All language subtitles for fbi s05e11 1080p web h264-cakes (1)_track3_[eng]

- Yo, those ain't free.

- Um, okay. Um.

Yeah, can I just
get a coffee, black.

Oh, man.

Thank you.

Hey, Jubal, sorry,
I'm running late.

Some crazy guy
threw his coffee at me.

The police came.
It was a whole thing.

But you know,
justice was served.

The cops ordered
the guy to apologize

and pay my dry cleaning bill.

- Uh-huh. And did he?

- The guy gave me 25¢.

The police said
that was enough,

and he was sent
on his merry way.

- Well, that's why
you're an analyst

and not a special agent.
- What's that supposed to mean?

- Agents don't let crazy people
throw coffee at them, man.

They just don't.
- Yeah.

I don't think that
that's actually--

- Relax. I'm kidding. Sort of.

I'll see you in a bit.

[people screaming]

- Is everything okay?

I thought I heard
someone screaming and--

- Don't move.

Don't say a word
or I'll shoot you.

- Get down.
Get down on the ground.

Get down on the ground
with the others.

- You heard her.
Get over here, now.

- Okay, look, look, look,
there's no need to be--

[tense music]

- No more talking
or you're a dead man.

♪ ♪

What do you mean
you can't do it?

Huh?
It can't be that difficult.

- It's all computerized.

I don't have access
to the codes.

I'm sorry.

- Okay, then we need
to get access to them.

In the meantime, you need
to lock the front door.

Make it look like
the bank is closed.

Come on, move.

♪ ♪

- Wait, wait, he asked you
to split the bill?

- No, it was worse.

He went line by line.

You ordered the branzino,
I had the chicken.

- Wow, well,
he sounds very thorough.

And if you see him
again, you are fired.

I mean it.

♪ ♪

Isobel, you need to get
to the JOC right away.

All right, so one
of our own is being

held hostage at Trust
National Bank in Brooklyn,

and every move we make,

every action we take
needs to be precise

and needs to end
with Kelly Moran

and the rest of the hostages
walking out of there unharmed.

- Do we have access
to the bank security cameras?

- Almost there.

Got it.

- Okay, okay, here we go.

Yeah, yeah, yeah, yeah.

Okay, can you zoom in
to this one right here, please?

♪ ♪

There's Kelly.

Are these masks gonna stop us
from getting facial rec?

- Trying now.

No hits.
- Okay.

- Everybody, take out
your cell phones

and throw them in the center
of the carpet right here.

Now, everyone.

- We're not gonna ask again.

We want everyone's phone now.

If we find a phone
in your pocket,

if we hear a ring or a buzz,
we will shoot you.

Where's your phone?

- Yeah, I--I must have
left it at home.

I--I was rushing
to the cleaner, and I--

I must have--
- Stand up.

- Hey, look at my shirt.
I spilled coffee all over it.

- Just stop talking.

- I hope you're
telling the truth.

♪ ♪

Take your jacket off, slowly.

Throw it on the floor.

Sit down.

I'm glad.

I don't wanna shoot anyone.

I swear to God.

But I will.

♪ ♪

Come on, you're the
bank manager, okay?

I need to get in here.

Tell me you found something.

- No.

I'm sorry.
- Wrong answer.

Bradley.

- Look, I know you're upset,
but there's nothing I can do.

But I can give you money.

- We don't care about money.

We need what's in
that safe deposit box.

- Okay,
like I keep telling you,

I can't access the box

without the customer's
ocular biometrics.

- What the hell
does that even mean?

- The security system needs
to scan the person's eyes.

Okay, there's--
there's no other way.

The customer needs
to be here in person.

[sirens wailing]

- What the hell?
Did you call the police?

- No. No, I swear.

I--I've been here
the whole time.

You would have seen me.

♪ ♪

[agents shouting]

- If anyone moves an inch,
we will shoot you, understand?

