All language subtitles for Love at Twenty

A film made in 5 countries

LOVE AT TWENTY

Antoine Doinel is 17 years old.

He belongs to that group of adolescents
who never had a real childhood

He escaped from a juvenile
rehabilitation work camp

but was then entrusted to a
newer and more secure centre.

A psychiatrist was able to
get him probation.

Antoine lives a solitary
and independent life.

He has a passion for music and
works in a recording industry plant.

He has achieved his dream
and depends only on himself.

Antoine frequents a club of
of young musicians from France

and participates in all the meetings.

He often gets free concert tickets.

His only friend is a companion
from his early days, Rene

who works on the Stock Exchange
at an agent of change.

- How's it going?
- I'll soon be qualified.

I'm changing to production. Are
you coming to hear Shapiro?

Remember when you were hiding out
in my house and my father came in

The old man! Help me shake the
cover and get rid of this smoke!

That's enough.

It reeks of tobacco in here,
just like some gambling den.

I'll buy three cigars
with your pocket money.

What's this? Bucephalus
is not a clothes-horse.

That thing is worth almost a
million. It's a work of art.

And I wouldn't part with
it for all the world.

Now, please do me the favour of putting
everything out and going to sleep.

- Okay, Dad.
- Good night.

- He almost saw me.
- He saw your feet but didn't say anything.

Why haven't I seen her
before? I really like her.

It'd be convenient if
you liked her friend.

You know I'm in love with
my cousin and her long hair.

The idiot wants it cut but
I hope I'll still like her.

- Is she in love with you?
- I don't know.

If I like her with short hair
I'll write her a declaration.

- See you at the usual place.
- I'll let you know.

EIGHT DAYS LATER

I've seen her three times this
week and she's noticed me.

The first time was
the 'Eroica' symphony.

I was sitting behind her, to her
right, and she took off her scarf.

All evening I watched her hair and
neck. I couldn't take my eyes off her.

I decided to speak and threaded my
way after her, but she'd met a friend...

I followed them for five
minutes, then I went home.

Then on Thursday I went half an
hour early to sit next to her.

There was hardly anyone there so I went
out to wait for the hall to fill up.

I didn't see her at first, kneeling
on a seat, talking to a friend.

I sat down beside her. She
nodded in vague recognition.

But she went back to
where she'd left her coat.

I didn't dare move, it'd
have been too obvious.

The third time was yesterday...

...strolling along with a shopping bag.

- She must live near me.
- Manoeuvres over, time to attack.

In fact, what did Pierre
Schaeffer teach us?

Finally, Antoine succeeds in
sitting next to Colette

and while searching for a sentence
in the opening speech

she responds by asking for
clarification on the program.

Normally I get off at Rome or
Clichy, strange I've not seen you.

Do you go there often?

All the Russian ones. Mussorgsky,
Borodin. On Sunday morning.

Perhaps it's not so
strange after all.

Just a shame. We'd have
met sooner or later.

I think we live in the same
area. I saw you shopping.

Yes, I live in Rue Lecluse.

- What do you do?
- I'm a student doing A levels. And you?

- I work in the record industry.
- Work?

I work at Philips. I live
alone, so I earn my living.

- How great to be independent.
- It depends.

Hey! That's my stepfather's car.

Are you coming to Gavoty on Thursday?

Yes, I think so, but if not
I might go to another one.

Why not give me your
phone number anyway?

It's better in the evening.

It's Carnot 0832.

I must go up. I've got work to do.

Goodnight, see you soon.

Antoine sees Colette several times a
week. They swap books and records.

They discuss stereos over
coffee and lemon squash...

...take turns to see each other home
and talk for hours in doorways.

Colette treats Antoine as a friend, which he either
doesn't realise or is temporarily satisfied with.

This is our second session...

...dedicated to experimental music.

The first one was given by Pierre Schaeffer,
and I could tell by the quality of your silence,

and by the letters I've received,
the level of interest generated...

- Hello, Colette?
- Yes, it's me. Oh, my head!

Were you ill yesterday?

Didn't I tell you?

I was at a party with some friends.

