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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,847 --> 00:00:30,014 HAVE A GOOD DAY, DETECTIVE. HEY. 2 00:00:36,114 --> 00:00:40,480 YOU THINK MAYBE IT'S TIME TO STOP ACTING LIKE STRANGERS WHEN WE GO THROUGH THAT DOOR? 3 00:00:40,514 --> 00:00:42,380 YOU CALL IT. 4 00:00:46,280 --> 00:00:49,214 HERE YOU GO. 5 00:00:50,168 --> 00:00:51,901 I THINK WE OUGHT TO THINK ABOUT IT. 6 00:00:51,934 --> 00:00:54,134 FIGURE WE OUGHT TO LET PEOPLE KNOW. YEAH? 7 00:00:54,168 --> 00:00:57,268 WHY DON'T YOU STAND RIGHT THERE AND I'LL GIVE YOU A BIG, WET ONE RIGHT IN FRONT OF THE DESK. 8 00:00:57,301 --> 00:00:59,568 OFFICER LICALSI? YEAH. 9 00:00:59,601 --> 00:01:03,434 PHONE. WHO'S CALLING YOU ON A PAY PHONE? 10 00:01:03,468 --> 00:01:05,234 I DON'T KNOW. SEE YOU LATER. 11 00:01:08,334 --> 00:01:10,768 THIS IS OFFICER LICALSI. [ MAN ] JANICE? 12 00:01:10,801 --> 00:01:12,734 YEAH. WHO'S THIS? RICHIE. 13 00:01:12,768 --> 00:01:15,401 RICHIE, HUH? RICHIE WHO? 14 00:01:15,434 --> 00:01:17,601 RICHIE YOU'RE GONNA MEET ON YOUR LUNCH HOUR TODAY. 15 00:01:17,634 --> 00:01:20,301 YOU KNOW THAT OLD POST OFFICE OVER THE BRIDGE, LONG ISLAND CITY? 16 00:01:20,334 --> 00:01:22,801 I DON'T KNOW ANY RICHIES, AND WHAT WOULD I WANT TO MEET YOU FOR? 17 00:01:22,834 --> 00:01:26,134 TAKE IT EASY. BE CONSIDERATE, JANICE. BE LIKE ME. 18 00:01:26,168 --> 00:01:29,368 I CALL ON THIS PHONE SO YOUR BOSSES DON'T HEAR ME SAY... 19 00:01:29,401 --> 00:01:32,134 ABOUT HOW I KNOW THAT YOU USED TO WORK FOR MR. M. 20 00:01:32,168 --> 00:01:34,601 OUR FRIEND ANGELO MARINO. 21 00:01:34,634 --> 00:01:37,234 WASN'T THAT CONSIDERATE ON MY PART? 22 00:01:37,268 --> 00:01:40,034 JANICE. 23 00:01:40,068 --> 00:01:43,068 WHAT? YOU STILL THERE? 24 00:01:43,101 --> 00:01:46,468 YEAH. SO ARE WE GONNA GET TOGETHER? 25 00:01:46,501 --> 00:01:48,634 YEAH, ALL RIGHT. 26 00:01:48,668 --> 00:01:51,301 JUST OVER THE BRIDGE. WHO AM I GONNA LOOK FOR? 27 00:01:51,334 --> 00:01:53,601 YOU SHOW UP; I'LL FIND YOU. 28 00:01:55,168 --> 00:01:56,968 [ LINE CLICKS ] 29 00:03:17,706 --> 00:03:19,572 MORNING. HEY, DETECTIVE. 30 00:03:19,606 --> 00:03:22,206 HOW'S IT GOING? IT'S GOING OKAY. 31 00:03:22,239 --> 00:03:25,306 WHAT'S GOING ON? NOTHING MUCH, YOU KNOW? 32 00:03:25,339 --> 00:03:27,239 HOW ABOUT WITH YOU? 33 00:03:27,272 --> 00:03:29,106 NOT TOO MUCH. 34 00:03:34,872 --> 00:03:37,839 SOMETHING YOU WANT TO TALK ABOUT, JAMES? 35 00:03:37,872 --> 00:03:41,672 MY BROTHER'S BEEN OUT OF TOUCH A WHILE. MY BROTHER ROBERTO? 36 00:03:41,706 --> 00:03:45,139 YEAH, HE'S IN THE REHAB PROGRAM. 37 00:03:45,172 --> 00:03:47,706 HE CHECKED HIMSELF OUT OF THAT ABOUT TWO AND A HALF WEEKS AGO. 38 00:03:47,739 --> 00:03:51,406 HE'S BACK AT THE APARTMENT. NOW THE PHONE'S OFF THE HOOK, 39 00:03:51,439 --> 00:03:53,706 AND THERE'S NO ANSWER INSIDE WHEN I GO OVER THERE EITHER. 40 00:03:53,739 --> 00:03:56,172 HOW LONG? COUPLE OF DAYS. 41 00:03:59,106 --> 00:04:01,039 COULD HE BE VISITING SOMEPLACE? 42 00:04:01,072 --> 00:04:03,172 YEAH, I GUESS HE COULD BE. 43 00:04:03,206 --> 00:04:06,006 I DON'T KNOW WHERE HE'D BE VISITING. 44 00:04:06,039 --> 00:04:08,772 YOU GOT A KEY TO THE APARTMENT? I GAVE IT BACK TO HIM. 45 00:04:10,539 --> 00:04:12,672 MAYBE GO OVER THERE AND HAVE THE SUPER LET YOU IN. 46 00:04:12,706 --> 00:04:14,906 MAYBE YOUR BROTHER WENT SOMEWHERE OR THE CAT KNOCKED THE PHONE OFF THE HOOK. 47 00:04:14,939 --> 00:04:17,706 YOU KNOW? GIVE YOURSELF SOME PEACE OF MIND. 48 00:04:17,739 --> 00:04:20,206 YEAH. HE‐‐ HE DON'T HAVE ANY PETS. 49 00:04:22,872 --> 00:04:26,172 I'LL TELL YOU THE TRUTH, DETECTIVE. I'M AFRAID OF WHAT I'M GONNA FIND OVER THERE. 50 00:04:26,206 --> 00:04:28,339 YOU WANT ME TO RIDE OVER THERE WITH YOU? 51 00:04:28,372 --> 00:04:31,639 I'M AFRAID SOMETHING MIGHT HAVE HAPPENED TO HIM, YOU KNOW, WITH HIS DRUG PROBLEM. 52 00:04:31,672 --> 00:04:35,072 LET'S NOT GET AHEAD OF OURSELVES. LET'S RIDE OVER THERE. 53 00:04:35,106 --> 00:04:36,906 I APPRECIATE THAT. 54 00:04:43,672 --> 00:04:46,506 [ SIREN WAILING ] 55 00:04:56,172 --> 00:04:58,372 [ MAN SPEAKING SPANISH, FAINT ] 56 00:05:03,406 --> 00:05:05,239 COME ON. 57 00:05:10,106 --> 00:05:12,739 THANKS. 58 00:05:12,772 --> 00:05:15,539 YOU KNOW WHAT? LET ME‐‐ LET ME GO IN FIRST. SEE WHAT'S WHAT. 59 00:05:50,439 --> 00:05:53,339 I'M SORRY, JAMES. 60 00:05:53,372 --> 00:05:55,206 OH, MY GOD. 61 00:05:56,872 --> 00:05:58,672 MY BROTHER'S DEAD. 62 00:06:01,539 --> 00:06:03,372 MY LITTLE BROTHER. 63 00:06:04,872 --> 00:06:06,706 I'M SORRY. 64 00:06:08,372 --> 00:06:11,672 COME HERE. COME HERE. 65 00:06:18,172 --> 00:06:20,406 [ PHONE RINGING ] 66 00:06:20,439 --> 00:06:22,539 YES, I GOT IT ALL. 67 00:06:22,572 --> 00:06:25,139 "AN EVIL ENERGY THREATENING THE GALAXY." 68 00:06:25,172 --> 00:06:29,339 RIGHT. ALSO THREATENING YOU PERSONALLY WITH A LASER DEATH SQUAD. 69 00:06:29,372 --> 00:06:32,539 I GOT IT. I‐I'M NOT IMPATIENT. 70 00:06:32,572 --> 00:06:35,872 IT'S JUST, WE'RE REALLY BUSY HERE WITH CRIMES ON PLANET EARTH. 71 00:06:35,906 --> 00:06:38,039 OKAY. THANKS FOR YOUR PHONE CALL. 72 00:06:41,106 --> 00:06:44,039 ‐ A NUT CASE. ‐ YEAH, I GATHERED. 73 00:06:44,072 --> 00:06:48,206 ALL PART OF MY JOB. LET'S TALK IN THE INTERVIEW ROOM, MISS ABANDANDO. 74 00:06:48,239 --> 00:06:50,039 OKAY? SURE. 75 00:06:52,606 --> 00:06:55,206 DID I DO SOMETHING WRONG WITH THAT PHONE CALL? DON'T WORRY ABOUT IT. NO. 76 00:06:57,572 --> 00:07:00,706 IT'S JUST, MANY OF YOUR WACKOS, MISS ABANDANDO, 77 00:07:00,739 --> 00:07:04,639 HOW THEY'RE MAINLY WACKY IS FEELING THE WORLD DOESN'T UNDERSTAND THEM. 78 00:07:04,672 --> 00:07:08,239 NOW, YOU WANT TO AVOID HELPING THEM ALONG WITH FEELING THAT WAY. 79 00:07:08,272 --> 00:07:11,539 YOU TRY NOT TO LET THEM HEAR IT IN YOUR VOICE THAT YOU'RE FEELING, 80 00:07:11,572 --> 00:07:14,206 EH, MAYBE THEY'RE MISSING A FEW DOTS ON THEIR DOMINOES. 81 00:07:14,239 --> 00:07:16,472 DO YOU THINK I WASN'T SYMPATHETIC ENOUGH? 82 00:07:16,506 --> 00:07:19,739 DO YOU THINK I MIGHT HAVE DROVE HIM TO SOME "HENEIOUS" ACT? 83 00:07:19,772 --> 00:07:23,206 WHAT WAS THE GUY'S PROBLEM WHO JUST CALLED? 84 00:07:23,239 --> 00:07:26,872 A POWER CONFIGURATION OF PURE EVIL... 85 00:07:26,906 --> 00:07:29,206 CALLED THE GALACTIC GRAVITY SHELF. 86 00:07:29,239 --> 00:07:31,572 AND THEY SENT A LASER DEATH SQUAD TO KILL HIM. 87 00:07:31,606 --> 00:07:34,239 SO YOU WORK WITH THAT. 88 00:07:34,272 --> 00:07:36,639 HERE. SIT DOWN. 89 00:07:36,672 --> 00:07:41,006 THE, UH, GRAVITY SHELF. UH‐HUH. 90 00:07:41,039 --> 00:07:45,072 THE LASER DEATH TEAM? SOUNDS LIKE A DANGEROUS BUNCH. 91 00:07:45,106 --> 00:07:47,239 THEN YOU MAKE A COUPLE OF SUGGESTIONS. 