Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:34,500 --> 00:00:36,900
Okay. Fran and I drew up
some preliminary figures.
2
00:00:36,960 --> 00:00:40,000
How much? Oh, James,
I only got one store.
3
00:00:40,060 --> 00:00:42,700
You want to expand
into mail order,
this is what it costs.
4
00:00:42,760 --> 00:00:44,300
PAUL: Honey?
What?
5
00:00:44,360 --> 00:00:46,230
Where's my lucky socks?
6
00:00:47,560 --> 00:00:49,160
I'm washing them.
7
00:00:49,230 --> 00:00:51,330
Here, how about
this photographer thing?
Do we really need that?
8
00:00:51,400 --> 00:00:52,730
You what?
9
00:00:52,800 --> 00:00:54,600
They're in the laundry.
It's a catalogue.
You need pictures.
10
00:00:54,660 --> 00:00:56,000
Why?
Why?
11
00:00:56,060 --> 00:00:59,230
Because they were dirty.
Because you do.
12
00:00:59,300 --> 00:01:01,600
Babe, today is the day
I'm supposed to hear
about my grant.
13
00:01:01,660 --> 00:01:03,830
A man needs
his lucky socks.
14
00:01:03,900 --> 00:01:05,630
I could take
the pictures.
15
00:01:05,700 --> 00:01:08,200
Wear my lucky socks.
You can't take the pictures.
Sure I can.
16
00:01:08,260 --> 00:01:09,860
Your lucky socks
are pink.
17
00:01:09,930 --> 00:01:10,800
You know what?
You're giving me a headache.
BOTH: Who?
18
00:01:10,860 --> 00:01:12,330
Both of you.
19
00:01:12,400 --> 00:01:14,660
I just put them
in the dryer.
Oh, jeez.
20
00:01:14,730 --> 00:01:16,500
James, why can't I
take the pictures?
21
00:01:16,560 --> 00:01:19,900
Because you need
a professional.
Okay. But this much?
22
00:01:19,960 --> 00:01:22,260
It's Duvalier.
The dictator?
23
00:01:24,430 --> 00:01:26,030
Yes, he's looking
for work, actually.
24
00:01:26,100 --> 00:01:27,630
The product photographer.
25
00:01:27,700 --> 00:01:29,400
You've been talking
about this all year.
26
00:01:29,460 --> 00:01:30,660
You want it to be right,
don't you?
Yeah, yeah.
27
00:01:30,730 --> 00:01:32,130
I don't know
how I'm gonna pay for it.
28
00:01:32,200 --> 00:01:33,700
Well, if you want to wait,
we should wait.
29
00:01:33,760 --> 00:01:36,360
No. No. No.
Now is the time. I just...
I gotta find a way.
30
00:01:36,430 --> 00:01:38,760
You want some coffee?
If it's free.
31
00:01:40,360 --> 00:01:43,360
I saw Susannah
at school yesterday.
Oh, yeah?
32
00:01:43,430 --> 00:01:45,830
She said things with you two
are pretty...
What?
33
00:01:45,900 --> 00:01:47,400
Nothing, but I'm glad.
34
00:01:49,100 --> 00:01:52,460
Did you find them?
Yeah, they were underneath,
like, a thousand towels.
35
00:01:52,530 --> 00:01:56,230
Ugh. You put his socks in
with my towels?
Oh, get a grip on yourself.
36
00:01:56,300 --> 00:01:58,500
What--What are you doing?
You're bringing over
your dirty towels now?
37
00:01:58,560 --> 00:02:02,130
No. They're not dirty towels.
They're new towels.
You got to wash before use.
38
00:02:02,200 --> 00:02:04,700
You bought new towels?
Yeah, so?
39
00:02:04,760 --> 00:02:08,430
So, Susannah, huh?
40
00:02:08,500 --> 00:02:10,160
Susannah what?
Oh, come on.
41
00:02:10,230 --> 00:02:12,800
You've been wiping your hands
on your pants since 1964.
42
00:02:14,560 --> 00:02:15,830
New towels?
I know.
43
00:02:15,900 --> 00:02:17,830
Okay, settle down.
44
00:02:17,900 --> 00:02:20,560
Honey, honey, these are wet.
Hey, I'm not goin' out there
without these socks.
45
00:02:20,630 --> 00:02:22,360
Just, you do
your little business.
46
00:02:22,430 --> 00:02:24,860
You know something,
I always wanted
to be an 800 number.
47
00:02:24,930 --> 00:02:27,260
Isn't that cool?
Oh, I feel lucky now.
48
00:02:27,330 --> 00:02:29,230
(SOCKS SQUISHING)
49
00:02:29,230 --> 00:02:30,100
MAN: He shoots. Boom!I mean, bang!
(SOCKS SQUISHING)
50
00:02:30,100 --> 00:02:31,000
MAN: He shoots. Boom!I mean, bang!
51
00:02:31,060 --> 00:02:32,560
I mean, I almostmade up a new word.
52
00:02:32,630 --> 00:02:34,900
Hey, dude, well, where do youget that except for in Boston?
53
00:02:34,960 --> 00:02:37,560
PAUL: Exactly.I mean, and you'd go wild.I used to turn the TV off
54
00:02:37,630 --> 00:02:40,430
and put the radio onjust to listento Johnny Most.
55
00:02:40,500 --> 00:02:42,530
PAUL: There you go.Oh, yeah, you shouldmove to Boston.
56
00:02:42,600 --> 00:02:44,460
All right, uh, terrific.Yeah.
57
00:02:44,530 --> 00:02:45,930
I think-- I think we got it.It's good.Yeah.
58
00:02:46,000 --> 00:02:47,800
(DOORKNOB CLICKING)
Okay, nice talkingto you. Okay.
59
00:02:47,860 --> 00:02:49,800
Was that the door?
