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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,500 --> 00:00:07,033 [ SIREN WAILING IN DISTANCE ] 2 00:00:07,066 --> 00:00:09,066 [ WHISTLE BLOWING ] 3 00:00:21,433 --> 00:00:24,200 [ SNIFFING ] 4 00:00:26,666 --> 00:00:28,500 [ MAN PANTING LIKE A DOG ] 5 00:00:28,533 --> 00:00:30,400 [ CHATTERING ] 6 00:00:34,066 --> 00:00:36,866 I NEED TO SEE DET. KELLY. HE'S BUSY NOW, LOU. TAKE A SEAT OVER THERE. 7 00:00:36,900 --> 00:00:39,566 ‐CAN YOU CUFF ME TO THE BENCH? ‐THE C. O. DOESN'T WANT ANYONE... 8 00:00:39,600 --> 00:00:41,633 UNNECESSARILY RESTRAINED IN PUBLIC AREAS. 9 00:00:41,666 --> 00:00:44,000 UNNECESSARILY? I DON'T WANNA HEAR IT, LOU. 10 00:00:44,033 --> 00:00:46,966 YOU DON'T WANNA SEE IT EITHER. YOU WANNA SEE A WEREWOLF IN A BLOOD RAGE? 11 00:00:47,000 --> 00:00:49,900 ‐ TAKE A SEAT NOW! ‐ I'M DOING THIS FOR YOUR OWN GOOD. 12 00:00:49,933 --> 00:00:54,166 SERGEANT, I'M TELLING YOU. ONE MINUTE WE COULD BE STANDING HERE, TALKING VERY NICELY. 13 00:00:54,200 --> 00:00:58,366 NEXT THING YOU'RE GONNA BE ON YOUR BACK, LOOKING AT ME WITH YOUR WINDPIPE IN MY FANGS. 14 00:00:58,400 --> 00:01:01,966 ‐ I'M A COP, LOU. I'M PAID TO LIVE WITH DANGER. ‐ I'M TELLING YOU. 15 00:01:02,000 --> 00:01:05,233 I'M A WEREWOLF. I GOTTA BE LOCKED UP BY 5:00 TONIGHT, OR ELSE. 16 00:01:05,266 --> 00:01:08,233 LOU! SIT! SIT! 17 00:01:10,366 --> 00:01:13,333 ‐ SIT. ‐ [ PANTING ] 18 00:01:13,366 --> 00:01:17,033 ‐ [ PHONE RINGING ] ‐ HELLO, ONE‐FIVE. 19 00:01:17,066 --> 00:01:18,766 ‐ [ LOU PANTING ] ‐ [ GASPS ] 20 00:01:24,433 --> 00:01:27,233 ‐ [ CLEARS THROAT ] ‐ DETECTIVE KELLY! 21 00:01:27,266 --> 00:01:29,233 LOU! 22 00:01:32,366 --> 00:01:35,666 [ KELLY ] I CAN PROBABLY GET YOU A COUPLE HOURS, LOU, BUT I CAN'T GUARANTEE YOU'RE GONNA BE ALONE. 23 00:01:35,700 --> 00:01:38,866 HEY, I CAN'T BE INCARCERATED IN A GROUP SITUATION. 24 00:01:38,900 --> 00:01:41,733 IT WOULD BE LIKE A SMORGASBORD FOR ME. BEST I CAN DO, LOU. 25 00:01:41,766 --> 00:01:45,066 BELLEVUE HOSPITAL HAS GOT A WHOLE WING OF PADDED KENNELS, LOU. 26 00:01:45,100 --> 00:01:48,000 YOU OUGHTA GIVE THEM A HOWL. THEY'LL LOCK YOU DOWN TONIGHT. 27 00:01:48,033 --> 00:01:51,400 YOU THINK I'M CRAZY? I'M NOT CRAZY. 28 00:01:51,433 --> 00:01:54,700 I AM A WEREWOLF. BUT YOU COULD BE A CRAZY WEREWOLF, LOU. 29 00:01:54,733 --> 00:01:57,666 I HEAR A LOT OF THEM ARE NUTS. YOU OUGHTA HAVE IT CHECKED OUT. 30 00:01:57,700 --> 00:02:01,233 I COME HERE TO TRY TO PROTECT SOCIETY, AND YOU'RE SEEKING TO HUMILIATE ME? 31 00:02:01,266 --> 00:02:03,666 NOBODY'S TRYING TO HUMILIATE YOU. WE'RE JUST GETTING A LOT OF HEAT... 32 00:02:03,700 --> 00:02:05,566 FROM OUR BOSSES ABOUT THESE PROTECTIVE LOCKUPS. 33 00:02:05,600 --> 00:02:08,500 TRY THE HOSPITAL. I FEEL ANGER. 34 00:02:08,533 --> 00:02:11,633 I FEEL ANGER! WELL, YOU'LL GET OVER IT, LOUIE. 35 00:02:11,666 --> 00:02:14,500 [ GROWLS ] I BETTER GET OUTTA HERE... 36 00:02:14,533 --> 00:02:16,566 BEFORE I COMMIT AN UNSPEAKABLE OUTRAGE. 37 00:02:16,600 --> 00:02:19,166 [ SIPOWICZ ] YEAH, OKAY, LOU. ANYTHING YOU SAY. 38 00:02:19,200 --> 00:02:22,700 I DON'T WANNA TAKE YOU AWAY FROM ALL THE FUN YOU'RE HAVING THERE. 39 00:02:22,733 --> 00:02:25,366 WHAT DO YOU GOT? YEAH, YOU WANNA CHECK THE REPORT, SEE IF IT'S RIGHT? 40 00:02:25,400 --> 00:02:28,000 ‐ [ CLEARS THROAT ] ‐ HUH? 41 00:02:31,266 --> 00:02:33,066 GO AHEAD. SURE. 42 00:02:35,066 --> 00:02:37,200 HEY, ANDY. 43 00:02:37,233 --> 00:02:39,366 YOU BUSY? CAN I SPEAK TO YOU FOR A MINUTE? 44 00:02:39,400 --> 00:02:45,066 YEAH, SURE. REMEMBER MY PARTNER JOHN KELLY? YEAH. 45 00:02:45,100 --> 00:02:47,266 HEY, KID. NICE TO SEE YOU AGAIN. HOW YOU DOIN'? 46 00:02:48,700 --> 00:02:51,366 WANT SOME, UH, COFFEE OR A SODA? 47 00:02:51,400 --> 00:02:53,733 NO, THANKS. 48 00:03:01,666 --> 00:03:05,366 IT'S BEEN A WHILE, HUH? YOU LOOK GOOD. 49 00:03:07,766 --> 00:03:10,333 I KEEP MEANING TO‐‐ TO GET OVER TO JERSEY. 50 00:03:13,200 --> 00:03:15,200 HOW'S YOUR MOTHER? 51 00:03:15,233 --> 00:03:18,800 SHE'S OKAY. HOW YOU DOIN'? 52 00:03:18,833 --> 00:03:20,600 I'M GOOD. I'M‐‐ I'M FINE. 53 00:03:21,833 --> 00:03:24,333 WANNA SIT DOWN? 54 00:03:24,366 --> 00:03:26,600 NO, THAT'S OKAY. 55 00:03:29,600 --> 00:03:33,966 I CAME TO TELL YOU THAT I'VE BEEN SEEING THIS GIRL FOR THREE MONTHS, 56 00:03:34,000 --> 00:03:36,500 AND IT'S PRETTY SERIOUS. 57 00:03:36,533 --> 00:03:38,566 WE'RE GETTING MARRIED. 58 00:03:38,600 --> 00:03:40,900 [ CHUCKLES ] YOU'RE STILL MY FATHER. 59 00:03:40,933 --> 00:03:43,900 I FIGURED YOU MIGHT WANNA KNOW. 60 00:03:43,933 --> 00:03:47,733 YEAH, SURE I WANNA KNOW. YOU'RE 18 YEARS OLD. 61 00:03:47,766 --> 00:03:49,733 SO, UH, TELL ME ABOUT THE GIRL. 62 00:03:49,766 --> 00:03:52,400 ‐ UH, HOW OLD IS SHE? ‐ TWENTY. 63 00:03:52,433 --> 00:03:54,533 SO, WHAT DOES SHE DO, THIS, UH‐‐ THIS 20‐YEAR‐OLD? 64 00:03:54,566 --> 00:03:56,500 SHE SELLS SPORTS CARS. 65 00:03:56,533 --> 00:04:00,866 CHECKERED FLAG MOTOR CARS IN FORT LEE. 66 00:04:00,900 --> 00:04:03,533 [ CHUCKLES ] SEE, I'M‐‐ I'M‐‐ I'M TRYING TO FIGURE OUT... 67 00:04:03,566 --> 00:04:06,066 WHAT MAKES THIS‐‐ THIS CAR SALESWOMAN DIFFERENT. 68 00:04:06,100 --> 00:04:09,366 WHY, UH‐‐ WHY YOU WANNA DRAG THE STATE AND THE CHURCH INTO THINGS ALL OF A SUDDEN? 69 00:04:10,766 --> 00:04:13,133 I'D LIKE TO BORROW 700 BUCKS. 70 00:04:13,166 --> 00:04:14,900 I CAN PAY YOU BACK 40 A WEEK. 71 00:04:17,033 --> 00:04:21,200 [ SIGHS ] YOU KNOW, ANDY, 72 00:04:21,233 --> 00:04:24,200 WHEN A GIRL GETS KNOCKED UP, A MAN'S FIRST IMPULSE... 73 00:04:24,233 --> 00:04:27,333 LOOK. FORGET ABOUT THE 700 BUCKS. MIGHT BE TO‐‐ 74 00:04:27,366 --> 00:04:30,300 I'LL FORGET ABOUT FEEDING THE GUESTS AT MY WEDDING. 75 00:04:30,333 --> 00:04:33,033 AND, UH, AS FAR AS FATHERHOOD, 76 00:04:33,066 --> 00:04:35,066 I DON'T WANNA HEAR WHAT YOU THINK. 77 00:04:35,100 --> 00:04:37,000 HEY, ANDY. I'M TRYING TO LOOK OUT FOR YOU. 78 00:04:39,033 --> 00:04:42,400 DON'T! YOU HAVEN'T GOT THE RIGHT. 79 00:04:42,433 --> 00:04:45,300 I HAVEN'T SEEN YOU FOR THREE YEARS. 80 00:04:45,333 --> 00:04:47,466 WHERE YOU HIDING YOUR LIQUOR BOTTLES THESE DAYS? 81 00:04:47,500 --> 00:04:50,466 YOU KNOW, I WAS 12 BEFORE I REALIZED... 82 00:04:50,500 --> 00:04:52,833 THAT WASN'T WHAT THE SADDLEBAGS ON MY BIKE WERE FOR. 83 00:04:52,866 --> 00:04:55,466 I STOPPED DRINKIN'. 