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alright which of these do you think is
the digital amp and which is the real
amp
[Music]
[Applause]
all right what's up guys Jordan here so
my course members for a while now have
been asking me about digital amps amps
in plugins and they've been asking for
my recommendations you know and and how
to work with them and to be honest for a
long time I didn't really have a good
answer because I had not really
experienced a really great sounding amps
in plug-in that I felt comfortable
saying you know yeah I would use this on
a real record it's just I just hadn't
found anything yet but I recently
started playing around with the
archetype nolle plug-in from neural DSP
and no I'm not getting paid to do this
video or anything like that I bought
this plug-in with my own money and I'm
gonna let you know what I think of it in
this video and show you some a B
examples and let you know whether or not
this thing is the real deal so let me
jump in I'll show you what I've been
doing with it how I've been testing it
and I'll start with this example from
the track I just showed you so again I
said which one do you think is the
neural DSP plug-in the nollie plug-in
and which one is the real amp that I
recorded so let me do a quick a B again
here
[Music]
the other one
[Music]
let's check another section
[Music]
of course section I'll solo at this time
[Music]
all right so I don't know what you
guessed but in all those examples the
first one so the a version was the
knurled ESP plug-in the B version was an
actual amp and cab that are recorded so
what I recorded in this session here
I'll play it for you
[Music]
that's a regional 5150 into a Meza 2 by
12 cabinet with vintage 30 speakers
miked with a single sm57 and so I tried
to kind of mimic it with this nalli plug
in here and man I'll tell you when I
first fired this plug-in up with the
5150 and I had my guitar plugged in I
started playing as like wow this
actually sounds like a real amp it
sounds like a 5150 especially when I put
the knobs where I would usually put the
knobs it sounds like what I would expect
so again I'll just flip back and forth
this one that's currently soloed is the
real amp and then this one over here is
the Denali plugin so let's go back and
forth here
[Music]
so obviously it's not exactly the same
tone I don't think you can ever really
take a real amp that you've recorded and
then completely duplicate the tone in a
different plugin
but what I've been doing is in this
session in other sessions I'm going to
show you is I've been going to these
these ryoga's Hart amp tracks that I've
recorded and trying to mimic it and get
the same basic character the same flavor
the same essence of the guitar tone with
this plug-in and the results have been
pretty cool so again even in solo when
you're flipping back is not the exact
same tone that's not ever gonna happen
but when we listen in the context of the
mix it's kind of hard to say that one is
better than the other so again let's
listen with the plug-in
[Music]
really
[Music]
go to another part
was the nollie plugin and here's the
real amp
[Music]
so again I'm using the 5150 model here
they don't specify what it is but it's
clear looking at it that that's what it
is
and then I ended up using the second cab
version here again I have no idea what
the cab models here are they don't they
don't specify but just a single item 57
played around with the positioning and
then also use kind of a tubescreamer
style overdrive here into it again just
the exact same way I would have recorded
these guitars in the studio so to me
that came pretty darn close in fact
again the tones are different when we
flip back and forth but I would say just
listening to this in the context of the
mix I would be comfortable using the
tone from this nollie plug-in in in
place of the real amp tone that I had
they're different but it's not like one
is worse and one is better or one is
obviously digital and one is obviously
not to me I can't tell that difference
so there's like a heavy example a kind
of metalcore example let me flip to
another session and I'll show you
something that's more of a rock tone
okay so this is my mixed session for a
silverstein song off their six record
it's called California so let me play
you kind of the original mix as it was
with the real amps on the rhythm guitars
[Music]
[Applause]
[Music]
all right so I'll mute those rhythm
guitars the originals and then go to my
digital version with the nolle plugin
let's say let's hear that
[Music]
again quick a bee
[Music]
that's the real amps here's the digital
[Music]
and that is pretty darn close let's hear
it in solo
that's the nollie plug-in here's the
amps I recorded
[Music]
so again is the tone exactly matched no
it'sit's modeling a different amp when
it's been modded different cabs stuff
like that but the essence is there like
in the context of the mix it's like it's
the same characters it's accomplishing
the same thing and I think it sounds
great so this time I'm using the this
head here which is basically modeled
after jcm800 got some slight mods and
differences and whatever but it's
basically a jcm800 and the reason I
really love this plug-in is because when
I had my projects to do and I was
tracking bands day in and day out I had
two amps that I owned for my studio it
was a 5150 and a jcm800 and those
covered the bases from heavy stuff
hardcore stuff rock metal to pop punk
and pop rock and stuff like this with
with the jcm800 so with these two amps
which I always ran through my Mesa to
buy 12 cab I could pretty much get tones
for 95% or probably 99% of the records
that I was working on so the fact that
these two amps are modeled inside this
plug-in is perfect for me because again
these are like my go-to tones and I
think it does a great job of doing the
high gain tones at the 5150 and even
this model too but even more of the
lower gain kind of crunchy tones it's
doing a great job at that as well so
let's just check this out one more time
here we'll go to the course
this is the plugin
[Music]
this is the real amp
[Music]
sounds awesome to me so that was the
