All language subtitles for Deadwax - 1x07 - Part Seven_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,581 --> 00:00:19,236 [tense chiming] 2 00:00:23,806 --> 00:00:26,287 [tense music] 3 00:00:41,519 --> 00:00:44,174 [loud thudding] 4 00:00:51,573 --> 00:00:54,054 [tense music] 5 00:00:56,404 --> 00:00:57,970 What should we say? 6 00:00:58,014 --> 00:00:58,971 The truth. 7 00:01:00,712 --> 00:01:01,974 You think that'll work? 8 00:01:03,150 --> 00:01:05,848 If we're lucky she won't even be here. 9 00:01:05,891 --> 00:01:07,067 How is that better? 10 00:01:08,720 --> 00:01:09,765 So we can steal it. 11 00:01:10,679 --> 00:01:13,377 All right. [door creaking] 12 00:01:15,075 --> 00:01:15,945 Please come in. 13 00:01:31,178 --> 00:01:34,006 [liquid sloshing] 14 00:01:36,531 --> 00:01:40,491 My family own the pretty eminent lac beetle farm in Japan. 15 00:01:41,579 --> 00:01:44,365 Their beetles are in tune with all with the music 16 00:01:44,408 --> 00:01:46,193 of the early 20th century. 17 00:01:47,150 --> 00:01:49,544 If you have shellac from this time, 18 00:01:49,587 --> 00:01:52,547 you have heard the sound of my family. 19 00:01:52,590 --> 00:01:55,158 Transmitted through the lacquer secretions 20 00:01:55,202 --> 00:01:57,029 of our beautiful beetles. 21 00:01:58,422 --> 00:02:02,905 Organically produced shellac is now seen as inferior 22 00:02:02,948 --> 00:02:06,082 to modern chemically produced vinyl, 23 00:02:06,126 --> 00:02:08,476 but this is only because the intrusion 24 00:02:08,519 --> 00:02:11,870 of the Second World War deprived us of that chance 25 00:02:11,914 --> 00:02:13,568 to refine our process. 26 00:02:15,309 --> 00:02:18,312 [glass thuds] 27 00:02:18,355 --> 00:02:21,184 Miss Child, how did you know we were coming? 28 00:02:21,228 --> 00:02:23,969 Because you are looking for the Lytton lacquer. 29 00:02:24,013 --> 00:02:26,146 That's not an answer. 30 00:02:26,189 --> 00:02:27,059 Do you have it? 31 00:02:29,540 --> 00:02:32,152 I'm so sorry for what is happening to you. 32 00:02:33,457 --> 00:02:34,676 Do you have it or not? 33 00:02:35,851 --> 00:02:38,462 It does not belong to me. 34 00:02:38,506 --> 00:02:39,942 [Len sighs] 35 00:02:39,985 --> 00:02:42,901 The Lytton lacquer was never meant to be heard 36 00:02:42,945 --> 00:02:45,295 without the correct preparation. 37 00:02:45,339 --> 00:02:47,776 It is passed around like a prize, 38 00:02:47,819 --> 00:02:51,606 and its true purpose neglected and ignored. 39 00:02:53,738 --> 00:02:57,394 But if you have heard it, and you are still alive, 40 00:02:58,395 --> 00:03:01,746 it may not be too late to instill this priming 41 00:03:01,790 --> 00:03:03,183 and reverse the effects. 42 00:03:05,750 --> 00:03:06,751 The key records. 43 00:03:09,493 --> 00:03:10,973 Yes. 44 00:03:11,016 --> 00:03:12,148 Do you have key one? 45 00:03:13,671 --> 00:03:15,195 Yes. 46 00:03:15,238 --> 00:03:16,152 How can it help? 47 00:03:17,371 --> 00:03:19,808 Did you know the secretions of a lac beetle 48 00:03:19,851 --> 00:03:21,636 can be tuned? 49 00:03:21,679 --> 00:03:25,030 All matter resonates, all matter can be tuned. 50 00:03:26,118 --> 00:03:27,816 And retuned. 51 00:03:27,859 --> 00:03:28,686 Yeah. 52 00:03:29,861 --> 00:03:30,688 FRM. 53 00:03:31,602 --> 00:03:33,256 The human body, 54 00:03:33,300 --> 00:03:35,127 the human brain, 55 00:03:35,171 --> 00:03:38,653 and the human mind can all be retuned, 56 00:03:39,697 --> 00:03:41,264 in order to prime oneself 57 00:03:41,308 --> 00:03:44,876 to experience the full spectrum of the Lytton lacquer. 58 00:03:46,182 --> 00:03:47,618 You need all three records. 59 00:03:48,576 --> 00:03:50,404 Due to unfortunate circumstances, 60 00:03:51,535 --> 00:03:53,929 they have not been together in a long time. 61 00:03:55,626 --> 00:03:56,801 We have them. 62 00:03:56,845 --> 00:03:57,672 Two and three. 