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[Music]
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welcome to motor shield half Explorer
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my name is motorcycle psycho happiest
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composer improviser through this video
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series I'll try to share interesting
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cutting-edge frontier of half playing
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today I've tried to share how to amplify
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or also how to put a microphone and
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connect to the computer when you're
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recording so I'll try to show three
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different way a of miking hub at the end
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I'll direct to share a video clip from
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the concert of my trio coma battery
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[Music]
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first way to external mic on stand going
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to audio interface and a computer is
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their most suitable for a recording
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situation or maybe solo concert you can
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amplify just yourself for the big
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audience like up for big concert hall or
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something like that a second way one
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external mic unclip on the instrument
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and goes to preamp and a mixer and a PA
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so this is are either I mean this
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microphone is good for recording too if
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you are recording with other
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instrumentalists in one room because
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their microphone is behind the
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instrument that means mic doesn't pick
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up the sound from other instruments so
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much just a little bit so it means a
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microphone has the good isolation the
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third way one contact pick up to the
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preamp and a PS system and a pre amp has
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a little bit EQ so you can adjust a
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sound and go to the PA this is also very
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good for light performance and in this
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way you can isolate sound of have much
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better but downside of this way is since
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the microphone is directly attached to
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the soundboard the sound of a harp is
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not as natural as the other ways
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it means harp sounds a little bit stiff
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or kind of artificial so that if you're
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playing with a lot of electric
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instrument or big ensemble something
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like that a little bit of change or
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distortion of the color of the hub
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doesn't bother too much so this is a
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definitely a good option for playing in
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a loud band or big ensemble you can pick
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one of these three ways according to
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their performance environment
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you are in first I would like to talk
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about a to external microphones a hook
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to audio interface and then computer so
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this setting is good for recording in
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studio so the hop is here and I usually
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set the microphone behind the hub
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because if you set the microphone in
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front of their instrument it pick up
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more breathing noise so I often put the
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microphone the other side of the
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instrument like this distance and I'd
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like to use the two different
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microphones and a for lower register I
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use ribbon microphone which is very
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sensitive and then has a nice round
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smooth sound and then this is like a
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sound treatment you don't get a bouncy
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echo from the room at least you can
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minimize it and therefore high register
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I used the condenser microphone which
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has more bright brightness and clarity
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of the sound so I set a to my phone
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microphone like this and then same some
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treatment like this you don't need it
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but actually I I prefer to use that
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because this room is such a small room
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and they run the cable and the floor and
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then liberal microphone needs a preamp
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in the middle so I put the preamp there
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and then connect to their audio
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interface which is delivered a signal
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eventually to the computer and this is a
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computer screen and I'm using a Studio
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One software to do the recording and
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this software is great for recording
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mixing even you can master your
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soundtrack who is this program which is
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very good so this is the basic setup for
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a studio recording
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the second one is one external
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microphone and it goes to their preamp
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and go to the mixer and go to the PA
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that connection
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so and a behind the harp actually this
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kind of microphone you can attach to the
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body with a clip without making any
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drill holes and nothing just to clip on
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and then this is very sensitive small
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condenser mic like this and the company
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makes this kind of mic is AMT and this
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one is sold as hot mic for a little
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while but they are now selling the exact
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same model but they are still selling
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the similar model so I will show you
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that later and actually this here you
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connect the cable and then run inside of
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the instrument and coming out like this
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and usually I use their masking tape to
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fix the a wire on the side of the string
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the instrument and then this wire here
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this wire goes into this preamp which
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requires 9-volt battery and you can
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directly connect preamp to the mixer
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board like this and then go to the
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speaker but actually I prefer to a
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connect to this kind of kind of over a
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digital mixer and then this is Mackey's
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plural DX for only two channels but for
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solo hop this is great or adjust you 100
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the one or two microphones from the hub
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this is great equipment and a cool thing
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about this gear is control panel is on
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your cell phone in this case I used a
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[Music]
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iPod
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that are seeing actually you can change
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the setting on this thing and then
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there's a equalizer and a lots of
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different effects like reverb and you
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can also eat cue the sound of the harp
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from here and then I run the cable this
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is a quarter-inch cable into their mixer
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here so when you send a signal to the
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board actually you already create the
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sound you like on this device so you can
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make it sure that PA board is getting
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the sound you you want to send okay this
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is there another way to wire your mic to
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the hop okay this is another kind over
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Condesa microform yes you can clip on to
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the backside of the instrument and this
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microphone actually you don't need a
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preamp as long as the PA system can send
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you the phantom power because you have a
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little passive preamp here inline preamp
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so this is also very convenient one
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actually I just bought this model
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because and the old one is not available
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but I wanted to have couple over a
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microphone just in case for backup if
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one of them break or something like that
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so the company is AMT and the model
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number is P 43 s so or it's about $350
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but it's very good microphone and very
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very handy so it's highly recommended
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and this is another option for a small
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condenser microphone attached to the
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instrument the third way is using a
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contact microphone so can you see a
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little round thing black landing stick
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on the sound board and that is a contact
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microphone actually that pick up their
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vibration
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of the soundboard and that is wired to
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the plug here actually inside of their
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instrument and this is a quarter inch
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cable connector and then you I actually
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I stick this on the bottom of their
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instrument with this velcro tape and it
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sticks here and then again I run this
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thicker cable a outside and then stick
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the cable to their body of the harp with
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the masking tape the masking tape is
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great because when you rip off it come
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out very easy but as long as it stays
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it's very secure - and then you connect
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to the preamp with the parametric
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equalizer this is a our bags is very
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nice little preamp you can adjust the
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tones and colors of the sound by using
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this equipment and then going to the
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mixer
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[Laughter]
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[Music]
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[Laughter]
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music]
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thank you very much13585
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