92 00:07:47,272 --> 00:07:51,172 LIKE, UH, "OUR MOST EFFECTIVE WAY... 93 00:07:51,206 --> 00:07:53,706 "IN DEALING WITH THESE DEATH SQUADS IS, 94 00:07:53,739 --> 00:07:56,972 "YOU DISTRIBUTE COFFEE GROUNDS IN EACH CORNER OF YOUR DWELLING. 95 00:07:57,006 --> 00:07:59,872 "THE AROMA JUST DERANGES THEIR SENSES. 96 00:07:59,906 --> 00:08:03,172 "YOU WEAR A FEDORA WITH ALUMINUM FOIL ON THE INSIDE. 97 00:08:03,206 --> 00:08:05,906 IT THROWS OFF THEIR BEAMING DEVICE." 98 00:08:05,939 --> 00:08:08,872 YOU GIVE THEM THE IDEA THEY CAN HELP THEMSELVES. 99 00:08:08,906 --> 00:08:11,906 THAT'S REALLY SMART. YEAH. 100 00:08:11,939 --> 00:08:15,406 MAYBE THIS GUY STOPS GOING TO U. F. O CONVENTIONS, HE'LL STOP SEEING LITTLE GREEN MEN. 101 00:08:15,439 --> 00:08:19,472 DETECTIVE SIPOWICZ, THANKS FOR THE HELP. 102 00:08:19,506 --> 00:08:22,172 DON'T MENTION IT, MISS ABANDANDO. 103 00:08:22,206 --> 00:08:23,939 YOU WANT ONE? SURE. THANKS. 104 00:08:31,606 --> 00:08:33,639 ANDY. YEAH. HOW'S IT GOING? 105 00:08:33,672 --> 00:08:35,872 MARTINEZ LOST HIS BROTHER. YEAH. DRUGS? 106 00:08:35,906 --> 00:08:38,206 HOW'S THE KID? 107 00:08:38,239 --> 00:08:40,506 HE'S TELLING HIS FAMILY. YOU KNOW. I THINK HE'S WORRIED ABOUT TELLING HIS FATHER. 108 00:08:40,539 --> 00:08:42,739 I'M GOING TO TELL THE SERGEANT NOW. 109 00:08:42,772 --> 00:08:46,072 YOU KNOW WE GOT THAT BIRTHDAY LUNCH FOR MEDAVOY. YEAH. I'LL BE RIGHT DOWN. 110 00:08:46,106 --> 00:08:49,872 [ SCOFFS ] LOOK AT ROBERTS CIRCLING ABANDANDO'S LANDING AREA. 111 00:08:49,906 --> 00:08:51,872 YOU BLAME HIM? 112 00:08:56,372 --> 00:08:59,072 HOW'S IT GOING? HEY, ANDY, HOW YOU DOING? 113 00:08:59,106 --> 00:09:02,206 AH. DETECTIVE ROBERTS. 114 00:09:02,239 --> 00:09:05,739 I WAS AT THE RANGERS GAME LAST NIGHT. YOU TOO? DON'T YOU HATE TIES? 115 00:09:05,772 --> 00:09:08,306 YEAH. ANYWAYS, LOOK. I GOT A SOUVENIR HERE. 116 00:09:08,339 --> 00:09:12,306 A PUCK! THAT'S GREAT! YOU CAUGHT IT OFF A DEFLECTION? 117 00:09:12,339 --> 00:09:15,539 NO, I PICKED IT UP AT THE SOUVENIR STAND. OH. 118 00:09:15,572 --> 00:09:17,539 I THOUGHT MAYBE YOU'D WANT IT. 119 00:09:17,572 --> 00:09:20,372 THAT'S SO NICE OF YOU. 120 00:09:20,406 --> 00:09:22,339 BUT WHY DON'T YOU KEEP IT? 121 00:09:22,372 --> 00:09:24,806 NO, GO ON. TAKE IT. 122 00:09:24,839 --> 00:09:29,172 IT'S MY PLEASURE. THAT'S REALLY NICE OF YOU. THANKS A LOT. 123 00:09:29,206 --> 00:09:33,306 I THOUGHT MAYBE YOU'D LIKE TO GO TO A GAME WITH ME SOMETIME. 124 00:09:33,339 --> 00:09:37,872 WELL, SOME GIRLFRIENDS AND ME HAVE SEASON TICKETS, AND WE ALL GO TOGETHER. 125 00:09:37,906 --> 00:09:39,706 OH. 126 00:09:39,739 --> 00:09:42,406 THANKS ANYWAY, THOUGH. OH, SURE. 127 00:09:42,439 --> 00:09:45,039 SURE. 128 00:09:45,072 --> 00:09:48,139 ‐ AND THANKS VERY MUCH FOR THE PUCK. ‐ NO PROBLEM. 129 00:09:48,172 --> 00:09:50,539 ENJOY IT. 130 00:09:53,572 --> 00:09:56,139 HOW'D IT GO, ROBERTS? SHE'S A DYKE. 131 00:09:56,172 --> 00:09:58,339 YEAH, WHAT WAS YOUR TIP‐OFF? 132 00:09:58,372 --> 00:10:01,539 SHE GOES TO THE HOCKEY GAMES WITH A BUNCH OF GIRLFRIENDS. SAY NO MORE. 133 00:10:05,406 --> 00:10:08,039 BACK FROM COURT, DETECTIVE MEDAVOY? 134 00:10:16,072 --> 00:10:18,706 HAPPY BIRTHDAY, OLD FOLKS. [ SIPOWICZ ] HAPPY BIRTHDAY, MEDAVOY. 135 00:10:18,739 --> 00:10:21,672 I'M 40, NOT 80. HEY, ANDY. 136 00:10:21,706 --> 00:10:24,872 YOU CAN DRAG YOURSELF OVER TO THERESA'S FOR LUNCH, MEDAVOY? 137 00:10:24,906 --> 00:10:27,039 WELL, I CAN MAKE IT IF YOU CAN. 138 00:10:27,072 --> 00:10:29,739 KELLY'LL BE DOWN IN JUST A SECOND. 139 00:10:29,772 --> 00:10:32,539 WE'D STAND YOU TO DINNER IF YOU DIDN'T DRIVE TO A DIFFERENT TIME ZONE EVERY NIGHT. 140 00:10:32,572 --> 00:10:35,906 YEAH, WELL, WHAT CAN I SAY. THE WIFE LIKES LIVING IN HOLBROOK. 141 00:10:35,939 --> 00:10:38,972 ‐ LUNCH AT THERESA'S, MISS ABANDANDO. ‐ OKAY, DETECTIVE. 142 00:10:39,006 --> 00:10:43,039 ‐WISH THIS GUY A HAPPY BIRTHDAY. ‐HAPPY BIRTHDAY, DETECTIVE MEDAVOY. 143 00:10:45,406 --> 00:10:48,206 MEDAVOY SAYS THANKS. I'LL BE BACK IN A COUPLE OF HOURS. 144 00:10:48,239 --> 00:10:51,306 HEY, IT'S THE BIRTHDAY BOY. HEY, JOHN. 145 00:10:51,339 --> 00:10:55,172 HOW'S 40 FEEL? HE WAS JUST SAYIN' HOW HIS JOINTS ACHE. 146 00:11:16,039 --> 00:11:18,672 I'M RICHIE. HOW YOU DOIN'? WHAT DO YOU WANT? 147 00:11:18,706 --> 00:11:21,472 WE WANT YOU TO START PICKING UP A SECOND PAYCHECK AGAIN... 148 00:11:21,506 --> 00:11:24,372 LIKE WHEN YOU WORKED FOR ANGELO MARINO. YOU SAID THAT ON THE PHONE. 149 00:11:24,406 --> 00:11:26,806 I DON'T KNOW WHERE YOU GET THAT. 150 00:11:26,839 --> 00:11:29,839 SO YOU MET ME HERE BECAUSE YOU WANTED A BREATH OF FRESH AIR? 151 00:11:29,872 --> 00:11:33,906 I MET YOU HERE BECAUSE I WANTED TO KNOW WHAT THE HELL YOU WERE TALKING ABOUT. 152 00:11:33,939 --> 00:11:37,872 WHAT I'M TALKING ABOUT IS MY EMPLOYER IS IN POSSESSION... 153 00:11:37,906 --> 00:11:40,906 OF PRIVATE RECORDS THAT ANGELO MARINO KEPT. 154 00:11:40,939 --> 00:11:43,372 YOU'RE ON HIS LIST, JANICE. 155 00:11:43,406 --> 00:11:46,872 FRIENDLY COPS. SO STOP ACTING LIKE YOU STILL GOT YOUR CHERRY. 156 00:11:48,939 --> 00:11:51,539 I NEVER TOOK A CENT FROM ANGELO MARINO. 157 00:11:51,572 --> 00:11:54,539 I WAS TRYING TO PROTECT MY FATHER. 158 00:11:54,572 --> 00:11:57,139 YOU'RE A GOOD DAUGHTER. GOOD FOR YOU. AND MARINO'S DEAD NOW. 159 00:11:57,172 --> 00:12:00,339 AND MY FATHER'S DEAD TOO. LIFE GOES ON, THOUGH, JANICE. 160 00:12:00,372 --> 00:12:02,739 YOU GOT YOUR OWN CAREER TO THINK ABOUT. 161 00:12:02,772 --> 00:12:06,072 I THINK YOU WANT TO COOPERATE HERE. YOU DON'T WANT ANY BAD PUBLICITY EMERGING. 162 00:12:08,172 --> 00:12:10,839 THIS JOURNAL ENTRY? 163 00:12:10,872 --> 00:12:13,439 THAT'S MARINO'S OWN HANDWRITING. 164 00:12:20,572 --> 00:12:22,672 JANICE, I'M OVER HERE. 165 00:12:22,706 --> 00:12:25,172 WHO DO YOU WORK FOR? 166 00:12:25,206 --> 00:12:27,639 THAT'S NOTHING FOR YOU TO THINK ABOUT. 167 00:12:27,672 --> 00:12:31,706 ALL YOU GOT TO DO IS EVERY SO OFTEN WE'LL HAVE A REQUEST. 168 00:12:31,739 --> 00:12:34,139 YOU GET US WHAT WE NEED, AND EVERYTHING'S HUNKY‐DORY. 169 00:12:34,172 --> 00:12:36,372 WHAT KIND OF REQUESTS? EASY STUFF. 170 00:12:37,906 --> 00:12:40,906 LOOK AT THIS. 171 00:12:40,939 --> 00:12:43,339 WE WANT YOU TO WORK UP THIS GUY'S LICENSE PLATE. 172 00:12:43,372 --> 00:12:46,239 WE NEED HIS HOME AND BUSINESS ADDRESS. 173 00:12:46,272 --> 00:12:50,306 PLUS THE 500 I'D SEND YOU, IT'S BAD FOR YOUR CHARACTER TO TURN THAT DOWN. 174 00:12:50,339 --> 00:12:53,639 NOT TO MENTION I'LL SAY YOU TOOK IT ANYWAYS AND GO BUY LOTTERY TICKETS. 175 00:12:53,672 --> 00:12:56,872 COME ON, JANICE. WE'RE TALKING ABOUT RUNNING A LICENSE PLATE HERE. 176 00:12:56,906 --> 00:12:59,839 SCREW YOU, MAN. I KNOW WHAT WE ARE TALKING ABOUT. 