Original subtitles

- [Announcer] Previously on "Death Squad."

- Pavel has disappeared.

He went to the lab.

- Not possible.

The doors are sealed, he couldn't have gotten in there.

- We have to get the doors open

and get him out of there, Peter.

- I hear you.

But we've got people in there doing their job.

We're gonna have to wait until they clear things up.

- Peter, he's my son!

I'll do anything for him.

(dramatic music)

(zombie growls) (women scream)

(machete thuds)

- We need to move, let's go.

- And I was starting to think your approach is half baked.

- And I'm starting to think you're as brain dead

as those things out there.

- You're just pissed

because you got us into this stinking mess,

and you have no idea how to get outta here.

You escorted us into oblivion.

(dramatic music)

You're just pissed

because you got us into this stinking mess,

and you have no idea how to get outta here.

You escorted us into oblivion.

(Shepherd grunts) (punch thuds)

- Guys! - Let them work it out.

- You wanna go?

Really, you want a piece of me?

(dramatic music)

You wanna do this?

Let's go.

Been waiting a long time.

Come on, bring it, tough guy.

Bennett, let's go.

Think you're Mr. Tough Guy?

Come on.

(kicks thudding) (men grunting)

Come on!

(dramatic music)

Come on.

Come on, tough guy.

(dramatic music)

You done, Bennett?

Are you done?

- Go to hell, Shepherd!

(head thuds) (Shepherd grunts)

(dramatic music)

(both grunting)

- Tap, Bennett, come on.

- Tap out.

Tap out, Bennett.

You're not gonna get out of it.

(Kirk panting)

- [Kirk] Oh god.

(suspenseful music)

- Great fight, guys.

Perfect time, perfect place.

- Kirk, what are you doing?

He's still our commanding officer.

This is insubordination.

- Insubordination?

This isn't the Army, Emily.

Out of all people I expected you to be on my side.

- I'm not taking sides,

and I shouldn't have to take sides.

And you kicking the crap outta each other

isn't helping anything.

- We good?

Bennett.

- Look, I think there's another way outta here.

- He already said that.

- Yeah, well places like this

have a massive ventilation system.

- They'd have to shut it down

to avoid spreading the airborne disease.

- She's right, it would be closed.

- Even so, they should be way easier to get through

than those security doors.

- Where?

(suspenseful music)

What?

We're gonna go practically halfway back?

- Through all those zombies?

That'd be suicide.

- Do we have someone who could get inside Sambuco's house

to get us some information?

- Maybe.

I'll talk to some people.

I'll get right on it.

- He is not telling me everything.

I need to know what's in house.

Find out everything exactly what's going on.

Anything that could help us get Pavel out of there.

- Understood.

(dramatic music)

- Okay.

Almost there, ladies.

Just one more building to get through.

- I can't.

I feel lightheaded.

- Lightheaded?

Okay, we can take a breather.

Yeah?

Right here.

When was the last time you two had something to eat?

- Other than your chocolate, it's been about four days.

- Four days?

Damn, why didn't you say so?

I've got plenty of food.

I have processed canned meat.

And,

more processed canned meat.

Mmm.

Let's see here. (grunts)

Oh yeah, that's pretty good.

Here we go.

Smells pretty good.

- Thank you.

- Hey, no problem.

Yeah, it's good, isn't it?

Mmm, tasty.

So how long have you two worked here?

(dramatic music)

- Me, about three years.

And Gabriella just over a year, right?

- And with no contact with the outside world,

I'm guessing your families must be pretty worried about you.

- Not yet.

We're usually down her for four weeks at a time.

(Brooks scoffs)

- And do they know what you do for work?

- We all signed no disclosure agreements.

Everything about this lab is confidential.

No one even knows where we are.

- I see.

So, your families, they don't ask you where you work,

or what it is that you do?

- They do.

But when you are paid enough,

you can avoid the truth.

- Just by curiosity, what do you tell them?

- My parents think that I work abroad.