84 00:04:55,500 --> 00:04:59,300 MAYBE YOU SHOULD GO BACK TO IT. THAT'S SOMETHING YOU ONLY GET BETTER AT. 85 00:04:59,333 --> 00:05:03,000 HEY, HEY, ANDY. HEY, ANDY! AN‐‐ ANDY! 86 00:05:03,033 --> 00:05:06,300 ANDY! ANDY, LISTEN TO ME. COME HERE. LISTEN TO ME NOW. 87 00:05:06,333 --> 00:05:10,200 YOU KNOW, EVERYBODY'S LIFE HAS TWISTS AND TENSIONS, 88 00:05:10,233 --> 00:05:13,200 SO DON'T YOU ASSUME THAT YOU KNOW ALL THE ANSWERS, ALL RIGHT? 89 00:05:13,233 --> 00:05:16,033 DON'T ASSUME THAT YOU EVER WILL. 90 00:05:16,066 --> 00:05:18,533 ARE YOU GONNA CHARGE ME, OR YOU GONNA LET ME GO? 91 00:05:18,566 --> 00:05:20,400 [ MEN CHATTERING ] 92 00:05:22,366 --> 00:05:24,166 [ HELICOPTER WHIRRING ] 93 00:07:02,839 --> 00:07:05,273 LET ME GET OUT IN FRONT ON THIS SO NOBODY GETS OVEREXCITED. 94 00:07:05,306 --> 00:07:07,839 I BETCHA EVERY GUY IN JERSEY'S BANGED THIS GIRL. 95 00:07:07,873 --> 00:07:10,139 WAIT TILL WE KNOW BEFORE YOU JUMP TO THE ANSWERS. 96 00:07:10,173 --> 00:07:12,673 I'D RATHER FIND OUT HOW MISTAKEN I'VE BEEN AND GET OVERJOYED. 97 00:07:12,706 --> 00:07:14,939 ‐ YOU GONNA LET ME WORK ON THIS? ‐ THREE REASONS WHY I SHOULD. 98 00:07:14,973 --> 00:07:17,239 ‐ ONE, TWO, THREE. ‐ GOOD MORNING, GENTLEMEN. 99 00:07:17,273 --> 00:07:20,439 HOW YOU DOING? CAN I BE OF ASSISTANCE, OR ARE YOU "LOOKY‐LOOS"? 100 00:07:20,473 --> 00:07:23,239 WE WANNA SEE YOUR MANAGER. COULD I TELL HIM WHAT IT'S ABOUT? 101 00:07:23,273 --> 00:07:25,506 DO YOU KNOW WHAT IT'S ABOUT? 102 00:07:25,539 --> 00:07:27,573 YOU CAN FIND MR. STIPLEY IN THERE. 103 00:07:27,606 --> 00:07:29,473 [ WOMAN ] YOU HAVE THE INVOICE NUMBER? THANKS. 104 00:07:33,106 --> 00:07:37,406 MR. STIPLEY. DETECTIVE KELLY. DETECTIVE SIPOWICZ. 105 00:07:37,439 --> 00:07:40,739 AH, NEW YORK CITY POLICE. SIT DOWN, DETECTIVES. SIT DOWN. 106 00:07:40,773 --> 00:07:44,739 AND, UH, FEEL FREE TO BE COMPLETELY CANDID. 107 00:07:44,773 --> 00:07:48,706 [ CHUCKLES ] I'M A LIEUTENANT WITH THE PARAMUS P. D. RESERVES. 108 00:07:50,139 --> 00:07:52,273 WELL, THAT'LL MAKE THINGS MUCH EASIER THEN. 109 00:07:52,306 --> 00:07:55,573 LIEUTENANT, WHAT I'M ABOUT TO TELL YOU IS CONFIDENTIAL. 110 00:07:55,606 --> 00:07:59,139 I UNDERSTAND. IN THE COURSE OF A CRIMINAL INVESTIGATION, 111 00:07:59,173 --> 00:08:04,239 OUR, UH, PHONE SURVEILLANCE MONITORS PICKED UP A CALL FROM YOUR SWITCHBOARD. 112 00:08:04,273 --> 00:08:08,773 IT WAS A YOUNG WOMAN. AND BASED ON THE SUBSTANCE OF THE CALL, 113 00:08:08,806 --> 00:08:11,839 WE GOT THE IMPRESSION THAT THIS YOUNG WOMAN AND THE MAN SHE CALLED, 114 00:08:11,873 --> 00:08:14,173 THIS OTHER PERSON BEING THE ONE YOU'RE INTERESTED IN. 115 00:08:14,206 --> 00:08:18,306 THAT THESE TWO WERE SEXUALLY INVOLVED. OH. 116 00:08:18,339 --> 00:08:22,673 SO, UH, YOU'RE LOOKING TO ASCERTAIN THE IDENTITY OF, UH, THE FEMALE CALLER, 117 00:08:22,706 --> 00:08:25,806 WITH AN EYE TO DEVELOPING HER AS A POTENTIAL CORROBORATING WITNESS. 118 00:08:25,839 --> 00:08:29,239 AM I RIGHT? WELL, I CAN'T CONFIRM OR DENY, 119 00:08:29,273 --> 00:08:32,506 BUT, UH, DO YOU HAVE ANY IDEA WHO MIGHT HAVE MADE THE CALL? 120 00:08:32,539 --> 00:08:37,773 WELL, IT CAN'T BE ELLEN. SHE HATES MEN, AND HER TITS POINT TO CHINA. 121 00:08:37,806 --> 00:08:40,773 UH, SO IT'S GOTTA BE PATTY CONSTANCE. 122 00:08:40,806 --> 00:08:44,973 UH, DO YOU CONSIDER HER TO BE RELATIVELY ATTRACTIVE, EARLY TWENTIES? 123 00:08:45,006 --> 00:08:49,273 YEAH, SHE'S AROUND 20, ALL RIGHT. OR SHE'S AROUND 30, DEPENDING HOW YOU LOOK AT IT. 124 00:08:49,306 --> 00:08:51,539 UH, THAT'S HER. SECOND FROM THE RIGHT. 125 00:08:55,039 --> 00:08:58,506 YOU MIGHT HAVE SEEN HER WHEN YOU CAME IN. UH, SHE'S ON A TEST‐DRIVE NOW. 126 00:09:00,939 --> 00:09:03,139 ‐ IS SHE MARRIED? ‐ NO. SHE'S GOT PLANS. 127 00:09:03,173 --> 00:09:06,073 UH, SOME POOR DUMB TEENAGER I HEAR. 128 00:09:06,106 --> 00:09:09,673 YOU KNOW, UH, SHE'S ONE OF MY BEST SALESPEOPLE. 129 00:09:09,706 --> 00:09:12,439 I DON'T WANNA BE JUDGMENTAL, BUT, MAN, UH, 130 00:09:12,473 --> 00:09:14,773 YOU GOT THE MISSILE, SHE'S GOT THE SILO. 131 00:09:14,806 --> 00:09:17,806 KEVIN SAYS SHE SCREWS THE HEAD OFF AND GOES TO WORK ON THE WIRES. 132 00:09:17,839 --> 00:09:19,973 ‐ KEVIN? ‐ YEAH, SALESMAN YOU MET. 133 00:09:20,006 --> 00:09:22,306 MARRIED GUY. PATTY'S SEEING HIM TOO. 134 00:09:22,339 --> 00:09:26,473 ‐ BESIDES THE TEENAGER? ‐ [ PAGER BEEPING ] 135 00:09:26,506 --> 00:09:29,939 YOU GOT A PHONE I CAN USE? YEAH, UH, RIGHT AROUND THE CORNER. 136 00:09:34,873 --> 00:09:37,473 WHY'S A NUMBER LIKE HER WANNA MARRY A KID? 137 00:09:37,506 --> 00:09:39,906 YOU WANT ME TO SPECULATE, DETECTIVE? 138 00:09:39,939 --> 00:09:45,239 A TEENAGER LIKE THAT? PROBABLY PUTS THE WOOD TO HER WHENEVER SHE'S IN THE MOOD. 139 00:09:45,273 --> 00:09:49,339 PICKS UP TAPES FOR THE VCR, BRINGS HER COFFEE IN THE SHOWER, WASHES HER CAR IN THE DRIVEWAY. 140 00:09:49,373 --> 00:09:52,573 HE'S A HOUSEHOLD CONVENIENCE. 141 00:09:52,606 --> 00:09:55,573 BELIEVE ME, IT AIN'T GONNA STOP HER FROM SHOPPIN' AROUND FOR A BETTER DEAL. 142 00:09:55,606 --> 00:09:58,139 ANDY. WE GOT A MISSING KID. 143 00:09:58,173 --> 00:09:59,973 FANCY WANTS TO GET ON IT. 144 00:10:04,173 --> 00:10:05,839 [ KELLY ] LIEUTENANT, THANK YOU FOR YOUR HELP. 145 00:10:17,273 --> 00:10:20,139 [ CHATTERING ] [ SIPOWICZ ] WHAT IS IT? 146 00:10:20,173 --> 00:10:24,173 WE GOT A MISSING NINE‐YEAR‐OLD, AND WE'VE BEEN LOOKING SINCE ABOUT 11:00 LAST NIGHT. 147 00:10:25,839 --> 00:10:28,339 DETECTIVE KELLY. DETECTIVE SIPOWICZ. HI. 148 00:10:28,373 --> 00:10:33,239 I‐I'M RUDOLF WENTZ. MY SON IS MISSING. 149 00:10:33,273 --> 00:10:36,273 OKAY. ALL RIGHT. LET'S GO INSIDE AND TALK ABOUT IT, OKAY? 150 00:10:36,306 --> 00:10:38,106 LET'S GO INSIDE. SURE. 151 00:10:41,206 --> 00:10:45,306 [ WOMAN ] MY NEIGHBOR, MRS. JOHNSON, SAYS THAT CHILDREN IN AMERICA... 152 00:10:45,339 --> 00:10:48,673 SOMETIMES DISAPPEAR FOR DAYS AND THAT IS COMMON. 153 00:10:48,706 --> 00:10:50,673 EH, BUT THESE CHILDREN, THEY COME BACK. 154 00:10:50,706 --> 00:10:52,639 [ KELLY ] THAT'S USUALLY WHAT HAPPENS. 155 00:10:52,673 --> 00:10:54,839 RUDY HAS NEVER RUN AWAY. NO. 156 00:10:54,873 --> 00:10:57,839 HE IS NINE. JUST NINE. 157 00:10:57,873 --> 00:11:00,639 HAD YOU ARGUED WITH HIM? WAS HE ANGRY? 158 00:11:00,673 --> 00:11:03,839 WE MOVED FROM THE KATOWICE, IN POLAND. 159 00:11:03,873 --> 00:11:07,473 COMING TO A STRANGE COUNTRY, I THINK, HAS MADE US MUCH CLOSER AS A FAMILY. 