- All right,
we're on the scene.

Have Scola establish
a line of communication,

and you head down there
as well.

Who knows what these lunatics
have in mind.

- Yeah.

- Get the snipers in position.
Set up a containment.

100-yard radius.

- This is Special Agent Scola
with the FBI.

I'd like to talk to you.

- I'll go get the hostage
negotiation phone.

- We're gonna leave a phone
at the front door.

We will not attempt
to enter the building.

You have my word.

I just wanna talk to you,
figure a way out of this.

- Any audio?

We gotta hear what
they're saying.

- Let me try.

Mm, negative.
It's a video feed only.

- There has to be
a way to do this.

- There is, but the person

who actually rents the box
needs to be here.

- Well, he's not available,
okay, so stop saying that.

- I'm just--I'm telling you
that's the only way.

- Can you call someone
at the bank

and ask them to open box 1340?

- What are you waiting for?
Start calling.

Get us inside that box.

♪ ♪

- Box owner's name
is Rafael Salazar.

Started renting the safe
deposit box three months ago.

- Okay, what else
do we know about him?

- Born and raised
on Long Island.

Currently lives in Oyster Bay.

Looks like he works in finance.

- Okay, good.

Now we know whose safe deposit
box they are trying to access.

We just need to figure out
the why

and how they are connected.

- I got two security cameras
across the street.

- Let's go check them out.

- The bank opens up at 9:00,

so I'd say
they showed up around 8:30.

- Okay.

- Right there.

- Can you go back to the car
and blow that up?

♪ ♪

- Okay, can you fast forward
until you see their faces

and then blow that up, too,
please?

- Got it.

- Perfect.
- Thanks.

- Okay, just got a hit
on the car.

It belongs to the safe deposit
owner, Rafael Salazar.

- All right, well, now we know
they are both connected

to him somehow.

- Just ran the facial images
OA sent over.

The male's name is
Marco Salazar, age 37.

He's the only child
of Rafael Salazar.

The female is Jennifer Salazar.
It's Marco's wife.

They lived in Texas
for a while.

Neither one
has a criminal record.

- All right,
where do they live now?

- Same Oyster Bay address
as Rafael.

- Okay, let's get Maggie
and OA over there right away.

In the meantime, keep digging
into Marco and Jennifer.

I wanna know everything we can
about these two, who they are,

what they do, and what they ate
for breakfast, now.

- We're heading up
to Long Island.

Gunman's father lives up there.

Maybe he knows
what the hell is going on.

- The hostage phone
is by the door.

- Okay. That's it. Thank you.

All right, so if he
picks up the phone,

let's get him talking about his
father, see what we can learn.

But first things first,
get him to pick up.

- Copy that.

It's Agent Scola.

There's a phone at the door.

Please, just answer it, okay?

It'll help us communicate.

Help us figure something out.

- All right, here he comes.

- You, come with me.

- What?

[breathing shakily]

♪ ♪

- Grab the phone!

Let's talk.

- Grab it.

- Let me help you.

- Do we have a shot?
- It's too risky.

Two suspects
and multiple hostages.

- Get down.

♪ ♪

[phone ringing]

- Hello?

- Marco, Agent Scola.

- How--how do you know my name?

- We're the FBI, Marco.

We do this for a living.
We know a lot of things.

Okay, we also have access

to a lot
of different information.

It's a good thing.

It means that we can help you
and your wife, Jennifer.

Also means we can negotiate.

- I don't wanna negotiate.

I want a locksmith,
an expert locksmith,

someone who could break
into a computerized,

state-of-the-art
safe deposit box.

And--and I want zip ties.

- Okay. That's easy.

We can find a locksmith, get
you some zip ties, all right?

But in the meantime,
please, just try

and stay calm, all right?
You don't wanna hurt anyone.

It's only gonna
make things worse.

- Things can't get
any worse, not for us.

Just--just get us
that locksmith.