No.
60
00:02:49,860 --> 00:02:51,730
You would think the mail
would be here by now,
wouldn't you?
61
00:02:51,800 --> 00:02:53,930
Why do they call it
Boston Cream Pie?
62
00:02:54,000 --> 00:02:55,660
What?
It's a cake.
63
00:02:55,730 --> 00:02:57,660
I don't know. Why don't they
let you know by phone?
64
00:02:57,730 --> 00:03:00,200
You know what I mean?
"Hello, Mr. Buchman,
you've won the grant." Simple.
65
00:03:00,260 --> 00:03:03,400
Think about it.
It's got no crust.
You can put a candle in it...
66
00:03:03,460 --> 00:03:06,660
But, no, they've gotta
mail it to you.
Pie my ass.
67
00:03:08,730 --> 00:03:11,600
I mean, they're closing up
Boston Garden,
that's a film.
68
00:03:11,660 --> 00:03:14,460
(SOCKS SQUISHING)
Just give me my money,
let me finish the movie.
69
00:03:14,530 --> 00:03:15,960
Are you squishing?
70
00:03:16,030 --> 00:03:19,030
What? Oh...
It's my socks.
71
00:03:19,100 --> 00:03:22,130
Why do they call 'em socks?
What is with you today?
72
00:03:22,200 --> 00:03:23,760
(DOOR OPENING)
73
00:03:23,830 --> 00:03:26,630
All right, here we go.
Here we go. What do you think?
We got it?
74
00:03:29,360 --> 00:03:30,630
Not a good sign.
75
00:03:32,760 --> 00:03:34,230
Can we help you?
76
00:03:35,530 --> 00:03:37,560
Hello, Paulie.
77
00:03:37,630 --> 00:03:39,830
Marianne?
Surprise!
78
00:03:40,800 --> 00:03:42,530
Marianne.
Surprise.
79
00:03:42,600 --> 00:03:44,800
Marianne.
Surprise.
80
00:03:44,860 --> 00:03:48,130
Good one. I'm his cousin.
Sid Novak, charmed.
81
00:03:48,200 --> 00:03:49,900
Okay. First of all,
she's not my cousin.
82
00:03:49,960 --> 00:03:52,830
Through marriage,
and then divorce.
You know Ira?
83
00:03:52,900 --> 00:03:55,700
Sure. How would you
like to have
a nice cinnamon crawler?
84
00:03:55,760 --> 00:03:58,700
Oh, that would be divine.
I'll get it for you.
85
00:03:58,760 --> 00:04:00,500
So this is where you work?
86
00:04:00,560 --> 00:04:04,600
Yeah. Listen, a-aren't you
supposed to be in Monaco
or something?
87
00:04:04,660 --> 00:04:07,400
Luxembourg. You know,
they're very sensitive
about that.
88
00:04:07,460 --> 00:04:10,630
All right.
E-Either way, how come--
how come you're not there?
89
00:04:10,700 --> 00:04:14,300
Paul, the Count is dead.
90
00:04:19,930 --> 00:04:21,960
What Count?
My husband.
91
00:04:22,760 --> 00:04:25,360
Oh. Oh, I'm sorry.
92
00:04:25,430 --> 00:04:28,230
Don't be.
He had a good life.
93
00:04:28,300 --> 00:04:31,960
He had fun.
He got to be a Count.
94
00:04:32,030 --> 00:04:35,230
All right. Well, in that case,
nice to see you.
Thanks for coming by.
95
00:04:35,300 --> 00:04:39,260
Come on, Paulie,
don't tell me
you still hold a grudge.
96
00:04:39,330 --> 00:04:42,030
I mean, Ira forgave me.
Why can't you?
97
00:04:42,100 --> 00:04:45,200
Ira is just
a more evolved person.
98
00:04:45,260 --> 00:04:48,160
I promise I didn't come back
to this continent
99
00:04:48,230 --> 00:04:50,760
to make trouble for you
or any of your relatives.
100
00:04:50,830 --> 00:04:52,730
Yeah, I'm-- I'm sure
that's true.
101
00:04:52,800 --> 00:04:57,500
Is it too much to ask,
a little compassion
for a grieving widow?
102
00:04:59,600 --> 00:05:01,160
Oh, Paulie...
103
00:05:02,100 --> 00:05:04,730
He was so classy.
104
00:05:10,900 --> 00:05:12,760
It'll-- It'll-- It'll be okay.
105
00:05:12,830 --> 00:05:14,000
(SOBBING)
106
00:05:14,060 --> 00:05:16,860
I don't know.
Sure.
107
00:05:16,930 --> 00:05:20,200
(BLOWING NOSE)
All right, come on.
Come on.
108
00:05:20,260 --> 00:05:21,300
There.
109
00:05:21,360 --> 00:05:23,230
Oh, thank you.
110
00:05:23,930 --> 00:05:25,230
(SIGHS)
111
00:05:26,700 --> 00:05:27,930
So how's Ira?
112
00:05:33,360 --> 00:05:35,430
Put on your shoes.
They'll be here any minute.
113
00:05:35,500 --> 00:05:37,100
All right.
Oh, do me a favor.
114
00:05:37,160 --> 00:05:39,500
Do not mention to Ira
that Marianne
is back in town.
115
00:05:39,560 --> 00:05:42,630
You know
she's gonna go see him.
Well, not necessarily.
116
00:05:42,700 --> 00:05:45,230
'Cause I told her, you know,
he's involved in a thing
117
00:05:45,300 --> 00:05:47,930
and he's getting his life
in order.
You convinced her?
118
00:05:48,000 --> 00:05:49,600
Well, plus he's in Brazil.
119
00:05:50,700 --> 00:05:52,530
Brazil?
On a mountain in Brazil.
