Original subtitles

(SWIRLING ELECTRONIC MUSIC)

Subtitles by explosiveskull

(POLICE SIRENS BLARING)

(OMINOUS SYNTHESIZER MUSIC)

POLICE OFFICER: Dispatch, one-zero.

(OMINOUS SYNTHESIZER MUSIC)

REPORTER: Again, the corner of Roth Hill Road

is jammed with police who are combing this crime scene.

Cops are talking with area residents.

They're trying to put together the pieces

that led to this murder.

No suspects in custody at this point,

meaning the killer according to the police

is still at large.

(PULSATING SYNTHESIZER MUSIC)

(DRIVING SYNTHESIZER MUSIC)

(HAND WHACKING AGAINST BUTTOCKS)

(DRIVING SYNTHESIZER MUSIC)

(CREEPY MUSIC BOX JINGLE)

(CHAOTIC JAZZ MUSIC)

(ADRIANA SCREAMING)

(BARON MUMBLING)

(ADRIANA YELPING)

BARON: I'm your host, Baron Blood,

and I will be your guide to the dark.

MS. VALLI: Adriana,

wake up.

(ADRIANA GASPING) (BARON LAUGHING MANIACALLY)

ANNOUNCER: Spook Show Theater.

Tonight on Channel 12.

(ADRIANA SIGHING)

(UPBEAT CHILDREN'S MUSIC)

(PILLS RATTLING)

(CHILDREN CHEERING)

Hello,

everybody.

CHILDREN: Hello.

(CHILDREN CHEERING)

CLOWN: Well, that was very good.

Now I wanna see how well you boys and girls can sing,

and the voices of those out there.

I want you to all join me in singing

the new Magic Clown song.

Watch your television and you sing along with you.

I wanna hear how well you've learned it.

Are we ready, orchestra? (ADRIANA SIGHS)

Crank up the band.

(UPBEAT ORGAN MUSIC)

♪ Oh, we love the magic clown ♪

♪ We love when you're in town ♪

♪ With kid's delights for everyone ♪

♪ We love the magic clown ♪

♪ We're happy too, you know ♪

(WATER SPRAYING)

ADRIANA: Dreams again.

Visions.

CARLINA: Are they in the same vein as before?

ADRIANA: Yes and no.

They seem

more surreal.

More frightening.

It's like a waking nightmare.

I'm, I'm trapped and can't escape.

Yet, I'm fully aware that I'm dreaming.

(FOOT SPLASHES PUDDLE)

The suppressed feelings that you have

for your mother and your father,

combined with all of the feelings

that you're having in your current life,

they're all coming together in like this,

this whirlwind of emotion for you,

and their realizing themselves in your dreams, visions.

Yeah, but

it feels real.

You know, one minute I'm in it and everything's fine,

and then the next thing there's these,

these things,

and then there's this dark figure

and he,

he starts killing everyone around me.

Everyone that I know and care about.

Anyone that I interact with.

Are there any new stressors in your life right now?

Um,

I, no, I, I don't know if it's stress.

It's, it's big though, I, um,

I booked, I booked the lead in the Nutcracker this year.

- That's great. - Yeah.

That's good.

You're happy.

ADRIANA: I am, yeah.

So what's the stress?

In ballet, it's really competitive between dancers

and we always are encouraging each other

but everyone wants the lead,

and um,

Elaina's been the lead every, every Christmas.

This is, this is the first, the first time

that another dancer has gotten it,

so,

um,

it's just been, I don't know if stressful, it's been tense

It's possible that Elaina could be part

of this dark figure that you're dreaming about.

Yeah, I know.

That makes sense,

but wouldn't the Enfemerol help with this?

I thought that that's, it was supposed

to help with the stress and the, and the visions and?

The Enfemerol is just an experimental drug.

I mean, we're giving you a very, very low dosage

just to see if it's going to work.

That's not the real medicine, though.

The most important medicine for you is your mind.

Whenever you're feeling stressed out,

this is a very optimal exercise for you, okay?

- Okay. - So just relax

your shoulders, close your eyes.

Now envision yourself on the stage.

You're giving the best performance

you've ever given in your whole life.

The audience is loving it.

All the dancers

are so proud to be led by you.

What does that make you say?

Thank you. (CHUCKLES)

Gratefulness.

Positivity.

Adriana, I want you to go out

and do things that bring you joy, with no repercussions.

You just experience the joy,

let it get into every cell of your being,

and just stay with it as long as you can.

Okay.

Okay?

ADRIANA: Okay.