So once a week, on Wednesday, I talk to them on Skype.

Today is Sunday, there is no reason to worry about me.

- Same with me and most of the workers.

You've seen our shelters.

We live here, we work here.

We go home for a week

on holidays,

but it's just once in three months or so.

- Oh.

Starting to understand why you locked the doors

from the outside in this place.

- There's no way leave the facility on their own.

- It's for security reasons,

so that no viruses can get out.

- So all this time that you two have been working here

you never suspected that these scientists

were cooking up some kind of zombie recipe?

- We were thinking that we're working to help people.

- Lot of helping it did.

- Look, you saved our lives, and we owe you,

but you have no right to accuse us of any of this.

- Okay, relax.

- Anna, he didn't mean it.

- Yeah.

- I'm sorry, I'm just on edge with everything.

- You'll feel better when we finally get to Pavel.

- I hardly think so.

- Damn.

(scoffs) Will you cut this kid a break?

I mean, I don't even like the little bastard,

but I kinda feel bad for him.

If he survives this, you owe him, like, a hug,

or a cookie, or something.

- Don't we have to go and see your friends?

- Yeah.

- Who's coming with me to the ventilation shafts?

- Kirk,

listen to me, we need to stay together as a team.

Whatever happened here is whatever--

- Not now, Thompson.

You.

- No offense, but I'm surfin' with guy

who didn't just get tapped out.

- Fine.

Emily.

- I'm going with the group.

- Serious?

You know I'm right.

We reach the vent, we get outta here.

- Even if you are right, and there is a vent,

we need to stick together as a unit.

- Great.

So we reach the command center, enter the code,

what if the code's BS?

Then what?

- Then we figure out what's next.

As a unit.

- Emily, come with me.

- I don't know what you're playing at,

but you're not thinking clearly.

- Emily, I'm not playing games!

- I don't know what you're doing.

If it's just us that goes outta there,

we'll be dead in a couple of hours.

(suspenseful music)

- Fine.

I guess we have nothing more to discuss.

- We had nothing to discuss for a while now, Kirk,

but it doesn't mean that we should separate from our team.

It's suicidal.

- You two have 10 seconds to figure out what you're doing.

They rest of you, grab you gear and your weapons.

We're moving.

- Sir.

(suspenseful music)

- Emily, look at me.

- What is it?

- I know about you and Shepherd.

- What? (dramatic music)

There's nothing between me and Shepherd.

- When we were in Iraq.

- You're so wrong.

- Emily, be honest.

- One night, you were out on patrol,

and I was back at the fort with him,

and he made a pass at me,

but I'm the one who shut him down.

Nothing happened.

Okay?

- You should've told me.

- There was nothing to tell.

Why are bringing this up now?

Are you trying to guilt trip me into coming with you?

Don't act like you're so innocent.

- What are you talking about?

- Take it easy, Kirk.

- Okay, fine.

Go ahead and follow Shepherd.

You know he's making a mistake

and everyone's gonna pay for it.

(somber music)

- This doesn't fell right, commander.

Leaving Bennett back there.

- It was his choice to go off on his own.

Let him live with it.

Keep moving.

(suspenseful music)

(zombies growling)

(rifle blasts) (dramatic music)

(zombies growling)

- [Anna] Oh my god!

- Stay back.

- Anna, come on.

(zombies growling) (dramatic music)

(blood squelches)

(dramatic music)

(Brooks grunts) (women scream)

(dramatic music)

(zombies growl) (dramatic music)

(women screaming)

- This way.

(dramatic music)

(guns blasting)

- Girls, get over here.

- Everyone okay?

- Yeah.

Made some new friends.

Everybody, Anna, Gabriella.

- Is that it, or are there more?

- Well we shouldn't wait around to find out.

(dramatic music)

- Is that blood?

Did you get bit?

- No.

I'm fine, I wasn't bit.

It's not my blood.

- Let's move out.

(dramatic music)

(zombie grunting)

(dramatic music)

(doctor grunting)

(dramatic music)

(blood squelches)

- No!

