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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:03,800 [Music] 2 00:00:03,800 --> 00:00:06,450 welcome to motor shield half Explorer 3 00:00:06,450 --> 00:00:08,820 my name is motorcycle psycho happiest 4 00:00:08,820 --> 00:00:11,879 composer improviser through this video 5 00:00:11,879 --> 00:00:14,280 series I'll try to share interesting 6 00:00:14,280 --> 00:00:17,150 cutting-edge frontier of half playing 7 00:00:17,150 --> 00:00:21,150 today I've tried to share how to amplify 8 00:00:21,150 --> 00:00:24,359 or also how to put a microphone and 9 00:00:24,359 --> 00:00:26,970 connect to the computer when you're 10 00:00:26,970 --> 00:00:29,699 recording so I'll try to show three 11 00:00:29,699 --> 00:00:34,920 different way a of miking hub at the end 12 00:00:34,920 --> 00:00:38,520 I'll direct to share a video clip from 13 00:00:38,520 --> 00:00:43,270 the concert of my trio coma battery 14 00:00:43,280 --> 00:00:49,190 [Music] 15 00:00:49,200 --> 00:00:54,360 first way to external mic on stand going 16 00:00:54,360 --> 00:00:56,130 to audio interface and a computer is 17 00:00:56,130 --> 00:00:59,310 their most suitable for a recording 18 00:00:59,310 --> 00:01:05,420 situation or maybe solo concert you can 19 00:01:05,420 --> 00:01:09,240 amplify just yourself for the big 20 00:01:09,240 --> 00:01:11,130 audience like up for big concert hall or 21 00:01:11,130 --> 00:01:13,710 something like that a second way one 22 00:01:13,710 --> 00:01:16,740 external mic unclip on the instrument 23 00:01:16,740 --> 00:01:21,259 and goes to preamp and a mixer and a PA 24 00:01:21,259 --> 00:01:24,900 so this is are either I mean this 25 00:01:24,900 --> 00:01:27,210 microphone is good for recording too if 26 00:01:27,210 --> 00:01:29,509 you are recording with other 27 00:01:29,509 --> 00:01:32,250 instrumentalists in one room because 28 00:01:32,250 --> 00:01:34,320 their microphone is behind the 29 00:01:34,320 --> 00:01:37,140 instrument that means mic doesn't pick 30 00:01:37,140 --> 00:01:40,259 up the sound from other instruments so 31 00:01:40,259 --> 00:01:43,229 much just a little bit so it means a 32 00:01:43,229 --> 00:01:46,140 microphone has the good isolation the 33 00:01:46,140 --> 00:01:49,410 third way one contact pick up to the 34 00:01:49,410 --> 00:01:53,610 preamp and a PS system and a pre amp has 35 00:01:53,610 --> 00:01:55,649 a little bit EQ so you can adjust a 36 00:01:55,649 --> 00:01:58,770 sound and go to the PA this is also very 37 00:01:58,770 --> 00:02:01,410 good for light performance and in this 38 00:02:01,410 --> 00:02:04,830 way you can isolate sound of have much 39 00:02:04,830 --> 00:02:10,319 better but downside of this way is since 40 00:02:10,319 --> 00:02:12,630 the microphone is directly attached to 41 00:02:12,630 --> 00:02:15,840 the soundboard the sound of a harp is 42 00:02:15,840 --> 00:02:20,280 not as natural as the other ways 43 00:02:20,280 --> 00:02:24,660 it means harp sounds a little bit stiff 44 00:02:24,660 --> 00:02:27,810 or kind of artificial so that if you're 45 00:02:27,810 --> 00:02:29,459 playing with a lot of electric 46 00:02:29,459 --> 00:02:34,260 instrument or big ensemble something 47 00:02:34,260 --> 00:02:39,380 like that a little bit of change or 48 00:02:39,380 --> 00:02:43,280 distortion of the