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as far as acoustic instruments go the
piano is perhaps the most mechanically
and sonically complex of them all a
grand piano can consist of over 7,000
parts and there's about seven thousand
ways to mic one here are a few
techniques to dial in the perfect piano
sound for our first set up we have the
mics inside the piano for a bright pop
sound this offers good isolation which
can be improved by lowering the lid we
have a pair of 1846 t tube condensers
eleven inches above the strings pointed
straight down a microphone with an
extremely consistent cardioid pickup
pattern throughout the frequency
spectrum like the forty sixty is ideal
for piano when using two mics like this
it's important to observe the three to
one rule by keeping the mics at least
three times farther from each others in
the sound source in this case the
strings of the piano proper phase
alignment can be maintained always make
sure to check phase at the console to
one mic is placed at the center of each
string group be careful not to get too
close to the strings to ensure that
strings closest to the mic aren't over
emphasize brightness can be increased by
moving closer to the Hammers or
conversely lessen by moving away
you
next we'll use a stereo pair outside the
piano for more natural solo piano sound
here we have a pair of 1840 51b small
diaphragm condensers in x/y about three
feet in front of the piano five feet off
the ground the best way to find the
ideal location is to move around the
room why the pianist plays the spot that
sounds best to your ears will probably
sound best to the mics too
Oh
you
the full sound of the piano can also be
captured with a single mic here we have
an 80 20 20 cardioid condenser just
outside the piano again walking around
while the player plays is the best way
to find a sweet spot
placing the mic close to the piano will
keep it from being overly roomy
but
you
with these techniques you can tame any
piano on the stage or in the studio
Audio Technica has you covered
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