And remember this leather couch here,

this is not beginning and end of our therapy.

You have an episode, you call me on the phone, anytime.

Thank you, Dr. Cassinelli.

Carlina, remember?

Okay?

Okay.

(CHURCH BELL RINGING)

(OMINOUS SYNTHESIZER MUSIC)

(ADRIANA SIGHS)

(ATMOSPHERIC PIANO MUSIC)

(CURTAINS CLACKING OPEN)

(DRIVING SYNTHESIZER MUSIC)

(BERNA APPLAUDING)

Woo.

Ow-ooh

- Thank you, thank you. - Now that's the stuff.

ADRIANA: What are you doing here?

BERNA: Well, I was gonna ask you the same thing,

but I see you're getting some extra practice in

to show the rest of the troupe up, huh?

ADRIANA: Yeah, yeah, yeah.

BERNA: Mm-huh.

I don't need extra practice.

Oh,

well. (ADRIANA LAUGHS)

No, I'm just kidding.

Um, I had a little extra steam I needed to blow off.

Well, I'm glad your skinny ass got in a hell of a workout.

- Yeah? - Mm-hmm.

And why is that?

BERNA: 'Cause now you have plenty of room

for Italian food and wine, right?

ADRIANA: Oh, always.

I won't tell Ms. Valli if you won't.

Please don't.

- (ADRIANA GIGGLES) - Are these child size?

You know my arm wouldn't fit through those.

ADRIANA: Shut up.

BERNA: Ow.

(OMINOUS SYNTHESIZER MUSIC)

(OMINOUS SYNTHESIZER MUSIC)

TODD: Well, here it is.

MCCABE: Well we appreciate you allowing us

to write this story.

I'll only need a few days to collect the proper sources.

I'm the only journalist on the entire project,

so

what day works best this week for you to let me in?

TODD: There is never a good day.

I could work with your schedule, morning, evenings.

I can let you in at 10 a.m. tomorrow.

No earlier than that.

I have a tour starting at one,

I need you outta here by 12:30.

You cannot disrupt the tour.

Well, when's your tour over?

I can let you back in at 8 p.m. Friday night,

after my afternoon shift,

but I need advance proper notice,

and I can't have you moving everything around

because I don't wanna have to move

everything back again for the tour.

MCCABE: Well, I will be respectful.

You have my word.

(MUSIC PLAYS)

Is it true that everyone died?

That's what they say.

That's terrible.

1892,

right?

(PENCIL SCRAPING ON PAPER)

Listen,

a word of advice.

They don't know they're dead.

So don't be asking 'em all these stupid questions

like you've been pestering me with.

Right.

And don't talk to the children.

They will follow you home.

So, I haven't seen him in years.

He shows up straight out of jail,

in the carpool line, singing bible songs.

(LAUGHS) No?

Yeah, and even when the vice principal told him to stop,

he still kept tapping his foot to the beat

and told 23 kindergartners,

"I just want you people to know, I love you people."

(ADRIANA LAUGHS)

Oh yeah, just a small glimpse into my childhood.

(ADRIANA CHUCKLES)

You know, Ms. Valli says that nothing tastes

as good as skinny feels,

but I bet that bitch has never eaten pasta.

(CHUCKLES) Screw Ms. Valli.

Anything else I can get for you ladies?

Um, more bread.

Bread?

Sure.

She was a little salty.

ADRIANA: She probably just had a bad day.

Oh.

So, what did your parents do

about your bible singing Uncle on coke?

Oh, he fit it great into our family.

After he got kicked out of school,

he, ah,

came with us on a family trip,

where they got high on LSD the whole time.

Mm-hmm. (ADRIANA LAUGHS)

The whole state of Florida,

they thought they were on a cloud.

- Are you serious? - Mm-hmm. (CHUCKLES)

Okay, it makes sense now.

I know why we're best friends.

- Mm-hmm? - We're both fucked up

in the head.

- Mm. - Yeah. (LAUGHS)

(ATMOSPHERIC JAZZ MUSIC)

These meatballs look weird.

Mm.

(WORMS SQUIRMING) (ADRIANA GASPING)

Addy? (ADRIANA GASPING)

Addy, what is it?

You don't like your pasta, what?

(GASPING) I'm sorry.

Show's over.

You want a fucking autograph?

(ADRIANA GASPING)

(UPBEAT POP MUSIC)

(ADRIANA YELPING)

(PILLS RATTLING)

(CORPSE-LIKE BEINGS SNARL)

(ADRIANA SHRIEKING AND GASPING)

It's not real.