If he does what we need him
to do, everyone lives.

If he doesn't, everyone dies.

♪ ♪

- Hell of a place.

- [pounding on door]
FBI.

We're looking
for Rafael Salazar.

Hello?

Mr. Salazar? This is the FBI.

We need to talk, now.

- Isobel, no one seems to be
home and the door's locked.

- His father may be involved
in the crime.

Exigent circumstances.

Just get in there
and get me some answers.

[suspenseful music]

♪ ♪

- FBI.

- Anybody home?

- OA, get up here right away.

He's dead.

- Doesn't look like
it was a pleasant one, either.

- No.

- Thank you.

Hey, so the male gunman's
father is dead.

Maggie and OA just found
his body at his estate

in Long Island,
and it looks like

he was pretty badly beaten.

[phone rings]

- That's him.

Marco, listen,
all right, I'm gonna need

a little more time, okay?

- No more stalling.

You want me to prove
I'm serious?

- No, listen,
that's a bad idea.

[line disconnects]

He hung up.

We need to find
this damn locksmith.

- I called the tech squad,
but their guy's

all the way in New Haven.
- We don't have time.

We need someone now
or he's gonna start shooting.

- Where's that damn locksmith?

We're running out of time.

♪ ♪

- I just got a text message
from Kelly.

- You.

Stand up.

- You want me to stand up?
- Yes, now.

[line trills]

[phone ringing]

- Look, I already told you,
okay,

I need another 15 minutes.

- You have exactly 15 minutes.

If I don't have a locksmith,

I'm gonna shoot this guy
right here.

- You'll get a locksmith,
okay, and a good one.

I promise you that.

- This man is not playing.

♪ ♪

- You sure about this, Jubal?

- Not really, but we don't
have a choice, do we?

- No.

Hopefully, you won't
have to be in there long.

- Snipers are in position,
okay?

As discussed, just try
to find a way to draw Marco

toward the front window.

We'll take him out.

You overpower the wife,
take her by surprise.

Last thing she's expecting
is a locksmith to play hero.

♪ ♪

- Come over here.
We need to pat you down.

- You wanna pat me down here?

- No, you come here.

- Okay.

- Over here.

Okay, right there. Right there.
Drop your bags.

Okay.

I'm gonna pat you down, okay?

Okay, he's clean.

Open up your bags.

- Okay.
- Yeah.

- Yeah. It's just my tools.

- What's that?
- The FBI people gave me that.

- Step back.

Zip ties.

Okay, open this one.

- That's it.

- Okay, he's safe. No weapons.

- I need
a safe deposit box opened.

Bank manager says you need
the customer's eyes in person,

but there has to be
a way around that,

you know what I mean?

- There's always a way.

We can get the person
who pays for the box--

- No, that won't work.

- Actually, it will.
- It won't work!

- Oh. Right.

Well, we'll find another way.

- Good.
Good, I like your attitude.

- Yeah.

- Okay, is there anything else
I need to know?

- Yeah.

We need you to get
inside that box

within the next 30 minutes,
yeah?

- 30 minutes, huh? Okay.

- What are you looking at?

- What--what's that?
- You keep looking around.

- I'm a little nervous here,
man.

You got guns pointed at me,
people sitting around.

I mean, why don't you let
the rest of these people go?

- No, we're not
letting anyone go

until you get inside that box.

- It's fine,
I'm just a locksmith

trying to do a good deed here.

- Just come with me. Now.

- Yeah.

- 1340.

- 1340. Okay, um...

Where is it...

- Okay, if anybody tries
to be a hero,

I will shoot you, okay?

So just stay down and let
the locksmith do his thing.

Just don't move.

- Right.

♪ ♪

- Are you good?

- I--yeah, it looks, you know,
pretty straightforward.

- Get to work.

- Ian's gonna walk you
through this step by step.

This is doable, right?

- Yes.