160 00:11:07,506 --> 00:11:11,473 ‐ WE DON'T FIGHT SO MUCH. ‐ WAS HE UPSET ABOUT ANYTHING? 161 00:11:11,506 --> 00:11:16,006 ‐ [ MR. WENTZ ] NO. NO. ‐ HE WAS LONELY. 162 00:11:16,039 --> 00:11:18,606 WE SPENT TIME WITH HIM, BOTH OF US. WE GO, UH, 163 00:11:18,639 --> 00:11:21,873 RESTAURANTS, THE MOVIES, ANYWHERE, WE TAKE RUDY. 164 00:11:23,206 --> 00:11:26,273 AND YOU KNOW, DETECTIVE, IT'S NO TROUBLE. 165 00:11:26,306 --> 00:11:29,473 IT'S FUN FOR ALL OF US. 166 00:11:29,506 --> 00:11:31,339 WE LOVE HIM. 167 00:11:32,639 --> 00:11:35,339 BUT STILL, HE‐‐ HE WAS LONELY. 168 00:11:35,373 --> 00:11:40,406 THE DESCRIPTION SAID HE WAS WEARING, UH, RED SHORTS AND A WHITE T‐SHIRT. 169 00:11:40,439 --> 00:11:43,073 [ MRS. WENTZ ] WHEN HE ASKED TO GO TO THE STORE, I TOLD HIM, 170 00:11:43,106 --> 00:11:45,473 "PUT ON A JACKET AND LONG PANTS." 171 00:11:45,506 --> 00:11:47,673 IT'S CHILLY. BUT HIS FATHER‐‐ 172 00:11:47,706 --> 00:11:51,073 IT WAS JUST TO THE STORE. ONE BLOCK. HE WAS COMING RIGHT BACK. 173 00:11:51,106 --> 00:11:52,806 [ KELLY ] WELL, IT'S WARM FOR THIS TIME OF YEAR ANYWAY. 174 00:12:03,806 --> 00:12:05,606 HERE'S A PICTURE. 175 00:12:20,306 --> 00:12:22,273 I'M TELLING YOU, THIS ONE DON'T TURN OUT GOOD. 176 00:12:22,306 --> 00:12:24,473 MM, COULD BE OKAY. UH‐UH, FAMILY LIKE THAT? 177 00:12:24,506 --> 00:12:27,073 THAT KID DIDN'T RUN AWAY. THIS ONE DON'T TURN OUT GOOD. 178 00:12:27,106 --> 00:12:28,839 I HATE IT WHEN YOU KNOW IT. 179 00:12:39,473 --> 00:12:42,273 [ NO AUDIBLE DIALOGUE ] 180 00:13:04,273 --> 00:13:07,039 [ NO AUDIBLE DIALOGUE ] 181 00:13:31,673 --> 00:13:34,106 HEY, HEY, KID. KID. 182 00:13:34,139 --> 00:13:37,573 COME HERE. LET ME‐‐ LET ME ASK YOU A QUESTION. WHAT'S YOUR NAME? 183 00:13:37,606 --> 00:13:41,173 ALBERT. ALBERT, UH, DO YOU KNOW WHAT I AM? 184 00:13:41,206 --> 00:13:43,406 HUH? A COP. 185 00:13:43,439 --> 00:13:45,773 YEAH, THAT'S RIGHT. I'M A DETECTIVE. LISTEN, UH, 186 00:13:48,535 --> 00:13:50,902 THIS KID HERE, HE DIDN'T COME HOME LAST NIGHT. 187 00:13:50,935 --> 00:13:54,835 HIS NAME IS RUDY WENTZ. HE'S GOT LIKE A FOREIGN ACCENT. YOU SEEN HIM AROUND? 188 00:13:54,868 --> 00:13:58,535 NO. ASK FREDDY. HE KNOWS ALL THE KIDS AROUND HERE. 189 00:13:58,568 --> 00:14:00,702 FREDDY. WHO‐‐ WHO'S FREDDY? 190 00:14:00,735 --> 00:14:04,802 I DON'T KNOW HIS LAST NAME. HE'S KINDA SKINNY, YELLOW PANTS. 191 00:14:04,835 --> 00:14:07,302 WHAT, HE WEARS YELLOW PANTS EVERY DAY? 192 00:14:07,335 --> 00:14:09,468 EVERY DAY. 193 00:14:09,502 --> 00:14:12,868 HOW OLD'S THIS GUY FREDDY? PRETTY OLD. MAYBE 30. 194 00:14:12,902 --> 00:14:15,802 WHEW! YOU KNOW WHERE HE STAYS AT? 195 00:14:15,835 --> 00:14:19,002 UH‐UH. I THINK HE'S HOMELESS. 196 00:14:19,035 --> 00:14:23,135 ALL RIGHT, LISTEN. UH, YOU SEE FREDDY OR, UH, THIS KID RUDY, 197 00:14:23,168 --> 00:14:25,568 YOU CALL THE NUMBER ON THE BACK OF THIS CARD, OKAY? 198 00:14:25,602 --> 00:14:28,002 WILL YOU DO THAT FOR ME? ALL RIGHT. SURE. SEE YA. 199 00:14:28,035 --> 00:14:30,302 UH, YOU KNOW WHAT? 200 00:14:30,335 --> 00:14:35,202 UM, I THINK FREDDY SOMETIMES STAYS IN THIS EMPTY PLACE ABOUT SIX BLOCKS THAT WAY. 201 00:14:35,235 --> 00:14:38,902 THERE'S A BUNCH OF GUYS THERE THAT GET IN AND OUT ON A ROPE THEY DROP FROM A WINDOW. 202 00:14:38,935 --> 00:14:42,335 ‐ YEAH? COME ON AND SHOW ME THE PLACE. ‐ IT'S ABOUT SIX BLOCKS, MAN. 203 00:14:42,368 --> 00:14:46,002 HEY, ALBERT. YOU WANT ME TO JERK YOU UP IN THE AIR LIKE A LITTLE BUG... 204 00:14:46,035 --> 00:14:49,002 SO YOUR ARMS AND LEGS WHIP AROUND IN FRONT OF THE WHOLE STREET HERE, HUH? 205 00:14:49,035 --> 00:14:50,868 NO. NO, THEN COME ON. SHOW ME THE WAY. 206 00:14:53,502 --> 00:14:55,268 [ CAR HORNS HONKING ] 207 00:14:57,502 --> 00:14:59,635 GOOD MORNING, ALFONSE. GOOD MORNING, LAURIE. YOU LOOK TERRIFIC. 208 00:14:59,668 --> 00:15:01,835 THANKS. I'LL BE RIGHT OUTSIDE. 209 00:15:01,868 --> 00:15:05,335 READY FOR THE BIG DAY? YOUR STAR WITNESS IS ALL READY. BUT, UH, SIT DOWN A SECOND. 210 00:15:05,368 --> 00:15:08,868 THERE'S SOMETHING I WANNA‐‐ I WANNA TALK TO YOU ABOUT IN CONFIDENCE. 211 00:15:08,902 --> 00:15:11,368 I'D REALLY LIKE TO GO OVER YOUR TRIAL TESTIMONY, ALFONSE. 212 00:15:11,402 --> 00:15:13,502 [ CLEARS THROAT ] MR. GIARDELLA, 213 00:15:13,535 --> 00:15:17,068 DID YOU SELL HEROIN IN VOLUME TO AUGUSTO REYES? 214 00:15:17,102 --> 00:15:19,635 "YES, I DID." IN THE COURSE OF THAT PROFESSIONAL RELATIONSHIP, 215 00:15:19,668 --> 00:15:21,802 DID THERE COME A TIME WHEN REYES TOLD YOU... 216 00:15:21,835 --> 00:15:23,902 THAT THE COLON BROTHERS RIPPED HIM OFF FOR PRODUCT? 217 00:15:23,935 --> 00:15:27,402 "THAT IS CORRECT." DID HE EVER MAKE THREATS AGAINST THE COLON BROTHERS? 218 00:15:27,435 --> 00:15:30,802 "YEAH, SEVERAL TIMES HE THREATENED TO KILL THE COLON BROTHERS." 219 00:15:30,835 --> 00:15:33,335 AFTER THE COLON BROTHERS WERE SUBSEQUENTLY KILLED, 220 00:15:33,368 --> 00:15:35,835 DID REYES EVER TALK TO YOU ABOUT THEIR DEATHS? 221 00:15:35,868 --> 00:15:39,735 "YEAH, HE SAID, '‘I WHACKED BOTH THOSE SONS A BITCHES.'" 222 00:15:39,768 --> 00:15:42,068 THANK YOU, MR. GIARDELLA. YOU'RE EXCUSED. 223 00:15:42,102 --> 00:15:44,402 THAT'S VERY GOOD. 224 00:15:47,035 --> 00:15:49,468 LAURA, COME ON. YOU GOTTA KEEP LOOKIN' AT YOUR WATCH? 225 00:15:49,502 --> 00:15:52,035 I'M HOPIN' OUR FRIEND JIMMY CRAIG GETS HIMSELF LOST IN THE ELEVATOR. 226 00:15:52,068 --> 00:15:54,368 WHY? 227 00:15:54,402 --> 00:15:56,535 BECAUSE THIS IS GONNA BE OUR LAST TIME TOGETHER. 228 00:15:56,568 --> 00:15:58,902 AFTER I TESTIFY, THE FEDS ARE GONNA TAKE ME AWAY. 229 00:15:58,935 --> 00:16:03,035 BUT BEFORE I GO, I HAVE TO GIVE YOU SOMETHING TO REMEMBER US BY. 230 00:16:03,068 --> 00:16:05,535 WHAT'S THIS? 231 00:16:05,568 --> 00:16:08,635 THE KEYS TO MY CADILLAC. THIS YEAR'S. 232 00:16:08,668 --> 00:16:11,202 A 24‐MONTH LEASE ALL PAID FOR, ALL THE FORMS SIGNED FOR AND EVERYTHING. 233 00:16:11,235 --> 00:16:14,002 IT'S ALL YOURS. 234 00:16:14,035 --> 00:16:16,868 I CAN'T ACCEPT A CAR FROM YOU, ALFONSE. 235 00:16:16,902 --> 00:16:19,402 IT'S NOT A CAR. IT'S A CADILLAC. AND... 236 00:16:19,435 --> 00:16:22,502 IF YOU LOOK AT THE PAPERS, IT'S NOT FROM ME. 237 00:16:22,535 --> 00:16:25,535 IT'S FROM STELLAMONTE CONCRETE, WHICH IS COMPLETELY ABOVE BOARD. 238 00:16:25,568 --> 00:16:28,002 AND TOTALLY UNTRACEABLE ANYWAY. 