Adriana,

it's not

real.

(OMINOUS SYNTHESIZER MUSIC)

You're okay.

You're okay.

It's not real.

It's not real.

(ADRIANA BREATHING HEAVILY)

(UPBEAT SYNTHESIZER MUSIC)

♪ You ♪

♪ Came in my life ♪

♪ Without warning ♪

♪ I ♪

♪ Couldn't believe how fast I was falling ♪

♪ Caught in a tide of emotion ♪

♪ Swept away by an ocean ♪

♪ The feelings I can't understand ♪

♪ Calling for your hand ♪

♪ Won't you ♪

(CAR HORN BLARING) (CAR ENGINES WHIRRING)

Do you want a ride home or not, Gigi?

No, no, I told you, it's okay.

I only live a block away.

And as tipsy as you are,

you may not make it there.

The walk and the fresh air will sober me right up.

Just sleep it off.

We don't need you too hung over for dance class tomorrow.

Yeah, yeah, you too.

Alright.

Be safe.

See you tomorrow.

(ATMOSPHERIC POP MUSIC)

(CRICKETS CHIRPING)

(OMINOUS SYNTHESIZER MUSIC)

(GIGI SIGHS)

(PURSE BANGS ON FLOOR)

(SHOES CLACK ON FLOOR)

(GIGI BLOWS OUT CANDLE)

(OMINOUS SYNTHESIZER MUSIC)

♪ Feel your lonely, lonely, ♪

♪ Lonely, lonely life ♪

♪ With them girls from Mars ♪

♪ Mars ♪

♪ Then the time when I told you I loved you ♪

♪ My baby, ooh ♪

♪ We were (MUMBLES) ♪

(ATMOSPHERIC POP MUSIC)

♪ There was a time ♪

♪ When you put your hand in mine ♪

♪ Our hearts went soaring through ♪

♪ Babe ♪

♪ And then came the night ♪

♪ I guess you changed your mind ♪

♪ You took my heart into your hand ♪

♪ And threw it ♪

(NEEDLE SCRATCHES RECORD)

(OMINOUS SYNTHESIZER MUSIC)

(CREEPY MUSIC BOX JINGLE)

(CREEPY MUSIC BOX JINGLE)

(CRICKETS CHIRPING)

(CREEPY MUSIC BOX JINGLE)

(KNIFE SCRAPING FLESH)

(BLOOD GUSHING) (GIGI GURGLING)

(HEAD SMASHES GLASS)

(OMINOUS SYNTHESIZER MUSIC)

(CRICKETS CHIRPING)

(PULSATING SYNTHESIZER MUSIC)

(PEN CLINKING AGAINST BARS)

(DOOR CLACKS OPEN)

(LEVER CLANKING)

(ADRIANA CRYING)

ADRIANA: You can take me.

(ADRIANA CRYING)

(DRAMATIC SYNTHESIZER MUSIC)

(ADRIANA CRYING)

(ADRIANA CRYING)

ADRIANA: You can take me now.

(ADRIANA SNARLS)

(OMINOUS SYNTHESIZER MUSIC)

(MCCABE BREATHES HEAVILY)

ELAINA: We left the club last night around 11.

She was drunk but not wasted

to the point she couldn't get home.

JANICE: I tried calling her when I got here.

It's not like her to be late.

ELAINA: She's probably just sleeping it off.

It doesn't look good.

Ms. Valli won't approve.

ELAINA: Huh, what does she approve?

Give me that tape right there.

(ATMOSPHERIC PIANO MUSIC)

Can you hand me the scissors?

Thanks.

Hey, kiddo.

You doing alright?

Yeah, I'm fine.

Listen Berna, I'm sorry about last night,

I don't know what happened.

Don't you dare apologize to me.

It's okay.

I understand.

Thanks.

What's going on over there?

Oh, Gigi hasn't shown up yet.

Ellie said they went clubbing again last night.

(ADRIANA CHUCKLES)

Are you serious?

When will she ever learn?

She's never been one to focus on what's important, though.

Speaking of what's important,

I've got to make my tits look like a 12 year old boy

so Ms. Valli thinks I'm making some progress.

(LAUGHS) That's not happening.

Shut up.

(HAND WHIPS AGAINST THIGH.)

Ow.

(BERNA CHUCKLES)

And Porte de Bra, ladies.

Janice, Berna, Elaina soft shoulders.

Very nice.

Very nice.

Adriana, your work is exquisite.

Absolutely perfect.

Perfect.