I think so.
- Try again.

- Yes, it's doable.

I'm reading through
the protocols now.

In the meantime,
grab a USB cable

and plug your laptop into
that port in the wall panel.

- What's that gonna do?

- Nothing.
- Come again?

- We need to buy time until
I talk to the bank's IT people

and figure out how to do this,
so just pretend.

Move your hands across
the keyboard,

but don't actually
touch the keys.

One misstep and the system
will shut down for 24 hours.

- Copy that.

- What are you doing, huh?
What are you doing?

Go! Make it tighter!

- Sorry, hey.

- How's it going?

- It's going--going great
so far,

but I need access
to the electrical panel.

- Hey, Bradley,
electrical panel.

- Go. Go.

- Quick.

Come on, come on.
Hurry up, damn it.

Go.

♪ ♪

- Great. Thank you.

- How much longer?

- How--how long? Um.

Let's see, well,
you know, first,

I can't give you an exact
time frame, but I'm hoping--

- No. No, we need a guarantee.

- I--I can't--
I can't do that.

I can't control every variable.

- How long?

- Just give him an answer
you can stand behind.

- 20 minutes.

- Um, 20--20 minutes.

- Okay.
- Yeah.

- That works.

But if it takes 21,
you're a dead man.

♪ ♪

- I mean, he was
obviously hit in the face,

but gathering by the way
he's clutching his chest,

I'd say it was a heart
attack that killed him.

- I found the room they keep
all the security footage in,

but they tore out
all the cables.

Stole the hard drive.

- Smart move.

- Look at this.

[tense music]

- Where is she?
- I don't know.

Cleared the whole house.

- So she's missing?
- Or worse.

We don't know
what these two are capable of.

- Hold on a second. Hold on.

Is this is a camera?

Is this is part of the
main security system?

- I don't think so.

Looks like it's pointed
at this painting,

probably
for insurance purposes.

- We need to get this footage
to the JOC right away.

- Ian, where are we?

- I'm on the phone with the
bank's cybersecurity team now.

They're sending me
the information as we speak.

- Jubal, you need
to slow play the setup.

Ian will jump on
with instructions shortly.

- Make them tighter.
It's too loose.

See all this space?
Make it tighter.

- And how exactly would
you define "shortly"?

- We are moving
as fast as we can.

Maggie and OA are in Oyster Bay
now trying to get information.

The more we know,
the better our odds.

- Copy that.

- The footage from Salazar's
estate's downloading now.

It's a motion-activated camera,
so not a lot to scrub.

Should have something
in the next few minutes.

- Hobbs, anything
on Marco's father?

Any financial reason that safe
deposit box is so important?

- He's opened up
numerous shell accounts

over the last few months,
over a billion dollars' worth.

- Originating where?
- Colombia.

- Sounds like his dad
might be washing money.

- Exactly.

His most recent transaction
was a withdrawal

from one of his
offshore accounts.

$200 million.

- Did he transfer the money
to Trust National?

- No, he converted it
to cryptocurrency, Bitcoin.

You don't need a bank for that,
just an access code.

- Like I told you before,
I don't wanna hurt anyone,

but I will if I have to.

So just do what I say.

- Isobel,
I can't keep stalling.

I need Ian in my ear
pretty damn quick.

- All right, I'll keep pushing.

- All right. Just tell him.

♪ ♪

Isobel, there's a lot
going on here.

I need Ian in my ear right now,
ready or not.

- It's game time.
- Five minutes.

- We don't have five minutes.

- If I give Jubal
the wrong instructions,

that metal grid will
slide into place

and the whole system
will shut down.

It'll make it impossible
to breach.

- You've got two minutes.

Jubal, hang with me.
He's almost there.

- Got something.

I've been scrolling
through the footage.

Marco and Jennifer
didn't kill Rafael.

- Then who did?
- These two.