239 00:16:28,035 --> 00:16:30,735 I HAVE A CAR, ALFONSE. YOU GOT FOUR DOORS AND A WINDSHIELD. 240 00:16:32,368 --> 00:16:36,235 ‐ LAURA‐‐ ‐ [ SCAFFOLDING WHIRRING ] 241 00:16:36,268 --> 00:16:41,802 LAURA, I'M TRYING TO TELL YOU HOW HIGH IT IS A VALUE I PLACE ON OUR RELATIONSHIP. 242 00:16:41,835 --> 00:16:44,202 I'M TRYING TO SIGNIFY SOMETHING TO YOU HERE. 243 00:16:44,235 --> 00:16:46,302 WILL YOU EXCUSE ME FOR A MOMENT? 244 00:16:46,335 --> 00:16:47,902 YEAH, SURE. 245 00:16:50,068 --> 00:16:52,068 DO YOU GOTTA GO TO THE BATHROOM OR SOMETHING? 246 00:16:52,102 --> 00:16:54,535 YEAH, YOU KNOW WHERE IT IS. YEAH. JUST‐‐ 247 00:16:54,568 --> 00:16:57,368 IT'S RIGHT OVER THERE. J‐JUST HELP YOURSELF. 248 00:16:57,402 --> 00:17:00,168 OH, MY GOD. YEAH, YOU KNOW, AND IF I COME BACK, UH, 249 00:17:00,202 --> 00:17:02,735 WE COULD DRIVE WHEREVER, YOU KNOW. 250 00:17:02,768 --> 00:17:07,635 MAYBE ONE OF THEM, UH, BREAKFAST AND BOARD PLACES IN THEM QUAINT AREAS. 251 00:17:07,668 --> 00:17:10,535 [ CHUCKLES ] YOU KNOW, ONE OF THEM PLACES WITH THE QUILTS ON THE BED... 252 00:17:10,568 --> 00:17:13,402 AND, UH, THOSE PICTURES OF THE WHALING GUYS. 253 00:17:13,435 --> 00:17:17,002 ‐ [ LAUGHING ] ‐ ONE OF THESE DAYS, 254 00:17:17,035 --> 00:17:20,402 ALL THIS BOUNCING AROUND LIKE A CUE BALL IS GONNA STOP. 255 00:17:20,435 --> 00:17:22,868 I'M GONNA GET MYSELF SET UP SOMEWHERE. 256 00:17:22,902 --> 00:17:25,202 OUT WEST, MAYBE. CAN YOU HEAR ME, LAURA? 257 00:17:26,735 --> 00:17:28,835 YOU FALL IN IN THERE? 258 00:17:28,868 --> 00:17:31,702 I'LL BE RIGHT OUT. I'M GONNA LEAVE MY PAST BEHIND. 259 00:17:31,735 --> 00:17:36,502 WELL, MOST OF IT, ANYWAY. AND IF WE CAN GET ALONG, LAURA, AND I THINK WE WILL‐‐ 260 00:17:38,402 --> 00:17:40,535 OH, MY GOD! 261 00:18:32,402 --> 00:18:34,202 [ POLICE RADIO CHATTER ] 262 00:18:36,835 --> 00:18:39,235 [ MAN ] WHAT A MESS. HE GOT AWAY THROUGH THE WINDOW. 263 00:18:39,268 --> 00:18:41,235 [ MAN ] I BEEPED YOU RIGHT AWAY, SIR. YEAH. 264 00:18:41,268 --> 00:18:43,735 [ MAN #2 ] HELL OF A WAY TO DECORATE A ROOM. 265 00:18:45,002 --> 00:18:47,202 EXCUSE US, PLEASE. 266 00:18:47,235 --> 00:18:49,368 YOU OKAY? 267 00:18:49,402 --> 00:18:53,468 I THINK SO. OKAY. DID YOU SEE ANYTHING? 268 00:18:53,502 --> 00:18:56,168 I SAW HIM, THE WINDOW WASHER. I'M GONNA HAVE TO TESTIFY, AREN'T I? 269 00:18:56,202 --> 00:18:59,068 LET'S NOT GET AHEAD OF OURSELVES, OKAY? I‐I WAS THE ONLY ONE HERE. 270 00:18:59,102 --> 00:19:01,502 THE GUY IS GONE. HE GOT AWAY. 271 00:19:01,535 --> 00:19:03,568 I'M GONNA HAVE TO TESTIFY AGAINST HIM, AREN'T I? 272 00:19:03,602 --> 00:19:05,968 YOU'RE GONNA HAVE TO PROMISE ME YOU'RE GONNA TAKE IT EASY, OKAY? 273 00:19:06,002 --> 00:19:10,302 I'M GONNA BE RIGHT BACK. YOU'RE GONNA BE FINE, OKAY? 274 00:19:10,335 --> 00:19:14,335 ALL RIGHT. WOULD YOU STAY WITH HER, PLEASE? I'LL BE RIGHT BACK. 275 00:19:22,768 --> 00:19:27,668 OKAY, INITIAL HERE AND HERE AT THE CROSS‐OUTS AND SIGN AT THE BOTTOM. 276 00:19:27,702 --> 00:19:30,402 ‐ GO AHEAD. ‐ [ OFFICE CHATTER ] 277 00:19:30,435 --> 00:19:32,968 ‐ [ CHATTERING ] ‐ ALL RIGHT. THAT'S ENOUGH. LET'S GET YOU HOME. 278 00:19:33,002 --> 00:19:35,402 AND IF THEY WANT MORE, THEY CAN GET IT LATER. YEAH, OKAY. 279 00:19:35,435 --> 00:19:38,035 HERE WE GO. LAURA. LAURA. 280 00:19:38,068 --> 00:19:40,868 HEY, LAURA. 281 00:19:40,902 --> 00:19:43,368 SO, HOW YOU FEELING NOW? UH, I'M OKAY. 282 00:19:43,402 --> 00:19:46,168 UH, JOHN KELLY. JAMES CRAIG. 283 00:19:46,202 --> 00:19:49,502 OH, HEY. HOW YOU DOING, DETECTIVE? SO, UH, LOOK. 284 00:19:49,535 --> 00:19:53,202 I NOTIFIED THE JUDGE ABOUT GIARDELLA, AND WE'RE MOVING PEREZ UP TO TESTIFY. 285 00:19:53,235 --> 00:19:57,202 BUT, UH‐‐ SO I'M GONNA RUN DOWN THERE NOW UNLESS YOU WANT ME TO STAY. 286 00:19:57,235 --> 00:19:59,868 NO, NO, NO. I'M OKAY. YOU SURE? 287 00:19:59,902 --> 00:20:02,468 LOOK, I'M, UH‐‐ I'M SORRY THIS HAPPENED. 288 00:20:02,502 --> 00:20:04,702 I'M SORRY YOU HAD TO BE THERE. 289 00:20:04,735 --> 00:20:08,635 GOOD SEEING YOU AGAIN. YEAH. TAKE IT EASY. 290 00:20:08,668 --> 00:20:10,802 DETECTIVE KELLY, I GOTTA TALK TO YOU. NOT NOW, LOU. 291 00:20:10,835 --> 00:20:12,902 NO, I CAN'T BE RESPONSIBLE ANYMORE. 292 00:20:12,935 --> 00:20:16,335 HAVE TO LOOK OUT FOR YOURSELF TODAY. I KNOW I'M GOIN' FULL‐ON WOLF. 293 00:20:16,368 --> 00:20:20,402 I AM. MY‐‐ MY HUMAN NATURE IS SEEPIN' OUT OF ME. BY 5:00, IT'S GONNA BE ALL GONE! 294 00:20:20,435 --> 00:20:23,035 I NEED A RIDE FOR HER TOO. YOU GOTTA LISTEN TO ME. 295 00:20:23,068 --> 00:20:25,568 SOMETHING TERRIBLE IS GONNA HAPPEN! 296 00:20:25,602 --> 00:20:27,668 I'M BEGGING FOR PREVENTATIVE PROTECTION! 297 00:20:27,702 --> 00:20:29,568 LOU. HE THINKS HE'S A WEREWOLF. HE'S HARMLESS. 298 00:20:29,602 --> 00:20:31,802 OH. I'M GOING TO‐‐ 299 00:20:31,835 --> 00:20:34,835 EXCUSE ME, LAURA. JOHN. I'M GONNA GET YOU A RIDE. OKAY? 300 00:20:34,868 --> 00:20:38,335 A CHILD'S BODY'S BEEN FOUND NEAR WHERE THE WENTZ BOY DISAPPEARED. 301 00:20:38,368 --> 00:20:40,802 SIPOWICZ AND MARTINEZ ARE ON THEIR WAY OVER THERE. 302 00:20:40,835 --> 00:20:43,202 OKAY. 303 00:20:46,035 --> 00:20:48,902 I, UH‐‐ I GOT A LOT GOING RIGHT NOW. YOU GOT MY BEEPER, RIGHT? 304 00:20:48,935 --> 00:20:51,902 YEAH, I'VE GOT IT. OKAY. 'CAUSE, UH, YOU KNOW, 305 00:20:51,935 --> 00:20:54,535 IF YOU GET INTO TROUBLE, I WANT YOU TO GIVE ME A CALL. 306 00:20:54,568 --> 00:20:56,668 I REALLY THINK I'M GOING TO BE OKAY. 307 00:20:56,702 --> 00:20:58,868 OKAY. WELL, YOU MAY FEEL OKAY NOW. YOU MAY NOT LATER. 308 00:20:58,902 --> 00:21:00,968 POINT TAKEN, JOHN. OKAY? 309 00:21:01,002 --> 00:21:03,302 SO, YOU GOT THE BEEPER. THIS IS YOUR MAN. 310 00:21:03,335 --> 00:21:08,335 MA'AM. UH, AND USE IT LATER IF YOU NEED TO. OKAY? 311 00:21:08,368 --> 00:21:11,435 I'LL BE AROUND, ALL RIGHT? TAKE CARE. 312 00:21:16,202 --> 00:21:18,235 HOW'S SHE DOING? I DON'T KNOW. 313 00:21:18,268 --> 00:21:20,402 WE'LL HAVE TO SEE. IT'S AWFUL SHE HAD TO SEE THAT. 314 00:21:20,435 --> 00:21:24,335 YEAH. YEAH, I GOTTA GET UPSTAIRS TO GET MY JACKET. 315 00:21:24,368 --> 00:21:27,635 THEY, UH‐‐ THEY FOUND A KID. OKAY. 316 00:21:27,668 --> 00:21:30,402 AM I GONNA SEE YOU TONIGHT? UH, I DON'T‐‐ I DON'T KNOW. 317 00:21:30,435 --> 00:21:32,668 I DON'T KNOW IF TONIGHT'S GONNA BE GOOD. LAST NIGHT WAS PRETTY GOOD. 318 00:21:50,668 --> 00:21:52,368 STEP RIGHT HERE. [ MAN ] GET YOUR GLOVES. 319 00:21:57,235 --> 00:21:59,302 THANKS. 