No!

Why did you do that?

- I think what you mean to say was "Thank you."

- You ruined everything!

- And what have you ruined, doctor?

All these people's lives with this virus.

- So you are the mad scientist.

(dramatic music)

- Look, I can stop this.

All of it.

I was trying to capture Tovmasyan,

so that way we can stop all this madness.

- Stop?

How are you going to stop all of this, doctor?

Have you seen all those people out there?

They're all monsters like him.

- Even more reason why he have to keep going

with our work, Pavel.

The only way to end this

is to alter the virus.

We need a specimen from one of the infected.

- Listen, I hate to break up your little reunion,

but we should move.

- Wait.

What about Anna?

Is she still alive?

Is she still human?

- I dunno.

(dramatic music)

- Move.

Come on.

(dramatic music)

Go.

(dramatic music)

- [Peter] Viktor.

- Boss, you don't want to swim?

- No.

I wanna put somebody on on Meknikov.

- [Viktor] Dmitry Meknikov?

- Yeah, I wanna know his every step, his every breath.

I want you to put a mobile unite on him

for when he's on the move.

- Okay, I'm on it.

- And obviously, be discreet about it.

I don't want him to know.

- Of course.

I'll get my best guys on it.

- Do it now.

(suspenseful music)

- Here.

- Okay, go.

(dramatic music)

Sit down.

Now, tell us everything.

- You don't need to point that thing at me.

- Do not tell me what to do, doctor.

Now start telling us about your experiment,

and why the people turned.

Because I have no problem blowing your head off.

- You wanna kill me?

Go 'head.

Shoot me now.

At this point you would be doing me a favor.

- What happened to you, doctor?

You were a well respective, published researcher.

And now this virus.

And what made you think you had the right to experiment

on human beings?

- If you really wanted answers,

you'd already have them by now.

- You are the elite scientist.

What the hell are you talking about?

We were working on bio-medical treatments

to help people with terrible, debilitating conditions.

It was all to help mankind.

What was that?

Some kind of a noble fairy tale to get us

to do your dirty work?

- I didn't create that fairy tale.

- Who did then?

- You already know that.

(dramatic music)

You're fooling yourself if you think

I would do anything

without your dad's and Sambuco's approval.

They approved everything,

including the human experiment.

- You're lying.

My father would not do something like that.

- Maybe you don't know him as well as you think you do.

This all was his idea.

He built this lab, hired me, and set the things in motion.

I'm just one piece of this.

- No, you're full of it.

- Believe what you want but I'm telling you the truth.

- What about the immune modulators?

- Nothing more than a convenient cover story

so we could create biological weapons

and soldiers who can be easily controlled

but fearing nothing, including death.

- I do not believe a word you're saying.

- Think about it,

this lab is underground,

the secrecy,

heavy security,

this lab was built for a reason,

and it was built by your dad and Sambuco.

- Why would he do that?

No.

- Money is capable of making people do just anything.

Pavel, you need to grow up and accept the facts.

(suspenseful music)

- What do you think?

Is it true?

- The truth hurts, doesn't it, Pavel?

(dramatic music)

- That's him.

- Wait here.

(dramatic music)

(shutter snaps)

(birds chirping)

Do you mind if I share this bench?

I like the view from this spot.

- Not at all.

Nice weather we're having, yeah?

- If you prefer the rain, I prefer the sun,

or skiing in late November.

- Okay, what's the deal?

- Well, I want you to get inside the house.

I want to know what's going on in that lab.

- Security?

Harder targets are extra.

- Well the place is tightly locked down.

But once you're inside,

there shouldn't be any cameras.

- How many guards?

- I couldn't tell you an exact number.

- 300,000, U.S. for the job.

With an additional 20,000 for each person

I'll have to take out.

- Take out?

- Yeah.

It might happen.

It's dangerous work.

If it makes you afraid,

you can find someone else to do it for you.

- No, no.

Deal.