[garbled audio]

- They're asking about
the money Salazar stole,

but I still can't make out
what Salazar says before dying.

- Okay, stand by.

I'm gonna try to enhance
the sound even more.

- [speaking Spanish]

- The crypto key is in
the safe deposit box.

- So that's what
they're looking for.

- And these two men are holding
their daughter as collateral.

- Start scrubbing traffic cams
near Rafael's estate.

Let's find this vehicle now.

- Hey, hey, what is this?
What are you doing?

It's too loose.
Hey, what is this?

What are you doing?
What are you doing?

- Make it tighter!

- These two are losing it fast.

- Ian, get on the comms.

We're out of time.

- Okay.

Connect the USB cord
to the main panel.

- Yeah, that's already done.

- Now, type in the bypass code.

It's 100288.

Good, now go
to the scanner and--

- What's taking so long?

What's taking so long?

- Look, pal,
this is hard enough

without you waving a gun around
and shouting at me.

- Okay, just get it open.

Everything we care about
depends on it.

♪ ♪

- I get it.

I get it.

Look, I know you're just
trying to help,

but you're just making
the situation worse.

- Don't lecture me!

You have no idea
what's happening!

- No, I know. I'm sorry.
I'm sorry.

I'm just--I'm just saying,
let me do my job,

and everyone will get
to go home safely, all right?

- Babe.

Babe, babe, babe,
let him do it.

Okay?
Just let him do his job, okay?

We need to let him
get inside that box, okay?

♪ ♪

- The scanner reset code
is 1029-63.

[computer chirps]

- What happened?
Why isn't it opening?

- Uh...

I'm not sure.

- Jubal, did you
type in the dash?

If not, that's why
it didn't open.

Try to stall.

I'll see if there's
a workaround.

- You know what, I think
I know what I did wrong.

I just need a few more minutes.

- No, no, there's no time.

I have to make a call
in 10 minutes.

- 10 minutes.

Okay, well,
that should be fine.

I should be able to, uh,
fix it by then.

- Jubal, do not let him
use that crowbar.

It'll cause the security grid
to activate.

- Uh, no, buddy,
you don't wanna be doing that.

That's--that's gonna trigger
the emergency security system

and the whole damn thing
is gonna shut down.

Would you tell him, please?
- Marco, don't do that.

- I'm telling you,
this is not a good idea.

Please.
- Jubal, you have to stop him.

- What are you doing?
- I'm serious.

You're just gonna make it
impossible.

- No, Marco! Marco!

- It's not a good idea.
[alarm blares]

No, no!
- No, no, no!

- No!

- [screaming]
No!

♪ ♪

- What are we gonna do now?
You have to fix it.

♪ ♪

- Okay, we--we can fix this.
We just need to stay calm.

- Well, then fix it!
Make it open!

- I will, I just need a--
a few minutes here.

- No! There's no time!
Open it now!

- You don't understand.

If you don't open that thing,

they're gonna kill
our daughter, okay?

- Okay. I didn't know.
Your daughter's in danger?

- Yes!

- Oh, no, no, no, no,
don't say anything.

You're just gonna
make it worse.

- We don't have
any other option.

- I'm so sorry.

Is that why--
is that why you're doing this?

- It doesn't matter.
Just open the damn box!

- We just need to be patient
and let the system reboot,

and then I'm gonna
get you into your box.

- Jubal,
you've gotta stall them.

Ian's working on a fix
on this side.

Where are we the traffic cams?

- I caught a gray SUV
two blocks from the estate.

It was moving away about the
time Marco entered the bank.

Two males inside,
angle is not great,

but by the profile
of the driver,

I think it might be them.

- It looks like
there's a kid in the back.

That's gotta be them.
Run the plate now.

- Comes back
to a rental company.

- Does the car have GPS?

- Yes.

- All right,
get me that location now.

If we can rescue Marco's
daughter, we can end this.

- GPS shows the car
is stationary at Woodbury.