320 00:21:59,335 --> 00:22:01,068 [ POLICE RADIO CHATTER ] 321 00:22:03,235 --> 00:22:07,168 WHAT DO WE GOT? LOOKS LIKE SEXUAL ASSAULT. STRANGULATION. 322 00:22:07,202 --> 00:22:11,202 ‐ [ POLICE RADIO CHATTER ] ‐ OH, GOD, I KNEW IT. I KNEW IT. 323 00:22:14,868 --> 00:22:16,902 LOOK AT THAT. HE COULD SEE HIS HOUSE. 324 00:22:16,935 --> 00:22:21,535 LOOK AT THAT, JOHN. THE KID DIED LOOKIN' AT HIS HOUSE. 325 00:22:21,568 --> 00:22:25,235 [ CAMERA LENSES CLICKING ] [ HELICOPTER WHIRRING ] 326 00:22:40,902 --> 00:22:42,968 DETECTIVES. 327 00:22:43,002 --> 00:22:44,902 COULD WE COME IN, MR. WENTZ? 328 00:22:44,935 --> 00:22:46,735 PLEASE. GO AHEAD. 329 00:22:56,402 --> 00:22:58,335 DO YOU HAVE NEWS FOR US? 330 00:22:58,368 --> 00:23:00,535 [ KELLY ] YEAH. 331 00:23:00,568 --> 00:23:04,168 I WISH THERE WAS A WAY TO SAY THIS THAT WOULDN'T HURT YOU, MR. WENTZ. 332 00:23:09,702 --> 00:23:12,102 WE FOUND A BODY SIMILAR TO THE DESCRIPTION OF YOUR SON. 333 00:23:15,702 --> 00:23:19,302 WE'D LIKE YOU TO COME WITH US TO THE MEDICAL EXAMINER'S OFFICE AND CLEAR UP THE IDENTIFICATION. 334 00:23:19,335 --> 00:23:21,568 IS IT RUDY? IS IT OUR BOY? 335 00:23:21,602 --> 00:23:25,202 [ KELLY ] WELL, WE DON'T KNOW FOR CERTAIN. THAT'S WHY WE NEED YOU TO COME DOWN WITH US. 336 00:23:25,235 --> 00:23:27,035 [ SPEAKING POLISH ] 337 00:23:42,035 --> 00:23:46,702 [ BOTH SPEAKING POLISH ] 338 00:23:56,402 --> 00:23:58,235 [ SOBBING ] 339 00:24:13,868 --> 00:24:16,068 [ SIPOWICZ ] WHEN I KNOCK ON THE GLASS, THE BLIND WILL OPEN. 340 00:24:16,102 --> 00:24:19,068 ALL YOU'LL SEE IS THE FACE. 341 00:24:19,102 --> 00:24:22,035 BUT IT MAY NOT BE MY BOY. IT MAY NOT BE. 342 00:24:24,035 --> 00:24:26,802 BUT YOU SHOULD PREPARE YOURSELF FOR THE POSSIBILITY THAT IT IS. 343 00:24:26,835 --> 00:24:31,135 YOU SAID YOURSELF THAT MANY BOYS, UH‐‐ MANY CHILDREN RUN AWAY. 344 00:24:31,168 --> 00:24:32,935 IS THAT NOT SO? 345 00:24:38,202 --> 00:24:39,935 ARE YOU READY, MR. WENTZ? 346 00:24:52,402 --> 00:24:54,235 [ EXHALES ] 347 00:25:46,735 --> 00:25:48,902 GIVE 'EM A CALL. TELL THEM I'M ON MY WAY. 348 00:25:48,935 --> 00:25:50,702 [ MAN ] OKAY, LIEUTENANT. 349 00:25:52,702 --> 00:25:55,302 UH, THIS GUY YOU'RE LOOKING FOR‐‐ FREDDY. YEAH, WHAT DO YOU GOT? 350 00:25:55,335 --> 00:25:58,368 TWO DIFFERENT SIGHTINGS AT THE BUS TERMINAL ABOUT AN HOUR AGO. 351 00:25:58,402 --> 00:26:00,635 THE PORT AUTHORITY COPS HAVE BEEN OVER THE AREA AND HE'S NOT THERE NOW. 352 00:26:00,668 --> 00:26:02,735 ANYBODY ACTUALLY SEE HIM GET ON THE BUS? NO. 353 00:26:02,768 --> 00:26:05,235 BUT THERE'LL BE COPS WAITING AT EVERY DESTINATION POINT... 354 00:26:05,268 --> 00:26:09,235 FOR EVERY BUS THAT LEFT DURING THAT PERIOD. WHERE YOU GOING? 355 00:26:09,268 --> 00:26:12,802 TO LOOK FOR THIS SICK BASTARD. IF I STAY HERE, MY BRAINS ARE GONNA BLOW OUT OF MY EARS. 356 00:26:12,835 --> 00:26:14,802 THEY GOT THE NEIGHBORHOOD BLANKETED IN CASE HE COMES BACK. 357 00:26:14,835 --> 00:26:17,202 COME ON, KELLY. HE'S NOT CLIMBING ANY OF THESE ROPES. 358 00:26:17,235 --> 00:26:21,002 THEY CAN FORGET LOOKING IN THOSE NIT FARMS. THIS ASSHOLE KNOWS HE DID A BAD THING. 359 00:26:21,035 --> 00:26:23,868 ‐ WHERE YOU GONNA LOOK? ‐ I DON'T KNOW. I'LL HELP THE PORT AUTHORITY COPS. 360 00:26:23,902 --> 00:26:26,335 ‐ YOU GOT A BETTER IDEA? ‐ I'M A SERIOUS PERSON. ‐ SO AM I, LOU. 361 00:26:26,368 --> 00:26:28,502 I TOLD MYSELF WHEN GIARDELLA GOT HIS, 362 00:26:28,535 --> 00:26:31,468 IT WOULD BE ONE OF THE HAPPIEST DAYS OF MY LIFE, SO FAR I'M NOT LAUGHIN'. 363 00:26:31,502 --> 00:26:34,468 ‐ LOU! ‐ LOOK. LON CHANEY JR. 364 00:26:34,502 --> 00:26:38,068 WHY CAN'T I MAKE YOU UNDERSTAND? WHY CAN'T I MAKE HIM UNDERSTAND? 365 00:26:38,102 --> 00:26:40,502 I UNDERSTAND, LOU. YOU DID IT. JIMMY HOFFA. 366 00:26:40,535 --> 00:26:43,502 MALCOLM X. SONNY CORLEONE. YOU'RE GUILTY. YOU DID IT ALL. 367 00:26:43,535 --> 00:26:47,135 BUT I STILL GOT NO ROOM. I DIDN'T DO ANY OF THOSE THINGS! 368 00:26:47,168 --> 00:26:50,568 I COMMITTED A CRIME UNDER THE BRIDGE! 369 00:26:50,602 --> 00:26:54,635 PLEASE, YOU HAVE TO LISTEN TO ME. IT REALLY HAPPENED! 370 00:26:54,668 --> 00:26:57,068 [ KELLY ] WHAT'S GOING ON, LOU? MURDER. I DID IT. 371 00:26:57,102 --> 00:27:00,102 ALL RIGHT. I'LL LISTEN TO HIM. 372 00:27:02,268 --> 00:27:04,002 [ KELLY ] LET'S GO UPSTAIRS, LOU. 373 00:27:07,002 --> 00:27:10,068 I WAS DENNED UP. 374 00:27:10,102 --> 00:27:12,702 THEN I CAUGHT THIS VERY AGGRESSIVE SMELL. 375 00:27:12,735 --> 00:27:16,702 IT WAS COMING OFF OF THIS GUY. WHAT HAPPENED? 376 00:27:16,735 --> 00:27:21,168 OH, GOD. IT'S ALL MIXED UP. 377 00:27:21,202 --> 00:27:24,535 WHEN I'M A WEREWOLF, I DON'T THINK I HAVE A TEMPER. 378 00:27:24,568 --> 00:27:27,002 I'M BEAST! I'M FURY! 379 00:27:28,835 --> 00:27:31,635 AND‐‐ BUT... WHEN I CAUGHT A WHIFF OF THIS GUY, 380 00:27:31,668 --> 00:27:34,235 NEXT THING I KNOW I'M ON TOP OF HIM, I CUT HIM DOWN. 381 00:27:34,268 --> 00:27:36,668 THE SON OF A BITCH DIDN'T EVEN HAVE A CHANCE. 382 00:27:36,702 --> 00:27:38,402 DID YOU PUT A NAME TO THIS GUY? 383 00:27:39,702 --> 00:27:41,635 YEAH, THEY CALLED HIM C‐NOTE. 384 00:27:41,668 --> 00:27:45,635 HE WAS A NICKEL‐PIECE DEALER. 385 00:27:45,668 --> 00:27:50,135 AND THE DAY BEFORE I TOLD HIM. I SAID, "STAY OFF OF MY TURF!" 386 00:27:50,168 --> 00:27:51,935 AND HE DEFIED ME. 387 00:27:54,902 --> 00:27:57,002 SO, GOD HELP ME, I CUT HIM DOWN. 388 00:27:57,035 --> 00:27:59,335 AND HE WAS KILLED, THIS GUY. 389 00:27:59,368 --> 00:28:03,468 YEAH. WAIT TILL YOU SEE THE REPORT. YOU'LL SEE THE PICTURES. 390 00:28:03,502 --> 00:28:05,268 WHERE'S THE BODY, LOU? 391 00:28:09,035 --> 00:28:10,835 IT'S UNDER THE BRIDGE. 392 00:28:12,402 --> 00:28:14,368 I BROUGHT THE MURDER WEAPON. 393 00:28:15,902 --> 00:28:18,068 I WANT YOU TO KNOW I REGRET WHAT I DID, 394 00:28:18,102 --> 00:28:20,502 AND I'M ASHAMED OF EVERYTHING INSIDE OF ME. 395 00:28:30,735 --> 00:28:34,068 YOU GOT THE MURDER WEAPON? YEAH. 396 00:28:34,102 --> 00:28:36,335 LOU, YOU'RE DESCRIBING A VICIOUS MURDER. 397 00:28:36,368 --> 00:28:40,268 OH, I'M‐‐ I'M TERRIFIED BY MY OWN CAPACITIES AT SUCH TIMES. 398 00:28:42,402 --> 00:28:45,235 WHY DID YOU USE THE WEAPON AND NOT TEAR HIM APART WITH YOUR TEETH? 