177 00:12:59,872 --> 00:13:03,906 COME ON. CHEER UP. HAVE THE STUFF FOR ME THIS TIME TOMORROW. 178 00:13:03,939 --> 00:13:06,872 YEAH? WELL, I'LL LET YOU KNOW WHAT I DECIDE. 179 00:13:06,906 --> 00:13:09,072 TOMORROW. 180 00:13:09,106 --> 00:13:11,372 I'LL SAVE US TWO PARKING SPACES. 181 00:13:32,712 --> 00:13:37,078 HEY, LOOK HERE, MEDAVOY. "SENIOR SPECIALS, 2.99." HO, HO, HO. 182 00:13:37,112 --> 00:13:39,812 WHAT ELSE YOU GET FOR YOUR BIRTHDAY BESIDES A ROCKING CHAIR? 183 00:13:39,845 --> 00:13:44,245 I GOT THIS FROM THE KIDS AND, UH, THIS FROM THE WIFE. 184 00:13:44,278 --> 00:13:48,012 OOH. HOW'D YOU HANDLE HITTIN' 4‐0, ANDY? 185 00:13:48,045 --> 00:13:51,678 AS FAR AS I REMEMBER, I DEDICATED THAT YEAR TO SEAGRAM'S 7. 186 00:13:51,712 --> 00:13:56,245 WELL, TO TELL YOU THE TRUTH, IT'S BEEN A LITTLE BIT OF A HURDLE FOR ME. 187 00:13:56,278 --> 00:14:01,045 ‐ IT'S BEEN KIND OF A HURDLE. ‐ HOW'S 40 BEEN A HURDLE FOR YOU, MEDAVOY? 188 00:14:01,078 --> 00:14:05,145 I DON'T KNOW. IT STARTS SNEAKING UP ON YOU, YOU KNOW. 189 00:14:05,178 --> 00:14:09,312 YOU START... LOOKING OVER YOUR SHOULDER A LITTLE BIT. 190 00:14:09,345 --> 00:14:11,845 START LOOKING AHEAD. 191 00:14:11,878 --> 00:14:15,178 LOOKING BACK. YOU START ASKING, "WHAT DID I ACCOMPLISH?" 192 00:14:16,545 --> 00:14:19,312 I MEAN, I‐I‐I GOT NO COMPLAINTS. 193 00:14:19,345 --> 00:14:22,145 I GOT MARIE AND THE GIRLS. 194 00:14:22,178 --> 00:14:25,912 WE GOT THAT PARCEL OF LAND IN FLORIDA. 195 00:14:25,945 --> 00:14:30,145 EVERYTHING GOES OKAY, I'LL START BUILDING ON IT IN FOUR OR FIVE YEARS. 196 00:14:30,178 --> 00:14:32,645 ‐ YOU'RE GOOD AT CARPENTRY, RIGHT? ‐ YEAH. YEAH, RIGHT. 197 00:14:32,678 --> 00:14:35,412 SO I'LL START‐START BUILDING ON THAT. 198 00:14:35,445 --> 00:14:37,645 WHAT IS THIS? A BIRTHDAY LUNCH OR A WAKE? 199 00:14:37,678 --> 00:14:39,745 [ ALL LAUGHING ] 200 00:14:39,778 --> 00:14:43,978 I GOT TO TAKE OFF. KID IN ANTI‐CRIME MARTINEZ' SITUATION. 201 00:14:44,012 --> 00:14:46,012 ‐ NEED SOME HELP? ‐ NO, THAT'S FINE. WE'RE ALL RIGHT. 202 00:14:46,045 --> 00:14:49,178 HEY. HAPPY BIRTHDAY, MAN. THANKS, JOHN. THANKS, ANDY. 203 00:14:49,212 --> 00:14:51,378 KEEP UP THOSE CHEERFUL THOUGHTS, MAN. 204 00:14:54,112 --> 00:14:56,245 WHAT'S GOING ON? MARTINEZ CALLED. 205 00:14:56,278 --> 00:14:59,578 SAID THE FATHER'S AFTER THE DEALER WHO SOLD THE YOUNGER BROTHER DRUGS. 206 00:14:59,612 --> 00:15:02,045 AND HE SAYS HE'S GOT A GUN. 207 00:15:02,078 --> 00:15:04,578 GREAT. 208 00:15:04,612 --> 00:15:08,045 [ HELICOPTER BLADES WHIRRING ] 209 00:15:13,245 --> 00:15:16,112 [ KELLY ] THINK THEY MADE YOU? YEAH. BUT HE DOESN'T THINK I'M INTO HIS STUFF. 210 00:15:18,012 --> 00:15:20,078 WHAT'S GOING ON, JAMES? 211 00:15:20,112 --> 00:15:22,345 CALLED MY FATHER AT HIS WORK AT THE AUTO REPAIR. 212 00:15:22,378 --> 00:15:24,512 TOLD HIM WHAT HAPPENED TO ROBERTO. 213 00:15:24,545 --> 00:15:27,645 HE SAID HE WAS GOING TO SEE MR. GUTIERREZ, THE FUNERAL HOME DIRECTOR. 214 00:15:27,678 --> 00:15:30,578 I WAS SUPPOSED TO TELL MY MOTHER. SO I WAS WITH MY MOTHER AND MY AUNT, 215 00:15:30,612 --> 00:15:32,978 AND A PHONE CALL CAME FROM A NEIGHBORHOOD KID, JOEY GONZALES. 216 00:15:33,012 --> 00:15:35,745 I BUSTED THAT KID. A NEIGHBORHOOD KID. I GREW UP WITH HIM. 217 00:15:35,778 --> 00:15:38,412 HE SAID HE WAS OVER ON 6TH STREET, AND MY FATHER FOUND HIM AND BEAT HIM UP, 218 00:15:38,445 --> 00:15:40,545 SAYING, "WHO SOLD DRUGS TO ROBERTO?" 219 00:15:40,578 --> 00:15:43,978 JOEY SAID HE NEVER SOLD TO ROBERTO OUT OF RESPECT TO OUR FAMILY. 220 00:15:44,012 --> 00:15:46,312 BUT HE GAVE HIM THE NAME OF BRICK TOP, 221 00:15:46,345 --> 00:15:48,712 AND HE SAID MY FATHER ASKED HIM WHERE HE COULD BUY A GUN. 222 00:15:48,745 --> 00:15:50,912 ‐ THIS IS BRICK TOP OVER HERE? ‐ YEAH. 223 00:15:50,945 --> 00:15:53,012 I'M AFRAID MY FATHER'S GONNA COME OVER HERE. 224 00:15:53,045 --> 00:15:55,812 I'M AFRAID HE'S GONNA DO SOMETHING BAD. DOESN'T LOOK LIKE HE'S HOLDING. 225 00:15:55,845 --> 00:15:58,478 I DON'T THINK HE HOLDS. HE'S GOT KIDS THAT HOLD FOR HIM. 226 00:15:58,512 --> 00:16:01,112 LET'S GRAB THIS ASSHOLE ANYWAYS. WE'LL GET HIM OFF THE STREET. 227 00:16:07,012 --> 00:16:09,678 THE KIDS WITH THE DRUGS ARE BOOKIN'. LET 'EM GO. 228 00:16:12,445 --> 00:16:14,512 [ WHISTLES ] YO, YO. 229 00:16:15,879 --> 00:16:20,479 HEY, HEY. YO, HEY, YOU! 230 00:16:20,512 --> 00:16:23,512 BRICK TOP, COME HERE. GET OUT OF HERE. GET OUT OF HERE. 231 00:16:23,546 --> 00:16:26,412 YOU'RE GOIN' IN. YOU ARE GOIN' IN. SHUT UP! YOU'RE GOIN' IN. 232 00:16:26,446 --> 00:16:28,836 [ ALL ARGUING, INDISTINCT ] 233 00:16:28,870 --> 00:16:32,203 HEY, YOU WANT SOME OF THIS, HUH? THEN GET OUT OF HERE! GET OUT! 234 00:16:32,236 --> 00:16:36,270 ‐ THERE'S MY FATHER. ‐ COME HERE. GET HIM TO THE CAR. 235 00:16:36,303 --> 00:16:39,470 MR. MARTINEZ? DETECTIVE KELLY HERE. YOU'RE GOING TO THE STATION. 236 00:16:39,503 --> 00:16:42,036 SORRY ABOUT WHAT HAPPENED, SIR. 237 00:16:42,070 --> 00:16:44,003 DON'T PUT YOUR HANDS ON ME, OKAY? I GOT TO CHECK FOR A WEAPON. 238 00:16:44,036 --> 00:16:46,170 DON'T PUT YOUR DAMN HANDS ON ME! I GOT TO CHECK YOU FOR A WEAPON. 239 00:16:46,203 --> 00:16:49,970 ‐ THAT'S THE SON OF A BITCH THAT KILLED YOUR BROTHER! ‐ MR. MARTINEZ! 240 00:16:50,003 --> 00:16:51,803 [ SHOT FIRES ] [ KELLY ] GET DOWN! 241 00:16:56,236 --> 00:16:59,436 ‐ HE MURDERED MY SON! ‐ I UNDERSTAND THAT. STOP. 242 00:16:59,470 --> 00:17:02,636 ‐ HE'S A MURDERER! ‐ WHAT'S GOING ON? ‐ EVERYTHING'S UNDER CONTROL. 243 00:17:02,670 --> 00:17:07,436 COME ON. UP. YOU PUT "SHOTS FIRED" UP OVER THE AIR? YEAH, I JUST CALLED IT IN. 244 00:17:07,470 --> 00:17:10,503 CAN'T MAKE IT GO AWAY. CAN'T MAKE IT GO AWAY. HE MURDERED MY SON! 245 00:17:10,536 --> 00:17:14,670 ‐ STOP IT, POPPY! ‐ WHAT'S THAT GUY'S PROBLEM? 246 00:17:14,703 --> 00:17:18,536 ‐ CAN'T MAKE IT GO AWAY, JAMES. ‐ WATCH YOUR HEAD. 247 00:17:18,570 --> 00:17:20,703 ‐ WE'RE STUCK WITH IT. ‐ YEAH. 248 00:17:20,736 --> 00:17:23,303 BUT YOU OUGHT TO BREAK OUT YOUR TRAVEL BROCHURES, BRICK TOP. 249 00:17:23,336 --> 00:17:26,770 YOU OUGHT TO LOOK INTO A WARMER CLIMATE, HUH? NOW, GO ON. GET. 250 00:17:26,803 --> 00:17:28,670 GO ON! 251 00:17:47,636 --> 00:17:50,536 HOW WAS YOUR BIRTHDAY LUNCH? [ NERVOUS CHUCKLE ] 252 00:17:55,609 --> 00:17:58,242 ‐ I USED TO PLAY HOCKEY. ‐ YOU'RE KIDDING. 253 00:17:58,276 --> 00:18:00,642 IN HIGH SCHOOL. 254 00:18:00,676 --> 00:18:03,809 AND, UH, C‐COUPLES SKATING, I USED TO DO. 255 00:18:03,842 --> 00:18:07,509 I SKATE TWICE A WEEK JUST OVER HERE AT THE SKYLINE. IS THAT RIGHT? 256 00:18:07,542 --> 00:18:11,909 YEAH, YEAH. I USED TO KNOW SOMEONE ENJOYED, UH, 257 00:18:11,942 --> 00:18:15,276 ICE SKATING‐‐ YOU KNOW, UH, COUPLES SKATING. 