120
00:05:52,600 --> 00:05:55,160
He'll be fine.
Well, you know,
Ira's been doing great.
121
00:05:55,230 --> 00:05:58,000
So?
So traditionally, Ira doesn't
do so good with great.
122
00:05:58,060 --> 00:05:59,660
What does that mean?
123
00:05:59,730 --> 00:06:03,500
All right, 1974, he's about
to win a scholarship
to Berklee School of Music,
124
00:06:03,560 --> 00:06:06,700
the night before his SATs
he decides to try peyote.
125
00:06:06,760 --> 00:06:10,100
All right. It's not like...
All right, three years ago
he's up for the job at Nike.
126
00:06:10,160 --> 00:06:12,830
He goes into
the final interview,
he's wearing PF Flyers.
127
00:06:12,900 --> 00:06:14,530
(DOORBELL BUZZING)
Still.
128
00:06:14,600 --> 00:06:16,060
All I'm saying is
he's finally found
a terrific woman.
129
00:06:16,130 --> 00:06:17,330
I'm not gonna let him
screw it up.
130
00:06:17,400 --> 00:06:19,500
You know something,
you're very sweet.
131
00:06:19,560 --> 00:06:22,260
Yeah, well, you've got
some nice qualities yourself.
132
00:06:22,330 --> 00:06:24,100
Hi, you ready?
One second.
133
00:06:24,160 --> 00:06:25,930
Hi.
134
00:06:26,000 --> 00:06:28,830
So, uh, see anybody today?
Like who?
135
00:06:28,900 --> 00:06:31,860
I don't know.
I'm just making conversation.
Come on, let's go.
136
00:06:31,930 --> 00:06:35,860
Oh, Jamie, I got those
psyche notes you wanted.
137
00:06:35,930 --> 00:06:38,300
He bought towels.
I heard.
138
00:06:38,360 --> 00:06:40,860
Wait, now he's telling people
he bought towels?
Yeah.
139
00:06:40,930 --> 00:06:43,300
Oh, this is moving
way too fast.
140
00:06:43,360 --> 00:06:45,730
Come on. Come on. Come on.
We've got to
get tickets still.
141
00:06:45,800 --> 00:06:47,960
Hello. Who's hungry?
Brazil, huh?
142
00:06:48,030 --> 00:06:50,760
Like I fell off
the turnip truck.
Hello, Ira.
143
00:06:52,530 --> 00:06:54,630
Marianne.
Surprise.
144
00:06:54,700 --> 00:06:56,800
Where'd you come from?
The Plaza.
145
00:06:56,860 --> 00:07:01,000
(CHUCKLING)
Hello, old Jamie. Aw.
146
00:07:01,060 --> 00:07:04,030
And you who I do not know.
Susannah.
147
00:07:04,100 --> 00:07:05,700
Susannah,
this is Marianne.
148
00:07:05,760 --> 00:07:09,430
Actually,
it's Contessa Marianne,
but why be formal? I'm his ex.
149
00:07:09,500 --> 00:07:11,160
I know.
150
00:07:11,230 --> 00:07:12,800
Nice to meet you.
You, too.
151
00:07:12,860 --> 00:07:14,830
You know, Marianne,
we were just goin' out, so...
152
00:07:14,900 --> 00:07:17,700
So, now you don't have to.
Honey, get some plates.
Sure.
153
00:07:17,760 --> 00:07:19,360
Oh, you don't have to
get plates, sweetie.
154
00:07:19,430 --> 00:07:21,030
Okay. Let's see now.
155
00:07:21,100 --> 00:07:25,800
We have, oh,
I got caviar, champagne,
156
00:07:25,860 --> 00:07:29,330
steak tartar,
steak not so tartar.
157
00:07:30,700 --> 00:07:33,700
Oh, maybe some flatware.
Yeah, okay.
158
00:07:33,760 --> 00:07:35,830
Love her.
Oh, yeah, she's terrific.
159
00:07:35,900 --> 00:07:38,730
Marianne, what are you doing?
I thought you were
in Luxembourg.
160
00:07:38,800 --> 00:07:41,030
Ira, the Count is dead.
161
00:07:42,360 --> 00:07:44,300
Dead?
Completely.
162
00:07:44,360 --> 00:07:45,500
I'm sorry.
163
00:07:45,560 --> 00:07:48,060
Well, it's very tragic.
164
00:07:48,130 --> 00:07:50,700
All I have left
is my memories,
165
00:07:50,760 --> 00:07:52,500
my title,
166
00:07:52,560 --> 00:07:54,260
and more money than Canada.
167
00:07:56,200 --> 00:07:58,460
Look, Marianne,
we were actually...
168
00:07:58,530 --> 00:08:00,500
Oh, here,
fold these like ducks.
169
00:08:01,300 --> 00:08:02,700
Here we go.
170
00:08:02,760 --> 00:08:04,400
Oh, thanks, honey.
171
00:08:04,460 --> 00:08:07,030
Hey, you want to see
my Contessa stuff?
That's okay.
172
00:08:07,100 --> 00:08:10,030
There's stuff?
Of course there's stuff.
173
00:08:10,100 --> 00:08:14,200
Want to wear my tiara?
It's bejeweled.
174
00:08:14,260 --> 00:08:16,330
You know what,
I--I really do.
PAUL: You know, you know...
175
00:08:16,400 --> 00:08:17,460
Get my bag.
176
00:08:18,730 --> 00:08:20,800
Don't-- Don't wear her tiara.
Why not?
177
00:08:20,860 --> 00:08:24,330
'Cause you don't--
you don't know
where it's been.
178
00:08:24,400 --> 00:08:27,760
Oh, okay then, Maybe later.
You slice cheese?
I have.
179
00:08:27,830 --> 00:08:29,530
Go slice.
180
00:08:29,600 --> 00:08:32,230
She's a keeper, Paulie.