They're so crazy! We just
did silly things all evening.

It was such fun, but by the
end we were totally loony.

It must have been five in
the morning when we finished.

Can I come over this afternoon?

If you like, but I mightn't be there,
we thought we'd all meet again today.

- All right. See you later.
- Yes, come over just in case.

- Yes?
- Is Colette in, please?

- No, why?
- I'm returning these books she lent me.

- I'll give them to her.
- Oh, and a letter too.

All right, I'll pass it all on
to her. Aren't you Antoine?

- Yes, Madam.
- She's often talked about you, come in.

- Who is it?
- It's a friend of Colette's. Have you got a minute?

- Okay, only five minutes.
- Please.

It's Antoine, you know, Colette's friend.

You're in the same class, aren't you?

Not at all. They met at the Jeunesses
Musicales. Colette told us all about it.

- Antoine works with records, I think.
- Yes, I work at Philips.

My wife brings up her daughter, but I
think people should start work early.

At fifteen I was a mechanic at the
Laborde Garage and now I'm the owner.

- Do you want a drink?
- Not for me, thank you.

Education leads nowhere. Take Victor Hugo...

Oh, please, not Victor Hugo again.

Hugo denounced evil but
offered us no alternative.

- Don't you agree?
- Yes, maybe.

I'm afraid I must go now.

Don't go, Colette will be disappointed.
You must come to dinner one evening.

We'll arrange it with Colette.

Dear Antoine, your declaration
was so nicely put.

A man of experience!

Will you go to Maurice Leroux
tonight? Thank you for the books.

My mother thought you romantic,
it's probably your long hair.

Till this evening, dear friend. Colette.

- Do you see what I see?
- It's Antoine!

And right opposite.

What's going on? Do you live there?

Yes, I moved in this afternoon.

- From this afternoon.
- You're happy, right?

Can we come up and see?

Let's visit the palace!

- Hello!
- How are you?

He's all settled in, look!

- Congratulations.
- I have this record, too.

Amazing! Washbasin, telephone...

Look, our windows. Come and look, you two.

There are our two windows,
but we have the sun.

My wife will not leave
you in peace now.

We don't need an alarm clock,
he can just call out to us.

- Are your parents still alive?
- Yes, but I don't see them often.

- We don't get on.
- What a shame. That must upset your mother.

Well, it's partly my fault. When I was
at home I was always running away.

Where is one better than with
the family? Answer: anywhere!

Yes. Herve Bazin wrote that.

Colette pretends to be...

- Hey Francois, pour us more wine!
- Unbelievable! No respect at all now!

Me too!

Colette's parents miss their
daughter, who is never at home.

So they adopt Antoine and
often invite him over.

From his window Antoine watches
Colette's comings and goings.

She treats him the same and
doesn't feel any closer to him.

Hello, Antoine, how are you?

What brings you here?

I have two tickets for a lecture,
it's Gavoty on electronic music.

Yes, but I must work.

- Or the cinema?
- No, I just can't.

- Could we talk for five minutes.
- No, another day.

Goodbye.

I was such an idiot, I
started this all wrong.

I shouldn't be in love with her.
She treats me as a friend.

When I want to be serious
with her, she's bored.

Yet I still freeze for
hours at her door.

I'll tell you about my cousin, anyway.
Her hair's like Joan of Arc's.

I love her. I've written her loads
of letters. It's going well.

Look, this is her reply.

- Oh, terrific!
- That's not all. Look at the envelope.

I've moved. I'm in production now.

- Ice cream?
- No, thanks.

This is the first album
I made, it's for you.

Oh, how kind.

In the slalom, it was the Austrians
and the French who shone.

Here we see a descent in
two minutes and five seconds...

...putting him in front of the Austrian.

This Frenchman finished fourth

... made more difficult by imperfect
conditions of the track.

The Swiss, who did so
well in the first heat...

...wins the slalom in two
minutes and four seconds.

But it's an Austrian
who is the overall winner.

Forced into second place is...

I've been knocking for five
minutes. You're going quite deaf.

It's so dark. Are you ill?

Listen, Colette, we must sort things out.

