just felt like
he was gone, you know.

He was a great dad too.

Yeah, he was
a great dad, wasn't he.
Yeah.

You know what I did?

I thought of my dad.
I was proud of my dad...

as a hero
and a great dad.

You know what I mean?
Both.
[ Phone Ringing ]

Let me let you in
on a little secret.

The next couple of days
around here...

are gonna be really tough
on your mom, okay?

They're gonna be hard on you
guys too, but they're gonna
be really tough on your mom.

What I think we should do
is make this as easy
as possible...

on her, okay?

Uh, it's Andy.

I'll be right back, guys.

Yeah. Uh‐huh.

No, no, wait for me.
Yeah, okay.

They got an I. D.
and address off that print.

The guy that dropped
the shotgun?
Yeah. They're
gonna get him.

Yeah.
You gonna be okay?
Yeah, go ahead, Johnny.

You sure?
All right.
Mm‐hmm.

Hey, guys.

You wanna be buddies?
We do.

You know what buddies do?
Buddies stay in touch
and they talk about things.

Okay?
You wanna be buddies?
I'll tell you what we'll do.

I'm gonna give both of you,
one each, my card.

That's how you stay in touch.
There's a number
right on that card.

Okay?

How 'bout a hug?
Come here.
Buddies hug, right?

Give me a hug.
You better go, Johnny.

All right. Here you go.

So we got a deal.

You'll call me,
and you'll call me.

Right? Okay, guys,
take it easy.
I'll talk to you soon.

See you later.
Okay.

[ No Audible Dialogue,
No Audible Sound Effects ]

[ Man ]
Hey, take it easy, will ya?
Just take it easy.

Slow down!

Don't you want us to take him
down to emergency, Detective?
No. We'll take him.

Hey, I gotta go‐‐
I need to talk‐‐

We got it. Thanks.

Hey, why are we stoppin', man?
We should be gettin'
to a hospital.

A cop got killed,
you scumbag
piece of garbage!

Now, you listen to me.
Now, you were outside,
all right?

You dropped the shotgun while
someone in that getaway car
killed that man.

You were an accessory.
Now, you want that
to account for somethin',

then you'll give up the names
of the guys in that car.

Hey, look, if I don't
go to a hospital
I'm gonna die here!

So that's a no on plan "A",
right, Leo?
Hey, come on, man.

Dr. Kelly,
you want to hand me
my gloves there?

What are you doin'?
What's goin' on here?

[ Chuckles ]
I'm gonna have to operate
right here in the car, Leo.

I mean, that's
your only chance here.

For God's sake,
he's gonna kill me!

A cop died,
you son of a bitch!

Now, if you want
to get to a hospital...
[ Screaming ]

and avoid some extremely
painful emergency surgery,

then you will give up
the names of those guys.

Okay, okay, all right!
It was Curtis Perriman
was the driver.

I don't know
who the other guy is.
You got an address?

I swear to God I don't know.
Yeah, I got an address.

I'll give it up, all right?
Just get me to a hospital,
all right?

Dr. Kelly?

I got the stolen vehicle
report for you right here.

[ Man ] I want a lawyer!
[ Sipowicz ] Yeah, yeah,
okay, right, yeah.

I'm askin' for a lawyer now.
You want me to go out
and hail one down for you?

Now, come on upstairs.
We'll work things out.

Up we go.

15th Detective Squad.

Just a second, please.
Detective Medavoy,
it's your daughter.

Hi. Jamie? Hi, honey.

Oh, I miss you too.

How was school?

Don't cry, Jamie.
Come on.

No. No, that's not true.

No, it's not your fault.
You tell your sister
I said so.

I love you
and your sister.

And, and,
and I love Mommy too.

It's just that sometimes
mommies and daddies...

have to get away
from each other for a while.

You know, to figure out
their‐‐ their problems.

You know, like
Kevin Appley's mom and dad.

What? Who told you that?

Yeah, well,
you tell Bobby Walden
that that's not true,

and it's none of his business
who Kevin Appley's mother
was intercoursing.