258 00:18:15,309 --> 00:18:18,742 LONG TIME AGO. I'M GOING TOMORROW AFTER WORK. 259 00:18:18,776 --> 00:18:22,276 IS THAT RIGHT? MAYBE SOMETIME YOU'D LIKE TO COME WITH ME. 260 00:18:22,309 --> 00:18:25,509 UH‐‐ 261 00:18:25,542 --> 00:18:27,842 I GOT‐‐ I G‐‐ 262 00:18:29,676 --> 00:18:33,509 I'M SORRY, DONNA. OH. DON'T WORRY ABOUT YOUR STUTTER. 263 00:18:33,542 --> 00:18:37,509 NO, NO, NO. I MEAN, UH, I GOT THIS LONG COMMUTE. 264 00:18:37,542 --> 00:18:41,142 MY WIFE SOMETIMES HAS DINNER READY. UH‐‐ 265 00:18:42,809 --> 00:18:44,676 IT'S HOW WE DO IT. SURE. 266 00:18:44,709 --> 00:18:47,242 MAYBE SOME OTHER TIME. 267 00:18:47,276 --> 00:18:49,842 YEAH. 268 00:18:49,876 --> 00:18:51,942 HAPPY BIRTHDAY. 269 00:18:55,009 --> 00:18:57,842 WAS THE FATHER TRYING TO SHOOT THE DEALER? 270 00:18:57,876 --> 00:19:00,642 I WROTE IT UP THAT THE GUN WENT OFF WHILE I WAS DISARMING HIM. 271 00:19:00,676 --> 00:19:04,476 ‐ I KNOW WHAT YOU WROTE UP. ‐ MARTINEZ SAYS THE FATHER NEVER CAME TO TERMS... 272 00:19:04,509 --> 00:19:07,109 WITH THE YOUNGER SON BEING A DRUG USER, 273 00:19:07,142 --> 00:19:09,776 AND NOW THAT HE HEARS THE KID IS DEAD, HE'S GRIEVING. 274 00:19:09,809 --> 00:19:13,409 SO HE GOES AFTER THE GUY THAT SOLD THE KID THE DRUGS AND, YOU KNOW. 275 00:19:13,442 --> 00:19:15,909 I MEAN, IT'S NOT LIKE HE'S A HABITUAL VIOLENT OFFENDER. 276 00:19:15,942 --> 00:19:18,142 BUT THE SON'S STILL DEAD AND THE DEALER'S STILL ON THE STREET. 277 00:19:18,176 --> 00:19:20,676 YEAH. THE DEALER WASN'T HOLDING. 278 00:19:20,709 --> 00:19:24,342 I'M ASKING, ARE YOU REALLY DOING MARTINEZ A FAVOR... 279 00:19:24,376 --> 00:19:26,542 IF YOU GIVE HIS FATHER A WALK ON THIS? 280 00:19:35,376 --> 00:19:39,309 YOU'RE SITTING HERE IN FRONT OF ME, 281 00:19:39,342 --> 00:19:43,676 AND YOUR BROTHER'S LYING DEAD IN BELLEVUE HOSPITAL. 282 00:19:43,709 --> 00:19:46,376 MR. GUTIERREZ SAID TOMORROW THEY'LL RELEASE HIS REMAINS. 283 00:19:48,176 --> 00:19:50,409 AND NOW YOU'RE SITTING HERE... 284 00:19:50,442 --> 00:19:55,276 AND THAT SON OF A BITCH DRUG DEALER WHO KILLED YOUR BROTHER WALKS ON THE STREET FREE! 285 00:19:55,309 --> 00:19:57,609 HOW ARE WE GONNA ARREST THAT DRUG DEALER, POPPY? 286 00:19:57,642 --> 00:20:00,976 HE DIDN'T HAVE ANY DRUGS ON HIM, AND WE CAN'T PROVE HE SOLD DRUGS TO ROBERTO. 287 00:20:01,009 --> 00:20:04,642 THE TRUTH IS, THEY WERE GONNA BRING HIM IN JUST TO KEEP YOU OUT OF TROUBLE. 288 00:20:04,676 --> 00:20:08,142 BUT YOU GOT INTO TROUBLE ANYWAY. 289 00:20:08,176 --> 00:20:11,276 POPPY, WHAT IF THEY WOULD RELEASE YOU NOW? WHAT WOULD YOU DO? 290 00:20:14,276 --> 00:20:16,809 I'D DO WHAT NEEDS TO BE DONE. THAT'S WHAT I'D DO. WHAT? 291 00:20:16,842 --> 00:20:19,342 SOMEBODY IN THIS FAMILY GOTS TO BE A MAN. 292 00:20:19,376 --> 00:20:21,842 I'M TRYING TO GET YOU TO TALK SENSE. 293 00:20:21,876 --> 00:20:24,109 I COULD GET THEM TO RELEASE YOU, BUT YOU GOTTA STOP ACTING CRAZY. 294 00:20:24,142 --> 00:20:26,676 "CRAZY." CRAZY TO YOU... 295 00:20:26,709 --> 00:20:29,076 BECAUSE YOU DIDN'T TAKE CARE OF YOUR BROTHER. 296 00:20:29,109 --> 00:20:31,409 ‐ I DID MY BEST. ‐ YOUR BROTHER'S DEAD! 297 00:20:31,442 --> 00:20:34,909 HOW DID YOU DO ANYTHING, HUH? HOW DID YOU DO ANYTHING? STOP IT! 298 00:20:34,942 --> 00:20:37,476 YOU STOP IT! HE'S DEAD! DEAD! 299 00:20:37,509 --> 00:20:40,976 HE'S DEAD! HE'S DEAD! YOUR BROTHER'S DEAD! 300 00:20:41,009 --> 00:20:44,009 WHAT HAPPENED? DON'T HIT ME ANYMORE, ALL RIGHT? 301 00:20:44,042 --> 00:20:46,142 YOU WERE SUPPOSED TO TAKE CARE OF HIM! HE'S DEAD! 302 00:20:46,176 --> 00:20:48,242 HEY! HEY! HEY! 303 00:20:48,276 --> 00:20:51,242 GET HIM! GET HIM! BREAK IT UP! 304 00:20:51,276 --> 00:20:54,576 GET OFF HIM, OKAY? TAKE IT EASY. 305 00:20:54,609 --> 00:20:58,142 WHAT THE HELL IS GOING ON IN HERE? 306 00:20:58,176 --> 00:21:00,009 LET'S TAKE A WALK. LET'S GO. 307 00:21:00,042 --> 00:21:02,276 COME ON! LET'S GO! 308 00:21:10,142 --> 00:21:13,142 ‐ YOU OKAY, MARTINEZ? ‐ I DON'T WANT HIM RELEASED. 309 00:21:13,176 --> 00:21:15,809 I DON'T WANT HIM ON THE STREET. OKAY. 310 00:21:15,842 --> 00:21:18,976 WE'LL KEEP HIM HERE IN HOLDING. WE'LL ARRAIGN AND RELEASE TOMORROW MORNING. 311 00:21:19,009 --> 00:21:21,942 GOOD. AT LEAST HE'LL BE OFF THE STREET TONIGHT. 312 00:21:25,542 --> 00:21:27,376 [ EXHALES ] 313 00:21:29,509 --> 00:21:31,676 YOU GONNA BE OKAY? 314 00:21:31,709 --> 00:21:33,942 YEAH. 315 00:21:33,976 --> 00:21:35,809 [ EXHALES ] 316 00:21:43,809 --> 00:21:47,142 SO WHAT DO YOU THINK? YEAH, YOU KNOW. 317 00:21:47,176 --> 00:21:49,409 IT'LL GET BETTER. BETTER? 318 00:21:49,442 --> 00:21:53,309 YEAH, WELL, I GOT A SEAFOOD RAVIOLI COMING UP THAT YOU'RE REALLY GONNA LOVE. 319 00:21:57,109 --> 00:21:59,742 YOU OKAY? YEAH. 320 00:21:59,776 --> 00:22:04,009 YOU KNOW WHAT I WAS THINKING ABOUT WAS THE PHONE CALL YOU GOT ON THE PAY PHONE TODAY. 321 00:22:05,642 --> 00:22:09,942 OH. IT WAS A, UM‐‐ IT WAS A PERP. 322 00:22:09,976 --> 00:22:14,309 UH, IT WAS A FENCE THAT LUCAS AND I POPPED A COUPLE OF WEEKS AGO. 323 00:22:14,342 --> 00:22:16,609 MM‐HMM. HE USES THAT PAY PHONE BECAUSE... 324 00:22:16,642 --> 00:22:18,942 IT'S THE NUMBER THAT HE'S USED TO USING. 325 00:22:18,976 --> 00:22:22,942 OKAY? END OF INTERROGATION? 326 00:22:22,976 --> 00:22:26,176 YEAH. 327 00:22:26,209 --> 00:22:28,676 NO, IT'S JUST THAT, UH, WHEN PEOPLE USE THAT PHONE... 328 00:22:28,709 --> 00:22:31,976 IT'S 'CAUSE THEY DON'T WANT THEIR CONVERSATION RECORDED, SO WHEN YOU GOT A CALL‐‐ 329 00:22:32,009 --> 00:22:35,176 ‐ YOU CAN UNDERSTAND MY CONCERN. ‐ YEAH, BUT I TOLD YOU WHO IT WAS. 330 00:22:36,676 --> 00:22:39,076 OKAY. THEN I MADE TOO MUCH OF IT. 331 00:22:39,109 --> 00:22:41,176 YOU'RE GONNA HAVE TO TRUST ME, JOHNNY. 332 00:22:41,209 --> 00:22:43,042 OTHERWISE THIS IS NOT GONNA WORK OUT. 333 00:22:46,142 --> 00:22:48,409 AND I DO TRUST YOU. 334 00:22:48,442 --> 00:22:50,476 COME HERE. 335 00:22:50,509 --> 00:22:53,409 COME HERE. 336 00:22:53,442 --> 00:22:56,142 GOT IT? HMM? 337 00:23:16,609 --> 00:23:19,309 OKAY, MR. MARTINEZ, LET'S GO. 338 00:23:25,476 --> 00:23:29,376 I DON'T WANT HIM WITH US. WE'RE THE COPS. WE'LL TELL YOU HOW IT'S GONNA BE. 339 00:23:35,542 --> 00:23:38,309 AS YOUR FATHER, I'M TELLING YOU, I DON'T WANT YOU AROUND. 340 00:23:38,342 --> 00:23:41,176 LET ME GO WITH YOU, POPPY. AND THEN WE'LL GO HOME. 341 00:23:41,209 --> 00:23:44,776 NO, YOU GO HOME AND YOU STAY THERE WITH YOUR MOTHER. 342 00:23:44,809 --> 00:23:47,776 ‐ ALL RIGHT. ‐ LET'S GO. HERE WE GO. 343 00:23:48,383 --> 00:23:51,150 WE'RE READY. [ BUZZING ] 344 00:23:51,183 --> 00:23:52,916 COME ON. HERE WE GO. COME ON. 345 00:23:56,183 --> 00:23:57,950 TALK TO YOU LATER. 346 00:24:11,116 --> 00:24:14,383 PEOPLE OF THE STATE OF NEW YORK V. HECTOR MARTINEZ. 347 00:24:14,416 --> 00:24:19,550 YOUR HONOR, DEFENDANT IS CHARGED WITH POSSESSION OF A CONCEALED WEAPON. 