color of the hub 49 00:02:43,280 --> 00:02:46,560 doesn't bother too much so this is a 50 00:02:46,560 --> 00:02:51,330 definitely a good option for playing in 51 00:02:51,330 --> 00:02:55,890 a loud band or big ensemble you can pick 52 00:02:55,890 --> 00:02:58,290 one of these three ways according to 53 00:02:58,290 --> 00:03:02,480 their performance environment 54 00:03:02,480 --> 00:03:06,769 you are in first I would like to talk 55 00:03:06,769 --> 00:03:11,090 about a to external microphones a hook 56 00:03:11,090 --> 00:03:14,269 to audio interface and then computer so 57 00:03:14,269 --> 00:03:16,790 this setting is good for recording in 58 00:03:16,790 --> 00:03:20,930 studio so the hop is here and I usually 59 00:03:20,930 --> 00:03:23,420 set the microphone behind the hub 60 00:03:23,420 --> 00:03:27,140 because if you set the microphone in 61 00:03:27,140 --> 00:03:29,780 front of their instrument it pick up 62 00:03:29,780 --> 00:03:34,159 more breathing noise so I often put the 63 00:03:34,159 --> 00:03:36,470 microphone the other side of the 64 00:03:36,470 --> 00:03:39,709 instrument like this distance and I'd 65 00:03:39,709 --> 00:03:40,730 like to use the two different 66 00:03:40,730 --> 00:03:44,120 microphones and a for lower register I 67 00:03:44,120 --> 00:03:48,680 use ribbon microphone which is very 68 00:03:48,680 --> 00:03:52,099 sensitive and then has a nice round 69 00:03:52,099 --> 00:03:57,190 smooth sound and then this is like a 70 00:03:57,190 --> 00:04:00,890 sound treatment you don't get a bouncy 71 00:04:00,890 --> 00:04:04,099 echo from the room at least you can 72 00:04:04,099 --> 00:04:07,430 minimize it and therefore high register 73 00:04:07,430 --> 00:04:10,250 I used the condenser microphone which 74 00:04:10,250 --> 00:04:14,239 has more bright brightness and clarity 75 00:04:14,239 --> 00:04:17,930 of the sound so I set a to my phone 76 00:04:17,930 --> 00:04:20,750 microphone like this and then same some 77 00:04:20,750 --> 00:04:23,180 treatment like this you don't need it 78 00:04:23,180 --> 00:04:25,099 but actually I I prefer to use that 79 00:04:25,099 --> 00:04:27,200 because this room is such a small room 80 00:04:27,200 --> 00:04:30,760 and they run the cable and the floor and 81 00:04:30,760 --> 00:04:33,500 then liberal microphone needs a preamp 82 00:04:33,500 --> 00:04:36,919 in the middle so I put the preamp there 83 00:04:36,919 --> 00:04:40,940 and then connect to their audio 84 00:04:40,940 --> 00:04:46,539 interface which is delivered a signal 85 00:04:46,539 --> 00:04:51,050 eventually to the computer and this is a 86 00:04:51,050 --> 00:04:54,620 computer screen and I'm using a Studio 87 00:04:54,620 --> 00:04:57,979 One software to do the recording and 88 00:04:57,979 --> 00:05:00,949 this software is great for recording 89 00:05:00,949 --> 00:05:04,479 mixing even you can master your 90 00:05:04,479 --> 00:05:07,220 soundtrack who is this program which is 91 00:05:07,220 --> 00:05:11,150 very good so this is the basic setup for 92 00:05:11,150 --> 00:05:15,020 a studio recording 93 00:05:15,020 --> 00:05:18,990 the second one is one external 94 00:05:18,990 --> 00:05:22,680 microphone and it goes to their preamp 95 00:05:22,680 --> 00:05:26,940 and go to the mixer and go to the PA 96 00:05:26,940 --> 00:05:28,650 that connection 97 00:05:28,650 --> 