Does, uh‐‐ Does Katie
want to talk to me?

Oh. Well, um‐‐

Well, tell her
I love her anyway,
even if she hates me.

Uh, yeah. Maybe.

Listen, honey, I gotta run.
I got crimes to solve.

[ Sipowicz ]
Come on, asshole, let's go.
I love you too.

Bye.
[ Kisses ]

15th.

Anybody hear me
ask for a lawyer?

You want a lawyer, Curtis?
You can have one.

But I want you
to take a minute,
shut your mouth,

and let us tell you
where you stand.

That's your specialty,
huh, Curtis,

takin' off these
check cashing places?

You know, we looked back
at one that went down
last month...

and guess whose mug
was on the security tape.

‐ But that don't mean
anything now.
‐ Your buddy Leo gave you up.

So we know you were
in the getaway car.
That's a done deal.

That's done.
Now the only thing
you got going for you,

the only thing,
is that if you were
the wheel man,

you couldn't have
pulled the trigger
that shot the cop.

That may be good for you.
That's if you really were
the wheel man.

If we don't come up with
the trigger man, we'll go
with you as the shooter.

See, Curtis, the only‐‐

the only guy who's
gettin' a deal here
is the wheel man.

So I can have a D.A.
come in here in five minutes
and cut a deal.

Hey, you're forgettin'.
He wants to have
a lawyer in here,

tell him to shut up
and go on trial
for cop‐killing.

‐ Hey, wait, now.
‐ No. No waiting.

You request an attorney,
we stop talkin'.

Okay? You will be
constitutionally
protected...

from somethin' that could
save you 50 years, Curtis,
50 years in the joint.

All right.
Forget about the lawyer.

You sure you don't
want a lawyer?

Yeah, I'm sure.

A.D.A. Costas, I got
Curtis Perriman inside who wants
to deal on the Deluca shooting.

I can't deal with him.
What are you
talkin' about?

This guy's ready
to give us a cop killer.
No good.

I heard him
request an attorney before.

Well, he doesn't want
an attorney.
Come in there with me.

‐ He'll tell you himself.
‐ He can't rescind that request
without counsel present.

Everything you get from him
subsequently...

is tainted
and inadmissible.
It's tainted, huh?

That's right.
And I'm informing you
that if asked in court,

I will have to say
what I heard.

I'm telling you,
get a lawyer with this guy...

before he offers any
substantive information.
This guy's got no lawyer.

He's gonna get one of them
Legal Aid humps,

doesn't want to make
any decisions till
three weeks from Thursday.

Meanwhile, the shooter
that he could give us
winds up in Cleveland.

If you bring that shooter in
off cooperation this man gave
without legal representation,

he will walk out of court.

Do what I'm telling you.

Get him an attorney.
I'll make sure my office deals.

Detective Kelly!
Mr. Forbes,
what are you doin' here?

I was released after being
falsely accused by my wife.

She withdrew the charge
at the arraignment.
Oh, my God.

What do you want?
I want you to see
this video.

I want you to see
the kind of person...

whose complaint you
saw fit to arrest me;
she assaults me.

You want to go on record with
that, you take it downstairs
and they'll get you started.

She attacks me
with a bag of ice
from the freezer.

She smashes a lamp, then tears
the drapes off the front window.
Take it downstairs.

You hear me?
So she can come in here
and have me arrested,

but I come in with evidence,
which she never had,
and you do nothing.

Tell me something,
Detective, she do you
any oral favors?

Hey, you better stop now.
She's done oral favors
for people who did less.

If you are not out of here
in 30 seconds,

I'm gonna put you in
for disorderly conduct,
and I will not drop the charges.

I'll leave the tape.
I'll add littering. Go.

That's your client,
and I'd say that's
pretty incriminating.

There's not
a jury in the world
that won't convict off that.

I'm confused, Counselor.
I thought that we were here
to discuss the Deluca shooting.

What's on the tape
is a sure three‐to‐five.

I'll fold in the homicide
that he was involved in
yesterday.