348 00:24:19,583 --> 00:24:22,816 BUT AFTER DISCUSSION WITH THE OFFICERS INVOLVED IN THE CASE... 349 00:24:22,850 --> 00:24:26,050 AND CONSIDERING THE OVERALL CIRCUMSTANCES OF THE CASE, THE STATE WOULD NOT OBJECT... 350 00:24:26,083 --> 00:24:29,183 OF AN R. O. R. AND OF ADJOURNMENT CONTEMPLATING DISMISSAL. 351 00:24:29,216 --> 00:24:32,816 ‐ WE WOULD ACCEPT, YOUR HONOR. ‐ THE GUN WAS DISCHARGED? 352 00:24:32,850 --> 00:24:35,550 [ COSTAS ] YOU'LL NOTE IN THE ARRESTING OFFICER'S REPORT THAT IT WAS AN OFFICER... 353 00:24:35,583 --> 00:24:38,650 WHO CAUSED THE GUN TO FIRE IN THE PROCESS OF DISARMING THE SUSPECT. 354 00:24:38,683 --> 00:24:41,716 [ JUDGE ] AHA. [ COSTAS ] WE'D LIKE TO POINT OUT... 355 00:24:41,750 --> 00:24:45,716 THAT THE DEFENDANT HAS NO PRIOR RECORD AND STRONG ROOTS IN THE COMMUNITY, YOUR HONOR, 356 00:24:45,750 --> 00:24:47,916 AND HIS OLDEST SON IS A POLICE OFFICER. 357 00:24:47,950 --> 00:24:51,383 YOU'LL ALSO NOTE THAT THIS INCIDENT OCCURRED IN THE AFTERMATH... 358 00:24:51,416 --> 00:24:53,983 OF THE DEFENDANT LEARNING OF THE DEATH OF HIS YOUNGER SON. 359 00:24:54,016 --> 00:24:57,850 MR. MARTINEZ, I'M GOING TO RELEASE YOU WITHOUT BOND... 360 00:24:57,883 --> 00:25:00,483 AND IF YOU STAY OUT OF TROUBLE FOR THE NEXT SIX MONTHS... 361 00:25:00,516 --> 00:25:02,583 THIS INCIDENT WILL NOT APPEAR ON YOUR RECORD. 362 00:25:02,616 --> 00:25:05,350 DO YOU HEAR ME, SIR? 363 00:25:05,383 --> 00:25:07,016 ALL RIGHT. YES. 364 00:25:07,050 --> 00:25:08,950 CONDOLENCES ON YOUR LOSS. 365 00:25:12,850 --> 00:25:14,750 MR. MARTINEZ, YOU GOT A MINUTE FOR ME? 366 00:25:14,783 --> 00:25:17,750 WHAT DO YOU WANT? STEP OUTSIDE. 367 00:25:17,783 --> 00:25:20,483 HI. THANKS FOR THE RHYTHM WITH THIS GUY. 368 00:25:20,516 --> 00:25:23,716 SEE WHAT ONE DINNER CAN BUY? HMM. I WAS WORRIED THERE. 369 00:25:23,750 --> 00:25:26,650 I THOUGHT IT'D BE TWO DINNERS. I'LL CHECK MY FEE SCHEDULE. 370 00:25:26,683 --> 00:25:31,916 I THINK YOU'D BE BETTER OFF CHECKING THE RESERVATIONS LIST AT DUBROVNIK'S, 8:00 TONIGHT. 371 00:25:31,950 --> 00:25:34,883 WELL, YOU ARE THE DETECTIVE. 372 00:25:34,916 --> 00:25:36,783 YEAH. 373 00:25:39,083 --> 00:25:41,583 OKAY. LET ME ASK YOU A QUESTION, THEN. 374 00:25:41,616 --> 00:25:44,516 HOW MUCH MORE DAMAGE YOU GOING TO DO TO YOUR FAMILY BECAUSE ROBERTO DIED? 375 00:25:44,550 --> 00:25:46,650 WHAT KIND OF QUESTION IS THAT? 376 00:25:46,683 --> 00:25:49,083 YOU LEAVE THE DEALER ON THE STREET AND YOU ARREST ME. 377 00:25:49,116 --> 00:25:51,383 THERE WAS NO WAY FOR US TO CHARGE THAT DEALER. WE BROUGHT YOU IN... 378 00:25:51,416 --> 00:25:54,516 BECAUSE WE WERE AFRAID YOU WERE GONNA DO SOMETHING STUPID. 379 00:25:54,550 --> 00:25:59,083 MR. MARTINEZ, WANT TO WIND UP HAVING YOUR WIFE VISIT YOU FOR FIVE YEARS ON RIKER'S ISLAND? 380 00:25:59,116 --> 00:26:02,383 TWO HOURS A WEEK FOR FIVE YEARS SEEING YOU... 381 00:26:02,416 --> 00:26:04,850 WITH THE JUNKIES AND THE PIMPS AND THE THIEVES. 382 00:26:04,883 --> 00:26:08,550 AND WHAT'S REALLY BAD IS HER KNOWING YOU BELONG THERE BECAUSE YOU THREW YOUR FAMILY AWAY. 383 00:26:08,583 --> 00:26:12,216 SOME LOWLIFE KILLED MY SON. DRUGS KILLED YOUR SON. 384 00:26:12,250 --> 00:26:16,083 ROBERTO PUT THAT SPIKE IN HIS ARM ALL BY HIMSELF, AND HE'S GONE NOW. 385 00:26:16,116 --> 00:26:19,583 FOR YOU TO GO SHOOT THE GUY WHO SOLD HIM THE DRUGS IS NOT GONNA CHANGE THAT. 386 00:26:19,616 --> 00:26:23,250 MEANWHILE, YOU GOT ANOTHER SON TRYING TO HELP YOU, AND ALL YOU DO IS SLAP AND INSULT HIM. 387 00:26:23,283 --> 00:26:26,050 JAMES LOVES YOU. YOU DON'T NEED TO TELL ME ABOUT MY SON. 388 00:26:26,083 --> 00:26:29,516 LISTEN TO ME. JAMES IS A GOOD PERSON. I DON'T KNOW YOUR WIFE, 389 00:26:29,550 --> 00:26:32,683 BUT AFTER SEEING JAMES, I CAN TELL SHE'S A GOOD PERSON JUST LIKE YOU. 390 00:26:32,716 --> 00:26:36,516 NOW, YOU'VE DONE A GREAT JOB WITH YOUR KIDS. YOU'VE HAD A HORRIBLE LOSS. 391 00:26:36,550 --> 00:26:39,483 GET PAST IT AND PUT YOUR FAMILY BACK TOGETHER. 392 00:26:39,516 --> 00:26:42,183 WE ARE DONE RUNNING AROUND LIKE A BUNCH OF SCHMUCKS... 393 00:26:42,216 --> 00:26:45,183 MAKING SURE THAT EVERYTHING IS OKAY FOR YOU, MR. MARTINEZ. 394 00:26:45,216 --> 00:26:47,750 NEXT DUMB THING, NOBODY CUTS YOU ANY SLACK. 395 00:26:47,783 --> 00:26:51,083 YOU GONNA LET ME GO NOW? 396 00:26:51,116 --> 00:26:53,716 ‐ GO AHEAD. ‐ DID YOU HEAR WHAT DETECTIVE KELLY SAID? 397 00:26:53,750 --> 00:26:55,716 YEAH. YEAH. 398 00:27:17,616 --> 00:27:19,583 HEY, MEDAVOY. UH, HI. 399 00:27:22,383 --> 00:27:24,816 DONNA? HI! 400 00:27:24,850 --> 00:27:27,316 YOU STILL GOING SKATING AFTER WORK? YEAH. 401 00:27:27,350 --> 00:27:29,883 COULD I GO WITH YOU? GREAT! 402 00:27:35,916 --> 00:27:39,050 [ PHONE RINGING ] 403 00:27:39,083 --> 00:27:42,083 15 PRECINCT. [ RICHIE ] IS JANICE LICALSI THERE? 404 00:27:42,116 --> 00:27:44,316 YEAH, WHO'S THIS? HER COUSIN, RICHIE. 405 00:27:44,350 --> 00:27:47,083 THIS IS A CIVILIAN PAY PHONE. I'LL GIVE YOU THE RIGHT NUMBER. 406 00:27:47,116 --> 00:27:50,083 JEEZ, I DON'T HAVE ANOTHER QUARTER. YEAH, ALL RIGHT. WAIT A SECOND. 407 00:27:54,883 --> 00:27:56,883 IT'S FOR YOU. GIVE HIM THE RIGHT NUMBER. 408 00:28:01,750 --> 00:28:04,083 WHAT? WE ON FOR THIS AFTERNOON? 409 00:28:04,116 --> 00:28:06,316 NO. I DIDN'T GET TO IT YET. 410 00:28:06,350 --> 00:28:08,983 WHY NOT? 'CAUSE I DIDN'T GET TO IT. 411 00:28:09,016 --> 00:28:11,883 I DON'T KNOW IF I'M GONNA DO IT. YOU DON'T, HUH? 412 00:28:11,916 --> 00:28:14,583 DON'T MAKE A MISTAKE HERE, OFFICER LICALSI. 413 00:28:14,616 --> 00:28:18,416 DID YOU HEAR WHAT I SAID? I SAID I DON'T KNOW IF I'M GONNA DO IT, AND I'LL LET YOU KNOW. 414 00:28:18,450 --> 00:28:20,883 [ RICHIE ] YEAH. AND YOU LISTEN TO WHAT I SAY. 415 00:28:20,916 --> 00:28:23,516 IF I HAVE TO CALL BACK 'CAUSE YOU DON'T HAVE THIS THING, 416 00:28:23,550 --> 00:28:26,416 I'LL CALL ON THE RIGHT PHONE AND I'LL PUT ON TAPE WHAT YOU DID. 417 00:28:26,450 --> 00:28:29,316 UP YOUR ASS WITH THAT LICENSE PLATE, PAL. 418 00:28:29,350 --> 00:28:31,650 YEAH, UP YOUR ASS, SWEETHEART. 419 00:28:31,683 --> 00:28:34,450 RIGHT UP YOUR ASS WITH THAT SHINY COP SHIELD. 420 00:28:39,350 --> 00:28:41,783 ™ª [ ORGAN ] 421 00:28:47,083 --> 00:28:49,650 HOW DID YOU GET INTERESTED IN SKATING? 422 00:28:49,683 --> 00:28:53,716 UH, THERE WAS A POND NEAR WHERE I LIVED. 423 00:28:53,750 --> 00:28:56,083 MY GIRLFRIENDS AND I USED TO THINK... 424 00:28:56,116 --> 00:28:58,383 THE ICE CAPADES WERE THE COOLEST. 425 00:28:58,416 --> 00:29:02,483 BEAUTIFUL, PERFECT PEOPLE ZOOMING ACROSS THE ICE. YEAH? 426 00:29:02,516 --> 00:29:05,650 HOW DID YOU GET FROM THE ICE CAPADES TO LIKING HOCKEY SO MUCH? 427 00:29:05,683 --> 00:29:09,016 I GUESS THAT HAD MORE TO DO WITH THE PLAYERS. 