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hey what's going on want to take you
into one of my mixes here and show you a
trick that I use to really create a
bigger beefier fatter guitar sound for
the outro of a song that really needed
it and didn't have it in the tracks it
was almost like creating this fatter
guitar tone out of thin air out of
something that was not provided so let
me just show you the song as it is here
[Music]
so it's pretty mellow song that builds
it to this bigger outro now the problem
I had is I'm gonna mute this track right
here these are the tracks that I was
given for rhythm guitars so we had these
crunchy guitars left and right
I really like the tone there but just on
its own it just didn't it wasn't
exploding at this end section the way I
wanted
[Applause]
[Music]
you know what I mean it's just they just
lacked that extra bite and fatness and
beef that we needed at the end here and
we did they didn't provide any other
heavier tracks and these are already
amped so I'm looking through the tracks
I have what they did give me is this
clean guitar strum so let me bypass the
plugins here's the track that was
provided another guitar track
literally just a kind of a weekly played
clean guitar strum here
[Music]
I was like I need to figure out how to
get a heavy guitar tone in the mix here
so I took this clean guitar strum track
I don't know if it was a straight D I
don't think so I think it was some type
of amp but it's like I'm not gonna go
through and set up and actually up and
ramp and all that stuff so I look
through my plugins pulled up this CLA
guitar plug-in which has this little amp
modeling option here so let's check out
what this did
[Music]
so it's not bad right at least we got
like a distorted heavy guitar now out of
this clean track that we were given now
it was a little bit nasty on the low end
and high end so I just had this EQ to
clean up the lows and then filter out
some of the high end fizz
is
and boost a little mid-range here
[Music]
but I didn't want this just straight up
the middle in the mix I wanted to sound
like two more heavy left and right
guitar layers but there's only one track
here so solution through on this mono to
stereo delay plug-in just a stock delay
plug-in and Pro Tools mono to stereo
meaning it's a mono track if it's gonna
spit out a separate life left and right
signal so it turns a mono track into a
stereo track the settings are used on
this on the left side right here nothing
okay nothing changed zero delay so
nothing is changed on the left side on
the right side the only thing that's
changes I've delayed the right side by
30 milliseconds so listen to the effect
that this has
[Music]
it sounds weird at first but then you
get used to it just sounds like a stereo
guitar track that I'm actually almost
sounds like two different takes
[Music]
so let's walk through this all again
here's the track that was provided
[Music]
pretty drastic right but listen to what
it does and I'm not using this extra
tone layer that I've created as like the
main center stage a guitar part here but
listen to what it's adding to the mix
first with just the guitars here's the
crunchy guitars that they did report
and it's new one that I created
see how much sighs and just bite an
energy to have it's really about adding
energy to this outro so again let's hear
this last build-up without that track
[Music]
now with it
[Music]
so you can hear how that just adds an
extra lifts to this outro some extra
energy and I wanted to share that with
you because I think by the way this
wasn't something that I just instantly
know what to do okay I struggled with
the outro of this mix I just like it
just needs more energy this needs to pop
and explode more I need a lift here
tried some different techniques ended up
trying this out and it worked
and it fit perfectly it was exactly what
I needed in this mix so sometimes you
got to get creative you got to find some
track that's been provided and see what
you can do with it to transform it into
what you need for the song now this mix
that I just showed you in this little
piece of it this is actually taken from
one of my full programs that I ran where
I actually mixed in real time for the
students through from from the absolute
scratch to the end of the song and
during that program yet with this mix
you actually got to see me struggle with
different things and I eventually land
on this solution to add some life and
energy to the outro of this song and
starting next week and to be taking one
of the other songs from that program and
I'm gonna be live-streaming the entire
mix from start to finish in real time
for you right here on YouTube so if
that's something you're interested in
then please make sure you subscribe to
this channel turn on your notifications
because you don't want to miss it I'm
gonna livestream the videos of me mixing
a song from start to finish all of it
and then I'll leave those videos up for
just a few days before taking them down
so if you want to see real mix start to
finish in real time from me and by the
way this is gonna be on a song that was
submitted by just one of the course
members at the time so not something
that was recorded in a pristine studio
and has no problems or anything this is
real world gritty tracks the same kind
of tracks that you're mixing at your
studio so to catch that live stream just
make sure you're subscribed to this
channel and turn on notifications so you
don't miss it and if you're on my email
list I'll also be sending you an email
reminder so watch out for these live
streams next week can't wait to share
this with you and I hope to see there
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