I mean, this little game, all this
blowing hot and cold, is making me ill.

You're really stupid!

Of course I know it's my fault. I
shouldn't have moved in opposite.

I'm going back to where I used to live.

But please leave me alone.

- Get lost!
- Oh, what a bore! You get lost.

- Anyway, you're invited to dinner.
- No, I won't go.

This has nothing to do with it.
If you're asked to dinner, come.

If you change your mind, we'll
eat in a quarter of an hour.

- Hello, Antoine.
- Madame.

- Sit down. Have you eaten?
- Yes, sir.

- Sure?
- Yes, thank you.

Quite sure? It's easy to
make an omelette and salad.

Honestly, I'll just have a mandarin.

- So what's new, Antoine?
- Are you going out this evening?

I've two tickets for
Schwarzhof, but I don't know...

- You can both go.
- No, I can't.

- Why not?
- It's none of your business.

Schwarzhof is being shown on
television. I read it in the paper.

- Do you want a plate for the peel?
- Don't bother, I'll put it on yours.

- Who's that?
- I don't know.

It's all go!

Come in, it's this way.

This is Albert. I've told you about him.

My father, my mother...

And Antoine. I think you know each other.

- Yes, we met once.
- Just a minute, I'll get my coat.

- Give me a cigarette, please.

That's it, I'm ready.
We're going. Bye.

- Goodnight.
- Have a nice evening.

Should we watch the concert?

Can I have a light?

Help, help!

Help her, Wladek!

Are you crazy?

Mamma!

Mamma, mamma!

Over there!

- The exit's right!
- Cut it out, do you want to kill me?

- Come on, quickly!
- Don't worry, I'm taking you to mamma.

Can you get it open?

I can't do it!

Dammit!

Give her to me!

It's all right.

Is this your glove? What have you lost?

- My pen must have fallen out.
- Does it matter?

It's gold!

How could it have fallen out?

I'm an idiot...it's at home!

- Where's the guy that saved her?
- The one with the bike!

Let's go!

- Wait, wait!

It's too bad I can only give
you a ride on a bike.

- I find it kind of funny.

- Where are we going?
- My place.

My hospitality in exchange for the lift.

Even if it doesn't seem dangerous
you should beware!

It's not much, but it's home.

What are you waiting for,
take off that wet coat.

- You live alone?
- Yes, at least for now.

- And before?
- I lived with my father.

Excuse me, do you mind?

- And your mother?
- My parents divorced two years ago.

Here's the bathroom,
I put a clean towel in.

You can freshen up.

I lived in the provinces
before I came here.

There's furniture there, but this
apartment was almost empty.

- It's just as good here in town?
- Yes, very.

Come here if you've finished.

- It's OK?
- Yes, come in.

It's been very nice of you, but
I should go now. Thank you.

But you haven't washed.

- I was afraid for you.
- I can imagine.

We did what was right.

- We did?
- Yes, you threw some rocks!

- You're hurt!
- It 's just a scratch.

- I'll get some alcohol.
- Thanks.

- That's going to sting.
- It's good for you.

Doorbell's ringing.

That'll be my father.

- Hi!
- Hi.

Wait, what do you want?

- Is he with you?
- Who?

The one who saved the girl.

- Hello.
- Hi!

- Can I see the animal tamer?
- If you really want.

Introduce yourself.

- Where did you hide the hero?
- Come in, he's in there.

- Good evening, I haven't seen you around.
- Yeah ...

- Why?
- I had some trouble.

My pleasure.

Hi, I hope you're the last.

- The man you see here is ...
- We know!

- Congratulations!
- Wladek told us everything.

Really?

- Do you work at the zoo?
- You'll get a promotion!

- Take this.
- I'm just a common worker.

Maybe you can help me, my aunt has
to pay a fee for a dog that died.

- I'd help out if I could
- You like dogs?

Of course, I love all animals.

Weren't you afraid when
the bear was so close?

I think he knew it wouldn't attack.

Animals recognise people
that love them.

- You will certainly be recognised.
- A medal.

Or on TV.