428 00:29:15,116 --> 00:29:18,150 LAST GUY I DID THIS WITH USED TO CHECK ME INTO THE BOARDS FOR FUN. 429 00:29:18,183 --> 00:29:20,750 DON'T WORRY. NO BODY CHECKS. 430 00:29:20,783 --> 00:29:23,783 YOU'RE GOOD! I THINK WE BOTH MAKE THE TEAM. 431 00:29:51,116 --> 00:29:53,716 YOU REMIND ME OF PEGGY FLEMING. REALLY? 432 00:29:53,750 --> 00:29:56,916 I ALWAYS WANTED TO BE HER. I BET SHE'D WANT TO BE YOU. 433 00:30:02,283 --> 00:30:04,550 HOW'S YOUR SODA? 434 00:30:04,583 --> 00:30:08,416 IT'S DELICIOUS. I GOT TO BE CAREFUL, THOUGH. SWEETS GO RIGHT TO MY HIPS. 435 00:30:10,250 --> 00:30:13,916 YOUR, UH, PARENTS STILL LIVE OUT ON LONG ISLAND? 436 00:30:13,950 --> 00:30:16,583 NO, THEY PASSED AWAY. SORRY. 437 00:30:19,183 --> 00:30:22,416 YOU KNOW, I USED TO LOVE SKATING ON THAT POND. 438 00:30:22,450 --> 00:30:27,383 YOU COULD GO AROUND FOR HOURS, JUST LISTENING TO THE WIND, DUCKS‐‐ 439 00:30:27,416 --> 00:30:30,383 YOU KNOW, YOU HAVEN'T STAMMERED ONCE. 440 00:30:30,416 --> 00:30:33,650 THAT'S MOSTLY A NERVOUS CONDITION. 441 00:30:33,683 --> 00:30:38,583 IT'S BETTER ONCE I GET COMFORTABLE. I THINK YOU'RE A GOOD SKATER. 442 00:30:38,616 --> 00:30:41,050 YOU ARE GREAT. 443 00:30:43,050 --> 00:30:46,816 AND YOU'RE ATTRACTIVE. REALLY ATTRACTIVE. 444 00:30:46,850 --> 00:30:50,016 YOU KNOW, JUST... DELIGHTFUL. 445 00:30:52,583 --> 00:30:55,050 ARE YOU GONNA BE LATE GETTING HOME? 446 00:30:55,083 --> 00:30:57,750 I AM GONNA BE SO LATE. 447 00:30:57,783 --> 00:31:01,550 BUT YOU GOT TO BE LATE ALL THE TIME, WORKING ON CASES. 448 00:31:01,583 --> 00:31:04,416 YEAH. THEN I CAN BE HOME LATE. 449 00:31:04,450 --> 00:31:07,250 OH‐‐ 450 00:31:07,283 --> 00:31:10,050 THIS WAS A GREAT NIGHT FOR ME. 451 00:31:10,083 --> 00:31:11,850 ME TOO. 452 00:31:13,750 --> 00:31:16,683 COME ON. I'LL WALK YOU TO YOUR CAR. 453 00:31:50,050 --> 00:31:51,983 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 454 00:31:52,016 --> 00:31:54,183 WHAT'S WRONG? 455 00:31:54,216 --> 00:31:56,583 IT FEELS LIKE THERE'S SOMETHING ELSE IN BED WITH US. 456 00:31:56,616 --> 00:32:00,016 THAT'S WHAT'S WRONG. THAT'S A WEIRD THING TO SAY. 457 00:32:00,050 --> 00:32:02,916 IT'S A WEIRD FEELING. 458 00:32:02,950 --> 00:32:05,216 WHAT'S GOING ON WITH YOU? 459 00:32:05,250 --> 00:32:10,050 I DON'T KNOW. I FEEL LIKE I'M BEING REVIEWED ON THE WAY I MAKE LOVE. 460 00:32:10,083 --> 00:32:13,250 MM‐MM. THAT'S NOT WHAT'S HAPPENING. 461 00:32:13,283 --> 00:32:16,083 WELL, WHY DON'T YOU GET OUT OF HERE, JOHNNY? 462 00:32:16,116 --> 00:32:19,783 WHAT ARE YOU AFRAID WOULD HAPPEN IF I STAYED? OH, DON'T INTERROGATE ME. 463 00:32:21,750 --> 00:32:24,050 WHAT IS GOING ON WITH YOU? 464 00:32:24,083 --> 00:32:26,316 YOU WANT ME TO TRUST YOU, AND I'M TRYING. 465 00:32:26,350 --> 00:32:29,150 BUT DIDN'T I SEE YOU GET ANOTHER PHONE CALL TODAY? 466 00:32:29,183 --> 00:32:31,383 HMM? YOU LOOK LIKE YOU'RE IN JAIL, 467 00:32:31,416 --> 00:32:34,416 AND YOU'RE MAKING LOVE LIKE YOU WANT TO BREAK OUT, SO WHAT IS GOING ON WITH YOU? 468 00:32:36,350 --> 00:32:38,683 WHY DON'T YOU GET OUT OF HERE, JOHNNY? 469 00:33:01,016 --> 00:33:04,683 YOU'RE INVOLVED WITH THESE PEOPLE AGAIN, AREN'T YOU? 470 00:33:04,716 --> 00:33:08,916 TRUST YOU, JANICE. WELL, IT'S MY PROBLEM. 471 00:33:08,950 --> 00:33:13,350 OKAY, YOUR PROBLEM, TRUST YOU, BUT YOU CAN LIE TO ME ANYTIME YOU WANT, HUH? 472 00:33:13,383 --> 00:33:16,083 WE CAN HAVE A LIFE, BUT YOU DON'T HAVE TO TELL ME THE TRUTH? 473 00:33:22,550 --> 00:33:24,583 SOMEONE ELSE FOUND OUT. 474 00:33:24,616 --> 00:33:27,016 I THOUGHT IT WAS JUST BETWEEN ME AND MARINO, 475 00:33:27,050 --> 00:33:29,750 BUT IT TURNS OUT HE KEPT A BOOK, AND I'M IN IT. 476 00:33:29,783 --> 00:33:35,150 ‐ WHO CONTACTED YOU? ‐ SOME ERRAND BOY NAMED RICHIE. 477 00:33:35,183 --> 00:33:39,083 ‐ THEY WANT ME TO RUN A LICENSE PLATE. ‐ TO START YOU OFF. 478 00:33:39,116 --> 00:33:41,516 I'M NOT GONNA DO THIS AGAIN. 479 00:33:43,183 --> 00:33:46,350 OKAY. I WANT TO SEE THIS ASSHOLE. WHO? 480 00:33:46,383 --> 00:33:51,416 ‐ RICHIE. I WANT TO FIND OUT WHAT'S GOING ON. ‐ NO. THEN YOU'D BE INVOLVED. 481 00:33:51,450 --> 00:33:55,550 ‐ JANICE, I AM INVOLVED. ‐ JOHNNY, I WANT YOU TO GO GET YOUR CLOTHES. 482 00:33:55,583 --> 00:33:58,183 ‐ I WANT YOU TO CALL HIM. ‐ NO. 483 00:33:58,216 --> 00:34:00,750 I WANT YOU TO GO GET YOUR CLOTHES, GO AWAY... 484 00:34:00,783 --> 00:34:03,716 AND LET ME FIGURE OUT HOW I'M GONNA DEAL WITH THIS. 485 00:34:05,883 --> 00:34:08,183 I'M SORRY I DIDN'T TELL YOU THE TRUTH. 486 00:34:08,216 --> 00:34:12,416 SO NOW YOU'RE TELLING ME THE TRUTH, BUT YOU WON'T LET ME HELP YOU. 487 00:34:12,450 --> 00:34:15,750 "WE COULD HAVE A LIFE," RIGHT? 488 00:34:15,783 --> 00:34:18,616 ‐ JANICE, DON'T GET IN BED WITH THESE PEOPLE AGAIN. ‐ I WON'T. 489 00:34:33,241 --> 00:34:35,674 OFFICER LICALSI. GOOD MORNING, INSPECTOR. 490 00:34:35,707 --> 00:34:38,341 SECURITY TELLS ME YOU LOGGED INTO THE BUILDING AT 6:30. 491 00:34:38,374 --> 00:34:40,841 I DON'T KNOW HOW TO DO THIS, AND I DIDN'T WANT TO GO THROUGH CHAIN OF COMMAND. 492 00:34:40,874 --> 00:34:44,141 NO? LEMON CHEESE DANISH. YOU WANT SOME? 493 00:34:44,174 --> 00:34:46,507 IF YOU DON'T MIND, I'D LIKE TO GET DOWN TO WHAT I CAME HERE FOR. 494 00:34:49,507 --> 00:34:52,474 I'M GLAD HE'S DEAD‐‐ ANGELO MARINO AND HIS DRIVER. 495 00:34:52,507 --> 00:34:55,141 THEY CHOOSE THEIR WORK, THESE PEOPLE, AND WHATEVER HAPPENS TO THEM, 496 00:34:55,174 --> 00:34:57,341 I CAN LIVE WITH THAT. 497 00:34:57,374 --> 00:34:59,641 OFFICER LICALSI‐‐ I KNEW THE SON OF A BITCH PERSONALLY‐‐ MARINO. 498 00:34:59,674 --> 00:35:01,807 YOU EVER MEET HIM OR HEAR HIS VOICE ON TAPE, MAYBE? 499 00:35:01,841 --> 00:35:05,174 YOU'RE IMPLYING YOU HAD COMMUNICATIONS WITH MARINO PRIOR TO HIS DEATH? 500 00:35:05,207 --> 00:35:07,974 PRIOR TO HIS DEATH, YEAH. NOTHING SINCE. 501 00:35:08,007 --> 00:35:10,107 I DON'T THINK YOU'VE FOUND THE TONE YOU WANT TO TAKE WITH ME YET. 502 00:35:10,141 --> 00:35:11,907 PROBABLY NOT. 503 00:35:14,874 --> 00:35:18,174 BUT I GAVE THIS A LOT OF THOUGHT BEFORE I CAME IN HERE. 504 00:35:18,207 --> 00:35:22,474 AND I GAVE A LOT OF THOUGHT TO ANGELO MARINO TOO‐‐ MORE THAN HE DESERVES, REALLY. 505 00:35:22,507 --> 00:35:25,307 MOST COURTS WOULD HAVE GIVEN HIM JUST WHAT HE GOT AND KEPT HIM AROUND... 506 00:35:25,341 --> 00:35:28,541 IN JAIL FOR TEN YEARS BEFOREHAND WHILE HE BLED APPEALS. 507 00:35:28,574 --> 00:35:33,007 OFFICER LICALSI, LET'S ESTABLISH SOME GROUND RULES FOR THIS DISCUSSION. 508 00:35:33,041 --> 00:35:35,441 THE MATTER OF THE DEATH OF ANGELO MARINO IS CLOSED. 509 00:35:35,474 --> 00:35:38,207 IT IS A CLEARED CASE. 510 00:35:38,241 --> 00:35:42,541 ALFONSE GIARDELLA DID THAT MURDER. ALFONSE GIARDELLA CONFESSED TO THAT MURDER. 