- Maggie and OA are just
minutes from that area.

[tense music]

- Isobel, is the car
still there?

- Yes.

State troopers will
meet you there.

They will hold wide
until you arrive.

Maggie,
this is a short window.

We've gotta get proof that
Marco's daughter is safe.

It's the only way to end this
without any more violence.

- Copy that.
We'll keep you updated.

- You gotta get it open.
There's no other way.

- I can get it open.
That's not the problem.

It's just that the metal grid
is blocking the boxes.

- No.
No, you have to fix this.

We have to get that crypto key.

They killed his father.

Do you think they're gonna
hesitate to kill our daughter?

- I don't know.

Um, do you think maybe I could
speak to the bank manager?

- Bradley, hey.
- Yeah.

- Hey.

Could you maybe override
the grid from here?

- No.

But I can call
the IT department.

Maybe they can help.

- Okay. Okay.

Yeah, call them.

- That's good. That's good.

We're gonna--
we're gonna get this done.

- Jubal,
Ian has already tried that.

The bank can't do it remotely.

- [whispering] Well, then,
we're all out of options.

- No, maybe not.

We think we found the men that
are holding Marco's daughter.

Hopefully, we can get her
on the phone shortly.

If we can prove
that she is safe,

they will have a reason
to surrender.

- I'll keep trying to stall
them until they find her.

- Well--well,
that's just not good enough.

Well, I need to speak
to your supervisor.

Well, there has to be a way.

- What the hell
are they saying?

- Just--I'm trying.

Please, just give me
a few more seconds, okay?

- Give me the phone.
I'll talk to them myself.

- No, no, that won't work.
Please--

[gunshot]
- Will they listen to me now?

[people shouting]
- Hey, hey!

He's just trying to--
[grunts]

- What?

What the hell is that?

- It's nothing.

That's just the--it's a way
for the security center

to be able to talk to me,
help me through.

- Are you--

are you a cop?

- You've been playing us,
wasting time.

♪ ♪

- Tell Scola and Tiff
to prepare to make entry.

Stage, but wait for my command.

- Got it.

- Things have deteriorated.

Prepare to make entry.

- There's no easy way
to say this.

If we do, there's a good chance

he'll kill a few
of those hostages.

- And if we don't,
there's 100% chance.

- Copy that.

- Just tell me who you are.

- I'm an FBI agent.

That's a good thing, Marco,

because we're about
to find your daughter.

- You know where she is?
- Yeah. We're close.

And we are going to find her.

Now, look, we know your father
was tortured and killed,

and we know you're trying
to retrieve a crypto key,

and most of all, we know
you're doing all of this

to save your little girl.

We understand.

- My father, he got greedy.

He put us all in danger.

- Yeah, they showed us
what they did to him,

and they said that they would
do the exact same thing

to our daughter
if we didn't get

the crypto key out of the box.

So we have to get that code
in the next five minutes,

or they're absolutely
gonna kill her.

- I know. We understand.
We understand.

So why don't you put
the weapons down,

let these people go,
and work with us

to save your little girl.

- No, no, no, you're lying.

Just like you lied
about being a locksmith.

- No, no, this is different.

We're on the same page now,
Marco.

- What are they saying?
Can they fix this?

- No.

They can't.

- Our baby.

[crying]
Our baby.

No, no, no,
they're gonna kill her.

- They're not gonna kill her
if you work with us.

- They're gonna kill her.

No, no, they're gonna kill her.
They're gonna kill her.

- Jennifer, listen to me.

Work with us,
and we can save your child.

If you work with us,
we can save your little girl.

- They're gonna kill her!

No!

- Listen to me.

- We didn't wanna do this,
I swear.

- I know.

[gunshot]
[people scream]

♪ ♪

- No one move! No one!

- Maggie, how close are you
to the kidnappers?

These two are losing control.

- We're arriving
on location now.