Where's my ducks?
181
00:08:33,100 --> 00:08:35,800
So, how you doin'?
182
00:08:35,860 --> 00:08:38,060
I'm doin' good.
I'm no Contessa, but good.
183
00:08:38,130 --> 00:08:39,730
You know,
I--I took over the store,
184
00:08:39,800 --> 00:08:42,430
maybe thinking of starting
a new catalogue and...
185
00:08:42,500 --> 00:08:46,200
Oh, you need money?
Actually, yeah. That's okay.
186
00:08:46,260 --> 00:08:49,100
Oh, please.
It's cumbersome.
187
00:08:50,460 --> 00:08:52,530
Marianne,
I--I can't take your money.
188
00:08:52,600 --> 00:08:55,560
Oh, consider it a loan.
All right. All right.
I'll think about it.
189
00:08:55,630 --> 00:08:58,130
No. No. No. You're not
gonna think about it.
Paulie, I'll think about it.
190
00:08:58,200 --> 00:09:01,830
Oh, you're just cranky
because you didn't
get your grant.
191
00:09:01,900 --> 00:09:05,360
Fine. I'll do the ducks.
192
00:09:05,430 --> 00:09:07,960
How do you know
about my grant?
Sid told me over lunch.
193
00:09:08,030 --> 00:09:10,100
Look, if you need
a little financing...
194
00:09:10,160 --> 00:09:13,230
No, no, no, no,
I don't need any financing.
We're all fine here, Marianne.
195
00:09:13,300 --> 00:09:15,960
We don't need your money.
We don't need your tiara.
I just want to try it on.
196
00:09:16,030 --> 00:09:17,630
You don't--
You don't need it.
197
00:09:17,700 --> 00:09:20,100
Marianne,
we don't need anything
from you. Thank you.
198
00:09:20,160 --> 00:09:24,560
Oh, say,
I got two floor tickets
for the Knicks tomorrow night.
199
00:09:24,630 --> 00:09:26,000
You boys want 'em?
Yeah.
200
00:09:26,060 --> 00:09:28,330
Hey...
She's got 'em,
they're gonna go to waste.
201
00:09:28,400 --> 00:09:29,660
Fine, then
I'm trying on the tiara.
202
00:09:29,730 --> 00:09:31,360
I don't want you
to put on the tiara.
203
00:09:31,430 --> 00:09:34,960
Oh, come on.
Let's go heat up
the fras gois.
204
00:09:35,030 --> 00:09:37,100
She's looking good, huh?
What are you--
What are you doing?
205
00:09:37,660 --> 00:09:40,730
I'm thinking of
maybe taking a business loan,
that's all.
206
00:09:40,800 --> 00:09:42,500
Have you forgotten
what this woman does to you?
207
00:09:42,560 --> 00:09:44,830
IRA: Paulie, do me a favor,
don't worry about it.
208
00:09:44,900 --> 00:09:46,530
Hey, hey, hey.
She forgot toast points.
209
00:09:46,600 --> 00:09:48,960
What is this?
I'm wearing the tiara.
210
00:09:54,960 --> 00:09:57,130
Hi.
Hey, I thought
you were in school today.
211
00:09:57,200 --> 00:09:58,900
We're gonna study here.
What are you doing?
212
00:09:58,960 --> 00:10:02,460
(SIGHS) Goin' over
small merchant loans.
For what?
213
00:10:02,530 --> 00:10:05,400
'Cause it helps me unwind.
214
00:10:05,460 --> 00:10:07,500
I just want Ira to know
what his options are.
215
00:10:07,560 --> 00:10:09,360
I thought we agreed
not to get involved.
216
00:10:09,430 --> 00:10:12,560
Yeah, what am I gonna do?
I'm gonna let him get
ensnared by Marianne again?
217
00:10:12,630 --> 00:10:16,060
He's not ensnared.
I'm telling you, this woman,
she's got a power over him.
218
00:10:16,130 --> 00:10:19,167
What power?
The power of ensnarement.
219
00:10:19,167 --> 00:10:19,600
What? We're old friends.
What power?
The power of ensnarement.
220
00:10:19,600 --> 00:10:19,660
What? We're old friends.
221
00:10:19,660 --> 00:10:21,033
Once she reels him in,
she throws him back.
What? We're old friends.
222
00:10:21,033 --> 00:10:21,560
Once she reels him in,
she throws him back.
223
00:10:21,630 --> 00:10:23,260
She reels him in,
she throws him back.
224
00:10:23,330 --> 00:10:25,560
She reels him in...
All right, I get it.
225
00:10:25,630 --> 00:10:28,160
...she throws him back.
Thank you, I get it.
226
00:10:28,230 --> 00:10:29,530
Aren't you guys
going to the game?
227
00:10:29,600 --> 00:10:31,630
Yeah. Hey, yes.
228
00:10:31,700 --> 00:10:33,230
Yes.
Wave to me.
229
00:10:33,300 --> 00:10:35,300
What?
On TV.
230
00:10:35,360 --> 00:10:38,760
I'm gonna be watching
the game. You know what,
I'll wave to you now.
231
00:10:45,300 --> 00:10:47,730
Come on, ready, splinky?
Courtside.
232
00:10:47,800 --> 00:10:49,400
Paulie, two on the floor.
233
00:10:49,460 --> 00:10:52,330
Can you believe it?
It's like Nicholson,
but it's us.
234
00:10:52,400 --> 00:10:55,500
Listen, I just need you
to sign these papers,
then we can go.
235
00:10:55,560 --> 00:10:59,000
What kind of papers?
These are for the loan,
from Marianne.
236
00:10:59,060 --> 00:11:00,360
When did this happen?
237
00:11:00,430 --> 00:11:01,900
We had lunch
this afternoon.