511 00:35:42,574 --> 00:35:46,374 NOW, YOU MAY THINK YOU HAVE SOME REASON FOR REOPENING THOSE DOORS. 512 00:35:46,407 --> 00:35:48,541 I'M TELLING YOU YOU DON'T. 513 00:35:48,574 --> 00:35:52,441 HEAR ME ON THIS, OFFICER, 'CAUSE I'M NOT SAYING IT AGAIN. 514 00:35:52,474 --> 00:35:55,507 I HEARD YOU. I'M TRYING TO UNDERSTAND YOU. 515 00:35:58,007 --> 00:36:01,941 I'M INTERESTED IN LOOKING FORWARD, NOT BACK. 516 00:36:01,974 --> 00:36:04,341 YOU'RE NOT A FOOL. 517 00:36:04,374 --> 00:36:07,041 YOU UNDERSTAND THAT JUST FINE. 518 00:36:07,074 --> 00:36:09,407 DON'T YOU? SAY I DO. 519 00:36:11,474 --> 00:36:15,641 HIS DEATH TO ONE SIDE, THIS SAME MARINO REACHED OUT TO YOU? 520 00:36:15,674 --> 00:36:18,374 ABOUT A YEAR BEFORE HE WAS SHOT. HE SAID IN THE FUTURE... 521 00:36:18,407 --> 00:36:20,941 THERE'D BE SOMETHING HE WOULD ASK ME TO DO. 522 00:36:20,974 --> 00:36:24,041 WHY WOULD HE EXPECT YOU TO COOPERATE? 523 00:36:24,074 --> 00:36:27,807 MY DADDY WAS DOMINIC GENNARO, ONE OF THE COPS THAT GOT INDICTED. 524 00:36:29,741 --> 00:36:32,874 WHO JUST DIED. MARINO'S BLACKMAILING ME. HE SAID THAT... 525 00:36:32,907 --> 00:36:36,707 HE WOULD LET ON THAT MY DAD WAS ON HIS PAYROLL UNLESS I DID WHAT HE WANTED ME TO DO. 526 00:36:36,741 --> 00:36:39,307 WHEN THAT TIME CAME, WHAT DID HE ASK YOU TO DO? 527 00:36:39,341 --> 00:36:41,341 THE ONLY THING THAT I DID FOR THAT SON OF A BITCH WAS THAT THING... 528 00:36:41,374 --> 00:36:43,307 THAT YOU TOLD ME WE ARE NOT GOING TO DISCUSS. 529 00:36:43,341 --> 00:36:45,174 OKAY. 530 00:36:49,574 --> 00:36:52,341 WHY DID YOU COME HERE TODAY? I WAS APPROACHED AGAIN. 531 00:36:52,374 --> 00:36:54,641 BY WHOM? SOME GUY NAMED RICHIE. I DON'T KNOW WHO HE WORKS FOR. 532 00:36:54,674 --> 00:36:56,374 TOMMY LINARDI. PROBABLY. 533 00:36:56,407 --> 00:36:58,507 I DON'T KNOW. LOOK, 534 00:37:01,307 --> 00:37:03,041 I WANT TO GET OUT FROM UNDER. 535 00:37:04,407 --> 00:37:06,507 IF THAT MEANS LOSING MY JOB, 536 00:37:06,541 --> 00:37:08,774 IF IT MEANS GOING TO JAIL‐‐ 537 00:37:08,807 --> 00:37:11,007 WHO ELSE HAVE YOU TOLD ABOUT THIS? 538 00:37:11,041 --> 00:37:13,874 NO ONE YET. KEEP IT THAT WAY. 539 00:37:15,641 --> 00:37:18,041 IN THE MEANTIME, 540 00:37:18,074 --> 00:37:21,007 I'M GONNA NEED SOME TIME TO DIGEST EVERYTHING YOU'VE SAID TODAY. 541 00:37:23,374 --> 00:37:25,874 I'LL BE IN TOUCH WHEN I DECIDE HOW TO PROCEED. 542 00:37:25,907 --> 00:37:28,807 I'M SUPPOSED TO TALK TO THESE PEOPLE. THEY WANT ME TO RUN A LICENSE PLATE. 543 00:37:28,841 --> 00:37:31,507 I'LL BE IN TOUCH VERY SOON. 544 00:37:48,341 --> 00:37:52,274 YES, I REMEMBER YOU. I'M GLAD YOU CALLED BACK. 545 00:37:52,307 --> 00:37:54,607 MY SUPERIORS AUTHORIZED ME... 546 00:37:54,641 --> 00:37:57,807 TO RELEASE SOME CLASSIFIED INFORMATION TO YOU. 547 00:37:57,841 --> 00:38:00,341 THIS IS ON A TOP‐SECRET BASIS. 548 00:38:02,407 --> 00:38:04,474 THEY WANT ME TO LET YOU KNOW... 549 00:38:04,507 --> 00:38:07,641 THE GRAVITY SHELF IS IN REMISSION. 550 00:38:07,674 --> 00:38:10,074 THE LASER DEATH TEAM GOT RECALLED. 551 00:38:12,241 --> 00:38:15,941 WELL, IF THE DEATH TEAM DISOBEYS ORDERS... 552 00:38:15,974 --> 00:38:18,341 FROM SHELF HEADQUARTERS‐‐ 553 00:38:18,374 --> 00:38:21,374 ALUMINUM FOIL. 554 00:38:21,407 --> 00:38:24,141 IN THE SMALL EVENT THAT OCCURS, 555 00:38:24,174 --> 00:38:27,641 JUST CRUMPLE TWO PIECES OF ALUMINUM FOIL... 556 00:38:27,674 --> 00:38:30,174 AND STUFF THEM IN YOUR UNDERSHORTS. 557 00:38:30,207 --> 00:38:33,474 IT DEFEATS THEIR SENSOR RAYS. 558 00:38:33,507 --> 00:38:35,974 DEFINITELY. THIS COULD COLLAPSE... 559 00:38:36,007 --> 00:38:38,807 THE EMPIRE OF THE GRAVITY SHELF. 560 00:38:38,841 --> 00:38:41,807 YES. THESE ARE GREAT DAYS. 561 00:38:41,841 --> 00:38:43,807 OKAY. GOOD‐BYE. 562 00:38:46,707 --> 00:38:48,974 YOU SAVED THE GALAXY. 563 00:38:54,841 --> 00:38:56,941 HEY, ROBERTS, YOU OWE 14 BUCKS... 564 00:38:56,974 --> 00:38:59,774 FOR THIS MONTH'S COFFEE SUPPLIES WHEN YOU GET A CHANCE. 565 00:38:59,807 --> 00:39:01,974 SO HOW DID IT GO LAST NIGHT WITH DONNA? 566 00:39:02,007 --> 00:39:04,207 UH‐UH, GOOD. 567 00:39:04,241 --> 00:39:07,641 UH, WE HAD A, UH, G‐GOOD TIME SKATING. 568 00:39:07,674 --> 00:39:10,407 SKATING, HUH? YEAH. OVER AT THE SKYLINE. 569 00:39:12,374 --> 00:39:14,874 ANDY, UH, 14 BUCKS FOR THE COFFEE SUPPLIES. 570 00:39:14,907 --> 00:39:18,174 HEY, DETECTIVE. AS AN EXPERIENCED POLICE OFFICER, 571 00:39:18,207 --> 00:39:21,374 HAVE YOU NOTED THE ABSENCE OF THE WEDDING WING ON MEDAVOY'S LEFT HAND? 572 00:39:22,153 --> 00:39:25,920 YEAH‐YEAH, THAT'S RIGHT, BUT IT‐IT'S NOT WHAT IT LOOKS LIKE. 573 00:39:25,953 --> 00:39:29,787 PLUS NOTE: HE SEEMS TO BE SHOWING GUILTY CONFUSION OVER THERE. 574 00:39:29,820 --> 00:39:34,220 HEY, ROBERTS, IT'S NOT WHAT IT LOOKS LIKE. I LOST THE RING THIS MORNING DOWN THE SINK. 575 00:39:34,253 --> 00:39:38,087 ‐ SURE, MEDAVOY. ‐ HEY, ROBERTS. YOU'RE AN EXPERIENCED POLICE OFFICER. 576 00:39:38,120 --> 00:39:40,587 WHEN DID YOU NOTICE THE RING MISSING FROM MEDAVOY'S FINGER? 577 00:39:40,620 --> 00:39:44,187 ‐ IT'S MISSING RIGHT NOW. ‐ HEY, ANDY, IT'S NOT WHAT IT LOOKS LIKE! 578 00:39:44,220 --> 00:39:47,220 SO MEDAVOY'S RING WASN'T OFF HIS FINGER YESTERDAY WHEN HE WAS SUPPOSEDLY... 579 00:39:47,253 --> 00:39:49,920 TRYING TO GET OVER ON MISS ABANDANDO, WHO YOU TOLD ME... 580 00:39:49,953 --> 00:39:53,253 WAS MORE LIKELY TO BE GOING OUT WITH MARTINA NAVRATILOVA ANYWAYS? 581 00:39:53,287 --> 00:39:56,287 HUH? HMPH. 582 00:39:56,320 --> 00:39:59,420 WE WOULDN'T BE TALKING SOUR GRAPES HERE, NOW WOULD WE, ROBERTS? 583 00:39:59,453 --> 00:40:03,820 BECAUSE MISS ABANDANDO TOLD YOU TO SLAP YOUR HOCKEY PUCK UP YOUR ASS AND TAKE A HIKE? 584 00:40:15,320 --> 00:40:17,287 I'M ONLY PUTTING IN HALF FOR THE COFFEE. 585 00:40:17,320 --> 00:40:19,187 I'M GONNA BE GONE TWO WEEKS NEXT MONTH. 586 00:40:19,220 --> 00:40:22,087 SCREW YOU, ANDY. 587 00:40:22,120 --> 00:40:25,587 THANKS, ANDY. NO PROBLEM. 588 00:40:25,620 --> 00:40:27,787 WE JUST WENT SKATING. THAT'S ALL. 589 00:40:27,820 --> 00:40:30,587 SOUNDS LIKE WE'RE STILL IN MISDEMEANOR TERRITORY, MEDAVOY. 590 00:40:33,787 --> 00:40:36,420 AND YOU KNOW, IT WAS THE CRAZIEST THING WITH THE WEDDING RING. 591 00:40:36,453 --> 00:40:38,953 I MEAN, I NEVER TAKE IT OFF. 592 00:40:38,987 --> 00:40:42,187 AND THEN THIS MORNING FOR SOME REASON, I‐I‐I WANTED TO SEE IF I COULD, YOU KNOW? 593 00:40:42,220 --> 00:40:44,620 AND... [ WHISTLES ] OFF IT FLIES DOWN THE SINK. 594 00:40:44,653 --> 00:40:47,587 DID YOU CALL A PLUMBER? YEAH. HE'S COMING OVER TONIGHT. 