- Half up front, now.

- Andrei will bring you the money.

- Just make it happen today, all right?

- Yes.

This has the address, some photos,

and contact details where you'll send the info

that you find.

- Someone followed you here.

(dramatic music)

- I don't think so.

(dramatic music)

You don't have to worry about it.

- I don't worry.

I'm a businessman

and worrying about every inconvenience

is bad for business.

But I'll need an extra 10,000 for this added it.

- What?

- For all I know that's the police

and in my business,

the last thing I need is them here.

- I'm sure it's not police.

- 10,000.

- Okay, deal.

- Have a nice day.

Enjoy the skiing.

- Thank you.

(suspenseful music)

(water rushing)

- What have you done, dad?

(dramatic music)

- Hey, you feeling okay?

- I don't think how I feel really matters at this point.

- I spent six months in an ISIL prison camp.

My wife didn't tell my kid the true.

She said I was traveling for work.

She gave gifts to my kid saying,

"It's from your father."

My wife lied so my daughter didn't think I was in danger.

You feel guilty because of your father but,

but we don't choose our parents.

Don't blame yourself.

- But how can I get over what he's done?

- You can't.

Understand that you don't have to forgive him.

You are not to blame for what someone else did,

even if that person was your father.

Accept that and you will find peace.

(melancholy music)

Eagle Six to Eagle One, do you read me?

The radio's not working.

I don't know what's happened.

- Maybe it got damaged.

- We have to let the others know that we found him.

Come on.

(lock rattling)

Come on now.

- Handcuffs are pointless.

I'm not going anywhere.

- So we found the doctor and his work.

Our task is complete.

We can go to the control center

and meet with the others.

- Where are you taking me?

- Come on.

- I can't leave.

I must stay and finish my work.

Pavel, tell him to free me.

I'm working on developing an antivirus now.

That's why I was trying to catch the infected ones.

I can't stop now.

- Pavel, what do you think?

We should trust him?

- No. (dramatic music)

- Move.

- You're making a big mistake. - Come on.

(suspenseful music)

- [Emily] Eagle Six to Eagle Five, come in.

(zombies growling) (dramatic music)

- Holy hell!

(dramatic music)

(machinery hums)

- Walk faster.

I want to get to that control center as quickly as possible,

enter the stupid code,

and be down with this place.

(dramatic music)

- You will open the door to the laboratory?

- [Pavel] Yes.

- No, no, no, no, no!

You can't do that.

That would be a huge mistake for everyone.

(dramatic music)

- Eagle Six to Eagle Five, come in.

He's still not answering.

- Just give him time to cool off.

He'll come around.

What?

- I shouldn't've let him go alone.

He was acting off of ego instead of just using logic.

He was upset.

I should've tried harder to convince him to stay.

If something happens to him

what kind of person does that make me?

- Makes you human that's all.

He didn't really give you much choice back there.

Letting you walk away,

that's pretty stupid.

- Are we still talking about Kirk?

Come on, we need to keep moving.

- Wait a minute.

- Let's just finish this, okay?

- You know, I remember when you first started dating Kirk.

I never-- - I'm serious.

I just wanna focus on finishing this.

Can we actually make that happen?

(dramatic music)

- What do we got?

- We got about...

We got about 15 problems.

- Seriously, there's gotta be another way

to the command center.

- We can go back that way.

- If we backtrack we don't know how long that's gonna take.

- And there's no guarantee

there won't be more of them there.

- So what are we gonna do?

- What are we gonna do?

We're gonna kill some zombies. (gun clicks)

(dramatic music)

- The next one is where we turn.

(suspenseful music)

Look.

- Wait, wait, wait.

Don't kill them both, save one.

If I confine the virus then I can save these people.

- Shut up.

We are killing them, both of them.

- What if we take another way and avoid them altogether?

- How do we know if we go another way

there won't be some there too?

Even more than here?

- [Pavel] We don't.

- Then let's stop wasting time and get this over with.