00:05:32,850 so and a behind the harp actually this 98 00:05:32,850 --> 00:05:36,810 kind of microphone you can attach to the 99 00:05:36,810 --> 00:05:39,840 body with a clip without making any 100 00:05:39,840 --> 00:05:41,970 drill holes and nothing just to clip on 101 00:05:41,970 --> 00:05:44,730 and then this is very sensitive small 102 00:05:44,730 --> 00:05:49,830 condenser mic like this and the company 103 00:05:49,830 --> 00:05:52,920 makes this kind of mic is AMT and this 104 00:05:52,920 --> 00:05:56,550 one is sold as hot mic for a little 105 00:05:56,550 --> 00:05:59,430 while but they are now selling the exact 106 00:05:59,430 --> 00:06:01,530 same model but they are still selling 107 00:06:01,530 --> 00:06:03,540 the similar model so I will show you 108 00:06:03,540 --> 00:06:08,490 that later and actually this here you 109 00:06:08,490 --> 00:06:11,280 connect the cable and then run inside of 110 00:06:11,280 --> 00:06:13,080 the instrument and coming out like this 111 00:06:13,080 --> 00:06:15,990 and usually I use their masking tape to 112 00:06:15,990 --> 00:06:21,750 fix the a wire on the side of the string 113 00:06:21,750 --> 00:06:26,180 the instrument and then this wire here 114 00:06:26,180 --> 00:06:31,710 this wire goes into this preamp which 115 00:06:31,710 --> 00:06:34,950 requires 9-volt battery and you can 116 00:06:34,950 --> 00:06:41,100 directly connect preamp to the mixer 117 00:06:41,100 --> 00:06:45,000 board like this and then go to the 118 00:06:45,000 --> 00:06:51,380 speaker but actually I prefer to a 119 00:06:51,380 --> 00:06:56,450 connect to this kind of kind of over a 120 00:06:56,450 --> 00:07:01,770 digital mixer and then this is Mackey's 121 00:07:01,770 --> 00:07:04,530 plural DX for only two channels but for 122 00:07:04,530 --> 00:07:08,940 solo hop this is great or adjust you 100 123 00:07:08,940 --> 00:07:11,130 the one or two microphones from the hub 124 00:07:11,130 --> 00:07:14,670 this is great equipment and a cool thing 125 00:07:14,670 --> 00:07:20,040 about this gear is control panel is on 126 00:07:20,040 --> 00:07:24,200 your cell phone in this case I used a 127 00:07:24,200 --> 00:07:25,820 [Music] 128 00:07:25,820 --> 00:07:27,639 iPod 129 00:07:27,639 --> 00:07:31,810 that are seeing actually you can change 130 00:07:31,810 --> 00:07:35,650 the setting on this thing and then 131 00:07:35,650 --> 00:07:38,439 there's a equalizer and a lots of 132 00:07:38,439 --> 00:07:40,960 different effects like reverb and you 133 00:07:40,960 --> 00:07:43,120 can also eat cue the sound of the harp 134 00:07:43,120 --> 00:07:46,240 from here and then I run the cable this 135 00:07:46,240 --> 00:07:49,719 is a quarter-inch cable into their mixer 136 00:07:49,719 --> 00:07:52,150 here so when you send a signal to the 137 00:07:52,150 --> 00:07:55,120 board actually you already create the 138 00:07:55,120 --> 00:07:59,800 sound you like on this device so you can 139 00:07:59,800 --> 00:08:03,069 make it sure that PA board is getting 140 00:08:03,069 --> 00:08:06,789 the sound you you want to send okay this 141 00:08:06,789 --> 00:08:12,039 is there another way to wire your mic to 142 00:08:12,039 --> 00:08:18,029 the hop okay this is another kind over 143 00:08:18,029 --> 00:08:24,849 Condesa microform yes you can clip on to 144 00:08:24,849 --> 00:08:27,900 the backside of the