399 00:28:45,268 --> 00:28:48,168 HEY, LOOK. I CAME IN HERE, AND I ADMITTED WHAT I DID, OKAY? 400 00:28:48,202 --> 00:28:50,835 YOU CAN'T MAKE ME GO OVER IT IN MY HEAD ALL THE TIME. 401 00:28:50,868 --> 00:28:53,502 I CAN'T BE THINKIN' ABOUT IT ALL THE TIME. 402 00:28:53,535 --> 00:28:57,302 LET ME JUST ASK YOU A COUPLE OF MORE QUESTIONS, OKAY? 403 00:28:57,335 --> 00:29:00,035 DID THIS GUY TRY AND PROTECT HIMSELF? 404 00:29:02,668 --> 00:29:04,902 HUH, LOU? HE TRIED. 405 00:29:04,935 --> 00:29:08,835 BUT YOU JUST KEPT SLASHING, CUTTING INTO HIS CLOTHES, HIS FLESH, HIS TENDONS. 406 00:29:08,868 --> 00:29:12,368 WAS HE SCREAMIN'? LOU, THERE MUST HAVE BEEN A LOT OF BLOOD. 407 00:29:12,402 --> 00:29:16,235 NO? HUH? SOAKIN' HIS CLOTHES, POURIN' OUT ALL OVER THE PLACE. 408 00:29:16,268 --> 00:29:19,902 WAS IT SPILLIN' OUT ON YOU, LOU? WAS HE BEGGING FOR HIS LIFE? HE WAS BEGGING. 409 00:29:19,935 --> 00:29:23,968 I THINK WE'RE TALKIN' ABOUT TWO DRUG DEALERS FIGHTIN' OVER A PIECE OF TURF. 410 00:29:24,002 --> 00:29:26,168 ONE STABBED THE OTHER. THAT WAS HORRIBLE. 411 00:29:26,202 --> 00:29:28,902 YOU DIDN'T DO IT, BUT YOU SAW IT, RIGHT, LOU? 412 00:29:28,935 --> 00:29:31,835 LOU, LOOK AT ME. LOOK AT ME! I CAN'T! 413 00:29:31,868 --> 00:29:36,702 COME ON, LOU. YOU ARE A ROUGH WOLF, BUT A MAN DID THIS. 414 00:29:36,735 --> 00:29:39,635 LOU, A MAN DID THIS, WHO NEEDS TO BE IN JAIL. AM I RIGHT? 415 00:29:39,668 --> 00:29:41,868 [ WHIMPERING ] LOU. TALK TO ME, LOU. 416 00:29:43,568 --> 00:29:47,902 LOU! I SAW IT. 417 00:29:47,935 --> 00:29:49,935 THERE WERE TWO DEALERS THERE TOO. 418 00:29:52,868 --> 00:29:55,035 AND THE ONE GUY SAID TO THE OTHER GUY, 419 00:29:57,035 --> 00:30:00,735 "YOU BETTER HAVE THE MONEY BY 5:00, OR I'LL‐‐" 420 00:30:06,168 --> 00:30:10,802 AND HE DIDN'T HAVE THE MONEY. AND BEFORE I KNEW IT, THE GUY WAS STABBING HIM. 421 00:30:10,835 --> 00:30:13,068 [ SOBBING ] 422 00:30:15,868 --> 00:30:18,335 AND I KNEW SOMETHING WAS GOING TO HAPPEN. 423 00:30:18,368 --> 00:30:21,302 I TRIED TO TELL YOU THAT SOMETHING WAS GONNA HAPPEN. 424 00:30:21,335 --> 00:30:24,802 BUT I‐‐ I WAS TOO CRAZY. I‐‐ 425 00:30:24,835 --> 00:30:26,702 [ SOBBING ] 426 00:30:30,102 --> 00:30:33,402 OKAY. YOU DID THE BEST YOU COULD. 427 00:30:35,202 --> 00:30:38,068 YOU THINK YOU COULD IDENTIFY THEM IN A PICTURE? 428 00:30:38,102 --> 00:30:40,368 YEAH. 429 00:30:40,402 --> 00:30:42,202 AND HIS SMELL TOO. 430 00:30:43,935 --> 00:30:47,468 I'LL HELP YOU HOWEVER I CAN. HOWEVER I CAN. 431 00:30:47,502 --> 00:30:49,368 I KNOW. 432 00:30:53,268 --> 00:30:56,468 GOOD BOY. GOOD BOY, LOU. 433 00:30:56,502 --> 00:30:58,368 ATTA BOY. 434 00:31:06,602 --> 00:31:09,635 MARTINEZ, VOUCHER THIS, GET IT UP TO THE LAB, YEAH. 435 00:31:09,668 --> 00:31:12,168 AND GET THIS GUY UP TO NARCOTICS, GET A LOOK AT SOME PHOTOGRAPHS. 436 00:31:12,202 --> 00:31:14,202 SEE IF HE RECOGNIZES ANYBODY. OKAY. 437 00:31:14,235 --> 00:31:16,335 YOU KNOW HIS STORY? I'VE SEEN HIM IN THE STATION. 438 00:31:16,368 --> 00:31:19,835 OKAY. I'M GOING OVER TO HIS PLACE BY THE BRIDGE. ALL RIGHT. LOU, COME HERE. 439 00:31:19,868 --> 00:31:22,035 WORK WITH OFFICER MARTINEZ, ALL RIGHT? 440 00:31:22,068 --> 00:31:24,468 AND I'LL TALK TO YOU LATER. ALL RIGHT? 441 00:31:24,502 --> 00:31:26,868 YEAH. LET'S GO UPSTAIRS. 442 00:31:26,902 --> 00:31:29,402 SO, UH, WHAT DO YOU LIKE TO BE CALLED? MR. WOLF? 443 00:32:30,502 --> 00:32:33,002 ‐ [ PATTY GASPS ] ‐ THE DOOR WAS OPEN. 444 00:32:33,035 --> 00:32:36,702 YOU'RE IN THE WRONG ROOM. ARE YOU STUPID OR SOMETHING? 445 00:32:36,735 --> 00:32:39,335 ‐ YOU PROBABLY THINK I'M A LOOKY‐LOO. ‐ JUST LEAVE, HEAR ME? 446 00:32:39,368 --> 00:32:42,168 THAT WAY THERE WON'T BE ANY TROUBLE. I CAME TO SEE THE GIRL THERE. 447 00:32:42,202 --> 00:32:45,002 I DON'T KNOW WHO YOU ARE. I'M ANDY'S FATHER. 448 00:32:45,035 --> 00:32:47,068 MAYBE I SHOULD HAVE CALLED FIRST? ANDY. 449 00:32:47,102 --> 00:32:49,802 YEAH, YOU SEE, IT'S BEEN A LOUSY DAY. 450 00:32:49,835 --> 00:32:53,535 I THOUGHT I MIGHT BRIGHTEN IT UP WITH A GET‐ACQUAINTED CALL ON MY SON'S FIANCÉE. 451 00:32:53,568 --> 00:32:57,202 OH, MY GOD. MR. SIPOWICZ. 452 00:32:57,235 --> 00:32:59,235 I CAN IMAGINE WHAT YOU'RE THINKING. 453 00:32:59,268 --> 00:33:01,435 I WAS THINKING YOU MIGHT WANNA PUT SOME PANTIES ON. 454 00:33:03,402 --> 00:33:06,702 I'VE BEEN SO LOOKING FORWARD TO MEETING YOU. 455 00:33:06,735 --> 00:33:11,002 ANDY'S TOLD ME SO MUCH ABOUT YOU. 456 00:33:11,035 --> 00:33:14,902 THIS LOOKS BAD, DOESN'T IT? YOU GENERALLY WEAR A BRA? 457 00:33:14,935 --> 00:33:18,502 I WANT YOU TO BE CLEAR THIS IS NOT WHAT IT LOOKS LIKE HERE ON THE SURFACE. 458 00:33:18,535 --> 00:33:21,635 THIS IS SUPPOSED TO BE OUR LAST MEETING. SAY GOOD‐BYE FOREVER. 459 00:33:21,668 --> 00:33:24,635 PATTY STARTED CRYING. I WAS CRYING. I TOOK HER IN MY ARMS. 460 00:33:24,668 --> 00:33:28,202 SEE, WHAT WE HAD‐‐ KEVIN AND I‐‐ IT'S OVER. 461 00:33:28,235 --> 00:33:32,835 [ CLEARS THROAT ] YOU SEE, I'VE COME TO REALIZE... 462 00:33:32,868 --> 00:33:34,802 JUST HOW MUCH I LOVE YOUR SON. 463 00:33:34,835 --> 00:33:38,235 MY LONELINESS... 464 00:33:38,268 --> 00:33:42,002 AND MY AFFECTION FOR KEVIN, IT BROUGHT US TOGETHER. 465 00:33:42,035 --> 00:33:44,468 BUT IT'S NOT ENOUGH TO KEEP US TOGETHER. 466 00:33:44,502 --> 00:33:46,535 NOT ALONGSIDE HOW I FEEL ABOUT ANDY. 467 00:33:46,568 --> 00:33:49,902 I THINK UNDER THE CIRCUMSTANCES IT MIGHT BE BEST FOR ME TO LEAVE. 468 00:33:49,935 --> 00:33:54,202 HEY, LOOK. I DON'T KNOW, UH‐‐ I DON'T KNOW IF YOU RENT THIS ROOM BY THE HOUR OR WHAT, 469 00:33:54,235 --> 00:33:57,235 BUT WHAT I GOTTA SAY WON'T TAKE LONG, SO YOU JUST STICK AROUND. 470 00:33:57,268 --> 00:34:01,135 IT'S, UM‐‐ IT'S GETTIN'‐‐ IT'S GETTIN' KINDA LATE. I SHOULD BE GETTING HOME ANYWAY. 471 00:34:01,168 --> 00:34:05,368 I THINK YOU BETTER STICK AROUND. YOU SEE, PATTY'S ENGAGEMENT JUST BROKE UP. 472 00:34:05,402 --> 00:34:08,468 NOW, SHE MIGHT NEED SOME OLDER, MORE EXPERIENCED GUY LIKE YOU... 473 00:34:08,502 --> 00:34:12,302 TO‐‐ TO HELP COMFORT HER WHEN SHE FACES UNFAMILIAR EMOTIONS, SEE? 474 00:34:12,335 --> 00:34:16,902 I'VE HAD A PRETTY UNHAPPY LIFE AND I'VE MADE SOME MISTAKES. 475 00:34:16,935 --> 00:34:20,568 THIS MAY BE ONE OF THE BIGGEST. BUT TRY TO UNDERSTAND. 476 00:34:20,602 --> 00:34:23,068 ONCE ANDY AND I GET SETTLED INTO OUR OWN PLACE, 477 00:34:23,102 --> 00:34:26,068 ‐ I KNOW I'LL BE A GOOD WIFE TO HIM. ‐ [ SCOFFS ] 478 00:34:26,102 --> 00:34:29,802 THIS PART OF MY LIFE IS OVER. 479 00:34:29,835 --> 00:34:32,068 I'M FOUR MONTHS' PREGNANT. 