(suspenseful music)

- But what if he's on the level?

What if he can come up with a cure?

Then all these people can be saved.

But if we kill them--

- We are already been killing them.

- But that was before we knew we could save them.

- Sorry, kid, we have no time for this.

If we don't stop Shepherd from opening those doors,

millions could die.

(dramatic music)

Let's just get this out of the way.

- No, no, no, wait, wait!

Pavel, wait. (zombie groans)

Pavel.

No, you don't have to do this!

(zombie groans) (flesh squelches)

(dramatic music)

- Keep it up, I have more ammo.

- Let's just keep on going.

We are almost there.

- Move. (dramatic music)

Move, come on!

(dramatic music)

- Oh, really?

You tell that Somali pinhead if he wants more Abrams Tanks

he's gonna have to pay it in gold bullion,

otherwise, forget it. (Viktor knocking)

Unless it's about the lab I don't wanna hear it.

- It's about Meknikov.

Now he has a mercenary.

- What, seriously?

Who is it?

Anybody good?

- Apparently.

Georgian guy.

Ex-KGB, I don't know him but he is smart.

He got away from us.

- What did he hire him for?

To kill me?

- You think he would do that?

- I don't know.

If he's desperate anything's possible.

- I'll increase your security detail.

- No kidding?

Now listen,

see if you guys can find out what he hired him for.

- You got it, boss.

(suspenseful music)

- We got here first.

- How do you know?

- If they were here,

they would have have answered the password.

- Unless they figure it out

that doing that would put everyone in danger.

- It was part of the job.

- And my job requires me to be back in my lab

trying to fix this mistake.

- Looks like all cameras are working.

- Yes, but what about communicating with the outside?

(suspenseful music)

- No.

It's out.

- Maybe it can be fixed.

- If it can.

(suspenseful music)

We will wait for them.

I suggest we get some rest.

(suspenseful music)

(Tariq sighs)

Oh my god.

I am so tired.

You guys get some rest.

We're safe here.

- Pavel.

Pavel, you're a man of science too.

You of all people should understand

why staying here is a waste of my time.

I can help but I need to be in my lab.

- Actually, I don't understand you at all.

So just sit down

and be thankful that this man hasn't killed you yet.

- Yet?

It's not that I don't trust you,

but I don't trust you, doctor.

Don't make me use this.

(suspenseful music)

Calm down, doctor!

- I can not.

As I said, this is not the best use of my time,

which we are running out of.

- You know I have been thinking that maybe he's right.

- Are you kidding?

- No, I'm serious.

- You think we should let him continue the experiments?

- If we can't open the doors,

what are we going to do?

If we stay here, all of us are going to be infected,

sooner or later.

- If we don't die of dehydration,

or hunger first.

- There is always a way.

- How many people that work here do you think got infected?

- I...

I dunno.

Most if not all, I'm afraid.

- We don't know if there aren't any survivors.

- All those people, people I've worked with.

And all of this because of these crazy experiments.

- Don't worry, everything will be all right.

(suspenseful music)

(gunshots roaring)

- Definitely gunshots.

Think Tariq?

- We weren't the only ones that heard those.

- Then we need to go now!

- Okay, we all take three apiece.

We should be fine.

- These civvies aren't gonna help us much, are they?

- Ladies, come here.

I know you're scared, I'm scared too,

I'm gonna give you something for the anxiety.

I'm gonna give you Big Bertha, okay?

I'm gonna keep Big Daddy.

Hey!

Keep your booger picker off that trigger, okay?

Em, you gonna help 'em?

- I'm on it.

- Listen, I want these back when we're done,

do you understand?

- [Anton] Why did you give a gun to her?

- Ask your mom!

- So the plan is, we go straight through 'em?

- Yeah, right through them.

Then to the command center.

- Let's do it.

- All right, you three stay back.

The rest of you, lock and load.

Let's move out.

Godspeed.

(suspenseful music)

- I'll take the ones on the left.

You guys can handle the ones on the right.