second thing I tried out after the 5150
I was like alright let's go check out
the 800 and man this is this is really
doing the job that my 800 used to do as
you can hear in this session so let's go
to another example
alright so now this is a session for the
intervals record one of them that I
recorded and mixed this is the song
ephemeral but the session I've loaded up
here is not the final mix session it's
like the working session it's basically
with kind of like before I you know did
everything in the mix it's just the raw
tracks pretty much so I tried to kind of
again mimic the rhythm tone from this
record and it's a lot different than
then kind of the other tones that I just
showed you but it was still actually it
was within axe-fx so we're not even
using the same amp here but let's check
out let's see what we dialed in with the
5150 rig here so actually let me show
you the original tone first this is what
we actually tracked what's on the record
made me get the lead guitar so we can
hear that better
[Music]
so that's the turn on the record here's
the tone with the nollie plugin
[Music]
I'll go back and forth again here's the
real one and then the next one will be
the plugin
[Music]
it's a plugin
[Music]
let's check out that first section again
and a B again we'll start with the
axe-fx and then go to the plugin
[Music]
oh man again even with again that was an
axe of X and this is a completely
different rake here and the plug in both
digital amps but man we got it sounding
pretty close again so use the 5150 again
this time but a lot different settings
here vastly different than the first
example I showed you using a different
cap as well but we got pretty close to
that tone and again it sounds pro it's
not the exact same but it's it's in the
same ballpark cuz it's reaching the same
bar I guess of what I would consider man
this this sounds like a solid guitar
tone that I would use in the mix without
having to mangle it with a bunch of EQ
and stuff afterwards like this is just
coming out straight out of the plugin so
I did that and I thought okay what about
the lead tone so again here's the lead
tone I came up with for this intervals
track using the delay that's built into
this plug-in here
so that's the plugin here's the original
tone that actually recorded
[Music]
plug in again
so that's great as well it's passing
every test to me let's I'm gonna show
you one other one that's kind of a
completely different different tone more
of a grungy indie rock tone so let me
load up another session here all right
here we go so this one's completely
different so let me play for you the
again just the original mix here
[Music]
so pretty cool like dirty indie rock
tone here that was the real amp that I
recorded actually don't remember which
amp this was it was probably the jcm800
though and then here's what I got out of
the nollie plugin
[Music]
it's just as cool let me be one more
time
[Music]
this is the plugin
see if I recorded
this is the recording again the real amp
is the plugin now on second thought
maybe I'm wrong the original tonette
recorder here it might not have been 800
it might have been like a smaller ant
maybe a fender or something that we
tried to drive really hard
[Music]
I honestly can't remember but in the
nollie plug in here I decided to try and
experiment with the first amp the one
that's on the left here and I actually
again I don't know what this exactly is
modeled after but cranked the gain up a
little bit fool around get the master
the output gain cranked up here and then
using the second version of the
overdrive pedal to shape the tone a
little bit and add some more boost I was
able to get a pretty similar kind of
dirty grungy tone let's hear it
[Music]
here's the original again
[Music]
to me even though the tones are
different when we listen to the mix one
more a be here's the plugin
[Music]
it's got the same character it's doing
the same thing in the mix so look those
are just a few examples for you of the
tones that I've been dallying in I've
been having fun not only just actually
playing with my guitar here through the
amps but loading up a lot of my old
mixes like this and trying to get close
to the tones I got out of my real amps
and let me tell you I think this is the
real deal this is the best amps and
plug-in that I have personally tested
and used to this date and it's probably
the first time that I downloaded an AM
sim plug-in to try it out and load it up
and instantly thought oh wow this this
could actually work and it does work so
I definitely recommend it I've created a
pack of presets for you guys so all of
the settings that I just showed you
including this dirty rock tome the
California Silverstein tone the
intervals tone the original one that's
called kingdoms rhythm here the first
one that I showed you and also some some
other tones a pop crunch tone again with
the 800 and then it did like a pop punk
tone with the 800 and these are all
meant to mimic the go-to tones and rigs
that I had in the studio on a bunch of
different records the Silverstein
intervals counterparts all sorts of
bands like that neck deep and I think
you guys will be just as impressed with
this so if you don't have this plug-in
already definitely check out the trial
of it if you're a member of one of my
courses so the pro production system or
hardcore tracking hardcore mixing if you
are an actual member of those courses
check out your email because I'm going
to be sending you a special offer to get
this plugin not because there's any
incentive for me but just because I
really believe that this is the amp sim
plug-in that you want to be using if
you're not recording really amps so big
props to
knurl DSP and for nolle on what they did
on this plugin sounds awesome I'm really
really happy with it and I think I'm
gonna be using this thing a lot going
forward so click the link in the
description if you want to download my
preset pack to get all these settings
that I just showed you and a few more
check out the plug-in let me know what
you think in the comments and that we'll
see you again soon
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