No, all that you have
to implicate my client
on that homicide...

is the uncorroborated
allegation...

of an admitted criminal.
Believe me, we can put
Mr. Perriman away forever.

And I also understand
that there were
some ambiguities...

regarding
the assignment of counsel.

I want you to understand
what a good package
we're offering...

and how small
your window
of opportunity is.

Hmm. Well, I wonder if
you would be so insistent if
you really believed your case.

Hey, look,
his partner rats,

he's on tape using
the same M. O. a month ago,

the getaway car
is being dusted
as we speak.

We got him.
The man is guilty.

The only question is
how much time he does.

You can have
Mr. Perriman home
before his 30th birthday,

or he does
25‐to‐life upstate.

Even a Legal Aid hump
like you can figure
those numbers.

Tell me the offer again.

Hi, Sharon.
How's it going?
Hey, Andy. Good.

Hey.
Hey, any progress?

We don't know the guy
who shot Danny yet,
but we're gettin' close.

How'd it go
with the union reps?

Not good. I get his
Columbian Society benefits,

but on his pension,
we decided to go
with plan "B".

Yeah.
He was only 46.
We thought, uh,

take the benefits
while he's still alive.

Yeah.
We'll work somethin' out.
We'll be okay.

Yeah. A. D. A. Costas,
Detective Lasalle.

Condolences on your loss.
What's up?

You got somethin' for Johnny?
He's recommending
the package.

I think you're gonna
get your name.
Good. Good.

Police!
Get inside!
Get inside!

Get back! Come out here!
Come out here!

Go, go, go, go!
What's wrong?

We're looking
for Donald Clayton!
Donald Clayton!

‐ Is he your son?
‐ Yes!

Where is he?
I don't know
where he is.

[ Man ]
We're clear.
We're clear.

Ma'am, your son shot and
killed a police officer.
Oh, God, no.

If you know where he is,
you better tell him
to turn himself in.

This is the way
we're lookin' for him.
Do you understand, Mrs. Clayton?

What are you saying?
He's got a better chance
in court than on the street.

Now, you get him
that message, all right?
You know where he is?

No, no, I don't,
but he calls me
sometimes.

You just let him know
how we're lookin'.

[ Whimpering ]

What's your name, darling?

Donna Abandando.

You're Norman Gardner,
the TV reporter.
Yes, I am.

Donna, would you tell
Lt. Arthur Fancy
I'd like to see him, please?

Well, it'd be better
if I could tell him
what it's about.

It's between me and the
lieutenant, but you can be sure
I'm not gonna waste his time...

because I never waste mine.

Can I help you,
Mr. Gardner?
Yes, you can, sir.

In my office.

You know what he's doing here,
don't you, Kelly?
I got an idea.

This prick we're lookin' for
is gonna surrender to that
two‐bit publicity junkie.

Is this about Clayton?
Okay, here's the deal.

My guy's afraid he's gonna
take a beating, minimum,
so in order to allay his fears,

I want to follow him
from the street all the way
through the booking process.

Now, I realize we can't be
in the interrogation,

but I want to pick him up
when he comes out.

I want to hear him say
he wasn't mistreated.

I want to follow him
to his cell door‐‐
That's not gonna happen.

I don't see how you
have a choice here.
Don't you?

Suppose we announce
in the media you're
setting unreasonable terms.

We send a message
to this perp to contact
some other reporter.

You're not the only hustler
with a Minicam in the city.

What would be your plan?

You can set your camera
up on the street,

walk him to the door
of the station house,
wish him a nice life.

No way. This individual's
putting his physical safety
in my hands.

I have an obligation
to make sure
my promises to him hold.

You want to stay with him
in his cell all night?

No camera. Just you,
him and a bar of soap.

Look, don't bust my balls,
Lieutenant. I'll tell you what.

You let me bring the camera
inside, I'll turn him over
to you personally.

You can turn him over
to Detectives Kelly and
Sipowicz by the front desk.

On camera, inside the building.
You say good‐bye at
the bottom of the stairs.

Can I interview
the detectives?
If they'll talk to you.

When do we see the man?
I think I can
get him here quick.