- I'd prefer a washing machine.
-You wash laundry by yourself?

No...

Wait, let me help.

- He's too gallant.

You snubbed Wladek
because he's not a hero?

- None of your business.
- Stop studying, you're not going to be an astronaut.

Friends, I want a drink
that will go down in history.

- That's pretty, where did you get it?
- It 's from a very expensive shop!

Too bad I've never had the
chance to make a rescue.

I don't think there's any profit in it.

Heroes are a rare commodity
in our atomic era.

- To your health, friend.
- And yours.

But I don't ...

Tell me, are you married?

No...no girlfriend.

Basia must have fallen in love
with you like a bolt from the blue.

- Have you ever heard John Render?
- Who's he?

- A famous pianist!
- No, I don't know him.

Sorry.

Is that the first time
you've played the hero?

Well ... yes and no.

During the war I found myself
in difficult situations.

- You had to deal with the SS.
- Yes

- How's it going?
- Making progress.

Not so often ...

Let's see ...

The first time was 16 years ago ...

Please, tell me everything.

If you like, but you won't
find it very interesting.

I was carrying weapons
to a group of partisans,

and I met an SS patrol
from a side street.

- I was meeting someone.
- What did you do?

You took a hand grenade
and threw it at them!

- How do you know?
- I saw a movie.

- By reflex!
- I jumped into a courtyard,

climbed over a wall and left
the other part of the block.

I've seen other things
during the insurgency.

It doesn't matter if you
can't remember the details.

We've read history texts about it.

Okay. During the revolt
of the south-east sector,

My friend and I ventured out
alone bringing with us ...

- Alone?
- We had a couple of cows.

What do you want with two cows?

No, I meant to say
two flame throwers.

But we had no luck, my
friend saved his own skin.

I was wounded in the leg
and made prisoner.

If the partisans hadn't
miraculously arrived,

I'd have certainly been shot.

That's enough, let's
do something else.

- How about some music?
- Great idea.

- What are you doing?
- We're helping Basia solve a problem.

- It's Arabic to me.
- Let's see ...

- What do you want to see?
- You know less than I do.

- It's confusing.
- I'll explain it.

- I'm not an idiot.
- Marisa, Marisa!

- He's by himself.
- So?

- Someone should talk to him.
- You go, then.

- No, it's too boring.
- You're right. Dudek.

- What should we do with the hero?
- Don't ask me.

- Let's play a game.
- Blind Man's Bluff.

- Let's make our veteran a Blind Russian.
- With pleasure.

Now we need to calculate
the area of the triangle.

The result should be equal ... yes, coming!

Thanks, I can finish it.
Go to the others.

- I think it's clear.
- Yes, I think I can get it.

Enough! Enough!

Enough! Cease fire!

Cease fire!

Enough, enough!

Cease fire!

Cease fire! Executions are suspended!

Bring the prisoners to the camp.

Give me a hand, he's hung over!

Quiet down!

And this is the hero?

Help me get him on his
feet, see if he can stand.

- It's not easy for me to do it.
- Good ...

Try again.

Hey, keep still!

Leave him alone! Stop it!

And he was so good-looking!

Are you crazy? What do you want?

It hasn't done much for your
status, the merit of bear-taming!

I know.

I'm not a coward.

They think I'm afraid
but it's not true.

I'm not a coward.

Don't take it so hard, you
took some pretty pictures.

Do you want me to come with you?

Is it cold outside?

-A little.
- Where were you yesterday?

- You didn't want to see me.
- Who said?

- I've developed the pictures, look.
- Not now.

- They're beautiful.
- Later.

Everything still OK?

Why not talk?

At least I still love you.

Don't cry, Christina.

Don't cry.

I do feel guilty.

If you say so.

Then why are you crying?

Aren't you happy?

- Give me a cigarette.
- Sure.

- Now ...
- My love.

You don't know how I love you.

- I have to tell my mother.
- Sure, if you think so.

But there's no hurry,
choose the right time.

Why?

Dear, I need a little time.

I see it all now.

Don't go on so.

Don't do this, I despair.

- Be reasonable.
- No, I just want to be with you!