480 00:34:32,102 --> 00:34:37,135 YOU'VE BEEN SEEING ANDY FOR THE LAST THREE MONTHS NOW, SO LET'S PRETEND WE'RE GROWN‐UP. 481 00:34:37,168 --> 00:34:39,635 IS THAT SO IMPORTANT WHEN TWO PEOPLE CARE FOR EACH OTHER? 482 00:34:39,668 --> 00:34:42,302 YEAH, IT IS. SO, YOU'RE GONNA TELL ANDY... 483 00:34:42,335 --> 00:34:44,802 WHATEVER YOU NEED TO TELL HIM TO CUT HIM LOOSE. 484 00:34:44,835 --> 00:34:46,868 YOU DON'T KNOW WHAT YOU ARE ASKING ME TO DO. 485 00:34:46,902 --> 00:34:49,635 I'M NOT ASKIN'. IT'S HOW IT'S GONNA BE. 486 00:34:49,668 --> 00:34:53,135 OR ELSE I'M GONNA SEE WHAT KIND OF PARENTS YOU HAVE, THEN I'M GONNA SEE HIS WIFE. 487 00:34:53,168 --> 00:34:56,202 AND IF THINGS DON'T GET STRAIGHTENED OUT THAT WAY, THEN I'M GONNA HAVE TO GET SERIOUS. 488 00:34:56,235 --> 00:34:58,235 LET'S BE RATIONAL ABOUT THIS. SHUT UP! 489 00:35:02,168 --> 00:35:06,402 I'M GONNA NEED SOME MONEY. I MADE PLANS. 490 00:35:12,002 --> 00:35:14,468 HERE'S 700 BUCKS. 491 00:35:14,502 --> 00:35:17,068 I DON'T WANNA HEAR HOW YOU'RE GONNA SPEND IT. 492 00:35:33,263 --> 00:35:35,263 ARE YOU THE SARGE? WE PICKED THIS GUY UP... YEAH. 493 00:35:35,296 --> 00:35:37,263 AT THE PORT AUTHORITY OFF A BUS FROM HACKENSACK. 494 00:35:37,296 --> 00:35:39,030 YOUR DETECTIVE SQUAD WANTS TO TALK TO HIM ABOUT A CASE. 495 00:35:41,196 --> 00:35:44,963 ‐ GIMME SIPOWICZ. ‐ [ SIREN WAILING IN DISTANCE ] 496 00:35:46,663 --> 00:35:49,063 YOU WANNA HELP ME WITH THIS THING, FREDDY, DON'T YA? 497 00:35:49,096 --> 00:35:52,896 ‐ YES. ‐ PUT YOURSELF IN THIS BOY'S PARENTS' PLACE. 498 00:35:52,930 --> 00:35:56,296 ‐ YOU CAN IMAGINE HOW THEY'RE FEELING. ‐ SURE. 499 00:35:58,430 --> 00:36:00,996 KIDS IN THE NEIGHBORHOOD SAY YOU HANG AROUND WITH THEM? 500 00:36:01,030 --> 00:36:04,996 OH, I'M JUST FRIENDS WITH A LOT OF THEM, YOU KNOW. 501 00:36:10,263 --> 00:36:12,496 FREDDY, WE'RE GONNA TAKE YOUR FINGERPRINTS. 502 00:36:12,530 --> 00:36:17,063 AND WE'RE GONNA COMPARE 'EM WITH THE FINGERPRINTS WE TOOK OFF THAT BOY'S BODY. 503 00:36:17,096 --> 00:36:19,463 AND IF THEY MATCH UP, IT'S ALL OVER FOR YOU. 504 00:36:19,496 --> 00:36:21,496 I'M JUST FRIENDS WITH THEM. 505 00:36:24,030 --> 00:36:25,763 WERE YOU DRINKING YESTERDAY, FREDDY? 506 00:36:27,763 --> 00:36:30,163 I DRANK SOME BEER. 507 00:36:30,196 --> 00:36:33,230 DO YOU GET URGES WHEN YOU'RE DRINKIN' AND FEELINGS OVERCOME YOU? 508 00:36:33,263 --> 00:36:35,430 I'M JUST FRIENDS. 509 00:36:37,196 --> 00:36:40,930 FREDDY, DID YOU HAVE SEX ON THAT BOY? 510 00:36:40,963 --> 00:36:42,963 AND THEN YOU DIDN'T WANT HIM TO TALK. 511 00:36:42,996 --> 00:36:45,996 IS THAT WHAT HAPPENED YESTERDAY? 512 00:36:46,030 --> 00:36:49,763 WE ONLY TALKED ABOUT POLAND. HE'S FROM POLAND, YOU KNOW. 513 00:36:49,796 --> 00:36:54,130 AND I WANTED HIM TO DRINK SOME BEER, BUT HE DIDN'T LIKE IT. 514 00:36:54,163 --> 00:36:57,263 AND I TOLD HIM YOU NEVER LIKE IT AT FIRST. 515 00:36:58,530 --> 00:37:01,730 DID YOU MAKE HIM DRINK IT? 516 00:37:01,763 --> 00:37:05,563 I‐I ONLY MADE HIM DRINK IT TILL HE PASSED OUT, LIKE, 517 00:37:05,596 --> 00:37:08,130 AND, UM, HIS EYES CLOSED. 518 00:37:08,163 --> 00:37:12,996 I KNOW THIS HAS GOTTA BE TEARING YOU UP INSIDE, 519 00:37:13,030 --> 00:37:15,463 BUT YOU'RE GONNA FEEL A LOT BETTER IF YOU JUST TELL THE TRUTH. 520 00:37:19,796 --> 00:37:21,830 DID YOU HAVE SEX ON HIM? 521 00:37:21,863 --> 00:37:24,563 [ BREATHING HEAVILY ] 522 00:37:24,596 --> 00:37:27,363 HE‐‐ 523 00:37:28,630 --> 00:37:30,596 YEAH? 524 00:37:30,630 --> 00:37:34,896 YEAH. UM, I‐‐ 525 00:37:34,930 --> 00:37:37,296 I‐‐ HE OPENED HIS EYES, 526 00:37:37,330 --> 00:37:41,230 AND HE‐‐ HE STARTED CRYING. 527 00:37:41,263 --> 00:37:44,296 AND THEN HE‐‐ HE STARTED SCREAMIN'. 528 00:37:44,330 --> 00:37:47,730 I‐I PUT MY HANDS ON HIS NECK... 529 00:37:47,763 --> 00:37:49,996 TO KEEP HIM FROM SCREAMING. 530 00:37:50,030 --> 00:37:55,130 AND THAT'S WHEN I KNEW THAT HE WAS GONNA TELL. 531 00:37:55,163 --> 00:37:59,096 [ BREATHING HEAVILY ] 532 00:37:59,130 --> 00:38:01,896 I KNOW I GOT A PROBLEM. 533 00:38:01,930 --> 00:38:04,696 I SHOULD GET TREATMENT, HUH? 534 00:38:12,196 --> 00:38:14,463 [ PHONE RINGING ] 535 00:38:14,496 --> 00:38:16,163 [ MARTINEZ ] THE LINEUP'S SET, DETECTIVE. 536 00:38:18,930 --> 00:38:20,996 ‐ GET HIM. ‐ RIGHT, DETECTIVE. 537 00:38:32,463 --> 00:38:36,396 [ GRUNTING ] 538 00:38:36,430 --> 00:38:38,196 [ BREATHING HEAVILY ] 539 00:38:52,296 --> 00:38:54,163 [ KELLY ] LOU, THERE'S SIX GUYS IN THERE WITH NUMBERS ON. 540 00:38:54,196 --> 00:38:57,463 [ GROANS ] TAKE IT EASY. 541 00:38:57,496 --> 00:39:02,296 I WANT YOU TO LOOK IN THERE. IF YOU RECOGNIZE ANYBODY, YOU TELL ME HIS NUMBER, OKAY? 542 00:39:02,330 --> 00:39:04,630 GO AHEAD. 543 00:39:13,830 --> 00:39:16,030 [ KELLY ] DO YOU RECOGNIZE ANYBODY, LOU? 544 00:39:20,996 --> 00:39:23,396 NUMBER ONE. 545 00:39:23,430 --> 00:39:25,096 [ KELLY ] WHERE DO YOU KNOW NUMBER ONE FROM? 546 00:39:27,263 --> 00:39:31,730 UNDER THE BRIDGE. HE'S THE GUY THAT KILLED THE OTHER GUY. 547 00:39:31,763 --> 00:39:34,263 YOU'RE CERTAIN? 548 00:39:34,296 --> 00:39:38,130 YOU'LL SAY THIS ON A STAND WHEN I ASK YOU IF THIS SHOULD COME TO TRIAL? 549 00:39:38,163 --> 00:39:39,996 GO AHEAD, LOU. 550 00:39:42,696 --> 00:39:44,630 NUMBER ONE. 551 00:39:49,163 --> 00:39:52,563 YOU'VE GIVEN ME AN EYEWITNESS AND A MURDER WEAPON. PLUS, WE GOT THE LAB REPORT. 552 00:39:52,596 --> 00:39:56,296 WE CAN TRY AND DIG SOMETHING UP IN THE DRUG RELATIONSHIP BETWEEN THIS GUY AND THE VICTIM. 553 00:39:56,330 --> 00:39:58,463 NORMALLY, I WOULD BE VERY HAPPY WITH THE PACKAGE, 554 00:39:58,496 --> 00:40:02,163 BUT IN THIS INSTANCE, I AM A LITTLE CONCERNED. IN THE AREA OF? 555 00:40:02,196 --> 00:40:06,296 DOES IT NEED SAYING, DET. KELLY? MY CHIEF WITNESS THINKS THAT HE IS A FURRY CARNIVORE. 556 00:40:06,330 --> 00:40:08,330 OKAY, LET ME TELL YOU SOMETHING ABOUT LOUIE. 557 00:40:08,363 --> 00:40:11,130 ‐ HE HAS HIS WAYS, BUT DOWN DEEP‐‐ ‐ HE'S A STAND‐UP WOLF. 558 00:40:12,430 --> 00:40:14,296 YOU GOT THE HOUSING AUTHORIZATION? 559 00:40:14,330 --> 00:40:16,163 YEAH. THANK YOU. 560 00:40:19,530 --> 00:40:21,630 IT'S GONNA BE SAFE LIVING UNDER THE BRIDGE NOW. 561 00:40:21,663 --> 00:40:23,630 LIVIN' UNDER THE BRIDGE AIN'T GONNA MAKE IT, LOU. 562 00:40:23,663 --> 00:40:26,130 HERE'S $50. GO TO THE "Y" AND GET CLEANED UP. 563 00:40:26,163 --> 00:40:28,763 AND THEN GO TO AN ARMY/NAVY STORE AND GET SOME NEW CLOTHES, OKAY? 564 00:40:28,796 --> 00:40:31,096 DO YOU KNOW WHERE THE COLLINGWOOD ARMS IS? 565 00:40:31,130 --> 00:40:33,563 OKAY, THE D. A. IS GONNA HAVE YOU STAY THERE FOR A WHILE. 