You wouldn't have him
in a truck parked down
the block, would you?

I think I can
get him here quick.

Kelly, Sipowicz.

So, uh, what's
the next Chevy Chase there
want, Lieutenant?

He's gonna bring in the shooter.
He'll turn him over to you
inside the front door.

On camera.
On camera.

Keep your comments brief.
Get the guy upstairs.

When's he comin' in?
Anytime now.

Can I call Sharon?
She wanted to be here.
Go ahead.

This is the front desk area
of the 15th Precinct.

In a few moments, you'll
see me walk out this door...

and return with
the most wanted man
in New York City,

accused cop killer
Jimmy Clayton.

Mr. Clayton, who claims he is
innocent, fears for his life
at the hands of the police.

He's told me the only way he
believes he can safely give
himself up is with my help...

and under your watchful eyes,
so please stay tuned.

Cut. Excuse me, fella.

Detectives, uh‐‐

I'm Sipowicz, he's Kelly,
in case you want to
insult us by name.

Guys, there's certain things
I have to say to satisfy
my viewers.

They tend to dislike cops.
Today's just your day
in the barrel.

Personally, I think
you're doin' a terrific job.
You wanna bring him in soon?

Bring him in.

So, Det. Kelly,
this is your case, right?
Yeah. We all worked on it.

Well, listen, you guys
want to get some pictures
of the three of us together...

for your families later,
it's no problem.

And people say
you're an asshole.

Yeah, you ready?

Bring him in.

My assistant has just
turned Jimmy Clayton
over to my custody.

Mr. Clayton, you're accused
of killing retired detective
Daniel Deluca.

Did you do that, sir?
I didn't kill nobody.
They need a scapegoat.

I'm poor and white,

and ain't nobody gonna
stand up for me,
and they know that.

You're under arrest.
You have the right
to remain silent.

You have the right
to an attorney.
You're damn right I do.

If you cannot afford
an attorney, one will
be appointed to you.

Det. Andy Sipowicz,
did you tell this man's
mother, quote,

"Jimmy would do better taking
his chances in court than
on the street," end quote?

Quote, "Nope,"
end quote.

Mr. Clayton and his mother
both took this to mean...

he might be killed in the street
by police before he could turn
himself over to authorities.

How do you respond to that,
Det. Kelly?
Mr. Clayton's being arrested...

for the murder of a man
during an armed robbery.
You agreed to be interviewed.

Now you're running away
from some tough questions.

Do you also intend to break
your promises regarding
Mr. Clayton's physical safety?

Nobody made you
any promises about
your safety, scumbag.

Now, why don't you
get out of here.
You sucked enough blood today.

Cut.

All right.
Turn to the side.

Did you ever think
you were that ugly, Jimmy?

How you doin'?

I asked Johnny
to let me know
when they got the guy.

I don't know you well, Sharon,
so I hope you'll forgive me
askin' you this:

You just here for a look?

Am I thinkin' of
takin' the guy out?

Maybe if there weren't
two kids in the picture,
Lieutenant.

Okay.

Hey, I said relax.

Sharon.

Do you, uh,
do you recognize
any of these people?

No.
That is my family.

See the man holding
the two kids? Smiling man?

Hey, man, what is this?
That was my husband!

The detective
is talkin' to you.
That was my husband, okay?

You killed him yesterday.
You did.

And you see these children?
That is Peter and that's Jimmy.

I didn't do it.
Oh, yeah, you did.

Oh, yeah, and you're
gonna do the time for it,
you little piece of garbage.

You took
my children's father.

I have nothing to say.
You know what?

You're gonna be
a really big hero
in the joint.

You killed a cop.

I'm sorry it happened out
that way.

Good night, Medavoy.

Good night, Donna.
Good night,
Lieutenant.

Hi.
Hi.

So, I hope you got stock
in the phone company.

Yeah. I've been havin'
a lot of calls.

Your family loves you.
Yeah.

How you doin'
with all that?
Awful.

Are you going back?

She says she‐‐

She really wants
to try to put things
back together, Donna.

Marie says she
really wants to try.

