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hey what's going on want to take you
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into one of my mixes here and show you a
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trick that I use to really create a
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bigger beefier fatter guitar sound for
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the outro of a song that really needed
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it and didn't have it in the tracks it
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was almost like creating this fatter
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guitar tone out of thin air out of
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something that was not provided so let
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me just show you the song as it is here
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[Music]
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so it's pretty mellow song that builds
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it to this bigger outro now the problem
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I had is I'm gonna mute this track right
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here these are the tracks that I was
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given for rhythm guitars so we had these
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crunchy guitars left and right
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I really like the tone there but just on
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its own it just didn't it wasn't
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exploding at this end section the way I
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wanted
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[Applause]
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[Music]
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you know what I mean it's just they just
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lacked that extra bite and fatness and
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beef that we needed at the end here and
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we did they didn't provide any other
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heavier tracks and these are already
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amped so I'm looking through the tracks
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I have what they did give me is this
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clean guitar strum so let me bypass the
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plugins here's the track that was
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provided another guitar track
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literally just a kind of a weekly played
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clean guitar strum here
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[Music]
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I was like I need to figure out how to
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get a heavy guitar tone in the mix here
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so I took this clean guitar strum track
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I don't know if it was a straight D I
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don't think so I think it was some type
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of amp but it's like I'm not gonna go
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through and set up and actually up and
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ramp and all that stuff so I look
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through my plugins pulled up this CLA
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guitar plug-in which has this little amp
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modeling option here so let's check out
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what this did
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[Music]
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so it's not bad right at least we got
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like a distorted heavy guitar now out of
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this clean track that we were given now
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it was a little bit nasty on the low end
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and high end so I just had this EQ to
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clean up the lows and then filter out
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some of the high end fizz
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is
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and boost a little mid-range here
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[Music]
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but I didn't want this just straight up
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the middle in the mix I wanted to sound
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like two more heavy left and right
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guitar layers but there's only one track
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here so solution through on this mono to
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stereo delay plug-in just a stock delay
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plug-in and Pro Tools mono to stereo
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meaning it's a mono track if it's gonna
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spit out a separate life left and right
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signal so it turns a mono track into a
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stereo track the settings are used on
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this on the left side right here nothing
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okay nothing changed zero delay so
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nothing is changed on the left side on
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the right side the only thing that's
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changes I've delayed the right side by
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30 milliseconds so listen to the effect
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that this has
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[Music]
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it sounds weird at first but then you
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get used to it just sounds like a stereo
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guitar track that I'm actually almost
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sounds like two different takes
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[Music]
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so let's walk through this all again
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here's the track that was provided
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[Music]
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pretty drastic right but listen to what
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it does and I'm not using this extra
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tone layer that I've created as like the
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main center stage a guitar part here but
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listen to what it's adding to the mix
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first with just the guitars here's the
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crunchy guitars that they did report
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and it's new one that I created
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see how much sighs and just bite an
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energy to have it's really about adding
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energy to this outro so again let's hear
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this last build-up without that track
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[Music]
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now with it
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[Music]
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so you can hear how that just adds an
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extra lifts to this outro some extra
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energy and I wanted to share that with
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you because I think by the way this
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wasn't something that I just instantly
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know what to do okay I struggled with
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the outro of this mix I just like it
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just needs more energy this needs to pop
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and explode more I need a lift here
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tried some different techniques ended up
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trying this out and it worked
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and it fit perfectly it was exactly what
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I needed in this mix so sometimes you
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got to get creative you got to find some
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track that's been provided and see what
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you can do with it to transform it into
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what you need for the song now this mix
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that I just showed you in this little
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piece of it this is actually taken from
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one of my full programs that I ran where
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I actually mixed in real time for the
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students through from from the absolute
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scratch to the end of the song and
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during that program yet with this mix
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you actually got to see me struggle with
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different things and I eventually land
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on this solution to add some life and
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energy to the outro of this song and
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starting next week and to be taking one
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of the other songs from that program and
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I'm gonna be live-streaming the entire
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mix from start to finish in real time
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for you right here on YouTube so if
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that's something you're interested in
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then please make sure you subscribe to
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this channel turn on your notifications
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because you don't want to miss it I'm
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gonna livestream the videos of me mixing
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a song from start to finish all of it
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and then I'll leave those videos up for
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just a few days before taking them down
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so if you want to see real mix start to
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finish in real time from me and by the
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way this is gonna be on a song that was
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submitted by just one of the course
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members at the time so not something
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that was recorded in a pristine studio
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and has no problems or anything this is
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real world gritty tracks the same kind
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of tracks that you're mixing at your
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studio so to catch that live stream just
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make sure you're subscribed to this
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channel and turn on notifications so you
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don't miss it and if you're on my email
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list I'll also be sending you an email
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reminder so watch out for these live
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streams next week can't wait to share
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this with you and I hope to see there11070
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