- Marco, you need to relax.

- We didn't ask for this.

All we wanted
was to save our kid.

- Okay, you need to release me
right now so I can help him.

Otherwise,
he's going to bleed out.

- He's the one that tried
to grab the gun,

tried to be a hero.

- That may be, but you
do not want him to die.

[tense music]

♪ ♪

- FBI, don't do it!

[gunfire]

- Shots fired.

- Show me your hands!

♪ ♪

Drop your weapon!

Man down.

- Keep your hands
where I can see them.

- Cover me.

OA, she's here.

- She alive?

- Ella?

Ella?

She's breathing,
but she's heavily sedated.

Hey, it's Maggie.

I need multiple ambulances
at this location immediately.

- Marco.

I've got good news.
Your daughter's safe.

♪ ♪

- Show me.
Where is she?

- Agents are bringing her
down here as we speak,

so why don't you
put the gun down?

We'll end this.
- No! No!

We need proof.

- I don't have any,
not yet, but I will soon.

In the meantime, why don't you
let the hostages go?

- So she's dead?

Is that what you're saying?

- No, Marco,
I already told you.

The--
- Then put her on the phone!

[gunshots]

♪ ♪

- What are the paramedics
saying?

- She's been sedated.
They gave her muscle relaxers.

- Well, can they give her
adrenaline to wake her up?

- No.
They advised against it.

They said it would be
way too dangerous.

Okay, what if we take
a video of her?

We show them that she's safe.
We have her.

Maybe they'll put
the guns down.

They'll walk out.
- We can't take the chance.

They're spiraling.

If they see their daughter's
lying there motionless,

they will assume she's dead.

Just keep me in the loop.

I have to know the moment
her status changes.

- Eyes down. Don't move.
Don't move. Nobody move!

Down!

- Tiff, this isn't sustainable.
They're both too volatile.

Make entry now.
- Copy that.

♪ ♪

- Don't move. Stay down.

Quit moving! Eyes down!

- Marco, I know them.

If they're telling you
your daughter is safe, she is.

- Shut up.
I've had enough of your lies.

- Hey, hey, hey,
he's not lying.

♪ ♪

- No, what the hell
are you doing?

- What he's saying is true.

I have agents on the phone.

They're with your child
right now.

Talk to them.

They'll let you speak to her,
and let's just end this.

- Why would the agents
call you?

- Because I'm with the FBI too.

- And these agents,
they have my daughter?

- Yeah.

Yes, just take the phone.

Speak to your daughter.

You'll see for yourself.

- If you're lying--
- I'm not.

I'm so damn nervous
I'm gonna drop this phone.

♪ ♪

- Hello?

Hello? Baby, are you there?

Can you hear me?

[explosions, glass shattering]

[gasps]

- Hands up!
- Drop the weapon now!

- Drop the gun. Drop it!

- Put your hands up!
Turn around!

- We need a medic in here!

- Just so you know,
we weren't lying, all right?

Your daughter's safe.

♪ ♪

You're okay, all right?

Let it go.

You did good, Kelly.

- Thanks. Thanks.

Now I think I'm gonna go
throw up.

- Take a deep breath.

You're all right.
It's just the adrenaline.

♪ ♪

- Hey.

- [laughs] Hey.

- You okay?

- Hey, is, uh,
is their kid really safe?

- Yeah.
She's recovering well.

Once the doctor clears her,

Marco's sister has agreed
to take custody.

Hey.

That bluff,

daughter on the phone...

[soft pensive music]

It was good.

Took a lot of courage.

- I wasn't really thinking.
I just--

- Probably a good thing.

Out in the field,
sometimes thinking too much

can get you into trouble.

- Yeah.
Yeah, good--good to know.

- You, uh, you saved a lot
of lives today.

Including mine.

Thanks.

Get that shirt cleaned.

♪ ♪

[dramatic music]

♪ ♪

[wolf howls]