She says that I didn't
give her a fair chance,

that I didn't
express myself
how unhappy I was.

I mean, uh, I know
I got problems
in that area.

You know, sayin'
what's on my mind.

Not with me.
Yeah.

Not so much with you.

Anyways, uh, with
the kids and all, um,

I figure I owe it to 'em
to give it a shot.

[ Siren Wailing ]
Okay.

You know,
I'd hate for you
to think...

that I was lying
about leaving home
and everything...

just to get you in‐‐
in‐‐ in‐‐

Bed?
Bed, yeah.

I don't think you lied.

But you got to understand,
Gregory.

There's no way we can see
each other romantically
if you're back with your wife.

I know.
I did that once
with a New York Ranger,

and I swore, "Never again."

I understand.

You may be the best thing
that ever happened to me,
Donna.

Good night, Greg.

I'll see you tomorrow.

Good night, Andy.
I'll see you, Med.

Hey, listen, I hope
you weren't talkin'
to that guy...

without his legal
representation present.
They wanted a deal.

You didn't give 'em
anything.
I didn't give 'em dick.

I wasn't squeezing your shoes.
I didn't want your case
to go away.

Ah, you had a point there.
I mean, I'll sometimes
overlook the niceties.

Listen, you hungry?
Yeah.

Tough.

Come on.
I'll take you
out to dinner.

Come on.
Thanks.

Kelly.
[ Sharon ]
Yeah.

You okay?
I'm gonna be okay.

I know
you're gonna be okay.
Yeah.

You know, when, uh,
Danny was alive,

I always felt
how he loved me.

I felt it even when
we weren't together.

Carried it with me
all the time.

I mean, I'm my own woman,
you know.

I know who I am,
and it wasn't like
Danny's love...

made me
anything I wasn't.

But, um,

it made me feel
very, very good.

And I still
feel that now.

I still feel
his love for me.

And that's gonna make me
strong for the boys and
doing what I gotta do.

But the thing is, um...

I'm not gonna have
Danny with me.

At the end of the day,

I'm not gonna have him
to hold me, you know,
and, uh‐‐

That's, uh‐‐
That's gonna be very hard.

Would you drive me home
and, um, look in
on the boys?

I would absolutely
drive you home.

Thanks.
[ Knock On Door ]

Excuse me.
There's a woman here,
Detective Kelly.

She's incoherent
and she's asking for you.
I wanna see you now.

Give me a moment.

No, you are not
gonna talk to me.
I don't have the time.

What you are gonna do
is sit over here
on this bench...

and wait till somebody
gets to you, okay?

Sit right there
and wait.

There you go.

What's goin' on
with your arm?

Just a flesh cut.

Stopped bleeding.

‐ You up for a short wait?
‐ Yeah. I gotta make
a few calls.

Okay, thanks.
Okay, Mrs. Forbes, come on.

I want to hear it.
Please. Sit down.

Right there.

I can see by your eyes
you already know
it's about my husband.

Tell me what happened.

[ Laughs ]
You know us, Detective.

Always fighting.
Like two bobcats in a bag.

[ Sighs ]
Then we made up.

We would drink and make up.

Always.

I told him‐‐

I told him, I said,

"Please...

"don't listen
to the news radio...

when I'm watching
the tape machine."

I distinctly told him,
and he ignored me.
Okay. Mrs. Forbes,

tell me what happened.
And I said to him‐‐

I said, "You're gonna
have to answer to me."

And he never did.

[ Sniffles ]
And I stabbed him...

in the back of the neck
with a knife.

[ Sobs ]
How bad
did you stab him?

Oh, bad.

Very bad.

He died on me,
the son of a bitch.

Okay, I'm gonna send
a radio car over there
to check it out. Come on.

Okay.
We'll go in
an interview room. Come on.

Come on.
I saw you
looking over here.

That's enough.
You think you're better
than I am, but you're not.

I loved Paul, and he loved me.
We had something.
Now I have nothing.

I don't know
what I'm gonna do
without him!

[ Crying ]

I, uh‐‐

Sure.