238
00:11:01,960 --> 00:11:03,430
Why did you go
and do that for?
239
00:11:03,500 --> 00:11:05,860
Because I was hungry
and she was paying.
240
00:11:05,930 --> 00:11:08,560
You don't need Marianne.
Listen, I checked out
some banks for you.
241
00:11:08,630 --> 00:11:11,200
Banks? They charge interest.
She's not charging interest?
242
00:11:11,260 --> 00:11:13,460
No. She said she still
felt bad about the peyote.
243
00:11:13,530 --> 00:11:15,900
So sign them, will you?
244
00:11:15,960 --> 00:11:17,730
Why do I have to sign this?
245
00:11:17,800 --> 00:11:20,600
Because, like an idiot, I went
and made you a silent partner
in a business.
246
00:11:20,660 --> 00:11:22,300
Come on, Paulie,
we've got floor seats.
247
00:11:22,360 --> 00:11:24,160
So I have to sign this?
Yeah.
248
00:11:24,230 --> 00:11:26,100
Or you don't get the money?
Yes.
249
00:11:27,130 --> 00:11:29,430
You know what? No.
250
00:11:29,500 --> 00:11:31,630
What?
Trust me, I'm doing this
for your own good.
251
00:11:31,700 --> 00:11:34,230
Hey, hey, hey, I don't need
you to protect me, okay?
I never did.
252
00:11:34,300 --> 00:11:36,700
Yeah, all right. How about
when you spilled milk
on Matty Escobar?
253
00:11:36,760 --> 00:11:38,160
Hey, come on.
I could have handled him.
254
00:11:38,230 --> 00:11:40,200
You were crying
like a little girl. Come on.
255
00:11:40,260 --> 00:11:43,060
Look, we're not kids anymore.
Just take the pen.
I'm not taking it.
256
00:11:43,130 --> 00:11:45,360
You're taking the pen.
I'm not taking it.
I'm not taking it!
257
00:11:45,430 --> 00:11:47,200
Oh, this is just great.
258
00:11:47,260 --> 00:11:49,900
I mean,
this is easy for you, Paulie,
but I work for a living.
259
00:11:49,960 --> 00:11:52,200
Excuse me,
what do you think I do?
Oh, come on.
260
00:11:52,260 --> 00:11:56,330
You sit up there
making your little movies,
eating your crullers.
261
00:11:56,400 --> 00:11:58,560
You know what, let's get going
before this gets really ugly.
262
00:11:58,630 --> 00:12:00,130
What, like your shoes?
263
00:12:00,200 --> 00:12:02,530
(WHISTLING)
Now--Now, you're just
flailing wildly.
264
00:12:02,600 --> 00:12:06,000
You know what?
I don't even want to go
to a basketball game with you.
265
00:12:06,060 --> 00:12:07,800
Suit yourself. I'm going.
266
00:12:07,860 --> 00:12:09,460
Yeah, well, I'm sure as hell
not not going.
267
00:12:09,530 --> 00:12:11,200
All right, here,
you know what,
here's your ticket.
268
00:12:11,260 --> 00:12:12,660
Great. Enjoy yourself.
I will.
269
00:12:12,730 --> 00:12:14,500
Good. So will I.
Good luck.
270
00:12:21,600 --> 00:12:23,130
(GRUNTING)
271
00:12:24,660 --> 00:12:26,130
(EXCLAIMING)
272
00:12:34,060 --> 00:12:35,630
(CROWD CHEERING)
273
00:12:38,900 --> 00:12:40,430
(WHISTLE BLOWING)
274
00:12:43,600 --> 00:12:44,830
(BLOWING)
275
00:12:45,930 --> 00:12:48,330
Hey, would you two
lighten up?
276
00:12:48,400 --> 00:12:50,230
What?
Just knock it off.
277
00:12:50,300 --> 00:12:52,560
You're throwing my game.
278
00:12:52,630 --> 00:12:54,860
You guys, actually,
you notice people?
Ssh.
279
00:12:57,330 --> 00:12:59,200
You're such a putz.
280
00:12:59,260 --> 00:13:01,430
What did you say?
No. No. No. I wasn't--
I wasn't talking to you.
281
00:13:01,500 --> 00:13:04,030
I was-- Hey, come on.
I wasn't talking...
282
00:13:04,100 --> 00:13:07,200
All right, come on,
let's not--
let's not get crazy. Hey!
283
00:13:07,260 --> 00:13:09,030
(PEOPLE CLAMORING)
284
00:13:10,260 --> 00:13:12,100
(WHISTLE BLOWING)
285
00:13:12,160 --> 00:13:14,500
COMMENTATOR: There seems to bea little troublehappening courtside,
286
00:13:14,560 --> 00:13:17,960
where Ewingand some crazed fanare mixing it up.
287
00:13:18,030 --> 00:13:19,230
(CROWD BOOING)
288
00:13:19,300 --> 00:13:20,560
Oh, my God.
289
00:13:27,330 --> 00:13:28,630
You are so good.
290
00:13:28,700 --> 00:13:29,900
What are you guys doing?
291
00:13:29,960 --> 00:13:32,530
Just, oops, just working.
Yeah? Need some help?
292
00:13:32,600 --> 00:13:34,230
No. No, thanks.
293
00:13:34,300 --> 00:13:36,400
All right. 'Cause if you do,
if you need, like,
a male point of view
294
00:13:36,460 --> 00:13:39,460
or a tie breaker,
I'm right in here.
All right.
295
00:13:40,830 --> 00:13:44,060
I'll give you $200
to take him to the park.
296
00:13:44,130 --> 00:13:45,400
What is the matter
with him?
297
00:13:45,460 --> 00:13:46,960
He hasn't spoken to Ira
in five days.
298
00:13:47,030 --> 00:13:48,560
It's like he doesn't know
what to do with himself.