- Really?
- Yes.

- I believe you need me.
- Even now ...

Now more than ever.

So we'll always be together now.

Well ... no.

I need some time, I told you.

To speak with your mother.

- When?
- Soon.

Why not come with me
and stay home?

Of course I will, but not tonight.

- I don't feel what you say to me is true.
- Why not?

You should get dressed, you're cold.

- Hi, Leonardo
- Kitty ... what are you doing?

I'm bored ...

No, don't leave me alone, come here!

You're strong!

...with open windows, behind closed
doors, and music ...

- Hello.
- Hi.

... music that comes out
of all the gorges ...

... you can see the
shadows of the evening ...

- Good evening. Have you seen Valentina?
- Hello.

- Hello.
- Hello.

Look, do you know where Valentina is?

It's hot.

- Hi.
- Hello.

Why did you come so late?

What is it, Leonardo?

- Nothing.
- What?

- We need to talk.
-Okay.

- Somewhere else?
- Yes, it's better.

So?

It's not easy, you must help me.

You need something.

No ... it's that ...

No more, Valentina.
I can't go on like this.

It's not fair that I ...
we should part.

What we're doing is no
longer the same as before.

Everything is ... you know ...

- It ends here.
- Why should I want to go?

Valentina, I don't want to leave,
but it's necessary.

For that stupid girl, right?

- It 's that ...
- Yes, I get it.

But I won't pay any mind, it
all comes back to this.

I never put myself between you and her.

I've never stopped you from seeing
her, yet I've done wrong.

Why should it matter? What
need is there to dramatise?

To me it seems so clear.

I don't feel like ...

I can't stay with her ...

and then with you, do you understand?

I don't ask you much.

And you have everything.

- Now let me go.
- So easy!

The kid shows up, says
hello, then goes away.

You've thought this through?
You won't come back anymore.

Where will you go? In the clear
moonlight with your beauty?

Where will you take her? The
neighbourhood cinema or table soccer?

This I'd like to see. It's your
dream, have you thought about it?

How does it look? Is it the
same as when I met you?

As it was? As it is now.

Like now. What a nerve.

What makes you tick?

How do you present yourself?

What do you wear?

All of you, Everything that
you are now ... is from me.

Everything, you understand?

I'm going.

No, Leonardo, wait!

Wait, Leonardo!

Hello...hello?

Yes, that's me.

What?

All right.

Yes, I'll get dressed and be right there.

- Good evening. Do you know who I am?
- No.

- Leonardo hasn't ever spoken about me?
- Leonardo? No, why?

I want to talk to you about him.

- You're his friend, right?
- Sure, but what's that to you?

Nothing, I assure you.

But I want to talk to you about him
all the same, for your own good.

- You're about to make a big mistake.
- A mistake?

At the risk of ruining your life.

- You don't know Leonardo.
- But you do?

Yes, much better than you.

However ...

Let's not stand here,
come and sit in the car.

Get in.

Then you really don't know who I am?

A relative, maybe?

More intimate, my dear.

Hey, see those two? How about it?

You don't know anything about me, but
I've known of you since your first meeting.

Everything about you.

Wanna give us a ride, beautiful?

That idiot! What's her game?

Hello?

Good evening, Madam, it's
Leonardo. Is Christina there?

I see.

Thank you. Goodnight.

I want to get out now.

I can see that you're just jealous.

You're only a girl.

You haven't understood anything.

Leonardo's older than you,
he'll tire of you soon.

- That's not your concern.
- Indeed.

But you have to know everything.

Leonardo owes a lot to me and is
accustomed to what I've given him.

If I leave now, I'll regret
him taking up with you.

You can't even give him a
crumb of what I've done.

- You're rich, right?
- There's nothing wrong with that.

Leonardo doesn't have a
problem with it, at least.

He loves me, I'm sure.

- It's possible. But it's no good for you.
- Me?

Leonardo is going through
a decisive crisis in his life.

And you won't be able to help
him, only clip his wings.

Sentimentality isn't enough.

Love is not only to kiss in the
moonlight and make promises eternal.

We've made plans.

