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hello Jordan here from hardcore music
studio calm in this video I'm going to
show you how to fix a muddy guitar tone
using the classic Andy Sneap c4 setting
for the ways c4 plugin so a common
problem with heavy distorted guitars
especially in you know rock and metal
music is the Pamyu it's right they tend
to build up the low end and the low mids
and kind of a nasty way they can kind of
really just swell and take over the mix
and make it sound like you've got a
muddy tone when maybe everything else
you know we needs not playing pond meets
sounds totally fine so how do we address
this in the mix well it's very very
simple here let me show you just one
section in this song where we've got
some pom mutes happening
[Applause]
[Music]
[Applause]
[Music]
lots of heavy chucks here with you know
lots of low-end building up you can even
see it in the waveform you can see the
the spikes here when he's hitting the
palm you
[Music]
so we're just gonna focus on this c4
plug-in so this is a multiband
compressor this one is by ways but if
you've got something by another brand
that's totally fine it just has to be a
multiband compressor so the c4 setting
it's incredibly incredibly simple so let
me reset this and by the way I've got
I've got these rhythm guitar tracks
grouped here so everything I do on one
of these left or right tracks is gonna
show up on the same plug-in on the other
one as well so just so you know as I'm
adjusting this plug-in on the left side
it's gonna happen for the right side as
well so let's bypass this and just see
the raw well not the right tone because
we have all these other plugins but
without the c4 here so especially right
here when he's doing these Chuck's you
can really hear the low-end build up
starting to sound a little money there
so we're gonna control that using the
c-4 plugin so let me actually get rid of
this plug-in first so let's load it up
again okay now here's the thing this
plug-in is loading up with just the
factory default so nothing is set here
already I'd actually don't even have
this saved as a preset because it's
incredibly simple I don't change
anything except for I bypass all the
bands except for the low mid where I
want to actually affect so for money
pomade guitars you know they're gonna be
between probably a hundred and you know
maybe up to four hundred Hertz but
probably around the 250 300 range so
let's change this to 350 so now I've
adjusted the bandwidth here so this
compressor is only gonna act within this
range from 92 Hertz to about 350
everything else is going to ignore but
just when that specific frequency range
exceeds the threshold it's gonna
compress it down so I don't change any
of the other settings you know the
attack and release it's all fine I'm
happy with how it sounds for guitars
here so now we're just gonna play this
section and then we're just gonna adjust
the threshold down until we're getting
the amount of compression we want
[Music]
so right away off the bat you know just
it's doing a fair bit there let's listen
to a B so here's without and then I'll
put it away in with
[Music]
so you can see how that's already
sounding a lot cleaner there let's just
play with it a little more I'll kind of
go extreme and then I'll back it up to
kind of where I would normally want to
have it
[Music]
so let's ad again
[Music]
so I'm I'm exaggerating here I'm just
trying to emphasize what this plug-in is
doing I think that's actually doing a
little bit too much there the thing is
you don't want to totally suck that out
because that's part of what makes a
pomade sound like a Pamyu right you
don't want to make it sound like Aflac
it's our tone that's never being played
differently he is palming and you want
that to come across there should be a
little bit of extra added low-end when
that happens that's what makes it sound
heavy so you don't want to suck at all
that like I was just doing there if you
really want to set it so that the bulk
of the normal guitar plane in the song
is not getting touched by this plugin
but then when he hits those big chugs or
the the parts in the song where the low
ones really building up then you want it
to kick in and then leave the rest of
the tone alone so let's try and dial
that in
[Music]
that's a little better you can see it's
barely moving on these normal port parts
here
see how it really kicked in on those
Chuck's there
really here that buildup right there
let's put it back in
so we still get a little bit of
chunkiness from the chugs but it's not
kind of overwhelming and it's not
sounding muddy it's just you know giving
a little bit actually pushing this
plugin is just controlling that swell so
it's not too crazy so I like where
that's sitting right there so that's it
all you got to do with this plugin is
bring it up don't worry about any of the
other settings hit bypass on everything
except for the low mid band here adjust
the frequency usually end up with this
around 350 but you know if you have
something that's a little lower in the
range and you can adjust that as well
then you just tweak the threshold so
that the bulk of the tone is untouched
and then just when it hits those big
swelly
low-end chug parts then you want the
compressor to kick in and dip it down
and the reason this is so powerful is
because the other option to deal with
kind of the low end or the low mid
muddiness and heavy guitars like this is
to use an EQ so you could pull up any
key like this you know set it around 250
[Music]
so right there we've we've got rid of
the low-end build up from the chugs but
we've also ruined the rest of the tone
right when he's not chugging you know
we've made it sound thin by just doing a
once-and-for-all
dip out in the low-mid so we don't want
to do that that's why the c4 or a
multiband compressor in the low mids
here is super powerful that for guitars
like this because it's only gonna work
on those problem spots you'd almost
think of it as a dynamic EQ it's almost
like an EQ that's dipping it down only
when necessary so hopefully that helps
hopefully that's a really clear demo of
the Andy Sneap c4 setting you might see
people throwing around that term online
this is how it's done and this is how
you can control the muddiness from pom
unity guitars in your mixes without you
know ruining the tone with the big EQ
skew if you want to see more mixing tips
like this make sure you subscribe to
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and lastly if you're not on my email
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this for the first time I want you to
head over to make it better records calm
I've got a free gift for you there some
mixing cheat sheet it's really gonna
help you out give you a good starting
point for EQ and compression for all the
different tracks you might have in your
mix Plus on my email list it's all my
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it's the best place to keep in touch
with me again make it better records
calm otherwise see you next time
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