instrument and this 145 00:08:27,900 --> 00:08:30,599 microphone actually you don't need a 146 00:08:30,599 --> 00:08:35,529 preamp as long as the PA system can send 147 00:08:35,529 --> 00:08:40,680 you the phantom power because you have a 148 00:08:40,680 --> 00:08:44,649 little passive preamp here inline preamp 149 00:08:44,649 --> 00:08:48,070 so this is also very convenient one 150 00:08:48,070 --> 00:08:50,470 actually I just bought this model 151 00:08:50,470 --> 00:08:54,040 because and the old one is not available 152 00:08:54,040 --> 00:08:55,829 but I wanted to have couple over a 153 00:08:55,829 --> 00:08:59,050 microphone just in case for backup if 154 00:08:59,050 --> 00:09:02,800 one of them break or something like that 155 00:09:02,800 --> 00:09:06,550 so the company is AMT and the model 156 00:09:06,550 --> 00:09:11,980 number is P 43 s so or it's about $350 157 00:09:11,980 --> 00:09:14,470 but it's very good microphone and very 158 00:09:14,470 --> 00:09:18,130 very handy so it's highly recommended 159 00:09:18,130 --> 00:09:23,380 and this is another option for a small 160 00:09:23,380 --> 00:09:25,269 condenser microphone attached to the 161 00:09:25,269 --> 00:09:28,690 instrument the third way is using a 162 00:09:28,690 --> 00:09:31,390 contact microphone so can you see a 163 00:09:31,390 --> 00:09:34,209 little round thing black landing stick 164 00:09:34,209 --> 00:09:37,060 on the sound board and that is a contact 165 00:09:37,060 --> 00:09:39,899 microphone actually that pick up their 166 00:09:39,899 --> 00:09:41,410 vibration 167 00:09:41,410 --> 00:09:46,029 of the soundboard and that is wired to 168 00:09:46,029 --> 00:09:49,649 the plug here actually inside of their 169 00:09:49,649 --> 00:09:52,829 instrument and this is a quarter inch 170 00:09:52,829 --> 00:09:56,529 cable connector and then you I actually 171 00:09:56,529 --> 00:10:00,209 I stick this on the bottom of their 172 00:10:00,209 --> 00:10:05,800 instrument with this velcro tape and it 173 00:10:05,800 --> 00:10:08,949 sticks here and then again I run this 174 00:10:08,949 --> 00:10:12,389 thicker cable a outside and then stick 175 00:10:12,389 --> 00:10:16,029 the cable to their body of the harp with 176 00:10:16,029 --> 00:10:18,670 the masking tape the masking tape is 177 00:10:18,670 --> 00:10:20,949 great because when you rip off it come 178 00:10:20,949 --> 00:10:23,170 out very easy but as long as it stays 179 00:10:23,170 --> 00:10:26,399 it's very secure - and then you connect 180 00:10:26,399 --> 00:10:31,779 to the preamp with the parametric 181 00:10:31,779 --> 00:10:36,009 equalizer this is a our bags is very 182 00:10:36,009 --> 00:10:40,839 nice little preamp you can adjust the 183 00:10:40,839 --> 00:10:44,500 tones and colors of the sound by using 184 00:10:44,500 --> 00:10:52,350 this equipment and then going to the 185 00:10:52,350 --> 00:10:55,360 mixer 186 00:10:55,370 --> 00:10:58,000 [Laughter] 187 00:10:58,000 --> 00:11:02,290 [Music] 188 00:11:02,290 --> 00:11:08,810 [Laughter] 189 00:11:08,820 --> 00:12:06,490 [Music] 190 00:12:06,490 --> 00:12:11,320 [Applause] 191 00:12:11,330 --> 00:17:07,060 [Music] 192 00:17:07,060 --> 00:17:14,609 [Applause] 193 00:17:14,619 --> 00:18:22,840 [Music] 194 00:18:22,850 --> 00:18:26,120 thank you very much13585

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