I'm sure I'll be happy, I feel it.

Happy! But for how long?

When the dreams vanish and
you are faced with the reality,

your romantic love in misery.

I'll tell you again: Leonardo is
not for you. Wealth is a drug.

And what you need is honesty, purity.

Go away! Please, go away!

One moment. Your ticket.

- I use a pass.
- Okay, thanks.

Hey, look.

Look how cute she is! Passes
every Thursday at this time.

- Where is Toyama?
- Back there.

Hey, Toyama.

This is for you.

- How many do you have today?
- I don't know.

Imagine that. You always have
your head in the clouds!

- So, the bill is correct?
- Yes, but there is one small detail.

You forgot to pay.

- How stupid. Today is the 19th?
- Exactly.

It's my birthday.

How many years old?

You don't ask a woman these questions.

You're 38!

The 19th ...

- It's my birthday too!
- Two together!

- We should have a big party.
- No, I don't think so.

- 20 years, you should enjoy it.
- It's true, have a drink.

Why? I don't have anything to celebrate.

I said ''38 years'' and she was furious.

Became even more ugly,
which wasn't easy.

But should be enough for Hiroshi.

Remember, tonight you
have to buy the drinks.

- If there's anything to drink to.
- You're so depressing.

You're right, at our age
we should be enjoying life.

Instead we slog
from morning to night.

But something could happen.

And we'll reach 50
waiting for it to happen.

So should we just cut our throats?

Something will happen.

- I don't want to come.
- Buck up and don't be shy.

- Hello.
- Good morning, girls.

- I brought some cake.
- Thanks.

- Something for you all.
- Thanks, that's nice of you.

This is for you, take it.

- No, thanks.
- Only a little, to make me happy.

Hiroshi, what is left, is lost.

Goodbye.

She's got a crush on Hiroshi.

If you're not careful,
you'll fall for her.

ldiots!

He's difficult to please, it
would take at least Miss Japan.

Maybe there's a yukata nobody
wants that you could try on.

They'd rather commit
harakiri than kiss.

Yeah? You ever looked in the mirror?

Hiroshi, look.

Now that winter's coming,
we have time to meet more often.

- And then?
- Nothing, just always enjoy looking.

- Go talk to her.
- I'm not that type.

I forgot, I have something
to do. I've got to go.

- You can't put it off?
- No, I'll see you tomorrow.

Hiroshi!

You sleepwalking, jerk?

My love.

Hi.

Is that your knife?

Want some?

You've changed recently.
You must be in love.

Is she beautiful?

I'm jealous, I've always hoped
to become your girlfriend.

- That could happen.
- Be serious! Really?

Wait and see.

I can do it. It's easy.

It's been a week now.

It was unusual for her to be out so late.

Girls shouldn't pass
along that dark road.

- I can't understand why she was killed.
- Maybe she was mistaken for another.

In the dark she could look beautiful.

I've been following you for a month.

And I don't even know your name!

What do you want?

Now ... I'll never know your name.

- Give me a drink, quick.
- What do you want?

Give me some sake. The good stuff.

That slop'll ruin you.

- Today's a party.
- What party?

- I can't tell you, it's a secret.
- I don't care.

But you can buy me a drink.

Hello? Who's there? Go ahead.

What? I don't follow you.

No, not possible. You want
to show me something?

Where are you calling
from? Who is this?

I loved her ... I loved her too much...

That's why I killed her!

The pin that I have in my hand
is all that remains of her to me.

All that remains.

Why are you calling?

I called because there is
a response to what I did.

And I wanted everybody to know.

Only then will she belong to me forever!

Hello? Hello? Say something!

I'm listening. Hello?

Hello? Please answer.

Hello? Hello?

Eight kilos? Is that weight right?

I'm not sure what to make of
that, after all, it is your first.

The documents are ready,
see you there soon.

Got a coin?

It's 1:15 and a flight from
Singapore has just landed.

Arriving on it is Tony Reicher,
a 23-year old photojournalist.

He's heard from the girl
with whom he's just had a son,

and is on his way to meet her.