595 00:40:47,620 --> 00:40:50,587 THERE'S NO PROBLEM THEN, HUH? YEAH. 596 00:40:57,420 --> 00:40:59,620 HI. HI. 597 00:40:59,653 --> 00:41:02,587 I HOPE THAT WASN'T WHAT IT SOUNDED LIKE IT WAS. 598 00:41:03,987 --> 00:41:06,387 WHAT DO YOU MEAN? 599 00:41:06,420 --> 00:41:09,620 I MEAN, IT SOUNDED LIKE IT WAS ABOUT YOU AND ME. 600 00:41:09,653 --> 00:41:12,587 DONNA. WE WENT ICE SKATING LAST NIGHT. 601 00:41:12,620 --> 00:41:14,720 WE HAD A LOVELY TIME. 602 00:41:14,753 --> 00:41:18,420 YEAH. AND IF SOME IDIOT WANTS TO TEASE ME, 603 00:41:18,453 --> 00:41:20,787 THAT'S HIS PROBLEM. 604 00:41:20,820 --> 00:41:23,687 I DON'T WANT TO CAUSE YOU ANY PROBLEMS AT WORK. 605 00:41:23,720 --> 00:41:26,253 AND I DON'T WANT TO CAUSE YOU ANY PROBLEMS AT HOME. 606 00:41:26,287 --> 00:41:29,453 YOU'RE NOT CAUSING ME ANY PROBLEMS. 607 00:41:29,487 --> 00:41:31,787 AND WE DIDN'T DO ANYTHING WRONG. 608 00:41:31,820 --> 00:41:33,820 JUST THE OPPOSITE. 609 00:41:35,087 --> 00:41:37,453 I HAD A REALLY GREAT TIME. 610 00:41:37,487 --> 00:41:39,587 ME TOO. 611 00:41:39,620 --> 00:41:41,920 YOU ARE ONE HELL OF A SKATER. 612 00:41:41,953 --> 00:41:44,587 THANKS. YOU TOO. 613 00:41:49,787 --> 00:41:51,853 [ KELLY ] YOU SEEN LICALSI? [ MAN ] IN THERE. 614 00:41:51,887 --> 00:41:54,787 YOU DISCONNECTED YOUR PHONE? I WAS CALLING YOU ALL LAST NIGHT. 615 00:41:54,820 --> 00:41:57,387 NOW YOU'RE TWO HOURS LATE FOR YOUR TOUR? WHAT THE HELL'S GOING ON, JANICE? 616 00:41:57,420 --> 00:41:59,787 I TURNED MYSELF IN. YOU WHAT? 617 00:41:59,820 --> 00:42:02,053 I WENT TO LASTARZA. 618 00:42:02,087 --> 00:42:05,187 YOU WENT TO LASTARZA. LASTARZA THE ASSHOLE WHO GAVE ANDY'S SHOOTER THE WALK, 619 00:42:05,220 --> 00:42:07,353 WHO CAN'T DO HIS JOB‐‐ YOU'RE GONNA TRUST HIM? 620 00:42:07,387 --> 00:42:10,187 ‐ I HAVE TO GET STRAIGHT WITH THIS, JOHN. ‐ HE IS GONNA EAT YOU UP, 621 00:42:10,220 --> 00:42:13,220 SPIT YOU OUT, GET WHAT HE WANTS, AND YOU'RE GONNA END UP IN JAIL. 622 00:42:13,253 --> 00:42:15,453 [ KNOCK AT DOOR ] THEY'RE LOOKING FOR YOU UPSTAIRS, DETECTIVE. 623 00:42:15,487 --> 00:42:17,853 WE'RE DONE HERE. WE SHOULD TALK MORE ABOUT THIS, DETECTIVE. 624 00:42:17,887 --> 00:42:19,620 WE'RE GONNA TALK ABOUT IT. 625 00:42:29,120 --> 00:42:31,353 YOU LOOKING FOR ME? 626 00:42:31,387 --> 00:42:33,887 YOU KNOW ANYTHING ABOUT MARTINEZ TAKING OUT THAT DRUG DEALER, BRICK TOP? 627 00:42:33,920 --> 00:42:36,453 NO. SECTOR CAR SAYS HE'S OVER THERE. 628 00:42:36,487 --> 00:42:40,553 IT'S IN CASE HIS FATHER SHOWS UP. THIS GUY NEEDS TO GET ON A BUS. 629 00:42:40,587 --> 00:42:42,787 WHO? THIS BRICK TOP. 630 00:42:42,820 --> 00:42:45,187 WE DON'T PUT PEOPLE ON BUSES. IF BRICK TOP'S HOLDING, BUST HIM. 631 00:42:45,220 --> 00:42:47,920 IF MARTINEZ' FATHER COMMITS A CRIME, BRING HIM IN. 632 00:42:47,953 --> 00:42:50,753 AND IF MARTINEZ IS SUPPOSED TO BE ON FAMILY LEAVE, HE SHOULD BE OFF THE STREET. 633 00:42:50,787 --> 00:42:53,753 HE'S TRYING TO HOLD HIS FAMILY TOGETHER. 634 00:42:53,787 --> 00:42:56,453 YOU WANT ME TO GO GET HIM? NO. 635 00:42:56,487 --> 00:42:59,587 HAVE THE SERGEANT TELL THE SECTOR CAR HE'S ON ASSIGNMENT. OKAY. 636 00:43:26,920 --> 00:43:30,020 HEY. WHERE YOU BEEN? ALL OVER. 637 00:43:30,053 --> 00:43:34,287 ALL OVER? YOU'RE GONE ALL YESTERDAY. YOU'RE GONE ALL NIGHT. 638 00:43:34,320 --> 00:43:36,887 I'M CALLING MAMI ALL THE TIME. SHE'S WORRIED SICK. 639 00:43:36,920 --> 00:43:39,353 YOU KNOW, SHE'S LOST HER SON, TOO, POPPY. 640 00:43:39,387 --> 00:43:42,453 INSTEAD OF BEING HOME WITH HER, I'M OUT HERE WORRYING ABOUT YOU. 641 00:43:42,487 --> 00:43:44,587 I KNOW THAT. YOU KNOW THAT. 642 00:43:44,620 --> 00:43:46,587 WHAT AM I SUPPOSED TO DO, HUH? 643 00:43:48,320 --> 00:43:51,887 GO HOME WITH MAMI? GO PICK UP ROBERTO'S BODY AT BELLEVUE? 644 00:43:51,920 --> 00:43:54,720 AM I SUPPOSED TO WAIT TILL THAT GUY OVER THERE COMES BACK AND KILL HIM? 645 00:43:54,753 --> 00:43:57,787 AM I A MAN THEN? 646 00:43:57,820 --> 00:44:01,087 WHEN YOU WERE BORN, WE DIDN'T HAVE NOTHING. 647 00:44:01,120 --> 00:44:05,253 NO MONEY. NO GOOD PLACE TO LIVE. 648 00:44:05,287 --> 00:44:08,920 YOU KNOW, I WAS ALWAYS AFRAID I COULDN'T PROTECT YOU. 649 00:44:08,953 --> 00:44:12,620 THAT'S WHAT IT WAS. THAT'S WHY I WAS SO HARD ON YOU. 650 00:44:12,653 --> 00:44:15,087 I WANTED YOU TO BE ABLE TO STICK UP FOR YOURSELF. 651 00:44:16,753 --> 00:44:19,387 ROBERTO WAS EIGHT YEARS LATER. I HAD SOME MONEY, 652 00:44:19,420 --> 00:44:21,287 A DECENT APARTMENT. 653 00:44:23,453 --> 00:44:25,720 MAYBE HIS LIFE WAS TOO EASY. 654 00:44:25,753 --> 00:44:28,587 I MEAN, MAYBE I WAS TOO SOFT. YOU LOVED HIM. 655 00:44:30,120 --> 00:44:32,620 I LOVE YOU. 656 00:44:32,653 --> 00:44:35,720 LOOK, I APOLOGIZE FOR HITTING ON YOU. 657 00:44:37,620 --> 00:44:40,920 I‐‐ I MESSED UP. I SHOULD'VE TOOK CARE OF THINGS. NO, NO, NO, NO. 658 00:44:40,953 --> 00:44:43,587 I MESSED UP. YOU DIDN'T MESS UP NOTHING. 659 00:44:43,620 --> 00:44:45,853 I'M SORRY, POPPY. I‐‐ JAMES, JAMES, JAMES. 660 00:44:45,887 --> 00:44:48,220 JAMES, I LOVE YOU. 661 00:44:49,420 --> 00:44:51,420 I'VE ALWAYS LOVED YOU. 662 00:44:56,587 --> 00:44:58,453 COME ON. LET'S GO HOME. 663 00:45:20,287 --> 00:45:22,420 YOU OKAY? 664 00:45:22,453 --> 00:45:24,687 I'M DOING GREAT. 665 00:45:24,720 --> 00:45:27,120 BUT I DON'T UNDERSTAND WHY YOU OPENED YOURSELF UP TO THIS GUY. 666 00:45:27,153 --> 00:45:30,187 HEY, JOHNNY, 667 00:45:30,220 --> 00:45:33,220 LASTARZA WOULDN'T LET ME TELL HIM ABOUT KILLING MARINO. 668 00:45:33,253 --> 00:45:36,220 WHAT ARE YOU TALKING ABOUT? YOU SAID YOU TURNED YOURSELF IN. 669 00:45:36,253 --> 00:45:40,720 HE WOULDN'T LET ME TELL HIM ABOUT MARINO AND HIS DRIVER. HE SAID IT WAS A CLEARED CASE. 670 00:45:40,753 --> 00:45:43,887 LASTARZA GOT GIARDELLA TO SAY HE DID THAT WHACK. 671 00:45:43,920 --> 00:45:47,087 AND A DOZEN OF HIS OTHER CASES FALL APART IF IT COMES OUT THAT GIARDELLA LIED. 672 00:45:47,120 --> 00:45:49,253 MM‐HMM. BUT THEY STILL HAVE YOU. 673 00:45:49,287 --> 00:45:51,887 BECAUSE YOU NEVER REPORTED MARINO'S APPROACH, THEY STILL HAVE YOU. 674 00:45:51,920 --> 00:45:55,387 THIS THING IS A CANCER, OKAY? IT WAS SPREADING TO YOU. 675 00:45:55,420 --> 00:45:57,587 LASTARZA'S GONNA MAKE YOU GO UNDERCOVER. 676 00:45:57,620 --> 00:45:59,720 IF I'D MADE THAT PHONE CALL THAT NIGHT, YOU WOULD'VE GONE OUT AND KILLED THAT GUY. 677 00:45:59,753 --> 00:46:02,153 I'M JUST TELLING YOU WHAT HE'S GONNA DO. AND I'M GONNA BE OKAY. 678 00:46:09,620 --> 00:46:11,487 SEE, 679 00:46:13,820 --> 00:46:15,753 I DON'T KNOW WHAT TO DO WITH THIS THING. 680 00:46:15,787 --> 00:46:18,887 I DON'T KNOW HOW TO HELP YOU. 681 00:46:18,920 --> 00:46:20,920 I'M GONNA BE ALL RIGHT. 682 00:46:24,987 --> 00:46:28,053 I DON'T KNOW HOW TO HELP YOU. OH, JOHNNY. 683 00:46:30,987 --> 00:46:32,820 I LOVE YOU. 684 00:46:39,053 --> 00:46:40,953 COME HERE. 685 00:46:42,287 --> 00:46:44,120 COME HERE. 58400

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