(♪ "THE NUTCRACKER SUITE" BY PYOTR ILYICH TCHAIKOVSKY)

And ladies, let's go on to our next exercise.

Shall we?

(♪ "THE NUTCRACKER SUITE" BY PYOTR ILYICH TCHAIKOVSKY)

I know, class today was crazy.

Yeah, Ms. Valli was really nice.

Look at those. (CHUCKLES)

That's kinda creepy.

BERNA: A little bit.

They're funny.

I like that one. (BERNA CHUCKLES)

Oh,

hey Addy, um, are you doing alright?

Yeah, I'm fine.

Yeah, you sure about that?

Yeah, I'm, I'm serious, I'm fine.

Um, well your shitfit at the restaurant yesterday

didn't seem like you were fine.

Yeah, um, I've been meaning to apologize about that,

I'm, I'm sorry, Berna.

Don't apologize, just what's up?

Um, I, I dunno, it's kinda hard to explain.

I get these like, I don't know,

like, kind of like a panic attack.

I've got 'em since I was little

but they've been getting worse.

But I'm on medicine for them now, so it's helping, I think.

Yeah, well you could have fooled me.

Berna.

Hey, I just, you know, I just, I worry about you.

You're my best friend. (ADRIANA LAUGHS)

And I'd hate to have to kick your ass.

Huh, yeah, you wish.

- Mm-hmm. - If I let you.

- (HAND SMACKS AGAINST BUTTOCKS) - Shut up.

ADRIANA: Ow. (laughs)

(OMINOUS SYNTHESIZER MUSIC)

(ATMOSPHERIC SYNTHESIZER MUSIC)

MCCABE: How can I explain what I can't even comprehend?

To dream about someone I've never met.

Never seen,

over and over.

Like a movie playing in my head on constant repeat.

I can smell her sweet perfume.

I feel as though I could touch her.

Taste the saltiness of her skin.

(ATMOSPHERIC SYNTHESIZER MUSIC)

(CRICKETS CHIRPING)

Who is she?

What is she?

And why is she haunting my dreams?

Or is this simply a sign of something preeminent?

Or have I gone mad?

She couldn't have been from the facility.

(UPBEAT POP MUSIC)

(BARS RATTLING)

(BARON LAUGHS MANIACALLY)

(BARON HOWLING)

BARON: Welcome back my little ones.

It's your old pal, Baron Blood.

Here to bring you another creepy episode

of Channel 12's Spook Show Theater. (LAUGHS)

Tonight's movie is the dastardly classic,

Night of the Living Dead. (LAUGHS)

Igor?

IGOR: Yes, master?

BARON: Roll the film.

IGOR: Right away, master.

(BARON LAUGHING MANIACALLY)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(LIPS SMACKING TOGETHER)

ELAINA: My parents will be home in an hour.

SETH: So what, you want me to just stop?

ELAINA: I know, but what if they came home early?

You know?

Well, I guess they can just watch.

(ELAINA GIGGLES)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(SETH GRUNTING)

(SETH MOANING)

(PHONE RINGING)

Maybe I should get that.

What, why?

What if it's my parents?

Elaina, we're kind of in the middle

of something right now.

(PHONE RINGING)

Okay, sure, fuck it.

Don't be such a prick, Seth.

Hello?

Yeah, I'm, I'm home.

Yeah, I'm fine, why?

What?

What is it, is she okay?

(ATMOSPHERIC SYNTHESIZER MUSIC)

Mom, what's going on?

Mom?

Are you there?

Seth?

Seth?

Are you still here?

(ATMOSPHERIC SYNTHESIZER MUSIC)

(STAIRS CREAKING)

(CREEPY MUSIC BOX JINGLE)

(CREEPY ELECTRONIC MUSIC)

(ELAINA SCREAMS)

(KNIFE CLINKS AND SCRAPES AGAINST FLESH)

(KNIFE HACKS FLESH) (ELAINA SCREAMS)

(KNIFE HACKING INTO FLESH)

(CREEPY SYNTHESIZER MUSIC)

(OMINOUS SYNTHESIZER MUSIC) (CRICKETS CHIRPING)

(PENCIL SCRAPING AGAINST PAPER)

(JARRING ELECTRONIC MUSIC)

(WATER SPLASHING)

(OMINOUS SYNTHESIZER MUSIC)

(OMINOUS SYNTHESIZER MUSIC)

(FLUID BUBBLING)

(OMINOUS SYNTHESIZER MUSIC)

(FLUID BUBBLING)

(CORPSE'S NECK CRACKS)

(FLUID SLOSHING IN CORPSE'S MOUTH)

(CORPSE HISSING)

Every time something negative comes up,

you have to replace it with a positive feeling.