- It 's a critical situation.
- Yes, and who knows how it's going to end up.

If we don't handle it right,
we're done with Latin America.

We shouldn't underestimate
what's happening in Havana.

Things are on the move, eh?

No, there are only speeches by Castro.

But I had a girl there.

The problem with my work is
that they're always around you.

As soon as you're struck by some woman,
you run into another somewhere else.

But complications are created equally.

Don't take it too hard,
there are worse things in life.

- I've had them all.
- You might also get the worst of it.

- For example?
- An eight-kilo child.

- Tony! You got back to Munich today?
- Yes.

Call me, I'm doing a film!

I'm only stopping one day, tomorrow I'll be
in Paris and I do not know what then.

- What did you say?
- We could go to dinner together.

- You can meet me at the usual place.
- Tonight! See you.

- Do I know this girl?
- She's an actress, quite famous.

- No, I'm talking about the mother.
- I don't know, it's possible.

Is it that brunette who was a
teleophonist and not confident?

- Is that right?
- Yes, she's a little shy.

But not too much, otherwise
you wouldn't be here today.

- It seems like a good idea.
- I think you would be comfortable.

Please, go ahead

- Can I help you?
- I'd like to see Miss Danning.

Mrs Danning. Room 233.
Who should I say is coming?

Riecher. Tony Reicher.

Come inside.

Through here...hey, where are you going?

- I'm speaking to you.
- I want Miss ...Mrs Danning.

- Are you one of the family?
- Not exactly.

I'm Reicher, Tony Reicher.

- You're the father!
- Yes, sister.

Then come with me.
What are those?

- Carnations.
- I can see. Only three!

- And not even fresh.
- I just arrived here, I didn't have time.

Better than nothing. Come with me.

His skin's all wrinkled, is that normal?

If you took more of an interest you
would know they're all born that way.

Come in.

Hello.

You look well, Ursula.

They're wonderful, it's nice of you
to remember my favourite flowers.

It's the least I could do.
Where can we put them?

Just here for now.

- Marina, could you put these in some water?
- Of course, I'll get a vase.

- You came from Havana?
- No, from Singapore.

I had to go otherwise the
deal would have fallen through.

- It's your baby?
- He's the most handsome in the clinic.

That's very nice of you, thank you.

He didn't get any of his
looks from his father.

I'm Paul Saleb, and this is my wife.

- My pleasure. Tony Reicher.
- Pleasure.

Your wife always talks about
you, and very well.

- Now we can meet you.
- I'd like to, but I have to fly out tonight.

I envy you, how fascinating
to travel about the world.

- It 's very exciting.
- But not always fun.

Tonight I go to Paris to follow
the trial of a murderer.

- I'm sorry to leave you.
- Yeah.

Your work comes first.

I'll get used to it.

I feel too deeply.

You brought the documents
for the recognition of the child?

Of course, that's why I'm here.

- I mean, not just for this.
- Thanks for the clarification.

Don't be like that. Did you tell your father?

- Did he come?
- Yes, but it didn't go well.

Try to do something, will you?

I saw the baby, it's beautiful.

- You really think so?
- Of course.

Wait a minute, take this!

Mr Reicher, I was told you
were here. How are you?

- Much better.
- Congratulations, it's a beautiful baby.

- The doctor is an angel.
- It's my pleasure.

- She's a very brave girl.
- Yes, she's always shown that.

It's my understanding,

that since the patient is much better,

and there is a beautiful sun outside,

you should venture to take a walk.

But I recommend no
exertion or excitement.

- And be mindful of your throat.
- Not even a little chocolate?

No. You should bring her
back no later than seven.

Our schedules are very rigid.

Please, please.

I'll leave it to you.

I think you understand
what the doctor intended.

- Here's the jar.
- It's okay to leave here, right?

Could the gentlemen please leave the room?

- What dress should I wear?
- The most beautiful, of course.

- It doesn't matter, she's always pretty.
- Come on, what are you waiting for?

- You think that's the right tactic?
- Listen, I have more experience than you.

For Tony Reicher the
worst moment has passed.

In a few hours he can
leave everything behind.