299
00:13:48,630 --> 00:13:50,500
Hey, get me,
I'm Carrie Fisher.
300
00:13:53,060 --> 00:13:54,460
You thought
that was funny yesterday.
301
00:13:54,530 --> 00:13:56,000
(DOORBELL BUZZING)
302
00:13:56,060 --> 00:13:57,830
Fran, will you get that?
It's Ira.
Sure.
303
00:13:57,900 --> 00:14:00,800
Why is he coming over here?
We have to go
over the catalogue.
304
00:14:00,860 --> 00:14:03,230
I'm not signing those papers.
I'm not getting
in the middle of this.
305
00:14:03,300 --> 00:14:05,730
Oh, what, I don't know
what you're doing?
What am I doing?
306
00:14:05,800 --> 00:14:07,860
What, you invite him over
and then suddenly
we start talking
307
00:14:07,930 --> 00:14:09,430
and then things
are hunky-dory again.
308
00:14:09,500 --> 00:14:12,360
That's right. I was up
all night mapping it out.
309
00:14:12,430 --> 00:14:14,460
Well, if he wants to
engage me in conversation,
that's fine.
310
00:14:14,530 --> 00:14:17,430
But I'll tell you something.
I'm not gonna
make the first move.
311
00:14:17,500 --> 00:14:20,000
The layout is looking good.
I think we really
got it this time.
312
00:14:20,060 --> 00:14:23,630
Okay. Take a look
at this paper stock.
It has just a hint of twig.
313
00:14:23,700 --> 00:14:26,260
Yeah, I like the twig.
314
00:14:26,330 --> 00:14:29,060
Ha, that's funny.
What, sweetie?
315
00:14:29,130 --> 00:14:31,530
The Triborough Bridge,
they gotta close it
for repairs.
316
00:14:31,600 --> 00:14:33,130
Oh, yeah, that's a riot.
317
00:14:35,800 --> 00:14:37,700
What?
What?
318
00:14:37,760 --> 00:14:39,830
Were you talking to me?
No.
319
00:14:39,900 --> 00:14:41,600
All right. Good.
320
00:14:41,660 --> 00:14:44,860
(GIGGLING)
Okay. I think it's time
we pick out a...
321
00:14:44,930 --> 00:14:47,230
James, could you
shut that thing off?
322
00:14:47,300 --> 00:14:49,060
I'm not getting
in the middle of this.
323
00:14:49,130 --> 00:14:50,730
Okay, we have to
pick out a typeface.
324
00:14:50,800 --> 00:14:54,330
Now, we were thinking
the letters should be peppy
but soothing.
325
00:14:56,060 --> 00:14:57,530
(WHISTLES)
326
00:14:57,600 --> 00:14:59,300
All right, we have to
pick out a photographer
right now.
327
00:14:59,360 --> 00:15:02,560
What about the French guy?
Oh, no, I met him.
He doesn't do camping gear.
328
00:15:02,630 --> 00:15:04,800
Can somebody
hand me a Danish?
329
00:15:04,860 --> 00:15:06,230
What?
What?
330
00:15:06,300 --> 00:15:07,630
What?
331
00:15:07,700 --> 00:15:10,530
Were you talkin' to me?
No, were you talkin' to me?
332
00:15:10,600 --> 00:15:12,460
I said somebody.
I didn't specify.
333
00:15:12,530 --> 00:15:13,900
All right. Fine.
Fine.
334
00:15:13,960 --> 00:15:15,230
All right.
Will you two just stop?
335
00:15:15,300 --> 00:15:16,460
Hey, if he wants
to open a discussion...
336
00:15:16,530 --> 00:15:18,030
I'm not getting
in the middle of this.
337
00:15:18,100 --> 00:15:20,130
(PLAYING WHISTLE)
338
00:15:20,200 --> 00:15:22,300
That's it. That's it.
That's it. That's enough.
What? What? What?
339
00:15:22,360 --> 00:15:24,830
Would you two please
just talk to each other?
Why?
340
00:15:24,900 --> 00:15:26,800
Because obviously
you want to.
341
00:15:26,860 --> 00:15:29,130
Not me.
Nor I.
342
00:15:29,200 --> 00:15:30,730
(STAMMERING) You know...
343
00:15:30,800 --> 00:15:32,900
You know, would you please
do me a favor?
Tell your client...
344
00:15:32,960 --> 00:15:35,130
Tell your client
that he... That I'm
doing this for his own good.
345
00:15:35,200 --> 00:15:38,400
Tell your husband
I already got a mother.
346
00:15:38,460 --> 00:15:40,930
Tell your client
that he's about to
jump off another cliff.
347
00:15:41,000 --> 00:15:43,030
Yeah, well,
tell him, "Oh, yeah?"
348
00:15:45,000 --> 00:15:47,060
That was very clever.
Look.
349
00:15:47,130 --> 00:15:49,760
This is my life, not yours.
Where do you get off here?
350
00:15:49,830 --> 00:15:52,060
What? What? Oh, you never
had an opinion before?
351
00:15:52,130 --> 00:15:54,260
Yeah, but I have the grace
to keep it to myself.
352
00:15:54,330 --> 00:15:56,130
Oh, really?
All right. All right.
353
00:15:56,200 --> 00:15:59,530
Did I tell you not to buy
that '64 Corvette that you
had your heart set on?
354
00:15:59,600 --> 00:16:02,360
Did I tell you that nobody
was gonna want to see
a movie about a button
355
00:16:02,430 --> 00:16:04,000
that you were so
gung ho about?
356
00:16:04,060 --> 00:16:06,160
Did I tell you not to go out
with her in those
first few months
357
00:16:06,230 --> 00:16:07,830
when you were all hot
and bothered?