We talk about this all the time.

(OMINOUS SYNTHESIZER MUSIC)

(JANICE CRYING)

MS. VALLI: It's not easy, it's not easy.

(JANICE CRYING)

It's Gigi.

What, what about her?

She was, um, found yesterday morning.

The police think it was a break-in.

What do you mean found?

(JANICE WEEPING)

She's dead, Addy.

No,

what?

(OMINOUS SYNTHESIZER MUSIC)

And they found her in a pool of her own blood.

Some sick bastard slit her throat and removed her eyes.

ADRIANA: What?

- Oh, God. - No, no, no, no.

This is not happening again.

- This is not happening. - Oh my God, you've heard.

- No, no, no, no, God, no. - I'm sorry, girls, I'm so....

Don't touch me. (CRIES)

MS. VALLI: Addy, calm down.

Don't tell me to fucking calm down.

No.

Do you hear what you said?

Her throat was slit.

Oh my, God.

Oh my, God.

Oh my, God.

Oh, baby.

(OMINOUS PIANO MUSIC)

You broke my heart, you broke my fucking heart.

(MS. VALLI CRYING)

My girls, what's happening to my girls? (CRYING)

Oh,

God.

(WARREN BREATHING HEAVILY)

(MS. VALLI CRYING)

(WARREN BREATHING HEAVILY)

Hello?

(WARREN BREATHING HEAVILY)

Warren, is that you?

Warren?

(ADRIANA SIGHS)

Don't need that bill.

Okay.

Ew.

(ADRIANA SIGHS)

(ADRIANA SIGHS)

NARRATOR: Blast.

Squeak.

And scratch.

MAN: That pouch.

He's been chasing you for this pouch?

I'm too weak to make it to Port Hill right now,

but I can throw him off your trail.

Just make sure you guard that pouch with your life.

MAN: Good luck.

(OMINOUS SYNTHESIZER MUSIC)

(WIND HOWLING)

(CHURCH BELL RINGING)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(OMINOUS SYNTHESIZER MUSIC)

(OMINOUS SYNTHESIZER MUSIC)

(ADRIANA SHRIEKING)

(ADRIANA GASPING)

(PILLS RATTLING IN CONTAINER)

(ADRIANA SIGHING)

(ADRIANA GROANING)

(OMINOUS SYNTHESIZER MUSIC)

(UPBEAT ORCHESTRAL MUSIC)

(PHONE RINGING)

CARLINA: Hello?

Dr. Cassinelli,

it's Adriana.

What's going on, what's wrong?

I don't know who else to talk to.

Well, tell me what's going on?

You have to calm down, okay?

Just, what's happening?

(ADRIANA WHIMPERING)

The visions, the, the nightmares,

they just keep coming back, and...

Okay, stop.

You just have to breathe.

(ARIANA GASPING)

Okay, you have to stop and relax and breathe

for a second because I can't understand you.

I can't keep going through this.

I need you to relax.

No, I can't, I can't.

Calm yourself, breathe.

Okay?

Okay, come over, we'll talk about it,

we'll get through this, okay?

Together.

Okay.

Don't worry.

Okay.

I'm coming.

(OMINOUS SYNTHESIZER MUSIC)

Okay, tell me what's going on.

My mind.

My visions, they're coming real.

I'm going crazy, Carlina.

You are not going crazy, stop it.

Grab ahold of yourself.

They're not

real.

- No. - I guess nothing that

I've said to you's mattered, has it?

- Has it? - No, it has.

It has, I've been trying.

Carlina, I've been trying.

I tried the positivity exercise,

- I tried to say it wasn't real. - I wanna, I wanna

show you something, okay?

Look, I have been listening to everything

that you've told me, okay?

Everything that you've been going through.

I've been listening to you.

I found this book.

It's all about dreams and the supernatural.

People in it, they have seen these

old,

dead,

creatures.

See that, that's like what you described to me.

They're called the Malevolent.

Alright, they're based on religions,

legends,

and folklore.

Yes, they are.

And you what know they are?

They're, they're spiritual beings

or

supernatural entities.

Those, those are what I saw in my visions.

These are what I've seen in my visions.

They're real. (BOOK COVER THUDS SHUT)

They are not real.

I got this book to show you that it is not real.

Not that it's real.

This is

supernatural.

This is fiction.

- No. - There are reasons

that people see these things.

They have visions.