- You sure you can handle that?

- I think you know the answer to that, commander.

- Like in Baghdad?

- Like Baghdad.

- Get hell, those sons of bitches.

And the rest of you,

nobody shoot until absolutely necessary.

I don't wanna attract anymore of those freaks.

Brooks, that shouldn't be a problem for you.

- No, sir.

Guns are overrated.

- Steady.

Steady.

Now! (dramatic music)

(zombies growling)

(dramatic music)

(guns blasting)

(dramatic music)

- I'm not gonna be your damn dinner today.

(zombie growls)

(head thuds) (blood squelches)

(dramatic music)

(Thompson panting)

- Everybody okay?

- I'm okay. - Great.

Thompson?

- Yeah, I'm okay.

(dramatic music)

What?

- Were you bitten?

- No.

It's just a scratch.

I was hurt way worse in Kabul, kept going no problem.

You were there, commander.

- It's just that--

- We wanna make sure you're not sick, bro.

- Do I look sick?

- No, but that could change.

- Come on, guys, I'm not gonna turn into one of them.

I promise that, hold on, oh no!

Wait a minute.

- [Shepherd] What?

- I think I'm a zombie. (groans)

- Knock it off, Thompson.

Seriously, are you okay?

- Told ya, I'm fine.

- Clean up his wound.

- Wait, no, don't touch his wound.

- If he was bitten it could be transmitted--

- I wasn't bitten!

- You could still be carrying the virus in your bloodstream.

- What are you trying to say?

Spit it out.

- We should isolate him.

- I said I'm fine.

Let's just go.

- You are fine now, but it could change,

and change quickly.

We've seen it.

I'm sorry.

- Commander,

let's just do this.

Emily, Brooks.

- Look, that man there,

he dragged my injured ass three miles

out of a hot zone, after he took three rounds to the gut.

I'm not leaving him.

- Me neither.

- You're putting us all at risk if he's staying with us!

- You don't know that.

- Yeah, you suggest that we just leave our friend behind,

based on something that might happen?

- You're acting as if I'm enjoying this or something.

- Everybody just settle down.

We're not leaving him.

- What if we are right?

- And what if you're wrong?

- Where we come from,

we don't leave our friends behind.

- We're wasting time right now.

We're not leaving him.

So clean up his wound and let's go.

- You are making a mistake.

- We're not leaving him!

(suspenseful music)

- Thompson, please take off your vest,

I need to clean the wound.

(dramatic music)

- What's the news?

- [Peter] It's that other matter.

- [Man] What is it?

- Meknikov, apparently he's hired some kind

of professional mercenary or something.

- [Man] Meknikov, really?

What for?

- To spy on me, to kill me, I dunno,

does it really matter?

- Not if you get in front of it.

- I've taken measures,

but Meknikov is becoming a real concern.

- Yes, yes, you might be right.

But we still need him for now.

He seems to be incriminating himself.

- I'm just afraid that he may actually do something rash.

- Watch him carefully.

And Peter,

I trust your judgment to take whatever steps are necessary.

- I think we're pretty close

to having this completely resolved.

- Good.

Keep me informed.

- Will do.

All right.

(suspenseful music)

- What time is it?

- Relax, we are being relieved in one hour.

(gunshots whooshing)

(dramatic music)

- [Announcer] Next time on "Death Squad."

- What happened, baby?

- The monster came, it want to eat me.

- How many times I told you not to watch scary cartoons?

- Dad!

- Close your ears and go to sleep.

(dramatic music)

- Pavel!

- Deal with you later.

Get this over with.

Anton, enter the passcode.

- Wait.

We can't do it.

- We have to restrain you.

- I'm not a dog!

- You need to find a new plan.

- Tariq,

dude, get some sleep.

- Can't.

- Dmitry Meknikov.

- This has to do with Pavel.

- [Man] With your son?

- [Dmitry] Yes, he's in trouble.

- You think you can kill me?

Do you think you can kill me?

(dramatic music)