358
00:16:07,900 --> 00:16:09,430
Yeah, as a matter of fact
you did.
Whoa, whoa, excuse me.
359
00:16:09,500 --> 00:16:11,560
Well, did you listen?
No. What am I gonna
listen to you for?
360
00:16:11,630 --> 00:16:14,100
What do you mean you told him
not to go out with me?
What did I know?
361
00:16:14,160 --> 00:16:16,600
I met you one time.
You kept on showin' off
your vocabulary.
362
00:16:16,660 --> 00:16:18,800
You never told me
he didn't like me.
363
00:16:18,860 --> 00:16:21,230
'Cause you were so down
on him I didn't want to
fuel the fire.
364
00:16:21,300 --> 00:16:22,560
Wait. Wait. Wait.
You didn't like me?
365
00:16:22,630 --> 00:16:24,260
On first impression
you were a little obsequious.
366
00:16:24,330 --> 00:16:26,800
You see?
There, you're
doing it again.
367
00:16:26,860 --> 00:16:28,500
Look, look,
listen to me.
368
00:16:28,560 --> 00:16:30,300
Would you please
tell your cousin to
keep his opinions to himself?
369
00:16:30,360 --> 00:16:32,600
Will you please
tell your wife to stop
making me obsequious?
370
00:16:32,660 --> 00:16:34,700
Fran, do me...
Do me a favor?
371
00:16:34,760 --> 00:16:36,600
Could you please
tell them both how
ridiculous they're being?
372
00:16:36,660 --> 00:16:39,400
Would you tell your partner...
All right,
I'm getting the hose.
373
00:16:41,160 --> 00:16:43,200
Do you want me
to sign the papers?
Is that what you want?
374
00:16:43,260 --> 00:16:44,830
I believe
that was the request.
Gimme.
375
00:16:44,900 --> 00:16:46,200
They're at the store.
Let's go.
376
00:16:46,260 --> 00:16:47,860
Okay, we're going.
377
00:16:47,930 --> 00:16:50,800
Hook yourself into Marianne.
Ruin your life again.
I don't care.
378
00:16:50,860 --> 00:16:51,900
Thank you.
Go ahead.
379
00:16:51,960 --> 00:16:53,000
I'm going.
See if I care.
380
00:16:53,060 --> 00:16:54,430
All right.
I don't.
381
00:16:56,130 --> 00:16:58,230
Plenty of people
use obsequious.
382
00:17:00,360 --> 00:17:01,430
IRA: Fine.
PAUL: Fine.
383
00:17:01,500 --> 00:17:02,500
Fine.
Fine.
384
00:17:02,560 --> 00:17:03,560
Fine.
I'm saying...
385
00:17:03,630 --> 00:17:05,530
You boys...
What are you doing here?
386
00:17:05,600 --> 00:17:07,960
I called the house
and missus told me
the good news.
387
00:17:08,030 --> 00:17:11,360
Come on, the Countess
is ready to transact.
388
00:17:11,430 --> 00:17:13,800
Look. Just give me
the papers to sign
and let me get out of here.
389
00:17:13,860 --> 00:17:15,600
I got 'em.
390
00:17:15,660 --> 00:17:17,060
Isn't it exciting?
391
00:17:17,130 --> 00:17:19,500
You and me,
like the old days?
392
00:17:19,560 --> 00:17:20,700
Yeah, well, sort of.
393
00:17:20,760 --> 00:17:22,860
I was thinking Italian.
Italian what?
394
00:17:22,930 --> 00:17:28,100
Food. You know, tonight
a little Lasagna to celebrate
our new involvement.
395
00:17:28,160 --> 00:17:29,930
You notice
how I'm not saying anything?
396
00:17:30,000 --> 00:17:33,100
Jeez, Marianne,
that's-- that's really nice,
but, you know,
397
00:17:33,160 --> 00:17:35,500
I sort of-- I sort of have
plans with Susannah.
398
00:17:35,560 --> 00:17:37,160
And I love her.
399
00:17:37,230 --> 00:17:39,030
But reschedule.
400
00:17:39,100 --> 00:17:41,060
Still, I don't comment.
401
00:17:41,130 --> 00:17:43,100
Look. Marianne...
402
00:17:43,160 --> 00:17:47,200
Listen, it's not like
you're married or in business
with her or anything.
403
00:17:47,260 --> 00:17:50,600
See what's going on?
And I--I'm just like
a model of self-restraint.
404
00:17:52,430 --> 00:17:54,400
Excuse me, Paulie.
405
00:17:54,460 --> 00:17:58,060
You know, I like to
consider myself a student
of human nature.
406
00:17:58,130 --> 00:18:01,230
So I just got to
ask you something.
407
00:18:02,600 --> 00:18:04,530
What crawled up your butt?
408
00:18:07,830 --> 00:18:09,900
Nothing.
Me, nothing. Hey.
409
00:18:10,800 --> 00:18:12,360
I'm a silent partner here.
410
00:18:12,430 --> 00:18:15,060
Well, you're
an awfully noisy one.
411
00:18:15,130 --> 00:18:18,700
Let's just say, Marianne,
I don't like the way
you do business.
412
00:18:18,760 --> 00:18:21,960
Gee, Paulie,
that seems a shame,
413
00:18:22,030 --> 00:18:26,160
seeing as I had
a cashier's check made out
for you and everything.
414
00:18:27,860 --> 00:18:29,030
What are you talking about?
415
00:18:29,100 --> 00:18:33,730
Oh, just a little loan
for a basketball movie.
416
00:18:33,800 --> 00:18:35,900
That's very cute.
Thank you, but no thank you.
417
00:18:35,960 --> 00:18:39,430
Come on, Paul, it could be
such a good movie, too.
418
00:18:39,500 --> 00:18:41,900
Like Citizen Kane,
only taller.