It's because of your parents and your situation,

or it's because of hallucinations,

or, or sleep paralysis or something can bring this on.

No, no it's real.

It's not from sleep, it's, I'm not, it's not psychological,

it's not in my mind, it's real.

My visions are coming true.

Gigi died and Bernie told me,

and Bernie would never lie to me.

Bernie would not lie to me.

Listen to me.

Look at you.

Look at you.

This is not the girl I know.

Pull yourself together.

Do you trust me?

(OMINOUS SYNTHESIZER MUSIC)

Yes.

You trust me?

Just trust me.

Stop crying.

(OMINOUS ORCHESTRAL MUSIC)

(DOOR CREAKS OPEN)

(ATMOSPHERIC SYNTHESIZER MUSIC)

I need you to leave me alone.

Whatever you are.

CARLINA: Remember what I told you.

This is in your mind.

You can control this.

This is not you.

I can't.

I need you.

MCCABE: What do you want from me?

ADRIANA: I can't tell you.

I can only show you.

MCCABE: I need you to leave me alone.

What do you need to show me?

Come with me.

(OMINOUS SYNTHESIZER MUSIC)

(MUSIC BOX KEY CLICKING)

(CREEPY MUSIC BOX JINGLE)

(OMINOUS SYNTHESIZER MUSIC)

(CREEPY MUSIC BOX JINGLE)

(OMINOUS SYNTHESIZER MUSIC)

(JANICE CRYING)

(JANICE CRYING)

I remember when you,

me and Elaina

were little.

We used to beg our parents to bring us here.

(LIGHTER CLICKS)

(CRICKETS CHIRPING)

Gosh,

we used to play for hours.

(JANICE CRYING)

I'm gonna miss you so much. (CRYING)

Okay.

Okay.

(JARRING ELECTRONIC MUSIC)

(JANICE CRYING)

(CAR ENGINE WHIRRING)

(OMINOUS SYNTHESIZER MUSIC)

(JANICE SCREAMING)

No, no, please, please, no.

Please, don't.

(JANICE WHIMPERING)

(JANICE SCREAMING)

(RAZOR SQUISHING AROUND EYEBALL)

(JANICE SCREAMING)

(RAZOR SQUISHING AROUND EYEBALL)

(BLOOD SPURTING)

(RAZOR SQUISHING AROUND EYEBALL)

(OMINOUS SYNTHESIZER MUSIC)

(ALARM BEEPING)

(UPBEAT WESTERN MUSIC)

Adriana?

Adriana?

Oh.

Shit.

Oh,

no.

DAVID: Morning news rundown, I'm David Shifter.

A 24 year old Richmond woman was found dead

in her apartment this morning.

Police say Gigi Langdon was murdered in a brutal attack.

Neighbors reported hearing a commotion over night.

Police are investigating the possibility

the crime is connected to the murder

of another woman, Elaina Kemper.

The motive behind the incident

- remains a mystery this hour, - Elaina.

as does the identity of...

Oh, my God.

(OMINOUS SYNTHESIZER MUSIC)

BERNA: Ms. Valli?

MS. VALLI: Hi, sweetie.

Up here.

(ATMOSPHERIC SYNTHESIZER MUSIC)

BERNA: What's going on?

(MS. VALLI SIGHS)

MS. VALLI: Elaina's body was found this morning.

She was murdered the way Gigi was.

BERNA: What?

Huh,

what is happening?

MS. VALLI: The police are shutting down the school.

Their investigation is centered around the employees here.

And I've got some more bad news.

Janice's parents filed a missing person

on her this morning.

(BERNA CRYING)

BERNA: So this is it then?

Warren and I are packing up,

locking the doors this afternoon.

(BERNA CRYING)

I know, honey.

I know.

You don't have to hang around.

Go out, have fun.

BERNA: I'm gonna go check on Addy.

MS. VALLI: But be careful.

(MS. VALLI SIGHS)

(ADRIANA GASPING)

(PILL CONTAINER BREAKS AGAINST FLOOR)

What trauma?

What trauma?

Maybe, maybe, maybe.

(ATMOSPHERIC SYNTHESIZER MUSIC)

Okay.

Officer's were called to a home at 4 Thomas Street

on Sunday just after 11 p.m.

They found the bodies of Darren Mena, 44,

and his wife, Juliana, 40,

both of who died from injuries they suffered

due to multiple stab wounds

and slicing to their jugulars.

The most heinous act of this crime

was the fact that both the Mena's eyes

had been removed by a blade

after they succumbed to their injuries.