- What is it?
- Nothing.

- If you want to buy something...
- No, I don't want anything.

You can reproach me, but
but I don't think it has credibility.

It's the fault of my disordered life.

I bow to female superiority.

Not a superior woman, just a happy one.

That makes sense, you
got what you wanted.

I'm not helping you much.

And how will you
manage to go on?

I don't know.

But I assure you I
won't miss anything.

So you don't need to
have a guilty conscience.

If you want to know the
truth, I am happy. Very.

You want to convince yourself that you're
happy and it wasn't wrong to have a baby.

So it's natural to have a baby.

If everyone followed nature
there would be overpopulation.

Even if you do not want, I'll do
everything possible for you two.

It might be better for everyone
if he doesn't know.

If it hadn't happened then,
there could have been others.

It's possible.

It was different when I knew
her at Jimmy's house.

I live in Bradford.

What if I had not accompanied
you home that evening?

Now we could start all over again.

We're very different. You're used
to travelling around the world,

meeting famous people who
I've only spoken to on the phone.

Sorry, the Director hasn't arrived yet.

Try again later.

Good morning, sir. Who do you want?

Tony, what a surprise! A party?

And you accepted immediately.

It was a little cold, it rained.

You were prettily wrapped.

I was still sleeping.

- What was that?
- Hello, who's speaking?

They all say he's a beautiful
child, even the doctor.

It's not true that you don't look like
him, I just said that to make you angry.

I'm happy.

You'll stay in my home, in Hamburg.

- I'd rather not move too soon, for the child.
- You're right.

Soon I'll have a break
and we'll be together.

We can do interesting things
and get to know ourselves better.

I agree.

Well. And then you can just ...

Tony, let's take it a step at a time.

- Can I ask you something?
- Sure.

Don't laugh, but I want a Matta sausage.

No, the doctor has forbidden you.

These two men meet on a bridge,

and Frederick says to Gerry ...
No, Gerry says to Frederick ...

- Hey! Have you heard this joke before?
- No.

Well. Then Gerry tells Frederick ...
I can't remember how it goes.

I can never remember
jokes. You tell me one.

Tony!

How are ya, Tony! Hi!

I'm going to a photo shoot.

Can't stop now, see you
tonight like we said.

Wait a minute!

Come on. Sorry, but I'm in a hurry.

Vera, I have to talk!

Ursula!

- It 's after hours, no visitors.
- But I have to see her.

She's resting, I can't disturb her.

Then tell her I'll call her as
soon as I get to Paris.

- And tell her I'm sorry.
- Okay, I'll tell her.

Another thing ...

This book will denounce corruption
behind the ''economic miracle''.

- You've got to help me find a title.
- You can think of one.

I hope it's going to be a success.
When are you going to Hamburg?

I haven't decided yet.

I'd like some advice from your father
for the first draft of the book.

- What book?
- The one we've been discussing the last two hours!

Yes ... sounds great.

I've never seen you so restless.

Things with that girl didn't
go as you wanted, right?

- What do you mean?
- You're not free of her.

Not so.

- I made it!
- I didn't expect to see you.

Tony ... the documents. I can't
enter the registry without them.

Sorry, I must go, I have
an appointment for work.

- Call me. See you.
- Yes, sure. Good evening.

Come on, let's sit down.

- How did you leave the clinic?
- It was easy.

The back door.

- I could have sent you the documents.
- You know that I wanted to see you.

You shouldn't have done it, you're tired.

Last call!

Let me know how that joke ends.

- This isn't the time, the train's leaving.
- Go on.

- You know I'm useless at it.
- It'll be funny.

All right!

Frederick and Gerry meet on a bridge,

and Gerry says to Frederick ...
I mean, Frederick tells Gerry ...

Again, as usual!

Don't give up, honey. You have
a bit of time to think about it.

It's 8:25. The Orient Express is about to leave.

Tony thinks "It's strange.
People meet, fall in love,

they marry, and have a child.

It's done in a confusion of ways
but the result is the same.''

And he takes the first
photo for the family album.

- I don't know what you mean!

Subtitled by Shane Burridge