566 00:40:33,596 --> 00:40:36,296 A BIG WOLF GRATITUDE. [ COOING ] 567 00:40:36,330 --> 00:40:38,830 YOUR OWN LAIR, LOU. GO AHEAD. TAKE HIM. 568 00:40:40,596 --> 00:40:42,396 [ MARTINEZ ] ALL RIGHT, LOU. YOU ALL RIGHT, MAN? 569 00:40:42,430 --> 00:40:44,563 YEAH. UH, FREDDY SIGNED. 570 00:40:44,596 --> 00:40:46,730 YEAH. YOU WANT ME TO GO OVER AND TELL THE PARENTS? 571 00:40:46,763 --> 00:40:48,496 WE'LL GO TOGETHER. ALL RIGHT. 572 00:40:49,996 --> 00:40:51,996 HEY. GIVE ME A MINUTE? 573 00:40:54,296 --> 00:40:56,630 CALLED YOUR HOUSE LAST NIGHT. YOU DIDN'T PICK UP. 574 00:40:56,663 --> 00:41:00,796 YEAH, I WAS WITH MY EX‐WIFE. YEAH, THAT'S WHAT I FIGURED. 575 00:41:00,830 --> 00:41:03,263 ANYTHING ELSE YOU WANNA ASK ME? 576 00:41:03,296 --> 00:41:05,396 DID YOU SLEEP WITH HER? NO. 577 00:41:05,430 --> 00:41:08,230 THAT'S NOT WHAT IT WAS ABOUT. IT IS OVER BETWEEN ME AND HER. 578 00:41:08,263 --> 00:41:11,096 ALL RIGHT. 579 00:41:11,130 --> 00:41:13,596 BUT I'D LIKE TO SEE YOU TONIGHT. 580 00:41:13,630 --> 00:41:17,196 ‐ ALL RIGHT. ‐ CALL YOU LATER? 581 00:41:41,596 --> 00:41:43,496 HELLO, DETECTIVES. 582 00:41:43,530 --> 00:41:45,363 HI, MR. WENTZ. 583 00:41:46,930 --> 00:41:49,796 CAME BY TO TELL YOU... THAT WE ARRESTED SOMEONE... 584 00:41:49,830 --> 00:41:52,263 FOR WHAT THEY DID TO YOUR SON, AND WE GOT A FULL CONFESSION. 585 00:41:52,296 --> 00:41:54,263 RUDOLF, SHOW THEM! 586 00:41:55,930 --> 00:41:58,330 DETECTIVES, PLEASE, COME! 587 00:41:58,363 --> 00:42:00,163 WOULD YOU MIND? 588 00:42:04,663 --> 00:42:07,330 SHE'S BEEN THERE ALL DAY. SHE'S VERY UPSET. 589 00:42:09,163 --> 00:42:12,663 [ THUNDER RUMBLING ] 590 00:42:14,596 --> 00:42:17,096 AT THE TOP OF THE BUILDING, DO YOU SEE THAT? 591 00:42:17,130 --> 00:42:20,630 ‐ [ SIPOWICZ ] SEE WHAT, MRS. WENTZ? ‐ THAT WHITE BIRD. 592 00:42:20,663 --> 00:42:22,796 IT CAME TO US YESTERDAY. 593 00:42:22,830 --> 00:42:25,330 THE DAY THAT RUDY DIED. 594 00:42:25,363 --> 00:42:27,163 DO YOU SEE IT? 595 00:42:29,030 --> 00:42:31,130 [ KELLY ] YES, MA'AM. 596 00:42:31,163 --> 00:42:34,130 IT HASN'T LEFT THE BUILDING. IT JUST‐‐ IT JUST STAYS THERE. 597 00:42:37,363 --> 00:42:39,130 DO YOU SEE A LIGHT FROM IT? 598 00:42:41,430 --> 00:42:44,130 [ SIGHS ] THERE IS SOMETHING THERE MAYBE. 599 00:42:46,096 --> 00:42:47,863 DO YOU SEE IT TOO? 600 00:42:49,963 --> 00:42:52,296 [ KELLY ] THAT'S A BEAUTIFUL BIRD. 601 00:42:53,763 --> 00:42:57,730 WE BELIEVE‐‐ INGA AND I‐‐ 602 00:42:57,763 --> 00:43:01,163 THAT IT IS RUDY'S SPIRIT. 603 00:43:01,196 --> 00:43:03,763 THAT HE IS STAYING WITH US, YOU SEE. 604 00:43:03,796 --> 00:43:08,530 HE'S COME AS A BIRD, TO LET US KNOW THAT HE IS ALL RIGHT IN HIS SOUL. 605 00:43:11,996 --> 00:43:13,996 I THINK THERE IS A LIGHT THERE COMING OUT OF HIM. 606 00:43:23,096 --> 00:43:24,863 [ THUNDER RUMBLING ] 607 00:43:40,363 --> 00:43:44,163 HI. WANT A BEER? HEY. YEAH. 608 00:43:47,996 --> 00:43:50,663 YOU KNOW WHAT? WAIT AWHILE ON THAT. 609 00:43:50,696 --> 00:43:52,496 WAIT ON‐‐ WAIT ON THAT. 610 00:43:53,930 --> 00:43:56,130 ARE WE, UH‐‐ ARE WE SQUARE ON LAST NIGHT? 611 00:43:56,163 --> 00:43:58,096 YEAH. YEAH, WE'RE SQUARE. YEAH. 612 00:43:58,130 --> 00:44:01,430 ALL RIGHT. BECAUSE, UM, 613 00:44:01,463 --> 00:44:04,330 I WANNA‐‐ I WANNA PUT IN WHATEVER WE HAVE TO... 614 00:44:04,363 --> 00:44:06,396 ON THIS, YOU KNOW THE TWO OF US. 615 00:44:06,430 --> 00:44:09,663 TAKE THIS AS FAR AS WE CAN. OKAY. 616 00:44:09,696 --> 00:44:12,096 YOU UP FOR THAT? YEAH. 617 00:44:12,130 --> 00:44:16,596 I WANNA TRY. YEAH. GOOD. 618 00:44:16,630 --> 00:44:19,130 [ THUNDER RUMBLING ] 619 00:44:19,163 --> 00:44:20,996 [ SIGHS ] 620 00:44:22,363 --> 00:44:24,430 YOU WANNA PIN ME? 621 00:44:24,463 --> 00:44:26,763 GIVE ME YOUR LAVALIERE OR SOMETHING? 622 00:44:40,696 --> 00:44:43,130 GUESS WE'RE TIED, HUH? 623 00:44:45,530 --> 00:44:47,430 YEAH. 624 00:44:49,596 --> 00:44:52,696 YEAH. COME HERE. 625 00:45:27,096 --> 00:45:30,963 WHAT DO YOU WANT? I WANNA TALK TO YOU. 626 00:45:30,996 --> 00:45:34,263 PATTY TOLD ME IT WASN'T MY BABY. 627 00:45:34,296 --> 00:45:37,663 THAT, UH‐‐ THAT SHE WAS GETTING AN ABORTION. 628 00:45:37,696 --> 00:45:40,463 SHE'S NOT GONNA MARRY ME. 629 00:45:40,496 --> 00:45:44,830 SHE DIDN'T SAY I WAS A FOOL, BUT SHE WAS JUST BEING POLITE. 630 00:45:44,863 --> 00:45:47,763 YOU'RE NOT A FOOL. 631 00:45:47,796 --> 00:45:50,096 YOU THINK YOU DID ME A FAVOR, DON'T YOU? 632 00:45:50,130 --> 00:45:52,596 WELL, I LOVED HER. 633 00:45:52,630 --> 00:45:55,230 AND YOU DON'T KNOW WHAT WOULD HAVE HAPPENED DOWN THE ROAD. 634 00:45:55,263 --> 00:45:57,263 AND NOW I'M NEVER GONNA KNOW EITHER. 635 00:45:58,463 --> 00:46:00,463 [ CLEARS THROAT ] 636 00:46:00,496 --> 00:46:02,663 [ THUNDER RUMBLING ] 637 00:46:02,696 --> 00:46:04,430 I'VE BEEN A LOUSY FATHER, ANDY. 638 00:46:06,030 --> 00:46:09,230 [ BELL DINGS ] BUT I ALWAYS LOVED YOU. 639 00:46:09,263 --> 00:46:11,930 AND WHEN I COULD, I ALWAYS TRIED TO LOOK OUT FOR YOU. 640 00:46:11,963 --> 00:46:14,896 YOU THREW A DAMN GRENADE INTO MY LIFE. 641 00:46:14,930 --> 00:46:18,230 IS THAT THE BEST YOU COULD COME UP WITH? 642 00:46:18,263 --> 00:46:22,630 I DON'T KNOW. THERE'S NO RULES IN BEING A FATHER. 643 00:46:24,130 --> 00:46:26,963 I HATE YOU, DAD. 644 00:46:29,463 --> 00:46:32,330 IT'S BETTER YOU SHOULD HATE ME THAN SCREW UP YOUR LIFE. 645 00:46:32,363 --> 00:46:35,630 YOU GOT A LOT OF THINGS TO DO YET. I WANT YOU TO DO 'EM BETTER THAN ME. 646 00:46:35,663 --> 00:46:37,930 [ THUNDER RUMBLING ] 647 00:46:39,430 --> 00:46:41,830 I WANT YOU TO BE A BETTER FATHER THAN ME. 648 00:46:41,863 --> 00:46:44,296 I'M PRETTY CONFIDENT ABOUT THAT. 649 00:46:45,530 --> 00:46:48,430 I AM TOO. 650 00:46:48,463 --> 00:46:50,496 I WISH I WOULD HAVE PREPARED YOU BETTER, ANDY. 651 00:46:50,530 --> 00:46:54,163 I WISH I COULD HAVE THOUGHT OF A BETTER WAY TO HANDLE THIS, BUT I DIDN'T. 652 00:46:56,130 --> 00:46:59,163 I KNOW THAT I LOVE YOU AND THAT I DO THE BEST I CAN. 653 00:47:01,196 --> 00:47:03,596 I GOTTA PRAY THAT THAT'S GONNA BE GOOD ENOUGH. 654 00:47:16,963 --> 00:47:18,763 I'LL SEE YOU AROUND, HUH? 55412

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