419
00:18:43,860 --> 00:18:46,260
You want it, don't you?
420
00:18:46,330 --> 00:18:49,530
Marianne, do you think
you can just throw
your money around?
421
00:18:49,600 --> 00:18:50,630
Yeah.
422
00:18:54,100 --> 00:18:56,260
No, but what I'm saying is
you think you just
open up your purse
423
00:18:56,330 --> 00:18:58,460
and everybody does
whatever you want?
424
00:18:58,530 --> 00:18:59,700
Yeah.
425
00:19:01,130 --> 00:19:04,130
Look. What good is money
426
00:19:04,200 --> 00:19:05,700
if you can't get
what you want?
427
00:19:05,760 --> 00:19:09,660
Everybody wants stuff,
Paulie, even you.
428
00:19:09,730 --> 00:19:12,230
It's just a means to an end,
that's all.
429
00:19:13,430 --> 00:19:14,500
Maybe you're right.
430
00:19:14,560 --> 00:19:16,330
Of course I am.
Yeah.
431
00:19:16,400 --> 00:19:19,430
You sign this,
you get the check,
you get your movie
432
00:19:19,500 --> 00:19:21,800
and maybe I throw the pen in
just for good luck.
433
00:19:21,860 --> 00:19:23,160
No.
434
00:19:23,230 --> 00:19:24,700
Marianne,
you know something?
435
00:19:24,760 --> 00:19:27,130
When you make a good argument,
you make a very good argument.
436
00:19:27,200 --> 00:19:28,660
Thank you.
Thank you.
437
00:19:28,730 --> 00:19:30,660
Okay, now mine.
No, forget about it.
438
00:19:30,730 --> 00:19:32,360
What are you talking about?
You're not taking her money.
439
00:19:32,430 --> 00:19:35,130
Well, you did.
Hey, she has no power
over me.
440
00:19:35,200 --> 00:19:37,100
This is just business.
Oh, so this is great.
441
00:19:37,160 --> 00:19:38,660
So, you get yours
but I get squat.
442
00:19:38,730 --> 00:19:40,160
No, no, no,
you get your money.
Where?
443
00:19:40,230 --> 00:19:41,500
Right here.
444
00:19:41,560 --> 00:19:43,800
What's this?
This is means to an end.
445
00:19:43,860 --> 00:19:46,100
What are you talking about?
Just say, "Thank you."
446
00:19:46,160 --> 00:19:48,260
Paulie, what, are you nuts?
You're welcome.
447
00:19:48,330 --> 00:19:50,000
What's the difference?
I still owe her.
448
00:19:50,060 --> 00:19:52,760
No, no, no. You owe me.
I owe her.
449
00:19:52,830 --> 00:19:54,330
See how that works?
450
00:19:54,400 --> 00:19:57,560
Very, very clever, Paulie,
451
00:19:57,630 --> 00:20:00,630
the way you staged this
little uprising against me.
452
00:20:00,700 --> 00:20:04,230
No, no, nothing,
we signed a contract.
No.
453
00:20:04,300 --> 00:20:05,660
No, I'm impressed.
454
00:20:05,730 --> 00:20:07,830
You know, my late husband,
the Count,
455
00:20:07,900 --> 00:20:10,100
used to stage coups
all the time.
456
00:20:13,930 --> 00:20:16,200
Really?
Well, until they shot him.
457
00:20:18,800 --> 00:20:21,360
All right,
so, so no hard feelings here?
458
00:20:21,430 --> 00:20:24,060
No. Fair's fair.
459
00:20:24,130 --> 00:20:26,400
And you know me,
I'm a giver.
460
00:20:26,460 --> 00:20:29,530
So, just so I sleep nights,
461
00:20:29,600 --> 00:20:32,130
I'm gonna give you
a big wad of cash
for your movie,
462
00:20:32,200 --> 00:20:34,030
no strings attached.
463
00:20:34,100 --> 00:20:35,130
Really?
464
00:20:35,200 --> 00:20:36,200
No.
465
00:20:37,830 --> 00:20:39,100
And you,
466
00:20:40,630 --> 00:20:43,700
you, what am I gonna do
with you?
467
00:20:43,760 --> 00:20:46,530
You have this power over me.
468
00:20:46,600 --> 00:20:49,200
Jeez, it was great
to see you again, Marianne.
469
00:20:50,360 --> 00:20:51,600
You, too.
470
00:20:51,660 --> 00:20:54,300
Well, I guess it's lasagna
for one.
471
00:20:56,860 --> 00:21:00,300
Marianne, it's not right,
you eating alone.
472
00:21:01,130 --> 00:21:02,360
Paulie, go with her.
473
00:21:03,760 --> 00:21:06,600
Come on, cousin.
474
00:21:06,660 --> 00:21:09,730
All right, first of all,
you know, when you say coups,
you understand...
475
00:21:09,800 --> 00:21:11,860
It's okay, fine.
476
00:21:15,700 --> 00:21:18,060
So you like it?
I love it.
477
00:21:18,130 --> 00:21:19,500
You know,
it's not bejeweled.
478
00:21:21,130 --> 00:21:23,160
Hers doesn't say,
"Happy New Year."
479
00:21:25,900 --> 00:21:29,030
Very sweet,
what you did for Ira.
Wasn't it, though?
480
00:21:31,400 --> 00:21:33,530
I'm just sorry
about your movie.
That's all right.
481
00:21:33,600 --> 00:21:36,100
I think I'm gonna get
the money anyhow.
How?
482
00:21:36,160 --> 00:21:38,300
I'm gonna sue
Patrick Ewing.
483
00:21:41,100 --> 00:21:42,160
For what?
484
00:21:42,230 --> 00:21:43,830
For my neck thing.
485
00:21:43,900 --> 00:21:45,500
What neck thing?
Ow.
36466
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