Oh, my God.

The only survivor, the Mena's

eight year old daughter, Adriana.

Police still have no suspects at this point.

(DRAMATIC SYNTHESIZER MUSIC)

(ADRIANA SIGHS)

(KNOCKING ON DOOR)

(PILLS CRUNCHING UNDER FOOT)

(PILLS CRUNCHING UNDER FOOT)

BERNA: Addy?

Are you okay?

Addy?

Where are you?

(ADRIANA CRYING)

(ADRIANA CRYING)

ADRIANA: I'm afraid.

(OMINOUS BUILDING SYNTHESIZER MUSIC)

(ADRIANA CRYING)

BERNA: Addy, what happened?

(WHIMPERS) Berna, I'm losing my mind.

I'm scared.

I can't sleep,

but I can't be awake anymore.

I can't,

I'm losing my mind.

I can't control my mind anymore.

I can't control it.

BERNA: It's alright, it's okay, it's okay.

I don't want you to see me lose my mind. (SOBBING)

Listen, listen, hey, c'mon, c'mon.

(ADRIANA WHIMPERING)

Hey, hey, I'm not gonna let anything happen to you.

Okay.

Yeah.

(ADRIANA SCREAMING)

BERNA: Addy, what's the matter?

No.

(ADRIANA SCREAMING)

BERNA: Addy, come on.

No,

run.

Run.

No.

(ADRIANA SCREAMING)

(STOMACH SWISHING AND CRACKLING)

(ADRIANA SCREAMING)

(STOMACH POPPING) (ARIANA GRUNTING)

(FLESH CRACKING AND SQUISHING)

(KNIFE POPS THROUGH CHEST) (ADRIANA CRYING IN PAIN)

(KNIFE HACKING THROUGH CHEST CAVITY)

(ADRIANA GASPING)

(BONES CRACKING)

(ADRIANA GASPING)

(ADRIANA SCREAMING)

BERNA: Addy?

Addy, please.

Please don't do this.

I don't wanna hurt you.

Please.

(BERNA YELPS) (VASE SMASHES AGAINST HEAD)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(RAZOR HACKS THROUGH FLESH AND BONE)

(BERNA SCREAMING)

(BONE CRACKING) (BLOOD SPURTING)

(BERNA SHRIEKING)

(ATMOSPHERIC SYNTHESIZER MUSIC)

Please.

Please.

Please.

Don't do this.

(BERNA SCREAMING)

Please.

Addy.

This isn't you.

This isn't my best friend.

(BERNA SCREAMING) (RAZOR HACKING FLESH)

(RAZOR SQUISHING AROUND EYEBALL)

(EYEBALL SQUISHING)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(FINGERS SQUISHING AROUND EYE SOCKET)

(PHONE RINGING)

(RAZOR SCRAPING ALONG FLOOR)

(PHONE RINGING)

ANSWERING MACHINE MESSAGE: Your call has been forwarded

to an automatic voice message system.

At the tone, please record your message.

When you have finished recording,

you may hang up or press one for more options.

(MESSAGE BEEPS)

CARLINA: Hey, Adriana, it's Carlina.

I'm, ah, a little worried,

I tried calling your cell phone.

Um, look, I, I really wanted to discuss

some things with you,

ah, and talk to you about last night,

but I guess you're not home right now,

so I'm gonna try stopping by the theater.

Um, yeah, I really hope that you're gonna talk to me.

Okay, uh, see you over there, I hope, bye-bye.

(MESSAGE BEEPS)

(ATMOSPHERIC SYNTHESIZER MUSIC)

I'm gonna miss you.

(OMINOUS SYNTHESIZER MUSIC)

Warren?

Warren?

We're wrapping it up, babe.

C'mon.

Warren, what the fuck?

(OMINOUS SYNTHESIZER MUSIC)

(MS. VALLI SCREAMS)

(OMINOUS SYNTHESIZER MUSIC)

(MS. VALLI SCREAMING)

(KNIFE THWACKS THROUGH SKULL)

(BLOOD TRICKLING)

(ADRIANA BREATHES HEAVILY)

(ATMOSPHERIC PIANO MUSIC)

So, I'm supposed to follow you.

So where would I follow you?

You

are,

you are

a dancer.

You're a dancer.

Where would dancers be?

Dance schools.

Dance recitals.

Costume shops.

Dance theaters.

(OMINOUS SYNTHESIZER MUSIC)

(ATMOSPHERIC SYNTHESIZER MUSIC)

Adriana,

this isn't you.

Stop it.

Adriana.