63 00:03:59,761 --> 00:04:01,980 That's all of them, right? 64 00:04:02,024 --> 00:04:04,679 [Lily softly laughs] 65 00:04:04,722 --> 00:04:05,549 So what do we do? 66 00:04:07,247 --> 00:04:08,683 We prime. 67 00:04:08,726 --> 00:04:11,251 [tense music] 68 00:04:12,991 --> 00:04:15,820 [floors creaking] 69 00:04:18,345 --> 00:04:19,302 I don't know about this, 70 00:04:19,346 --> 00:04:20,869 she's kinda weirding me out. 71 00:04:21,870 --> 00:04:23,219 She's like 20 pounds. 72 00:04:24,351 --> 00:04:27,919 If she tries anything, we grab the record and run. 73 00:04:31,662 --> 00:04:34,186 [tense music] 74 00:05:25,499 --> 00:05:26,369 Custom. 75 00:05:27,370 --> 00:05:29,764 Precisely calibrated for a true 76 00:05:29,807 --> 00:05:33,463 and accurate representation of every frequency. 77 00:05:34,856 --> 00:05:36,379 Audible or not. 78 00:05:36,423 --> 00:05:39,164 With no imperfections whatsoever. 79 00:05:39,208 --> 00:05:41,341 No other system has ever been so clean. 80 00:05:44,344 --> 00:05:47,608 Who built it for you? 81 00:05:47,651 --> 00:05:50,437 It was built for my family long time ago 82 00:05:50,480 --> 00:05:52,308 by a man named Ian Ulmer. 83 00:05:54,484 --> 00:05:57,008 [tense music] 84 00:06:03,275 --> 00:06:05,930 [loud thudding] 85 00:06:07,628 --> 00:06:09,847 [loud thudding] 86 00:06:09,891 --> 00:06:12,546 [loud thudding] 87 00:06:16,985 --> 00:06:19,553 [record snaps] 88 00:06:21,511 --> 00:06:24,122 [record snaps] 89 00:06:25,863 --> 00:06:28,431 [record snaps] 90 00:06:33,610 --> 00:06:37,658 Once it has started, please sit in the circle. 91 00:06:37,701 --> 00:06:39,529 The sweet spot of the room. 92 00:06:43,054 --> 00:06:45,448 I will count backwards from three. 93 00:06:47,232 --> 00:06:48,886 Lower the needle on the knob. 94 00:06:53,282 --> 00:06:54,109 Three. 95 00:06:55,197 --> 00:06:56,024 Two. 96 00:06:56,938 --> 00:06:58,461 One. 97 00:06:58,505 --> 00:07:01,464 [levers snapping] 98 00:07:01,508 --> 00:07:04,424 [soft tense music] 99 00:07:08,123 --> 00:07:10,342 [record hisses] 100 00:07:10,386 --> 00:07:12,867 [tense music] 101 00:07:21,528 --> 00:07:25,880 [moves into tense electronic music] 102 00:07:41,461 --> 00:07:43,506 [electronic whooshing] 103 00:07:43,550 --> 00:07:47,292 [electronic buzzing] 104 00:07:47,336 --> 00:07:50,731 [tense electronic music] 105 00:07:51,645 --> 00:07:53,255 What's happening? 106 00:07:54,125 --> 00:07:55,257 Stop it. 107 00:07:55,300 --> 00:07:56,519 Stop the music! 108 00:08:02,873 --> 00:08:04,222 What the fuck? 109 00:08:08,923 --> 00:08:12,317 [tense electronic music] 110 00:08:21,936 --> 00:08:22,763 Perry? 111 00:08:25,374 --> 00:08:26,201 Etta?! 112 00:08:29,334 --> 00:08:30,510 Len? 113 00:08:30,553 --> 00:08:31,380 Etta! 114 00:08:36,472 --> 00:08:37,560 [electronic buzzing] 115 00:08:37,604 --> 00:08:40,563 [soft tense music] 116 00:08:40,607 --> 00:08:43,566 [electronic buzzing] 117 00:08:43,610 --> 00:08:46,569 [electronic buzzing] 118 00:08:46,613 --> 00:08:48,702 [electronic buzzing] 119 00:08:48,745 --> 00:08:51,661 [loud tense music] 120 00:08:55,143 --> 00:08:57,798 [soft whirring] 121 00:09:14,902 --> 00:09:16,556 [screeching] 122 00:09:16,599 --> 00:09:17,644 [loud thudding] 123 00:09:17,687 --> 00:09:20,472 [Etta screeches] 124 00:09:22,518 --> 00:09:25,173 [soft whirring] 125 00:09:27,697 --> 00:09:30,395 [soft thudding] 126 00:09:38,403 --> 00:09:41,058 [loud thudding] 127 00:09:42,669 --> 00:09:45,106 [footsteps scraping] 128 00:09:45,149 --> 00:09:47,935 [tense music] 129 00:09:47,978 --> 00:09:49,676 Time for the children to eat. 130 00:09:52,766 --> 00:09:56,552 [energetic electronic music] 131 00:10:40,378 --> 00:10:43,120 [loud whooshing] 132 00:10:44,208 --> 00:10:45,035 [electronic whooshing] 8217

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