I've been murdered.

I am Adriana.

I'm a murderer.

(DOOR CLACKS AND CREAKS OPEN)

(OMINOUS SYNTHESIZER MUSIC)

CARLINA: Is anyone here?

Adriana?

(CARLINA WHIMPERING)

(OMINOUS SYNTHESIZER MUSIC)

Adriana?

Adriana?

(OMINOUS SYNTHESIZER MUSIC)

(CREEPY MUSIC BOX JINGLE)

(CREEPY SYNTHESIZER MUSIC)

(MANNEQUIN BANGS AGAINST WALL) (ADRIANA YELLS)

(PULSING SYNTHESIZER MUSIC)

(RAZOR SCRAPING AGAINST RAILING)

CARLINA: Ah, shit.

(OMINOUS SYNTHESIZER MUSIC)

Shit.

(CHAIR CLACKS AGAINST FLOOR)

(BOARDS CLACK AGAINST FLOOR)

(ADRIANA YELLS)

(WATER TRICKLING)

(OMINOUS SYNTHESIZER MUSIC)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(DOOR CLANKS OPEN)

(ATMOSPHERIC SYNTHESIZER MUSIC)

(WATER TRICKLING)

(OMINOUS SYNTHESIZER MUSIC)

You look at me.

Look at me.

It's me.

Doctor Cassinelli.

Remember what I told you.

This is in your mind.

You can control this.

This is not you.

Adriana, c'mon, you gotta fight it.

Fight it.

(OMINOUS SYNTHESIZER MUSIC)

(ATMOSPHERIC PIANO MUSIC)

Adriana?

You have to fight this.

You have

what is known as a dissociative identity disorder.

You have a split personality.

Only you can't control it, it is controlling you.

Adriana, stop this.

You can stop it.

Do you know why they never

found the killers of your parents?

Because it was you.

That's right.

You created another identity that was evil.

Out of, out of a need to,

to

disenfranchise yourself with your emotions.

You need to control this.

Carlina. (KNIFE CLACKS ON FLOOR)

I know.

Okay, okay.

(DRAMATIC SYNTHESIZER MUSIC)

I don't understand.

I don't understand, I didn't mean to do it.

I don't understand, I, I,

I took the medicine you gave me.

I took it, you, you said it would help me

and it didn't help me.

I took the medicine, I took it.

And I still killed them, but I didn't, I didn't kill.

CARLINA: It made the other personality stronger.

Sorta Like

an alpha personality.

And it's been in control every since, honey.

But you've gotta fight it, okay?

ADRIANA: No.

No.

What?

(ADRIANA YELPING)

ADRIANA: Carlina, run.

Fight it.

Carlina, run.

No, I'm not going.

(ADRIANA SCREAMING)

Run.

No.

Come on.

(ADRIANA SCREAMS)

No.

They're here.

(OMINOUS SYNTHESIZER MUSIC)

(CORPSE GROWLS)

(DRAMATIC SYNTHESIZER MUSIC)

You're not welcome here.

You're not welcome.

This is my body.

Leave.

Leave, leave

leave. (WINDOWS SHATTERING)

Carlina?

Carlina?

I'm so, so sorry.

I'm so sorry. (CRYING)

I'm so sorry.

I'm so sorry.

(DRAMATIC SYNTHESIZER MUSIC)

Just take me.

Just take me already.

(JARRING SYNTHESIZER MUSIC)

My last few months on earth were full of lessons.

I was forced to face the past,

and ultimately acknowledge the truth about myself.

I was a killer.

I not only killed my parents,

but went on to kill every person in my life

who loved me, uplifted me,

supported me

Those who I cared about the most, I destroyed.

My psyche dissociated.

It served to protect me from facing

the consequences of what I had done

by repressing the truth.

However, it also constantly reminded me

of how I truly felt about myself,

and I believed myself to be unworthy,

unlovable,

bad,

evil,

and that I only deserved judgment and punishment.

When I was chosen to be the lead in the ballet,

the fragmented part of my mind was brought to the surface,

and the killer that I had repressed became active again.

I couldn't handle something good happening to me

when I felt at the core of my being

that I only deserved punishment.

I was living out an extreme version of the mind tricks

that most people play out on themselves daily.

I just realized it too late.

(ATMOSPHERIC SYNTHESIZER MUSIC)

(WATER TRICKLING)

(UPBEAT ROCK MUSIC)

Subtitles by explosiveskull

(PULSATING SYNTHESIZER MUSIC)

(DRIVING SYNTHESIZER MUSIC)